Design & Modern British & Post-War Art - 8th & 9th December 2016 (Mallams Oxford) by Mallams Auctioneers

DESIGN + MODERN ART

WWW.MALLAMS.CO.UK

MALLAMS

DESIGN

MODERN ART

THURSDAY 8 DECEMBER & FRIDAY 9 DECEMBER OXFORD 8 & 9 DECEMBER 2016

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Mallams 1788

DESIGN + STUDIO CERAMICS THURSDAY 8 DECEMBER

MODERN BRITISH + POST-WAR ART FRIDAY 9 DECEMBER

Exhibition: Saturday 3 December 9.00am- 12.30pm Monday 5 December 9.00am - 5.00pm Tuesday 6 December 9.00am - 5.00pm Wednesday 7 December 9.00am - 5.00pm Thursday 8 December 8.30am - 9.30am Exhibition Location: Bocardo House, 24a St. Michaelâ&#x20AC;&#x2122;s Street, Oxford OX1 2EB +44 (0)1865 241358 Auction Time: 11am www.mallams.co.uk

Mallams 1788

SPECIALISTS

DESIGN + STUDIO CERAMICS THURSDAY 8 DECEMBER

Philip Smith MA (Courtauld) Director

CONTENT DAY ONE:

Head of 20th Century Design philip.smith@mallams.co.uk

DESIGN

Louise Dennis FGA DGA Head of Jewellery louise.dennis@mallams.co.uk

AUCTION ENQUIRIES & CONDITION REPORTS Jack Stinson oxford2@mallams.co.uk +44 (0)1865 241358 MARKETING & PRESS ENQUIRIES oxford@mallams.co.uk +44 (0)1865 241358

1. Studio Ceramics

1-168

2. Aesthetic & Art Nouveau

169-211

3. Arts + Crafts

212-340

Cotswold School

260-267

Gordon Russell

285-298

Mouseman

311-340

4. Art Deco and Pre-War Design

341-400

5. Post-War Design

401-460

6. Jewellery

461-481

BIDS +44 (0)1865 241358 Fax +44 (0)1865 725483 or to bid via the internet www.the-saleroom.com

CONDITIONS OF SALE This auction is subject to important notices, conditions of sale and reserves, which can be found towards the end of the catalogue. online catalogue www.mallams.co.uk

DROITE DE SUITE Important Notices:

Explanation of Picture Cataloguing Terms

Changes to the Droite de Suite or Artist’s Resale Rights

A work catalogued with the full name of the artist in our opinion, is or is probably a work by that artist, however intending buyers are respectfully reminded to fully satisfy themselves prior to bidding as the catalogue description does NOT represent a certificate of authenticity.

Pictures produced by European Artists can be subject to the Droite de Suite or Artist’s Resale Right which took effect in the United Kingdom on the 14th February 2006. Under this legislation Mallams is required to collect a royalty payment for works by living artists which sell for more than 1000 Euros. This now also applies to works by artists who have died within the last seventy years. It is calculated on the Rate of Exchange at the European Central Bank on the date of sale. It is charged to the buyer as a percentage of the hammer price and in addition to the buyer’s premium. The Artist’s Resale right is not subject to VAT. The charge for Works of Art sold at or above 1000 Euros and below 50,000 Euros is 4%. For items selling above this figure the fee is calculated on a sliding scale. These charges are paid to the Design and Artist’s Copyright Society (DACS). No additional fees or handling costs are retained by Mallams. For more information visit www.dacs.org.uk. Please be aware of this extra charge and especially the recent changes if you intend to bid for any works which might fall into the above category.

Other wise the following terms are used: ‘Attributed to’ … in our opinion the work is probably by the artist named in whole or in part. ‘Circle of ’ … in our opinion the work is by an artist influenced by the named artist and of the period. ‘Follower of ’ … in our opinion the work is executed in the named artist’s style. ‘Manner of ’ … in our opinion the work is executed in the named artist’s style but is of a considerably later date. ‘School (together with place or country and date)’ … in our opinion the work was executed in that location at that time. ‘After’ … in our opinion the work is a copy of a known painting by the named artist. ‘Signed’ … in our opinion the signature is by the hand of the artist stated. ‘Bears signature’ … in our opinion there is an element of doubt over the signature or it has been added by another hand.

STUDIO CERAMICS

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Studio Ceramics 1. Bernard Leach (British, 1887-1979) at Leach Pottery Vase grey glaze, with white spots impressed potter’s and pottery seals 6cm high. £150-250 2. Bernard Leach (British, 1887-1979) at Leach Pottery Vase celadon glaze and of tapering form impressed potter’s and pottery seal 13.2cm high. £300-500

3. Bernard Leach (British, 1887-1979) at Leach Pottery Dish celadon glaze impressed potter’s and pottery seals 15.2cm diameter. £150-250 4. Bernard Leach (British, 1887-1979) at Leach Pottery Vase octagonal cut sides, tenmoku glaze impressed potter’s seal and ‘ENGLAND’ 10cm high. £200-300 5. See page 9 6. Bernard Leach (British, 1887-1979) at Leach Pottery Vase crackled glaze decorated with spots impressed potter’s and pottery seals 10cm high. £200-300 7. William Marshall (British, 1923-2007) Vase faceted sides impressed potter’s seal 30cm high. £200-300

5. Bernard Leach (British, 1887-1979) at Leach Pottery Bottle Vase flat-sided, brushwork decoration impressed potterâ&#x20AC;&#x2122;s and pottery seals 19.5cm high. ÂŁ800-1200

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8. William Marshall (British, 1923-2007) at Leach Pottery Jug impressed potter’s and pottery seals 24cm high. £100-200 9. William Marshall (British, 1923-2007) Tea bowl breakwater decoration impressed potter’s seal 9cm high. In the early 1980s Marshall took inspiration from the breakwaters constructed in Carbis Bay, St. Ives and this tea bowl shows this influence. £80-120

10. William Marshall (British, 1923-2007) Footed bowl brushed hakeme glaze impressed potter’s seal 11cm high, 14cm across. £150-250 11. Janet Leach (British, 1918-1997) at Leach Pottery Vase lug handle, grey glaze impressed potter’s and pottery seals 12.5cm high. £50-100 12. See page 11 13. See page 12 14. Janet Leach (American, 1918-1997) at Leach Pottery Footed bowl poured glaze impressed potter’s and pottery seals 39cm diameter. Provenance: Purchased directly from Janet Leach in her workshop by the current vendors in the mid-1970s. £200-400 15. David Leach (British, 1911-2005) Vase incised fish decoration impressed potter’s seal 7.3cm high. £50-100

12. Janet Leach (American, 1918-1997) at Leach Pottery Monumental vase dripped ash glaze impressed potterâ&#x20AC;&#x2122;s and pottery seals 53.5cm high. Provenance: Purchased directly from Janet Leach in her workshop by the current vendors in the mid-1970s. ÂŁ800-1200

13. Janet Leach (American, 1918-1997) at Leach Pottery Vessel of bulbous form, incised patterns impressed potterâ&#x20AC;&#x2122;s and pottery seals 28cm high, 39cm across

Provenance: Purchased directly from Janet Leach in her workshop by the current vendors in the mid-1970s. ÂŁ600-800

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16. David Leach (British, 1911-2005) Bowl celadon with cut sides impressed potter’s seal 10.7cm high, 17cm diameter. £200-400 17. David Leach (British, 1911-2005) Bowl ox-blood red glaze, cut sides impressed potter’s seal 8cm high, 13.5cm diameter.

Provenance: Peter Dingley Gallery, Stratford-uponAvon. £200-300 18. David Leach (British, 1911-2005) (attributed to) at Lowerdown Pottery Vase painted grasses motif impressed pottery seal 14.7cm high. Provenance: Peter Dingley Gallery, Stratford-uponAvon. £60-100 19. David Leach (British, 1911-2005) Bowl celadon, cut sides impressed potter’s seal 8.8cm high, 15.8cm diameter. Provenance: Peter Dingley Gallery, Stratford-uponAvon. £60-100 20. David Leach (British, 1911-2005) Bowl fluted with rust grey glaze impressed potter’s seal 13cm high.

21. John Bedding (British, b.1947) ‘Pilgrim’ bottle with ‘Tree of Life’ design, 2007 the reverse inscribed with ‘Leach Pottery Restoration Year, 2007’ impressed potter’s seal 41cm high, 35cm across.

Provenance: Craftsmen Potter’s Shop, London, 1990. £200-300

Artist’s Statement: This pot was made as a tribute pot to Bernard Leach using one of his favourite motifs, ‘The Tree of Life’. As a former student of Bernard and later an employee of the Leach Pottery, I understand the enormous contribution he made to the world of Studio Pottery. Over the years he trained and inspired generations of potters into making pots with love and integrity. £200-300

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22. Trevor Corser (British, 1938-2015) at Leach Pottery Vase green glaze impressed potter’s and pottery seals 27.5cm high. Provenance: The Leach Pottery, St. Ives. £80-120 23. Trevor Corser (British, 1938-2015) at Leach Pottery Vase celadon, with cut facetted sides impressed potter’s and pottery seals 28cm high.

Provenance: The Leach Pottery, St. Ives. £80-120 24. Trevor Corser (British, 1938-2015) at Leach Pottery Vase green and high fired red glaze impressed potter’s and pottery seals 20cm high. Provenance: The Leach Pottery, St. Ives. £60-100 25. Warren MacKenzie (American, b.1924) at Leach Pottery Vase tenmoku, pressed decoration impressed potter’s and pottery seals 30cm high. £200-300 26. Michael Cardew (British, 1901-1983) at Wenford Bridge Bowl ash glaze impressed potter’s and pottery seals 19.5cm diameter. £100-200 27. Michael Cardew (British, 1901-1983) (attributed to) at Wenford Bridge Jug and cover incised decoration, tenmoku impressed pottery seal and indistinct potter’s seal 20cm high. £150-250

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28. Michael Cardew (British, 1901-1983) Bowl and cover painted leaf decoration impressed potter’s seal 29.5cm across. £400-700 29. Phil Rogers (British, b.1951) Vase tenmoku, foliate branch design impressed potter’s seal 23.5cm high. £80-120

30. Phil Rogers (British, b.1951) Vase salt glazed with dripped glaze impressed potter’s seal 46.5cm high. £500-700 31. Phil Rogers (British, b.1951) Jug with lugs, combed decoration impressed potter’s seal 26.5cm high. £70-100 32. Phil Rogers (British, b.1951) Vase tenmoku, combed decoration impressed potter’s seal 25.3cm high. £80-120 33. Phil Rogers (British, b.1951) at Leach Pottery Vase partial tenmoku glaze impressed potter’s and pottery seals 6cm high. £40-70

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34. Charles Vyse (British, 1882-1971) (attributed to) Jar and cover decorated with fish 22cm high. Provenance: Joanna Bird, London. £80-120 35. Mike Dodd (British, b.1943) Vase panelled, dripped glaze impressed potter’s seal 20cm high. £60-100

36. Mike Dodd (British, b.1943) Vase faceted, tenmoku with dripped glaze impressed potter’s seal 21.5cm high. £60-100 37. Mike Dodd (British, b.1943) Three bowls each impressed potter’s seal the largest 14.5cm diameter (3). £150-250 38. Mike Dodd (British, b.1943) Vase dripped linear glaze 19cm high.

Provenance: Beaux Arts, Bath. £120-180 39. Mike Dodd (British, b.1943) Vase tenmoku glaze impressed potter’s seal 25.5cm high. Provenance: Ombersley Gallery, Worcestershire. £150-250

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40. Jim Malone (British, b.1946) at Ainstable Jug combed decoration with nuka glaze impressed potter’s and pottery seal 29.5cm high. £150-250 41. Jim Malone (British, b.1946) at Ainstable Vase cut sided, with nuka glaze impressed potter’s and pottery seal 38cm high.

Provenance: Bonhams, London, 28 January 1998. £350-450 42. Jim Malone (British, b.1946) at Ainstable Vase painted foliate branch, hakeme glaze impressed potter’s and pottery seal 26.5cm high. £200-300 43. Jim Malone (British, b.1946) at Ainstable Vase two lug handles, incised grass decoration impressed potter’s and pottery seal 28cm high. £200-300 44. Jim Malone (British, b.1946) at Burnby Vase incised grass decoration, nuka glaze impressed potter’s and pottery seal 24cm high. £200-300 45. Jim Malone (British, b.1946) at Ainstable Pottery Vase hakeme, painted grass decoration impressed potter’s and pottery seal 34cm high. £200-300

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46. Jim Malone (British, b.1946) Dish ash glaze, incised tree decoration impressed potter’s seal 17.3cm diameter. £50-100 47. Michael Casson (British, 1925-2003) Jug painted brushwork motifs impressed potter’s seal 51.5cm high. £200-400

48. Michael Casson (British, 1925-2003) Vase salt-glazed, spots of blue painted potter’s monogram 14cm high, 22cm diameter. £80-120 49. Geoffrey Whiting (British, 1919-1988) (attributed to) Teapot painted sprig motif, cane handle 13cm across. £50-100 50. Peter Swanson (British, b.1950) Bottle vase square form, painted motif impressed potter’s seal 16cm high. £40-70 51. Jane Hamlyn (British, b.1940) Three jugs and two vases salt-glazed each impressed potter’s seal the largest jug 16.5cm high (5). £80-120

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52. Sybil Finnemore (British, fl.1924-1961) at Yellowsands Pottery Bowl decorated with chickens impressed potter’s and pottery seals, incised signature 28.8cm diameter. Finnemore studied at the Central School of Art and Crafts in the 1920s, before running the Yellowsands Pottery on the Isle of Wight, with her husband T. R. Parsons. £50-100

53. Edward Hughes (British, 1953-2005) Octagonal dish combed decoration impressed potter’s seal 37.5cm across. Provenance: Studio of the artist. £150-250

54. Edward Hughes (British, 1953-2005) Rectangular dish combed decoration impressed potter’s seal 36.5cm x 27cm. Provenance: Studio of the artist. £150-250 55. Edward Hughes (British, 1953-2005) Rectangular dish poured glazes impressed potter’s seal 28cm x 24.5cm.

Provenance: Studio of the artist. £150-250 56. Edward Hughes (British, 1953-2005) Footed bowl fluted impressed potter’s seal 14cm high, 32cm diameter.

Provenance: Studio of the artist. £150-250 57. Edward Hughes (British, 1953-2005) Pair of footed dishes each with tenmoku decoration each impressed potter’s seal 18.5cm and 18cm diameter (2). Provenance: Studio of the artist. £80-120

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58. Edward Hughes (British, 1953-2005) Footed bowl combed and wave decoration impressed potter’s seal 17.5cm diameter. Provenance: Studio of the artist. £50-100

59. Edward Hughes (British, 1953-2005) Pair of plates one with tenmoku stripe decoration, the other with combed decoration each impressed potter’s seal 26.5cm and 26cm diameter respectively (2). Provenance: Studio of the artist. £150-250 60. Edward Hughes (British, 1953-2005) Pair of plates each with combed decoration each impressed potter’s seal each 26.5cm diameter.

Provenance: Studio of the artist. £150-250 61. Edward Hughes (British, 1953-2005) Pair of plates each with wave decoration each impressed potter’s seal 27cm and 26cm diameter.

Provenance: Studio of the artist. £150-250 62. John de Burgh Perceval (Australian, 1923-2000) Charger, 1960 decorated with a figure signed and dated (to reverse) 39cm diameter. £400-600 63. Circle of John de Burgh Perceval (Australian, 1923-2000) Vase decorated with an aboriginal woman in rust and cream glazes 44.3cm high. £300-500

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64. David & Hermia Boyd (Australian, 1924-2011 and 1931-2000) ‘Bull’ bowl black and blue glazes signed 24cm diameter. £300-500 65. Michael Casson (British, 1925-2003) Jug wave decoration impressed potter’s seal 32cm high. £450-550

66. Alan Caiger-Smith (British, b.1930) Plate painted dandelion head motif to the centre painted potter’s monogram and date cypher 26.3cm diameter. £80-120 67. Alan Caiger-Smith (British, b.1930) Teapot, 1964 brushwork motifs painted potter’s monogram and date cypher 24cm high. £100-200 68. Edgar Campden (British, 20th Century) Jug black and red foliate brushwork motifs painted potter’s monogram 19cm high. £50-100 69. Alan Caiger-Smith (British, b.1930) Drinking set, 1967 comprising jug and six goblets abstract motifs in brown and grey brushwork painted potter’s monogram and date cypher the jug 26cm high (7). £150-250

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70. Alan Caiger-Smith (British, b.1930) Two goblets, 1982 red and gold lustre decoration painted potter’s monogram and date cypher 13.5cm high (2). £40-70 71. Eric James Mellon (British, 1925-2014) Europa and the Bull oils on board 61cm x 75.5cm, unframed.

Provenance: Eric James Mellon Collection. £100-300 72. Eric James Mellon (British, 1925-2014) Portrait of a lady signed (lower right) oils on canvas 50cm x 39.5cm. Provenance: Eric James Mellon Collection. £100-200 73. Eric James Mellon (British, 1925-2014) Fittleworth, Petworth, West Sussex oils on board 61cm x 75.5cm.

