Maisie Coulbert Constructed photography journal
Week OneStudio recap
Week Two-
Author portrait demonstration To begin with there was a refresher on aperture and shutter speed. I am pretty familiar with these two features but the diagram below shows the way in which they increase and decrease.
The first task was a studio refresher to set up the lights. Firstly the stand was assembled and then the Bowens 500 flash head was fitted to the soft box. This was then attached to the stand and the mains cables were put into the back along with the sync cable (if you want the camera to link to the flash. A wireless transmitter can be used as an alternative). The main light has the slave cell, meaning that is the light that triggers the rest and is operated by the wireless transmitter. In the studio there is also the background to consider. The Colorama background can be changed between white, black and grey. You can get other colours from the help desk or drape materials over the rails. As well as studio work we were briefed on our assignments. We read through assignments one to seven and were given our groups for the cover shoots.
During our time in the studio we set up the lights again using the Bowens 500 flash with a soft box. We still used the wireless transmitter and slave cell so we didn’t have any wires across the floor and we could move easier. The Phase one camera (IQ 140 Digital Back) was linked to the capture one software on the mac and our images were going straight on there. I found the Phase one quite hard to focus when it was set to manual, you can tweak the dioptre correction eyepiece to alter the focus to your eye, which makes it a little better. The task was to take a portrait for an author that was well lit and one that filled the frame. Below are our results.
I found this task quite hard because I haven’t gotten the hang of using the phase one camera. The next step towards putting the final shoot together is creating a call sheet that lists all the trades that will be working on the shoot for example: Photographer; Make-up artist; stylist and light technician. Even the smallest of roles like the person who provides food must be included. The call sheet is an important part of constructing a shoot because if it was for a real client they would want to see who was on set, who was being paid what and what legal forms need to be acquired for example confidentiality forms and model release forms. All bases must be covered so no party can make any false claims once the shoot is done. Below is an example of a call sheet.
You can see it lists everything in detail including the nearest hospital to set, set requirements, address and times. A good way to get started on a call sheet is by making an industry map/production template which also helps you to see who comes where.
Darkness and light- Richard Avedon This is the beginning of mine;
This week each group received their fashion shoot briefs. Ours is titled ‘Posh Camping.’ I am pretty happy with this theme. I already have an image in my head and I think the rest of the group also have plenty of ideas. We are putting a presentation together of our ideas to present next week along with scary portraits. This weeks assignment is to research Richard Avedon, watch the Documentary ‘Darkness and light’ and produce a 250 word summary.
Darkness and light was a very honest, deep and inspiring film. Although in some parts there was very heavy praise from many different voices, the way in which the film explores all the regions, not just of Avedon’s work, but also personal life and memories is incredibly interesting. The interviews with Richard Avedon are brutally honest. He shares his greatest fears and critiques his work in a way I have not seen before in interviews.
Avedon works in a very complex way and takes interest in the smallest details. His love for fashion and people is obvious. I find his work amazing portrayals of how he was feeling at the time. I believe the way the model is photographed, which bits are showing movement i.e. the hair or dress, the props used, if any, all convey where his mind was at the time of shooting. A common observation of the narrative voices throughout the film is that Avedon pulled something out of his subjects. It seems like for the split second he takes a photograph he is searching for a fantasy within his subject and almost forces it out of them. I believe Avedon can achieve this in such a dramatic way because of the person he is. He seems very confident in himself and his work, he is charismatic which is projected onto his subjects.
Week ThreeBalancing light
To begin with the lights were set up. We used 4 Bowens 500w flash heads with soft boxes positioned on the stands and the phase one IQ 140 digital back camera, which was linked up to the Mac book pro. This week we had the camera on a tripod, which helped more with the focusing although we still used the diopter control individually. The camera had the transmitter on to sync with the flash.Before shooting began, a new folder needed to be created on capture one to hold our files. To do this a new session needs to be made and titled ‘group one’. Once the shots have been taken and transmitted through to the software they can be edited. In Capture one the white balance can be adjusted which is useful when shooting with various light sources and so the colours in the image may be too orange or green. The task this week was to balance four lights to create a scary atmospheric portrait. Below is the lighting plan.
