October 2016 Ornament Issue 03 Painting World Magazine by Loon Publishing, LLC.

Decorative Painting, Mixed Media, Fine Art & More!

October 2016

Painting World Issue 03

ORNAMENT ISSUE!

magazine

TIPS FROM THE PROS! Tools of the Trade by Margaret Riley

What’s Your Happy Color? by Cindy Harrison

Make $$$ With Your Art (Part 2) by Thelma Hamilton The Art of Collaboration by Tracy Weinzapfel

$7.99 USA $10.35 Canada

Cover Artist:

Judy Westegaard, CDA

“Time To Share” Jumbo Ornament Designs from Your Favorite Artists:

Chris Haughey Deb Antonick Elaina Appleby Karen Wisner Debbie Cole Kim Christmas Sandy McTier Tami Carmody Theresa Prokop and more...

Wood Surfaces, Pattern Packets and More...

Mirror and Box designed by Cynthia Erekson

"Friends Gather Here" designed by Lauré Paillex

www.jbwood.com PO Box 3081 • So. Attleboro, MA 02703 • (508) 222-5790

Subscribe Today!

Please send me 1 year of Painting World Magazine (7 issues). I’ve included a check or money order made out to Magpie Publishing, LLC. I understand that I will receive the closest issue available depending on when my check was received. (Subscriptions received within 30 days of our next issue will begin with the following issue to allow printing time)

• US Subscriptions send $29.99 (non-Ohio

residents) for the full years’ subscription • Ohio subscriptions send $32.16 (we have to pay state tax) • Canadian subscriptions, please send $43.99 by MONEY ORDER or a check that runs through an American bank. We cannot cash checks from Canadian financial institutions. • All other countries, please visit www.paintingworldmag.com, shipping rates vary. Please include an email address if you would like to be notified immediately that we have received your check. Email addresses are never shared or spammed. Without email, you’ll get a postcard in the mail within 10-15 business days.

Subscribe through the mail: Name: Address: City: State/Province: Zip/Postal Code:

Phone #:

Email: Price: $29.99 USA | $43.99 Canada | See website for International rate www.paintingworldmag.com

Mail to: Painting World Magazine, PO Box 1236 Miamisburg, Ohio 45323-1236 Your privacy is IMPORTANT to us! We never sell, share or otherwise distribute any of your personal information for any reason whatsoever. For help, please call 937-343-4440 9-5 Eastern Time or email info@paintingworldmag.com any time. *Price is for US subscriptions in lower 48 states only. Extra shipping charges apply to Hawaii, Alaska, Canada, and all other countries.

Give the Gift of Painting World®!

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Please send my friend 1 year of Painting World Magazine (7 issues). I’ve included a check or money order made out to Magpie Publishing, LLC. • US Subscriptions send $29.99 (non-Ohio residents) for the full years’ subscription • Ohio subscriptions send $32.16 (we have to pay state tax) • Canadian subscriptions, please send $43.99 by MONEY ORDER or a check that runs through an American bank. We cannot cash checks from Canadian financial institutions. • All other countries, visit www.paintingworldmag.com, shipping rates vary.

Please include an email address if you would like to be notified immediately that we have received your payment. Your friend will get a specially wrapped edition of Painting World to start their subscription!

Mail to: Painting World Magazine PO Box 1236, Miamisburg, Ohio 45323-1236

Lucky Recipient’s Information: Recipient’s Name:

Recipient’s Address:

City: State/Province: Zip/Postal Code:

Recipient’s Phone #:

Recipient’s Email:

Your Information: Giver’s Name:

Giver’s Address:

City: State/Province: Zip/Postal Code:

Giver’s Phone #:

Giver’s Email:

Your privacy is IMPORTANT to us! We never sell, share or otherwise distribute any of your personal information for any reason whatsoever. For help, please call 937-343-4440 9-5 Eastern Time or email info@paintingworldmag.com any time. *Price is for US subscriptions in lower 48 states only. Extra shipping charges apply to Hawaii, Alaska, Canada, and all other countries.

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

About Painting World Magazine Who We Are

About the Magazine

Painting World Magazine is owned and operated by Magpie Publishing, LLC., which is an independent publishing company. We are completely dedicated to the joy of creating delivered to our readers! We select only the best articles from the top designers in the industry and will be featuring all the hottest new techniques, products and artists.

Painting World Magazine publishes 7 times per year: 6 issues that arrive at your door every 2 months and one issue for the Holidays!

Our audience is a huge range of artists just starting out with their craft to seasoned professionals who have supported the industry since the 1970s.

Editor-in-Chief, Laura Haughey Rucker, is a lifelong member of the artistic community and has grown up attending conventions around the United States, surrounded with decorative artists her entire life.

Together with top designers, photographers, outstanding writers and a passionate readership, our team is absolutely in love with this industry and entirely committed to helping it grow while always feeding the artistic love of our readers!

US Subscriptions are $29.99 per year. Canadian subscriptions add $14.00 to cover shipping 7 issues to Canada. International subscriptions are available! Please visit our secure website online at www.paintingworldmag.com for full details and prices for international subscriptions.

How To Contact Us

Our Mailing Address: Painting World Magazine PO Box 1236 Miamisburg, OH 45343-1236 Phone: 937-343-4440 Email: info@paintingworldmag.com Facebook: www.facebook.com/ PaintingWorldMag Twitter: www.twitter.com/Painting_World

ALL RIGHTS RESERVED ON ENTIRE CONTENTS. October 2016, Issue 03 ©Magpie Publishing, LLC. Painting World Magazine is published 7 times per year by Magpie Publishing, LLC., 3318 Ultimate Way, Dayton, OH 45449, USA. All rights reserved on entire contents of magazine. We are not responsible for loss of unsolicited material. We reserve the right to edit and publish correspondence unless specific commentary and/or name and address are requested to be withheld. Reproduction of editorial or advertising contents in any way whatsoever without the written permission of the Publisher is strictly prohibited. The instructions in this magazine are published in good faith and have been checked for accuracy; however, no warranty, either expressed or implied, is made nor are successful results guaranteed. Subscription rate $29.99 for 7 issues. Distributed in the United States and worldwide.

Painting World Magazine brings its readers the best painting and mixed media tutorials from some of the top artists worldwide in the decorative arts industry.

We are focused on creating a community full of people who inspire each other and share great ideas! Our readers can learn about decorative painting, tole painting, mixed media, fine art and craft projects, and more! Editor-in-Chief: Laura Haughey

Proofing & Editing: Jennifer McConkey

Submissions info: paintingworldmag.com/ pages/submissions

Made In Ohio

Printed by Truax Printing®, Inc. Loudonville, OH. Shipped by Mail Pro 1®, LLC. in Delaware, OH.

© 2016 Painting World Magazine Digital Edition. All rights reserved. Not for distribution, resale or reproduction. You agree to follow all international copyright laws as well as the terms and conditions outlined at paintingworldmag. com. You may NOT reprint or make copies, even for non profit uses. Any violation of these terms will result in a nonrefundable cancellation of your subscription and possible prosecution with fines up to $150,000 USD. http:// www.copyright.gov/title17/ Please contact info@paintingworldmag.com if you have received this PDF illegally.

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Conventions & Events New England Traditions Regional Convention October 4-9, 2016

Best Western Royal Plaza Hotel and Trade Center 181 Boston Post Road West, Marlborough, Massachusetts 01752

Get your art on with painting friends old and new!

More than 100 classes, demos, special events, and the best decorative arts shopping experience in the Northeast. Thank you painters, teachers, and businesses for 18 years and counting of painting fun!

Get registered: www.newenglandtraditions.org

Oklahoma City Painting Palooza September 26-October 1, 2016 Sheraton Hotel / Reed Center, Midwest City, Oklahoma “We are looking to put the Best of the Best together to bring a frenzy of painting fun, education, laughter and shopping to the southwest. Rally ALL your painting buddies & friends to come join us for the most enjoyable time you can imagine.” Sign up at: http://okcpaintingpalooza.com/

Creative Painting™ Las Vegas

February 26-March 3, 2017 Tropicana Hotel, Las Vegas, Nevada “Decorative Painting, Fine Art, Oils, Acrylics, Watercolors, Learn-To-Paint Classes, Art Supplies, Shopping,and Las Vegas! It’s all at the Creative Painting Convention!” Sign up at: http://vegaspaint.com/ October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Conventions & Events

Ministry of Mixology

October 22nd- 23rd, 2016 with Andy Skinner & Tracy Weinzapfel “Full day workshops, fabulous mixology goody bag, buffet/deli lunch, demonstrations throughout the weekend, onsite shop, open art room on Saturday evening and a raffle! What’s not to love!?”

45th Annual Society of Decorative Painters International Conference & Expo. “Oceans of Color” May 17-20, 2017 Hilton Daytona Beach Resort / Ocean Walk Village, Daytona Beach, Florida

“Daytona Beach is one of America’s favorite beach destinations. Bring your family and friends, and enjoy four days of painting, shopping, creativity and fun!” Sign up at http://decorativepainters.org/

October 2016 Issue

Contents

Time To Share by Featured Cover Artist: Judy Westegaard-Jenkins, CDA

Fetching the Garland by Kim Christmas

Snowman Pockets by Karen Wisner

Vintage Ornaments by Tami Carmody

Sparkling Ornaments by Chris Haughey

Frosty Glass Ornament by Theresa Prokop

Burlap Santas by Deb Antonick

Holiday Trio by Sandy McTier

Dreamweaver Orns. by Debbie Cole

Memories of Christmas by Judy Diephouse

MORE GREAT ARTICLES!

Songbirds & Bobbles by Elaina Appleby

$$$ With Your Art: Part 2 23 Making by Thelma Hamilton Art of Collaboration 42 The by Tracy Weinzapfel Your Happy Color? 69 Whatâ&#x20AC;&#x2122;s by Cindy Harrison Corner: Dreamweaver Stencils 78 Innovative by Debbie Cole of the Trade 86 Tools by Margaret Riley

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Time to Share by Judy Westegaard-Jenkins, CDA

Painting World Magazine well as in the National Museum of Decorative Painting, The Society of Decorative Painter’s Permanent Collection, the Library of Congress, the Whitehouse, the Smithsonian Institute and in several Presidential Libraries.

Mediums:

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Santa is one busy fellow, but he always has time to share a moment with a Northwoods friend. I am so happy to share this Christmas project with you. It can be a simple decoration or an ornament for a large tree. This pocket watch frame is a perfect project to try your hand at replicating faux wood finishes like birch, red cherry and northern red oak Distressing paper tags is easy and creates another vintagelooking finish with chalk lettering completed with white chalk and black charcoal pencils.

Judy’s most recent work is a mix of painting, unusual background textures and papers, embellishment and a variety of other experimentation. Her work is strongly influenced by nature, anything vintage, antique or repurposed.

Surface:

Brushes by Dynasty®:

(All suppliers are listed in the directory at the back of the book)

• 3/4” flat wash, 206FW • #12 shader, 206S • #6 & #12 filberts, 206FIL • #1 & #2 rounds, 206R • 1/4,” 1/2” & 3/4” angulars, 206A • #10/0 & #1 script liners, 206SL • 3/4” Mini Mop, Series 400 • Large Flat Blend, Series IPC • #8 Decorator Dry Brush, Series 200

• 31-L082 10 1/2” pocket watch frame set from Cupboard Distributing • 2 - #4 manilla shipping tags 2-1/8” x 4-1/4” found at office supply stores

DecoArt Americana® Acrylics:

About Judy

Judy has worked professionally as an artist, designer for the craft and gift industry and as an educator in the arts. Her work has been published in numerous magazines and has recently been featured as one of the instructors on Art Play Date online classes. Judy’s artwork, especially her holiday designs can be found in many private collections as

DecoArt Traditions®: • Multi Surface Sealer DATM03 • Extender and Blending MediumDATM02 • Glazing Medium DATM01 Americana®: • Decou-Page Glue-SealerFinish, Matte DS106 • DuraClear Soft Touch Varnish DS123 Krylon®: • Workable Fixatif 41306

• Antique White DA058 • Antique Gold DA09 • Asphaltum DA180 • Avocado DA052 • Bleached Sand DA257 • Burnt Sienna DA063 • Cadmium Orange DA014 • Dioxazine Purple DA101 • Heritage Brick DA219 • Hi-Lite Flesh DA024 • Lamp Black DA067 • Payne’s Gray DA167 • Raw Sienna DA093 • Rookwood Red DA097 • Santa Red DA170 • Shading Flesh DA137 • Snow (Titanium) White DA01 • Winter Blue DA190

Miscellaneous Supplies: • 3 - Black or Orange Pekoe Teabags with 2 cups hot water • Chalk Pencil, White • Charcoal Pencil, Black • Craft Glue • Disposable Waxy Palette for Acrylics • Foam Brush • Graphite Paper, White • Kneadable Eraser • Jute String, 18” • Palette Knife • Paper Towels • Plastic Wrap • Pencil

October 2016 Issue

Painting World Magazine • Sandpaper, Fine-Grit • Scissors • Stylus • Tracing Paper • Water Container

Helpful Hints: Base areas using a flat or filbert brush appropriate for the size of each area. Basecoat with several coats of paint. Allow to dry thoroughly between each coat. When painting faces, base the face opaquely and allow it to dry. Reapply the details and coat the face with extender using the IPC large flat blend brush. Use angular brushes and filberts to apply shadows and highlights depending on their locations. Use mop brushes to soften areas. Use Glazing Medium to protect dried areas that you wish to continue painting later. Apply up to 3 coats of Glazing Medium to an area in a 24 hour period, drying thoroughly before re-applying Extender & Blending Medium.

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

into a ball, then open it up. Lay the slightly crumpled wrap on top of the wet glaze. Gently press the plastic wrap onto the surface. Carefully remove plastic wrap. While the glaze is wet, wipe out small horizontal lines using the chisel edge of a #12 flat shader brush. Allow to dry thoroughly. Trace and transfer the design basics to the surface using white graphite paper.

Distressing Tags:

Brew a strong tea using 3 teabags to 2 cups hot water. Immerse the teabags into the hot, brewed tea and allow to soak until a desired color is achieved. Remove the teabags and submerge the tags into the tea solution. Soak the tags until the desired color is achieved. Remove and allow to dry overnight or dry the tags on a baking sheet in a warm oven (200 degrees) until they start to dry.

Preparation:

Seal all wood pieces with MultiSurface Sealer. Dry thoroughly. Lightly sand and wipe clean. Transfer the basic shapes to the panel and frame. Basecoat the loop and stem at the top of the main panel with Antique Gold. Base coat the outer circle with Rookwood Red and the inner circle with Winter Blue. Basecoat the frame with Asphaltum + Lamp Black (4:1).Allow to dry.

Apply a plastic wrap finish to the loop and stem. Mix a glaze of Raw Sienna + Burnt Sienna + Extender (2:2:1). Use the Large Flat Blend brush to apply a thin coat of Extender to the loop and stem, then apply the glaze mixture to the area using the 3/4” flat wash brush. Crumple a piece of plastic wrap October 2016 Issue

Remove the tags and allow to cool. If more aging is desired when the tags are dry, press a hot warm teabag randomly onto the tag and allow to dry thoroughly. If you wish to distress a lot of tags, double the amount of tea and hot water.

