protoHABITAT: living architecture for 21st century by Maksym Iurovnikov

protoHABITAT: living architecture for 21st century Artificial ecology habitation master plan for creative living space in Tenerife, Spain

Dessau Institute of Architecture Master Thesis _ SS 2012 Studio X Parametric Collaborations

Project by Alexandra Virlan, Heidy Amanda Herman Moeis, Boris Petrov, Maksym Iurovnikov 1st Advisor Prof. Christos Passas

2nd Advisor Prof. Matias del Campo Teaching Assistant Alexander Kalachev

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Anhalt University of Applied Sciences Dessau Institute of Architecture Master Thesis _ SS 2012 Studio X

Maksym Iurovnikov Dipl. Arch. Technical University of Civil Engineering and Architecture, Kharkov, Ukraine, 2009 maksiurovnikov@gmail.com

Boris Petrov Dipl. Moscow Achitectural Institut. State Academy.: Faculty: Industrial buildings, Moscow, Russia, 2010 bo098@yandex.ru

Heidy Amanda Herman Moeis Bachelor of Science in Architecture, Faculty of Engineering, Catholic Parahyangan Univerisy, Bandung, Indonesia,2009 heidy_amanda@yahoo.com

Alexandra Virlan Dipl. Arch. â&#x20AC;&#x153;Ion Mincuâ&#x20AC;? University of Architecture and Urbanism, Bucharest, Romania, 2011 alexandra_virlan@yahoo.com

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protoHABITAT: living architecture for 21st century Artificial ecology habitation master plan for creative living in Tenerife, Spain

Prof. Christos Passas Guest DAAD Professor, AA Grad.Des. Dipl, Zaha Hadid Architects, UK / DIA (Bauhaus, Dessau), De / Architectural Association DRL, UK ckpassas@hotmail.co.uk

Prof. Matias del Campo Guest Professor, Dessau Institute of Architecture, Dessau, Germany, Professor Genetic Architecture Programm ESARQ, Barcelona, Spain Lecturer, Urban Strategies, University of Applied Arts, Vienna, Austria mdc@span-arch.com

Teach. Assistant Alexander Kalachev M.Arch. Dessau Institute of Architecture, 2010 al.kalachev@gmail.com

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CONTENT

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1. STUDIO BRIEF 2. THESIS STATEMENT 3. FIRST PHASE

3.1. 3.2. 3.3. 3.4.

OPEN AIR VILLA // BIOCLIMATIC AND BIOPHILIC APPROACH X-HOUSE // MATERIAL BEHAVIOR FRANCISZEK STAROWIEYSKI VILLA // SURREALISM APPROACH JEAN MICHEL JARRE VILLA // SPACE SUBDIVISION THROUGH LASER LIGHT

4. THESIS PROPOSAL 5. SITE PROPOSAL 6. INITIAL APPROACH

6.1 6.2 6.3 6.4. 6.5. 6.6. 6.7.

PROGRAM NATURAL CONDITION DATA SPATIAL SUBDIVISION ACCORDING TO LOCAL DATA CULTURAL APPROACH SPACE SUBDIVISION THROUGH LIGHT MEANS DRIVING CONCEPTS OF MASTERPLAN DESIGN LARGE SCALE MASTERPLAN

7. SMALER SCALE DETAILING

7.1 DESIGN STRATEGY 7.2 MARKET CONCEPT 7.3 LIGHTS CONCEPT 7.4 MASTERPLAN 7.5 MASTERPLAN-MARKET DEVELOPMENT 7.6 MASTERPLAN DEVELOPMENT-PHENOTYPES 7.7 MASTERPLAN DEVELOPMENT-INTERIOR VS EXTERIOR 7.10 MASTERPLAN-CANOPIES

8. PROJECT VISUALISATION 9. BIBLIOGRAPHY 10. ANNEX

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FORWARD

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We would like to thank DIA school and to all our friends starting with Studio X team: Kirillo (Ukraine), Iurii (Ukraine), Olga (Ukraine), Asa (Indonesia), Timo (France), Ahmed (Egypt), Marzieh (Iran), Marta (Poland), Michal (Poland) for great times thorugh the master year. We appreciate and thank for the help of our friends who were close to our project development: Mircea, Katya, Asia, Andreea, Yasser, Sebastian, Kris, Prabidhi, Paulina, Jorge, Ana, Mahmoud, Matt, Zuza, Ira, Prima, Alan, Guley, Karim, Justina, Ewelina, Malik, Tudor, Grisha, Alec, Nastia, Mitali, Irina, Miruna, Liu, Deng, Qin, and to all our colleagues who study in DIA. We dedicate this work to our parents and brothers. Special respect and appreciation to our tutors: Prof. Christos Passas, Prof. Matias Del Campo and to Prof. Daniel Dendra. Special thanks to our dear friend and tutor Alex Kalachev for his dedication.

