SELECTED WORKs 2016-2019 MAITREYEE MOGHE
Maitreyee Moghe
Email ID -moghemaitreyee@gmail.com Mobile No.- 9819614105 Issuu - https://issuu.com/maitreyeemoghe7600 Instagram - https://www.instagram.com/ archives_of_life_98/ D.O.B. - 17 October 1998 City - Mumbai , Maharashtra EDUCATION AND TRAINING 2016 – Ongoing : School of Environment and Architecture. Mumbai University. | Bachelor of Architecture 2014-2016 : D. G. Ruparel College of Arts, Science and Commerce. HSC Grade 11 and Grade 12. 2002- 2014 – A. B. Goregaonkar English School. SSC Upto Grade 10.
SKILLS HAND DRFTING MEASURE DRAWING MODEL MAKING MICROSOFT WORD | EXCEL | POWER POINT PHOTOGRAPHY CALLIGRAPHY SOFTWARES AUTODESK AUTOCAD ADOBE PHOTOSHOP INDESIGN SKETCHUP RHINOCEROSXX DOCUMENTATION & PUBLICATION Neighbourhood Studies, Paidhunie (sem III) South Asian Woman Architects (sem IV) Cenotaphs of Gaitore , Jaipur ( sem IV) Hindi Translation of Charles Correa’s VISTARA ( sem IV) Tectonics of Auroville ( sem V) Mining Scapes, Sonshi , Old Goa. (sem VI) WORKSHOPS Hands on Cob | Malak Singh Gill (sem II) Hands on Brick Arches | Malak Singh Gill (sem II) Film Making | Prajay S. (sem III) Art | Shrimanti Saha (sem IV) Virtual Reality | Kabir Punde (sem V) Poetry | Sanjeev Khandekar (sem VI) sculptures | TEJA GAVANKAR (sem VII)
CONTENTS 1
PRODUCTIVE ARCHITECTURE | SEM V
2
WHAT IS AN ARCHIVE | SEM IV
3
MEASURE DRAWING | SEM IV
4
DOCUMENTING MINING IN SONSHI | SEM VI
5
BUILDING AND ENERGY | SEM V
6
ESCAPE STOY | SEM III
7
STEEL CONSTRUCTION | SEM IV
8
Negotiating an Estuarine Landscape | SEM VI
9
PERFORMING ARTS CENTRE | SEM VI
10
HIGHRISE BUILDING AND CONSTRUCTION | SEM VII
11
PARAMETRIC STRUCTURE | SEM IV
12
MUD ARCHES AND COB WORKSHOPS | SEM II
13
UNDERSTANDING CONCRETE | SEM III
14
OTHER INTEREST
PRODUCTIVE ARCHITECTURE | SEM V
Borivali, Mumbai. Mentors: Ravindra Punde, Dipti Bhaindarkar, Malak Singh Gill SCHOOL AS A RECYCLING MACHINE PROJECT : The aim is to create productive and performative architecture for a SEA school building at Borivali West, Mumbai. Concerns of resource and energy consumption within the built form should be addressed.
Existing Site : School of Environment and Architecture.
After Re-designing Site : School of Environment and Architecture.
Conceptual EXPLORATION OF THE BUILT FORM
2.83m x 2.50m
11.09m x 9.45m
5.2m x 9.3m
3.53m x 2.26m
8.29m x 4m
7m x 4m
2m x 2m
2m x 2m
UP
UP
UP
5m x 5.61m 7.30m x 14m
2.27m x 2.28m
GROUND FLOOR PLAN @ 1:100
GROUND floor plan
FINAL DESIGN MODEL
SECTIONS
WHAT IS AN ARCHIVE ? | SEM IV
Gaitore Ki Chhatriya, Jaipur Mentors : Anuj Daga, Rupali Gupte, Kalpit Ashar PROJECT : The studio methodology this semester seeks to draw on the studio readings, ‘When is space’ exhibition, the city of Jaipur and experiences of the Cenotaphs of Gaitore to produce a semi fictional narrative that addresses the question, ‘What is an Archive?’ This narrative helped us to develop the programme for the archive and explore its spatial manifestations. Two questions to be addressed here were ARCHIVE OF? And ARCHIVE AS? This project stresses on the necessity of fiction in architecture and the role of projection.
