MA D E L I N E T O T H
CONTACT
EDUCATION
Madeline Toth
University of Cincinnati, Cincinnati, OH
371 Probasco Street, Cincinnati, OH 45220 17812 Ashford Hills Ct., Granger, IN 46530 tothmj@mail.uc.edu 574.292.3203
Master of Architecture, May 2015
Ball State University, Muncie, IN
Bachelor of Arts in Architecture, May 2012 GPA: 3.75 (Dean’s List), Cum Laude - Honors College - Study Abroad: Australia Center, Lennox, New South Wales, Spring 2012 Semester
RELATED EXPERIENCE University of Cincinnati
Teaching Assistant, Spring 2015 - Furniture Design - Research and coordinate millwork projects - Review and grade student designs Teaching Assistant, Fall 2014 - Communication Skills III - Instruct 16 students in hand-drawing and digital techniques - Review and critique student work
Elkus Manfredi Architects, Boston, MA
Architecture Intern, May-August 2014 - Schematic design for residential renovation projects for Harvard University - Construction documents and administration including an extensive submittal review for a residential project
Solomon Cordwell Buenz, Chicago, IL
Architecture Intern, August-December 2013 - Construction Documents through 95% completion for a High Rise Residential Tower in Austin, Texas - Schematic Design and Unit Marketing Plans for High Rises
Anderson Architects, New York, NY
Architecture Intern, January-May 2013 - Schematic plans and design development drawing set for a flagship retail store in London - Developed fixture designs for the retail store - Site documentation and field measuring - Construction details for residential projects
Panzica Building Corporation, South Bend, IN
Architecture Intern, June-August 2011, May-August 2012 - Developed schematic designs, interior and material details - Developed master plans, floor plans and elevations - Processed submittals and bids - Design-Build firm experience
HONORS + AWARDS
LEADERSHIP
Fulbright Scholar Finalist
Treasurer, Graduate Student Governance Association
Teaching Assistantship, Bulgaria, Spring 2012
Graduate Assistantship
Furniture/Millwork, Spring 2015 Communication Skills III, Fall 2014, Environmental Systems 3, Summer 2013
Presidential Scholarship
Ball State University, 1/2 Tuition for 4 Years
NCMA New Block Design Competition, Competition Winner
Cripe Architects+Engineers, September 2011
Best and Brightest-CAP Class of 2012
Cripe Architects+Engineers, September 2011
Cripe Design Competition, Competition Winner
Placed 1st in Ball State’s Third Year Design Competition, Cash Prize, December 2011
SKILLS Technical + Visual
AutoCAD, REVIT, Rhino, V-Ray, SketchUp; Adobe: Photoshop, Illustrator, InDesign; Hand Rendering; Office: Excel, Outlook, Powerpoint
Fabrication
Fall 2014-Current - Advocate for students in the architecture graduate program - Apply for grants to benefit the group
Treasurer, American Institute of Architecture Students
Spring-Fall 2011 - Grant writing to bring principals in for lectures from nationally recognized firms - AIAS Conference Participation - Quad, Cincinnati, OH, October 2011 - Grassroots Leadership, Washington D.C., July 2011 - Forum, Toronto, December 2010
Vice President of Scholarship, Panhellenic Council January-December 2010 - Developed and implemented programming for Scholarship, overseeing a community of 1,000+ women - Conducted Roundtable discussions and presented to groups
Honors College Peer Mentor
Fall 2011 - Leader and mentor of an 8-week, 10 person class for freshman in the Honors College.
Hand Modeling, Laser Cutting, 3D Printing
Personal
Focused, Team-Player, Listener, Personable
OTHER EXPERIENCE Girl Scouts of Northeast Texas, Denison, TX May-July 2010 - Waterfront Director, Lifeguard, Sailing Instructor - Counselor at Camp Rocky Point on Lake
MA D E L I N E T O T H
s w i a
studio 6 14 20 24 28 30 34
CRANBROOK FABRICATION SMALL FORMAT GROCERY “THRIVE” RECREATION CENTER“ SUSTAINABLE LABORATORY JULIA CARSON CENTER TOWNHOUSE BRAND CHARACTER, COMMUNITY CENTER
work 38 42 44 46
RETAIL: FOSSIL FLAGSHIP STORE ELKUS MANFREDI ARCHITECTS RESIDENTIAL HIGH RISE WHARF: ON THE RIVER
immersion 48 HAITI BLOCK 50 ecoREHAB
art + design 52 INSTALLATION: HUMAN 54 DRAWING + PHOTOGRAPHY
6
The comprehensive studio set out to join the practical with the poetic through research, practical technologies, and multiple-scale design strategies. The project was to design a fabrication lab for design students and researches, with studios, housing, and a gallery space at Cranbrook Academy of Art in Bloomfield Hills, Michigan. My design intent was to place the functions across the site, separating the public from the private, and in doing so, creating outdoor spaces usable to students or visitors for exhibitions. The project was approached by a series of studies, from model building to studies of spatial and material qualities.