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1. STUDIO BRIEF

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Studio X - Parametric Collaborations Following the submissions in the first semester the studio continues to explore the notion of housing as a result of design agendas that can be combined to deliver an outcome that can be implemented either as a Masterplan, a city intervention, a tower or other large scale development. The students have been asked to form teams based on shared sensibilities and work ethics and to propose a thesis that underlines the teamâ&#x20AC;&#x2122;s design interests and combined agenda. Each team will present the design work on both a conceptual and technical level. Students are required to develop modelling and parametric skills, to be able to precisely render scenes using real materials and control issues of ambience, colour and construction with equal mastery and should develop ecological strategies based on recent technological advances in rapid prototyping and programming.

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2. THESIS STATEMENT

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Our proposal is an artificial ecology, a village dedicated to leisure habitation that fulfill the needs of repause and entertainment dedicated to 21st century society lifestyle in highly populated and demanding cities. As Federico Soriano highlights, our society of work has mutated into a society of leisure time, of entertainment. Continuous schedules, even in schools and universities, a forty hour working week, the hybridization of sports, culture and amusement with their commercial benefits is joint symptoms of the invasion of play in our lives and work. ‘I don’t know if today’s home will have work, but it surely will have entertainment.’ The proposal finds the site in Tenerife, as a metaphore between sea and mountain, our proposal is situated between dream and reality, nature and technology, a surreal approach which is augumenting the direct experience within the authenticity of the place. Our approach is challenging the balance of the cultural and natural qualities of a specific site within 21st century conditions of habitation, culture, life-style and technology. Our design is developed through means of algorithmic design methods in order to develop ecological strategies and space subdivision bassed on recent technological advances.

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3. FIRST PHASE

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Studio X - Collective Residential Developments The research brief for the first semester was to design a concept villa for the 21st century. In highly urbanized, highly mobile societies the house becomes an issue demanding further research and investigation, where the consequences of a materialistic society have devolved the idea of house to that of property. Yet, the house is where everyoneâ&#x20AC;&#x2122;s life is formed and where everyone forms the home based on the living behaviours that stem out of social, family relationships etc. The studioâ&#x20AC;&#x2122;s interest in the way a villa can become a formal expression for, one or a group of lifestyles and values. This close relationship can be family, sexual, occasional, and professional. A villa is a culmination and the distillation of architectonic notions within a changing societal set-up. The design of the villa will respond to the contextual content. The responsiveness of the design to the climate, the views, the site and the urban environment or lack of, around it is crucial to the task of this research. The villa must be an individual, strange unusual responsive to its environment, innovative and not complicit or conformist seeking innovation through the enhancement and expression of those elements that make it unique for a particular life scenario.

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3.1. OPEN AIR VILLA // BIOCLIMATIC APPROACH The project is dedicated to Yosri Fouda, Egyptian editor and presenter, which acts as a neutral actor, delivering the reality he investigates. Starting from his character and Egyptian culture, the project is focusing on fundamental energy exchanges between villa and human body. In this terms, the exchanches are residing in the envelope, and as such ‘envelope’ becomes coincident with ‘boundary’ which then becomes implicitly coincident with ‘mediation.’ The focus of the projest is to design according to energy fluxes in order to achieve a great balance and comfort between human body, environment and villla. MAX 24 C

22 C 21 C

20 C 19 C

18 C

A C

AQUEOUS ATHMOSFERIC LUMINOUS SONIC WORLD OF OBJECTS SPATIO-GRAVITATIONAL

METABOLIC MECHANISM PERCEPTUAL SYSTEMS VISUAL AUDITORY TACTILE OLFACTORY GUSTATORY PROPRIOCEPTIVE SKELETAL-MUSCULAR SYSTEM