Provenance: Eric James Mellon Collection. Exhibited: Portsmouth City Museum, 1974. £200-400 74. Eric James Mellon (British, 1925-2014) Fittleworth, Petworth, West Sussex oils on board 59.5cm x 74.5cm. Provenance: Eric James Mellon Collection. £200-400

75. Eric James Mellon (British, 1925-2014) Four dishes two decorated to the centre with horses heads each signed and inscribed the largest 18.5cm (4). Provenance: Eric James Mellon Collection. £100-200

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76. Eric James Mellon (British, 1925-2014) Four tea bowls, 1998 dripped blue, turquoise and brown glazes to the inside each signed, dated and inscribed the largest 7cm high (4). Provenance: Eric James Mellon Collection. £80-120

77. Eric James Mellon (British, 1925-2014) Four tea bowls in differing glazes each signed and inscribed the largest 7cm high (4). Provenance: Eric James Mellon Collection. £80-120 78 and 79. See page 24 80. Eric James Mellon (British, 1925-2014) Vase, 1963 blue and black running glaze, spiral decoration signed and dated 35.5cm high.

Provenance: Eric James Mellon Collection. £150-250 81. Eric James Mellon (British, 1925-2014) Reclining figure with hand mirror, 1967 signed and dated 33cm across. Provenance: Eric James Mellon Collection. £150-250

82. Eric James Mellon (British, 1925-2014) ‘Carlene and Percy’ dish signed, titled and inscribed 26cm diameter. Provenance: Eric James Mellon Collection. £150-250

78. Eric James Mellon (British, 1925-2014) ‘Daphne and Apollo’ bowl, 1968 signed and dated willow ash glaze 34cm diameter. Provenance: Eric James Mellon Collection. Literature: Eric James Mellon, The Ceramicist as Artist, 2000, p.19, illustrated. Eric James Mellon, Decorating Stoneware, 2007, pp.124, illustrated. £300-500 79. Eric James Mellon (British, 1925-2014) ‘Trapeze Act’ bowl, 1968 signed and dated willow ash glaze 36.7cm diameter. Provenance: Eric James Mellon Collection. Literature: Eric James Mellon, The Ceramicist as Artist, 2000, p.19, illustrated. Eric James Mellon, Decorating Stoneware, 2007, pp.125, illustrated. £300-500

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83. Eric James Mellon (British, 1925-2014) ‘Leanne’ footed bowl signed, titled and inscribed 20.5cm diameter. Provenance: Eric James Mellon Collection. £100-200 84. Eric James Mellon (British, 1925-2014) ‘Sleeping Maiden’ footed bowl signed, titled and inscribed 23.3cm diameter.

Provenance: Eric James Mellon Collection. £100-150 85. Eric James Mellon (British, 1925-2014) ‘Lovers’ bowl, 2014 signed, dated and inscribed 23.7cm diameter. Provenance: Eric James Mellon Collection. £150-250 86. Eric James Mellon (British, 1925-2014) ‘Pluto and Persephone’ footed bowl signed, titled and inscribed 24.5cm diameter. Provenance: Eric James Mellon Collection. £200-400 87. Eric James Mellon (British, 1925-2014) Five pairs of clip earrings painted ceramic the largest 2cm length (5). Provenance: Eric James Mellon Collection. £40-70 88. Joanna Howell (British, Contemporary) Chthonic vessel ox-blood red and crackled celadon glaze impressed potter’s seal 28cm high. £80-120

89. Jude Jelfs (British, Contemporary) ‘Jug with 3 Breasts’ signed and titled oil on ceramic 21.5cm high. £50-100

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90. Ian Gregory (British, b.1942) Pharo Dog impressed potter’s seal 33cm high. Provenance: Bettles Gallery, Ringwood. £50-100 91. Ashley Howard (British, Contemporary) Dish turquoise glazes 41cm diameter. Provenance: Bettles Gallery, Ringwood. £50-100

92. Alan Wallwork (British, b.1931) Split Oval incised initials 17.7cm high. Provenance: Bettles Gallery, Ringwood. £60-100 93. Deirdre Burnett (British, b.1939) Open bowl yin yang wave series faint potter’s seal 28.8cm diameter. Provenance: Alpha House Gallery, Sherborne. £80-120 94. See page 27 95. Aki Moriuchi (Japanese, b.1947) Vase multi-glazed and fired impressed potter’s seal 12cm high. £80-120 96. Takeshi Yasuda (Japanese, b.1943) Fat-rim dish with horns sancai glazes artist’s label 46.5cm across.

97. Duncan Ross (British, b.1943) Vase smoke fired and burnished terra-sigillata orange slips impressed potter’s seal 16.5cm high.

Provenance: Oxford Gallery, Oxford. £150-250

Provenance: Oxford Gallery, Oxford. £200-400

94. Gareth Mason (British, Contemporary) Jar fluid glazes and deposits impressed potterâ&#x20AC;&#x2122;s seal 37cm high. Provenance: Bettles Gallery, Ringwood. ÂŁ200-400

98. Gordon Baldwin (British, b.1932) Torso, circa 1964 incised initials 63cm high, 53cm across. Provenance: Roberta Leigh, the noted romantic novelist and children’s author. £2000-3000

‘a concentration of evocative references: ancient pot, fragment of archaic sculpture, torso as emblem of no feeling (no head, no limbs, equals no thought, no speech, no action)’. (Gordon Baldwin 1983 Exhibition Catalogue)

99. Gordon Baldwin (British, b.1932) Body Form and Totem, circa 1960-1 incised and painted red brush work 71cm high and 76cm high respectively (2). Provenance: Roberta Leigh, the noted romantic novelist and childrenâ&#x20AC;&#x2122;s author. ÂŁ400-600

100. Gordon Baldwin (British, b.1932) Totem in four parts sgraffito decoration incised initials 124.5cm high. Provenance: Roberta Leigh, the noted romantic novelist and childrenâ&#x20AC;&#x2122;s author. ÂŁ800-1200

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101. Aki Moriuchi (Japanese, b.1947) Candlestick multi-glazed and fired impressed potter’s seal 29.8cm high. £50-100 102. Tessa Fuchs (British, 1936-2012) Hills and Trees, early 1970s 32cm high. £50-100 103. Jennie Hale (British, Contemporary) Two jugs one of bird form 27cm and 20cm high (2). £50-100

101

102

103

104. Peter Beard (British, b.1951) Bowl mottled blue glaze impressed potter’s seal 12.5cm high, 30.5cm diameter. £150-250 105. John Maltby (British, b.1936) Lord Nelson wood and ceramic signed 23cm across. £150-250 106. John Maltby (British, b.1936) Lady Emma wood and ceramic signed 22.7cm across. £150-250

104

105 and 106

107. Lawson Rudge (British, b.1965) Cow ‘52’ raku 32cm across, 22cm high. £50-100 108. John Maltby (British, b.1936) Horse and Rider painted gold decoration impressed potter’s seal 16cm across. £150-250

107

108

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109. John Maltby (British, b.1936) ‘Sightseeing (Rievaulx)’ impressed potter’s seal, signed and titled 34.7cm across. £300-500 110. John Maltby (British, b.1936) ‘An Angel - Gods Messenger’ impressed potter’s seal on granite base 33cm high overall. £250-350

109

110

111

112

113

114

111. John Maltby (British, b.1936) Angel and Child impressed potter’s seal 19.5cm high. £80-120 112. John Maltby (British, b.1936) Flowers impressed potter’s seal 16.5cm high. £80-120 113. John Maltby (British, b.1936) Seated figure impressed potter’s seal and signed 36cm high. £200-400 114. John Maltby (British, b.1936) ‘Proud Bird’ impressed potter’s seal, signed and titled 42cm high. £300-500

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115. Edmund De Waal (British, b.1964) Jar and cover crackled celadon glace, impressed marks 8.2cm high, 10cm across. £400-600 116. Poh Chap Yeap (Malaysian, b.1927) Vase tenmoku, with faceted sides signed 10cm high. £50-80

115

116

117

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123

117. Julian King-Salter (British, b.1954) Two bowls volcanic glazes each impressed potter’s seal 19cm and 15.5cm across (2). £50-100 118. See page 34 119. See page 35 120. Peter Lane (British, b.1932) Bowl incised to form band of trees light blue to white glaze incised signature 10cm high, 18cm diameter. £40-70 121. Walter Keeler (British, b.1942) Pot and cover incised spiralling line impressed potter’s seal 19cm high. £50-100 122. Chris Lewis (British, b.1951) Two handled vessel decorated with fish 31.5cm high. Provenance: Bettles Gallery, Ringwood. £200-300 123. Patrick Sargent (1956-1998) Vase orange glaze 27.5cm high. Provenance: Bettles Gallery, Ringwood. £100-200

118. Jennifer Lee (British, b.1956) Asymmetric speckled pot, tilted rim, 1990 painted potterâ&#x20AC;&#x2122;s year mark 15.5cm high. Provenance: New Ashgate Gallery, Farnham. ÂŁ600-900

119. Jennifer Lee (British, b.1956) Pale pot, speckled emerging rim, 1997 painted potter’s year mark 23.5cm high. Provenance: Estate of John Bull; Private Collection.

Exhibited: Twenty-five Years, Craft Council Shop at the V&A, 1999. Illustrated: Crafts: Magazine for Contemporary Craft, September/October 2016, p.70. £1500-2500

‘Her pots offer the quietest and most abstract exploration of space as well as the properties of clay itself’ (David Whiting, Critic)

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124. Julian King-Salter (British, b.1954) Vase blue and pink glazes, pulled rim impressed potter’s seal 33cm high. Provenance: Beaux Arts, Bath. £60-100 125. Julian King-Salter (British, b.1954) Vase and Vessel blue volcanic glazes each with impressed potter’s seal 26.5cm high and 27cm high respectively (2).

124

125

126

Provenance: Beaux Arts, Bath. £100-200 126. Peter Starkey (British, b.1945) Jug and Footed Bowl salt glazed 32cm high and 14.5cm high respectively (2). Provenance: Rufford Gallery, Nottinghamshire. £60-100 127. Peter Starkey (British, b.1945) Pot and cover salt glazed impressed potter’s seal 21.5cm high. Provenance: Rufford Gallery, Nottinghamshire. £50-100

127

128. Emmanuel Cooper (British, 1938-2012) Footed bowl yellow glaze, with gold spots and manganese rim impressed potterâ&#x20AC;&#x2122;s seal 9cm high, 17.5cm diameter. Provenance: The New Craftsmen Gallery, St. Ives. ÂŁ500-800

129. Emmanuel Cooper (British, 1938-2012) Bowl red/orange glaze, with gold lacquer spots impressed potter’s seal 10cm high, 24.5cm diameter. £300-500 130. Emmanuel Cooper (British, 1938-2012 Footed bowl purple glaze impressed potter’s seal 7cm high, 17.5cm diameter. £200-400 131. Emmanuel Cooper (British, 1938-2012 Footed bowl yellow glaze with manganese rim impressed potter’s seal 6cm high, 11.7cm diameter. £150-250

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132. Laurence Rye (British, b.1962) Vessel flared rim impressed potter’s seal 13cm high. Provenance: Candover Gallery, Alresford. £50-100 133. Walter Keeler (British, b.1942) Footed dish with scroll handles, salt glazed impressed potter’s seal 36.5cm across.

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137

Provenance: Candover Gallery, Alresford. £100-200 134. Gordon Cooke (British, b.1949) Vessel painted landscape design impressed potter’s seal 33.5cm high. Provenance: Candover Gallery, Alresford. £120-180 135. Suzanne Bergne (British, 20th Century) Vase porcelain with volcanic textures impressed potter’s seal 22.5cm high. Provenance: Beaux Arts, Bath. £200-300 136. Robin Welch (British, b.1936) Vessel white with blue band impressed potter’s seal 28cm high. Provenance: Amalgam Gallery, London. £120-180 137. Robin Welch (British, b.1936) Vessel manganese glaze impressed potter’s seal 33.5cm high. £100-200

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138. John Ward (British, b.1938) Bowl mottled grey glaze impressed potter’s seal 15cm high, 28cm across. £300-500 139. John Ward (British, b.1938) Vessel mottled green glaze impressed potter’s seal 20cm high.

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142

Provenance: Peter Dingley Gallery, Stratford-uponAvon; Private Collection. £400-600 140. See page 41 141. John Ward (British, b.1938) Vase mottled cream glaze impressed potter’s seal 16cm high. £300-500 142. Marcus O’Mahoney (Irish, b.1952) Vase faceted with crackle glaze 27cm high. Provenance: Alpha House Gallery, Sherborne. £100-200 143. Rupert Spira (British, b.1960) Bowl turquoise glaze impressed potter’s seal 10.7cm high, 13.5cm diameter.

143

Provenance: Alpha House Gallery, Sherborne. £150-250 144. Maureen Minchin (British, Contemporary) Drainer and stand decorated with geese amongst flower landscape the drainer stamped potter’s seal the drainer 15cm high, the plate 22cm diameter (2). £150-250

144

140. John Ward (British, b.1938) Vessel matt black and white geometric pattern impressed potterâ&#x20AC;&#x2122;s seal 27cm high. Provenance: Alpha House Gallery, Sherborne; Private Collection. ÂŁ1000-2000

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145. Maureen Minchin (British, Contemporary) Bowl decorated with birds, geese and lupins 11cm high, 37cm diameter. £400-700 146. Maureen Minchin (British, Contemporary) Drainer and stand decorated with goose and daffodils each impressed potter’s seal the drainer 9.5cm high, 25cm diameter. £100-300

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148

147. Maureen Minchin (British, Contemporary) Dish decorated with goose in flowering landscape impressed potter’s seal 25cm diameter. £50-100 148. Maureen Minchin (British, Contemporary) Set of three graduated jugs decorated with leaping hares in sunlit and moonlit landscapes the largest jug 23cm high (3). £400-600 149. Ruthanne Tudbull (British, b.1958) Jar and cover, salt glazed impressed potter’s seal 15.5cm high. £50-80 150. Tony Laverick (British, b.1962) Dish, 2002 orange, gold and green painted initials and date mark 25.5cm diameter. £40-70

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150

151. Alan Wallwork (British, b.1931) Pod incised initials 9.5cm high. £40-70 152. 20th Century School Bull stoneware, on plinth 17cm across. Provenance: Alresford Gallery, Alresford. £40-60

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153. Peter Lane (British, b.1932) Bowl porcelain, decorated with raised tree motifs and coloured spotting incised potter’s signature 8.5cm high, 11.8cm diameter. £50-100 154. Audrey Blackman (British, 1907-1990) Five musicians comprising pianist, flautist, cellist, violinist and clarinetist 18.3cm high (5). £300-500

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155. Tessa Fuchs (British, 1936-2012) ‘Sailing Boats’ bowl impressed potter’s seal 13.7cm high, 42.6cm diameter. £200-300 156. Chris Carter (British, b.1945) Vase twisted form, with white glaze impressed potter’s seal 36.5cm high. Provenance: The Stour Gallery, Shipton-on-Stour. £80-120 157. Chris Carter (British, b.1945) Vessel pulled rim, manganese glaze impressed potter’s seal 31.5cm high. Provenance: Beaux Arts, Bath. £100-200 158. Chris Carter (British, b.1945) Vase mottled turquoise glazes impressed potter’s seal 22.5cm high. Provenance: The Stour Gallery, Shipton-on-Stour. £60-100

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159. Graeme James (Australian, b.1942) Vase double gourd form, incising and mottled white glaze impressed potter’s seal 33cm high. £80-120 160. Graeme James (Australian, b.1942) Vase extended flared rim, with bands of turquoise impressed potter’s seal 14cm high, 21.3cm diameter. £60-100

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166

161. Tim Andrews (British, b.1960) Vessel raku with crackled glaze impressed potter’s seal 25.5cm high. £50-100 162. Susan Nemeth (British, b.1957) Bowl multi-coloured clays 6.5cm high, 21.5cm diameter. Provenance: Whitechapel Art Gallery, London, 1988. £50-100 163. Jason Wason (British, b.1946) Vessel concentric ring band decoration impressed potter’s seal 29cm high. Provenance: Austin Desmond Fine Art, London. £80-120 164. Peter Hayes (British, b.1946) Keyhole bow, 1997 raku signed and dated 22cm high. £100-200 165. Antonia Salmon (British, b.1959) Vase burnished raku 13.5cm high. £60-100 166. Dan Kelly (British, b.1953) Thrown vessel, squeezed and cut 65.5cm high. £400-600

167. Lucie Rie (British, 1902-1995) Vase mottled green glaze and incised vertical lines impressed potterâ&#x20AC;&#x2122;s seal 13cm high. ÂŁ700-1000

168. Lucie Rie (British, 1902-1995) Footed bowl, circa 1981 porcelain, matte white glaze with golden manganese lip impressed potterâ&#x20AC;&#x2122;s seal 9.8cm high, 12.5cm diameter. Provenance: Purchased directly from the artist at Albion Mews in the early 1980s. Literature: see Tony Birks, Lucie Rie, Stenlake Publishing Ltd., 2009, p.201 for a similar example. ÂŁ7000-9000

DESIGN

169. Alfred Stevens (British, 1817-1875) (attributed to) Classical figure with draped robe bronze, on foliate scroll base 38cm high. Literature: This sculpture relates to a design made by Stevens for andirons. See Sotheby’s, London, 19th & 20th Century European Sculpture, 2 June 2010, lot 114 for an example of this model as andirons; see D. Bilbey and M. Trusted, British Sculpture 1470 to 2000: A Concise Catalogue of the Collection at the Victoria and Albert Museum, London, 2002, nos.550 and 551., p.366-7. £600-900 170. Manner of Alfred Gilbert (British, 1854-1934) Pair of candlesticks bronze the central stem modelled in the form of two entwined water nymphs 29.5cm high (2). Literature: see E. Machell Cox, Commemorative Catalogue of an Exhibition of Models and Designs by the late Sir Alfred Gilbert R.A., Victoria & Albert Museum, Autumn 1936, no.40 for a salt cellar with a similar frieze of nymphs. £800-1200

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171. Linthorpe Pottery Teapot and Vase in the manner of Christopher Dresser turquoise each impressed manufacturer’s mark the teapot 16cm across (2). £150-200 172. Aesthetic Movement Lantern the glass panels decorated with birds amongst reeds in a wooden frame 27cm high. £200-300 173. E. W. Godwin (British, 1833-1886) (attributed to) Armchair curved slatted back, turned front legs and double arm supports 58.5cm across, 107.7cm high.