Painting Techniques:

• Base areas using a flat brush appropriate for the size of the area. • When painting faces, I base the face opaquely and allow it to dry. Reapply the details and coat the face with extender. • Use angular brushes and filberts to apply shadows and highlights depending on their locations. • Use mop brushes to soften areas.

Use round Decorator Dry Brushes to dry brush. Pick a very small amount of paint onto a dry brush. Lightly whisk the brush in a circular motion on the surface allowing a small amount of paint to adhere. Do not rinse the brush in water until drybrushing is completed.

• Use Glazing Medium to protect dried areas that you wish to continue painting later.

Painting World Magazine

Santa:

Add a Snow White reflection dot to the upper left quadrant of each eye. Base the inside of the mouth with Rookwood Red; shade with Lamp Black. Base the lip with Shading Flesh + Santa Red (1:1). Shade the lip with Burnt Sienna. Highlight with Hi-Lite Flesh.

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

• Apply up to 3 coats of Glazing Medium to an area in a 24 hour period, drying thoroughly with a hair dryer before re-applying Extender & Blending Medium. • Use the Dynasty Decorator dry brushes to drybrush an area. Pick a very small amount of paint onto the Decorator dry brush. Lightly whisk the brush in a circular motion on the surface allowing a small amount of paint to adhere. Do not rinse the brush in water until drybrushing is completed.

Painting Instructions: Birch Frame:

Drybrush the frame using a brush loaded with Bleached Sand. Add lines and spots with a #10/0 liner brush loaded with thinned Payne’s Gray + Lamp Black (3:1). Float Asphaltum + Lamp Black (3:1) around the outer edge of the frame using a 1/2” angular brush.

Red Cherry Twig Circle: Float Asphaltum + Lamp Black (1:touch) shading along the outer edges of the twig circle with a 1/2” angular brush.

Base the face and chin area directly below the mouth with Shading Flesh + Hi-Lite Flesh (1:1) using the #6 filbert brush.

Use a #10/0 liner brush to base each eye with Lamp Black. Use the 1/4” angular brush to add Shading Flesh along the top of the head, around the eye sockets and above the mustache. Deepen the shading with Burnt Sienna. Highlight the ball of the nose, upper and lower eyelids and the top of the cheeks with Hi-Lite Flesh. Strengthen with Hi-Lite Flesh + Snow White (1:1). Pat blush on the lower third of each cheek and the lower edge of the ball of the nose with a #6 filbert loaded with a small amount of Santa Red. Soften with a mop brush. Add Burnt Sienna shading along either side of the nostrils. Add shines on the cheeks and ball of the nose with Snow White.

Use a 10/0 liner brush loaded with Snow White + Lamp Black (6:1) to establish the eyebrows. Complete the brows with more individual Snow White lines. (Figure 1)

Clothing Fabric & Mitten: Base the fabric areas with Heritage Brick; shade with Rookwood Red. Deepen the shading with Dioxazine Purple; further deepen the shading with Payne’s Gray. Use the #6 and #12 filberts to highlight the clothing on the sleeves and hat with Santa Red. Strengthen the highlight with Cadmium Orange. Base the mitten with Lamp Black. Highlight the mitten and thumb with Snow White + Lamp Black (4:1).

Figure 1

Use the #8 dry brush to drybrush highlights in the center of the area with Shading Flesh. Add spots and lines with Lamp Black. Add a few random spots on the twig with small splotches of thinned Snow White.

Sky:

Use the 1/2” angular brush loaded with Payne’s Gray to float shading along the upper edge of the sky.

October 2016 Issue

Painting World Magazine Rinse the brush, then repeat using Antique White + Snow White+ water (1:1:2).

Apply accents to the shaded areas with Dioxazine Purple.

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Fur:

Base the fur with Antique White + Asphaltum (3:1). Allow to dry. Shade with Asphaltum. Load the #2 round brush with Antique White + water (1:1).

Using the tip of the brush, dab small splotchy spots all over the fur, allowing some of the base color to show between the spots.

Figure 2

Highlight by dabbing Snow White + water (1:1) in the lightvalue areas. Let dry, then apply a barrier coat of glazing medium to the fur. Allow to dry. Shade with Asphaltum. Deepen the shading with Payne’s Gray.

Hair, Mustache and Beard:

Apply a wash of Payne’s Gray to the beard and mustache, using long, flowing wavy strokes. When dry, apply a few Payne’s Gray strands of hair using the #1 liner. Use a #1 liner brush loaded with thinned Snow White + Lamp Black (5:1) to add individual hairs to the beard, mustache and hair areas. Continue adding individual hairs with Antique White, Antique White + Snow White (1:1) and Snow White. Shade with Snow White + Payne’s Gray (2:1). Add a few more individual hairs to the beard with thinned Antique White and Snow White. (See Figures 2 and 3 on next page)

Rabbit:

Figure 3

Base the rabbit with Antique White + Asphaltum (3:1). Use the #1 round brush to paint the inside of the ears with Antique White + Santa Red (1:touch). Faintly outline the ears with thinned Snow White.

Use the #10/0 liner brush to paint the eye and mouth. Paint the nose with Hi-Lite Flesh + Santa Red (3:1). Highlight the nose with a dot of Snow White. Use the 1/2” angular brush loaded with Snow White to highlight the left side of the forehead, cheek and chin. Add hair-like strokes to the chest and tail using the #10/0 liner brush and Snow White.

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Figure 4

Use the 1/4 angular brush to shade the right side of each ear, the back of the head, the back and along the body by the fur on the hat with Asphaltum.

Paint the bow using the #10/0 liner brush and Lamp Black. Highlight the bow with Snow White.

Pine Trees:

Use a liner brush to paint the central stem with Asphaltum. Add branches using a #1 round brush loaded with thinned Avocado. Add a few darker branches with Avocado + Lamp Black (3:1). Add snow to the branches with Snow White.

Snow Area:

Use the #8 dry brush to skim a small amount of Snow White on the hill areas by and in front of the trees. Allow to dry.

Shade the snow under the trees using the 1/2” angular brush loaded with Payne’s Gray.

Float Dioxazine Purple shading on the snow areas to the left and right of Santa’s sleeves; deepen the shading with Payne’s Gray.

October 2016 Issue

Painting World Magazine

Float Asphaltum shading around the outer and inner edges of the loop using Asphaltum. Float Asphaltum shading on each section of the stem using the 1/4” angular brush. Add horizontal Asphaltum lines here and there on the loop. Highlight the top edge of the lowest section with Antique White + Antique Gold (1:1). (See Figure 4)

Tag:

Fill in each letter using a scumbling circular motion where possible. Use a sharpened black charcoal pencil to add a shadow on the lower and right side of each letter’s section.

Finishing: Varnish the main panel and the circular frame with several coats of varnish following the manufacturer’s directions as listed on the container. When dry, use craft glue to glue the birch frame with the lines running vertically to the main panel. Fold the jute string in half. Place the folded end into the hole and place the cut ends of the jute into the looped string and gently pull the string taut. Tie an overhand knot in the cut end of the string and place it over the loop and stem. Glue the back of the tag to the upper right side of the frame.

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Loop and Stem:

Coat the backside of one tag with Decou-Page medium. Align the back of the second tag to the first, press together firmly and allow to dry.

Remove any visible tracing lines with an eraser. Spray the tag with Krylon Workable Fixatif to prevent the lettering from smudging. A second coat of chalk may be applied as needed. Repeat the spray process to permanently fix the lettering.

When dry, apply a second coat of medium to all sides of the joined tags. While the medium is wet, lightly bend the lower right corner around a pencil, working the corner into an upturned shape. Carefully bend the decoupaged tag into a contoured shape. Allow to dry. Transfer the lettering with white graphite paper. Use the sharpened tip of the charcoal white pencil to outline each letter.

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

ÂŠ 2016 Painting World Magazine Digital Edition. All rights reserved. Not for distribution, resale or reproduction. You agree to follow all international copyright laws as well as the terms and conditions outlined at paintingworldmag. com. You may NOT reprint or make copies, even for non profit uses. Any violation of these terms will result in a nonrefundable cancellation of your subscription and possible prosecution with fines up to $150,000 USD. http:// www.copyright.gov/title17/ Please contact info@paintingworldmag.com if you have received this PDF illegally.

October 2016 Issue

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Fetching the Garland by Kim Christmas

Frosty chill, sparkling crystals on holly leaves, the smell of pine and firâ&#x20AC;Ś I can almost feel it. Christmas is coming and itâ&#x20AC;&#x2122;s time to get ready! Gather your friends and paint a sparkling ornament that foretells the Season.

Painting World Magazine

Preparation:

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

DecoArt Americana® Acrylics: • Sea Glass DA297

• Cool White DA240

• Turquoise Blue DA240 • Midnite Blue DA085

• Boysenberry Pink DA029 • Cinnamon Drop DA308 • Lamp Black DA067

• Plantation Pine DA113

About Kim

I was born in British Columbia, Canada and reside now with my family in Vernon, BC.

My love for decorative painting began in the front store window of a decorative painting shop. Window shopping became browsing, browsing became shopping, shopping became painting, and so the story goes!

I have 8 books published to date, and I have also been published in a wide range of magazine articles over the years and have had the honor of being published in the 100 Angels collection of hand-painted angels presented by The National Museum of Decorative Painting.

I currently teach at my home studio from time to time and various other places at home and abroad.

Surface:

(All suppliers are listed in the directory at the back of the book)

• Lantern Frame Kit Ornament 9.5” tall #207-0712 from Viking Woodcrafts

• Avocado Dip DA254 • Persimmon DA254

• Traditional Burnt Umber DA221 • Raw Sienna DA221

Royal & Langnickel® Majestic™ Brushes:

• R4150 Shaders 10, 6, 4, 2, 0 • R4160 Angulars 1/2”, 3/8”, 1/4”, 1/8” • R4595 Liner 10/0

• R9113 Dome Stencil 1/8”, 1/4”

Miscellaneous Supplies:

Base inside piece of lantern with Sea Glass. Base outside piece of frame with Cool White. Use 10 shader. Let dry, sand lightly until smooth, and base again in the same colors.

Lightly moisten inside piece with a light wash of water, and use moistened sea wool sponge to lightly sponge surface with Turquoise Blue. Surface shouldn’t be drippy. Let dry. Lightly apply basic pattern details to piece with stylus and transfer paper.

Painting Instructions:

To paint the defining lines on outside frame piece, use appropriate size angulars to shade from edge to edge with Turquoise Blue. Also shade bottom edges of the top hanging loop adjacent to lantern’s top dome. These shade lines give a 3D appearance to the lantern case.

• Tahoe Snowflake Stencil #520133 from Viking Woodcrafts (I used this stencil because it has small design elements that fit this piece.)

Use 1/2” angular to float Boysenberry Pink tints on lantern case’s “high points,” opposite some of the shade areas.

• Stylus

When dry, apply a coat of varnish to front frame piece and sprinkle heavily with Crystal Tinsel Glitter and lightly with Turquoise Tinsel Glitter.

• Transfer paper

• Medium sea wool sponge • E6000® glue (this sticks to EVERYTHING)

• Tinsel Glitter, Martha Stewart Crafts™ - Turquoise & Crystal (Optional) • DecoArt® Glamour Dust™ #DAS37

• DecoArt Satin varnish #DS15

Snow Friend

Use dome stencil brushes to begin tapping the first color layer of the snowman with Midnite Blue. Keep it spotty, but also keep the shape definition. (See Figure 1) While still wet, begin tapping in Cool White. Work from left to

October 2016 Issue

Painting World Magazine

Figure 2

Figure 3

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Figure 1

right, creating a medium blue as you come to the right side, which is the “shade” side. Let dry somewhat, and continue adding highlights as necessary. (See Figures 2-3)

When completely dry, use 1/2” and 3/8” angulars to apply additional Midnite Blue shades to the “shade” side/areas (i.e. under hat brim and scarf edges) and Cool White highlights on the “light” side. Paint scarf Boysenberry Pink. Shade first with Cinnamon Drop, and then with a touch of Lamp Black. Highlight with Cool White. Use 4 shader and 1/4” angular. Paint hat Lamp Black and ribbon Boysenberry Pink. Shade and highlight ribbon the same as for the scarf. Use 6 and 4 shaders and 3/8” angular.

Paint nose Persimmon and eyes Midnite Blue. Shade nose’s bottom edge with Traditional Burnt Umber, and highlight top edge with a small stroke of Cool White. Shade behind eyes and nose slightly with just a touch of Midnite Blue. Use 10/0 liner and 1/8” angular. Dot eyes and cheeks with tiny Cool White dots. I used the tip of my 10/0 liner.

Paint arms Raw Sienna with a touch of Traditional Burnt Umber to create dimension. Use 10/0 liner. Highlight with thin Cool White strokes.

To paint wreath, use 1/8” dome stencil to tap in Plantation Pine for the first color layer. While still slightly wet, begin tapping

Figure 4

in Avocado Dip for dimension. Frost with Cool White. Keep all your colors spotty so you can still see a little of each when finished. (See Figures 4-5)

Holly Tree and Trims Paint holly tree branches the same as the snowman’s arms.

Paint holly leaves on tree, hat, and wreath with Avocado Dip and 0 and 2 shaders.

Shade each leaf’s bottom and back areas with Plantation Pine. Tint the opposite side of each shade with touches of Boysenberry Pink. Frost the tips with Cool White. Use 1/4” and 1/8” angulars. Paint berries Boysenberry Pink.

Figure 5

Lightly float snowcaps and icicles into place with Cool White and 1/4” angular; drag brush’s chisel edge downward to create the icicles.

Blush cheeks with a float of Boysenberry Pink, using either 1/4” angular or 1/8” dome stencil. October 2016 Issue

Painting World Magazine

Figure 7

Figure 8

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Figure 6

Shade bottom edge of each with Cinnamon Drop; highlight top edge of each with Cool White. Dot each with a tiny touch of Lamp Black. Use 0 shader, 1/8” angular, and 10/0 liner.

Hang with your choice of ribbon. Place in a tree or the center of a wreath, or give as a gift! After all, this is a “snow friend.”

Slightly shade under holly leaves and berries and around snowman with Midnite Blue, concentrating the shade in the deeper, shadow areas (a.k.a. don’t outline).

Paint holly leaf veins with 10/0 liner and slightly thinned Plantation Pine, and then with slightly thinned Cool White. Outline loosely with the same colors. (See Figures 6-8)

Finishing:

Place your Tahoe snowflake stencil segments where you want to see your snowflakes falling. Lightly stencil them into place with 1/4” dome stencil and Cool White. Randomly dot Cool White flakes falling in the sky and wreath with stylus.

Let dry completely and varnish with satin varnish. Sprinkle lightly with Glamour Dust while still wet. Use E6000 glue to glue frame piece to inside painted piece.

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

October 2016 Issue

$$ $$ $ $ $ $$$$ $ $

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Making $$$ With Your Art: Part 2 by Thelma Hamilton

Choosing a perfect business name is said to be the single most important step to starting any business off on the right foot.

There are companies out there that get paid thousands of dollars to come up with the perfect name for a business.

So you want to start a business and sell your Art. The very first thing you need to do is come up with a name for your business, which is otherwise known as your DBA or Doing Business As.

Why is the name you choose for your business so important? Your name can bring you business or drive it away. There are a few things to think about before you decide upon the name that you will call your business.

A good name lets anyone who hears it know what your business is all about.

However, the basics for choosing a perfect business name are pretty much universal. So let’s get started creating your business name!