ARCHIVE OF ORAL STORIES , ARCHIVE AS A JOURNEY.
CONCEPTUAL POSTCARDS
FINAL DESIGN MODEL :
GAITORE KI CHHATRIYA | JAIPUR | SEM IV
Mentors: Anuj Daga, Rupali Gupte, Samir Raut, Prasad Shetty Measure Drawing Exercise.
MAAN SINGH KI CHHATRIYA :ELEVATION
MAAN SINGH KI CHHATRIYA: SECTION
MAAN SINGH KI CHHATRIYA: PLAN
MINING IN SONSHI, OLD GOA | SEM VI
Mentors: Ravindra Punde, Dipti Bhaindarkar, Sabaa Giradkar The study tour to Old Goa was arrenged to document the lifestyle of people who are directly or indirectly connected to mining. The change in the mining mountain, transporation and employment supporting mining were studied and documented as a group documentation. TIMELINE INDICATING PROCESS MINING IN SONSHI
PRE MINING activities in sonshi, old goa
PRE MINING
DURING MINING
POST MINING
BUILDINGS AND ENERGY |SEM V
Bhavsar Bhuvan , Kanadivali Mentors: Ravindra Punde, Dipti Bhaindarkar, Sabaa Giradkar, Arun Kale 150
RE-DESIGNING FACADE The concept of ‘Resource Audit’ was introduced where we studied distinct building types. The framework was devised to understand building orientation, envelope materiality, energy and water cycle within each chosen project. The aim was to study the material composition and technical details of the elements like walls, roof, openings, shading elements, which together form the envelope of the building.
GLASS HOLDER
3010mm
WOODEN FRAME FLOAT GLASS
PRE-CAST CONCRETE
650mm
20MM PIPE
SECTION SCALE 1:20 0m
1m
2m
3m
SCALE ( IN METER)
EXISTING BUILDING FACADE
New Façade Section
RE-DESIGNING FACADE - RESIDENTIAL
ELEVATION SCALE 1:20
0m
1m
2m
3m
SCALE ( IN METER)
New Faรงade Elevation
RE-DESIGNING FACADE - RESIDENTIAL
New Faรงade after re-designing
WHAT IS YOUR ESCAPE STORY? |SEM III
Mathar Pakhady, Mazgaon. Mumbai Mentors: Anuj Daga, Rupali Gupte, Mayuri Sisodia. Blurring the Boundary Mathar Pakhady, located in the southern part of the Munbai. Documenting the area around it, to understand the typology of the houses in the neighbourhood.
DOCUMENTED ELEVATION
DOCUMENTED BUILDING
DESIGN MODEL
MOVEMENT DIAGRAM
CONCEPTUAL MODEL
EXPLODED ISOMETRIC VIEW SHOWING EASY NAVIGATION
FINAL DESIGN MODEL
UNDERSTANDING STEEL CONSTRUCTION- CAFE | SEM IV Mentor : Prasad Shetty, Milind Mahale.
JOINERY DETAIL
PLANS
SERVICES AND THE WATER DISCHARGE DIAGRAM
STEEL COLUMN AND GROUND SECTION DETAIL
Negotiating an Estuarine Landscape : Vakola NALLAH | SEM VI
Mumbai University Campus, Kalina Santacruz Mentors: Ravindra Punde, Dipti Bhaindarkar, Sabaa Giradkar PROJECT : An exploration needed to be undertaken of how the given program goes along with the existing context of the site. Among three given sites, I chose the University site as it involve people of different cultural background, so to counter them as a whole was the challenge I took for this project.
