CHERINE FAHD

through plastic screens echoes the reality of our collective lived experience during this historically significant time.

The language of ‘proxemics’ that Cherine refers to in the title, A Proxy for One Thousand Eyes, is the study of the spatial relationships and interactions between individuals, considering factors such as personal space, territory, and the ways in which humans navigate and respond to the presence of others. Proximity as a term captures how we perceive, use, and manage space in social contexts, and how this affects our sense of comfort, privacy, and interpersonal dynamics.

Cherine’s artistic practice opens dialogues on the power of representation and the complexity of human connections and social presence. Through her innovative approach to performance and photography, she captures the essence of humanity, and challenges viewers to re-examine their perceptions of human connection, touch, and the world around them.

Joey Hespe, Gallery Officer