CRANBROOK FABRICATION studio UC Comprehensive Studio Fall 2012 I Professor Jeff Tilman
Fabrication Lab
8
Site Plan
Site Plan
10
Material and Spatial Collage
Above is a study of materiality and spatial quality of the circulation spaces above and below, connecting the library and studio space to the fabrication lab. The connection of the exterior to interior was important.
2” GRAVEL EPDM ROOFING MEMBRANE ALUM. BASE FLASHING 10” RIGID INSULATION 6” CONCRETE SLAB OPEN-WEB STL. JOIST @ 6’ O.C. W-FLANGE BEAM
ALUM. MULLIONS DOUBLE GLAZING WITH 3/4” AIR GAP LIMESTONE CLADDING
3” PRECAST LIGHTWEIGHTAGGREGATE SLABS 16” DUCT SPANDREL GLASS
CORTEN DOOR
6” CONCRETE SLAB ON GRADE MTL PIPES 12” O.C. REINFORCED STL. REBAR 2” EXTRUDED POLYSTYRENE INSULATION 6-MIL POLYETHYLENE MOISTURE BARRIER 6” GRAVEL STABLE, DENSE SOIL BASE FABRIC FILTER 3/4” SYNTHETIC DRAINAGE MAT 1/16” BITUMINOUS COATING 4” PERFORATED PIPE CONCRETE FOOTING
12
Studio [Existing]
Studio: Students
Art
Bioswales
Gallery
Studio: Artist in Residence
Museum [Existing]
Site Section-Elevation
14 ctive
4 1
Concept Collage
For a small format to be viable, it must go beyond a small grocery store. Key anchors such as a bakery and pharmacy bring additional customers into the store. Click+collect is a quick, satisfying service for the on-the-go user. Unexpected delights such prepped ingredients, a sampling center, and a play area encourage loyalty from customers and keeps them coming back. These programmatic features reach out to all types of users - the child [play area], a young teen walking in the neighborhood [bakery pickup window], trendy adult [bulk goods], a busy parent [click+collect and “pick your plate�], and an older woman [pharmacy]. This small format will serve the needs of people living and/or working in the area.
SMALL FORMAT GROCERY studio UC Elective Studio Spring 2014 I Professor Michael Zaretsky
resu <<<
6 3
5 2
LINGER LINGER
QUICK QUICK
Trip 222Trip TripMissions Missions Missions
Parti
Parti Parti
O
P
A
H
T
16
Grocery Interior
18
Prototype Plan
Pharmacy
Pick Your Kit
Bulk Goods
Bakery
Click & Collect Lockers
circulation
Circulation Diagram
structure
Structural Diagram
natural light
Natural Light Diagram
massing
Massing Diagram
solid:void
Solid : Void Diagram
Protype ‘Side’ Elevation
Protype ‘Front’ Elevation
20
Program Climbing Walls Fitness Gym + Studios Equipment Rental Velodrome Track Juice Bar
Camp Washington is a place that thrived and survived on industry, supported by the highway network that surrounds, roads that pass though, and a rail yard that connects the industries to outside the neighborhood. The program and location of the Recreation Center recognizes the volume of people who circulate through and around the site, calling them to come into the site, stay a while, and enjoy a space that creates dynamic views into the rail yard and across Camp Washington. The Center creates a reason for people, both near (in the neighborhood) and far (tri-state area), to come to enjoy Camp Washington. Once a place to pass through, it becomes a destination, a place to thrive.
â&#x20AC;&#x153;THRIVEâ&#x20AC;? RECREATION CENTER studio UC Design Studio Summer 2013 I With SHP Design
Site Section
Veledrome Track
22
Concept Sketch
Site Plan Camp Washington Recreation Center and Land Bridge
24
Site Plan Salt River Bay, St. Croix
The Marine Research and Education Center is on a 96-acre site, on Salt River Bay along the north coast of St. Croix. The 60,000-square foot campus will support research and education programs for university level and younger students. The project develops integrated design and engineering strategies that address the offgrid utility infrastructures, employing sustainable design strategies. The goal is to minimize natural resource consumption while enhancing social and economic benefits, addressed through my goals to Organize, Energize, and Acclimatize.