171

172

Literature: see Susan Weber Soros, The Secular Furniture of E. W. Godwin, Yale University Press, 1999, p.131, no.178 for a similar armchair made by James Peddle and attributed to Godwin. £250-350 174. Minton Pair of moon flasks, circa 1875 each painted with Egyptian scene to one side, and flowers and birds to the other stamped manufacturer’s mark and numbered painted monogram (to the base), possibly attributable to John Moyr Smith or Walter Jenks Morgan 34cm high (2). £500-800

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174

175. John Moyr Smith for Minton Jardiniere inset four ‘English History’ tiles, ‘Morte D’Arthur’, ‘Elaine’, ‘Vivien’ and ‘Pelleas’ the tiles with manufacturer’s marks 20cm across. £80-120 176. E. Jacobs & Son Art Nouveau pair of salts and spoon silver and enamel maker’s mark, Birmingham 1905 the salts 4.5cm across, cased. £100-200

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176

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177. WMF Vase electroplated, with sinuous foliate and berry motifs stamped maker’s mark 24.5cm high. £100-200 178. Jones & Crompton Art Nouveau bowl silver, three whiplash handles stamped maker’s mark, Birmingham 1908 22.5cm across. £100-200

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178

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183

179. Glasgow School Art Nouveau wall sconce brass, repousse decorated with stylised flower heads and stems 50.5cm high. £200-400 180. Art Nouveau School Ceiling light hammered, with five branches flower head and scroll form, inset turquoise Ruskin Pottery roundels 63cm high. £200-400 181. Leon Solon and John Wadsworth for Minton Two Secessionist plates stylised flowers on green ground stamped manufacturer’s mark 23.3cm diameter (2). £80-120 182. Zsolnay Pecs Art Nouveau tile, in the manner of Lajos Mack central roundel depicting maiden with flowers, surrounded by lily flowers 7.5cm x 15.2cm. £500-700 183. L’Estampe Moderne Group of four plates, 1897 comprising ‘La Femme au Paon’ by Louis Rhead, ‘Invocation’ by Marcel Lenoir, ‘Le Parc’ by G. De Latenay and ‘Crepuscule’ by Paul Balluriau, the cover designed by A. Mucha lithographs in colour published by Chapenois, Paris the cover 41cm x 31cm. £500-800

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184. Minton Secessionist jardiniere and stand decorated with scrolling foliage and flowers stamped manufacturer’s marks 90cm high. £100-200 185. See page 52 186. Art Nouveau Pair of fire dogs brass with sinuous flowerhead design 23.5cm high (2). £80-120

184

186

188

190

194

196

187. See page 53 188. Manner of Mackay Hugh Baillie Scott (British, 1865-1945) Candle Holder, circa 1902 riveted copper and brass, inset faceted coloured stones presentation inscription ‘This Candle Thing was Given to MHB Scott, New Years Day 1902, Subulartem Sunny Side Artificem Sutton Materiem Praebuere’ 20cm high. Possibly this was presented to Baillie Scott in recognition for work that he did on the Isle of Man, where he lived and worked from 1889 until 1901. ‘Sunnyside’ could refer to the Sunnyside Mansion Estate in the Little Switzerland development on the island. £250-350 189. See pages 54 and 55 190. Tiffany Studios ‘Aztec’ pattern desk set comprising letter rack, desk tray and note pad holder patinated bronze each stamped ‘Tiffany Studios, New York’ and numbered the letter rack 28cm across (3). £200-300

194. Tiffany Studios (attributed to) Footed bowl and two dishes iridescent glass the footed bowl 10cm high. £100-200

196. Loetz (attributed to) ‘Papillon’ vase undulating rim, green iridescent glass 9.5cm high. £50-100

191, 192, 193 and 195 See page 56

195. See page 56

197. See page 57

185. Carlo Bugatti (Italian, 1856-1940) (attributed to) Stool, circa 1900 ebonised wood, with pewter and bone inlay the legs wrapped with copper 41cm high, 35cm across. Literature: Die Bugattis: Automobile, Möbel, Bronzen, Plakate, exhibition catalogue, Museum für Kunst und Gewerbe, Hamburg, 1983, pp. 92-93 for examples with closely related inlay. £1000-1500

187. Thomas Webb & Sons (attributed to) Cameo glass tile, possibly designed by George Woodall carved with pomegranate, flowers and leaves 11cm x 11cm. ÂŁ150-250

189. Henry Van De Velde (Belgian, 1863-1957) for Reinhold Hanke Vase, circa 1902 the rim incised three parallel lines extending to form two handles deep purple-reddish glaze impressed manufacturer’s mark and model no. 2043 23cm high, 18cm across. £2000-4000

Literature: see Kunst und Kunstandwerk, Vienna, 1902, 540 and 545, and Die Kunst, 8, Munich 1902, 37 for illustrations of this design of vase in a room for the Deutsch-Nationalen Kunstausstellung in Dusseldorf designed by Van de Velde. Examples of this vase can be found in the British Museum, London and the Museum fur Kunst und Gewerbe, Hamburg (see H. Spielmann, ‘Raume und Meisterwerke der Jugendstil-Sammlun’, Museum fur Kunst und Gewerbe, 1977, pl. VII). In 1900 the Westerwald District Council approached Van de Velde to collaborate in the revival of its stoneware industry after the failure of their stands at the 1900 Paris Exhibition. In early 1902 Van de Velde’s initial designs were split between a number of manufacturers in order to produce work for the Dusseldorf Exhibition later in the year, all of which was overseen by Van de Velde. Whilst most of the manufacturer’s produced the wares in the traditional hues of grey and blue, his collaboration with Reinhold Hanke broke the mould in form and decoration. It resulted in the first examples of sang-de-boeuf glazes on this type of stoneware coming into line with other international trends and taste. The glazes produced by Reinhold Hanke were both expensive and risky, and were frequently unsuccessful, but when they succeeded they set a new standard.

191. Louis Comfort Tiffany (American, 1848-1933) ‘Favrile’ vase iridescent glass signed ‘L. C. Tiffany Favrile’ and numbered ‘7990D’ 7cm high. £200-400

195

191

193. Louis Comfort Tiffany (American, 1848-1933) Vase twin handled, golden iridescent glass initialled ‘L.C.T.’ and numbered ‘6543A’ 8cm high. £150-250

192. Louis Comfort Tiffany (American, 1848-1933) Vase iridescent blue glass initialled ‘L.C.T.’ and numbered ‘D539’ 13cm high. £200-400

193

195. Loetz (attributed to) Miniature vase impressed body, golden iridescent glass Liberty label 4.2cm high. £50-100

192

197. Francois Emile Decorchemont (French, 1880-1971) Bowl pate-de-verre turquoise blue glass the interior decorated with flowerhead and band of leaves stamped and numbered ‘0815’ or ‘D815’ 5.5cm high, 14.5cm diameter. £600-800

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198. Loetz of Austria Vase, circa 1900 of ‘Norma’ decoration iridescent blue glass, with trails etched signature ‘Loetz, Austria’ 15cm high. £100-200 199. Manner of Loetz Vase green iridescent glass, applied handles 11cm high. £40-70

198

199

201

202

200. See page 59 201. Art Nouveau Claret Jug silver plate, with allover vine leaf design 34.5cm high. £150-250 202. WMF Claret Jug copper and brass, band of stylised fruiting trees stamped maker’s mark and numbered ‘123’ 38cm high. £100-200 203. WMF and Weisbach (attributed to) Tray pewter rim and ceramic base, decorated with scrolling foliage 39.5cm across. £100-200 204. Jan Eisenloffel (Dutch, 1876-1957) Kettle and stand brass and green glass stamped marks 24.5cm high overall. £100-200

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204

200. Manner of Tiffany & Co. ‘Chased Pod’ floor lamp base patinated bronze 171.5cm high. £1000-2000

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205. Goberg Candelabra iron, scrolling supports and twisted stem stamped ‘Goberg’ 37cm high. £50-100 206. Osiris Vase gilt metal and ceramic, stylised handles and flower motifs stamped maker’s mark and numbered ‘520’ 17.8cm high. £100-200 207. WMF Secessionist cigar lighter, circa 1900 possibly by Jan Eiselhoffel copper and brass, with cane handle 21cm high. £80-120 208. Elkington & Co. Set of four Art Nouveau napkin rings silver, of pierced floral design maker’s mark, hallmarked for Birmingham 1902 original case each napkin ring 4.2cm diameter. £100-150

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206

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210

209. William Henry Sparrow Art Nouveau belt silver, of link form each panel of scrolling design, the central roundel embossed with the profile of a child maker’s mark, hallmarked for Birmingham 1903 length 83cm. £80-120 210. Saunders & Shepherd Six Art Nouveau buttons silver, pierced flower design maker’s mark, hallmarked for 1895 together with three silver buttons by Thomas White, London 1905 the larger buttons 2cm across (9). £50-100 211. Orivit Secessionist twin handled centrepiece pewter, pierced with multitudes of flowers to the rim stamped maker’s mark and numbered ‘2877’ 33.5cm across. £80-120

211

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Arts & Crafts 212. William Hutton & Sons and James Powell Bottle and stopper silver and cork stopper, green glass bottle the silver stamped maker’s mark, London 1901 20cm high. £150-250 213. Philip Webb (attributed to) for Morris & Co. Wine glass, made by James Powell & Sons flint glass, with twisted stem 11.5cm high.

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217

Literature: see V&A Catalogue no. C-81-1939 for a similar example. £40-70 214. Harry Powell (attributed to) for James Powell & Sons Wine glass, circa 1900 sea green glass with blue frill trails 14cm high. £40-70 215. James Powell & Sons Wine glass, circa 1900 see green glass, with horizontal ridge and vertical ribbing 15.5cm high. Literature: see Evan, Ross and Werner, p.282. £50-100 216. Harry Powell for James Powell & Sons ‘Spanish’ spirit decanter cut glass foliate and flower head design 18cm high. £100-200 217. James Powell & Sons (attributed to) Vase, circa 1900 sea green glass, fluted 38cm high. £100-150 218. James Powell & Sons Footed vase, circa 1920s sea green glass, fluted, pat. no.3000 25.5cm high. £60-100

218

219. James Couper & Sons ‘Clutha’ glass vase, circa 1890 probably designed by Christopher Dresser or George Walton streaks of green, gold and white 55cm high. Literature: see Halen, Christopher Dresser, p.172-174, Studio Magazine Vol XV, p.104 and Karen Moon, George Walton, p.109 for similar examples. £500-800

220. E. G. Punnett for William Birch Armchair oak with rush panels, inlaid with ebony stylised flower motif 70cm across, 85cm high. ÂŁ700-1000

221. Philip Webb (1831-1915) for Morris & Co. Sideboard walnut, with canopy top, carved gothic arches to the side of the top rail, turned supports and panelled back the lower half fitted three drawers, flanked by cupboards, on shaped feet 201cm across, 210cm high, 68.5cm deep. Literature: Morris & Company catalogue, p.28. ÂŁ5000-7000

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222. Morris & Co. (attributed to) ‘Sussex’ side chair ebonised beech and rush seat 85cm high, 41.5cm across. £40-70 223. Liberty & Co. Vase, circa 1900-1905 pierced pewter stand, with twin loop handles, fitted Clutha glass liner stamped ‘0583’ 10.3cm high. £700-900 224. See page 66

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228

225. Archibald Knox (British, 1864-1933) for Liberty & Co. Two dressing table brushes silver with enamel Celtic knot motifs stamped maker’s mark, Birmingham 1916-17 each 26.3cm long (2). £150-250 226. Liberty & Co Dressing table box hammered pewter, the top inset with oval enamel panel of butterflies amongst flowers stamped maker’s mark and numbered ‘01021’ 18.5cm across. £200-300 227. Liberty & Co. Pair of candlesticks, circa 1900 hammered pewter, cast with leaf design to the bases stamped ‘023’ 13.5cm high (2). £150-250 228. David Veasey for Liberty & Co. Mantle clock, circa 1902-1905 circular turquoise enamel dial, pewter case cast with stylised plant motifs stamped ‘0385’ 20cm high. £2000-3000

224. Archibald Knox (British, 1864-1933) Cottage in landscape signed (lower left) watercolour 15.8cm x 19cm. ÂŁ1500-2500

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229. Liberty & Co. Set of six spoons silver and enamel stamped maker’s mark, Birmingham 1934 each spoon 9.2cm long, cased (6). £100-200 230. Moorcroft for Liberty & Co. Pair of ‘Tudric’ ‘Pomegranate’ candlesticks hammered pewter mounts and removable caps numbered ‘01513’ stamped ‘Tudric, Moorcroft’ 14cm high (2). £500-800

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230

231. David Veasey for Liberty & Co. ‘Tudric’ loving cup, circa 1900 pewter, decorated with trees and message ‘For Old Times Sake’ model no. 010 stamped ‘Tudric’ 20cm high. £100-200 232. Archibald Knox (British, 1864-1933) for Liberty & Co. ‘Tudric’ three piece tea-set pewter, with sinuous flower design, the teapot with cane handle each stamped ‘Tudric’ and ‘025’ or ‘026’ the teapot 14cm across (3). £150-250

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232

233. Liberty & Co. Arts & Crafts table clock oak, with brass handles and dials brass plaque inscribed ‘C. F. Falkner, From the Choir of Christ Church, Sept 1st 1909’ stamped ‘Liberty & Co.’ 48.5cm high. £300-500 234. Liberty & Co. of London (attributed to) ‘Thebes’ stool shaped top, carved with Egyptian inspired motifs 37.5cm high, 36cm across. £80-120

233

234

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235. Oliver Baker (British, 1856-1939) for Liberty & Co. Vase silver, with twisted supports and tripod feet marked for Liberty & Co., Birmingham 1901 11cm high. £600-800 236. Liberty & Co. (attributed to) Wall mirror, circa 1910 hammered pewter, inset with abalone shell butterfly design 69cm high, 44cm across. £500-700

235

236

237. No Lot 238. Newlyn School (attributed to) Wall charger hammered copper with griffin head to the centre 41cm diameter. £200-300 239. Manner of Newlyn School Handled vase copper, decorated in relief with flower heads 20cm high. £80-120

238

241

240. Manner of Mackay Hugh Baillie Scott Pot brass, decorated in relief with birds and a flowering tree ring handles 19cm high. £80-120 241. A. E. Jones (attributed to) Arts & Crafts box hammered copper, riveted straps and enamel roundels 19.8cm across. £200-300

239

240

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242. Arts & Crafts Two letter racks and a newspaper rack copper the largest 21.5cm across. £100-200 243. Jesson, Birkett & Co. Ltd. (attributed to) Arts & Crafts table lamp, circa 1906 hammered copper, scrolling supports 43cm high. Literature: see Charlotte and Peter Feill, Decorative Art 1900-1910, Taschen, 2000, p.469, for a table lamp with similarities. £100-200

242

243

244. (Art Books) Collection of Art & Antiques Books to include Georg Jensen, W.A.S. Benson, Art Deco and Other Figures, Charles Horner of Halifax and Art Nouveau Jewellery (8). £50-100 245. Stickley Brothers Co. Kneehole desk oak, central drawer flanked by shelves to the sides stamped ‘Stickley Bros Co., Grand Rapids’ 75.5cm high, 101.5cm across. £500-700

244

245

246. Arts & Crafts Armchair oak, shaped back and arms canted legs 76.5cm high, 61.5cm across. £50-100 247. A. E. Jones (British, 1878-1954) Arts & Crafts spoon twisted stem, with bud finial stamped maker’s mark, Birmingham 1915 13.3cm long £60-100 248. A. E. Jones (British, 1878-1954) Cruet set silver, each with four shaped feet comprising pepper, salt and mustard pot (with associated blue glass liner) stamped marks, Birmingham the mustard 9cm across (3). £200-300