First take out a notebook and list all the business names that already exist that you like. Look at each one. Why do you like those names? What is it about them that stands out to you? As you think over the list, what other names or words come to mind? Write down every word that comes to mind. What makes your company unique? Keep adding to the list of names as you think about your product or service. Once you have a list of names written down, grab a thesaurus book or Google

thesaurus on your computer, to see what synonyms there are for your favorite words.

Now that you have a list of words, choose two or three and mix them up to see if anything strikes a chord with you. Nothing yet, well don’t rule out a play on your name. If your last name is Lane, Painters Lane might be a good consideration.

What about “your name. com”? Your-name Designs, Your-name Art Studio, Yourname Designer? All of these suggestions are just one more way to get to the perfect name for your painting business.

Another suggestion is gathering a group of friends or family and toss together names that everyone agrees on. I personally don’t recommend this process, as everyone has a different viewpoint and they might not be coming from the same place as you. While you are choosing names and putting words together there are a few other thoughts to keep in mind.

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

might conjure up a visual of smelly and dirty shoes.

Be sure your business name is memorable.

Your business name should reflect your art or what you do with it.

A combination of letters that are jumbled up would not be very memorable and as unique as your art.

Do you design, paint, colored pencil, collage, mixed media, create, studio time, art, stencil?

Your business name should be easy to spell.

There are business names that I google often that I just can’t seem to remember the spelling as they are very unusual. I have finally written them down in a notebook so I can remember them.

When you are finished picking out your perfect business name, run through this checklist to make sure it passes these tests:

You don’t want people to have to search too hard to find you. Another thought is to create a name that has a visual memory attached to it. One of our favorite places to go in the summer is the Custard Cottage. Can you guess what we do there? They are only open in the summer ~ hence the word Cottage and they serve the most wonderful Custard Ice Cream. You get a visual just saying the name. October 2016 Issue

Is it short and simple ~ easy to remember and easy to share? Is it easy to pronounce?

Choose a name that will not be an accidental negative.

You might love the name “Dirty Sneakers”. They imply to you that you have worked hard and are very active. However, to someone else that name

Have you checked the internet to see if your new business name is available to purchase as a domain name? (You can do this at GoDaddy.com) Will it LOOK good on your business card, a business sign or in advertising?

Painting World Magazine

were framed. She named it Garden Party. After sales were better with a different product, family names as framed art, she transitioned into the new market but kept her original name.

All in all, the final choice of your business name is yours. It is your business and your future. Give it some thought. After all, this could be your business name for many, many years to come with the right planning.

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Will your business take you to other countries? What does your business name mean there?

Here is one last word of advice on choosing your business name: Be careful not to paint yourself into a corner with your new name. I have a friend who named her initial venture based on her first attempt into business, which was pressed flowers that

It has now been several years and her name framing shop is very successful. She has a choice to make, she can come up with a whole new DBA and hope her existing clients can find her or keep a name that has no relationship to the product she is marketing.

October 2016 Issue

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Snowman Tin Pockets by Karen Wisner

I love these little posie pockets! Put greenery, berries, and a small battery candle in one to use as a decoration, or paint and fill with candies. These would be great to give as small gifts, or to sell finished online or at a local craft fair. Enjoy!

Painting World Magazine

Miscellaneous Supplies:

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

• Deep Burgundy DA128 • Deep Midnight Blue DA166 • Evergreen DA082 • French Grey Blue DA098 • Graphite DA161 • Honey Brown DA163 • Lamp Black DA067 • Jade Green DA057 • Light Avocado DA106 • Light Buttermilk DA164 • Milk Chocolate DA174 • Moon Yellow DA07 • Oyster Beige DA313 • Sand DA04 • Shading Flesh DA137 • Slate Grey DA068 • Snow (Titanium) White DA01 • Soft Sage DA207 • Tangerine DA012 • Tomato Red DA169 • True Ochre DA143 • Williamsburg Blue DA040

About Karen

I have loved art since I was a very young child. I remember getting an art set from Santa when I was 8, that was the beginning. I always wanted to be a cartoonist, so my style of painting is usually whimsical, but I still paint other styles when the mood hits. I travel teach but have spent most of my teaching time in Italy, which is now my second home with lots of people I love very much. I have authored many books, patterns and magazine articles. Just when I think my creative mind is sucked dry, it starts in again! I love sharing the love of painting with everyone I can.

Surface:

(All suppliers are listed in the directory at the back of the book)

• (3) 6 1/2” White Tin Posie Pockets #11-27929 from Cupboard Distributing

DecoArt Americana Acrylics:

• Antique Maroon DA160 • Avocado DA052 • Baby Blue DA042 • Black Green DA157 • Burnt Sienna DA063 • Dark Chocolate DA065

DecoArt® Mediums:

• Americana Acrylic Sealer/ Finisher, Matte DAS13 • Americana Brush ’n Blend™ Medium Extender DAS1 • Media™ Acrylic Gesso (4 oz) DMM18

Dynasty® Black Gold® Brushes:

• Black Sakura® Micron® Pen .01 • Stylus (with large and small ends) • Dark Transfer Paper • Light Transfer Paper • Tracing Paper • Cotton Swabs • Old Toothbrush • Old #1 and #4 round paintbrushes

Painting Techniques Used:

Use the round brushes to base coat; the 5/0 script liner to paint large vines and highlight strokes; the 20/0 script liner for fine detail lines and the 10/0 for cracks and details; the 3/4” flat wash to float background areas; shaders to float color, shade, and highlight; the fabric round to dry brush highlights; and the mop to blend floated areas.

To float a wash of color, wet surface. Then load brush with more paint than used for shading and apply in the same manner. Use mop or cotton swab to blend. Let dry, and then paint other parts of the design. I work from top to bottom so I never run into a wet paint area.

• #3/4 flat wash (Series 206FW) • #1, #2, #3, #5 and #8 round (Series 206R) • #14 and #20 shader (Series 206S) • #20/0, #10/0 and #5/0 script liners (long bristles) (Series 206SL)

Preparation:

Dynasty Decorator Collection® Brushes:

Water down Gesso slightly, and then apply to entire design area with an old brush. Let dry and repeat. Let dry.

• 1/4” and 1/2” mini mop (Series 400) • Fabric round #2 (Series B1500)

Clean tin surfaces and wipe dry. Trace patterns onto tracing paper with Black Micron Pen. Transfer entire design’s outer edges only. Don’t transfer vines or boughs.

October 2016 Issue

Painting World Magazine stroke on each nose with Snow White; stipple some snow on each nose.

Paint Lamp Black stitches on hat and vest. Paint large snowflake and dot ends with Snow White.

Paint Milk Chocolate cracks on twig arms, let dry, and then shade. Paint Lamp Black eyes and brows. Paint Burnt Sienna lines on noses.

Rusty Star & Hang-tag:

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Helpful Hints:

I clean the mop brush as I use it by lightly scrubbing it on a damp paper towel, and then drying it on my pant leg. This way it’s always clean and dry.

Using Brush ’n Blend Extender in place of water, dip 3/4 flat wash brush in and work it into the bristles. Then dip brush into Honey Brown and load for a float. Shade around outside of design areas.

Water down Honey Brown paint to an ink consistency, dip toothbrush into it, and splatter background area by pulling your finger down the brush bristles. Once background is dry, apply two coats of Light Buttermilk over entire design area (dry between coats). Transfer basic design lines onto surfaces using stylus’s small end and transfer paper. Transfer detail lines as needed (use light transfer paper for rusty star).

Painting Instructions:

All Snowman Bodies:

Base coat bodies Light Buttermilk and noses Tangerine. Shade bodies with French Grey Blue and noses with Burnt Sienna.

With old paintbrush and Snow White, stipple the “fluffy snow” areas on snowmen. Deepen shaded areas with Honey Brown. Dry brush Shading Flesh cheeks. Highlight noses with Light Buttermilk. Paint a highlight October 2016 Issue

Base coat tag Sand and star Burnt Sienna. Stipple star with old #1 brush and Graphite to give the old rusty look.

**The hats, hang-tags, candy canes, vines, leaves, and berries are all painted the same, so the instructions only appear under the “Welcome” Pocket.

“Welcome” Pocket:

Hat and Vest:

Base coat hat Slate Grey and hatband and vest Tomato Red. Shade vest and band with Antique Maroon; let dry, and then paint tear areas. Shade hat, base coat coal snowman buttons, and paint hat cracks with Graphite.

Highlight hatband and vest with Moon Yellow. Highlight hat and coal with Sand; drybrush upper inside hat and float edge highlights.

Painting World Magazine

Candy Canes:

“JOY” Pocket:

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Allow some of the first color to show also. Transfer detail lines. Highlight star with Honey Brown. Shade tag with Milk Chocolate, let dry, and then highlight with Snow White.

Shade star with Lamp Black; paint or ink letters onto tag and dot letter ends.

Base coat Light Buttermilk. Shade canes’ inner edges with French Grey Blue and outer edges with Honey Brown.

Paint Tomato Red lines. Paint highlight strokes with Snow White.

Holly Leaves, Berries, and Vines:

Base coat holly leaves Soft Sage and large berries Tomato Red. Shade leaves with Avocado, Let dry.

Deepen shading and paint center lines with Evergreen. Float Tomato Red on each leaf (see photo) - this gives larger leaves a little more color.

Paint vines with Dark Chocolate. Let dry. Paint highlight vines with Sand. Paint boughs with Avocado. Let dry. Paint Evergreen needles between lighter ones.

Dot Tomato Red berries with large end of stylus. Shade large berries with Antique Maroon. Let dry. Highlight with Moon Yellow. Paint Lamp Black ends on large berries. Paint tiny highlight strokes on large berries with Snow White; stipple snow areas on leaves and vines with old brush.

Scarf and Mittens:

Base coat Baby Blue. Shade mittens and scarf with Williamsburg Blue. Deepen shading on darker areas with Deep Midnight Blue; let dry, and then make dots. Highlight with Snow White; let dry, and then paint highlight strokes. Wreath: Stipple wreath area with Jade Green. Let dry. Stipple with Black Green, allowing some of the lighter green to show.

Paint wreath boughs as done before, using Black Green and Jade Green for second layer of needles.

Snowman Heads:

Do snowman heads and hat the same as before. Paint small scarf with Light Buttermilk. Shade scarf with Baby Blue. Let dry. Paint Deep Midnight Blue lines.

Candle:

Base coat candle Sand. Shade with Milk Chocolate. Let dry. Outline with Dark Chocolate and paint candlewick. Paint a Tangerine flame. Highlight candle and flame with Snow White.

Santa:

Base coat face Oyster Beige, mittens and feet Graphite, red areas Tomato Red, and fur areas Light Buttermilk. Shade fur with Honey Brown. Float cheeks with Shading Flesh.

October 2016 Issue

Painting World Magazine

Finishing:

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Shade red areas with Antique Maroon. Dry brush center highlights with Moon Yellow.

Spray all painted surfaces entirely with Matte Spray Sealer. Let dry and repeat.

Dot True Ochre bells, let dry, and highlight with Light Buttermilk. Stipple fur with old #1 round brush and Snow White; paint beard. Paint stitches and dot eyes with Lamp Black.

Fill each pocket with vines, pip berries, or goodies.

You can use these pockets as ornaments or cute additions to larger packages. Think about putting the receiver’s name on the hang-tag to make it more special!

“Primitive” Pocket: Gingerbread:

Base coat body Oyster Beige. Let dry. Shade with Dark Chocolate. Paint frosting areas with Light Buttermilk. Shade with Honey Brown.

Special thanks to our guest photographer, Madison Fly!

Paint black buttons on gingerbread and snowman with Graphite. Let dry. Highlight with Slate Grey. Highlight gingerbread body with Snow White. Paint Lamp Black eyes.

Stocking:

Base coat entire stocking and cuff Light Buttermilk. Shade upper cuff with Honey Brown. Let dry. Deepen shading with Milk Chocolate and paint stitch lines. Paint Deep Burgundy stripes on stocking. Float “red dotted” areas with True Ochre. Paint Light Avocado trees.

Float Williamsburg Blue on blue areas. Paint Avocado stripes on green striped areas. Make red dots with Tomato Red. Shade entire sock with Milk Chocolate. October 2016 Issue

Highlight trees with Soft Sage. Paint snowflakes and tree with Snow White highlight strokes; dot snowflakes.

Paint Lamp Black stitches and hang-tag wire, and make dots. Deepen shading on blue areas with Deep Midnight Blue.

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

October 2016 Issue

N: . IO CE U IT ED OD R L TA EP GI T R DI O N DO

by Tami Carmody

Vintage Ornaments

Painting World Magazine

Surface:

Helpful Hints:

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Glass pendants painted in enamels and placed in vintage pendant settings. Add rhinestones to make them bling, and they’re ready to hang on your favorite Christmas tree.

(All suppliers are listed in the directory at the back of the book)

• Vintage Pendant Setting with glass pendant and rhinestones. Complete kit available at Wisteria Painting®

Brushes:

• Dynasty® Glass Art Brush #1 • Loew-Cornell® # 4 Flat • A Liner Brush

FolkArt Enamels™ Paints: ®

About Tami

I started painted in 1984 at a local Tole shop learning in Acrylics. I’ve been married to my Husband Todd for 35 years, have two Sons and 3 grandchildren.

• Wicker White - 4001 • Berry Wine - 4007 • Fresh Foliage - 4019 • Thicket - 4022 • Lipstick Red - 413 • Hauser Medium Green - 4041

Use soft brushes when base coating in enamels. Paint with a very light touch. Water is your worst enemy - blot brush on paper towel before loading paint.

Miscellaneous Supplies: • Rubbing Alcohol • White Graphite Paper • Paper Towels • Water Bin • Palette Paper • E6000® Glue

Preparation:

Wipe top of glass pendant with rubbing alcohol to remove oils.

I owned my own Tole shop for several years and been teaching for 32 years. Now I teach out of my home studio and Exhibit at painting conventions and do travel teaching.

I started painting in Enamels about 7 years ago when I decided I was going to start selling my work at Boutiques and Art shows. I now travel with my husband several times a month up and down the West Coast selling my Painting. Painting is my passion and I just love to paint!

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Trace holly and flower patterns onto pendants with white graphite paper.

Painting Instructions: Holly and Berries:

Base coat holly Hauser Medium Green. It will take 2-3 coats; let paint dry between coats. When dry, shade one side and down the center with Thicket. Highlight other side and down center with Fresh Foliage. Paint a line down the center and pull out lines in holly with Thicket and Fresh Foliage.

Flower and Berries:

Base coat flowers Wicker White. It will take 2-3 coats; let paint dry between coats. Shade between petals and line stamen lines with Berry Wine.

Flower Centers:

Stipple in Fresh Foliage. Shade one side with Thicket. Highlight other side with Wicker White.

Pine Greens (for both): Line in Thicket. Overstroke lines in Fresh Foliage

Finishing:

Glue onto vintage setting.

Add E6000 glue to back of pendant, placing it under your painting so you don’t see glue through the pendant.

Glue rhinestones with E6000 to outside edge of pendant setting. Add a ribbon to hang.

Berries (for both):

With brush’s handle end, dot on berries with Lipstick Red. When dry, shade bottoms with Berry Wine, and add a Wicker White comma highlight. Let dry 24 hours. October 2016 Issue

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Want to sell Painting WorldÂŽ Magazine in your store?