SUSTAINABLE LABORATORY studio
BSU 4rd Year Design Studio Competition Merit 1st Place December(1st 2012 AwardI Design for the Competition, Sustainable Laboratory Place) Fall 2011 I Professor Robert Fisher //Cripe Architects + Engineers, December 2011
Museum
Laboratory Unit Section
Presentation Hall
Classroom
Laboratory Units
26
ORGANIZE: The labs, classrooms, housing, and support spaces are centered on a common area of green space for recreation and a â&#x20AC;&#x2DC;streetâ&#x20AC;&#x2122; for movement and activities. The design is modular, allowing for easy assembly and versatility among functions. ENERGIZE: Labs and classrooms are supported by social spaces adjacent to the area. Outdoorspaces are designed to promote collaboration among researchers and students alike. The lab opens up into the other lab through a dividing glass door, promoting idea sharing. ACCLIMATIZE: The site addresses the need of freshwater, energy, and waste management. To utilize the year-round warm climate, there is a community garden. Arbor structures provide ample shading.
Energy Use
Water Collection + Collect, Store, Distribute
Daylighting + Filter Light Via Louvres
Maximize Wind Energy + Turbines, Venturi Effect
Decrease
Increase
Resource Efficiency
Single Loaded Corridors + Natural Ventilation
28
JULIA CARSON COMMUNITY CEN studio BSU 3rd Year Studio Spring 2011 I Professor Olon Dotson
Bioswales
Theatre
Main Hall
Office
Gallery Library
Cafe
Amplitheatre Berm
NTER
The Julia Carson Community Center is located in the Mapleton-Fall Creek Neighborhood of Indianapolis, Indiana. The 57,000 GSF multipurpose facility is in honor of the late U.S. Representative, Julia Carson. Her mission was to have a facility that represents an inclusive society, commitment to community, and love of family. Community Center strives to engage the people and allow them once again to live in a place of beauty, trust, and hope, in the community and themselves.
Gym
30
The Santa Fe Townhouse is designed through the manipulation of modular units. Included is a living area, kitchen, bathroom, dining, and workspace. The structure is flat plate concrete with adobe walls, designed for the southwest climate of New Mexico. The house is placed as near to the street as possible, allowing for a private garden in the rear, enclosed by an 8â&#x20AC;&#x2122; high wall. With privacy as a necessity and townhouses on either side, ventilation and light are key to the placement of spaces, both interior and exterior. Terraces allow for an extension of space that is desirable in this environment.
TOWNHOUSE studio
BSU 2nd Year Studio Spring 2010 I Professor Dan Woodfin
32
34 Brand
Phenomenology
Branded Environments Experience Realms Branding Strategies
7 Senses Character
Brand Identity Process BRAND IDENTITY PROCESS: Alina Wheeler
1. Conducting Research
2. Clarifying Strategy
3. Designing Identity
4. Creating Touchpoints
5. Managing Assets
Concept Sketch
Project Goals Proctor and Gamble
Box of Boxes
Part/ Whole, Open/ Closed
“Touching Lives, Improving Life”
Engage Human Senses
Materials/ Variety
“Everday Life Better”
Program Mix/ Community Services
Voids/ Movement Site/ Context
Logo/Icon
Circle/ Blue/ Water
Aperture/ Patterning/ Scale
I am adapting branding literature and phenomenology and their understandings of human sensory and emotional engagement, to the design of a flagship community service center for Proctor and Gamble to make an architecture that embodies the character of the company, and that will help them attract a diverse groups of users and visitors. My research looks at branding and how architecture is becoming part of a brand, as a touch point. As a critique of surface level and iconographic methods of expressing a brand architecturally, I chose to explore phenomenology (namely branded character and the seven senses) to better understand how a deeper understanding of human experience can be addressed in architecture for a corporate ‘brand’. I am adapting branding literature and phenomenology and their understandings of human sensory and emotional engagement, to the design of a flagship community service center for Proctor and Gamble to make an architecture that embodies the character of the company, and that will help them attract a diverse groups of users and visitors.
My research looks at branding and how architecture is becoming part of a brand, as a touch point. As a critique of surface level and iconographic methods of expressing a brand architecturally, I chose to explore phenomenology (namely branded character and the seven senses) to better understand how a deeper understanding of human experience can be addressed in architecture for a corporate ‘brand’. 1. Specifically, Proctor and Gamble, as a house of many brands, I had the concept of “box of boxes”, revealed primarily as part:whole and open:closed. As a large company, powerful in its size, product selection, and in the market, it focuses on making “Touching Lives, Improving Life” and “Everyday Life Better.” 2. “Touching Lives, Improvig Life addresses the human individual’s senses, emotions, and intellect through materials. 3. “Everyday Life Better” is expressed through the program mix and community services, addressed through a design strategy of voids/movement, site/context. 4. The circle motif and the color blue are used because of its known association with the brand, in apertures, patterning, and scale.