24 C 23 C

THERMAL

17 C

B E D A C

16 C

A ->

LIVING ROOM

B ->

BEDROOM

C ->

TOILET

D ->

KITCHEN

E ->

BATHROOM

15 C MIN 14 C

THERMAL DIAGRAMS SPA

14 C

BEDROOM

GLAZED LID

VILLA PERIMETER

KITCHEN

LIVING

DINING

SHARED SPACE WITHIN VILLA

COLD STORAGE

VISUAL CONNECTION EXTERIOR CONNECTION

SPACE DIVISION

GARAGE

FUNCTIONAL CONNECTION TEMPERATURE CONNECTION

WET SAND

PRIVATE AREA WITHIN VILLA

VAPORATION

GLAZED INNER POT

NARROW PUBLIC AREA

VILLA ORGANISATION IN ARABIC WORLD IN TERMS OF PRIVATE AND PUBLICNESS

COOLING CONCEPT

POROUS OUTER POT

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FLOORS

INTERIOR SHELL

STRUCTURAL SHELL

EXTERIOR SHELL

EXTERIOR SHELL BEHAVIOR - SHADOWING AND VENTILATION

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3.2. X-HOUSE // MATERIAL BEHAVIOR

As a clients I had to come up with a character of two persons, they are couple, they travel a lot, very active and busy. So my legend is: Mr.&Mrs.X met in New York in Columbia University were they were studying, after graduation they got married and moved to Singapore. He works as an engineer at DP Architect and she is a professor in National University if Singapore. This villa should be a place where they could forget about their business, relax, in one word i had to designe a heaven for them. Basic idea of the house was to grow the construction system, not to build in usual way. As a material has been chosen a bamboo "bambusa tulda" which is spread in the region, it can grow 22m. per month and meets all the requirements of the project. The bamboo seeds are planted in individual pots and then master have to monitor the growth of the stems and guide it in the right direction.

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3.3. FRANCISZEK STAROWIEYSKI VILLA // SURREALISM APPROACH The villa is a secondary house that has function as a house for holiday, a place for work, and a runaway place. Franciszek Starowieyski, as a client for this villa project is a Polish artist who really famous with his dark surreal poster. Like his artwork, his character as a human also really strong, unique, and mysterious. With this opportunities, villa for a Franciszek Statorieyski should reflects his character as his environment which is surreal, full of fear, strange, grotesque but at the same time elegant, smart and extraordinary. This all specific character composed and applied on villa properties such as architectural detail, material, floor, wall, ceiling, and so on and so forth. Without forget the function about a villa to accommodate his needs as an artist, so this villa accommodate a big studio for searching an idea equipped by all primary needs like bed, pantry, bathroom, library ,dining room, and living room, a big hall for public to come and see his painting activity, an exhibition space for his artworks, and a collection room for his hobby as an art collector. After all it is a project about how a relationship between a space, architectural style and the user generated by surrealism and baroque ambience.

14 13

10 11

8 6

3 2 1

Deformation of Fontana De Trefi

1. Terrace 2. Foyer 3. Theatre of Art Space 4. Workshop 5. Exhibition Space 6. Art Collection Space 7. Outdoor Workshop 8. Bedroom 9. Bathroom 10. Dining Room 11. Kitchen 12. Living Room 13. Library 14. Corridor

Exploring Franciszek Starowieyski Paintings

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3.4. JEAN MICHEL JARRE VILLA // LASER LIGHT APPROACH three-dimensional view 0 reflection

1 reflections

2 sources of the vectors of the tracing

The project was developed for Jean Michel Jarre. Is a French composer, performer and music producer. He is a pioneer in the electronic, ambient and New Age genres, and known as an organiser of outdoor spectacles of his music featuring lights, laser displays, and fireworks. The idea for the villa was desided to use a laser light to perform durin the night and day time. To subdivide a space in particular geometry to get different options. And also to translate amotions and filling of his music.

angle of lasr beam

30 reflaction type of laser beam

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4. THESIS PROPOSAL In order to collaborate the specific topic related to the studio task, we propose an artificial ecological habitation in an attractive touristic

place, Tenerife, which present intersting properties for human living and observation such as material, space, nature, sun position and culture. These qualities of the spaces are proposed to be augumented through artificial means, in order to work together as a synergic system of life through advanced architecture approarch.

