CV and portfolio by Mahtab Hamzehlouy

P O R T F O L I O 2 Anbefaling 5 Curriculum Vitae 8 The Emporium of resourcefulness 16 Pollenoid: planetary urbanism 22 Urban fog: shaping urban fabric 26 Ordinary 32 Live work play

M AHTAB H A M Z E H L O U Y

After working with Schmidt/ Hammer/Lassen architects, Mahtab completed her master degree in sustainable design within society, culture, and environment at Arkitektskolen i Aarhus.

She is now working with Grรถning Arkitekter, being in charge of conceptual development of projects as well as internship staffing and mentoring. Along with her main focus on creating new spatial opportunities for users within the framework of the studio she has also introduced different graphical and visualization tools for presenting ideas to

the office [one of her field of interests].

Mahtab is passionate about inclusive design and social sustainability in the local as well as the global perspective of the political, cultural, and environmental realm. She is curious about the interconnectivity of spatial qualities, and especially how nature and architectural elements are utilized to fulfill various aimings. Her enjoyment is in finding new challenges and extracting solutions through observation, research, and interaction.

w i n t e r 2 0 1 9

Til: Rette vedkomne

ANBEFALING

Mahtab Hamzehlouy har været ansat fuld tid som arkitekt på tegnestuen fra 1. april 2018 med afslutning 28. februar 2019. Hun har fra første dag vist en stor forståelse for tegnestuens processer og er meget dygtig fagligt, både arkitektonisk og grafisk. Hun har ansvaret for tegnestuens skitseopgaver i samarbejde med undertegnede. I denne sammenhæng leder hun praktikanterne, arrangere deres ansættelse, bemanding på projekterne samt daglig styring. Mahtab har udført og deltaget i følgende projekter, samt været sagsansvarlig for hele eller dele af projekter: Amagerstrand, København - Sydtårnet (kontorbygning og hotel) (4.900 kvm) - skitseprojekt - Rækkehuse Krimsvej (1.650 kvm), Voksfabrikken Nord og Syd (2.240 kvm), Bunkeren (1.100 kvm)

ANBEFALING

Sluseholmen syd, København - Karré Æ, Kommune og lokalplans arbejde på Danicas udviklingsgrunde: - Plads til Sluseholmens Metro, design og belægningsplan - Rekreativ trappe ved havnepromenade - Volumenstudier, 3D samt fysiske modeller inkl. arealberegninger - Karré K, Løvholm (16.900 kvm): - Design af trappekerner - Model i 1:500 til salgspavillon - Kontorbyggeri til Arbejdernes Landsbank, nyt og eksisterende (16.000 kvm), skitseprojekt.

IrmaByen, Rødovre - Bygning 20 (5.300 m2), skitseprojekt Enghave Brygge - Uniscrap, Det Gamle Pakhus. Disponering af restauranter i et gammelt pakhus. Byplan i Greve (14.000 m2) samt byplan i Albertslund (28.000 m2) Skitseprojekt med volumenstudier, 3D modeller, arealberegning, skyggediagrammer og kollager. Belægningsplan til større Københavnergård på Nørrebro Sydhavnen - Ny gavlbebyggelse på eksisterende bygninger (3.700 m2) skitseforslag. Hvidovre, Landlystvej - Facade illustrationer samt situationsplan til salgsmateriale. Falkoner Allé 5 eksklusive dobbelthuse i en lille park, bebyggelsesplan og skitsering af boligplaner. Gl. Holte - Skitseprojekt på 9 nye villaer.

Sydhavnen - Ny gavlbebyggelse på eksisterende bygninger (3.700 m2) skitseforslag. Hvidovre, Landlystvej - Facade illustrationer samt situationsplan til salgsmateriale. Falkoner Allé 5 eksklusive dobbelthuse i en lille park, bebyggelsesplan og skitsering af boligplaner. Gl. Holte - Skitseprojekt på 9 nye villaer. Koncept butik i samarbejde med Co Plus4. december 2018 - Udvikling af butikskoncepter for en større international operatør.

Side 1 af 2

Øvrige opgaver - Udarbejdelse og styring af SketchUp, templates og materialer

Ved yderligere spørgsmål kan jeg kontaktes på mail og telefon. Venlig hilsen

Mahtab Hamzehlouy - Jan 2019

Mahtab har fra sin start på tegnestuen udvist stor selvstændighed og arbejdet ansvarsbevidst gennem opgaverne. Hun er blevet præsenteret for store opgaver, som hun uden tøven giver sig i kast med. Hun er grundig i sin metode for at løse opgaverne og arbejder meget ihærdigt. Hun er vellidt på tegnestuen fagligt og socialt, og hun får mine bedste anbefalinger.