Through a manipulation of voids, openness, materials, circulation, the circle, and color blue, this community service center provides a community flex space and coffee shop combined with the following services: coin laundry, dry cleaning, shave shop, fitness center, spa, and community garden selected in part by location and lack of these services in the site vicinity and to align with the products and character of Proctor and Gamble.
BRAND CHARACTER studio
UC Thesis Studio l In Process Fall 2014 I Professor John Hancock, Advisor Edson Cabalfin
COMMUNITY CENTER
MASS ON SITE
PROGRAM
SERVICES
CARVE/ OPEN/ EXPOSE
PARTI
Parti Diagram
PERFORATE AND STEP TO FIT IN CONTEXT
EXTERIOR VS. INTERIOR
Program Diagram
36 FITNESS CENTER
SPA
SHAVE SHOP HISTORY EXHIBIT
COIN LAUNDRY
Ramp Program Experience
Community Garden
Coin Laundry
Dry Cleaning Community Flex Space
PROGRAMS REVEALED IN SPACE DIAGRAM
Coffee Shop
Meeting Room
Site Analysis: Over-the-Rhine Cincinnati, Ohio
Storage
Ground Floor Plan
Courtyard Exterior View
38
Store Interior
model-11
Anderson Architects is a multi-disciplinary firm that design public spaces and special facilities to furniture and fixtures. There is a focus in creating a â&#x20AC;&#x153;placeâ&#x20AC;? and working with honest materials to express the identity of the client and their brand. From schematic design to design development, I contributed to the design of a flagship retail store in London, helping to realize the brand and express the identity of the company through spatial planning, plans, storefront design, fixture design, and material selection.
ANDERSON ARCHITECTS &derson Co-op I New York, New York Spring 2013 I Advisor Matt Greer
Fossil, London November 2013
40
This design of this retail project evolved from looking at the history of the brand and understanding how the company wanted to project their image to the world. With anderson architects, I came to understand the dialogue between the plan layout and the fixture design. The fixtures informed the layout and the spatial organization suggested the fixture design.
Fixture Design: Window Display Unit
Metal Clad Canopy, Staggered Panels
Zinc Signage Panels, Textured
Main Entry - Building 2 Management Office
1
2
42
4
3
MASTER PLAN UPDATE
SOLDIERS FIELD PARK
Proposed Entry Improvements Concept Draft
Harvard University Housing
June 10, 2014
Zinc Signage Panels, Textured
Typical Primary Building Entry - (Building 2 Shown, Buildings 1 and 3 Similar)
Metal Clad Canopy, Staggered Panels
1
2
4
3
MASTER PLAN UPDATE
SOLDIERS FIELD PARK
Proposed Entry Improvements Concept Draft
Harvard University Housing
June 10, 2014
chapter 4
PB + facility infrastructure
Zinc Signage Panels, Textured
Proposed Entry Improvements Soldierâ&#x20AC;&#x2122;s Field Park, University Housing Cambridge, Massachusettes