Technology

Material Intelligence

Laser

Technology Phylosophy Human

21st Century Leisure Habitation

Artificial

Goal

System

Theory

Surrealism

Nature

Bioclimatic

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The relationship between human and artificial properties, especially comfortability and atmosphere of spaces, tectonic surface aesthetic and how technology develope to support and make people life easier. Besides all integration of space, geometry, architectural elements, texture, and technical part of the building, we inject the spirit of the habitat by the local fairy tales and playing with architectural experience by the meaningful architectural properties for the physical part and by the laser to bring another experience during the night. The goal of the project : 1. As the geometry and form finding to be based on the analysis of the natural condition integrating the building system to the nature. 2. Continuous line aesthetic shaping the houses, entrances, windows, architectural elements. 3. Adaptive material of canopy to the environment, adjusting sun exposure controlled by the technological system. 4. Laser as advanced technology to develope architecturalul means to form interactive geometry at night. 5. Multiplicity of laser beam interpretated as a way to subdivide space visually. 6. Integrated to the fairy tales imagination, the laser role in achieving poetic space. 7. Association of geometry, fairy tales of Tenerife and surreal appeal. 8. Visual effect produced by the material and laser pattern. 9. Exploration of manipulation of geometry by conscious and subconscious process.

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5. SITE PROPOSAL Tenerife is the largest and most populous island of the seven Canary Islands; it is also the most populated island of Spain, with a land

area of 2,034.38 kmÂ˛ (785.47 mi2) and 908,555 inhabitants, 43% of the total population of the Canary Islands. About five million tourists visit Tenerife each year, the most of any Canary Islands. Natural landscape of Tenerife.

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Site location: village on Tenerife, Lomito de Llano, situeted close to the main city, Santa Cruz de Tenerife. The site is characterized by typical Mediteranean architecture, with teraces and white thick walls. The natural landscape enclose this area which has black volcanic stones, specific vegitation, landscape variation, rich in fauna and flora, unfortunatly affected by human activity.

TENERIFE CIRCULATION HIGH WAY LAND ROUTES WATER HARBOUR AIRPORT

LOMITO DE LLANO ISLANDS TENERIFE PUERTO DE

PUERTO DE

PUERT TENERIFE ISLAND IS THE HOT SPOT OF GRAN CANARIA ISLANDS. IT’S CENTRAL GEOGRAPHICAL POSITION DETERMINES SEVERAL CONNECTIONS AS LOCAL HARBOURS FOR THE SURROUNDING ISLANDS AND CONTINENTAL SPAIN.

ISLANDS

TENERIFE

THE LANDSCAPE OF THE ISLAND DETERMINES THE CIRCULAR HIGH WAY AND ITS TWO AIRPORTS, AS IS VERY

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6. INITIAL APPROACH 6.1. PROGRAM

Total amount of area - 250 000 m2 Residential area - 150 800 m2 Facilities - 45 000 m2

Permanent habitation -

39 000 m2

Temporary habitation -

85 000 m2

Restaurants Shops -

7 000 m2 3 000 m2

Kindergarten -

3 360 m2

Play-Grounds -

2 000 m2

Swimming and polo fac. - 5 000 m2 Beach facilities -

9 000 m2

Surf camps -

1 000 m2

Workshop areas -

1 500 m2

Expo for artists -

1 500 m2

Expo for adv. tech. -

2 000 m2

Laser show areas -

8 000 m2

Painting facilities -

Site Entrance

1 000 m2

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Residential area + numbers of inhabitants

protoHABITAT

residential area 3 storeys

x 1 000 = 100 000 m2

3 storeys + courtyard x 1 000 = 200 000 m2 (

x 200 m2)

integrated structure x 1 000 = 200 000 m2 / 1.5 = 130 000 m2

x 130 m2 150 000 m2 / 130 m2 = 1150

permanent habitation

400 habitats

temporary habitation

750 habitats

habitats

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6.2. NATURAL FORCES DATA // HUMIDITY AND TEMPERATURE

In general, the weather in the Island is very soft, warm and moderated during all seasons of the year. There are not periods of intense cold or very high temperatures. The average temperature is around 18°C/62°F in winter and it reaches around 25°C/81°F degrees in summer. The following data shows the different average temperatures by month, as well as the precipitation in mm followed by sun hours.