Martin A. Dahlerup Architect and Partner Chr. IX’s gade 7, 5 sal. København K. Mob. +45 3028 1928 Mail: md@groning.dk

Mahtab Hamzehlouy MA Arkitektskolen Aarhus BA University of Tehran

mahtab.hml@gmail.com +45 42 72 84 66 Vestre teglgade 2P, 3th | 2450 KÃ¸benhavn SV

CURRICULUM VITAE

Born March 1991 | Iranian

CURRICULUM VITAE WORK EXPERIENCES 2018 Apr – present

Architect | Gröning Arkitekter In charge of Sketch projects of the studio such as Sluseholmen Syd, and Sydtårnet i Amagerstrand In charge of employment of interns and mentoring them through assignments In charge of management of SketchUp templates and material library and part of graphical deliveries

2016 Feb – 2016 July

Intern | schmidt/hammer/lassen/ architects Involved in Hästen 21, Stockholm, Sweden Design | Involved in developing alternatives for retail facade, Assisting in designing office, Making 3d models, Drafting, Assisting in detailing facade, Finding supporting material, Involved in designing alternatives for summer houses Presentation | Preparing diagrams, Reviewing graphical issues of plans and editing them, Photographing materials options, Preparing booklets for client meetings Workshop | Managing workshop materials and tools, Building detail models, Building conceptual models

2013 Nov – 2014 Nov

Co-founder/designer | Atelier MMaN Sound proofing | Daroun Theater Rehearsal Space Design + construction of a card selling booth | Arang Illustration Group Furniture Design + construction | Atelier MMaN Scenic design + construction | Narahat [sad], directed by Farid Yousefi & Elahe Abdi

Rabbit Hole, directed by Fariborz Karimi

Schweik the Good Soldier, directed by Pantea Armanfar and Mohammad Hossein Maref

Design | Involved in designing stages for plays [analysing scenes, finding the highlights, simplifying the needs, designing interlocked elements], Designing furniture prototypes using everyday elements Customer service | Listening patiently to client and advising them using positive gestures and words Workshop | Buying production material and tools, Involved in stage construction [measuring, cutting, painting, assembling], Building models and prototypes

Mahtab Hamzehlouy - Jan 2019

Design | Designing conceptual solutions, Developing sketch projects, Assisting senior architects in design process, Involved in developing urban plans, designing residential buildings and interior projects Presentation | Preparing diagrams, presentational drawings, reference material, and booklets for meetings, Providing large-scale technical drawings Workshop | Managing workshop materials and tools, Supervising construction of models for sketch meetings and sale pavilion

Communication | Listening to the client and suggesting approaches for design, Updating the client about the process of design and integrating their new demands, Being empathic in team, Organizing outside of office collaborations Control and overview | Involved in maintaining stage equipments in the performance period, In charge of time schedule and budget

2013 Apr – 2013 Nov

Junior architect | Eco-Park Designing eco-friendly pavilions and facilities for Ministry of Agriculture Communication | Attending client and project meetings, Translating documents Design | Involved in designing pavilions interacting with children Presentation | Preparing diagrams, Taking photos of the site

CURRICULUM VITAE

2012 Aug – 2012 Nov

Intern, student assistant | Behsazan Tarh Tabiat Consulting Co. Workshop | Building conceptual models, Managing workshop materials and tools Design | drafting facade and constructional details in autoCAD Research | Finding building codes for projects in different regions, Translating supporting material Presentation | Making short movies, working on diagrams

EDUCATIONAL BACKGROUND 2015 – 2017

Master of Art in Architecture | Arkitektskolen Århus

2009 – 2014

Bachelor of Architecture | College of Fine Arts | University of Tehran

RESEARCH 2016 Sep

Scrupulous - OMA | research on office spaces | building codes in Iran

2015 Feb - sep [in prog.] Pollenoid | team research on planetary urbanism 2015 Feb

do.co.mo.mo | providing documents for registration of the Palace of Justice in Tehran

PERSONAL SKILLS Systematic

Broad-minded

Unflappable

Willing to take calculated risks

Having keen eye for detail

Knowledge enthusiast

Empathic

Patient

IT SKILLS Autodesk AutoCAD

Adobe Indesign

Autodesk Revit

Adobe Premier pro

Adobe PhAotoshop

Sketch up + V-ray

Adobe Illustrator

Rhino + V-ray

Microsoft office [word/powerpoint/ exel] Grasshopper [basic]