Observations of the site: 1. University as a family of strangers
CONCEPTUAL MODELS : 2. Idea of Flexibility
3. Idea of Isolation/ Fragmentation
FINAL DESIGN MODEL:
N
GROUND floor plan
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550
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550
SECTIONS
VIEWS OF PHYSICAL MODEL :
PERFORMING ARTS CENTRE | SEM VI
Mentors: Ravindra Punde, Dipti Bhaindarkar
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Working drawing
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W3 D1
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RAMP FOR PARKING (1:100)
FIRE SHAFT ELECTRICAL SHAFT
Up LV SHAFT
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RAMP FOR PHYSICALLY CHALLENGED PEOPLE (12% slope )
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Up D4
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W1 D3
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FIRE ELECTRICAL SHAFT SHAFT SERVICE LIFT
PASSENGER LIFT
Up Dn
PASSENGER LIFT
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PLAN
NOTICE TO THE ARCHITECT BEFORE THE COMMENCEMENT OF ANY WORK. RICHER CONCRETE MIX TO BE USED FOR THE FOUNDATION AND M:30 MIX TO BE USED FOR THE SUPER STRUCTURE, ALL MIXES SHALL BE SUGGESTED, EXAMINED AND APPROVED BY THE STRUCTURAL ENGINEER. VERIFY FIELD CONDITIONS AND COORDINATION WITH THE PROJECT DOCUMENTS PRIOR TO PROCEEDING WITH THE WORK. WORK WITHIN THE FIELD BOUNDARIES AS SPECIFIED IN THE PROJECT DOCUMENT AND COMPLY WITH ALL THE APPLICABLE BUILDING CODES, REGULATIONS AND ORDINANCE REQUIREMENTS. OCCUPANTS ON THE ADJACENCIES TO THE PROJECT AREA SHALL CONTINUE UNINTERRUPTED/UNDISTURBED OCCUPANCY DURING THE CONSTRUCTION OF THE PROJECT.
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SR.NO. DATE REVISION DESCRIPTION
ISSUED BY
CHECKED BY
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KEY PLAN D4
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EXISTING ROAD 10 M WIDE
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W3 D1
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RAMP FOR PARKING (1:100)
FIRE SHAFT
Dn
ELECTRICAL SHAFT
Up LV SHAFT
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SEA SIDE
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D4 W1
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5 Up W1
RAMP FOR PHYSICALLY CHALLENGED PEOPLE (12% slope )
W1 D3
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Up D4 W2
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W1 D3
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FIRE ELECTRICAL SHAFT SHAFT SERVICE LIFT
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PASSENGER LIFT
Up Dn
PASSENGER LIFT
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STAMP & SIGN D3
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PERFORMING ART CENTRE AT BANDRA, MUMBAI MAITREYEE MOGHE ROLL NO | A16 -18 GENERAL NOTES
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YEAR B.ARCH - THIRD ALL DIMENSIONS ARE IN MILLIMETERS UNLESS OTHERWISE 2018 - 2019 SPECIFIED. ALL THE WRITTEN DIMENSIONS ARE TO BE FOLLOWED. DRAWINGS TO BE SEEN WITH RESPECT TO ALL OTHER DRAWINGS. P.C.C. IS IN THE RATIO OF 1:3:6 (CEMENT : SAND : NORTH SCALE COARSE AGGREGATE). ALL LEVELS SPECIFIED IN METERS. ALL DECISIONS REINFORCEMENT CALCULATIONS NEED TO BE TAKEN BY STRUCTURAL ENGINEER. DO NOT SCALE THE DRAWING. ALL DISCREPANCIES SHALL BE BROUGHT TO NOTICE TO THE ARCHITECT BEFORE THE COMMENCEMENT ANY WORK. DRAWINGOFTITLE & NUMBER RICHER CONCRETE MIX TO BE USED FOR THE FOUNDATION AND M:30 MIX TO BE USED FOR THE SUPER STRUCTURE, ALL MIXES SHALL BE SUGGESTED, EXAMINED AND APPROVED BY THE STRUCTURAL ENGINEER. VERIFY FIELD CONDITIONS AND COORDINATION WITH THE PROJECT DOCUMENTS PRIOR TO PROCEEDING WITH THE WORK. WORK WITHIN THE FIELD BOUNDARIES AS SPECIFIED IN THE PROJECT DOCUMENT AND COMPLY WITH ALL THE APPLICABLE BUILDING CODES, REGULATIONS AND ORDINANCE REQUIREMENTS. OCCUPANTS ON THE ADJACENCIES TO THE PROJECT AREA SHALL CONTINUEA
SCHOOL OF ENVIRONMENT AND ARCHITECTURE
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1:100
SECTION AA'
WD - SEA - D- 01
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UNINTERRUPTED/UNDISTURBED OCCUPANCY DURING THE CONSTRUCTION OF THE PROJECT.
