Pe r Eje usa mp l Sc lar ore us – o e no xc t fo lus r ivo per co for ns ma ult nc a es Mauricio Sotelo
White inner light
for violin solo (2015)
(VersiĂłn 27-12-2018)
PS 10044
Proyecto Sotelo
Pe r Eje usa mp l Sc lar ore us – o e no xc t fo lus r ivo per co for ns ma ult nc a es
Pe r Eje usa mp l Sc lar ore us – o e no xc t fo lus r ivo per co for ns ma ult nc a es Mauricio Sotelo • White inner light
Pe r Eje usa mp l Sc lar ore us – o e no xc t fo lus r ivo per co for ns ma ult nc a es Mauricio Sotelo: White inner light
PS 10044 (versión corregida 27-12-2018)
© Copyright 2015 by Proyecto Sotelo S.L., M adrid
a Mauri Sotelo–Romero
White inner light for violin solo (2015)
Pe r Eje usa mp l Sc lar ore us – o e no xc t fo lus r ivo per co for ns ma ult nc a es
Mauricio Sotelo (* 1961)
(I.) Con fuoco
# !"
q = 96
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II IV III
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(
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)
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5
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5
rit.
-
a tempo
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10
a tempo
poco rit.
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© Copyright 2015 by Proyecto Sotelo S.L.
5
1
(
)
1
Proyecto Sotelo PS 10044 Korr. 27/12/2018
2
(II.) Tangos q = 126
& % #& %# % #& ' # $ # # # # # # $ # # $ # ' # " '# %# # ! " # $# # $# # $#
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PS 10044
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% $ " " " "%3 " " " " # "2 0 4 " " " #" " " " &" $" &" F 4
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47
" #" " $" &" " " " ") " " " " * " $" $" & " " ! # " " " # " $ " " " " $" &" " P poco rit.
+ ('
49
2
1
0
(III.) 'Descensus ad inferos' q = 90
( !'
51
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F
*
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/ " ) %" " - " ) m "" "" ,
quasi libero
") m")
2
preciso arco pizz. I
arco pizz. arco pizz. /" 1" b "/ 1 / 1" b " b 1" 1 b "/ pizz. 1 1 " b " b " ( b " n 1" b " n" , n " ' " 0 p „0“ 5
(' " b" n" m " " b" " ) p lyrisch
3
3
p
3
3
" m )" b" + " !, lyrisch
56
III
poco piú lento
! -, " µ " n " b " B " b " " B " " n " µ " n " %"
54
II
arco
p
III sim.
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m" "
% + " p
b" " ('
")
")
-,
q = 90
3
p
pizz. / / b "/ b 1" 1 II "/ pizz. 59 1 / 3 3 1 n ." b " n" b" " " b" ( b " " " n" !' 1 1" b "1 " , b " n " " " b " " m " m " 1 3 „0“ 3 p 4 arco
arco
+ 2
-,
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61
arco pizz.
. m "" ) ! (' m " ))
III
IV
/
accel. poco a poco
63
f
%" " . ". m ". m " " m " n" m" n" F
PS 10044
% ." ". b ". %" " " ". ". b ". b " -, *
(' ('
n "%
5 = quarter tone flat 6 = quarter tone sharp
4
(IV. Cadenza)
65 ) *
ondeggiando 9
&
#norm.
9
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klagend
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#5
& #gliss. 6 &
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Pe r Eje usa mp l Sc lar ore us – o e no xc t fo lus r ivo per co for ns ma ult nc a es
!
#
q = 54
quasi flaut.
67
!