LANGUAGES English | fluent

Danish | pre-advance (B2)

Persian | native

French | intermediate (B1)

INTERESTS AND HOBBIES Botanic

Watching documentaries

Playing Cello

Traveling and experiencing different cultures

Analogue photography

Languages

Reading

Anthropology

Mahtab Hamzehlouy - Jan 2019

Kurdish | native

THE EMPORIUM OF RESOURCEFULNESS

We currently live in a society of consumption that has led to a wasteful culture. ‘The Emporium of Resourcefulness’ cultivates a discourse on consumerism, recycling and the imaginative built environment. It aims to challenge society’s relentless and sometimes mindless ‘buying’ attitudes, explores the potentials of recycling and promotes a paradigm of individual/community responsibility and well-being through the culture of ‘making’ and DIY. The emporium, an anti-consumerism establishment, has an environmental as well as a social and cultural role – it functions as a regional centre for collecting recyclable materials. The Central Jutland Government initiative caters for a diverse social demographic, and is a resourceful forum for learning and trading/exchange of skills and materials; and programs as a creative craft holiday destination. The architecture questions existing typologies of shopping, and seeks out an imaginative built environment to re-establish societal value of making. Resourcefulness can be a tool for sustainable resilience.

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Based on the amount of recyclable material found in waste in Denmark, a new creative craft holiday could be organized that gets the audience together to use this resource as the material for craft.

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As media has encouraged consumers to buy ready-made products fewer people demand craft. Advertisement forms the mindset of consumers and creates the image of popularity and success by means of purchasing ready-made products. In the last few years we have seen a boom in the handmade and handicraft sectors. This is probably partly due to the consequences of the mass-produced market, the lack of details and individuality. There is now a new way to see second-hand and the up-cycling and recycling world. Moreover, with practical skills consumers have a sense of control, achievement and resourcefulness resulting in higher self-esteem, expression of identity and well-being.

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According to Worldwatch Institute, ‘approximately 1.7 billion people worldwide now belong to the “consumer class”.

As an initiative for the project, I chose the novella ‘Trout Fishing in America’ written by Richard Brautigan in 1967.The book is a critique of America’s obsession with materialism. Trout fishing, a metaphor of Utopia, is an act of confronting this national mindless attraction towards consumption. In the chapter ‘The Cleveland Wrecking Yard’, Brautigan illustrates nature as a commodity and something quantifiable that one can buy. His nature is translated to constructed nature, one that can be constructed from the most unlikely man-made components and be relocated at ease – a demonstration of the power of resourcefulness.

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THE EMPORIUM OF RESOURCEFULNESS

INITIATION | TROUT FISHING IN AMERICA

Which of these words do you associate with craft/design/luxury brands/art? a survey by Morris Hargreaves McIntyre in 2010 among 416 craft buyers

TILST | THE PROJECT’S SITE Located in Tilst, a suburb 7-10 km in Northwest of Aarhus, the Emporium of Resourcefulness straddles the Viborgvej, a road that connects the cities of Aarhus and Viborg. Viborgvej in Tilst is a commercial strip with countless shopping warehouses selling everyday household objects, DIY tools as well as ready-made products.

Viborg Kongensbro Tilst

Viborgvej

Viborg crossing Tilst

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All these warehouses -mostly serving Aarhusalong with endless vacant fields result in a monotonous and undesirable environment.

Six recycle centres in Aarhus kommune collect recyclable waste. Sintrupvej Recycle Centre [No. 3] with only 2.5 km is the closest centre to the Emporium and will have the main contribution with the complex. Since Tilst inhabits a variety of ethnicity the Emporium will be an enriched forum of exchanging skills and ideas for craft . It provides a social environment for different cultures to get closer by means of this common passion. Moreover, it educates individuals to learn different skills such as plumbing, electrical work and carpentry which will be used nationwide as a demanding job.

4 5

The giant structure spread along the site is presentation of the amount of recyclable materials going to waste everyday. It is constantly loaded with new resources that visitors are encouraged to “un-waste” them. In addition, the mega-structure in form of a creek, inspired by ‘Trout fishing in America’ is playful and emphasizes the power of imagination.