I am familiar with Avedon’s’ fashion images and share the same interest of couture fashion. I love his classic Hollywood glamour style but also how it is merged with portraiture. It is refreshing to see his portraits with no props and isolated on a white background “leaving room for the unexpected” (R.Avedon). I think this really draws the focus to the character in front of the camera. This openness mirrors Avedon’s personality.
There was one light on the background to illuminate it. There were two lights either side of the model, one positioned just behind the models face and the other parallel to the face and each was the same distance away from the model. The light behind the camera was to light up the front of the face. Together all these lights had to be correctly balanced to create a scary look. Below is the result.
During post production you can make adjustments to the white balance if you find your image is too yellow or blue. Once everyone had shot all the images were transferred onto a device and distributed among the group. I have downloaded Capture one software to use to process my images. The last part of week three was the presentation of our ideas for our magazine shoot. Next week we are recreating an Avedon photograph.
Week Four-
Avedon recreation This week we set up 3 of the flash heads and soft boxes as shown in the light plan below. We shot using a Nikon D800E (which I found much better than the phase one camera) connected to the mac with the tether cable which was a little loose so we need to be careful how far we could go to the subject.
The two lights to either side of the model were set to 1.5 power when my picture was shot because the background was white and in the image I was working from of Avedon’s the background was grey. The soft boxes were portrait to send the light down the body rather than across.
Here is my final image;
If this shoot was to be done again the background could be made darker and the flower bigger to get a true copy of the images. The angle of the shoulder and head could also be changed. The light on the flower is good.
One this shoot we used one type of lighting (the flash) but there are many different kinds and when shooting mixed lighting can be used however this can change the colour temperature of the image and mean you need to make adjustments to the white balance. The colour temperature can be know as ‘degrees Kelvin’ and different light sources can be shown on a colour temperature scale;
Magazine cover shoot presentation
Group one created a Pintrest board to show a collection of example images that related to the theme Posh Camping. Below is part of the mood board, as you can see we are looking at using lots of props such as blankets, bags and picnic things. We are also focusing on the outfits as the theme is posh and so nice clothes and jewellery will help show this. I am looking for a little humour in my cover, I have a pearl necklace I am going to use as a prop along with champagne and strawberries.
Week five-
The final group image:
Mixed lighting This week the workshop task was to create a perfectly lit photograph using many different light sources, some ambient and some flash: - Desk lamp, fairy lights, flash heads, green gel. I have added them onto the Kelvin scale below. Depending on their position on the Kelvin scale determines the their colour temperature. For example the fairy light will be warmer than the desk lamp and so when shooting this image there were some problems with the different colour temperatures. Parts of the image were warmer and cooler than others.
The Association of Photographers For this task we were split into our groups each with a different light source. One group was using the Bowens travel pack with the battery packs, a second group was using a flash head with a green coloured lighting gel over the top. Another group had a reflector dish which casts a harsher light. The first thing to do was decide upon the exposure we would need if the camera was set to 100ISO, F16. (Our group had a desk lamp and a flash.) To do this you could use the Sekonic light meter to measure the light and give an estimate to the exposure time. This was difficult because different light sources needed different exposure times and so the flashes had to be triggered manually. The first picture was taken and our section was too dark so we turned the flash up to 3.5. We also opened the book on the table so light could shine off the pages. After a few more shots we decided that Becky would need to turn the desk lamp on and off again whilst the shutter was open. Eventually we all found the correct exposure and got the perfect image. With little adjustments after each shot. To complete this task we had many considerations such as the exposures, what we wanted the depth of field to be, if we would need a tripod. All these aspects need to be considered in order to get the exposure correct.
The AOP is an organisation dedicated to showcasing, educating and protecting the rights of photographers work. You can join and have access to competitions, courses, events and info on other photographers. Things to consider when shooting: - Call sheet- A list of trades that will be present and involved with the shoot. This is needed as a reference point and evidence of who attended the shoot if needed for future reference. - Model release form- These are very important and must be signed by the model so the photographer has the permission to use the images after the shoot. The form must state what the pictures will be used for, how long you will use them, how much money was exchanged and who was the model and photographer. - License form- This must also be obtained by the photographer and signed by the client and must state the length of time they will be using your images for. this is a legal contract and so if they break it you can take legal actions against them.