Painting World Magazine is a great product! Your customers can try it out, purchase it with their project supplies and boost sales! You can order wholesale for your business, just email info@paintingworldmag.com to get your first shipment.

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Sparkling Paint-Stamped Ornaments by Chris Haughey

Let stamps and stencils do all the work! Combine stamping and stenciling with brush strokes to create simple, but impressive, ornaments.

Painting World Magazine

Miscellaneous:

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

• 09-251 Snowflake Border Background Stencil • 46-CMS201 Christmas Blueprint Cling Stamp Set • 46-18689 Acrylic Stamp Handle • Decorative Ribbon of choice for hangers

DecoArt Americana Acrylic Paint:

About Chris

The Andy Griffith Show and Bewitched are the two TV shows I recall from my childhood. With only three stations to select on our black and white TV, I spent most of my time playing with crafts. My older sister was an oil painter and I drooled over her supplies and talents. In college I majored in Fine Art (Oil Painting), but soon found out that making a living by selling oil paintings was not all fun and games. After the pitter patter of little feet went to school (BTW, oil and kids do not mix for me), I discovered the wonderful world of acrylic. I have been an addict ever since!

My background in art continually encourages me to try new and exciting paints, mediums and techniques. I absolutely love what I do and feel very blessed that I am able to design and share my wonderful world of art.

Materials:

All materials available at Cupboard Distributing. (All suppliers are listed in the directory at the back of the book)

• 31-L149 William Wood Ornament 6-1/8” x 4-7/8” • 09-71375 Harlequin Layering Stencil

• 13-DA03 Buttermilk • 13-DA167 Payne’s Grey • 13-DA155 Soft Black

DecoArt Americana Acrylic Paint:

• 13-DMFA16 Burnt Umber • 13-DMFA04 Cadmium Red Hue • 13-DMFA10 Cobalt Teal Hue • 13-DMFA09 Cobalt Turquoise Hue • 13-DMFA14 Green Gold • 13-DMFA34 Quinacridone Violet • 13-DMFA24 Phthalo Green-Blue • 13-DMFA25 Phthalo Green-Yellow • 13-DMFA21 Pyrrole Orange • 13-DMFA07 Sap Green • 13-DMFA39 Titanium White

Brushes by LoewCornell®:

• 03-7000-4 Round • 03-7050-18/0 Script Liner • 03-7400-1/4, -1/2 Angle • 03-7500-10 Filbert

Mediums:

• 13-41370 Matte Spray Sealer/Finisher • 13-07960 Multi-Purpose Sealer™ • 13-DMM21 Modeling Paste • 13-41530 Crystal Glamour Dust • 13-01120 StarLite Varnish

• 03-11183 Double-Ended Stylus • 03-205-5 Stencil Brush • 16-03680 Painter’s Tape • 18-57305 Mono Zero Eraser • 28-03838 Canary Tracing Paper • 28-80809 Graphite Transfer Paper • 29-13281 Palette Knife • 29-32227 Specialty Sponge Set of 2 • 46-04784 Splatter Brush

Preparation:

Using large specialty sponge, seal surface with Multi-Purpose Sealer and lightly sand. Basecoat surfaces Buttermilk using same sponge.

Painting Instructions: General Stamping Instructions: Instead of tracing a pattern, the design is created by stamping the images.

Attach selected cling stamp to acrylic handle. Load large specialty sponge with Payne’s Grey, tapping on palette to disperse paint evenly across the bottom. Apply paint evenly over stamp, position stamp and press to imprint. Too much paint will cause the image to be blurry, while not enough will result in an incomplete stamping. Reapply paint after each stamping. All of the stamping is done using Payne’s Grey for all except pinecone, which is Burnt Umber. Stamp the holly, poinsettia and pinecone images first for placement. The pine branches are added around these as desired to fill in the background. (Figure 1)

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Figure 1

Figure 2

Figure 3

The colors are washed over after the images have been stamped.

Holly Ornament: Background:

Load filbert with Cobalt Teal Hue to slip-slap over background around holly leaves. Load toe of 1/2” angle with Cobalt Turquoise Blue to shade around outside border and holly leaves.

Figure 4

Figure 5

Deepen shading behind leaves and around bottom outer edge with Quinacridone Violet. (Figure 2) Position harlequin stencil and secure with painter’s tape. Load stencil brush with Cobalt Turquoise Blue, wipe excess on a paper towel and drybrush over stencil to create a soft design around the stampings.

Pine Branches:

Load script liner with thinned Sap Green to paint pine needles. Repeat with Green Gold to brighten. (Figure 3)

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Follow instructions above to drybrush Burnt Sienna design around poinsettia and pine branches.

Load toe of 1/2” angle with Burnt Sienna to shade around poinsettia, down sides and across bottom of ornament. Softly darken shading with Quinacridone Violet.

Poinsettia:

With round and Pyrrole Orange, topcoat petals. Load 1/2” angle with Cadmium Red Hue to deepen petals, keeping them lighter and brighter on the top and left sides. Shade Quinacridone Violet along base of petals, bottom edges and deepen back petals. Cover stamen in center with Transparent Yellow Iron Oxide. Load toe of 1/4” angle with Burnt Sienna to tap shadows in flower center stamen area. (Figure 6 next page)

Poinsettia Leaves:

Holly Leaves:

Base leaves Green Gold with round. (Figure 3) Load toe of 1/4” angle with Phthalo Green Yellow to shade base and bottom edges of leaves, keeping the top and left sides brighter. Using same brush, deepen shading with Phthalo Green-Blue.

Berries:

Base berries Pyrrole Orange. Shade Cadmium Red Hue around bottom and up right side of berries, making them a bright red. Deepen shading around the bottom and up right sides with Quinacridone Violet. (Figure 4)

Pull a strong Titanium White highlight on top left of each berry.

Snow:

Base leaves with Green Gold. Shade leaves behind petals with Phthalo Green Yellow. Deepen shading with Phthalo Green Blue.

Load round with Titanium White to pile snow on tops of holly leaves and around berries. With script liner and same color, paint white, snowy needles on branches.

Pine Branches:

Poinsettia Ornament: Background:

Pinecone Ornament: Background:

Load oval wash with Transparent Yellow Iron Oxide. Using a slip slap stroke, cover background around flower. Position harlequin stencil and secure with tape.

Follow instructions above to paint branches and add snow on branches, poinsettia petals and leaves.

Load oval wash with Green Gold to slip-slap over background. bottom and right sides. Pick up Sap Green on same brush to deepen the bottom, blending softly into the lighter green.

October 2016 Issue

Painting World Magazine

Pinecone: Coat pinecone with Transparent Yellow Iron Oxide. (Figure 7) Using large angle and Burnt Sienna, shade the base of each of the “arms” of pinecone layers.

Load 1/4” angle with Cadmium Red Hue to shade each berry heavily around bottoms and up the right sides, keeping top-left brighter.

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Figure 6

With round and Titanium White, plop snow on tips of pinecone layers.

Paint a strong Titanium White highlight on the top left of each berry. Load round with same color to pile snow around berries.

Stenciling:

Snow and Snowflakes:

Stencil harlequin design with a drybrush on background around images with Sap Green. Load toe of large angle with Sap Green to shade around pinecone, down both outer edges and across bottom of ornament, repeat with Phthalo Green Blue. Deepen shading with Quinacridone Violet around pinecone and across bottom of ornament. (Figure 8)

Pine Branches: Follow instructions above to paint branches. (Figure 8)

Berries:

Using handle end of brush, dip dot Buttermilk berries randomly on pine branches. When dry, use round brush to topcoat berries with Pyrrole Orange. (Figure 9)

October 2016 Issue

With Quinacridone Violet, deepen shading on berries and float a transparent shadow below and to the right of each berry. (Figure 10)

Load the tip of the splatter brush with Titanium White. Flick bristles by pulling back on the clean section of the bristles and spatter snow over each ornament. Stencil Titanium White snowflakes on ornaments following stenciling instructions above.

Texture Snow:

To add the textured snow on the top edges of the ornaments, use palette knife to mix Titanium White with Modeling Paste 50:50. Tap and pile the mix as desired to create a fluffy, snowy effect. (Figure 11)

Finishing:

Paint side edges of ornaments with Payne’s Grey. Spray seal with several light coats of Matte Spray Sealer/Finisher, allowing appropriate drying time between coats.

Using appropriate size brush, coat snow and snowflakes with StarLite Varnish. Immediately topcoat with Crystal Glamour Dust. When dry, tap and softly brush to remove excess glitter.

Attach decorative hanging ribbon. (this project does not use a pattern)

Painting World Magazine Figure 8

Figure 9

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Figure 7

Figure 10

Figure 11

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

The Art of Collaboration

by Tracy Weinzapfel

collaboration versus competition and found this industry is big enough for us all! The decorative painting world is full of amazing pattern makers, brush stroke geniuses, and business people.

Tracy Weinzapfel owns and operates her own art studio, Tracy Weinzapfel Studios. She works as a fulltime licensed Mixed Media Artist who hosts a show on the internet called Mixed Media Monday and teaches art workshops across the US and beyond. Tracy is happiest in her studio painting and living life with a creative edge. Her greatest joy is sharing and teaching her passion for art and everything colorful. I’ve been so fortunate to work with some amazing artists in the industry who’ve only made me a better artist. Years ago, I developed the motto of October 2016 Issue

You can see a time lapse of the entire project on my blog!

Maureen Baker is one such artist who I’m honored I’ve had the opportunity to befriend. I love her work. But her art isn’t in my comfort zone.

When I asked if I could work with one of her patterns in my own “Tracy” style, she didn’t hesitate. She was on board and sent one right over. I took her pattern and painted this 12 X 12 wood piece. Here’s Maureen’s original:

I’ve also had the pleasure of collaborating with mixed media artist Andy Skinner, whose style couldn’t be further from mine. His style tends to be industrial, dark pieces; with mine, you need sunglasses to protect you from the bright, vivid colors.

Dare to Create Challenges were born in January 2015, and we’ve since had five of them. We now challenge you to join us:

Painting World Magazine I selected Georgia O’Keeffe’s famous Tiger Lily:

you Painting World Magazine for being a sponsor), which will be in Chicago in October 2016.)

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Dare to Create 1 Use a color palette as selected by the other artist:

The great thing about art is it speaks many languages, fills many spaces, and has so many styles. A style may speak to one person, but not to another.

Dare to Create 4

Dare to Create 2

Painted together live (telecasted live) from CHA 2016), switching off layer by layer to create one piece together:

Painted live at NAMTA, switching off layer by layer to create one piece together:

Sure, I wish I knew all those fancy brush strokes and commend everyone who hones those skills. But I won’t let that steer me away from my art and inspiring others. I may not be the next Bob Ross, but my goal is to inspire people to pick up that paintbrush, and who knows… maybe they’ll be the next Bob Ross.

Collaborating with my fellow artists is one way I stretch myself creatively to improve my own skills and be the best artist I can. I’m thankful for those collaborations versus the stress of competing.

Can you imagine the great art that will come from more of that? Now who wants to collaborate with me next?

Dare to Create 3

Pick an artist that inspires you and do your rendition of one of their pieces.

Each of these pieces stretched me creatively and had no boundaries. And you never know where that will take you. We’ve now grown this to our first Dare to Create Event, which took place in London in July 2016, and our first USA Event, Ministry of Mixology (thank

If Bob Ross were still here, I would ask him to paint happy trees and flowers with me. Think about who you want to collaborate with and give it a try!

October 2016 Issue

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Frosty, Glittery, Wintery Glass Ornament by Theresa Prokop

Painting World Magazine

DecoArt Americana Gloss Enamels®:

• Water basin • Stylus • Black permanent finetip marker pen • Graphite paper (an old, wellused piece is preferred) • Tracing paper • Epsom salt • Iridescent glitter • Painter’s tape • Aleene’s® Tacky Glue® • Baby wipes

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

You’ll finish this mixed media, painted glass ball ornament by dipping it into Epsom salt and iridescent glitter and coating it with Liquid Glass to create a frosty, glittery, wintery look. Great fun for you and yours to paint, and so special for your craft sales!

• Foliage Green DAG269 • Hauser Dark Green DAG133 • Festive Green DAG230 • Indian Turquoise DAG87 • Primary Yellow DAG201 • Lavender DAG34 • True Blue DAG36 • True Red DAG129 • White DAG01

DecoArt® Mediums:

• Americana® Decou-Page™ • Americana MultiPurpose Sealer™ • Media® Liquid Glass • Americana Matte Spray Sealer

Brushes:

About Theresa

I have lived along the Connecticut coastline all my life. I love New England’s four distinct seasons and the beauty they bring.I love to travel and I incorporate those sights and my life’s experiences into landscape,seascape,and yesteryear’s paintings. I also enjoy the festivities and costumes of Halloween. Using my imagination I create whimsical scenes of children with a playful background.

• DecoArt Basic Glass Brush Set which includes: #1 round, 10/0 liner, 3/8” flat • DecoArt Glass Stencil Dauber Set which includes: 1/3” dauber and 1/2” dauber

Miscellaneous Supplies: • Paper towels • White China marker • Paper tape ruler • Alcohol wipe pads • Styrofoam® or plastic cups and plates

Preparation:

Before painting, wash ornament in hot, soapy water using a soft dishcloth. Price stickers and labels come off easily when soaked in hot water. Rinse soap residue away with warm or hot water, then dry the piece with a soft, lintfree cloth or paper towel. Finish by wiping it with an alcohol wipe.

Painting Instructions:

In a Styrofoam® or plastic cup, make about a 1/2 cup mixture of Decou-Page, Indian Turquoise, and Multi-Purpose Sealer in equal portions. Stir well.

Figure 1

Surface:

(All suppliers are listed in the directory at the back of the book)

• 12” Glass ornament, found at most craft stores • Hanger for ornament (string, ribbon, metal hook, etc.)

October 2016 Issue

Helpful Hints: Figure 2

1” and 3” from top all around ornament with white China marker. These marks will be your guidelines for painting. (Figure 3)

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

My #1 tip is “Don’t Rush the Brush!”

My #2 tip is baby wipes will erase any mistakes!

Enamel paints are thicker than basic acrylics and you need to apply them differently. Apply using a gentle daubing and patting motion, and then smooth with brush. You’ll have generous amounts of paint on your brush. Soft, natural hair brushes allow you to apply more paint in one stroke and create a smooth coverage. Be patient and let paint dry well before proceeding. Let it dry naturally instead of using a hair dryer to speed drying time.

Spray sealer in a wellventilated room or outdoors. Spray several coats using a light mist of spray each time, standing about 12” from surface.

Baking makes the paint durable, but isn’t necessary. If you choose to do so, or to paint this design on a dish or glass, I suggest you bake it in a cold oven at 275°F for 20 minutes, turn the oven off and let cool, and then apply the glue, Epsom salt, glitter, and Liquid Glass.

Place tracing on ornament at 1” mark and tape to secure with painter’s tape.

Slide a piece of graphite paper beneath tracing and, using a stylus, trace major lines only. You’ll free-hand much of the painting. (Figure 4)

Figure 3

Remove ornament’s cap/ hanger. Pour mixture into ornament and swirl around to cover inside completely. The ornament will now be blue. (Figure 1)

Turn ornament upside down and let excess mixture drip out. This may take time, so while it empties, you can begin to trace the pattern for painting using tracing paper and a black permanent marker. When you think there’s no more excess mixture in ornament, use baby wipe to clean it’s mouth. In case there’s some left, tape opening with a piece of painter’s tape. The inside will still need time to dry, but you can begin to paint the design. (Figure 2) Using paper tape ruler, randomly mark

Figure 4

Painting World Magazine

Figure 6

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Figure 5

Using 3/8 flat, paint mountain ranges Lavender. REMEMBER: use a gentle daubing and patting motion. Let dry.