Mahtab Hamzehlouy - Jan 2019

Århusvej

Aarhus

CONSTRUCTIONAL DETAILS

THE EMPORIUM OF RESOURCEFULNESS

Gusset plate [holding envelope] Tie rod | HSS designation

50 mm bamboo Tie rod | HSS designation Gusset plate Ring clamp with elastic band inside 100 mm SHS [3 mm wall thickness] Cross clamp 100 mm bamboo

Truss | 80 mm hot finished SHS Bottom chord | 400 mm hot finished SHS [12 mm wall thickness]

1:50

1:50 RC retaining wall Insulation Sand cavity fill GCP protection PREPRUFE 800PA 150 mm lap BITUTHENE LM GCP protection

1:50

PREPRUFE PLUS PREPRUFE tape Column pile

75 mm lap

Lining wall Hydroduct CF20 Hydroduct strip Mortar filled dimples Screed Insulation Weep pipes Hydroduct CF channel RC slab

60 mm SHS [3 mm wall thickness] Crossbar 5 mm Bearingbar 30 mm x 3 mm Angle 130 mm [13 mm thickness] Steel I beamIPE 200

Concrete footing 1:50

Bilka

150 mm angle [10 mm thickness] Steel I beam IPE 300 180x60 mm hot finished SHS [5 mm thickness] Hanging rod supporting mullion Glazing mullion Double glazing | Glazed glass 6+6 / 12/ 4+4

Steel I beam IPE 300 30 mm connection plate Extruded aluminium sill 10 mm

Extruded aluminium strut 10 mm Glazed glass 6+6 / 12/ 4+4

Stainless steel folded sheet 3 mm Glazed glass 6+6 / 12/ 4+4 M8 x40 mm allen head type

Cork tile Plywood Wooden Batten Plywood Insulation Plywood Dimpled vapour membrane Plywood Steel deck

Horizontal section

1:50

Extruded aluminium sill 10 mm M8 x40 mm allen head type

1:25

Double glazing mullion Steel I beam IPE 300 Double glazing Crossbar 5 mm Bearingbar 30 mm x 3 mm

Steel packer Tarmac Concrete slab Vapour membrane Insulation HYDRODUCT CF20 1:50

Waffle concrete slab

1:50

Papier-mĂ˘chĂŠ [3 mm thickness] 3000x1550 mm Ultraboard [Honeycomb board 18 mm thickness] 50 mm bamboo Cross clamp Clamp Steel I beam IPE 300

CHS designation Cast connection Rod anchor Gusset plate 60 mm SHS [3 mm wall thickness]

Mahtab Hamzehlouy - Jan 2019

Double glazing Cork tile Plywood Wooden Batten Plywood Insulation Plywood Dimpled vapour membrane Plywood Steel deck

Extruded aluminium sill 10 mm Extruded aluminium strut 10 mm

1:25

POLLENOID: PLANETARY URBANISM

Pollenoid is an interdisciplinary essay on how our world would change by means of teleportation. Jumping from point A to B instantly, can bring in a new City/Landscape with new tenants or make the whole planet urban in the most radical way. Pollenoid aims to find answers and investigate as to the specific alterations and draw distinctions among different aspects of such phenomena.

“Isidora is the city of his dreams: with one difference. The dreamed of city contained him as a young man; he arrived at Isidora in his old age.”

Invisible Cities Novela by Italo Calvino

“The eye does not see things but images of things that means another things. If a building has no signboard or figure, its very form and position it occupies in the city’s order suffice to indicate its function.”

“One morning your desires waken all at once and surround you. The city appears to you as a whole where no desire lost and of which you are a part.”

“Your labor gives form to desire takes from desire its form, and you believe you are enjoying Anastasia (the city) wholly.”

SELECTIVE FRAGMENTATION TELEPORT simply turns “Paths” into “Points”. We do not need to take consecutive points to travel, instead vanishing from A and appearing in B is essentially the easiest navigation.

POLLENOID: PLANETARY URBANISM

The entire world including buildings, infrastructures and every single point of landscape become “HOST”s. Such space of endless hosts will be filled by pollens. “POLLEN”s are desired spots trying to find the best matching hosts. This process resembles current ‘Dating Sites’ . “Gradually some points attract relatively more pollens and are selected frequently while others are not; attractive and unattractive points are not permanent. Same as fluids, the movement of one part affects the movement of whole.” It turns the space into fragments.

Even solid masses like buildings can turn into hosts by virtue of teleport point-to-point navigation.

18 This research partly revolves around the question, What happens to these fragments? and How are they going to integrate?