Typical Secondary Building Entry - (Building 2 Shown, Buildings 1 and 3 Similar)
1
Elkus Mandfredi Architects is a large firm with its office in Boston, Massachusettes. I worked in SketchUp, InDesign, Revit, and CAD. I worked on schematic design for residential renovation projects for Harvard University, including entry design and material selection. For another residential project, I worked on construction documents and construction administration including an extensive submittal review. Responsibilities included rcps, MASTERelectrical PLAN UPDATEcoordination and hvac coordination, and fixture review. I also had the opportunity to write a memorandum, work with an architecture photographer for a space, work on signage for a University. SOLDIERS FIELD PARK 2
4
3
Harvard University Housing
Proposed Entry Improvements Concept Draft
June 10, 2014
ELKUS MANFREDI ARCHITECTS work Co-op I Boston, Massachusettes Summer 2014 I Advisor Emily Paparella
BB
CC
6'-0"
5'-10
19
1/4" 3/4"
DD
4'-9"
12'-1
P-4
PROJECTED BAYS ABOVE
P-4
DD.7
"
EE 24'-0
8'-0"
EQ
EQ
EQ
EQ
EQ EQ
P-4
EQ
GWB
3" OF SPRAYED INSULATION IN HATCHED 12'-0" AREAS AS INDICATED
WS-6
LC-5
12'-0
LC-5
EQ
FP-1
LC-5 WS-6
WS-6
LR-1 LR-1
EQ
EQ EQ
NO CEILING WS-6
LR-1
EQ
LR-1
XA
LR-1
EQ
WS-6
LR-1
2'-0" 2'-0"
3'-0"
LC-5
0 20'-
GAR RA 1
5'-4"
19
2'-0"
5/8"
4'-10
"
" 8'-0
4'-0"
/8" 7'-7 3
T-1
LR-1
LC-5 2'-6"
EQ
5'-6"
EQ
T-1 LR-1
19
EQ TYP . EQ
EQ
LR-1
34'-0" 86'-8"
5'-4"
LR-1 4'-0"
EQ EQ
LR-1
26'-0"
10'-0 "
5'-4" 6'-0"
10'-0 " 5'-11 "
10'-0 " 2'-5" EQ
EQ
LR-1 LR-1
EQ
LR-1
LT-X
LR-1 LR-1
LR-1
LT-X 8"
LC-5
LR-1
NO CEILING SERVICE CORRIDOR 121 11'-8"
WS-6
WS-6
MAINTENANCE 122 NO CEILING
LT-X 6'-6" 1'-7"
15'-0"
LR-1
3'-0"
GWB 12' - 2"
EQ
GAME GWB ROOM 110 11' - 0 1/2"
LR-1
LR-1 10'-0 "
7.5 8
EQ
LR-1 3'-6"
5'-6"
LR-1
4'-6"
Barry’s Corner, Residential Allston, Massachusettes
5'-6"
LT-X
LT-X
LC-5
T-1
LT-X
3'-6"
LR-1
2'-0"
LR-1
3'-6"
LR-1
EQ
2'-0"
LR-1
LR-1
"
LT-X
LR-1
LR-1
LOUNGE GWB 111 LR-1
LR-1
EQ
11' - 0 1/2"
10'-0 "
GWB
BB.5
6'-10 5'-6"
EQ
11' - 0 1/2"
LR-1
3'-0"
LR-1
LR-1
4'-6"
4'-11 "
EQ
10'-0 "
7.3
3'-9"
EQ
LR-1
LR-1
EQ
" 6'-0
CORRIDOR 104
LR-1
LR-1
6'-0"
LR-1
3'-6"
EQ
EQ
EQ
XB
EQ
EQ
EQ
LR-1
LC-5 EQ
ELEVATOR CONTROL ROOM 119
3'-0"
LR-1
19
WS-6 NO CEILING
EQ
9
LC-5
WS-6
NORTH BUILDING TRASH ROOM 118
WS-6 EQ
8.6
WS-6
WS-6
WS-6
EQ
WS-6
20'-0 "
XA
WS-6 EQ
NO CEILING
SWITCH GEAR 117
8'-0"
EQ
P-4
WS-6 DRY PIPE ROOM/ WS-6 STORAGE 112 NO CEILING
2'-5"
7'-2"
LR-1
EQ
STAIR N1 1-SN1
IT/AV CLOSET 141
2'-0"
EQ 4'-6"
P-4
WS-6
EQ
EQ
LR-1 EQ
4'-9"
EQ
7'-2"
EQ
EQ
3"
P-4
P-4
WS-6
WS-6
NO CEILING WS-6
EQ
P-4
WS-6
" EQ
P-4
11' - 10"
"
19
LC-5
EQ
13'-9 "
EQ
NSTAR 116
"
EQ
P-4
P-4
10
12'-0
GWB 10' - 0"
EQ
EQ
P-4
"
LC-5
18'-0 "
EQ
EQ
10'-6
10'-6
EQ
WS-6
4'-6"
11'-7 "
P-4
GG. "
LC-5
FP-1
P-4
4'-9"
10 7 /8
WS-6
FP-1
FITNESS 113
10.1
160'-
XC
FP-1
P-4
11
8'-0"
NO CEILING
FP-1 EQ
EQ
2'-3"
P-4
58'-0 "
4'-7"
11.4