247 246

248

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249. Charles Robert Ashbee (British, 1863-1942) Muffin dish electroplated, openwork wire mount set with chrysophrase cabochon applied beaded rim and hot water compartment 22.2cm diameter. £700-900 250. Martin Brothers Miniature vase, 1913 organic decoration inscribed ‘Martin Bros London & Southall’ and ‘9-1913’ 12cm high. £200-300

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250

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254

251. Robert Wallace Martin & Brothers Vase, 1889 decorated with scrolling foliage and grotesque heads inscribed ‘R W Martin & Bros, London & Southall’ and ‘4 1889’ 21cm high. £400-700 252. Martin Brothers Jug, 1900 decorated with grotesque fish and jellyfish inscribed ‘Martin Bros, London & Southall’ and ‘5-1900’’ 23cm high. £300-500 253. Arts & Crafts Casket copper, hammered, the cover with two stylised foliate panels each inset with Ruskin roundel the cover inscribed ‘Bridge’, monogrammed to corner 20cm across. £50-100 254. Arts & Crafts Two picture frames oak, one with gilt aperture 29.7cm x 18.3cm and 16.3cm x 20cm (2). £40-70

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255. Della Robbia Pottery Two handled vase turquoise glaze impressed maker’s mark 25cm high. £150-250 256. Arts & Crafts Stove white painted metal, with sinuous flower decoration impressed registration number ‘485441’ 62cm high. £100-200

255

256

257

258

257. A J Rowley at The Rowley Gallery ‘Spanish Dancers’ wall mirror marquetry panel to the upper half stamped ‘Rowley, Kensington’ and with paper label 68.5cm x 32cm. £80-120 258. Walter Crane (British, 1845-1915) Arts & Crafts set of 12 napkins, circa 1895-1900 cream linen and silk damask woven with a design centred by swans within a border of apple trees, swallows and peacocks woven to the border ‘Designed by Walter Crane, London’ 11 of the napkins all joined as one piece 720cm x 66cm and the single napkin 69cm x 66cm. £400-600 259. William Tonks & Sons Arts & Crafts coal bin and cover brass with diamond motif, rivets, on shaped feet and with liner stamped ‘W T & S’ and registration number ‘529263’ 57cm high. £150-250

259

Cotswold School

260. Cotswold School Chest of drawers, similar to designs by Ernest Gimson oak, two short over three long graduated drawers shaped handles, stepped feet exposed joints 90cm high, 98cm across, 49cm deep. Provenance: Rachel Ward (nee Rothenstein) and Alan Ward;thence by family descent. Literature: Cheltenham Museum & Art Gallery, Gimson & Barnsley Catalogue, number 1941-222-491 for an original design for a similar chest. ÂŁ400-700 261. Cotswold School Wall hanging shelves, similar to designs by Ernest Gimson oak, the central part divided into four with lattice back and chamfered central divider flanked by two cupboard doors, each opening to reveal a shelf 45.5cm high, 122cm across, 18cm deep. Provenance: Rachel Ward (nee Rothenstein) and Alan Ward; thence by family descent. ÂŁ800-1200 Rachel Rothenstein was daughter of Sir William Rothenstein, and brother to Michael Rothenstein. The Rothenstein family had close connections to the Cotswold School of Artists and commissioned numerous pieces.

262. Cotswold School Sideboard, manner of Peter Waals oak, six graduated central drawers flanked by two further drawers and cupboard doors shaped handles, and on stepped supports with exposed joints 91cm high, 137cm long, 52cm deep. Provenance: Rachel Ward (nee Rothenstein) and Alan Ward; thence by family descent. Rachel Rothenstein was daughter of Sir William Rothenstein, and brother to Michael Rothenstein. The Rothenstein family had close connections to the Cotswold School of Artists and commissioned numerous pieces. ÂŁ1000-2000

263. Peter Waals (Dutch, 1870-1937) (attributed to) Cotswold School writing desk walnut, the raised back fitted six short drawers flanked by small cupboard doors the main body with three drawers and panelled sides chamfered five sided legs, joined by ‘Hayfork’ stretcher 89cm high, 106.5cm across, 49.3cm deep. Provenance: Rachel Ward (nee Rothenstein) and Alan Ward; thence by family descent. Rachel Rothenstein was daughter of Sir William Rothenstein, and brother to Michael Rothenstein. The Rothenstein family had close connections to the Cotswold School of Artists and commissioned numerous pieces. £2000-4000

264. Cotswold School Pair of wall sconces, after designs by Ernest Gimson possibly executed by Norman Bucknell hammered, chased and engraved brass with openwork foliate motifs each stamped ‘278’ (to the reverse) 32cm high (2).

Provenance: Rachel Ward (nee Rothenstein) and Alan Ward; thence by family descent. Rachel Rothenstein was daughter of Sir William Rothenstein, and brother to Michael Rothenstein. The Rothenstein family had close connections to the Cotswold School of Artists and commissioned numerous pieces. £2000-3000

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265. Cotswold School Sconce, after designs by Ernest Gimson pierced and tooled brass, with acorn and leaf design 26.5cm high. £200-300 266. Harry Davoll (British, 1876-1963) Cotswold School box walnut, the top inset Edward VII medallion stamped maker’s mark 14cm across. £250-350

265

266

267

268

267. Hugh Birkett (British, 1919-2002) Cotswold School clock, circa 1990 specimen woods, 12 sided 12.3cm diameter. £200-300 268. Arts & Crafts Wall charger brass, repousse decorated with celtic knot design 42cm diameter. £50-100 269. William De Morgan (British, 1839-1917) ‘Dragon and Foliage’ tile, circa 1880 ruby red lustre 15cm x 15cm. £200-300 270. Newlyn School Tray decorated with fish in relief stamped ‘NEWLYN’ 18.5cm x 44cm. £80-120

270

271. Newlyn School (attributed to) Three trays and a candle holder each decorated with either fish, grog or crabs one signed ‘Simons’ the larger tray 23.5cm across (4). £50-100

271 269

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272. Newlyn School (attributed to) Two trays copper, one decorated in relief with a griffin and the other with fish 25.5cm and 29cm diameter (2). £80-120 273. Newlyn School Flower holder hammered copper, decorated in relief with fish stamped ‘NEWLYN’ 7cm high, 14.3cm diameter. £80-120

272

274. Newlyn School (attributed to) Two two handled vases hammered copper, decorated in relief with fish and lily pads each 22cm high (2). £150-250 275. Archibald Knox (British, 1864-1933) Butter dish and matching knife pewter, the dish with green glass liner, three shaped handles and stylised honesty flower design the dish stamped ‘English Pewter, 0162’ the dish 14.2cm across (2). £300-500 276. Linley Table candle holder hardwood and nickel stamped ‘Linley’ 28.8cm across, cased. £120-180

273

274

275

276

277

278

277. Linley Candle snuffer hardwood and nickel stamped ‘Linley’ 33.5cm long, cased. £80-120 278. James Deakin & Sons and Watcombe Pottery Tea caddy silver mounted ceramic, the mount of pierced sinuous flowering plant design the top monogrammed stamped maker’s marks, Chester 1904 10.5cm high. £100-200

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279. Arts & Crafts Wall sconce in the manner of the Newlyn School copper mounted on wood, with sunburst design 35cm high. £80-120 280. Arts & Crafts Dressing table box silver plate, with blue and green enamel panel to the cover 14cm across. £100-200 281. Christopher Dresser (attributed to) for Hukin and Heath Sugar bowl silver with dappled finish stamped maker’s mark, Birmingham 1885 6.5cm high.

279

280

281

282

283

284

Literature: see Stuart Durant, Christopher Dresser, Academy Editions, 1993, p.89 for an example of this model. £100-200 282. Peter Behrens (German, 1868-1940) ‘Therma’ Kettle brass, with cane handle stamped ‘Therma’ and numbered ‘14120’ 23cm across. £50-100 283. W.A.S. Benson Kettle on stand electroplated, the stand with four stylised supports stamped manufacturer’s marks the kettle 24.5cm across. £60-100 284. W.A.S. Benson for Tiffany & Co. Storm kettle and stand, circa 1910 copper and brass, with cane handle stamped manufacturer’s and retailer’s marks 23cm across. £150-250

Cleeve House, Cleeve Prior Commissioned by William Heaton, a wealthy Birmingham based engineering business owner, Cleeve House is one of the foremost private houses in the Arts & Crafts style. Largely designed by the celebrated Arts & Crafts architect, C. E. Bateman, and constructed in 1933 in Cotswold stone, the house was largely fitted out by Gordon Russell of Broadway, with oak panelling, braced doors with drop latches and exposed timbering and much of the in-built furniture was made by Russell. Lots 285 to 290 come directly from the house and are exceptional examples of early work from the Russell workshops.

285. Gordon Russell (British, 1892-1980) Refectory table, designed in 1925 English oak, design no. 318 on octagonal legs with chamfered feet 74cm high, 243.5cm long, 105.5cm across. Provenance: Cleeve House, Cleeve Prior, Worcestershire. ÂŁ5000-7000

286. Gordon Russell (British, 1892-1980) Set of eight chairs English yew tree, design no.692/770 shaped ladder backs, ring turned supports and turned front stretcher 112.5cm high, 50cm across (8). Provenance: Cleeve House, Cleeve Prior, Worcestershire. ÂŁ5000-7000

287. Gordon Russell (British, 1892-1980) Desk, designed in 1930 English oak, design no. 947 with bog oak handles, the top finished in black cellulose 75.5cm high, 132cm across, 70.7cm deep. Provenance: Cleeve House, Cleeve Prior, Worcestershire. ÂŁ2500-3500

288. Gordon Russell (British, 1892-1980) ‘Coxwell’ wardrobe, designed in 1929/30 English oak, design no. 841 182cm high, 91cm across, 55.5cm deep. Provenance: Cleeve House, Cleeve Prior, Worcestershire. £800-1200 289. Gordon Russell (British, 1892-1980) ‘Coxwell’ chest of drawers and standing mirror, designed in 1929/30 English oak, design no. 836 and 839 the chest of drawers 86cm high, 91cm across, 55.5cm deep the mirror 65cm across (2). Provenance: Cleeve House, Cleeve Prior, Worcestershire. £1000-2000

290. Gordon Russell (British, 1892-1980) ‘Coxwell’ bed, designed in 1929/30 English oak, design no. 956a 75.5cm high. Provenance:Cleeve House, Cleeve Prior, Worcestershire. £200-400

291. Russell and Son ‘Lygon’ bowl hammered brass stamped maker’s mark, ‘LYGON’ and ‘Made by Hand on the Cotswold Hills’ 12.5cm high, 35cm diameter. £400-600 292. Gordon Russell (British, 1892-1980) Stool, early 1920s yew, strapped leather seat labelled 40cm high, 35cm across. £200-400

293. Gordon Russell (British, 1892-1980) Dining table, 1929 oak, design number X133, made be C. Beadle octagonal legs, and with ‘hayrake’ stretcher Russell Workshops paper label 74cm high, 183cm long, 83cm deep. £2000-3000

294. Gordon Russell (British, 1892-1980) Set of six dining chairs, 1920s oak, design numbers 295 (armchair) and 296 (standard) comprising two carvers and four standard chairs slat backs, shaped arms and leather drop-in seats Russell Workshops Ltd. copper labels the carvers 98cm high, 62cm across (6). £1500-2500

Provenance: Purchased from an elderly gentleman in whose family it had been in since new. It was bought originally by the gentleman’s parents as a wedding present by his grandparents and their name is included in the Gordon Russell Design books for the period. £1000-2000 295. Gordon Russell (British, 1892-1980) Side table, 1928 oak, design number 696 cedar lined drawers, hand-made drop brass handles Russell Workshops Ltd. copper label 76cm high, 92cm across, 52cm deep. £500-800 296. Gordon Russell (British, 1892-1980) ‘Stow’ style chest of drawers, circa 1920s oak, shaped handles two short and three long drawers, columns to each corner 95cm high, 52cm deep, 101cm across.

297. Gordon Russell (British, 1892-1980) Dressing table and stool, circa 1920s oak, shaped handles central mirror flanked by four drawers, on octagonal legs the dressing table 142cm across, 47.5cm deep the stool 48cm high, 50cm across (2). Provenance: Purchased from an elderly gentleman in whose family it had been in since new. It was bought originally by the gentleman’s parents as a wedding present by his grandparents and their name is included in the Gordon Russell Design books for the period. £500-800

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298. Gordon Russell (British, 1892-1980) Stool, circa 1920s oak, drop-in seat shaped cross stretcher 35cm high, 37cm across. Provenance: Purchased from an elderly gentleman in whose family it had been in since new. It was bought originally by the gentleman’s parents as a wedding present by his grand-parents and their name is included in the Gordon Russell Design books for the period. £200-300

299 298

299. Ruskin Pottery Collection of Ruskin Pottery roundels and brooches approximately 55 some stamped maker’s mark the largest 10cm diameter. £200-400 300. Arts & Crafts Large vase green glazes, with foliate tree motifs 61cm high. £80-120 301. Keswick School of Industrial Art Tray, circa 1910 copper, repousse decorated with foliate scroll border stamped maker’s mark 32cm x 48cm. £60-100

300

301

302. Keswick School of Industrial Art Bowl staybrite, rose head motif to the centre stamped maker’s mark 21cm diameter. £30-60 303. Keswick School of Industrial Art Large charger copper, repousse decorated with flowering branches stamped maker’s mark 67cm diameter. £100-200

302

303

304. Keswick School of Industrial Art Three folding screen, circa 1895 the frame enclosing three repousse decorated panels depicting ‘St. George slaying the Dragon’, ‘Daniel and the Lion’ and a central panel of flowering foliage the panels above bearing the legend ‘To Be Is More Than To Do’ 121cm high, 121cm across. £1000-2000

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305. John Pearson Dish copper, hammered and repousse decorated flowering foliage border stamped oval mark and incised signature 23cm diameter. £100-200 306. Hugh Wallis of Altringham Inkwell hammered pewter, glass liner stamped maker’s mark 13.5cm diameter. £40-70 307. Gustav Stickley (American,1858-1942) Three footstools, circa 1905-07 oak and brown leather partial ‘The Craftsman Workshop, Gustav Stickley, Eastwood, N.Y’ labels 11cm high, 32cm across. £350-450

305

306

307

308. Keswick School of Industrial Art Dish repousse decorated with two dragons stamped maker’s mark 17.5cm across. £40-70 309. Arts & Crafts Three fold screen, in the manner of Walter Crane the central panel with a harp player within a forest, flanked by two smaller panels depicting birds seated on branches 94.3cm high, 96cm across. £100-300

308

310. Manner of Ernestine Mills Arts & Crafts enamel panel depicting a lady in medieval robes with cloak 11.7cm x 5.6cm. £200-400

309

310

Mouseman

311. Robert Thompson (British, 1876-1955) of Kilburn Pair of ‘Mouseman’ owl bookends carved mouse signature adzed oak 16.2cm high, 10.7cm across (2). £800-1200 312. Robert Thompson of Kilburn (British, 1876-1955) Mouseman pair of three mice bookends oak carved mice 18cm high (2). £800-1200

312

311

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313. Robert Thompson of Kilburn (British, 1876-1955) Mouseman bowl oak carved mouse to the outside 23.5cm diameter. £300-400

313

314. Robert Thompson of Kilburn (British, 1876-1955) Mouseman bowl oak carved mouse in centre 29cm diameter. £200-300 315. Robert Thompson of Kilburn (British, 1876-1955) Mouseman tray oak carved mice, of kidney shape 47cm across. £200-300

314

315

316

317

316. Robert Thompson of Kilburn (British, 1876-1955) Mouseman table lamp oak carved mouse 25.5cm high. £150-250 317. Robert Thompson of Kilburn (British, 1876-1955) Mouseman pair of wall lights oak carved mice 17.5cm high (2). £200-300 318. Robert Thompson of Kilburn (British, 1876-1955) Mouseman candlestick oak carved mouse 28.5cm high. £150-250 319. Robert Thompson of Kilburn (British, 1876-1955) Mouseman ash tray oak carved mouse 10cm across. £50-100

318 319

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320. Robert Thompson of Kilburn (British, 1876-1955) Mouseman book rack oak carved mouse 46cm across. £150-250 321. Robert Thompson of Kilburn (British, 1876-1955) Mouseman cheeseboard oak carved mouse to the board 37cm long. £250-350

320

321

322

323

324

325

322. Robert Thompson of Kilburn (British, 1876-1955) Mouseman early box oak carved mouse 18cm across. £200-300 323. Robert Thompson of Kilburn (British, 1876-1955) Mouseman pair of early candlesticks oak, octagonal form carved mice 15.5cm high (2). £600-800 324. Robert Thompson of Kilburn (British, 1876-1955) Mouseman early stool oak, with dish shaped top carved mouse 36cm high, 41.5cm across. £700-900 325. Robert Thompson of Kilburn (British, 1876-1955) Mouseman early stool oak, leather strap top carved mouse 37cm high, 34cm across. £300-500

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326. Robert Thompson of Kilburn (British, 1876-1955) Mouseman table oak, four octagonal legs carved mouse 40cm high, 84cm across. £500-800 327. Mouseman School Table oak, two octagonal supports, joined by stretcher 44.5cm high, 90cm across.