SR.NO. DATE REVISION DESCRIPTION
ISSUED BY
D4
CHECKED BY
D4
KEY PLAN D4 A
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W3 D1
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RAMP FOR PARKING (1:100)
FIRE SHAFT
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ELECTRICAL SHAFT
Up LV SHAFT
SEA SIDE
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RAMP FOR PHYSICALLY CHALLENGED PEOPLE (12% slope )
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FIRE ELECTRICAL SHAFT SHAFT SERVICE LIFT
PASSENGER LIFT
Up Dn
PASSENGER LIFT
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EXISTING ROAD 10 M WIDE
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STAMP & SIGN W1
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W1
PERFORMING ART CENTRE AT BANDRA, MUMBAI MAITREYEE MOGHE ROLL NO | A16 -18 THIRD YEAR B.ARCH 2018 - 2019
SCHOOL OF ENVIRONMENT AND ARCHITECTURE NORTH
SCALE A
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1:100 DRAWING TITLE & NUMBER
SECTIONS
DED PLATE RCASE SECTION LE 1:50
GENERAL NOTES 10MM CERAMIC TILES 150MM RCC SLAB 18MM EXTERNAL PLASTER
FLOOR FINISH DETAIL A SCALE 1:10
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FLOOR FINISH DETAIL A SCALE 1:10
SR.NO. DATE REVISION DESCRIPTION
12MM INTERNAL PLASTER
DETAIL B
ALL DIMENSIONS ARE IN MILLIMETERS UNLESS OTHERWISE SPECIFIED. ALL THE WRITTEN DIMENSIONS ARE TO BE FOLLOWED. 230MM BRICK WALL DRAWINGS TO BE SEEN WITH RESPECT TO ALL 18MM MORTAR OTHER DRAWINGS. CERAMIC P.C.C. IS IN THE RATIO OF 1:3:6 (CEMENT10MM : SAND : TILES COARSE AGGREGATE). SKIRTING ALL LEVELS SPECIFIED IN METERS. 150MM RCC SLAB ALL DECISIONS REINFORCEMENT CALCULATIONS NEED TO BE TAKEN BY STRUCTURAL ENGINEER. DO NOT SCALE THE DRAWING. ALL DISCREPANCIES SHALL BE BROUGHT TO NOTICE TO THE ARCHITECT BEFORE THE COMMENCEMENT OF ANY WORK. RICHER CONCRETE MIX TO BE USED FOR THE FOUNDATION AND M:30 MIX TO BE USED FOR THE SUPER STRUCTURE, ALL MIXES SHALL BE SUGGESTED, EXAMINED AND APPROVED BY THE STRUCTURAL ENGINEER. VERIFY FIELD CONDITIONS AND COORDINATION WITH THE PROJECT DOCUMENTS PRIOR TO PROCEEDING WITH THE WORK. WORK WITHIN THE FIELD BOUNDARIES AS SPECIFIED IN THE PROJECT DOCUMENT AND COMPLY WITH ALL THE APPLICABLE BUILDING CODES, REGULATIONS AND ORDINANCE REQUIREMENTS. OCCUPANTS ON THE ADJACENCIES TO THE PROJECT AREA SHALL CONTINUE UNINTERRUPTED/UNDISTURBED OCCUPANCY DURING THE CONSTRUCTION OF THE PROJECT.