BIKE STORAGE 114
P-4
9'-2"
EQ
P-4
LINEAR DIFFUSERS - SEE MECHANICAL
GG
4'-4"
6'-0"
4'-0"
11.5
FF.4
"
6'-0"
EQ
11'-7 "
11.6
RETUR AIR GRILLES - SEE MECHANICAL
FF
4'-6"
P-4
EQ
12
EQ
14'-0 "
24'-0
8'-0"
13
BB.2
44
DOOR SCHEDULE - RESIDENTIAL UNITS DOOR
FRAME
DOOR NUMBER
TYPE
WIDTH
HEIGHT
THICKNESS
MATERIAL
FINISH
MATERIAL
JAMB
HEAD
FINISH
LOCATION
COMMENTS
R1A
A
3' - 0"
7' - 2"
1 3/4"
SCWD
STAINED
HM
J1
H1
PT-12
UNIT ENTRY
RIFT CUT RED OAK DOORS WITH APPLIED WOOD CASINGS
R1B
A
3' - 0"
8' - 0"
1 3/4"
SCWD
STAINED
HM
J1
H1
PT-12
UNIT ENTRY
RIFT CUT RED OAK DOORS WITH APPLIED WOOD CASINGS
R2A
A1
2' - 10"
6' - 8"
1 3/8"
HC
PAINTED
WD
J2
H2
PAINTED
BEDROOM
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
R2C
B1
3' - 0"
PAINTED
6' - 8"
1 3/8"
HC
PAINTED
WD
J2
H2
PAINTED
BATHROOM
6' - 8"
1 3/8"
HC
PAINTED
WD
J2
H2
PAINTED
BATHROOM
3' - 0"
6' - 8"
1 3/8"
HC
PAINTED
WD
J2
H2
PAINTED
BATHROOM
R4A
A1
2' - 10"
1 3/8"
HC
PAINTED
WD
H2
PAINTED
CLOSET
R4B
A1
2' - 6"
6' - 8"
1 3/8"
HC
PAINTED
WD
J2
H2
PAINTED
CLOSET
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
R4C
A1
2' - 0"
6' - 8"
1 3/8"
HC
PAINTED
WD
J2
H2
PAINTED
CLOSET
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
R4D
A1
1 3/8"
HC
PAINTED
WD
J2
H2
PAINTED
CLOSET
R4E
L
4' - 6"
6' - 8"
2"
HC
PAINTED
WD
PAINTED
CLOSET
R4F
B1
3' - 0"
6' - 8"
1 3/8"
HC
PAINTED
WD
J2
H2
PAINTED
CLOSET
R4G
A1
1 3/8"
HC
PAINTED
WD
H2
PAINTED
CLOSET
R4H
B1
4' - 0"
6' - 8"
1 3/8"
HC
PAINTED
WD
J2
H2
PAINTED
CLOSET
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
R4I
B1
5' - 0"
6' - 8"
1 3/8"
HC
PAINTED
WD
J2
H2
PAINTED
CLOSET
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
R4J
L
2"3/8" 1
HC
PAINTED
WD
PAINTED
CLOSET
R4L
L
2"
HC
PAINTED
WD
PAINTED
CLOSET
R5A
D
5' - 0"
6' - 8"
1 3/8"
HC
PAINTED
WD
J2
H2
PAINTED
LAUNDRY
R5B
C
2' - 6"
6' - 8"
1 3/4"
SCWD
PAINTED
WD
J2
H2
PAINTED
UTILITY /MECH ROOM
1' - 0"
5' - 8" 6' - 0"
2' - 10"
6' - 8"
6' - 8"
6' - 8" 6' - 8"
6' - 8"
WD
J2
FIRE RATING
H2
2' - 10" 3' - 0"
B1
6' - 8"
1 3/8"
HARDWARE
PAINTED
A1 A1
R3E
1' - 6"
6' - 8"
SILL
HC
R3A R3D
J2
J2
J2
LEGEND CEILING HEIGHTS TYPICAL FLOOR TO CEILING HEIGHT 9'-6"
BEDROOM
R5C
C
1 3/8"
HC
PAINTED
WD
H2
PAINTED
R5D
D
4' - 0"
6' - 8"
1 3/8"
HC
PAINTED
WD
J2
H2
PAINTED
LAUNDRY
R5F
C
2' - 8"
6' - 8"
1 3/8"
HC
PAINTED
WD
J2
H2
PAINTED
LAUNDRY
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
UNDERSIDE OF SLAB (VARIES) SUSPENDED GYPSUM DRYWALL CEILING 11'-4"
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
SUSPENDED GYPSUM DRYWALL CEILING 9'-6"
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
SUSPENDED GYPSUM DRYWALL CEILING 8'-10" SUSPENDED GYPSUM DRYWALL CEILING 8'-4"
LAUNDRY
WHERE PROVIDED IN PH UNITS, DOORS TO BE 7'-0" H
7.4
8
SUSPENDED GYPSUM DRYWALL CEILING 8'-0"
8.4
SUSPENDED GYPSUM DRYWALL CEILING 7'-61/2"
GENERAL NOTES FOR UNIT DOORS: 1. 2. 3. 4. 5.