Month January February March April May June July August September October November December Yearly average

Temperature (Min./Max.) 15/21°C 15/21°C 16/23°C 16/22°C 17/23°C 19/23°C 20/27°C 21/28°C 21/28°C 20/26°C 18/24°C 16/22°C 18/24°C

Temperature (Min./Max.) 59/70°F 59/70°F 60/74°F 61/72°F 62/74°F 66/77°F 68/81°F 70/83°F 69/83°F 68/79°F 65/76°F 61/72°F 62/75°F

Precipitation 37,3 35,5 24,3 15,2 3,8 1,3 0,0 0,6 8,5 18,5 38,9 51,0

Sun hours 5,8 6,6 7,0 7,7 8,8 9,9 10,7 10,1 8,4 7,0 6,0 5,5

23,4

7,8

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COMPUTATIONAL FLUID DYNAMICS ANALYSIS // TEMPERATURE

40 m

80 m

120 m

160 m

200 m

240 m

300 m

320 m

360 m

400 m

440 m

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6.2. NATURAL FORCES DATA // WIND FORCES

COMPUTATIONAL FLUID DYNAMICS ANALYSIS // AIR FLOW RATE 0m

40 m

80 m

120 m

160 m

200 m

240 m

300 m

320 m

360 m

400 m

440 m

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COMPUTATIONAL FLUID DYNAMICS ANALYSIS // SECTIONS Air flow rate

Atmospheric pressure

Wind speed

Temperature

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6.2. NATURAL FORCES DATA NATURAL CONDITION DATA // WIND FORCES DIGITAL SIMULATIONS

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6.2. NATURAL FORCES DATA : BIOCLIMATIC RESEARCH - SOLAR ANALYSIS COMPUTATIONAL FLUID DYNAMICS ANALYSIS // AIR FLOW RATE

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18:00 h

SHADOWING ANALISYS 16:00 h SHADOW LIGHT GAIN

14:00 h

12:00 h

10:00 h N

0 0

50 100m 100

500m

08:00 h

Summer Solstice

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6.3. SPATIAL SUBDIVISION ACCORDING TO LOCAL DATA

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6.4. CULTURAL APPROACH - TENERIFE FAIRY TALES THROUGH SURREALISM LENS

The aim of bring the local fairy tales of tenerife is to associate the architectural design approach by blending the reality and dream as in surrealist agenda. From this all collaboration wish to give the spirit of the project which related to the locality of a place in terms of myth, dreams, imagination, etc.

Surrealism

Tenerife Fairy Tales / Myths

The intention to merge dream and reality, There is no surreality without reality.

Key of Imagination

Goal Experiment

Exploration of generating form by conscious and subconscious process.

1. Space Atmosphere 2. Visual Effect 3. Poetic Space 4. Exploration of Geometry by manipulation of reality.

Surrealism is - A method of thinking in art, literature, design, architecture, music, photography etc by emphasizing subconscious or non-rational importance to exploit imagination, deeper level of meaning, positive expression, unexpected juxtaposition and effects. - A tool to reunite conscious and unconscious realm of experience that world of dream and fantasy will be joined with an absolute reality. Source to access imagination which derived from unconscious and subconscious. - Not a new means of expression but it is a means of liberation of mind. - A way to compose through several techniques which are aerography, automatism, bulletsim, cut-up technique, cubomania etc. Surrealism in Architecture is - A technique to combine from two or more geometries and spaces in one arrangement. - A way to defy gravity, manipulate form, material and forces, create paradox, reassembling detail, continuous design collaboration, variation of spatial experiences, non-linear form making. - Complex pattern formation from simple rules because the whole composition is not perceived as a parts. - hRedefining the architectural elements meaning and use, creating visual ambigouity.

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Automatism The aim of the research is to generate the form without thinking and produce it automatically with the rules of model producing time 15 minutes/ each .

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6.4. CULTURAL APPROACH - CONCLUSION

Manipulate the Geometry by some forces generate the geometry playfully. It is one of Form Finding to explore and express the paradox of reality. Space atmosphere will be achieved by the material ecploration, detail, story line of fairy tales, and etc to create poetic space.

Original Form

Bending

Strech-up

Scale-out

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Rotation

Soft

Push

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6.5. SPACE CONFIGURATION // LIGHT BENDING Physical Experiments

An amplified concept of light: natural light is 6 hours. Artificial light 24 hours. Natural light - limited areas. Artificial light - any area. A mechanism of modifying form in space. It makes these forms unstable.

laser beams

laser beam + movement

pattern refraction / transparent plastic

laser beam + smoke

laser beam + movement

pattern refraction / mirror

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Digital experiments of light refraction

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6.5. SPACE CONFIGURATION // LIGHT BENDING Physical experiments Control of light refractiction by means of particular object and material (diamond)

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Digital experiments and conclusion

local activity

communication

connection to environment

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6.6. DRIVING CONCEPTS OF MASTERPLAN DESIGN existing situation on the site

