Portfolio of Mads Nikolaj Brandt
CV - Mads Nikolaj Brandt EDUCATION 2016-2018 // KADK Master, CITAstudio - Computation in Architecture 2014 // KTS, Cabinet Making 2011-2014 // KADK Bachelor, Department 2
WORK 2014-2018 // C.F. Møller Architects, Student Worker - Head of model building // Spring 2016 - Competitions, Architectural Models, Visualizations
ResumĂŠ
2012-2013 // Arne Arcel, Model building
Computational architect with roots in traditional design approaches.
SKILLS
Light and vision are my main fields of interest. These are explored through combinations of analogue and digital methods. The work represented in this portfolio is a broad range of hands-on projects, theory-driven ideas and realized projects spanning on different scales.
Adobe Package 3D - Photoshop - Rhino - Illustrator - SketchUp - InDesign - Grasshopper - Premiere Pro - Vray
Contact Info Phone no.: +45 22 95 12 97 Email: madsnikolajbrandt@gmail.com
AutoCAD
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Selected Work Timeline 2012
2013
2014
2015
2016
CITAstudio
2017
2018
CAUSTIC SCAN
ENCRYPTED FACE
Computation in Architecture GROWTH STRUCTURE
KADK Department 2
CLOCK TOWER
SHADOW THEATRE
CINEMA IN ISTANBUL
City and Building
KTS
Basis Course
CABINET MAKING
Outside School Gab Year
DALUN LIBRARY
THE WALKIN’ DISPLAY (CHART Art Fair)
NEGOTIATING VISIBILITY(THESIS)
CLOCK TOWER 2 semester nd
Evaluation: 12
This guesthouse in Granada, Spain is hosted by a giant clock. It controls when the guest can sleep, eat, shower and visit the toilet. Living in a tempocraty we are to some degree tied to our daily routines. This project suggests a physical boundary consequence to what we are already enslaved: time. Through hybrid interior functions inspired by ship interiors the guest can only use the functions that the clock currently provides.
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3-Point Perspective - Guesthouse Suite
View of Sleeping Chamber
Mechanics Sketch
Walking Through Clock Mechanics in the Staircase
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SHADOW THEATRE 4 semester th
Evaluation: 12
The shadow theatre is situated in the courthyard of a Berlin building complex. It nigthly performs for the inhabitants of the adjacent apartments. People from the street can visit and experience the inside of the shadow-generating machinery. The theatre’s interior walls are defined by light and shadows creating an ephemeral architecture that changes at each play.
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Model of Courtyard in Berlin
View of Courtyard at Night //3D visualization course
5049 Mads Nikolaj Brandt, afd 2
Drawing Overlapping Shadows from Different Light Sources
View of Courtyard from Window //3D visualization course
5049 Mads Nikolaj Brandt, afd 2
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Sketch Models of Different Space Compositions
Ephemeral Interior Walls of the Theatre
Ephemeral Interior Walls of the Theatre
Kinetic Fold-out System to Control Shadows
CINEMA in Istanbul 5 semester th
Evaluation: 12
This projects focuses on our visual senses and how speed can limit what we perceive. As we move faster we lose our ability to focus on detail. The visual decay that occurs is in this construct linked to the material decay of buildings. The Cinema is built from perceptual fragments and constructed to bridge the gap between two contrasting speeds.
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Concrete cast exploring perceptual decay as a direct influence on a physical building anatomy
Cinema Exit on big street
Cinema Entrance Bridge
Model elevation seen from the narrow street
Cinema Entrance Bridge
CABINET MAKING Fall 2014 , KTS After receiving my bachelor degree from KADK I started on a basic course in cabinet making for half a year at Københavns Tekniske Skole. During the course I was introduced to almost all the tools a cabinet maker will use and I gained a fundamental understanding and respect for the craft. We had the freedom to design the furniture and using both finer hand tools and larger power tools I was able to realize those ideas.
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CORPUS
Detail of Cabinet Top
Cabinet for rolled-up drawings
Detail of Corner Assembly
Detail of Corner Assembly
LIBRARY IN DALUN 2015 On Christmas of 2014 I was contacted by some of my local friends from Dalun, Northern Ghana. They wanted to establish a library in their village and needed drawings to seek funds. Together with a friend I travelled to Ghana to create drawings and design a library in collaboration with the local children and teachers. Hosting several workshop to gain knowledge on their needs we came up with a proposal. The library project is still in progress and an organization has been established around the project.