- Copyright- It is important that the photographer maintains the copyrights to their images so they cannot be used without their consent. - Photographing in public and private places- You can photograph whatever you want in public places. You cannot go onto private land and photograph without the owners permission. You can however photograph private property from public land. In some places there are exceptions for example in London the streets are public property but some buildings are trademarked and so to photograph them you would need a permit/permission. You can get permits from council offices.
Week Six-
White background This week we were shooting food items on a white background. We used the capture one software and the phase one IQ140 camera which was set to mirror lockup so you press the shutter once and it locks to reduce shake and then press it a second time to take the picture. We had one Bowens 500 pro flash head directed straight at the food which was set quite high to eliminate shadows on the background. Another way we eliminated the shadows was to lengthen the background so they fall behind the products. There was also a wireless flash trigger on the camera so there were no cables. The food was placed on the colorama white paper background that was draped over a table to create an infinity curve. The camera was set to F22 at 125th of a second so there was a high depth of field as we wanted all the products in focus. The focus point is about 1/3 of the way into the depth of field. Once we had taken the final image we made some RAW adjustments in capture one. Firstly we looked at the histogram to see where our brightest (white = 255) points and the darkest points are. If the highlights are bleached out the histogram will be at the top so to make it duller you can drag the histogram down. You can also alter the colour temperature, the flash light has a tungsten cast. Another thing that an be altered is the vertical lines of the products. As the camera was angled down towards the food the lines are not perfectly vertical. To do this you use the keystones and bend the image.
Another aspect that you can alter in post production is alter the HDR (High Dynamic Range). The more stops of dynamic range, the smoother the change of tone. By altering this you can make burnt out parts more detailed by adding tones and potentially save an image. You would need to have the image at 16bitt so there is more colour content. Once the image has been altered in capture one it can be converted and opened in photoshop to adjust things such as levels, curves, colour hue and saturation. A good tool to use to make a background into pure white (255) is the dodge tool. It will lighten your images and you can select highlights, mid tones or shadows. Once you have finished editing it is good practise to save the image as a tiff, so you can come back to edit in detail if you chose to and also a JPEG so you have it ready to use/send. You can also save the image as a PSD and maintain the layers. The final image:
Week SevenMovie shoot
This week the task was to dress up as I chose to dress up as Tauriel from the a recognisable movie character using Hobbit. things such as props, make up and wigs and shoot a portrait. To do this two Bowens 500 flags heads with a soft box were set up. The Phase one IQ 40 camera was used along with the Capture one software so the images could be viewed whilst shooting by the Mac operator. Important things to remember when shooting: -The organisation. Have you got all the props, a make up artist? -You may need to direct your model so the poses are varied and people get different image if the whole group is shooting the same scene. -Communication between the mac operator, photographer and model. The photographer needs to know if the shots are sharp and properly framed and communicate this on to the model. My movie poster -> To improve this shoot I could get a real bow and arrow to make it look more realistic. I had budget issues.
Week EightCover shoot
This week was group ones cover shoot for the fashion magazine. We booked the studio an hour early so we had enough time to set up. We used the white colorama backdrop and two of the Bowens 500 flash heads and soft boxes. We then constructed the set and organised the props and were ready to shoot by 11am. The models arrived and we started shooting. The models did their own hair and make up and also wore their own clothes which saved us time and money. We each has designated time slots to shoot which ensured the shoot was fair and ran smoothly. Whilst one person was shooting we had someone on hand to adjust the lights and each of us had a tutorial and received feedback and went over the assignments, journals and PDFs. The other groups received the first brief which was the decade brief and my group will shoot this on the 14th Decemeber which will be shown in the metadata of the images we submit. Once we edited our images the task was to create a magazine cover for a current magazine. I chose Tatler because our theme was Posh Camping and Tatler is aimed at the upper class and rich/posh people. I did consider Town and Country and Vanity fair but these have a different kind of readership.