#
[* In this passage cautionary accidentials are used]
7
"" $ " " (
69
! - "$ " "- "
71
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7
+ ,
& $" $" " " $"
#
&
#
& # 5 6 $ " "" " " $" $" $" " $" " $" " $" " $" " %" $" " $" -" " + " -" $" " " " $" -" " ) * ( 9
&
7
7
9
9
7
$ " " " " $ " % " - " - " % "' - " % " - " % " % " $ " - " % " $ " " $ " - " . )( *
5
5
6
$ "$ "% "% "% " " " "% "% " "
7
- " % " $ " % " $ " " $ " % " $ "% " $ " 5
7
6
" %" " -" %" " " %" -" " %" " $ " % ". - " $ " " $ " - "+ % " $ " " "' % " $ " " $ " " % " " " % " - " " )
73
9
9
$" "$"" "$""" " $"" %"%"$"%"%"%"%"""-"%" " " " " % " " %" %" " $" " $" $" " $" + " %" %" .$" " $" * , * ( 7
! -"%""-"%" 7
+ ,
9
7
q = 60
ritmo preciso!
IV III II III II
75
poco accel.
! " " " $" " " $" " $" $" %" $" $" " $" %" %" $" ' ' " . 7
7
5
)
77
!
79
!
II
III II
III IV III II
7
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III IV III II 7
II III IV III II III
II
III
7
" $" " % " " % " $ " % " $ " %" " " . " " $" + $" " $" / # & # ondeggiando III II III II III IV III II 6
5
7
9
7
$" " $" " "" $" " $" " $" $" " $" " $" " $" " ' $" -" " " $" %" $" """ """ " . " . " . " " " . " . " . " " ." . / 7
& %" %" $" " *
$" -" $" " $" " " $" " $" " $" " -" " $" " " " " " $" " $" " " $" " " -" %" %" " $" " " " " -" 6 7 ( * 9
7
6
PS 10044
5 II
III II
III IV III II
III IV III II
81
7
I II III IVIII II III II
III II
III
percorso graduale di staccato a spiccato … 9
7
Pe r Eje usa mp l Sc lar ore us – o e no xc t fo lus r ivo per co for ns ma ult nc a es
!
#"
( ( #" " #" " #" " " #" #" " #" " #" " ' " & " ' " ' " & " ' " & "( ' "( "( & "( & "( ' "( & " ' " & " " " " " $ " $ " &" '" $ " $ """ $ """ $ 7 % * ) % 7
q = 63
( ( "( # "( ' "( " " " ( ( 83 'spiccato volante' ( ' " ( # " ' " ( ' "( ' "( ' " # " ( ( ' " & " ( ( " ! & "( ' " & " % 9 *
# $"
$ $ $ $ " " " " " " # " " " $" " " " # " " " " " # " " " " " " " accel. poco a poco . . .
7
7
7
7
q = 63
+ ( ( ( ( "( #" " #" " " #" " # " " # " " " & +"( " & " (" ' " , "( ' " " "( (" , "( (" 85 " " " """ " " "( ( ( "( & "( ( "( "( ( # "( "( #" " ! '" " $
$
poco rit.
accelerando
(non accentuare)
7
7
*
7
7
q = 72 accel. poco a poco . . . ( ( (" ( ( ( "( "( ( "( & "( ( & "( " ' " "( ( &" " ( &" ( ( ( ( ( ( ( ( # " " " ' " " " ( " " ( 87 "( &" "( " "( ( ( "( & "( ( ( "( & " ( ( "( & " ( ( "( " ( ( & "( " ( ( "( '" " # " # " " " ' " " #" '" '" " ! q = 81
.( & .( ( & .( ' "( .( ( "( ( "( "( ( & "( "( ( & "( "( ( ( ( ( ( ( ( # . . ' . . " ( " " ( " " ( &" " ( " 89 .( ( ( .( & .( ( ( .( " ( ( "( " ( ( "( " ( ( & "( " ( ( "( '. . '. . #" " '" " &" " "" ! [d #]
accel. poco a poco . . .
[d]
pressione di armonico (poco più)
[e]
( .( ( ( . & "( "( "( #. ( . ( ( ( ( " " . ( ( . (# " (" " & " (# " "( .. " "( ( ( "( "( "( " ""
il più veloce possibile
poco rit.
norm.