Existing Condition // Circulation

Development of Stages

III I stage of development of the structure II stage of development of the structure III stage of development of the structure ocean facilities

existing road

I N

0 0

50 100m 100

500m

First Stage Details

50 100m 100

500m

Wind Pattern

permanent habitation

living facilities

temporary habitation expo facilities beach facilities beach line

0 0

50 100m 100

500m

50 100m 100

500m

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Dream Scape zoning

Spatial Distribution and of Water Collection Points Ladonâ&#x20AC;&#x2122;s Blood Anti Gravity The Garden of Hesperyde Promised Land Golden Apples Cliff Villa

desalination station

The Anger of Omen Lost in Paradise Flakes of Atlantis Hundred Headed Dragon

0 50 100m 0

100

0 50 100m 500m

Solar Radiation Area

100

Program of the area

500m

program

Science Workshop Permanent Habitattion Temporary Habitattion Entertainment and Living Center Permanent Houses

Art Workshop

Expo Education & Workshop Facilities Resort and Leisure Facilities Water Sources Plantation

Entertainment Center Temporary Habitattion Expo

Resort

Site Entrance

Beach Leisure Facilities Water Sources Plantation 0 50 100m 0

100

0 50 100m 500m

100

500m

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6.7. LARGE SCALE MASTERPLAN MASTERPLAN LAYOUT DURING DAY TIME

100 m

500 m

OVER WATER VILLAS CLIFF VILLAS

IN WATER PAVILLIONS

MARKET AND HEALTH REASTAURANTS PLAYROUND

OUTDOOR LASER SHOW & CINEMA

EXHIBITION OF BUILDING PROCESS

ARTISTS WORKSHOPS AND EXHIBITION AREA

VILLAGE

SPA & WELLNESS

SITE BORDER

SOLAR RADIATION AREA

MARINA PATHS

MINERALISATION PROCESS AREAS

HARBOR

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NIGHT LAYOUT

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7. SMALLER SCALE DETAILING

100 m

500 m

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The area we developed further is showing the method of designing in detail our proposal, including diffrent areas of topological, conceptual and program development. This area is situated between land and the sea, gathering multiple typologies.

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7.1. DESIGN CONCEPT AND STRATEGY

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We bring The Tenerife Fairy Tales to our project in poetic manner. As a touristic place, this unique atmosphere become one of magnetic area which serve the habitation with the story of Golden Apple, the fruits that can make human to be eternal. Based on Surrealism agenda, to explore human imagination through mixture of reality and dream to generate the form. It is has an intention to get strong geometry which is original and unique. First of of based on Gestalt Psychology that explain the way of human eye to persieve the geometry. We imagine the of big dragon name’s Ladon as an arrangement of the house along his body and the wing covers the hundred’s head which protecting the golden apple market . The Crown - Golden Apples Villa

The Wings - Canopy Hundred Headed Dragon - Golden Apple Market

Dragon’s Tail - Cliff Villa

The Body - Cursed Villa

Diagram of Dragon’s Imagination on Site

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7.1. DESIGN CONCEPT AND STRATEGY

LIVING SPACE CONFIGURATION In order to optimize the space configuration according to physical condition, our designed is based on direct relationship between geometry and external fields, as sun gain, wind forces, landscape, emerging in an interconnected and interdependent system.

NEURONAL SYSTEM AFFECTED BY SUN AND WIND POWER

MINIMAL CONTACT TO THE GROUND LEVEL OCCUPIED CANOPIES

PROXIMITY CONNECTION BETWEEN ELEMETS

VOID CLOSED OPEN

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The neuronal system consists of similar elements which addapt one to each other in order to develope a stable structure which consist of a genotype which evolves in 3 phenotypes according to program and external forces.

GENOTYPES CONNECTION AND MEANS OF STABILITY

CLIFF VILLA Openings designed according to the conditions of open field ventilation.

GOLDEN APPLE VILLA Openings designed according to the conditions of high level of aglomeration.

CURSE VILLA Openings designed according to isolation and stiffness.

NEURONAL PHENOTYPES

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7.2. MARKET

The Dragon’s head occupied as a market, It has branching dragon’s head inside his head which functioned as a stall of market. And where is the Golden Apple ? Because of The Golden Apple is a fruit that people really looking for, with a big promise. Our message is to confess that Golden Apple is not exist but to make mysteriously hidden geometry. To make people always curious and respect to the life itself. That is why we put it as a base of imaginary line on site to organize the space. The Big Dragon’s Head

The Branches of Dragon’s Head inside

Imaginary Line of Golden Apple The Dragon’s Head

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Golden Apple Trees Golden apple trees as source of the eternal life, it is a combination of nymph and the tree. The body of nymph who carried the baby golden apple blended with trees structure.