Pollen

individual desires

host 1

host 2

Pink Parts are Pollens occupying their matching hosts on different scales. S | Might only teleport into a few certain parts of house, So What happens to the rest? M | Perhaps certain segments of any building are more popular, So “What happens to the rest of the Empire State? L | What happens to the areas of the city that few pollens seek host inside? XL | What will happen to areas like Europe or Sahara?

“NO Street” “Assorted Scales” “Different Eras” “Landmarks”

POLLENOID CITY

-future Roma etchings

People still need “Cultural Monuments”

Current informational technologies have power to conversely hyper-centralize or hyper-localize the city, thus encouraging disengagement or engagement with the emergent social practices of inhabitants.

Ubiquitous Intelligence “By 2050 over 70% of the world’s population will live in a city, as more than half of us already do. In the information society, in which we have limitless access to data via the screens, the territorial centralities which manifest themselves in our cities are the nodes that enable us to meet and interact person to person. The city thus affirms its strategic value as a geographical focus in the territory, as a setting for communal life and sociability.” “Data allows us to model the highly dynamic nature of cities, their social life and their infrastructure networks at an unprecedented level of detail.” “More connected information generates more nature. The reprogramming of the world occurs when an informational rain capable of drenching every elements on the planet, endows it with a digital identity, enabling it to interact with other elements by means of decentralized relational protocols. Smart Citizen “Today, people themselves can be instruments of sensing. Over the past few years, a new universe of urban apps has appeared - allowing people to broadcast their location, information and needs - and facilitating new interaction with the city.” Typical Configuration Multicentered contemporary city with typical sprawl. There are attraction points defining the density and qualities of space.

TELEPORT Configuration Concept of a teleport city is as a scatter of pollens in XYZ axis. Teleport will enables us to be in any available points in space.

However, new alternative is the juxtaposition of typical and teleport configuration.

“Now media landscape is global, social and ubiquitous. The audience can talk back. They are no longer disconnected from each other, the former consumers are now producers and media is less and less often about crafting a single message to be consumed by individuals.” Not consumer But creator of information Not consumer But constructor of architecture

Mahtab Hamzehlouy - Jan 2019

campo marzio

Future Roma, first futuristic fantasies | Giovanni Battista Piranesi as a pioneer in futuristic thinking in 18th century, conceived the future of Rome as a city with no grid, no particular orientation, of different scales and replete with monuments.

-Piranezi variations

POLLENOID: PLANETARY URBANISM

“Urban form has shown an impressive persistence over millennia - most elements of the modern city were already present in Greek and Roman times. Human have always needed and will continue to need the same physical structures for their daily lives: horizontal planes and vertical walls.” “New Urbanism” will no longer be concerned with the arrangement of more or less permanent objects but with the irrigation of territories with potential; it will no longer aim for stable configurations but for the creation of enabling fields. It will no longer be obsessed with the city but with manipulation of infrastructure for endless intensifications and diversifications, shortcuts and redistributions.

Pollenoid takes place on many levels: -Architecture on small scale-Housing -Architecture on urban scale/Urban planning -Urban Intelligence -Intelligence of new and old city -Constant stream of information -New Lifestyle

Many pollens like inherently public spaces can be haphazardly embedded into the city since we do not need access like path to our new structures. We can have an eclectic city with things pasted on very strange part of the city like Roman Amphitheater, Gothic Church, Swimming pools on roofs or inside the buildings or even under the sea.

COLLECTIVE DE-FRAGMENTATION “Any object, any building is ultimately the physical representation of an information node.” The physical proximity is starting to become a meaningless measure since social networks are in some way keeping us connected all the time and in the same time technologies destroyed objects. Virtual proximity can compensate for the lack of physical closeness possibly in so far as people start to live exactly like primitives while their basic needs are fulfilled. Essentially mankind can revert back to individualism in “Cave” but with ubiquitous virtual connections on the side.

Every pollen can jump to new proper hosts which results in a new nomadism and accordingly constant change in the city. Interaction Between Old and New

ABSOLUTE SEPARATION

An image of Utopic teleport city that is completely separate from the current city. But can such vision be correct?

OVERLAP Country to the above vision, overlap seems like logical scenario. Considering the built infrastructure, historical attachment, and collective memories and so on, Pollenoid City is the result of such overlap. As a result of smart City and Smart Citizen, there are countless number of “Agents” in the space having the power to determine the properties of each point. Teleport is able to make point by point changes; meaning that such information cloud can make actual “Physical Changes to the City” or more generally everything. What is going to happen to PRIVACY? How about ECONOMIY and POLETICAL POWER? GLOBALIZATION? Does proximity of Pollens lead to COMBINATION? Does PROXIMITY necessarily mean AGGLOMERATION? Can we assume that city of POINTS evolve into a city of SURFACES? Does proximity of points lead to surfaces? And potentially NEW

ALTENATIVE CITIES?