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Learning Facility
Bird’s Eye Perspective of Library Organization
Snit 1:50 1:200 Section
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0,15m 3,75m 7,35m
2.a
10,95m
2.b
14,55m
2.c
18,15m
2.d
21,75m
2.e
1:200 Plan
25,35m
2.f 2.g
Toilets
2.h
12 sqm
Learning
Office 14 sqm
Research / Leisure 99 sqm
(IT)
123,4 sqm
Storage
Common
16,9 sqm
71 sqm
1.a
1.b
1.c
1.d
1.e
1.f
1.g
1.h
1.i
1.j
1.k
1.l
3,15m
6,75m
10,35m
13,95m
17,55m
21,15m
24,75m
28,35m
31,95m
35,55m
39,15m
42,75m
Garden
0m
1:200 Elevation
THE WALKIN’ DISPLAY CHART ART FAIR 2016 In 2018 I qualified in the CHART Art Fair Architecture Competetion together with Emil Fabritius Buchwald. The design won the permanent category allowing the otherwise temporary pavilion to serve as exhibition space for art students throughout the following year. During CHART Art Fair the timber structure was designed to both accomodate a food stand underneath and an exhibition upstairs. Throughout the process I gained knowledge on projecting smaller constructs; talking to engineers, municipality, etc. to get permits to build in a both fragile and exposed location as Charlottenborg in the center of Copenhagen.
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// Winner of Permanent Category
Foto: Rasmus Hjortshøj, COAST
Proposal
Exploded Isonometric Drawing
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Realized Project
Presenting for the Jury - Foto: Rasmus Hjortshøj, COAST
Visitors During CHART Art Fair - Foto: Rasmus Hjortshøj, COAST
Exhibition Illuminating the inside of the pavilion
First Exhibition - Foto: Rasmus Hjortshøj, COAST
Pavilion in the Courtyard of Charlottenborg
CAUSTIC SCAN 9 semester - CITA Workshop th
With the task of creating an alternative shading system mounted onto kinetic wax pistons, my group made a design concerned with the phenomenon of caustic light. When curved surfaces reflect light it is either in the spreading or concentrading light. We created an effect where light was concentrated inside drop-shaped extrusions. This established a close relationship with sunlight and even concentrated light coming from the surroundings. Through various methods we analyzed the phenomenon and looked at how light concentrations would change over time.
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Bending of structure
Artificial Light Exploded isonometric of structure
Natural Light
10:00 am
12:00 pm
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15:00 pm
Scans at Different Temperatures
14 degrees Celsius
18 degrees Celsius
22 degrees Celsius
GROWTH STRUCTURE 9 semester - CITA Workshop th
As part of the Flora Robotica research, this workshop focused on triaxial weaving as method for creating continouos surfaces from brading. Adapted into the architecture we designed a system for sprouting plants. These were carefully placed in small pockets around the surface. The placement of plants around the structure depented on the amount of sunlight. Later we made a more integrated design with 3D-printed pockets that fit into the triangles of the woven structure
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Beans placed on surface
1:1 Structure in its context
From inside potato tunnel
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Computated membrane within structure
Lux values retrieved with rasberry pie
View inside membrane
3D-printed sprout pocket
Bean plant peaking out
ENCRYPTED FACE 9 semester - Master th
Evaluation: 12
With an interest in how a 3D scanner works I used raytracing to understand the travel of light. This was used to predict the movement of the structured light that a Kinect 3D scanner sends out when scanning a space or object. Using raytracing I encrypted a scan of my own face into an anamorphic projection that I then CNC milled. Comparing the input and output result, this project has been used to test the accuracy of raytracing as a method for predicting the travel of light in space.
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Digital Template for CNC milling the shape components
Face Scan
CNC milling foam
Anamorphic Encryption of Face Scan
Digital Callibration Setup
Kinect 3D scanner
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CNC-milled anamorphic face
Rotating Mirror Plane - working as mirror cylinder
Reflection of Anamorphic Shape in Mirror
Anamorphic Scanning Process
Original Scan
Scan Comparison
Anamorphic Projection
Deciphered Scan
NEGOTIATING VISIBILITY 10 semester - THESIS th
My Thesis seeks to reconsider our apporach to privacy security in a time of mass surveillance and increasing digitalization. It investigates how an analogue architecture might communicate abstract problematics of visibility. Using digital tools to simulate light I studied different modes of visibility established through architectural stategies. The building program is a think tank to the development and discussion of future privacy security strategies. The core programs are revolving around conference spaces and offices. Penetrating these functions is an exhibition walkway that didactically informs the visitor about personal exposure and surveillance through different degrees of visibility.
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Evaluation: 10
Lamella Investigation Box
Exhibition Pathway
Exposure
Exhibition Pathway penetrating the core functions of the underrgound building
Concealment
Field of Vision heat map of an exhibition visitor
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Visibility Imbalances
Contents Concealed
Contents Revealed
Equal Visibility
Dark/Light relations between different adjacent spaces
Concealed Exhibition Contents
Revealed Seminar Contents
Underground Transition View from Nytorv
Thank you for your time Contact Information Phone no.: +45 22 95 12 97 Email: madsnikolajbrandt@gmail.com
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