Using 1” round, paint birdhouse and birds True Red. Use black permanent marker to outline birdhouse and make hole.

Using 3/8 flat, paint church White, windows and cross Yellow, and door True Red. Let dry.

Using 1” round, paint snowmen White. Use colors on your palette to paint hats and scarfs. After they’re dry, dab on a wash of True Blue (50% water, 50% paint) to shade. Outline snowmen, hats, and scarfs with black permanent marker.

Dab on a wash of True Blue (50% water, 50% paint) to shade. Outline windows and door with 10/0 liner and True Blue. Paint small windowpanes using 10/0 liner and colors of your choice from your palette. Using 3/8 flat, paint house True Red. Using 1” round, paint windows Yellow and door and roof White. Dry.

Dab on a wash of True Blue (50% water, 50% paint) with 3/8 flat to shade. Dry. Use black permanent marker to outline windows, windowpanes, and door.

Using 1” round and White, dab and pat on snow over the mountain tops and land. After it’s dry, dab on a wash of True Blue (50% water, 50% paint) to shade. Dry.

Turn ornament over in your hand and, using 1” round and Hauser Dark Green, pull out some tiny wiggly and pointy trees from the land and mountain areas. Take your time; look at where you want to place them.

Now do this again and add lighter trees. Look at where you want to place them using Festive Green and Foliage Green. This is your forest, so paint as many or few as you like. Dry.

Finishing

NOW is the time to bake it, if you so choose. Let cool before proceeding.

Mix 1 part Epsom salt with 2 parts iridescent glitter in a Styrofoam® cup, equaling about 1/3 cup total. Spread 9/10 of it on a Styrofoam plate, reserving the rest for later. Insert hanger back into ornament and hang ornament where you can spray it. (Make sure to hang it - DO NOT insert anything into it because you’ll scratch the inside paint.) Spray with sealer. Dry. Put a generous amount of Tacky Glue into a Styrofoam cup. Dip moistened 1/3 dauber into it

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

DO Figure 7

and dab glue ALL over bottom of ornament. (Figure 5)

Holding ornament’s top, dip and roll it into the salt/glitter mixture, covering it generously. Dry well before proceeding. (Figure 6)

Pour some Liquid Glass into a Styrofoam cup. Dip 1/2 dauber into it and dab and pat it over ENTIRE ornament. Hang to dry well. When it’s dry, spray one more time with spray sealer. While it’s still wet, sprinkle remainder of salt/glitter mixture over it. Hang to dry well. (Figure 7)

Using white China marker sharpened to a fine point, randomly pull up some stick trees. Attach a hanger of your choice. I hope you enjoy your Frosty, Glittery, Wintery Glass Ball Ornament!

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Burlap Santas Inspired by Terrye French

About Deb

These rustic, layered ornaments are a wonderful combination of primitive and glittery sparkle! Fun to paint and great for sales and craft fairs...

October 2016 Issue

I live in beautiful Penticton, British Columbia, Canada with my recently retired husband and two fur children. My husband and I have spent the past two years renovating my husband’s childhood home that was built by his father in 1946.

by Deb Antonick My painting journey began in 1990. From the first time I picked up a brush I was hooked. I painted for craft sales and taught classes at Michaels® for five years. Since then I have gone on to be one of the originalfounding members of Painting with Friends®, the brainchild of my friend Terrye French.

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Supplies: • Tim Holtz® Collection BURLAP Stencil #THS007 • Old-Looking Sheet Music Paper • Scissors • 24” Wire • DecoArt Americana® Accessories™ 1” Pouncer • Credit card or Brayer

Paints & Mediums:

• DecoArt Americana MultiPurpose Sealer™ DS17 • DecoArt Media® Matte Medium DMM20 • DecoArt Americana Fiery Red (Neon) DHS4 • DecoArt® Glamour Dust™ DAS37 • DecoArt Americana Matte Sealer/Finisher Spray DAS13

DecoArt® Americana® Acrylics:

Terrye French is my greatest inspiration and I credit Terrye French’s encouragement and friendship for all of my success.

Sadly, Terrye passed away in November 2014, she left a very

large hole in my heart. With her family’s support I have continued on with the Painting with Friends and am very honored to continue my designs in her memory.

Surface:

(All suppliers are listed in the directory at the back of the book)

• 3 x 6 1/2” Scallop Dome Plaque #31-L214 from Cupboard Distributing

• Antique White DA058 • Asphaltum DA180 • Black Green DA157 • Black Plum DA157 • Burnt Sienna DA063 • Canyon Orange DA063 • Cocoa DA259 • Colonial Blue DA259 • Colonial Green DA081 • Country Red DA018 • Desert Cactus DA018 • Evergreen DA082 • Frosted Plum DA082 • Honey Brown DA163 • Lamp Black DA067 • Light Buttermilk DA164 • Lilac DA032 • Mint Julip Green DA045 • Mocha DA060

October 2016 Issue

Painting World Magazine Smooth into place with an old credit card or brayer.

Painting Instructions:

Finish each ornament with a thin coat of Matte Medium over the entire ornament. Let dry.

Base coat with Mocha. Shade with Raw Sienna. Highlight the cheeks with a float of Country Red.

All Santas:

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

• Mustard Seed DA264 • Plum DA264 • Prussian Blue DA138 • Raw Sienna DA093 • Titanium “Snow” White DA01 • Warm White DA239 • Wedgewood Blue DA038 • Whispering Turquoise DA305

Dynasty® Brushes:

Shade around the outside of the ornaments, the papers, and the Santa designs with Asphaltum.

Faces:

Dot the eyes with Lamp Black. Dot the pupils with Warm White. Line the eyebrows with Light Buttermilk.

Black Gold® 206 Series: • 2, 4, 6, 8, 1/2” Shaders • 1/4, 1/2, 3/8 Angles • 10/0, 2 Liner

Decorator® Series:

• 400 5/8 Mop • 200 sm., med. & lg. Dry Brush • 1” Dynasty® Stencil Brush

Preparation:

Seal all pieces with DecoArt MultiPurpose Sealer mixed 1:1 with Raw Sienna. Let dry. Sand lightly. Stipple the surfaces using the 1” Pouncer double loaded with Raw Sienna and Honey Brown. Pounce to softly blend the two colors. Stencil using the Burlap stencil and Cocoa. Let dry. Shade around the outside of the ornaments with Burnt Sienna.

Trace the patterns onto the music sheet paper and cut out.

Adhere the papers to the ornaments with Matte Medium. First, brush a coat of Matte Medium onto the ornament and quickly place the paper. October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Hat Brim and Pom-Pom: Base with Antique White. Shade with Asphaltum.

Stipple with Light Buttermilk, and then stipple again with a little Warm White.

Line the vine with Asphaltum. Stroke in the leaves with Evergreen tipped in Mint Julip Green. Dot the berries with Country Red. Dot again with smaller dots of Neon Red.

Red Bird:

Base the bird with Country Red. Shade with Black Plum. Highlight with Neon Red.

Base the beak with Mustard Seed. Dot the eyes and line the legs with Lamp Black. Dot the pupils with Warm White.

Tree:

Line the tree trunk with Asphaltum tipped in Lamp Black.

Beard and Mustaches: Base cat with Buttermilk. Shade with Raw Sienna. Dry brush with Light Buttermilk.

Deepen shading with Asphaltum. Dry brush highlights with Warm White.

Blue Santa Ornament: Hat and Coat: Base with Colonial Blue. Shade with Wedgewood Blue. Dry brush and float highlights with Whispering Turquoise. Deepen shading with Prussian Blue. Dot with Whispering Turquoise.

Line the branches with Black Green tipped in Evergreen. Repeat with Colonial Green, and finish with Mint Julip Green. Line the snow on the branches with Titanium White. Line the berry string with Lamp Black. Dot the berries with Country Red. Dot again with smaller dots of Neon Red.

Star:

Base the star with Mustard Seed.

October 2016 Issue

Painting World Magazine Dot the eyes and line the hair with Lamp Black. Dot the pupils with Warm White.

Base the mittens with Frosted Plum. Shade with Plum. Highlight with Lilac. Deepen shading with Black Plum.

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Shade with Canyon Orange. Highlight with Buttermilk.

Purple Santa Ornament: Hat and Coat:

Base with Frosted Plum. Shade with Plum. Dry brush and float highlights with Lilac.

Deepen shading with Black Plum. Line the stars with Mustard Seed. Base the mittens with Colonial Blue. Shade with Wedgewood Blue. Highlight with Whispering Turquoise. Deepen shading with Prussian Blue. Dot with Whispering Turquoise.

Hat Brim, Pom-Pom, and Middle of Coat: Base with Antique White. Shade with Asphaltum.

Stipple with Light Buttermilk, and then stipple again with a little Warm White. Dot the buttons with Lamp Black.

Base the wings with Light Buttermilk. Shade with Raw Sienna. Highlight with Warm White. Base the dresses with Desert Cactus. Shade with Evergreen. Float highlights with Mint Julip Green. Deepen shading with Black Green. Line the stripes and dot Santaâ&#x20AC;&#x2122;s hat with Mustard Seed topped in Light Buttermilk. Use the liner brush loaded with Evergreen tipped in Mint Julip Green to line the arms.

Base the hearts with Country Red. Line a highlight with Neon Red. Line the sticks and bows with Lamp Black. Dot the collar and bottoms of the dresses with Titanium White.

Hat Brim, Pom-Pom and Bottom of Coat:

Base with Antique White. Shade with Asphaltum.

Stipple with Light Buttermilk, and then stipple again with a little Warm White.

Line the vine with Asphaltum. Stroke in the leaves with Evergreen tipped in Mint Julip Green. Dot the berries with Country Red. Dot again with smaller dots of Neon Red.

Snowman:

Base coat with Buttermilk. Shade with Raw Sienna. Dry brush with Light Buttermilk.

Hat and Coat:

Deepen shading with Asphaltum. Dry brush highlights with Warm White.

Line the vine with Asphaltum. Stroke in the leaves with Evergreen tipped in Mint Julip Green.

Base with Desert Cactus. Shade with Evergreen. Dry brush and float highlights with Mint Julip Green. Deepen shading with Black Green.

Line the nose with Canyon Orange. Dot the buttons and eyes with Lamp Black. Dot the pupils with Warm White.

Dot the berries with Country Red. Dot again with smaller dots of Neon Red.

Line the stripes and dot the hat with Light Buttermilk. Line the buttonholes with Lamp Black.

Angels:

Dot the buttons with Colonial Blue. Dot again with a smaller dot of Whispering Turquoise.

Line the arms with Asphaltum tipped in Lamp Black. Line the string and the JOY letters with Lamp Black.

Base coat faces with Mocha. Shade with Raw Sienna. October 2016 Issue

Green Santa Ornament:

Painting World Magazine Line the stick and the bow with Lamp Black.

Berries and Greens (All Ornaments):

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Red Bird: Base the bird with Country Red. Shade with Black Plum. Highlight with Neon Red.

Base the beak with Mustard Seed. Dot the eyes with Lamp Black, and the pupils with Warm White.

Moon:

Base the moon with Mustard Seed. Shade with Canyon Orange. Highlight with Buttermilk.

Line the stems with Black Green. Line the greens with Black Green tipped in Evergreen. Repeat with Colonial Green. Finish with Mint Julip Green.

Stroke in some random leaves with Evergreen. Dot the Berries with Country Red. Dot again with smaller dots of Neon Red.

Finishing:

Line all stitching and bows with Lamp Black. Outline design as desired with Lamp Black.

Dot the scallops at the bottoms of the ornaments with Lamp Black. Line and dot all snowflakes with Titanium White. Add glitter! Brush Matte Medium over angel wings, snowflakes, and berries and greens. Sprinkle with Glamour Dust. Spray with Matte Sealer/ Finisher Spray. Add ribbon or wire for hanging.

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

October 2016 Issue

by Sandy McTier

N: . IO CE U IT ED OD R L TA EP GI T R DI O N DO

Holiday Trio

Painting World Magazine

Supplies: Helpful Hints:

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

These funky, bright ornaments are great for garnishing a gift or for hanging on a tree or wreath. You’ll use stenciling, painting, and layering techniques to create these colorful Christmas decorations. Have fun and let these projects get you in the festive spirit!

(All suppliers are listed in the directory at the back of the book) Wooden Ornaments from Bear With Us®, Inc.

• Item #BEV70, 4-1/2” x 5-1/2”, 1/8” Thick

• Item #BEV69 Large Lightbulb Ornament 6” x 3”, 1/8” Thick

• Item #BEV71 6” x 5”, 1/8” Thick

M2 Stencils from Sandy McTier Designs®: • M2-2 Stencil

• M2-3 Stencil

• M2-10 Diamonds

• M2-11 Polka Dots

DecoArt Media® Products:

• (DMM20) Matte Medium

October 2016 Issue

Dynasty Black Gold® Brushes:

• (DMFA50) Hansa Yellow Medium

Other Supplies:

• (DMFA04) Cadmium Red Hue

• DecoArt Americana Decor® Chalky Finish™ Paint - Treasure (ADC19) • Palette Paper • Transfer Paper • Ballpoint Pen or Stylus • Heat Tool or Blow Dryer (to speed up drying process) • Cosmetic Sponge/Wedge • DecoArt® Stencil Cleaner for cleanup afterwards • Paper Towels • Baby Wipes • Water Basin • Organza Ribbons (for hanging)

DecoArt Media Fluid Acrylics™:

She is a DecoArt Helping Artist and Dynasty Artisan. You can learn more about Sandy at www. sandymctierdesigns.com; see more of her art on her FB page Sandy McTier Designs; and find her on Twitter, Pinterest and Instagram under Sandy McTier.

Add ornaments to a gift, or embellish a holiday wreath.

• (DMFA23) Phthalo Blue

• (DMM26) Soft Touch Varnish

Sandy lives in Georgia with her husband, three sons (all in college in three different cities) and a dachshund named Becks. She started Sandy McTier Designs in 2011 and loves painting everything from miniatures to mixed media to fine art to whimsical. Sandy travel teaches around the world and absolutely loves sharing her passion for painting and creating with others.

Paint the other side of the ornaments with the same design, or simply add the background stencil design to give a polished look.

• #14 Flat • #10 Flat • #8 Flat • #6 Flat • 3/8” Angle • Liner brush of choice

• (DMM18) Gesso

About Sandy

Use the heat tool/ hair dryer to speed up the drying time.