326

327

328 and 329

330

331

332

Provenance: Made by one of Mouseman cabinet makers for a friend. £200-300 328. Robert Thompson of Kilburn (British, 1876-1955) Mouseman armchair oak, panel back and leather seat carved mouse 88cm high, 51.5cm across. £500-800 329. Robert Thompson of Kilburn (British, 1876-1955) Mouseman armchair oak, panel back and leather seat carved mouse 88cm high, 51.5cm across. £500-800 330. Beaverman Burr stool oak, on four octagonal legs carved beaver 34cm high, 35cm across. £80-120 331. Robert Thompson of Kilburn (British, 1876-1955) Mouseman pair of bar stools oak on four octagonal legs, joined by stretcher with steel footrests carved mouse 80cm high (2). £1000-2000 332. Robert Thompson of Kilburn (British, 1876-1955) Mouseman bar stool oak on four octagonal legs, joined by stretcher with steel footrests carved mouse 76.5cm high. £500-800

333. See page 96 334. See page 97 335. Robert Thompson of Kilburn (British, 1876-1955) Mouseman stool, circa 1970s oak, shaped top, octagonal supports carved mouse 38.5cm high, 40cm across. £400-700

335

333. Robert Thompson of Kilburn (British, 1876-1955) Mouseman refectory table oak, jointed top on two octagonal legs, joined by a cross stretcher carved mouse 182.5cm across, 71cm high, 80cm deep. Provenance: Leeds Girls High School Library, Leeds. ÂŁ3000-5000

334. Robert Thompson of Kilburn (British, 1876-1955) Mouseman set of six chairs oak, slat backs, leather seats, on octagonal front legs carved mouse 85cm high, 44.5cm across (6). ÂŁ2000-4000

336. Robert Thompson of Kilburn (British, 1876-1955) Pair of smoking chairs, circa 1950 oak, hide panel backs and leather seat cushions carved mouse 61.5cm across, 102.5cm high (2). Provenance: Paul Golding Senior, who was a master woodcarver/ craftsman at Robert Thompsonâ&#x20AC;&#x2122;s workshop for 40 years from 1947; The Contents of South Hall, Lyon and Turnbull, Edinburgh, 7 May 2008; Private Collection. ÂŁ3000-5000

337. Robert Thompson of Kilburn (British, 1876-1955) Mouseman kneehole dressing table, circa 1950 oak, canted top with low rear gallery above kneehole enclosed by six graduated drawers the sides and back panelled, all on octagonal feet carved mouse 136cm across, 74.5cm high, 50.5cm deep. Provenance: The Contents of South Hall, Lyon and Turnbull, Edinburgh, 7 May 2008; Private Collection. £2000-3000 338. Robert Thompson of Kilburn (British, 1876-1955) Mouseman chest of drawers oak, two short and three graduated drawers the sides and back panelled, all on octagonal feet carved mouse 91cm across, 93cm high, 45cm deep. £2000-3000 339. Robert Thompson of Kilburn (British, 1876-1955) Mouseman dresser oak, the upper half with shaped top rail the lower half fitted two drawers, over two cupboard doors, with metal strap handles carved mouse 157.5cm high, 114.5cm across. £1000-2000

340. Robert Thompson of Kilburn (British, 1876-1955) Mouseman cheval mirror oak, arched top, with interlinked arch cresting, on octagonal supports carved mouse 151cm high. Provenance: The Contents of South Hall, Lyon and Turnbull, Edinburgh, 7 May 2008; Private Collection. ÂŁ1000-2000

100

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Art Deco and Pre-War Design 341. Eric Slater for Shelley Art Deco tea set, 1933 comprising teapot, milk jug, sugar bowl, two plates, six side plates and six cups and saucers stamped marks, registration no. 781613 the teapot 23cm across (17). £250-350 342. Wilhelm Kage (Swedish, 1889-1960) for Gustavsberg ‘Cararra’ vase printed and stamped maker’s marks 19cm high. £100-150

341

343. Daisy Makeig-Jones (British, 1881-1945) for Wedgwood ‘Leapfrogging Elves’ footed bowl, circa 1925 printed manufacturer’s mark and painted pattern no. ‘Z4968’ 7.8cm high, 12.5cm diameter. £400-600 344. See page 102 345. See page 103 346. See page 104

342

343

348

349

347. See page 105 348. Manner of Hagenauer Art Deco nude holding a blue ball chrome, on stepped base 29.5cm high and a novelty lighter of a girl holding a ball, chrome, 18.5cm high (2). £80-120 349. Art Deco Profile of a girl, with swept hair brass on stepped wooden base 20cm high. £50-100

101

344. Josef Lorenzl (Austrian, 1892-1950) Dancer silvered bronze and carved ivory head and hands the model wearing a short tunic on green onyx plinth, marked in the bronze ‘Lorenzl’ overall 29cm high. Provenance: Sotheby’s, London, 23 November 1993, lot 590. £1000-2000

102

345. Josef Lorenzl (Austrian, 1892-1950) Vivian II, circa 1930 silvered bronze the model standing on one leg on green onyx plinth, marked in the bronze ‘Lorenzl’ overall 30cm high. Provenance: Sotheby’s, London, 23 November 1993, lot 584. £800-1200

103

346. Josef Lorenzl (Austrian, 1892-1950) Girl wearing costume and harlequin trousers cold painted bronze on green onyx stand, marked in the bronze ‘Lorenzl’ the bronze 21.3cm high. Provenance: Sotheby’s, London, 23 November 1993, lot 582. £800-1200

104

347. Adolph Two Art Deco dancers bronze the base inscribed ‘Adolph’ on tiered black plinth overall 26cm high, 30cm across Provenance: Sotheby’s, London, 23 November 1993, lot 573. £600-800

105

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350. Monart Ceiling light swirling pink and green glass 44.5cm diameter, 15.5cm high. £300-500 351. Royal Dux Art Deco centrepiece in the form of a nude lady holding a stylised bowl stamped maker’s mark and numbered ‘2969’ 25.5cm high. £50-100

350

351

352

353

354

355

352. Art Deco Wall mask stamped ‘Czechoslovakia’ and numbered ‘5099’ 22cm high. £50-100 353. Rudolf Knörlein (1902-1988) for Goldscheider of Vienna Eva, circa 1931 sculptural bust stamped manufacturer’s mark, ‘Made in Austria’ and incised model number ‘6305 48 31’ 23cm high. £400-600 354. Clarice Cliff (British, 1899-1972) ‘Sunshine’ teapot in the Stamford shape stamped ‘Bizarre’ manufacturer’s mark 14cm across. £150-250 355. Sadler Pink racing teapot highlighted in silver impressed ‘Made in England’, ‘Registered No. 820236’ 23cm long. £40-70 356. See page 107 357. Moorcroft Tea set in powder blue colour comprising teapot, milk jug, sugar bowl, another bowl, three cups and saucers, six side plates, six tea plates and a tray impressed ‘MOORCROFT’ the teapot 18cm across. £80-120

106

357

356. Egdar Brandt (French, 1880-1960) ‘Le Pins’ plafonnier, circa 1925 stamped ‘E. BRANDT’ wrought iron and alabaster, the ceiling suspension decorated with three pine cone terminals, with original suspension rods 46cm diameter. £1500-2500

107

358. Helen König Scavini for Lenci ‘Donna Con Cagnolino’, circa 1936 kneeling girl wearing a black and white checked beret with dog stamped ‘Lenci’ and painted ‘’Made in Italy’ 23cm high. £1000-2000

108

359. Helen König Scavini for Lenci ‘Nudino Disteso’, 1936 modelled as a reclining nude marked ‘Lenci, Torino, Made in Italy, 10-1936-XV’ 45cm long. Literature: see Alfonso Panzatta’s ‘Lenci: Archivi Di Arti Decorative’, Allemandi, 1992, pg. 212, for a similar example of this model. £1500-2500

109

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360. Clarice Cliffe (British, 1899-1972) Part service painted foliate scroll design printed manufacturer’s marks comprising two oval serving dishes, two dinner plates, side plate, tea cup and saucer, soup bowl and another saucer the largest dish 31.7cm across (8). £200-300 361. Manner of Maison Desny Art Deco tea set silver plated with hardwood handles comprising teapot, coffee pot, sugar bowl and cover, milk jug and tray the tray 44.8cm across. £200-300

360

361

362

363

362. Art Deco Set of ten knife rests, probably French in the form of pairs of stylised animals, including lobsters, crocodiles and elephants some with stamped marks 10.7cm across (10). £100-200 363. John Skeaping (British, 1901-1980) for Wedgwood Axis deer, designed in 1927 impressed manufacturer’s mark and ‘Made in England’ 25.5cm across. £300-500 364. Nils Thorsson (Swedish, 1898-1975) for Royal Copenhagen Set of six plates decorated with squirrels to the centre, green glaze printed manufacturer’s mark, stamped date mark 20.7cm diameter (6). £80-120

364

365. Barnaby Powell for Whitefriars Lamp base, circa 1930s flint glass with ruby thread pattern no. 8057 35cm high. £100-150 366. Barnaby Powell for Whitefriars Lamp base, circa 1930s amber glass with amber threading pattern no. 9057 30cm high. £100-150

110

365

366

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367. Barnaby Powell for Whitefriars Bowl, circa 1920s green glass, fanned and ribbed pattern no.8266 33cm diameter. £50-100 368. Barnaby Powell for Whitefriars Two vases amber and ruby red glass, with trailed design pattern no. 9030 18cm and 17cm high (2). £50-100

367

368

369

370

369. Barnaby Powell for Whitefriars Vase, circa 1933 sapphire blue glass, ribbon trailed 23cm high. £40-70 370. William Wilson for Whitefriars Two vases, circa 1930s one in twilight brown glass, the other in pale green, both with optic ribbing one with original label 25cm and 26cm high respectively (2). £50-100 371. Barnaby Powell for Whitefriars Set of three ‘Lotus’ bowls, circa 1935 sapphire blue glass the largest 31.5cm diameter (3). £60-100 372. Stevens & Williams ‘Mesh’ vase red glass, textured volcanic effect 37.5cm high. £50-100

371

372

373. Keith Murray for Stevens & Williams ‘Silver Shower’ vase, circa 1937 model no.1010a partial manufacturer mark 29.5cm high. £150-250 374. Webb & Co. Two footed vases one in royal blue glass, the other in amethyst, each with wave and ribbed design each with manufacturer’s marks 23.8cm and 24.2cm (2). £30-60

373

374

111

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375. John Walsh Walsh Primrose coupe bowl, circa 1920s clear and yellow glass, with trailed stem 26cm high. Literature: Skelcher, p.115. £60-100 376. Monart Trefoil vase, circa 1930s green glass, shape HB 25cm high. £50-100

375

376

377

378

379

380

377. Whitefriars Two ‘Woodchester’ beakers one in gold amber and the other in see green glass, diamond moulded design no.1181 and 1202 in 1931 catalogue 14cm and 15cm high (2). £50-100 378. Le Verre Francais (Schneider et Cie) Vase, circa 1920s acid cut blue overlaid orange glass flower head design signed ‘Le Verre Francais’ 18cm high. £150-250 379. Legras ‘Winter landscape’ vase, circa 1910 enamel on glass signed 25cm high £200-300 380. Legras Pair of ‘Rubis’ vases acid etched and enamelled glass signed in cameo 27cm high (2). £200-300

112

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381. Schneider & Cie of France Footed vase, circa 1930 smoky glass of ribbed form etched signature 55cm high. £300-500 382. Schneider & Cie of France Vase, circa 1930s acid etched cinnamon glass, with band of fish signed 19.5cm high. £200-300

381

382

383

384

385

386

383. Archimede Seguso of Murano Vase clear glass, with blue and green vertical stripes signed 28cm high. £100-200 384. Vetreria Barovier e Co. of Murano Vase blue glass of urn form, twin handled, applied leaf fronds and trailed white glass rim paper label 24.5cm high. £200-400 385. Dorothea Charol for Schwarzburger ‘Columbine with Rose’ stamped manufacturer’s marks 36.5cm high. £200-300 386. Royal Doulton Flambe Vase, circa 1930s model number 1624 stamped manufacturer’s marks 41cm high. £100-300 387. Royal Doulton Flambe Vase, circa 1930s model number 1622 stamped manufacturer’s marks 41.5cm high. £100-200

387

113

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388. Marriott Powell for Whitefriars Vase, circa 1930 amber glass, with internal wrythen optic line 33cm high. £50-100 389. Keith Murray for Stevens & Williams Decanter and six shot glasses, circa 1930 the sea green decanter of triple ring cut glass form pattern number 841a the decanter 20.5cm high (7). £80-120

390

388

390. Keith Murray for Stevens & Williams Footed vase, circa 1930s green cut glass acid etched signature 20cm high. £200-300

389

391. Gray-Stan Vase, circa 1930s spherical form, swirling blue decoration engraved mark 17cm high. £40-80 392. Gerard Sandoz (after) Set of 12 ‘Gallia’ knife rests electroplate, each in an Art Deco stylised form of different animal 8.2cm across, fitted case. £150-250 393. Louis Prodhun Art Deco mirrored tray macassar ebony, chrome and glass partial paper label 38cm across. £50-100

392 391

394. Eric Ravilious (British, 1903-1942) for Wedgwood ‘Garden Implements’ jug printed manufacturer’s marks 19.5cm high. £200-400

393

114

394

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395. Wiener Gmunder Keramik Egyptian lady carrying a basket stamped manufacturer’s mark, ‘Austria’ and numbered ‘765/7’ 41cm high. £100-200 396. Goldscheider Oriental lady and fawn stamped manufacturer’s mark and numbered ‘386’ 26.5cm high. £100-200

395

396

397

398

399

400

397. Friedrich Goldscheider Rabbit alabaster numbered and with maker’s medallion 11cm across. £100-200 398. Goldscheider of Vienna Poorly Dog in Bed and a Terrier printed manufacturer’s marks and numbered 13cm across and 13cm high respectively (2). £60-100 399. Goldscheider of Vienna (attributed to) Wall mask of a lady with golden curls numbered ‘862’ 27cm high. £100-200 400. Rosenthal Ionic dancer, circa 1922 originally designed by Berthold Boess printed manufacturer’s mark, numbered ‘K201’ 23.5cm high. £100-200

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Post-War Design 401. Guy Sydenham (British, 1916-2005) for Poole Pottery Vase incised grass decoration impressed designer’s monogram and manufacturer’s mark 35.5cm high. £60-100 402. Georg Jensen Rosebud cruet set comprising mustard pot, pepper pot and salt with blue enamel interior stamped maker’s mark, and each numbered ‘235’ London silver import marks, the mustard dated for 1933 the mustard 11cm high (3). £300-500 403. Patrick Heron (British, 1920-1999) for Wedgwood Garden Plate, 1991 one from an edition of 500 printed maker’s marks 31cm diameter, cased. £150-250

401

402

403

405

404

404. Pierre Caille (Belgian, 1911-1996) Two tiles one modelled with birds amongst flowers, the other with a lady and parasol each incised signature (to reverse) 42cm x 42cm and 28.5cm x 28.5cm (2). £200-300 405. Maitland Smith Ltd. Pair of boxes tessellated, of octagonal form and with hinged domed pagoda style lid labelled 28.5cm across (2). £300-500

116

406. Axel Salto (Danish, 1889-1961) Vase tree decoration, celadon glaze stamped mark, painted manufacturer’s mark and numbered ‘20710’ 13.5cm high. £300-500

117

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407. Gunner Nylund (Swedish, 1904-1997) for Rorstrand ‘Chamotte’ vase yellow glaze stamped maker’s and manufacturer’s marks 20.5cm high. £50-100 408. Howard Smith for Arabia Blue bird printed manufacturer’s mark 20cm across. £100-200

407

408

409

410

411

412

409. Gunnar Nylund (Swedish, 1904-1997) for Strombergshyttan ‘Shark Tooth’ vase cased glass 18cm high. £180-220 410. Max Ingrand for Fontana Arte Desk architecture glass and steel to include letter rack, pen stand and ashtray each piece marked ‘F X’ the pen stand 25cm across (3). £200-300 411. Vicke Lindstrand (Swedish, 1904-1983) for Kosta Vase engraved with feathers inscribed and numbered ‘52451’ 21.5cm high. £80-120 412. Bertil Vallien (Swedish, b.1938) for Kosta Boda ‘Satellite’ bowl inlaid gold leaf signed, inscribed and numbered 11cm high, 21.5cm diameter. £50-100

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413. Troika Vase incised fish and geometric patterns signed ‘TROIKA’ 8.8cm high. £80-120

413

414. Maison Jansen (attributed to) Two coffee tables, circa 1960s brass with black glass tops 91cm and 89cm across (2). £400-600 415. Svend Aage Holm Sørensen (1913-2004) Pendant light, circa 1970s cut brass of cylindrical form ‘Holm Sorensen & Co.’ label 31cm high excluding chain. £100-150