Week Nine-
Brief B Brief B- Working in pairs, using string and pegs create 5 images of; -5 items for your identity, recreation, finance, waste and consumption. The image should include the hands of the person holding the sting. Each image must have one empty peg.
Identity
Finance
Recreation
Week TenBrief C
Consumption
Waste
This brief proved quite difficult to complete as it was a very rainy day which made it harder and I had limited time. In the end I managed to get numbers; 1, 2 (ish/if a paper plane counts as an aircraft?), 3, 6, 7 and 14.
Brief A- Decade
Unfortunately the images from when I completed this brief were lost when my SD card was smashed so the following images are my re-shot ones. The brief was to shoot people holding up the amount of fingers corresponding to the age they were in decades. I photographed people in the places I went that day including the people at the hair salon and the builders working over the road.
The costs involved in being a photographer
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By Ajay Kumar
-Business insurance -Accounting services -Printing costs -Marketing/advertising -Legal/contract fees -Premises -Computers -Editing tools -Website
Assignment 1- Author
The Biography
Most photographers work freelance and run themselves as their own business which involves many costs in order to pay yourself a wage every month. Starting up a photography business and maintaining one is very costly. To begin with you need all the equipment such as cameras, lenses, flash, stands, SD cards etc. Other costs related to the business side of things all depends on the type of photographer you are. For example a photographer who works in studios has the cost of studio rental to add on to their monthly bill whereas a photographer who works out on public locations does not. Other general costs that must be considered are:
Assignments
The Biography
By Ajay Kumar
Above is my final dust jacket design which features my author image. I have done the layout design of a typical book including the title, spine and blurb.
I shot this image in a studio with 2 Bowens flash heads and soft-boxes so it was well lit. I then edited the image on Lightroom Photoshop and made it monochromatic.
Assignment 2- Street Fashion
For this assignment I choose to photograph handbags. I went into Leeds and there were loads of people with designer handbags. I had a specific layout in my mind and so I only shot people from the shoulders down with the bag hanging from their arms. My contact sheet is below.
I really liked shooting for this assignment because I like street fashion but also because it helped with my confidence with Briefs A and C where we had to approach people in the street. To create my final pages for this assignment I lightened up all my images on Photoshop. I then cropped them down and used the cut tool to create the jaggered edges. I then opened them on a document in InDesign to begin my layout. I wanted my style to resemble the hight street fashion magazines such as Look and Elle as they use this collage cut out effect.
My final pages;
Assignment 3- call sheet
Blank copy Producer: Date: Location: Time: Lunch break: Production office: Nearest hospital to set: Locations Location Address Parking Contact 1 Brief: Role Name Contact Payment Time In Time Out Additional set requirements: Props: Wardrobe: Set dressing: Producer sign off: Date:
Edited copy for cover shoot Producer: Kate Reardon
Production office: Tatler magazine, Vogue House, Hanover Square, London, W1S 1JU Locations Location 1 Leeds Beckett University studio
Time: 10am
Date: 16/11/2015 Lunch break: 13:00 pm Nearest hospital to set: Leeds General Infirmary Great George St, Leeds, LS1 3EX
Address Headingley Campus, Headingley, Leeds, LS6 3QS
Parking On campus car park
Contact 0113 812 0000
Brief: To construct a shoot and produce a final image for the cover of Tatler based on the theme ‘Posh Camping’. The shoot can include male and female models, props and clothing to suit. It must be shot in the studio. Role Name Contact Payment Time In Time Out Photographer Maisie 07929372044 N/A 9:50am 1pm Coulbert Mac operator Set design Group One N/A N/A 10am 1pm Light Alex N/A 10am 1pm technician Tomlinson Hair and MUA Liv Taylor N/A £10 11am 1pm Model 1 Liv Taylor N/A £10 11am 1pm Model 2 Reece Gill N/A £10 11am 1pm Additional set requirements: Props: Basket, blankets, champagne, strawberries, lantern Wardrobe: Coats, scarfs, hats, boots Set dressing: Tepee built on set Producer sign off: Date: 16/11/2015
Assignment 4- cover shoot
For assignment four, the cover shoot, we arranged for a male and female model to come in. As a group we constructed a set that had a tepee, blankets, picnic basket and a stool. We each took turns to shoot for 10 mins and each had an individual prop to include so our shots were not all the same. While shooting I made sure the models had some direction from me on what poses to do, I also had a mood board of example pictures to show them before we started so they had an idea of what sort of images I wanted. I shot the models together and then separately and in the end I used the image of the female model one her own as that is normally what a fashion magazine cover has one it.