• (DMFA19) Napthol Red Light • (DMFA20) Payne’s Grey • (DMFA14) Green Gold • (DMFA07) Sap Green

• (DMFA39) Titanium White • (DMFA05) Carbon Black

• (DMFA29) Primary Magenta • (DMFA18) Pyrrole Red • (DMFA41) Transparent Red Iron Oxide

• (DMFA37) Raw Umber

• (DMFA48) Metallic Silver

Painting World Magazine

petal with the chisel edge on the edge of the petal, using little to no pressure, feather the brush in with a slight angle toward the petal’s base. (Figure 5)

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Figure 1

Using the chisel edge of the brush, paint the vein lines. You can paint the vein lines a bit brighter when adding finishing details. Side load one corner of #8 Flat with Chalky Finish Treasure and Payne’s Grey. Shade under petals as shown in the finished project. Do not shade under both sides of the petals. (Figure 6) Load liner with water, Napthol Red Light, and Titanium White; roll around on palette to mix. Paint a small, highlighted edge on the petals, finishing with a small little tip or curl on some of the petals. (Figure 7)

Poinsettia Ornament:

Petals:

Lay M2-3 stencil over ornament. Load cosmetic wedge/sponge with Matte Medium and pounce excess off on palette. Pounce over stencil, reloading as necessary. Remove stencil and dry completely. (Figure 1)

Paint one or two petals at a time so that you’re working wet on wet. Load #8 Flat with Pyrrole Red and Cadmium Red Hue and paint petal. (Figure 4)

Load #14 Flat with Chalky Finish Treasure paint and paint over the entire ornament. Immediately wipe paint off with a paper towel. If you’d like to make it lighter, wipe paint off with a baby wipe. Let dry. Lay pattern on ornament. Place transfer paper underneath pattern and go over lines using a stylus or ballpoint pen. (Figure 2) Load a slightly damp #8 Flat with Gesso and paint poinsettia. Let dry. (Figure 3)

Notice how the little petals near the center are lighter than the outer petals. Keeping the paint in the brush, side load one corner with more Cadmium Red Hue and Payne’s Grey; blend on palette. Shade along the base of the petal and along any edges to separate from another petal. Wipe brush off. Using the flat of the brush, softly blend where the colors meet. (Figure 4) Load with Napthol Red Light and Titanium White and mix on palette. Starting at the top of the

If the paint is too bright, simply touch it with your finger to soften the look. Apply a bit more pressure when painting the edge to give a “curled” look to some of the petals. Strengthen any shadows at the petals’ bases and between petals as needed.

Load #6 Flat with Sap Green and paint the little petals in the center. Note: You can paint these red if you’d like, but I like adding the green to the center to brighten up the flower a bit. (Figure 8) Without washing the brush out, load a touch of Sap Green and Payne’s Grey to one corner and shade at the base of the petals. Wipe brush off. (Figure 9)

October 2016 Issue

Painting World Magazine

Figure 5

Figure 8

Figure 3

Figure 4

Figure 6

Figure 7

Figure 9

Figure 10

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

DO Figure 2

October 2016 Issue

Painting World Magazine Load with some Green Gold and Titanium White and pull brush from edge to highlight, just as you did for the larger petals. Load a wet liner with Green Gold and Titanium White to highlight one side of the petal, finishing with a thin tip or small curl on each petal.

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Pounce over stencil, reloading as necessary. Remove stencil and dry completely. (Figure 11)

Dip the wooden end of the #8 Flat into Sap Green and dot the center dots. Let dry. Dip the same handle into Pyrrole Red and, without pressing down all the way, dot the center of each green dot. Let dry. Load the liner with Hansa Yellow Medium and dot the center of the red dot. Let dry. (Figure 10)

Scroll strokes:

For the larger scroll strokes, use the #8 Flat loaded with a touch of water and Titanium White. Using the corner of the brush at the top of the stroke, lightly push, pull, and gradually lift to the chisel edge to slide out of

Load wet #14 Flat with Pyrrole Red and paint over the entire ornament. Immediately wipe paint off with a paper towel. If youâ&#x20AC;&#x2122;d like to make it lighter, wipe paint off with a baby wipe. Let completely dry. (Figure 12) Lay pattern on ornament. Place transfer paper underneath pattern and go over lines using a stylus or ballpoint pen.

the stroke. Repeat for the smaller scrolls, but this time with a liner.

Dip the wooden end of the liner into Titanium White and add dots beside the scrolls as shown. The dots will get smaller as you paint them from the top dot to the last.

Load #8 Flat with Gesso and some Transparent Red Iron Oxide; paint the reindeer. Add more paint to the Gesso to make it darker, or add more Gesso to make it lighter, like I did. Wipe the brush off. (Figure 13)

Reindeer Ornament:

With very little pressure, smooth out the Gesso and paint to remove any lines. Let completely dry. Re-transfer the face on reindeer if necessary.

Lay M2-2 stencil over ornament. Load cosmetic wedge/sponge with Matte Medium and pounce excess off on palette.

Side load one corner of #8 Flat with Raw Umber. Shade the head, body, underneath

October 2016 Issue

Figure 11

Figure 12

Figure 13

Figure 14

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

DO Figure 15

Figure 16

Figure 17

Figure 18

Figure 19

Figure 20

Figure 21

Figure 22

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

the ears on the face, under the hair on the forehead, and above the nose. (Figure 14) Load liner with water and Carbon Black; mix on palette to make paint even inkier. Paint eyes, lashes, nose, small line for mouth, and antlers. Let dry. (Figure 15)

Load liner with Titanium White. Paint a small “u” at the bottom of each eye and a small plus sign for the twinkles in his eyes.

Reload brush and paint small hairs on his head and forehead. Paint a small white accent line on his ears.

Add a bit of Raw Umber to the Titanium White and, without completely covering the black, paint the antlers again. This will give them a little dimension. Load #8 Flat with water and Gesso and mix on palette; paint scarf and let dry. (Figure 16)

Side load the toe of a slightly wet 3/8” Angle brush with Raw Umber and shade where the scarf meets the face and body.

Scarf:

Load #8 Flat with Sap Green and paint scarf. Dry. (Figure 17)

Load brush with some Gesso and Green Gold and paint scarf. Let dry. Since these colors are transparent, you get great dimension when layering them. If you want the scarf brighter, paint on more Green Gold. Let dry. (Figure 18)

October 2016 Issue

Painting World Magazine Load #8 Flat with Phthalo Blue and paint ornament. Side load one corner with Payne’s Grey and float some color on the left side of the ornament. Load a touch of Titanium White on the corner and paint a small comma stroke on the left side to highlight.

Repeat for the smaller scrolls, but with a liner. (Figure 21)

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Load #8 Flat with Titanium White and Green Gold. Sliding on the chisel edge of the brush, pull small strokes at the ends of the scarf. Wipe off brush and softly blend the end of the strokes.

Side load one corner with Payne’s Grey and shade between the knot and sections of the scarf. Dip the wooden end of the liner into Sap Green and add dots to the scarf ends. (Figure 19) Repeat with Green Gold, then Titanium White. Let dry.

Load liner with Metallic Silver. Outline ornament topper and pull lines down from the top. Add dots along the bottom of the ornament topper using the wooden end of the brush dipped in Metallic Silver.

Load toe of 3/8” Angle brush with Payne’s Grey and shade on the other side of the scarf fringe. (Figure 20)

Load liner with Sap Green and repaint ribbon. Don’t worry about covering up all of the Titanium White.

Ornament:

Scroll strokes:

Load #8 Flat with Gesso and paint ornament. Add a touch of Payne’s Grey to the brush, with Gesso still on it, and paint ornament topper.

Load liner with Titanium White and paint ribbon. Let dry.

Figure 23

Dip the wooden end of the liner into Titanium White and add dots on the sides of the scrolls as shown. The dots will get smaller as you paint them from the top dot to the last. (Figure 22)

Finishing touches – Load the toe of a slightly wet 3/8” Angle brush with Payne’s Grey. Shade underneath the antlers and scarf and under the blue hanging ornament. Holly Ornament:

Lay M2-10 Diamonds stencil over ornament. Load cosmetic wedge/ sponge with Matte Medium and pounce excess off on palette. Pounce over stencil, reloading as necessary. Remove stencil and dry completely. (Figure 23) Load a wet #14 Flat with Phthalo Blue and paint over the entire ornament. Immediately wipe paint off with a paper towel. If you’d like to make it lighter, wipe paint off with a baby wipe. Let completely dry. (Figure 24)

Load a very wet #14 Flat with Gesso and mix on palette to make an inky consistency. Brush over the ornament, and then wipe back with a soft paper towel. This will take the background color down just a bit. (Figure 25) Lay pattern on ornament. Place transfer paper underneath pattern and go over lines using a stylus or ballpoint pen. (Figure 26) Load #10 Flat with Gesso and paint holly and berries. Let dry. (Figure 27)

October 2016 Issue

Figure 24

Figure 25

Figure 26

Figure 30

Figure 33

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

DO Figure 27

Figure 28

Figure 29

Figure 31

Figure 32

Figure 34

Figure 35

Painting World Magazine Side load one corner with Green Gold and Titanium White and paint along the highlighted side of the leaf. (Figure 30)

of the leaves, adding a small curl at the tip of the center leaf.

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Load cosmetic wedge/sponge with Gesso and Primary Magenta and pounce to mix on palette. You’re going for a soft pink color. Lay polka dot stencil on surface and pounce sponge over surface. Avoid the leaves and berries as much as possible, and remove any pink paint from them with a slightly damp brush. (Figure 28)

Holly Leaves:

Load #10 Flat with Green Gold and Titanium White, mix on palette, and paint one leaf. (Figure 29) Pick up some Sap Green and paint over the leaf again. These colors are transparent and give great depth when painting in layers.

October 2016 Issue

Wipe brush off. With a featherlight touch, brush the inside edge of the stroke to soften and blend. Wash brush.

Load #8 Flat with Titanium White and Hansa Yellow Medium, and then wipe paint off on a paper towel. Dry brush color on the highlighted side of each leaf. Wash brush.

Load same brush with Sap Green and side load one corner with Payne’s Grey.

Load a wet #6 flat brush with Green Gold and wash over the dry brush highlight.

With the brush flat and the Payne’s Grey corner at the edge, shade the other side of the leaf.

Load liner with Titanium White and paint accent lines along the edges of the leaves.

Load liner with Carbon Black and paint the vein lines. Reload and paint along the dark edges

Strengthen highlights, shadows, and vein lines as needed. (Figure 31)

Painting World Magazine sides of the leaves and berries. Let completely dry. (Figure 34)

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Berries:

Load #8 Flat with Cadmium Red Hue and side load one corner with Payne’s Grey.

Shade where the top two berries meet the bottom one and between the two top berries.

Wipe brush off and load with Cadmium Red Hue. Paint a berry and blend into the shading just a bit. Reload brush with Cadmium Red Hue and paint the other two berries. (Figure 32)

Wipe brush off. Load with Napthol Red Light and Titanium White; mix on palette. Swipe the brush along a paper towel to get rid of excess paint, and then paint a highlight on each berry. Immediately wipe off the brush and, using the flat of the brush, soften the sides of the strokes with a feather-light touch. (Figure 33) Load liner with inky Payne’s Grey and paint a small “u” stroke on each berry.

Load #8 Flat with Titanium White and Hansa Yellow Medium. Wipe paint off on paper towel and dry brush highlights on berries.

Wash brush out. Load wet brush with a touch of Cadmium Red Hue and wash over the highlights.

Scroll strokes:

Dip the wooden end of the liner into Titanium White and add dots beside scrolls as shown. The dots will get smaller as you paint them from the top dot to the last. (Figure 35)

Finishing touches:

Load #10 Flat with water and Titanium White. Tap the middle of the handle over another brush to add some splatter here and there. Lay a small piece of paper towel on the splatter and lightly touch to lift some of the paint.

Finishing:

Let the ornaments dry completely, and then seal with Soft Touch Varnish. Add a beautiful organza ribbon to the top of each.

Load liner with Titanium White and add a small accent line on each berry. Strengthen highlights and shadows as needed. Load the toe of a slightly damp 3/8” Angle brush with Phthalo Blue and shade under the dark

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

What’s YOUR Happy Color?

Cindy is an artist/designer/ teacher of decorative painting. She’s been part of this industry for over 20 years, and has taught at conventions throughout the U.S. and been published in several magazines, including The Decorative Painter® and Painting Friends® (Japan). She sponsors online painting classes, allowing you to paint at your own pace, in your own space, with some of the best this industry has to offer! Check out the selection of classes at www.purelyacrylics. com. Paint with Heart!

by Cindy Harrison

Well, if I want to be happy just relaxing with my family, my favorite color is green.

person perceives color differently. The hue I see may not be the same hue you see.

If I want to be happy and energized, I like pink. And when I’m in the studio and want to be creatively happy, I choose purple!

Even though green is my relaxing color, it doesn’t mean it will be yours. Or if it is, it might not be the same shade or value of green.

Why so many colors? Why not just one? Well, the answer is this: colors evoke emotions. Each color arouses a different sensation, similar to the way music does.

You could feel relaxed surrounded by a deeper or lighter green. You may prefer a green that leans toward the blue side or the yellow side.

You must have noticed that people have different “favorite” colors. Well, that’s because each

What do I mean by “happy color”? A happy color is one that makes you smile and feel good all over. My happy color changes with my mood. What do I mean by that?

October 2016 Issue

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Did you know that colors are also perceived differently between genders?

In a poll asking “What’s your favorite color?” the results were colors like sea green, yellow, and blue. Can you guess which gender chose which color? Women chose sea green and yellow, men chose blue. Men see color differently than women. No big surprise, right?

Can you guess which color neither gender typically favors?

Orange. It’s the least-liked color according to some studies. It is a very strong color. Some studies say that orange can evoke impatience and restlessness. Here is a tidbit from the study of colors: yellow is a wonderful cheery color, right? Well, statistically yellow makes babies cry. It’s a bright and strong color.

We know that colors draw out different feelings in men and women. But, did you know it also varies between the ages? A color, like yellow, has a different meaning to women 45-64 years old than to young ladies of 13-22 years old. It’s just different demographics, different ages. That’s why it’s super important to know whom you’re designing or painting for. If you look at a rainbow, red it the strongest and longest ray in the spectrum.

Painting World Magazine audience before choosing colors for your design.

“Color Psychology: Association in Design” infographic, courtesy of Jonathan Tripp, www.jonathantripp.com.

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Other strong colors include yellow and orange. In the middle, you’ll find the color green, which conjures a calming, balancing sensation. The cooler colors, violet and blue, have less intensity and are shorter in length.

This chart shows the colors and some of the emotions they emit (Courtesy of Jonathan Tripp, www.jonathantripp.com).

You can find more graphics like this one by doing an online search on “the meaning of color.” So, we’ve learned that color is perceived differently between genders and age groups. Did you also know that it differs between cultures?

People of different cultures and nationalities have different views on colors.

For instance, ancient Egyptians used a lot of warm colors in their lives, as they placed great importance on the sun.

China reserved the color gold for the emperor’s personal use. Gold is associated with wealth and power. Ancient Greece was very much in love with emerald green and peacock blue. It’s said that they favored these colors because the sea influenced them.

Why is this information so important? If you’re a designer, you need to think of your target

Clearly, if you’re designing a piece for a man, you’re dominant color is not likely going to be purple or pink. You may perhaps choose blues, greens, or even earth tones.

For more information on color, here are a couple of books to read:

Edwards, Betty. Color: A course in mastering the art of mixing colors. New York: TarcherPerigee, 2004. (Edwards is also author of The New Drawing on the Right Side of the Brain) Mella, Dorothee L. The Language of Color. New York: Grand Central Publishing, 1988.

Ode to Color by Dorothee L. Mella

Colors are electrons visible, they occupy one octave of the electromagnetic spectrum To reach you, their rainbow vibrations move at the speed of light Yet, they require no medium for transmission Learn from your colors, for they are part of you: mind, eye and sensation Use your colors, for they are your personal resource from the universe!