414

416. Axel Larsson (Swedish, 1898-1975) for Bodafors Side cabinet, circa 1940s ash with burr oak canted corners three doors with intarsia decoration to the apron 144.5cm high, 152cm across, 44cm deep. £600-800 417. Carl Malmsten (Swedish, 1888-1972) Pair of ‘Aldermannen’ chairs, circa 1960s in original cream upholstery with buttoned backs 103cm high, 75cm across (2). £1000-2000

415

416

417

119

418. Yngve EkstrĂśm (Swedish, 1913-1988) for Nordiska Kompaniet Cabinet, circa 1940s mahogany, the two doors with hand-carved geometric decoration fitted adjustable shelves and four drawers to the interior 144.5cm high, 105cm across, 44cm deep. ÂŁ1000-2000

120

419. Florence Knoll (American, b.1917) for Nordiska Kompaniet Side cabinet, designed for Knoll International, 1964 teak, with black lacquered metal legs and folded black leather handles manufacturerâ&#x20AC;&#x2122;s label (to reverse) 65cm high, 163cm across, 46cm deep. ÂŁ600-900

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420. David Rosen (Swedish, 1910-1993) Side cabinet the incised doors with double helix design angled bowed brass handles and hinges fitted three drawers and shelves to the interior 127cm high, 158cm across, 44.5cm deep. £600-900 421. John Piper (British, 1903-1992) for Wedgwood ‘The Green Man’ plate, 1992 from an edition of 500 screenprint on ceramic with the artist’s facsimile signature, published by the National Art Collections Fund 31cm diameter. £300-500 422. Edward Paolozzi (British, 1924-2005) for Wedgwood ‘Fabula’ plate from an edition of 500 screenprint on ceramic with the artist’s facsimile signature, published by the National Art Collections Fund 31cm diameter. £80-120

420

421

422

423

424

425

423. Edward Paolozzi (British, 1924-2005) for Rosenthal ‘Hommage to George Orwell’, 1984 2609/3000, artist’s facsimile signature manufacturer’s marks 25.8cm diameter. £40-70 424. Damien Hirst (British, b.1965) ‘Home Sweet Home’ plate, 1996 70/1500, artist’s facsimile signature published by Swid Powell for Gagosian Gallery 21cm diameter. £300-500 425. Italian Modernist School Table lamp chrome and aluminium with adjusting arm and head approximately 60cm high. Provenance: Purchased in Rome, circa 1990. £80-120

122

426. Pablo Picasso (Spanish, 1881-1973) at Madoura Pottery Vase with Goats, 1952 (A.R. 156) from the edition of 40 stamped ‘MADOURA EMPREINTE ORIGINALE DE PICASSO’ and ‘MADOURA PLEIN FEU’ inscribed ‘28/9’ 19cm high. £6000-8000

123

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427. Troika Vase impressed circle decoration signed ‘TROIKA ST IVES ENGLAND’ 9cm high. £50-100 428. Scandinavian School Vase double gourd form, red glass, 31.5cm high together with a ruby, blue and turquoise glass bowl 40cm across (2). £50-100

427

428

429

430

431

432

433

434

429. Exbor of Czechoslovakia Vase octagonal form, amber and blue glass stamped manufacturer’s mark 25cm high. £300-500 430. Vicke Lindstrand (Swedish, 1904-1983) Bowl signed ‘Kosta Lindstrand’ and numbered ‘LS 502’ 9cm high, 26.5cm diameter. £600-800 431. Gunnar Nylund for Rorstrand ‘Zenit’ bowl impressed ‘3’ (to the base) 33cm diameter. £50-100 432. Manner of Line Vautrin ‘Sunburst’ wall charger stamped metal 43cm diameter. £40-70 433. Victor Vasarely and Eduardo Arroyo for Swatch Two wrist watches in original clear plastic cases 23cm long (2). £40-70 434. Geoffrey Baxter (British, 1922-1995) for Whitefriars Shoulder vase, circa 1970 model number 9678, in willow 24cm high. £80-120

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435. Geoffrey Baxter (British, 1922-1995) for Whitefriars Sunspot suncatcher, early 1970s yellow glass 19.3cm diameter. £80-120 436. Victor Vasarely (Hungarian, 1906-1997) for Rosenthal ‘Manipur’ vase printed manufacturer’s mark 18cm high. £80-120 437. Lalique of France ‘Roscoff’ bowl signed ‘Lalique, France’ 35.5cm diameter. £300-500

435

436

437

439

440

441

438. See page 126 439. John Courtenay Baker (British, Contemporary) Silver cream jug stamped maker’s mark, hallmarked for London 1973 12.5cm high. £40-60 440. Verner Panton (Danish, 19261998) 1DM Fun chandelier, originally designed in 1964 metal chains and shell drops possibly of later manufacture 40cm diameter. £100-300 441. Oiva Toikka (Finnish, b.1931) for Nuutajarvi Notsjo ‘Pompom’ vase blue, purple and green glass signed 14cm high. £60-100 442. Alvar Aalto (Finnish, 1898-1976) ‘Savoy’ vase model no. 3030, probably produced by Iittala engraved ‘ALVAR AALTO 3030’ white and clear glass 15cm high, 19.8cm across. £50-100

442

125

126

438. Nanna Ditzel (Danish, 1923-2005) for Halling-Koch Design Center, Copenhagen ‘Sunrise’ rug, circa 1965 tufted wool labelled 194cm x 140cm. £1000-2000

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443. Holmegaard (attributed to) ‘Kluk Kluk’ decanter blue glass with clear glass crown stopper 24.5cm high. £50-100 444. Georg Jensen ‘Lily of the Valley’ pattern matched christening set the silver spoon signed and stamped ‘925S’ with import marks for London 1926, the silver handled knife with signed stainless steel blade and import marks for London 1923, the spoon and knife with sponsor’s mark ‘GS’ for Stockwell & Co, the later silver fork signed and stamped ‘Sterling Denmark’ with London import marks for 1993 the knife 20cm long. £80-120 445. Rigmor Anderson and Annelise Bjørner for Georg Jensen ‘Margrethe’ pattern silver flatware set five place settings, comprising table knives and dessert knives with stainless steel blades, table forks and dessert forks, soup spoons and dessert spoons, four teaspoons and four coffee spoons signed and stamped ‘Sterling Denmark’ some with import marks for London 1967-1972 the table knife 20.5cm long (38). £800-1200 446. Georg Jensen ‘Bo Bonfils’ pattern stainless steel matched flatware set comprising two serving spoons, a serving fork, two large and four medium table knives, four dessert knives, two large and four medium table forks, six dessert forks, two large and six medium dessert spoons, two large and two medium teaspoons signed and stamped ‘Denmark Stainless Bo Bonfils’ the serving spoon 24.5cm long (37). £100-200

443

445

444

446

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447. Modernist School Pair of candlesticks bakelite and brass 12.5cm diameter (2). £50-100 448. Dorothy Hafner for Rosenthal Studio-Line ‘Flash’ tea set, circa 1980 comprising teapot, sugar bowl and cover, milk jug and six cups and saucers stamped manufacturer’s mark the teapot 24.5cm across (9). £100-200

447

449. See page 129 450. Shirley Cloete (South African, 1921-2010) Vase, 1997 pink, with trailing green iridescent glass signed and dated 14.5cm high. £30-50 451. Sam Herman (American, b.1936) Vase, 1981 freeform, highlighted with streaks of gold, blue, green and reds signed, dated and numbered ‘CD24’ 16.5cm high. £100-200

448

450

128

451

449. Jim Partridge (British, b.1953) Sculptural vessel scorched oak stamped makerâ&#x20AC;&#x2122;s mark 25.5cm high. ÂŁ300-500

129

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452. William Wilson and Harry Dyer for Whitefriars ‘Knobbly’ vase, circa 1966 streaky green and brown glass pattern no. 9610 25.5cm high. £50-100

453. Geoffrey Baxter for Whitefriars Vase amber and green streaky vase pattern no.9786 7cm high. £30-50

454. Troika Vase decorated by Honor Curtis geometric designs in blue and white on brown ground signed ‘TROIKA’ and with artist’s cypher 23cm high. £100-200 455. Troika Vase geometric designs in brown on white ground stamped ‘TROIKA, ST IVES, ENGLAND’ 17.7cm high. £100-200

454

130

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456

456. Poole Studio Charger and two plates each with orange and yellow designs studio stamps 27cm, 26.5cm and 20cm diameter (3). £80-120 457. Poole Studio ‘Delphis’ vase studio mark 39.5cm high. £80-120

457

458

458. Harry Bertoia (Italian, 1915-1978) for Knoll Pair of ‘Diamond’ chairs with original blue cloth covering 86.5cm across. Provenance: Philadelphia Library £500-700 459. See page 132 460. George Nelson (1908-1986) Slat bench, originally designed 1946 birch top and ebonised legs 183.5cm long, 35.3cm high. £500-700

460

131

459. Charles and Ray Eames (1907-1978 & 1912-1988) for Herman Miller Pair of ‘Soft Pad’ chairs, originally designed 1969 leather and cast aluminium 58.5cm across (2). £1000-1500

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Jewellery 461. Jack Spencer (British, 20th Century) Silver pendant segmented circular form shield-shaped maker’s mark, Sheffield hallmark for 1972 and stamped ‘8’ on a trace-link chain, and a panel brooch with Ruskin roundel the pendant 4.4cm long (2). £50-70 462. Ivar T. Holth (Norwegian, 20th Century) Pendant abstract geometric design, with central drop maker’s mark, stamped ‘925S Sterling’ on a trace-link chain the pendant 5.5cm long. £70-90

462

463. Hans Hansen Brooch elliptical form numbered 115 signed and stamped ‘Denmark 925S’ accompanied by a green enamel ring by Just Andersen numbered 863 signed and stamped ‘Sterling Danmark’ and a lipstick holder signed ‘Ax.H’ and stamped ‘925S’ the brooch 5.7cm long (3). £60-80

463

464

461

464. N. E. From (Danish, 1908-1986) Silver pendant oval concave form, with a cabochon rose quartz signed and stamped ‘925S Sterling Denmark’ with import marks for London 1965 and a further pendant signed From and stamped ‘925S’ 5.2cm long and 4.3cm long respectively (2). £40-60

465. Jørgen Frandsen (Danish, fl.1948-1973) Brooch and earclips suite pierced leaf design signed ‘JF’ and stamped ‘585’ maker’s cases the brooch 6.9cm long (2). £100-200

465

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466

466. Georg Jensen Abstract bracelet numbered 139 signed and stamped ‘Sterling Demark’, London import marks for 1965 16cm long. £300-500

467. Georg Jensen (Danish, 1866 - 1935) ‘Moonlight grapes’ bracelet with repeating foliate and grape cluster panels, to oval cabochon clasp numbered 30 stamped ‘925S Sterling Denmark’ maker’s mark for 1933-1944 21cm long. £500-700

467

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468. Arno Malinowski (1899-1976) for Georg Jensen Brooch openwork heart enclosing foliate branches numbered 242B rubbed signature, stamped ‘Sterling Denmark’ 2.9cm across. £40-60

468

469. Arno Malinowski (1899-1976) for Georg Jensen Silver brooch openwork heart enclosing dolphins, foliage and shell motif numbered 312 signed and stamped ‘Sterling Denmark’, London import marks for 1964 4.3cm across. £70-90

469

470. Harald Nielsen (Danish, 1892-1977) for Georg Jensen Cuff bangle with scrolling ribbons enclosing flowerheads numbered 55 signed and stamped ‘925S Denmark’ 7cm inner diameter. £250-350

470

471. Arno Malinowski (1899-1976) for Georg Jensen Two brooches the first with openwork rectangular frame enclosing dolphins and foliage numbered 251 signed and stamped ‘925S Denmark’, London import marks for 1965 the second a pair of dolphins numbered 317 signed and stamped ‘Sterling Denmark’ 3.8cm across and 4cm across respectively (2). £80-120

471

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472

472. Four brooches Comprising a Norwegian green and white enamel galleon brooch a Norwegian white enamel foliate brooch, by Ivar T. Holth a polychrome enamel flowerheads brooch, by A H Darby & Son and a floral enamel brooch, by Charles Horner first brooch 3.4cm long (4). £70-90

473. Geoffrey G. Bellamy (1922-1997) for George Tarratt Ltd Silver brooch openwork circular frame enclosing fish and reef numbered 149 designer’s facsimile signature signed, Birmingham hallmark for 1960 3.8cm across. £40-60 474. Panel bracelet with white and green enamel flowerheads signed ‘BM Co’ and stamped ‘Sterling’ 17.5cm long. £70-90

474

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473

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475. David Andersen Three leaf brooches heightened in red and yellow enamel each signed ‘D-A’ and stamped ‘925S Sterling Norway’ 6.4cm and 3.8cm across (3). £60-80

475

476. George Tarratt Ltd Silver brooch openwork oval frame enclosing two leaping gazelles and bull rushes numbered 301 signed, Birmingham hallmark for 1959 4.3cm across. £50-70

476

477. Georg Jensen ‘Kneeling Fawn’ silver brooch numbered 256 signed and stamped ‘Sterling Denmark’ with import marks for London 1963 4.5cm across. £70-90

477

478. Aksel Holmsen (Norwegian, fl. 1932-c.1959) Panel bracelet with polychome enamel polar landscape scenes and flowerheads signed ‘Norne’ and stamped ‘925S’ 18cm long. £50-70 478

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479. Art Nouveau Style Panel pendant the shaped panel depicting a water nymph suspending three peridot drops stamped mark to reverse 7cm long. £150-250

479

480

480. Charles Horner Silver pendant necklace sinuous openwork design, heightened with green and blue enamel, on a trace-link chain maker’s mark, Chester hallmark for 1908 the pendant 2.8cm wide. £70-90

481. Jean-Baptiste Daniel-Dupuis (French, 1849-1899) ‘Horticulture’ silver plaque, 1892 depicting maidens pruning a plant to one side and a child seated below a tree to the other signed and stamped ‘argent’ 6.1cm long. £70-90

481

138

MODERNISM

THE BAUHAUS TO NOW

POST-WAR DESIGN SPRING 2017 OXFORD

Mallams 1788

140

Mallams 1788

SPECIALIST

MODERN BRITISH + POST-WAR ART FRIDAY 9 DECEMBER

Philip Smith MA (Courtauld) Director

CONTENT DAY TWO:

Head of Modern British Art philip.smith@mallams.co.uk

MODERN BRITISH + POST-WAR ART

AUCTION ENQUIRIES & CONDITION REPORTS Jack Stinson oxford2@mallams.co.uk +44 (0)1865 241358 MARKETING & PRESS ENQUIRIES oxford@mallams.co.uk +44 (0)1865 241358

7. Artistâ&#x20AC;&#x2122;s Textiles

485-495

8. Prints + Editions

496-635

9. Paintings

636-829

BIDS +44 (0)1865 241358 Fax +44 (0)1865 725483 or to bid via the internet www.the-saleroom.com

CONDITIONS OF SALE This auction is subject to important notices, conditions of sale and reserves, which can be found towards the end of the catalogue. online catalogue www.mallams.co.uk

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Artist’s Textiles 485. Alan Jarvis for Edinburgh Weavers ‘Centaurs’, 1961 wall hanging jacquard weave 180cm x 120cm. £100-200 486. Keith Vaughan (British, 1912-1977) for Edinburgh Weavers ‘Fishermen’, 1956 screen printed cotton 37.5cm x 52cm. £400-600 487. Alan Reynolds (British, 1926-2014) for Edinburgh Weavers ‘Legend’, 1963 screen printed cotton 37cm x 56cm. £400-600 488. John Drummond (British, 1920-??) for Hull Traders ‘Naxos’, 1960 stretched screen printed cotton on wood panel 142cm x 107cm. £150-250

485

488

487

486

489. Ivon Hitchens (British, 1893-1979) and John Hitchens (British, b.1940) for Hull Traders ‘Summer Flowers’, 1961 screen printed cotton stretched on canvas stretcher 110cm x 102cm. £200-300 490. Barbara Brown (British, b.1932) for Heals ‘Recurrence’, 1962 screen printed cotton stretched on canvas stretcher 46cm x 122cm. £50-100

489

490

142

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491. Eduardo Paolozzi (British, 1924-2005) for David Whitehead Ltd. ‘Collage Elements’, 1952 screen printed rayon 36.5cm x 51cm. £400-600

491

492. John Piper (British, 1903-1992) for A. Sanderson and Sons Ltd. ‘Glyders’, 1960 screen printed cotton 49cm x 35.5cm. £200-300 493. John Piper (British, 1903-1992) for A. Sanderson and Sons Ltd. ‘Stones of Bath’, 1961 screen printed cotton 62cm x 53.5cm. £200-300 494. John Piper (British, 1903-1992) for A. Sanderson and Sons Ltd. ‘Stones of Bath’ pair of curtains, 1961 screen printed cotton, lined each curtain 200cm x 200cm. £500-700

492

493

495. John Piper (British, 1903-1992) for A. Sanderson and Sons Ltd. ‘Northern Cathedral’ pair of curtains, 1960 screen printed cotton, lined 223cm length, 276cm wide. £600-800