60MM HANDRAIL 20MM STEEL RODS
ISSUED BY
CHECKED BY
NUT BOLTS STEEL PLATE WAIST SLAB
60MM HANDRAIL
RAILING DETAIL B SCALE 1:10
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RAMP FOR PARKING (1:100)
FIRE SHAFT
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ELECTRICAL SHAFT
Up LV SHAFT
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D3
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D4 W1
SEA SIDE
W1
DETAIL C
NUT BOLTS
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W1
W1 D3
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5 Up W1
RAMP FOR PHYSICALLY CHALLENGED PEOPLE (12% slope )
W1 D3
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Up D4
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W1 D3
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FIRE ELECTRICAL SHAFT SHAFT SERVICE LIFT
RAILING DETAIL B SCALE 1:10
PASSENGER LIFT
Up Dn
PASSENGER LIFT
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EXISTING ROAD 10 M WIDE
DETAIL A 20MM STEEL RODS
KEY PLAN
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STEEL PLATE
DETAIL A
STAMP & SIGN
FOLDED PLATE STAIRCASE SECTION SCALE 1:50
TREAD RISER DETAIL C SCALE 1:10
PERFORMING ART CENTRE AT BANDRA, MUMBAI
DETAIL B
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MAITREYEE MOGHE ROLL NO | A16 -18 THIRD YEAR B.ARCH 2018 - 2019
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SCHOOL OF ENVIRONMENT AND ARCHITECTURE
3 TYPICAL FLOOR STAIRCASE PLAN SCALE 1:50
12 11 10 9 8 7 6 5 4 3 2 1
Up
NORTH
SCALE
AS SPECIFIED DRAWING TITLE & NUMBER
STAIRCASE DETAIL WD - SEA - S - 01
STAIRCASE DETAILS
EX SC
XTERNAL WALL SECTION 1 CALE 1:50
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SPECIFIED IN THE PROJECT DOCUMENT AND COMPLY WITH ALL THE APPLICABLE BUILDING CODES, REGULATIONS AND ORDINANCE REQUIREMENTS. OCCUPANTS ON THE ADJACENCIES TO THE PROJECT AREA SHALL CONTINUE UNINTERRUPTED/UNDISTURBED OCCUPANCY DURING THE CONSTRUCTION OF THE PROJECT.
SR.NO. DATE REVISION DESCRIPTION
350MM x 350MM RCC COLUMN
ISSUED BY
700MM RAFT FOUNDATION
CHECKED BY
15MM PLASTER 25MM SHAHABADI TILES 15MM PLASTER 25MM SHAHABADI TILES
KEY PLAN
15MM PLASTER 25MM SHAHABADI TILES
230MM RANDOM RUBBLE A
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SEA SIDE
RAMMED EARTH
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EXISTING ROAD 10 M WIDE
150MM PCC BED
STAMP & SIGN
FOUNDATION G
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I COPING DRIP MOULD 230MM PARAPET BRICK WALL 18MM EXTERNAL PLASTER
12 MM INTERNAL PLASTER FOUNDATION DETAIL A SCALE 1:10
DETAIL A
WATER PROOFING TUCKED INTO WALL 10MM CHINA MOSAIC TILES 15MM MORTAR 50MM SCREEDING 25MM WATER PROOFING LAYER
GENERAL NOTES
ALL DIMENSIONS ARE IN MILLIMETERS UNLESS OTHERWISE SPECIFIED. ALL THE WRITTEN DIMENSIONS ARE TO BE FOLLOWED. DRAWINGS TO BE SEEN WITH RESPECT TO ALL SCHOOL OF ENVIRONMENT OTHER DRAWINGS. P.C.C. IS IN THE RATIO OF 1:3:6 (CEMENT : SAND : AND ARCHITECTURE COARSE AGGREGATE). NORTH SCALE ALL LEVELS SPECIFIED IN METERS. ALL DECISIONS REINFORCEMENT CALCULATIONS NEED TO BE TAKEN BY STRUCTURAL ENGINEER. AS SPECIFIED DO NOT SCALE THE DRAWING. ALL DISCREPANCIES SHALL BE BROUGHT TO NOTICE TO THE ARCHITECT BEFORE THE DRAWING TITLE & NUMBER COMMENCEMENT OF ANY WORK. RICHER CONCRETE MIX TO BE USED FOR THE EXTERNAL WALL SECTION 3 FOUNDATION AND M:30 MIX TO BE USED FOR THE SUPER STRUCTURE, ALL MIXES SHALL BE WD - SEA - P - 03 SUGGESTED, EXAMINED AND APPROVED BY THE STRUCTURAL ENGINEER. VERIFY FIELD CONDITIONS AND COORDINATION WITH THE PROJECT DOCUMENTS PRIOR TO PROCEEDING WITH THE WORK. WORK WITHIN THE FIELD BOUNDARIES AS SPECIFIED IN THE PROJECT DOCUMENT AND COMPLY WITH ALL THE APPLICABLE BUILDING CODES, REGULATIONS AND ORDINANCE REQUIREMENTS. OCCUPANTS ON THE ADJACENCIES TO THE PROJECT AREA SHALL CONTINUE UNINTERRUPTED/UNDISTURBED OCCUPANCY DURING THE CONSTRUCTION OF THE PROJECT.