To begin the editing process I imported my images onto ightroom and adjusted the contrast and shadows. I then opeed the image in photoshop and clonned the fur scarf at the top of the image to cover the white background. I edited the skin on the face a little bit.
To make the mag cover I added the text on in phootshop and the cover headlines.
Assignment 5- Food shoot For this assignemnt I decided to call my restaurant ‘Peace of miind’ and made the peace symbol out of meat, fish and vegetables. I used cocktail sticks to pin the pieces of food onto a pizza base. For the white background I used white card.
Assignment 6- recreation
Unfortunately my original images for the recreation of a photograph and painting were lost when my SD card was smashed and due to moving away I have been unable to re-shoot the images I had made. I have been on a very tight time-scale in order to finish everything before I move to New York and so I have only been able to redo the photograph and it is not as good as the first time I did the shoot. The photograph I chose to re-create was an image by American photographer Emily Soto (Below Left) Although it is not an exact match I feel I have captured the romantic aged effect through editing. I applied a film grain after making the image black and white. My first recreation shot was much better and I am so annoyed that I lost it. Regarding the painter recreation, I am really sorry to say that I have not had time to re-shoot it as I have had to concentrate on moving away. The painting I recreated was by Edgar Degas and was of a ballerina.
Assignment 7- Module appraisal Overall I gave enjoyed this module and found it very informative. I have seen a clear development in my photography skills in terms of lighting and studio work, something I was not familiar with at the beginning of the semester. I have found the fashion related aspects of this module very interesting, as fashion is the industry I want to work in. I really liked constructing and planning the cover shoot and then creating the magazine cover with the title and copy to go with it as I could transfer the work I have been doing in the writing for journalism module over to this task. I also enjoyed the street fashion assignment. I have always admired Adam Katz Sinding’s street fashion shots so it was great to try it myself. I have never done studio work before this module so I have found it very interesting to learn how to set it up, balance lights etc. I am now able to set the studio up myself and shoot a perfectly lit photograph using flash, which is something I could not have done before. I have also learnt how to use other equipment such as the Phase One camera and the Capture One software. I think this module was interesting because we learnt a lot of technical information related to photography such as balancing light. This is something I haven’t really considered before. The workshops have been good at informing the assignments we have been set. Each one has been related to a different task and type of photography such as the food on a white background and the character shots. I think I would have found it even better if there were a clear link to fashion within the workshop tasks. I feel I have worked well throughout this module. I have attended all the workshops and I have kept up to date on the workshop journals. I was also chosen to be the group leader for the cover shoot. I feel this module has worked really well alongside the work I do outside of university. I normally do fashion shoots and so I grasped the module well when it was related to this such as the model release forms, call sheets, constructing the shoot and directing the models. Something I could have improved on is my time management. This semester I have found it difficult to manage all the work properly partly due to personal commitments but even so I should have worked on the assignments sooner than I did. However that being said I am still very happy with the work I have produced for these. My only concern for this module was working as a group to shoot the fashion cover as I work best alone and when I am doing a shoot I have a clear image in my head of what I want whereas in this module we had to do it together. This was good, as I had to work in a different way to what I normally would. My group worked very well together and we each took on a role to help plan the shoot. We all sourced props and split any costs equally.