October 2016 Issue

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Dreamweaver Ornaments

by Debbie Cole, CDA

Painting World Magazine You can connect with Debbie Cole at www.debbiecole. com, on Facebook at Debbie Cole Designs or in her group Creative Innovations.

DecoArt® Media® Fluid Acrylics™:

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Ornaments are one of my favorite projects to paint. While I love creating elegant ornaments, I try to find products that will make them easy to create. The metallic pastes add the shimmer I love and are so easy to use with Dreamweaver stencils.

Surface:

(All suppliers are listed in the directory at the back of the book) Ornaments from Cupboard Distributing.

• 31-L378 Side Frame Round Infinity Ornament® • 31-L372 Solid Round Infinity Ornament® • 31-L379 Side Frame Teardrop Infinity Ornament® • 31-L373 Solid Teardrop Infinity Ornament® (one of each)

Stampendous® Dreamweaver® Stencils:

About Debbie

Debbie Cole, CDA is an awardwinning artist that is widely recognized as one of the leading contemporary decorative painters of the 21st century. Author of numerous books and pattern packets, Debbie has been a soughtafter instructor who has taught throughout the United States, Japan, Argentina, and Canada. While Debbie loves traditional decorative painting, she also loves stamping, mixed media, and jewelry design. No matter what her medium, Debbie’s main source of inspiration comes from her faith in God. She knows that her creative talent is a gift and feels blessed to be able to share it with others. Her mission is to be able to reflect her joy onto others through her artwork.

• LL3005 Holly and Swirls • LJ891 Holly Stencil • LJ819 Snowflakes • LX7019 Peace On Earth • LL332 Picasso Shield/Stencil • DWDL3005 Holly Die Cut (optional) • LM2010 Spreader or DWDPK Palette Knife

DecoArt® Americana® Acrylic Paints:

• Antique Gold • Black Plum • Cherry Red • Grey Sky • Hauser Light Green • Hauser Medium Green • Jade Green • Lamp Black • Napa Red • Plantation Pine • Warm White

• Gold Metallic • Silver Metallic

DecoArt® Glamour Dust™ Paints:

• Gold Glitz • Silver Bling • Multi-Purpose Sealer™ • DuraClear® Matte Varnish

Silver Brush Ltd®, Golden Natural™ Brushes:

• 3/4 & 1/2” 2008S Square wash • 2006S Angle brush • #3 2000S Round • #00 2007S Script liner • 8, 10, and 12 1821S Stencil brushes

Miscellaneous:

• Basic acrylic painting supplies • Scotch® Artist Tape for Curves • Sanding Disc or Sandpaper • Brayer • Cheesecloth • Detail scissors or Big Shot™ • Soapstone • Scotch Magic™ tape

Preparation:

Seal the ornaments, then sand lightly with a sanding disc. Wipe with a dampened cheesecloth to remove dust particles.

October 2016 Issue

Painting World Magazine

Peace on Earth Ornament:

Use the soapstone to outline the inside of the circle.

Base coat the front of the top piece and both sides of the rear piece Lamp Black. Coat surfaces with Matte Varnish.

Align the stencil over the circle and tape it to the front of the rear ornament. Use the Artist Tape to curve around the circle. (See Figure 1) Add additional tape to keep the remainder of the ornament clean.

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Helpful Hints:

When using the steel Dreamweaver Stencils, always work on a hard, flat surface and keep the stencil flush against the surface. This prevents it from bending the stencil and allowing the paste to bleed or smear.

Lay the top ornament over the front of the rear ornament. Figure 1

When using the Embossing Paste on the metal stencils, it’s important to work quickly, because the paste sets up in 2040 minutes. Tape out the edges well with removable tape.

Pick up the paste on the bottom of the metal palette knife and smooth over the stencil’s cut out areas, as if applying icing to a cake. Scrape off the excess paste until you’ve filled all the holes evenly and the stencil surface is smooth.

Figure 2

Immediately take off the tape and pick up the stencil, lifting it off as one would open a book. Don’t bend the stencil. It’s important to clean the stencil immediately, so drop it into a pan of water until you have time to scrub it with an old toothbrush. October 2016 Issue

Painting World Magazine would open the page of a book. Immediately wash off the stencil. Allow the paste to air dry.

the ornament and apply the decoupage. Allow to dry.

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

With the spreader or palette knife, spread Silver Embossing paste over the stencil. (See Figure 2) Hold in place and remove the Scotch Tape. Lift stencil off the ornament by the edge, as one

In the same manner, tape the stencil over the top of

Once the paste is dry, tape the snowflake stencil to the back of the rear ornament. Load a large stencil brush with Grey Sky, pushing the paint into the brush. Offload the paint onto a paper towel until only a residue is left in the brush. In a circular motion, apply the paint over the snowflakes. Let dry. Load the brush with Silver Metallic and offload slightly on a paper towel. Pounce the brush up and down over each snowflake. Allow to dry, and remove the stencil. Glue the top and rear pieces together. Paint the top of the ornament with Grey Sky. Allow to dry, and add a coat of Silver Metallic. Apply a coat of Silver Bling Glamour Dust paint to give additional sparkle. Glue rhinestones onto the star on the top and randomly on the back of the ornament.

Poinsettia & Holly Ornament

Base coat the front of the top piece and the back of the rear piece Cherry Red. Coat with Matte Varnish.

Base coat the top of the rear piece Gold Metallic. Allow to dry. Lay the top ornament over the front of the rear ornament. Use a soapstone to outline the inside of the circle. Transfer the holly pattern.

October 2016 Issue

Figure 3

Figure 6

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

DO Figure 4

Figure 5

Figure 7

Painting World Magazine On the back of the rear ornament, tape the Holly and Swirls stencil to secure. Using a spreader or palette knife, spread the Gold Embossing paste over the stencil.

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Align the Holly Die Cut die over the holly and berries and run through a cutting machine, or cut with detail scissors. Float to shade the middle of the leaves and the bottom of the scrolls with Hauser Medium Green. Gently remove the holly. Finish painting the holly in the same manner as the holly pattern. (See Figure 6)

Hold the stencil in place and remove the Scotch Tape. Lift stencil off the ornament as one would open a book. Immediately wash off the stencil. Let the paste air dry.

To paint the holly pattern, base coat the leaves Hauser Light Green and the berries Cherry Red. Float to shade with Hauser Medium Green in the middle of the leaves. Float to highlight with Jade Green. Float a second shade, and then pull lines of Hauser Medium Green to create texture and the stem lines. Float the darkest areas with Plantation Pine.

Float to shade the berries with Napa Red. Add dots of Warm White to highlight. Add a second shade only on the left side with Black Plum. (See Figure 3 below) Now place the stencil on the front of the top ornament. Tape into position.

Load a large stencil brush with Antique Gold, pushing the paint

into the brush. Offload the paint onto a paper towel until there is only a residue left in the brush. In a circular motion, apply the paint over the stencil. Allow to dry.

Load the brush with Gold Metallic and offload slightly onto the paper towel. Pounce the brush up and down over the holly and scrolls. Allow to dry, and remove the stencil. (See Figure 4) Lay the Holly stencil over the mixed media paper. Stencil the green areas with Hauser Light Green and the #10 stencil brush, using a circular motion.

While the berries are still in the paper, paint them in the same manner as the holly pattern. (See Figure 7) Decoupage the holly and berries onto the back of the rear ornament. Allow to dry.

Glue the top and rear pieces together. Paint the top and sides of the ornament with Antique Gold. Allow to dry, and add a coat of Gold Metallic. Apply a coat of Gold Glitz Glamour Dust paint to give it additional sparkle.

To stencil the berries, lay the Picasso tool over each berry, aligning one of the toolâ&#x20AC;&#x2122;s circles over each individual berry. Stencil with Cherry Red. (See Figure 5)

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Innovative Corner

with Debbie Cole, CDA

Dreamweaver® Stencils

While artists have been using stencils for centuries, Dreamweaver Stencils products really stand out from the others.

Lynell Harlow founded this company, which Stampendous® bought two years ago. Her exploration of the art of stenciling and embossing began in the mid-1980s. She licensed her first designs to be made into brass stencils in 1991; a few years later, Dreamweaver Stencils was born. The stencils are now made of a high quality steel, which makes them more versatile than plastic stencils. The benefit of the steel stencil is that it won’t move or bend during the painting process, making the dry brush stenciling technique much easier to achieve. You can use these stencils with misters, inks, and pastes to create interest within designs. You can also use them to emboss paper by running it through a cutting machine, such as a Big Shot. You can October 2016 Issue

then decoupage the embossed paper onto a painting project. Dreamweaver also has many tools made from the same quality steel to create a variety of techniques. One versatile tool is the Picasso Shield Tool.

You can use this handy tool for tons of stenciling techniques. Use its various points and edges to mask off unwanted areas of a design on a stencil.

Use the holes as a mask to stencil eyes, berries, or details to stems, leaves, and other parts of images. The curved edges are perfect for creating clouds or snowy hills. They have their own line of stencil brushes as well.

Painting World Magazine

iridescent powders, fine glitters, or metallic liquid acrylic paints to create infinite effects. The Metallic colors are very interesting as they are dull in color while wet, then dry to a true silver, gold, and copper.

Dreamweaver also has a line of Embossing Pastes, which are different from other pastes on the market. They can be heat set with an embossing gun or allowed to air dry. The pastes come in Glossy White, Matte White, Glossy Black, Matte Black, Pearlescent, Translucent, Crackle, and three Metallic colors.

When using the steel Dreamweaver Stencils, always work on a hard, flat surface and keep the stencil flush against the surface. This prevents brush from bending the stencil and allowing the paste to bleed or smear.

Pick up the paste on the bottom of the metal palette knife and smooth over the stencil’s cut out areas, as if applying icing to a cake. Scrape off the excess paste until all the holes are filled evenly and the stencil surface is smooth.

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

These brushes stand up to the scrubbing of the dry brush stenciling technique because they’re made from high quality hog hairs. These hairs are cut from the ends; therefore, they reshape themselves, so there are rarely hairs that splay out from the brush.

The Translucent Embossing Paste is unique in that it’s applied in the same way as regular paste and is white, but dries to a glossy, transparent finish. Therefore, you can use it with

Helpful Hints

When using the Embossing Paste on the metal stencils, it’s important to work quickly, because the paste sets up in 20-40 minutes. Tape out the edges well with removable tape.

October 2016 Issue

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Memories of Christmas Eve by Judy Diephouse

You could hang this delightful, large ornament anywhere in your home that needs just a touch of Christmas. Have fun painting this design!

Painting World Magazine

Preparation:

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

DecoArt® Americana® Acrylics:

This large wall or door ornament has Santa and his reindeers flying over a snowy village. The trim and top scroll piece are done in silver, but you could easily change to gold if that would go better with your holiday decor. Enjoy!

About Judy

I was introduced to Decorative painting in 1975. Very soon after that I was teaching classes in my home. This I did for the next twenty or more years. During this time, I did teach at the National Conventions and at HOOT. In 1994 I teamed up with Lynne Deptula to form “Distinctive Brushstrokes”. We have published over 300 pattern packets and 40 books. Please check out our web site for our current line of patterns and books, teaching schedule, and Home Seminar dates.

Surface:

(All suppliers are listed in the directory at the back of the book)

• Omni Artboard™ Door Ornament, 9 1/2” x 14”, available from Rebecca Baer® Inc.

• Antique White • Blue Chiffon • Charcoal Grey • Cinnamon Drop • Cool White • Deep Midnight Blue • Espresso • Evergreen • Grey Sky • Lamp Black • Medium Flesh • Milk Chocolate • Mississippi Mud • Mistletoe • Navy Blue • Pansy Lavender • Plantation Pine • Red Alert • Russet • Sable Brown • Saffron • Snow White • Violet Haze • Wisteria • Zinc

Dazzling Metallics® • Emperor’s Gold • Shimmering Silver

Loew-Cornell® Brushes: • Series 7350 Liners #10/0, #1,#2 • Series 7300 Flats #4, #8, #12, 1/2” • Series 7120 Rake 1/2” • Series 7850 Deerfoot 1/4”

Base coat the circle with a mix of Deep Midnight Blue and a touch of Navy Blue (original color was Admiral Blue; use it if you still have it).

Base coat the top, bottom decor, and scroll piece with Shimmering Silver (if you have some silver powder from a class with me, add some to the metallic paint to brighten).

Allow to dry and trace on the scene and Santa with the reindeers.

Painting Instructions: Swirls under Santa and Reindeer:

Using a 1/2” rake brush with a thin mix of Blue Chiffon and Snow White ( Soft Blue if you still have that color). Lightly pull swirl lines below and around the back of the sleigh.

Back Trees:

Using a small deerfoot, stipple in the background trees with random touches of Plantation Pine, Evergreen, and Wisteria. The pine trees are touches of the chisel edge of a flat using the same colors. Bare trees are trunks and fine branches of Charcoal Grey tipped with Wisteria.

Path:

Wash in the paths with sheer Mississippi Mud. Shade the sides of the paths with floats of Charcoal Grey.

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

The smoke is the mix of Wisteria and Cool White.

The doors are a double load of Russet and Charcoal Grey.

The windows are Saffron, outlined with Charcoal Grey with edges of snow with Snow White. The bare trees by the houses are Charcoal Grey tipped with the mix of Wisteria and Cool White.

Fly-specking, snowflakes and stars: Fly-speck the entire circle with Snow White. Add random tiny snowflakes and stars with Snow White.

Santa and Reindeer:

The back reindeer are basecoated Espresso. The front reindeers are Milk Chocolate. Highlight some of the edges to help separate them with floats of Sable Brown. The hoofs and eyes are Lamp Black.

Snow:

Houses:

Wash in the snow areas with a mix of Pansy Lavender and Wisteria ( Use Violet Haze if you still have it) Highlight the tops of the hills and along the paths with Cool White dragging out the color softly down and to the right.

The houses are basecoated with Antique White, shaded with Mississippi Mud and Charcoal Grey.

Pine Trees by the houses:

The roofs are Russet shaded with Charcoal Grey. Highlight with floats of Snow White.

Using the chisel edge of a flat, tap in the pine trees with a mix of Plantation Pine and Evergreen into a mix of Wisteria and Cool White (Soft Lilac if you still have it) October 2016 Issue

Highlight with a mix of Antique White and Cool White.

The chimneys are a mix of Russet with a touch of Antique White. Shade with Russet.

The antlers are a mix of Antique White and Sable Brown. The belts on the reindeers are Cinnamon Drop. The bells and reins are Emperor’s Gold. The sleigh is Cinnamon Drop shaded with Russet and highlighted with Red Alert.

The runners are Saffron highlighted at the tips with Emperor’s Gold. Santa’s clothes are Cinnamon Drop, shaded with Russet, and highlighted with Red Alert.

Painting World Magazine Shade next to the blue circle and to separate the sections with floats of Zinc. The strokes are Zinc.

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

The fur at the cuffs and trim on the hat are Sable Brown, highlighted with Antique White and again with Cool White.

The face is Medium Flesh. The cheeks are floats of Cinnamon Drop. The eyes are Lamp Black. The hair and beard are Grey Sky highlighted with fine lines of Snow White.

The dots around the circle and on the ends are Shimmering Silver using a stylus. Highlight where needed to help separate with sheer floats of Cool White.