Mahtab Hamzehlouy - Jan 2019

NEW NOMADISM

Learning From Las Vegas Book by Robert Venturi

URBAN FOG: SHAPING URBAN FABRIC

‘’Toupkhaneh” or literally “place of cannons”, an old square dating back to over 90 years ago, is incessantly changing year after year, yet it is considered as one of the main nodes that branches out into different routes. With the collapse of several governmental buildings on the site, its integrated development has run out of control. The project was conceived by coming to terms with the chaotic, worsening and incurable context, in addition to the inapplicability of the prevailing urban design. They conspire to bring about awkward interconnections, lack of enough interactions and optioal activities that consequently result in crimes and inevitable exacerbation of this prominent square. The idea is to make an entity by juxtaposing two opposing objects that results in a new quality, a consistent setting. It can change assorted non-matching qualities of the square into a family-friendly, functionally integrated setting that imparts a new character plus eradicates the increasing crime rate. It can also set a social, environmental benchmark for the growth of the neighbouring areas.

URBAN FOG: SHAPING URBAN FABRIC

Final object seems like an integrated object with qualities different from those of clusters

Vehicle movement patterns Pedestrian movementpatterns

The central area with no attractive attribute to entice the public to stay, can be considered as a hostile environment. Six-lane route, deters the pedestrian from crossing and increase the chance of accident.

The vast unobstructed edge on one side, accounts for a big white structure of frames that strike the viewer as a huge FOG. In return the old dangerous place can turn into a public plaza with a Ferris Wheel that either attracts people

to hang out or connects different activities inside the structure. Walking through FOG is like walking in a cloud; you dream, without thinking about the context, albeit hideous and unbearable.

amusement park central platform for civic, including a Ferris-wheel that also serves as an elevator.

urban garden

view point

Mahtab Hamzehlouy - Jan 2019

basketball court market hall

The car-human accident was quite eliminated by passing them underground.

ORDINARY

Sometimes the Ordinary is just ordinary. In these situations, it may be more successful to take advantage of “place” and “situation” to reach the clearest manifestation.

The project begin with a simple concept and an elemen- tal, a home and a two dimensional envelope. Desires and memories shape the space and the envelop emphasizes the relationship of what happens inside to surround- ings rather than to conditions outside. The envelope provides an umbrella, for both literal and meta- phorical, need and nostalgia, under which a multiplicity of activities coexist and coincide in home. The project is located on the top of the hill, is surrounded by woods and has view to the city. It is accessible through a road that reaches the main street of Gorgan.

ORDINARY

Function appears on envelope

Circulation

ground level

101 entrance 102 closet 103 toilet 104 laundry 105 dining room

106 living room 107 kitchen 108 backyard 109 parking lot 110 swimming pool

Mahtab Hamzehlouy - Jan 2019

first level

ORDINARY

two

one

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201 office, kitchenette 202 private living room 203 bedroom 204 void 205 walk-in-closet, bathroom

Mahtab Hamzehlouy - Jan 2019

one

LIVE WORK PLAY

AS MY PROJECTS AT GRÃ&#x2013;NING ARKITETKER ARE AT SKETCHING PHASE, AND DUE TO CONFIDENTIALITY, THIS PROJECT WILL BE THE ONLY REPRESENTATIVE.

Live, work, play is a project of temporary accommodation focusing on start up members and young business creators. It comes following the evolution of professional housing from boarding houses in 1860s to co-living institutions for students in 1990s. Although involved in the design process of interior of this project, at this presentation I have provided materials regarding the roof gardens, where the users [aged network 20 to mid 30] can enjoy their free time after a working day, while work socialize socializing and networking.

Mahtab Hamzehlouy - Jan 2019

LIVE WORK PLAY

1860s

1960s

1990s

2008

2019

+2025

boarding houses

[hippie/modern] co-living pioneered in Denmark

professional co-living for students

professional co-living for millinials

knowledge co-living initiated in Copenhagen [pilot test]

knowledge co-living globally pioneered

M A H T A B

H A M Z E H L O U Y

4 2 7 2 8 4 6 6 m a h t a b . h m l @ g m a i l . c o m