Assignment 8- Design a brief Brief: The Banquet Client is Louis Vuitton showcasing new designs. The Celebrity lookalike will resemble a princess at the head of the table be being served two new bags on trays by the male and female model acting as servants and dressed accordingly. The set must be designed to resemble an understated mad hatter tea party that is unorganized with broken tea sets and large birthday cake in the centre of the table (Inspiration from Mrs. Havisham). The bird of prey will be soaring towards the handbags whilst the celebrity lookalike is reaching for them. The shoot should portray a sense of angst and urgency towards the handbags whilst set in grandeur. Mood board:
Profiles 1) Architectural interior- Chatsworth house dining hall -Location- Chatsworth, Bakewell, Derbyshire, DE45 1PP -Cost to hire- £3000 approx. -Previous work- Various films filmed here including Pride and Prejudice, The Duchess, Wolf Man. -Setting- Luxury/regal décor to match the clients’ reputation and products. Large rooms and ceilings, which are suitable for the bird of prey to fly around. Large dining table can be dressed to create the tea party scene.
2) Male Model- Sasha Green, BMA Models. • Height- 5’ 10” • Chest- 39 • Waist- 30 • Shoe- 9 • Dark brown hair • Brown eyes -Previous work- Nike, Men’s Health, Calvin Klein. -Daily Rate- £500 + travel expenses approx. £150 -About- Sasha has sporty physique, commercial model with plenty of experience. He has a versatile background, which would make him adaptable to this shoot. Good daily rates and he does not have to travel far, (London).
3) Female Model- Daniela Da Silva, BMA Models • Height- 5’ 9” • Dress- 8 • Waist- 26 • Shoe- 7 • Black hair • Brown eyes -Previous work- Fitness clothing catalogs, yoga books, DVD’s and promotional campaigns. -Daily rate- £500 + travel expenses approx. £150 -About- Daniela has sporty physique, commercial model, plenty of experience. Strong oriental look, which will stand out and contrast with Sasha and so emphasize the bags well as they will both hold 2 very different bags, this will compliment the products.
4) Large sculpted birthday cake- The Cake Boutique, Nottingham, 07800 892 244 -Previous work-Prices- £50-£100 (The cake needs to be of a large size to clearly stand out on the table so the price will be nearer £100). Must give minimum 2 weeks notice. Collection is from Eastwood (50 minutes from Chatsworth house). Any design can be made and a variety of colours are available.
5)
Bird of prey- Hawkeye Falconry UK, Shropshire.
http://www.hawkeyefalconry.co.uk/enquiries/ Have various types of birds (owls, hawks, falcons) Available for indoors experiences, Large room is needed as birds must fly from corner to corner, making Chatsworth dining hall a very suitable location. Priced between £300- £450, price is determined by duration + travel expenses approx. £60. Excellent reviews. The birds have been used for commercial shoots and filming in the past.
6) A celebrity lookalike- Lina at fakefaces.com Lina is a lookalike of Angelina Jolie. -Daily rate- £400 + travel expense from London (£150 approx). The daily rates reflect her likeness to Jolie. -About- Lina is very experienced with photo-shoots both commercial and personal. With this experience she is very versatile and can adopt any Angelina Jolie character and look depending on the client.
7) Stylist- Natasha Lyons. -Price- £300 -Based in Sheffield so low travel expenses, approx. £30. -Previous clients include; Grazia, MTV, Big Brother and ITV. Natasha is a recent graduate and looking for creative shoots to build her portfolio hence the daily rate. Very good previous clients.
8) Photographer- Rehka Garton -Price- £350 per day -About- Rehka is very experienced in the period drama style of the forthcoming shoot. She has had various images published as book covers in this genre. Rehka has previously done product imagery; this combined with her knowledge of period/era shoots is perfect for our client.
9) Hair and Make up artist- Nida @ Purplish studios. -Rate- £50 per model. -Previous work- includes bridal and editorial projects. Published in Lita Magazine. Nida also specialises in Asian bridal, which involves colourful and vibrant makeup and head dresses which would really bring this shoot to life and compliment the birthday cake and tea party theme of the shoot. -Expenses- Nida is based in Leeds so travel expenses would be approx. £80. 10) Assistant and set design- Maisie Coulbert -Rate- £150 per day - Previous work includes: Published in Lita and Dreamingless magazine. Maisie has styled and designed previous period/era themed shoots. Also has a photography background and is able to assist Rehka in lighting etc.