494

495

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Prints and Editions 496. Stanley Anderson (British, 1884-1966) The Goose Fair, Albi signed in pencil (in the margin lower right) drypoint etching 22.5cm x 33.5cm. £100-200

496

498

497

499

497. Julian Trevelyan (British, 1910-1988) Villa Gamberaia, 1966 signed, titled and numbered in pencil (in the margin) aquatint 47.8cm x 35cm. £150-250 498. John Brunsdon (British, 1933-2014) Edale signed and numbered in pencil (in the margin) aquatint 45cm x 60cm. £80-120 499. John Brunsdon (British, 1933-2014) Hillside Farm signed and numbered in pencil (in the margin) aquatint 60cm x 45cm. £80-120

500

500. Guy Worsdell (British, 1908-1978) ‘Nightscene and Pots’, 1974 artist’s proof, signed, titled, dated and inscribed in pencil (in the margin) wood engraving 15cm x 24.7cm. £50-100 501. Nancy Smith (British, 1881-1962) Two illustrations for Robinson Crusoe, circa 1914 inscribed ‘Betty with love from Aunty Nancy, Aug 1915’ printed by Vincent Brook, Day & Sons coloured lithographs each 56.5cm x 38.5cm (2). £150-250

501

144

501

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502. Umberto Brunelleschi (Italian, 1949) Courting Couple, Venice gouache and stencil 30cm x 46cm. £100-200 503. Salvador Dali (Spanish, 1904-1989) Le Piano sous la Neige, 1966 from Tauromachie Surréaliste (M&L 156a) 82/150, signed, dated and numbered in pencil (in the margin), with blindstamp hand-coloured heliogravures 31.5cm x 41.5cm. £400-600 504. The Royal Academy of Arts Members Portfolio Five prints to include Norman Ackroyd, Brendan Neiland, Richard Deacon, Ivor Abrahams and David Mach each signed and numbered 81/100 in pencil various media on wove paper published by Royal Academy Schools, London each 51cm x 64cm, in original red portfolio box. £200-400 505. After Salvador Dali (Spanish, 1904-1989) La Menorah Dalinienne bronze on a tiered black base 51cm high. £200-300 506. Julian Trevelyan (British, 1910-1988) Ischia, 1979 (Turner 352) 54/150, signed, titled and numbered in pencil (in the margin) aquatint 34.3cm x 47cm. £200-400 507. John Brunsdon (British, 1933-2014) Autumn 23/75, signed, numbered and titled in pencil (in the margin) aquatint 44.5cm x 60.3cm. £80-120

502

503

504

505 504

506

507

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508. Richard Bawden (British, b.1936) Flowers 15/40, signed and numbered in pencil (in the margin) aquatint 37cm x 32.5cm. £80-120 509. Gwen Raverat (British, 1885-1947) Harvest Feast signed and titled in pencil (in the margin) woodcut 6.2cm x 8.5cm. £50-100

508

509

510

511

512

513

510. Bruce McLean (British, b.1944) Cava on Concrete, 2000 15/75, signed, numbered and titled in pencil (in the margin) screenprint 40.5cm x 40.5cm. £150-250 511. Bruce McLean (British, b.1944) Gherkin on Glass, 2000 17/75, signed, numbered and titled in pencil (in the margin) screenprint 40cm x 40cm. £150-250 512. Bruce McLean (British, b.1944) Designer Desk Object, 2000 24/75, signed, numbered and titled in pencil (in the margin) screenprint 40cm x 40.5cm. £150-250 513. Bruce McLean (British, b.1944) Another Over Egged Pudding, 2000 24/75, signed, numbered and titled in pencil (in the margin) screenprint 40cm x 40.5cm. £150-250

146

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514. Bruce McLean (British, b.1944) Olive on Onyx, 2000 15/75, signed, numbered and titled in pencil (in the margin) screenprint 40cm x 40cm. £150-250 515. Bruce McLean (British, b.1944) Brie on the Knee, 2000 18/75, signed, numbered and titled in pencil (in the margin) screenprint 40cm x 40cm. £150-250

514

515

516

519

520

521

516. David Hockney (British, b.1937) Corpses on fire, 1969 from Six Fairy Tales From the Brothers Grimm etching and aquatint 25.7cm x 24.5cm. Provenance: Goldmark Gallery, Uppingham. £200-400 517. See page 148 518. See page 148 519. Walter Hoyle (British, 1922-2000) Cambridge artist’s proof, signed, titled and inscribed in pencil (in the margin) linocut 56cm x 43cm, unframed. £100-200 520. Ronald King (British, b.1932) Lichen I artist’s proof, ed. 50, signed, titled, and inscribed in pencil (in the margin) screenprint 87cm x 57cm, unframed. £100-200 521. Ronald King (British, b.1932) Lichen II artist’s proof, ed. 50, signed, titled, and inscribed in pencil (in the margin) screenprint 57.5cm x 87cm, unframed. £100-200

147

517. Laurence Stephen Lowry (British, 1887-1976) Burford Church 453/840, signed and numbered n pencil (in the margin) offset lithograph in colour 60cm x 45.5cm. ÂŁ600-900 518. Laurence Stephen Lowry (British, 1887-1976) The Level Crossing, Burton On Trent signed in pencil (in the margin lower right) offset lithograph 41cm x 56.7cm. ÂŁ600-900

148

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522. Ronald King (British, b.1932) Slate Lichen I artist’s proof, ed. 50, signed, titled, and inscribed in pencil (in the margin) screenprint 86.5cm x 57.5cm, unframed. £100-200 523. Ronald King (British, b.1932) Sea Anemone proof, ed. 50, signed, titled, and inscribed in pencil (in the margin) screenprint 57.7cm x 86.7cm, unframed. £100-200 524. Ronald Brooks Kitaj (American, 1932-2007) Rash Act - B1, 1975 3/30, signed and numbered in pencil (lower left) lithograph 73.5cm x 51.7cm, unframed. £600-800

522

523

525. Ronald Brooks Kitaj (American, 1932-2007) Dominie in Catalonia, 1977 22/50, signed and numbered in pencil (in the margin) etching 27cm x 26.5cm, unframed. £400-600 526. See page 150

524

525

527. Richard Smith (British, 1931-2016) Bramble, 1970 signed, dated and inscribed ‘For Tamie’ in pencil (lower left) lithograph in colour with collage 50cm x 52cm. £400-600 528. Ceri Richards (British, 1903-1971) Hammerklavier, 1959 28/50, signed, titled and numbered lithograph Unframed 50cm x 75cm. £300-500

527

528

149

526. David Hockney (British, b.1937) He Tore Himself in Two, 1969 from Six Fairy Tales From the Brothers Grimm artistâ&#x20AC;&#x2122;s proof, XX/XX, signed in pencil (lower right), numbered and inscribed (to reverse) etching and aquatint published by Petersburg Press, London 45cm x 31cm, unframed. ÂŁ1500-2500

150

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529. Ceri Richards (British, 1903-1971) Le Poisson d’Or, 1959 from The Hammerklavier Theme 29/50, signed and numbered in crayon lithograph Unframed 78cm x 50cm. £200-400 530. Carel Weight (British, 1908-1997) Allegro Strepitoso 128/250, signed, numbered and inscribed in pencil lithograph 49.5cm x 64cm. £50-100 531. Carel Weight (British, 1908-1997) The Day of Doom 58/250, signed, numbered and inscribed in pencil lithograph 64cm x 58cm. £50-100

529

532

530

531

533

534

532. Rene Portocarrero (Cuban, 1912-1985) Woman, 1960 110/155, numbered in pencil (in the margin), signed and dated lithograph 59cm x 37cm. £80-120 533. John Hall Thorpe (British, 1874-1947) Marigolds signed and titled in pencil (in the margin) woodcut 22.7cm x 29cm. £100-200 534. John Hall Thorpe (British, 1874-1947) Sweet Peas signed and titled in pencil (in the margin) woodcut 23.3cm x 29cm. £100-200

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535. John Hall Thorpe (British, 1874-1947) Primroses signed in pencil (in the margin) woodcut 16.5cm x 15cm. £100-200 536. Elisabeth Frink (British, 1930-1993) Seated Nude, 1982 15/50, signed and numbered in pencil lithograph 64.5cm x 50cm. £600-800

535

536

537

538

539

540

537. (Book) Henry Moore (British, 1898-1986) Panorama 71*, June 1971 for XXe siecle no.36. XXXIIIe including original lithograph of three reclining nudes by Moore the book 31.5cm x 24.5cm. £40-60 538. John Suchy (American, b.1946) The Sign of the Times! N.Y.C, 2000 2/450, signed, dated, titled and numbered in pencil (in the margin) lithograph in colour in 3D 26cm x 19cm. £100-200 539. Charles Fazzino (American, b.1955) Your Ticket to Broadway 32/50, signed and numbered in pencil (in the margin) lithograph in colour in 3D 36cm x 28cm. £400-700 540. Charles Fazzino (American, b.1955) New York and The Statue of Liberty 50/200, signed, titled and numbered in pencil (in the margin) lithograph in colour in 3D 8cm x 8cm. £100-200

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541. Frank Brangwyn (British, 1867-1956) Paris Bourse signed in pencil (in the margin lower right) etching 17.5cm x 18cm. £80-120 542. Nicholas Hely Hutchinson (British, b.1955) Still life with sea views 82/195, signed and numbered in pencil (in the margin) screenprint 45.3cm x 64.3cm. £50-100

541

542

543

545

544

543. Ronald King (British, b.1932) Flower 21/35, signed, titled and numbered in pencil (in the margin) screenprint 34cm x 48cm. £80-120 544. (Book) John Piper (British, 1903-1992) India Love Poems, 129/200 signed and numbered by the artist and translator Tambimuttu 18 colour lithograph plates, on arches Velin Paradine, New York/Lyrebird Press bound in quarter brown Niger Morocco, the covers in pure undyed Tussah silk 58cm x 39.5cm. £150-250 545. (Book) John Piper (British, 1903-1992) Stowe, 1983 25/250, signed by the artist and numbered forward by the artist and commentary by Mark Girouard Hurtwood Press, Westerham, Kent with decorated cloth 49.5cm x 39.5cm. £150-250

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546. John Piper (British, 1903-1992) and Josef Herman (Polish, 1911-2000) For the Investiture of the Prince of Wales 54/150, numbered in pencil (in the margin) offset colour lithograph 45.5cm x 72cm. £100-200

546

550

547. Eric Gill (British, 1882-1940) Hottentot, 1920 woodcut from the edition printed from the original blocks, published by Douglas Cleverdon in 1929 20cm x 5cm. Provenance: Sally Hunter Fine Art, London. £80-120 548. Eric Gill (British, 1882-1940) Rachel Rothenstein, 1926 engraving 25cm x 17cm. Provenance: Rachel Ward (nee Rothenstein) and Alan Ward; thence by family descent. £80-120 549. After William Rothenstein (British, 1872-1945) H. Plunket Greene print 25cm x 17.2cm, another of a lady with her hands clasped, 20cm x 21cm and one further of a mother and child, coloured lithograph, 55.5cm x 43cm (3).

547

548

Provenance: Rachel Ward (nee Rothenstein) and Alan Ward; thence by family descent. £80-120 550. Robert Gibbings (British, 1889-1958) Magpie wood block carved 7cm x 12.4cm. Provenance: The father of the current owner knew the artist and it was given as a present to the family. £100-200

154

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551. Julia Ball (British, b.1930) Ely Blue Tower, 1966 artist’s proof, signed, dated, titled and inscribed in pencil (in the margin) aquatint 38.5cm x 38cm. £50-100 552. Martin Sharp (Australian, 1942-2013) Legalise Cannabis, 1967 gold foil metallic finished poster for Big O Posters 75.3cm x 50cm. £60-100 553. John Piper (British, 1903-1992) Dinton Folly, 1983 (Levinson 367) 93/100, signed and numbered in pencil (in the margin) screenprint 46cm x 67cm. £400-700

551

552

554. Frank Brangwyn (British, 1867-1956) The Potteries signed in pencil (in the margin lower right) drypoint etching 21.5cm x 11.8cm. £100-200 555. Mortimer Luddington Menpes (Australian, 1855-1938) Street scene signed in pencil (in the margin lower right) etching 23.5cm x 18cm. £50-100

553

554

556. Edward Brewer (British, 20th Century) Waterloo Bridge, London signed and titled in pencil (in the margin) etching 25cm x 38cm. £80-120

555

556

155

557. Graham Sutherland (British, 1903-1980) The Village, 1925 (Man 23; Tassi 20) signed in pencil (in the margin) etching on thick laid paper with wide margins 17.4cm x 22.4cm, unframed. ÂŁ1500-2500

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558. Eric Gill (British, 1882-1940) The Purchaser wood engraving on tissue paper 13cm x 8.5cm. £100-200 559. Eric Gill (British, 1882-1940) The Soul and The Bridegroom published in the Song of Soul, 1927 wood cut on tissue 8cm x 5.5cm. £100-200

558

559

560

561

560. Eric Gill (British, 1882-1940) The Harem woodcut 11.8cm x 9.3cm. £100-200 561. Eric Gill (British, 1882-1940) The Carrying of the Cross wood engraving 11cm x 11cm. £100-200 562. Eric Gill (British, 1882-1940) Madonna and Child wood engraving on tissue 16.3cm x 10cm. £100-200

562

157

563. Georges Hugnet (1906-1974) La Carte Surréaliste, 1937 14 photo-lithographic postcards from the set of 21 printed on pink card each card numbered from the series and with Post Card impression comprising cards designed by Marcel Duchamp, André Breton, Paul Eluard, Salvador Dali, Hans Bellmer, Man Ray, Yves Tanguy, Oscar Dominguez, Hans Arp, George Hugnet, Meret Oppenheim, Jacqueline Breton, Roland Penrose and Marcel Jean each postcard 9cm x 13.9cm (14)

158

Provenance: Bonamy Dobrée (1891-1974), an English literature professor who was friends with Roland Penrose and other contemporary British artists; Private Collection. £500-800

564. Robert Mapplethorpe (American, 1946-1989) Kathy Acker, 1983 cover image for Time Out Magazine, November 3-9 1983 press print the sheet 50.7cm x 40.5cm. Provenance: From the collection of a former Art Director of Time Out.

In the November 3-9 1983 issue of Time Out Magazine they ran a feature on Robert Mapplethorpe to which he personally contributed a number of photographs. Mapplethorpe sent the print of his portrait of Kathy Acker, punk, poet and playwright, specifically for use as a cover image. It was part of a series of portraits of Acker that Mapplethorpe had made of her in 1983. ÂŁ300-500

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565. Bruce McLean (British, b.1944) and Paul Richards (British, b.1949) ‘The Masterwork’ Award Winning FishKnife, 1979 289/300, signed and numbered a performance sculpture by Richards & McLean, with soundscore composed by Michael Nyman cassette with cover over-drawn by Paul Richards and Bruce McLean 10.7cm x 7cm together with a fragment of script of the Bruce McLean performance Sur le Plancher at the Riverside Studios in London on 19 January 1982. £30-70 566. Paul Yule (South African, b.1956) Sir John Gielgud, 1982 11/150, signed and numbered in pencil (in the margin) photographic print 31.5cm x 21.2cm, unframed. £40-70

565

566

567

568

569

570

567. Harold Cohen (British, 1928-2016) London/At the Tate, 1983 signed, titled and dated in pencil (in the margin) lithograph 49cm x 60cm, unframed. £50-100 568. David Leverett (British, b.1939) Stations of the Cross, 1980 5/14, signed, dated and numbered in pencil (in the margin) screenprint 95cm x 73cm, unframed. £50-100 569. Anthony Gross (British, 1905-1984) Mirville, Normandy, 1924 signed, titled and dated in pencil (in the margin) etching 23cm x 20cm. £150-250 570. Marc Chagall (French, 1887-1985) Assuérus Chasse Vasthi (Mourlot 251) lithograph for the book ‘The Bible’, Paris, 1960 34cm x 25.3cm. Provenance: Purchased at UNIFEM Gala Art Benefit, New York, 17 May 1989. £150-250

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571. John Piper (British, 1903-1992) Easton, Portland, Dorset: St. George Reforne, an 18th-century church among the quarries (Levinson 137) 19/70, signed and numbered in pencil (in the margin) lithograph 50cm x 63.5cm. £400-700 572. Chris Orr (British, b.1943) Mirrors - Anything is better than reality no.2, 1970 printer’s proof, 1/11, signed, numbered and inscribed in pencil (in the margin) lithograph 51cm x 74cm, unframed. £40-70

571

572

573

574

575

576

573. Inkie (British, b.1970) ‘Deco-Liz’ 17/25, signed and numbered in pencil screenprint 61cm x 47.5cm, unframed. £100-300 574. Inkie (British, b.1970) ‘Salen 3’ 7/50, signed and numbered in pencil screenprint 63cm x 63cm, unframed. £100-300 575. David Jones (British, 1895-1974) The Bride, 1928 for The Rime of the Ancient Mariner No. 3 Proof, signed, dated, numbered and inscribed in pencil (in the margin) engraving 17cm x 13.5cm. £100-200 576. David Jones (British, 1895-1974) Wrecked Boat, 1929 for The Rime of the Ancient Mariner 5/5, signed, dated, numbered and inscribed in pencil (in the margin) engraving 17.5cm x 13.5cm. £100-200

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577. Antony Donaldson (British, b.1939) Treasure Tubes, 1969 set of six, together with frontispieces published in Milan, Edizioni O offset lithographs each image 56.2cm x 80cm, unframed. £100-300

577

578

579

581

582

578. Arthur Boyd (Australian, 1920-1999) Tomorrow’s Ghosts eight etchings Circle Press, Guildford, 1971 29cm x 24cm, unframed (8). £200-400 579. Jim Dine (American, b.1935) Two Lyntone Testpressing recordings originally to go with grass box published Editions Alecto Ltd. each 17.5cm diameter (2). £80-120 580. See page 163 581. Hubertus von Pilgrim (German, b.1931) ‘Hommage a Cusanus’, 1962, figures studies, 1964 and figures in the clouds, 1965 each signed, dated and inscribed in pencil (in the margin) etching 32.5cm x 47cm, 29.5cm x 46.7cm and 36.5cm x 47cm respectively (3). Provenance: Collection of Desmond Morris. £100-200 582. Hubertus von Pilgrim (German, b.1931) Reclining figure and goat, 1963 epreuve d’artiste, signed, dated and inscribed in pencil (in the margin) engraving 12cm x 14cm. Provenance: Collection of Desmond Morris. £40-60

162

580. Stamp Out Art Collection of stamps and postcards to include work by David Hockney, Allen Jones, Ralph Steadman, Richard Hamilton, C. Logue produced for Edizioni O various sizes. As a consequence of the prolonged postal strike of 1971, Hockney along with a group of British artists including Allen Jones and Richard Hamilton, published Culture Carriers Stamp Out Art to raise funds for striking workers. ÂŁ200-400

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583. Stanley William Hayter (British, 1901-1988), Dadi Wirz, Gail Singer, Enrique Zanartu and Inger Sitter Untitled (poster for Atelier 17 exhibition at the ICA), 1962 signed in pencil (in the margin) (Black and Moorhead 269) engraving, deep etching, scorper and aquatint 24.3cm x 38.8cm.