ROLL NO | A16 -18 THIRD YEAR B.ARCH 2018 - 2019
DETAIL A
EXTERNAL WALL SECTION 3 SCALE 1:50
PERFORMING ART CENTRE AT BANDRA, MUMBAI MAITREYEE MOGHE
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D1
SR.NO. DATE REVISION DESCRIPTION DETAIL A SCALE 1:20
ISSUED BY
230MM BRICK PARAPET WALL
CHECKED BY
D2
KEY PLAN
600MM x 350MM RCC BEAM CUSTOMISED I SECTIONS DETAIL B
TWO C CANNELS MAKING A BOX SECTION
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SEA SIDE
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EXISTING ROAD 10 M WIDE
18MM EXTERNAL PLASTER
D4
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DETAIL B SCALE 1:20
STAMP & SIGN
COPING 230MM BRICK PARAPET WALL 18MM EXTERNAL PLASTER 12MM INTERNAL PLASTER 15MM MORTAR
DETAIL C
10MM CHINA MOSAIC TILES SKIRTING WATER PROOFING LAYER
600MM x 350MM RCC BEAM DRIP MOULD 150MM RCC WEATHER SHADE ALUMINIUM FRAME
PERFORMING ART CENTRE AT BANDRA, MUMBAI MAITREYEE MOGHE ROLL NO | A16 -18 THIRD YEAR B.ARCH 2018 - 2019
SCHOOL OF ENVIRONMENT AND ARCHITECTURE NORTH
SCALE
GLASS HOLDER 12MM FLOAT GLASS SILL LEVEL
AS SPECIFIED DRAWING TITLE & NUMBER
DETAIL C SCALE 1:20
EXTERNAL WALL SECTION 1
FACADE AND FLOOR DETAILS
WD - SEA - P - 01
TOILET DETAIL
HIGH RISE BUILDING CONSTRUCTION | SEM VII
Borivali East station Mentors: shreyank Khemalapure, Komal Gopwani Project : The high rise that was to be designed on the most busiest spots of borivali station found its inspiration from the famous high rise Torre Velasca. The project was to design a highrise building near most crowded area ie. Station along with the horizontal component of plaza.
CONCEPTUAL MODELS
CORE AND COLUMNS PLACEMENT DIAGRAMS
SPRINKLER IN FALSE CEILING CABLES
WINDOW WITH ALUMINUM FRAME
CABLE TRAY HVAC DUCT
SILL SKIRTING TILING
HOOK FOR FALSE CEILING
STEEL JOINERY
NUT BOLT FALSE CEILING SPRINKLER
SLAB DETAIL
I SECTION 800*1000
EXTERNAL WALL SECTION
cad-block.com
cad-block.com cad-block.com
LONG SECTION THROUGH STATION AND PLAZA
HIGH-RISE AND THE HORIZONTAL COMPONENT
HIGH-RISE DIAGRAMS
CIRCULATION
STRUCTURAL SYSTEM
CORE
PLUMBING
HVAC
FINAL DESIGN MODEL
PARAMETRIC DESIGN STUDIO | SEM IV
GARDEN BENCH The aim was to design a sitting space in the school garden to create a gathering space for students
Diagram/Sketch to support the Pseudo code
FINAL PARAMETRIC DESIGN
Drawings of the parametric structure
Fabrication Drawings
Project Render
Hands on Brick Arches | SEM II
Hands on Cob | SEM II
Hands on mud brick arches to understand the building material and learn various ways of exploring it.
Explored the mud construction by building a cob wall of the ongoing project by Ar. Malak Singh Gill near Palghar.
Mentor - Malak Singh Gill
Mentor - Malak Singh Gill
Marerial Sense : Concrete
SEM III Mentor - Samir Raut & Milind Mahale Hands on cement workshop to understanf the material and exploring different design statergies
Publications Editing, compiling and designing layout for publication of student work at School of Environment and Architecture.
OTHER INTEREST : Calligraphy In this Digital World, Beauty of Letters is explored throgh calligraphy, keeping me in touch with the paper and colors.