Finishing:

The gloves and blanket are a mix of Plantation Pine and Evergreen, highlighted with Mistletoe.

Allow the painting to dry thoroughly. Erase any visible tracing lines. Varnish with 2-3 coats of your favorite satin acrylic varnish.

The plaid lines on the blanket are Emperorâ&#x20AC;&#x2122;s Gold. The top and bottom of the circle and the scroll separate piece are Shimmering Silver. (add silver powder to this if you have it)

Using the provided spacers, glue the scroll piece onto the circle, placing it so most of the scene is visible in the open area of the scroll piece. Enjoy!

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

October 2016 Issue

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Tools of the Trade by Margaret Riley

own if you need an odd or huge size. You can buy stretcher bars and cover them with cloth.

Are you totally confused when you walk down the aisle with the paint supplies waving at you saying, “Buy me! Buy me!”? The bigbox stores don’t have the selection of fun tools like fine arts stores. But as a decorative painter, you really don’t need every tool. I took many classes, and every instructor showed something they used and loved. Well, of course I had to have each one. But as time went on, I figured out which tools I would use the most.

I’m sure you all know what a canvas is. You can make your October 2016 Issue

I like duck cloth. RocLon® is a great drapery liner fabric to use; you don’t have to gesso before painting on it. But if you use any type of fabric over stretcher bars, it’s best to apply gesso before starting your masterpiece. Or you can use canvas board, canvas paper, or Masonite that’s treated with gesso.

It has a small ballpoint on the end of the metal tip that you can dip into paint to create dip-dots. Some styluses have a ball tip on each end and come in various sizes. A stylus is a definite must-have.

Painting with acrylics requires something to rinse out your brushes in. Some people use cups (like coffee cups), but I prefer a brush basin. It’s a square, hard-plastic container with two or three sections for water.

Canvases are only the start of your surfaces to paint on. Be imaginative, but chose the correct brushes and paint for whatever surface you decide on. I’m not going into brushes or paints in this article, but I will inform you of some handy tools to have, starting with a stylus. What a great tool to use to trace patterns onto surfaces!

Painting World Magazine

There’s a tool that looks like a lid/can opener that’s perfect to get those lids open. I have mine on a keychain on a hook at my painting table.

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

One section has rows of plastic to run your brush across to help remove paint. In the other section(s) are indentations to lay your brush on. (We all know you don’t keep your acrylicfilled brush standing in water... right?)

I have a brush basin for acrylics and one for oil painting (to use oil painting brush cleaning solvents in, never mix up those supplies!).

Invest in a metal ruler with a cork on the back. The cork

Something that isn’t always in the fine art painting aisle is a spray bottle. Very nice for when you have acrylic paint out on a palette. A mist of water now and then keeps your paint puddle moistened, slowing the drying time on your palette and eliminating a film forming on your paint. I have a pocket-size spray bottle to take to classes.

If you use tube acrylics or oil paints, it’s wise to invest in a Tube-Wringer®. It isn’t too expensive, but is a handy gadget to squeeze every bit of paint out of the tube. And it helps put all the paint into one area, inhibiting it from drying out quickly within the tube. Think seriously about buying one of these if you use tube paints.

raises the ruler up off the surface, keeping marker lines from bleeding in under the ruler. A great invention! For years, I put layers of masking tape on my ruler to keep it off my surface.

If you use squeeze bottle paints, it can be difficult at times to get the tops to flip open. And if you have arthritis in your hands, it’s a challenge to open them.

October 2016 Issue

some of theirs to decide which works best for you.

I also have a clear ruler, which is good for pencil line drawing.

A brush holder is a nice investment. I have the Multi Bin® holder. I’m always sure my brushes are completely dry before I place them into it (always handles down).

Painting, or palette, knives are hard to be informative on as there are many on the market. There are rounded ends, square ends, pointed ends, and various other shapes.

Brush holders come in different sizes. Some have room for a dozen brushes and some hold up to a hundred. We have wonderful information on the internet. You can view the tool you’re questioning; if you know it’s name, just type it into a search engine and visit the sites that come up. YouTube also shows some instructions on how to use various tools. Just seek and find on the internet.

I chose three that would be multi-purpose for the task instructed. And I have a disposable one to use with mediums that would damage a metal knife. Ask some painting friends what they use, or try

I also have a brush holder that rolls up for easy brush transportation to a class or painting location. Before purchasing one, count how many brushes you own or the average amount you need to transport.

There are many tools on the market, and I only touched on a few… mainly the ones you really need to get started. If you’re a seasoned painter, you probably have enough tools/gadgets to supply an art store aisle. But as long as you enjoy painting and creating, that’s all that counts!

Song Birds & Bobbles

by Elaina Appleby

Painting World Magazine

Surface:

Miscellaneous Supplies:

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

This 8” long sophisticated bobble ornament is a fun paint craft. You can add or subtract as many beads and shapes as you like! There’s little preparation, because we DecouPage™ most of the wood surface. But it will take a little shading, floating, stenciling, and splattering with Dazzling Metallics®.

You may want to leave this ornament up all year, or make it for the bird lover on your Christmas list!

(All suppliers are listed in the directory at the back of the book) This makes one ornament - double the surfaces if you’re making two.

• Two each 6 1/2” x 3” wooden birds shapes. Use pattern to cut them out of balsa wood with scissors, or use any other bird shape you like. • One each 3” x 1 5/8” wooden tassel. Bear With Us #1845 • One each 1” jingle bell. Bear With Us #2956 • Three each 3/4” wheels. Bear With Us #1631 • One each mini music note. Bear With Us #2819 • Two each 1 1/4” star. Craftwood (poke a hole in centers) • One each 3/4” round wooden bead. Craftwood

DecoArt Americana® Supplies:

About Elaina

Elaina has a passion for creating, teaching, and sharing. She’s taught hundreds of students who love her work. She has experience in all things crafty and has many publications. Her goal is to be an inspiring light to the creative world, and she’s always willing to freely exchange ideas to encourage others. Helpful tips and decorative painting are her joy!

October 2016 Issue

• Lamp Black DA067 • Napa Red DA165 • Colonial Green DA081 • Ice Blue DA135 • Decou-Page Matte DS106 • Acrylic Sealer/Finisher Matte DAS13 • Wood Glue DS104 • Tracy Moreau Texture Stencil, Brocade & Berry Border TS04

• 6 Clothespins • Strong Black String, one 50”, one about 5” • Sheet Music Copies • Old Flat Brush (for Decou-Page) • Cosmetic Sponges or Stencil Brush • Old Toothbrush (for splattering) • Large Rake Brush • Paper Towels • Water Bin • Palette • Scissors • Masking Tape

Helpful Hints:

I like hand-torn pieces of paper when I use Decou-Page, because the edges glue down better for layering. Wet your brush often; it’s fine to have some water in the brush when using Decou-Page. I like it a little watery.

Figure 1

DecoArt® Dazzling Metallics:

• Olde World Patina DGM04 • Luminous Gold DGM02

Dynasty® Brushes:

• 3/4” Faux Squirrel® Angular • #1 Liner EB721SL • #12 Flat EB721S

Painting World Magazine Line up birds and pinch together. Make sure to center string so it will hang properly.

Decou-Page: Take your old flat brush and start Decou-Paging all over both sides of the bird and around the tassel’s center with torn sheet music. Cover well. See DecouPage manufacturer instructions. Let dry. (See Figures 5-6)

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Preparation: This project doesn’t take a lot of preparation. Sand pieces as needed. Poke a hole in each star so you can string them. I use an ice pick to poke holes in thinner wood.

Use clothespins to hold bird together. Set aside to dry.

Glue:

Bobbles:

Fold the long string in half. Put wood glue all over one side of one bird, and then lay the folded string through the center of the glued area.

While the glue dries is a good time to base coat the bobbles:

You may want to add more glue over the string. Make sure you have long strings left at the bottom and about 6” at the top. Place other bird over glue and adjust string.

• 2 Wheels and parts of Tassel: Lamp Black.

(See Figures 2-4) Figure 2

• Bead: Napa Red.

• Stars and Bell: Luminous Gold.

• 1 Wheel, Music Note, and top of Tassel: Old World Patina. Undercoat the Patina with Colonial Green (this makes better coverage). Figure 5

Stencil:

Place stencil on bird where you might see wings and feathers. Fill in vine atnd leaves with Napa Red first, then shade bottom of leaves with black using sponge or stencil brush. Repeat on other side. (See Figures 7-9)

Splattering:

With old toothbrush, make large splatters over bird and sheet music part of tassel with Luminous Gold. You may want to mask off tassel. (See Figure 10) Figure 7

Figure 8

Figure 3

Figure 6

Figure 4

Figure 9

October 2016 Issue

Painting World Magazine

Rake:

Figure 11

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Figure 10

Paint some wisps around bird’s edges with Black and then Luminous Gold.

Paint little stars with Ice Blue and dip dots with Napa Red on tassel rim. Paint Luminous Gold around rim edges. (See Figure 12)

Finishing:

Figure 12

Lace beads as shown. When you get to the bell, put strings through bell loop, then go back up through all the beads from the opposite end and synch them up tight. Tie a bow around synched string under bird, knot the ends, and trim strings.

Shading/Floating:

Shade around whole bird and bottom of sheet music on tassel with Black using angular brush. (See Figure 11)

October 2016 Issue

String top beads as shown, then glue music note to top of stack. Take the 5” string and tie the other bow on top, knot the ends, and trim. Spray Matte Finisher over whole ornament. Sooooooo pretty!

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Complete Your Collection Or Give a Creative Gift to Your Friends!

Back issues are available for both the June and August issues for just $7.99* each! Just visit our website at paintingworldmag.com and click the â&#x20AC;&#x153;Issuesâ&#x20AC;? tab across the top of the page to get access to both digital and print versions of each issue!

*Additional shipping will apply outside the lower 48 United States.

Subscribe Today! Get an entire year of Painting World Magazine delivered right to your doorstep. For only $29.99* you can have 7 great issues brought right to you all year long! Subscribe securely online at

www.paintingworldmag.com

*Price is for US subscriptions in lower 48 states only. Extra shipping charges apply to Hawaii, Alaska, Canada, Europe and Australia. Please see website for details. www.paintingworldmag.com

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Directory of Artists & Suppliers Thelma Hamilton

Listed Alphabetically

thelmahamilton@yahoo.com www.thelmaLhamilton.com

Artists:

Deb Antonick

adeb@shaw.ca www.paintingwithdeb.ca facebook.com/deb.antonick

Elaina Appleby

geapples@aol.com facebook.com/elaina.appleby

Cindy Harrison

cindy.007@comcast.net http://cindyharrisonart.com facebook.com/paintwithheart

Chris Haughey

Tami Carmody wisteriapainting@aol.com www.wisteriapainting.com

chris@cdwood.com chrishaughey.wordpress.com facebook.com/chris. haughey.98

Kim Christmas

Sandy McTier

kimchristmas@shaw.ca www.kimchristmas.com facebook.com/ KimChristmasDesigns

sandymctierdesigns@aol.com sandymctierdesigns.com facebook.com/ SandyMcTierDesigns

Debbie Cole, CDA

Theresa Prokop

debbie@debbiecole.com www.debbiecole.com facebook.com/ DebbieColeDesigns

nefolkartist@gmail.com http://newenglandfolkartist. com

Judy Diephouse

info@tracyweinzapfelstudios.com

distinctj@aol.com distinctivebrushstrokes.com facebook.com/judy.diephouse

October 2016 Issue

Tracy Weinzapfel

tracyweinzapfelstudios.com facebook.com/ tracyweinzapfelstudios

Judy Westegaard, CDA jkwestegaard@aol.com judithwestegaarddesigns.com facebook.com/judy.westegaard

Karen Wisner kdolls.designs@gmail. comespuncountrycollectibles. com

Suppliers: Aleene’s

www.ilovetocreate. com/aleenes 559-291-4444

Artist’s Club

www.artistsclub.com PO Box 87760 Vancouver, WA 98687-7760 800-845-6507

Bear With Us, Inc.

www.bearwithusinc.com 1331 Green Forest Ct #16 Winter Garden, FL 34787 407-347-5939 katie@bearwithusinc.com

Painting World Magazine

N: . IO CE U IT ED OD R L TA EP GI T R DI O N

Cupboard Distributing

Plaid® Folk Art

ScotchTM by 3M

www.cdwood.com 1463 S. US Hwy 68 Urbana, OH 43078 937-652-3338 info@cdwood.com

www.plaidonline.com 800-842-4197

www.scotchbrand.com 800-328-6276

Tim Holtz® for Ranger Industries, Inc.

Silver Brush Ltd.

DecoArt, Inc.

www.decoart.com P.O. Box 386 Stanford, KY 40484 606-365-3193 info@decoart.com

Dynasty Brushes

www.dynastybrush.com 718-821-5939 info@fmbrush.com

E-6000®

http://eclecticproducts.com/ products/e6000.html P.O. Box 2280 Eugene, OR 97402-0109 1-800-693-4667 orders@eclecticproducts.com

Krylon

www.krylon.com 800-457-9566

Loew-Cornell Brushes www.loew-cornell.com 300 Gap Way Erlanger, KY 41018 866-227-9206

www.rangerink.com 15 Park Road Tinton Falls, NJ 07724 732-389-3535 info@rangerink.com

www.silverbrush.com 92 North Main Street, Suite 19-I Windsor, NJ 08561-0414 609-443-4900 info@silverbrush.com

Rebecca Baer®, Inc.

Stampendous

www.rebeccabaer.com 301-797-1300

www.stampendous.com 800-869-0474 http://stampendous.com

Royal Langnickel art.royalbrush.com 515 W. 45th Street Munster, IN 46321 219-660-4170 customerservice@ royalbrush.com

Sakura of America Pens and Markers

www.sakuraofamerica.com 30780 San Clemente Street Hayward, CA 94544

Viking Woodcrafts, LLC.

www.vikingwoodcrafts.com 1317 8th St. SE Waseca, MN 56093 800-328-0116 viking@vikingwoodcrafts.com

Wisteria Painting

www.wisteriapainting.com 661-212-5452 wisteriapainting@aol.com

Sandy McTier Designs

www.sandymctierdesigns.com 478-213-1164 sandymctierdesigns@aol.com

October 2016 Issue

JOIN OUR

NEW FOR 2016! AMERICANA® NEON LIGHTS™ Five trendy pastel fluorescents!

Members receive: Pink Explosion

Peach Punch

• Emails of new product information • Monthly project and techniques emails

Radiant Yellow

Green Energy

Knockout Blue

• Financial and product support for authors • Free paint for use at convention classes • Opportunities to participate in surveys and demonstrations at industry shows

“Love the new DecoArt Neon Lights!!!! Great colors, and good coverage… I have used them both as background and highlight colors Try them; you will love them!”

• Inclusion of your projects on DecoArt.com

Shara Reiner, Angel Thyme Designs

• Networking with others to promote your teaching business • Helping Artist Coordinator available to assist you

AMERICANA® ACRYLICS

Seven new colors added to our line of premium, all-purpose, matte acrylics. Bright Salmon

Chartreuse Yellow

Desert Cactus

Teal Mint

Aqua Sky

Colonial Blue

Frosted Plum

DecoArt.com

Submit an application online: DecoArt.com/helping-artist

Round Flower Keepsake Box designed by Shara Reiner