DOORS APPLICABLE TO ALL TYPES OF RESIDENTIAL UNITS ARE INCLUDED IN THIS SCHEDULE SEE A8.20 FOR DOOR TYPES AND A8.25 FOR TYPICAL DOOR DETAILS PROVIDE PRE-FINISHED SATIN NICKLE HINGES PROVIDE 1" UNDERCUT FOR ALL INTERIOR UNIT DOORS DOOR NUMBER R3B AND R3C - NOT USED
FIXTURE LEGEND A
A
A.2
A.2
DOWNLIGHT RECESSED CAN 6" INCANDESCENT - 120 V LIGHT TRACK 4'-0" LIGHT SCONCE IN CORRIDOR CEILING FAN
EQ
BEDROOM
UNIT A7 1 BEDROOM
SURFACE MOUNT FIXTURE IN ELEVATOR LOBBY
LIVING ROOM/DINING ROOM
4'-4 7/8"
RETURN AIR GRILLE 14" X 24" BATHROOM EXHAUST FAN 12" X 12"
1'-8"
CEILING HT. 8' - 0"
CEILING HT. 8' - 10"
8" 1'-4" 1'-4"
8"
CL
4'-1 1/4"
ENTRY 8"
CR
7.4
CS
3 8
8
B
CS
8.4
UNIT A7 REFLECTED CEILING PLAN SCALE: 1/4" = 1'-0"
7 7.4
THE INFORMATION SHOWN ON THIS SHEET IS APPROPRIATE FOR ALL OF THE UNITS IN THE PROJECT IDENTIFIED BY THIS UNIT “TYPE”. FOR ALL CONDITIONS RELATIVE TO A PARTICULAR FLOOR’S STRUCTURAL OR MECHANICAL UNIQUENESS, REFER TO THE A2 AND A7 SERIES DRAWINGS. TO LOCATE SIMILAR UNIT "TYPES" THROUGHOUT THE PROJECT, REFER TO THE UNIT MATRIX ON SHEET A0.20. REFER TO SHEET A6.95 AND A6.96 FOR UNIT RELATED CASEWORK AND MILLWORK DETAILS AND SHEET A8.40 FOR ALL UNIT SCHEDULES.
A.9
CR
CS
7.4
8
8.4
8.4 11' - 0"
2'-4"
13'-6"
A.2
5'-0"
1'-9"
A
A.2
61
11
UNIT A7 1 BEDROOM
11
30
ACCENT WALL COLOR 2
LIVING ROOM/DINING ROOM 2 A6.73 SIM 3'-7"
A.9
B
B
2'-6 5/8"
6'-10 3/8"
2 A6.60
1
SIM
KITCHEN
R5A 1"
1
CL 1
12.18.2013 CONSOLIDATED UNIT PLANS UPDATE 11.21.2013 FINAL GMP/CONSOLIDATED UNIT PLANS DATE DESCRIPTION
Mixed-use Development ENTRY
R4A R1A
7/8" 61
NO.
GREEN WATER
30
1
5
2R3S
20
1"
3'-1 1/8"
1
W/D
3'-0" 1 3/4" 2'-11 3/4"
5
2'-9 3/4"
35 1
4
1" 5'-0"
1R2S
A.9
2R3S
7'-11 7/8"
B
CL
6 3/4"
A.9
55A
2'-2 1/2"
BATH 1
55A
1'-3"
2"
1
4'-0"
R3A
55A 55A
15'-2 1/4"
3'-6 1/4"
R2A
R4F U-VCT-01 U-WF-01
1'-6"
5'-0 1/8"
1'-2 7/8" 6 1/4" 1'-2 1/4"
ACCENT WALL COLOR
U-WF-01 U-TIL-01
6'-4 7/8"
BEDROOM 5'-5 7/8"
U-CPT-01 U-WF-01
1'-2 3/4" 2'-1 1/4"
ACCENT WALL COLOR
4'-4"
5'-0"
1'-8"
A.2
5'-4"
A.2
A
4'-8"
A
1' - 8"
1'-9"
A
3'-5 1/2"
1'-3"
A.9
2" 2'-1 1/2"
20
1'-3"
7
GENERAL NOTES
2'-0 3/8" 2'-0 3/8" ACCESS PANEL
B
4'-5"
2'-2" 4'-6"
W/D
CEILING HT. 8' - 4"
A.9
ACCESS PANEL ABOVE TUB TYP. 3'-0" X 4'-0"
2'-8"
BATH
CL
ACCESS PANEL CLOSET CEILING TYP. 30" X 30"
2'-4"
2'-1 5/8"
CEILING HT. 8' - 4"
B
Austin, Texas © 2013 Solomon Cordwell Buenz
7
7.4
8
8.4 7
2
UNIT A7a FINISH PLAN SCALE: 1/4" = 1'-0"
1
7.4
8
UNIT A7 FLOOR PLAN SCALE: 1/4" = 1'-0"
8.4
UNIT A7 CONSOLIDATED PLANS AND SCHEDULES Drawn By: Author Checked By: Checker Project Number:
2011041
Sheet Number:
U-A7
Solomon Cordwell Buenz is a multi-disciplinary firm that specializes in residential high-rises and education. It is a large firm, with offices in Chicago and San Francisco. This was my first introduction to a large firm, with over one-hundred sixty people in the Chicago office. I worked primarily in Revit, with some work in CAD. This co-op experience exposed me to residential high-rise design. My responsibilities included plans, unit plans, interior elevations, rcps, and door schedule coordination, primarily on the Green Water project in Austin, Texas. Some time was spent in producing marketing plans for a new high rise in Chicago. As a member of the Green Water project team, I worked with up to 10 people at times, coordinating the project to the 95% CD set. I learned how to coordinate with a project team, in the context of a large project.