91
!
#" ! #"'" " #"
93
95
!
+ " '" " "
7
"
"
"
" '"
0
7
"
"
'"
, q = ca. 90
/( /( /(
,
" #" '" " #" '" " %
#"
, +" #" #" " " " # " &" '" &" " "'" '" &" #" '" #" '"#" " " '" &" ' " ' " " & " # " " " " "" # " """"
, " ' " '" " " " &" " ' " # " ' " # " & " # " " #" " #" '" " " " " " PS 10044
3
4
-
"
ATTACCA!
65 7 21 8
6
(V.) Bulería h = 102
Molto ritmico
IV III II III II
III II
III II
& $ $ $ $ %$ $ &$ $ $ # $ !" $ $ $ % $ % $ $$ $ $$ $ %
97
%
%
II III IV III II III II
$
% $ &$ $ $ $ $ $ $ %$ $ $ % $ % $
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& $%
III IV III II I
III IV III II
100
III IV III II
!$$ $
%
&$ $
III IV III II
$$ $ %
$
& $%
$
%
&$ $ $ $ &$ $ $ $ $ $ % % $ %$ $ $ $ $ $$ $ $$ $ % % 3
0
1
& $%
$
$
%$ %$ & %$ %$ %$ %$ %$ %$ $ ( ( ( $ & $ $ $ $ & $ $ & $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ ! + ) *) ) *
103
% & $ $ & $ $ $ ( $ %$ , $ $ ( $ $ & %$ !
106
*
-.
110
!
)
$$
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1
0"
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( %$
*
$ $ & %$ . ( %$ %$$% ($ $ $ $ * *'
/ % % ( $ $ $ $ $ $ & $ . $/ . & %$ $ $ &$ $
)
3 3 4 $. 2 $ ($ ($ ($ ($ ($ %
*
4 3 4 3 4 3 4 3 $$ . 4 $ , $ ( $ $ $ ( $ $ $ %$ $ $ $ $ ( $ $ $
%
3 4 3 4 $. 3 4 3 . $ ( $$. . %$ $ ( ( $ $ $ $ $ ( $ ( $ ( $ ( $ $ $ ( $ $ ($ ,$ $ $( $ $ $$ !
115
3
4. %3 ( ( $$ $$ !5 $ $ + *
121
.
*
%
43 4 3 4 %$4 $ ( $. 6 $ $$ $$ ( $$ $ $ 2 $ ($ + % % ($ *
5 $ ( $ -$ $ %$ ( $ $$ . ( ( $ ! + + $
127
'
%
%
3 $$
3 4
)3 ' 3
4
3
$$. $
...% ( ( $$$ $$$ $$$ $$$ *3 '
6 $$ -( ( ( $ $ ( $ $ ( $ , $ $ ( $ $ $ $ . $ % % % % %
( $$ . $ ( $ $$ . $ ( $$ .( $ $ . 6 ( $$ .( $ ( $ $$ . $ , $ ( $$ ( $ ( -$ $ $ $ $ ($ $ +
6 ( $ ( $ ( $ , $ . $ $ $ $ $ $ $ ! - $. *
133
'
$$. $
$$. ( ( $$. $$. $$. $$% $ $$$$
)3
$
%$
PS 10044
$$ . $ , $ $$ ..