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7.3. DETERMINATION OF LIGHT SHAPE SCULPTURAL SPACES BY THE LIGHT INCREASE max. factor of opening

square

min. factor of opening circle

curve

perspective

front

top

line

medium factor of opening

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When reality is light and spaces are volumes of light, perhaps architecture can be created with the movement of the actor, of the inhabitant, in real time. Then movement and construction are simultaneous.

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7.4. MASTERPLAN DAY LAYOUT

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NIGHT LAYOUT

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7.5. MASTERPLAN - MARKET // PLAN

8 2

3 1

4 5 9

LEGEND 1. Fruit Shops 2. Fish and Meat Market 3. Toilet 4. Sitting Area 5. M&E Room 6. Entrance to The Market 7. Entrance to The Plaza 8. Service Entrance 9. Plaza

1st STOREY PLAN

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9 7 8 4

3 4

LEGEND 1. Sitting Area 2. Mini Amphitheatre 3. Foyer 4. Outdoor Restaurant 5. Seafood Stall 6. Ramp to The Main Road 7. Cold Storage 8. Food Storage 9. Main Road

2 STOREY PLAN

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7.5. MASTERPLAN // SECTION LEGEND 1. Entrance to The Market 2. Fish and Meat Market 3. Water Collection Room 4. Mini Amphitheatre 5. Water Pump Room 6. M&E Room 7. Outdoor Restaurant 8. Bridge to The Ramp 9. Main Road

4 1

6 5

SECTION

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BLOCK PLAN

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7.6. MASTERPLAN DEVELOPMENT // PHENOTYPES BIOCLIMATIC BEHAVIOR Golden Apples Villa

2. 4.

1.Underground Thermal Inertia Systems 2. Wind Catcher 3. Cross Ventilation 4. Porous wall & Evaporative Cooling 1.Underground Thermal Inertia Systems 5. Porous wall 2. Wind Catcher 3. Cross Ventilation 6. Convective Loops 4. Porous wall & Evaporative Cooling 7. Solar Gain 5. Porous wall 6. Convective Loops 8. Self Shadowing 7. Solar Gain 8. Self Shadowing 9. Closed Loop of Evaporative Cooling 9. Closed Loop of Evaporative Cooling

3. 9.

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Cliff Villa 7.

2. 5.

3. 9.

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7.7. MASTERPLAN DEVELOPMENT // PHENOTYPES BETWEEN INTERIOR AND EXTERIOR Golden Apples Villa

Aglomeration, large openings, private, higher connection level Cliff Villa

Open field, larger distances between units, thiner and more often openings Curse Villa

Isolation, rigidity, material transformations, small openings, stiff material

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7.8. MASTERPLAN DEVELOPMENT // INTERIOR / EXTERIOR SHELL BLURING THE BORDER BETWEEN OPEN AND CLOSED SPACE

The space enclosed between phenotypes is creating an open interiority, defined by the lines of openings and canopies, leading fluxes of energy between inside and outside.

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7.8. MASTERPLAN - CANOPIES CONCEPT ARCHETYPE - DRAGON WING

ANCHOR POINTS / JOINTS

SKELETON

SKIN OF THE WING COVERED WITH SCALES

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ARCHITECTURAL APPROACH

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7.8. MASTERPLAN - CANOPIES

PRINCIPLE DIAGRAM / SUN PROTECTION

REFLECTS AND TRANSMITS

ORGANIC GLASS / SCALES

REFLECTS AND DIRECT

REFLECTS

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PRINCIPLE DIAGRAM / SUN PROTECTION RAINY WEATHER

WATER COLLECTING TUBES

WATER DRAIN SUMP

SUNNY WEATHER

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7.8. MASTERPLAN - CANOPIES PATTERN STUDY 2D

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PATTERN STUDY 3D

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7.8. MASTERPLAN - CANOPIES SCALES VARIATIONS

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SCALES VARIATIONS

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7.8. MASTERPLAN - CANOPIES SCALES VARIATIONS

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SCALES VARIATIONS

FRONT VIEW

BASIC VIEW

STRUCTURE

TOP VIEW

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7.8. MASTERPLAN - CANOPIES SCALES VARIATIONS