SOLOMON CORDWELL BUENZ work Co-op I Chicago, Illinois Spring 2013 I Advisor James Young
Green Water, High Rise Residential Austin, Texas
46
Waterfront Development Schematic Design
Construction Begins, Spring 2014
At Panzica, a small Design-Build Firm, I devloped schematic designs, interior, and material details. I processed submittals and bids, developed client relations through meetings and presentations. I worked on the development of master plan and space planning for the Wharf project, situated on the St. Joe River in South Bend, Indiana. The condos are for families and couples interested in living downtown, away from the suburbs and into the city. As developer, architect, and builder, Panzicaâ&#x20AC;&#x2122;s hope is to provide a place to live, activating the river walk and promoting an urban lifestyle. The hope is to enrich the city, support local businesses and engage with the people, culture, and place of South Bend.
PANZICA
Internship I South Bend, Indiana Summer 2011 + 2012 I Advisor Philip Panzica
Site Concept Sketch
Site Concept Sketches
48
The Haiti Block was developed for the New Block Design Competition. Our team won 1st Place at the local level for Indiana in December 2011. We refined the block design . The project received 3rd Place at the National Concrete Masonry Association, awarded in Traverse City, Michigan. Group Members: Colin Marshall, Kevin Snyder, Madeline Toth, Caleb Wild
HAITI BLOCK
BSU Elective Seminar 1st Place I ICMA , December 2011 Fall 2011 I Professor Tony Costello
Formwork Mold
Photograph: Physical Model of Haiti Block
As part of an elective course, the Haiti Block was inspired by the need of the Haitian people and the real -world implications of a new block design. The objective is to design an original concrete block that has aesthetic qualities, cost-efficient production, and high strength and stability.
Construction Diagram
Throughout the many iterations, the final design was informed by the challenges facing Haiti and their reconstruction efforts. It is in the basic form of the block, with the interlocking keys that drives the success of the block. From a basic 8” x 8” x 16” block, the form was derived. The interlocking keys of the block allow the block to overcome the two most critical issues of structural failure in unit masonry: shear and diagonal cracking.
50
ecoREHAB
BSU ecoREHAB Summer Program Summer 2011 I Professor Jonathan Spodek
Working for ecoREHAB was a dynamic learning experience that not only gave me the comfort of handling power tools, hanging drywall, mixing mortar, and working in the wood shop, but gave me the opportunity to get involved in the community. By working in the neighborhood, I gained a deeper understanding of the Muncie community, met local specialists in historic preservation, and toured a local building undergoing restoration. ecoREHAB has 4 goals: 1. Rehabilitate existing houses 2. Immersive learning experience 3. Establish a design assistance center 4. Offer training programs to communities.
52
Each year, first years are assigned an installation project. My partners, Michael Bramer and Claire Thomison, and I wanted to create an intervention that activated space through play of light and a human-like figure. To create a play on light, we used colored stones. Through careful manipulation of chicken wire, metal duct, silverware from every thrift store in the area, wire, and a light bulb, the three of us created a human silverware man. This title and many others have emerged across CAP. He was kept as a permanent installation outside the Architecture Library for 3 years. Maintenance moved “him” and we discovered him in a closet off of the main hallway. We kidnapped human and now he rests as a piece of art in my partner, Claire Thomison’s, home.
HUMAN: AN INSTALLATION
BSU 1st Year Studio Promotional Exhibit Spring 2009 I Professor Paul Folger //Soup Kitchen Benefit, July 2009
Sketch, Exeter Library, Louis Kahn
54
DRAWING + PHOTOGRAPHY
tothmj@mail.uc.edu
574.292.3203
371 Probasco Street Cincinnati, OH 45220