$$
% 6 $
+ $ ($ 7
-
%$3 ( ( $$
'
7
)( " " " # " 3 3 %" " #" #" " & # # "" " ! # " # " # " 3 ' #" " " " " #" 3 3 $ $
139
+* "" "
*") " ")( +* ") "" "" # # "" " " '
Pe r Eje usa mp l Sc lar ore us – o e no xc t fo lus r ivo per co for ns ma ult nc a es
3
,
3 "3 "3 " # " / " % " " " " % " " % " " % " "2 , . 3 # " # " , " , , " " # " " ! #" #" #" 3 #" " " " " #" 3 3 3 0 $ 1 1 $
143
. !-
147
3
3
3
" #" " 3" " #" " " " " " " #" " " /" " " " " " " " # " * * # " " " * " * " * # " " "* "" " * " * * 1 $ 1 2 " "
*" / " " " ! #" #" " " * 1 $
150
*" *" / " # / " # #" " " " " " #" #" * 4
*
* *" 7 7 * * * " #" " #" " /" #" " " " ( ( 5# " # " / " # " #" " " #" #"( ! #" / " # " "2 6 # " " " # " # " " # " # " #" #" * * * * $ * 1 1
152
! 5-
156
+ ) + "" 3 3 , " # " # " # "" # " # " "" " / " # " " " # " " " / " " " " " # " " " * * * $
*
6
# "" $
" #" " " " ! #" #" " " " " #" " " %" " #" #" 1
161
3
3
167
!
"
3
#" " " #" " norm.
$
5:4
2 # # *"" *"" *"" ! " " " " ' $
171
#" #" /" 6 3
+ ) "" # # ""( ""( ""( *"" " """" 13
$
*
"
8
%9" " " # " $
3
)( ( ( +* ( ( ( ( ( ( ( # # """ """ """ """ """ """ """ # # """ """ """ """ ' 3 3 3 $ 1 1 PS 10044
6(
"
" #" "
vibrato
*" ""
"
6(
molto vibr.
# 6*
*" " # "( *" "" "" # "" ' "" , -'
8 q = 126
$$ & $ $ $ &$ $ ' &$ $ 176 ( & %% & # & " & & ' % ! " '&% ) && & # π 3
$* % $$$$ $ $ $ ) $& $ *% ** % ) ' && % &
*$ $$$$ $ + ** * + 3
, 3 -$ $ $ $ $$ $ $ $ )(-
Pe r Eje usa mp l Sc lar ore us – o e no xc t fo lus r ivo per co for ns ma ult nc a es
3
( $& %$ $ $ $ &$ $ $& $ ' && ) & ( && %% &% & ' && 3
# !#
180
$* %$$$ $ $ $ $ ' $& $ *% ( && *% *% )& 3
(IV.) Soleá del lamento 3 = 52
. !" /
184
con sord.
187
!
190
!
& b5& n 5& 5& 1&
& n 3&5 %
P
7
, n&
25 1 4 & b& b&
24 1 2 1 5 b & & & # # &0 b & & & b & J & arco 'barroco'
come 'cante hondo'
π
p
5
*$ $ $ $ $ $ + ** * + 3
2 & b& b& & &
P
5
2 2 & & & & & b & b & & b & K 1& & n & b & & & & 3
b & & & b 4& & & 5
p
3
8
1 2 & b& &
F
b&
& # # % &0 & & & b & & B & 6 3 3 ∏ P
5
3 3 & n & b & & & b 4& & # & & & b & b & &5 b &5 & b & & n & b & n& b& & b& b& 5 3 3 3 p subito
1 2 1 2 1 2 5 5 b & K & b & b& & & b & & & b & % n & & & b & b &, & & , ! b & b &5 b &5 &5 & # 9 3 3 π π
193
, 3 ) -$ $ $$$$ $ $ $ (. " -
5
µ& k& K& &
1
2 ,1 2 2 b& & & n& & 7 7 b 6& 9 3 π
2 b & & b& & & & 7 & K& b& & & ! & & & & b& 5 P p 2 1 2 1 2 1 198 b 4 & & b & & & & & 2& &1 b2& & &1 & & & b &4 b 4& & & & b 4& & b & 2& & & & b& b& & ! 3 3 3 3 3 3 p p F F P f 1 ten. 2 1 2 5 n& & 3 1 2 2 200 1 & µ & b & 1 III 3 b & & b & & II 4 & & & & & & 7 7 & b& b& n& & & b& & & &% * / ! 196
&
b&
1 & & b& & & &
3
f
2 &
p
3
PS 10044
6
3
3
π
∏