FRONT VIEW

BASIC VIEW

STRUCTURE

TOP VIEW

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BASIC VIEW

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7.8. MASTERPLAN - CANOPIES

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7.8. MASTERPLAN - CANOPIES

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VIEWS

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7.8. MASTERPLAN - CANOPIES

CANOPY STUDY / WATER DRAIN SUMP

step 1

step 2

step 3

step 4

step 5

double umbrella

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step 1

step 2

step 3

step 4

step 5

step 6

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8. PROJECT VISUALISATION GOLDEN APPLE MARKET

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GOLDEN APPLE MARKET

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GOLDEN APPLE MARKET / NIGHT TIME / ARTLANTIS WORLD

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GOLDEN APPLE VILLAS / NIGHT TIME

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9. BIBLIOGRAPHY

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· Sean, Lally, AD Energies_ New Material Boundaries, Londra, Ed. Wiley-Academy, nr. 3 2009 · Gausa, Manuel, Guallart, Vincente, Moralles, Jose, Muller, Willy, Porras, Fernando, Soriano, Federico - Metapolis dictionary of advanced architecture, Barcelona, ed. Actar, 2000 · Hight, Christopher & Perry, Chris, AD: Collective intelligence in design, Londra, Ed. Wiley-Academy, nr. 5 (183) 2006 · Leach, Neil, AD: Digital Cities, Londra, Ed. Wiley-Academy, nr. 4 (200), 2009 · Silver, Mike , AD: Programming Cultures. Architecture, Art and Science in the Age of Software Development, Londra, Ed. Wiley-Academy, nr. 4 (182) 2006 · O’Gorman, James , ABC of Architecture, University of Pennsylvania Press, 1997 · Mical, Thomas, Surrealism and Architecture, Routledge, 2005 · Martin, James, The meaning of the 21st Century: The Megaproblems of the 21st Century, · http://www.jamesmartin.com/book/megaproblems.cfm · Moussavi, Farshid, Parametric Software is no substitute for parametric thinking, Architectural Review, · September 2011 http://www.architectural-review.com/issues/october- 2011/parametric-software-is-nosubstitute- for-parametric-thinking/8620000.article · Surrealism, Wikipedia, http://en.wikipedia.org/wiki/Surrealism · Surrealist techniques, Wikipedia, http://en.wikipedia.org/wiki/Surrealist_techniques · 21st Century, Wikipedia, http://en.wikipedia.org/wiki/21st_century · Architectural lighting design, Wikipedia, http://en.wikipedia.org/wiki/Architectural_lighting_design · Unité d’Habitation, Wikipedia, http://en.wikipedia.org/wiki/Unité_dHabitation · Intelligent materials, http://www.innovations-

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10. ANEX BACKGROUND RESEARCH

Bending Light & Color Alan Jaras is an artist/scientist who since his retirement as a industrial research scientist and microscopist has focused his energy on bridging art and science together with his research "to gain a deeper understanding of how these patterns form and how to make images that hopefully can be considered a form of art." Using only film, and without a lens on the camera, in what Alan says could still be described as a photogram, he shoots a targeted light source through and a piece of art glass or formed plastic to capture the created refraction patterns. The results, what could be described as "images of strange microscopic or deep sea creatures or even galaxies forming in deep space," pull at the viewers perception of digital and analog, art and science, all the while expanding our imaginations and understanding of the world around us.

http://www.flickr.com/photos/alanjaras

http://www.alanjaras.com

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Digital sculpture: New art exhibit bends light, immerses viewers An innovative new form of high-tech installation art from British artist Anthony McCall is on display at an exhibition that opened today in Berlin and will run through the end of the Olympics in August. Called Five Minutes of Pure Sculpture, the exhibit brings together seven of McCall's installations that use projectors and light manipulation to create digital sculptures that viewers can literally walk into. ArtDaily has a great description: "The show also marks the first time McCall's vertical and horizontal pieces are shown together. Originally he projected horizontally onto a wall, reminiscent of the viewing situation in the cinema. More recently, however, the artist has directed the projector, mounted at a height of ten meters in the ceiling, onto the floor. These cones of light can be circumnavigated by the viewer and thus move more fully into the sphere of sculpture. In addition, the works open up an interactive and social space. Spectators can explore these projections not only by moving around them on the outside, but also by freely moving within and through the forms themselves."

http://www.jasonhiner.com/blog/digital-sculpture-new-art-exhibit-bends-light-immerses-viewe.html