583

585

584

586

587

Provenance: Collection of Desmond Morris. £200-300 584. Bob Crossley (British, 1912-2010) Circles and Squares, 1968 35/40, signed, dated and numbered in pencil (in the margin) silkscreen 45.3cm x 45.3cm. Provenance: Collection of Desmond Morris. £80-120 585. Conroy Maddox (British, 1912-2005) Endgame II, 1994 print on cloth 45cm x 57.8cm. Provenance: Collection of Desmond Morris. £100-200 586. Modern Art Prints Collection of five modern art prints to include work after Kenneth Martin, Marc Chagall, Lucienne Day, Ceri Richards and Antoni Tapies, all unframed (5). £40-80 587. Joan Miro (Spanish, 1893-1983) Grasshopper, 1975 and an untitled work lithographs 26cm x 39cm and 24cm x 31.5cm respectively (2). Provenance: Collection of Desmond Morris. £100-200

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588. Terry Frost (British, 1915-2003) Development of a Square Within a Square (Green), 2000 (Kemp 202) artist’s proof, signed and inscribed in pencil screenprint on wove paper printed at Coriander Studio, London 58.5cm x 58.5cm, unframed. £600-800 589. Terry Frost (British, 1915-2003) Development of a Square Within a Square (Red), 2000 artist’s proof, signed and inscribed in pencil screenprint on wove paper printed at Coriander Studio, London 58.5cm x 58.5cm, unframed. £600-800 590. Terry Frost (British, 1915-2003) Blue Brad, 2003 (Kemp 244) artist’s proof, signed and inscribed in pencil (in the margin) screenprint and collage on Arches paper printed at Coriander Studio, London 29cm x 83.5cm, unframed. £500-800

588

589

590

591. See page 166 592. See page 166 593. Beryl Cook (British, 1926-2008) Escargots pour trois 101/650, signed and numbered in pencil (in the margin) screenprint 42.5cm x 51cm, unframed. £80-120 594. Donald Hamilton Fraser (British, 1929-2009) Seated ballet dancer IX/XXV, signed and numbered in pencil (in the margin) silkscreen 66cm x 48cm, unframed. £80-120 595. Peter Blake (British, b.1932) A Walk in the Tuileries Gardens, 2004 artist’s proof, signed and inscribed in pencil (in the margin) silkscreen 40.5cm x 33.7cm, unframed. £300-500

594

595

593

165

591. Terry Frost (British, 1915-2003) Lizard Black II, 2003 (Kemp 253) artist’s proof, signed and inscribed in pencil (in the margin) screenprint and collage on wove paper printed at Coriander Studio, London 71.5cm x 71cm, unframed. £1000-2000 592. Terry Frost (British, 1915-2003) Swing Rhythm, 2003 (Kemp 260) 10/70, signed and numbered in pencil (in the margin) screenprint and collage on wove paper printed at Coriander Studio, London 63.5cm x 87cm, unframed. £800-1200

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596. Gary Hume (British, b.1962) Grey Leaves artist’s proof, signed, titled and inscribed in pencil (in the margin) screenprint 54.5cm x 44.5cm, unframed. £500-800 597. Charles Blackman (Australian, b.1928) The Race 80/100, signed, titled and numbered in pencil (in the margin) lithograph 53.5cm x 74.5cm. £80-120 598. Fraser Taylor (British, b.1960) ‘Long Line’, 1995 signed and dated in pencil (in the margin) monoprint 44cm x 54.5cm. £150-250 599. Walter Richard Sickert (British, 1860-1942) Red Cross, circa 1916 titled and inscribed in pencil ‘State unique proof before letters’ soft ground etching on wove paper 24.5cm x 34.5cm.

596

597

598

599

600

601

Provenance: William Weston Gallery, London, 1980. £300-500 600. Bernard Buffet (French, 1928-1999) ‘Les deux soeurs, Tour Eiffel’ 32/200, signed and dated lithograph 54.5cm x 39.5cm. Provenance: Redfern Gallery, London. £100-300 601. Tracey Emin (British, b.1963) ‘Not a Happy Kitten, In Fact I’d Say It Was A Dog’, 2003 screen-printed tea towel produced for Modern Art Oxford 49.5cm x 70cm. £80-120

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602. Charles William Taylor (British, 1878-1960) The Farmyard 4/50, signed and numbered in pencil (in the margin) wood engraving 18.5cm x 24cm. £80-120 603. Valerie Thornton (British, 1931-1991) St. Gilles, 1975 16/70, signed, titled, dated and numbered in pencil (in the margin) aquatint 58.3cm x 37.5cm. £80-120

602

603

604

605

606

607

604. Fred Burridge (British, c.1869-1945) A Dancing Sky singed in pencil (in the margin) etching 20cm x 25cm. £40-80 605. Gwen Raverat (British, 1885-1947) ‘Apple Pickers’ and ‘The Farm Pond’ each signed and titled in pencil (in the margin) woodcuts 10.5cm x 12.7cm and 7cm x 10cm, both under the same mount (2). £100-300 606. Mills Tide Line 25/50, signed, titled and numbered in pencil (in the margin) woodcut 21.5cm x 17.2cm. £40-70 607. Francis John Winter (British, 1901-1996) Otter, 1966 20/50, signed, dated, titled and numbered in pencil (in the margin) woodcut 25.3cm x 20cm. £50-100

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608. Charles Frederick Tunnicliffe (British, 1901-1979) Goshawk 33/50, signed and numbered in pencil (in the margin) woodcut 33cm x 14cm. £100-200 609. Charles Frederick Tunnicliffe (British, 1901-1979) Geese 24/50, signed and numbered in pencil (in the margin) woodcut 13.5cm x 40.5cm. £150-250

609

608

610. Charles Frederick Tunnicliffe (British, 1901-1979) Owl 8/50, signed and numbered in pencil (in the margin) woodcut 33cm x 18.5cm. £150-250 611. Robert Tavener (British, 1920-2004) Sussex Foreshore, 1972 112/150, signed, dated, titled and numbered in pencil (in the margin) linocut 29.5cm x 43cm, unframed. £50-100

610

611

612. Paul Hogarth (British, 1917-2001) and Robert Graves (British, 1895-1985) Deya, 1972 18/75, each lithograph signed and numbered by the artist and the portfolio signed and numbered by the author five lithographs, together with presentation portfolio on Arches paper, published by Motif Editions each lithograph 54cm x 74cm. £200-300

612

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613. Robin Tanner (British, 1904-1988) Wiltshire Roadmaker 13/50, signed and numbered in pencil (in the margin) published by Penn Print Room, 1974 etching 9.8cm x 14.5cm, unframed. £150-250 614. Robin Tanner (British, 1904-1988) Martin’s Hovel 13/50, signed and numbered in pencil (in the margin) published by Penn Print Room, 1974 etching 16.3cm x 21.2cm. £200-400

613

614

615

616

617

618

615. Robin Tanner (British, 1904-1988) Wiltshire Woodman, 1930 13/50, signed and numbered in pencil (in the margin) published by Penn Print Room, 1974 etching 11.2cm x 13.3cm. £300-500 616. Robin Tanner (British, 1904-1988) Harvest Festival 13/50, signed and numbered in pencil (in the margin) published by Penn Print Room, 1974 etching 34cm x 30cm. £400-600 617. Robin Tanner (British, 1904-1988) Autumn 13/50, signed and numbered in pencil (in the margin) published by Penn Print Room, 1974 etching 33.5cm x 31.5cm. £100-200 618. Robin Tanner (British, 1904-1988) Wiltshire Rickyard 13/50, signed and numbered in pencil (in the margin) published by Penn Print Room, 1974 etching 21cm x 23cm. £300-500 619. Robin Tanner (British, 1904-1988) June 13/50, signed and numbered in pencil (in the margin) published by Penn Print Room, 1974 etching 14.3cm x 16.8cm, unframed. £200-400

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619

620. Robin Tanner (British, 1904-1988) Easter 13/50, signed and numbered in pencil (in the margin) published by Penn Print Room, 1974 etching 39cm x 26.8cm, unframed. ÂŁ300-500

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621. Robin Tanner (British, 1904-1988) The Clapper Bridge 13/50, signed and numbered in pencil (in the margin) published by Penn Print Room, 1974 etching 17.5cm x 24.3cm, unframed. £200-400 622. Robin Tanner (British, 1904-1988) The Plough 13/50, signed and numbered in pencil (in the margin) published by Penn Print Room, 1974 etching 16cm x 18.5cm. £250-350

621

622

623

624

625

626

623. Robin Tanner (British, 1904-1988) White Violets, 1973 85/150, signed and numbered in pencil (in the margin) etching 12cm x 9.8cm. £200-400 624. Monica Poole (British, 1921-2003) Foxgloves 147/175, signed, titled and numbered in pencil (in the margin) woodcut 20cm x 10.8cm, unframed. £50-100 625. Sylvan G. Boxsius (British, 1878-c.1941) ‘At Winchelsea’ and ‘Pines’ each signed and titled (in the margins) woodblocks each 14.8cm x 10cm (2). £100-200 626. John Swannell (British, b.1946) Dome Series No.1 5/295, signed and numbered in pencil (in the margin) gilee paper 50cm x 40cm. Provenance: DeMontfort Fine Art. £200-300 627. David Muirhead Bone (British, 1876-1953) Church interior signed in pencil (in the margin) etching 34cm x 20cm. £100-200

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628. Brian Fielding (British, 1933-1987) Five sided form, circa 1982 artist’s proof, signed and inscribed in pencil (in the margin) lithograph published by Royal College of Art, London from 35 Artists Printmaking, Folio 1 47cm x 46cm. £100-200 629. No Lot 630. Philip Reeves (British, b.1931) Tower Block, 1982 10/10, signed, titled and numbered in pencil etching and aquatint 60.5cm x 68cm. £200-300

628

631. John Bellany (British, 1942-2013) The Ancient Mariner printer’s proof, 2/3, signed and inscribed in pencil (in the margin) screenprint 67cm x 51.5cm. Provenance: The Goldmark Gallery, Uppingham. £200-400

630

631

632

633

634

635

632. Elizabeth Frink (British, 1930-1993) Spinning Man I, 1965 46/50, signed, dated and numbered in pencil (in the margin) lithograph 49cm x 64cm. £300-500 633. Stephen Bone (British, 1904-1958) The Market signed in pencil (in the margin) woodcut 12.8cm x 10.2cm. £100-200 634. Peter Blake (British, b.1932) Babe Rainbow, 1968 screenprint on tin inscription (to reverse) 66cm x 44cm. £200-400 635. Laurence Stephen Lowry (British, 1887-1976) Two Brothers signed in pencil (lower right), blindstamp (lower left) from an edition of 850 offset lithograph printed in colours 60cm x 30cm. £1000-2000

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Paintings 636. See page 175 637. Alan Tugwell (British, Contemporary) Driftwood sculpture on black wooden base 109cm high. £100-150 638. Jeffrey Kroll (American, b.1963) Marea signed and titled (to reverse) oils on canvas 83cm x 66cm.

637

638

639

640

641

642

Provenance: Halycon Gallery. £700-900 639. Jeffrey Kroll (American, b.1963) Tower signed and titled (to reverse) oils on canvas 79cm x 60.5cm. Provenance: Halycon Gallery. £700-900 640. John Bolam (British, 1922-2009) Continuation oils on board 49.3cm x 39.5cm. Provenance: From the artist’s studio collecton. £100-300 641. Stella Shawzin (South African, b.1923) Emerging Forms signed (lower right) ink and watercolour 54.5cm x 31cm. £100-300 642. Frank Beanland (British, b.1936) ‘Arrangement in Orange, Green & Blue’, circa 1970 signed (on label to reverse) oils on board 49.5cm x 60.5cm. £150-250

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636. Paul Nash (British, 1889-1946) March Woods, Study II, 1944 signed (lower right) pencil and watercolour 38.5cm x 56cm. Provenance: Mrs Margaret Nash, the artistâ&#x20AC;&#x2122;s wife; Zwemmer Gallery, London. ÂŁ5000-7000

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643. Tom Coates (British, b.1941) Alfred Daniels Painting on the Thames monogrammed (lower left) oils on canvas on board 24.2cm x 19cm. £200-400 644. Frank Colclough (British, b.1975) Still life of oranges and fushia signed (lower right) oils on board 24cm x 24cm. £150-250 645. Frank Downton (British, b.1936) Untitled op-art signed (to reverse) hand cut vinyl 51.5cm x 51.5cm, unframed. £150-250

643

644

645

646

646. Kershaw Schofield (British, 1872-1941) Still life of flowers signed (lower right) oils on board 60cm x 48.5cm. £300-500 647. William Telfer (British, 1907-1989) Still life of chrysanthemums signed (lower left) oils on board 59.5cm x 49cm. £300-500 648. Helen-Jean Murray (British, 20th Century) Serpentine (Afternoon) pencil and gouache 8.3cm x 24.3cm. Exhibited: Royal Scottish Society of Painters in Watercolours. £100-200

647

176

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649. Henderson Cisz (Brazilian, b.1960) Calm Waters signed (lower right) oils on canvas 49cm x 49cm. £300-500 650. Alexander Ross-Innes (South African, 1915-1996) The Blue Urn signed (lower left), titled (to reverse) oils on canvas 60cm x 49.7cm. £1000-2000 651. See page 178

649

650

652

653

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655

652. Wynne Jenkins (British, Contemporary) On the Road, 2000 signed, titled and dated (to reverse) oils on canvas 26cm x 33.7cm. £200-400 653. Julian Porisse (French, b.1927) The Pool of London signed (lower left) oils on canvas 43.5cm x 54cm. £80-120 654. Guy Worsdell (British, 1908-1978) ‘St. Ives Bay and Pots’ initialled (lower left), titled (to reverse) oils on board 17.3cm x 30.3cm. £70-100 655. Charles White (British, 1928-1997) Blue Cart, 1968 signed and dated (lower right) oils on board 39.3cm x 54.2cm. £150-250 656. Victor MacClure (British, 1887-1963) Guadiana de la Serena, Spain signed (lower right), titled (to reverse) oils on board 42cm x 66.5cm. £100-200

656

177

651. Robert Genn (Canadian, 1936-2014) View from the Bridge, Vancouver signed (lower right), titled (to reverse) oils on board 60cm x 90cm. ÂŁ800-1200

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657. Anthony Gross (British, 1905-1984) Algeria signed and titled in pencil ink and watercolour 35.3cm x 52.7cm. £250-350 658. Rose Hilton (British, b.1931) (attributed to) On the bed initialled (lower right) oils on canvas 39cm x 49.5cm. £300-500

657

658

659

660

661

662

659. Geri Morgan (British, b.1926) White Pot, Green Shelf, 1996 inscribed, titled and dated (to reverse) oils on canvas 29.5cm x 44cm. Provenance: Duncan Campbell Contemporary Art, London. £100-200 660. Phelan Gibb (British, 1870-1948) Three standing nudes oils on board 29.5cm x 37cm. Provenance: Duncan Campbell Contemporary Art, London. £100-200 661. Phelan Gibb (British, 1870-1948) Two nudes reclining initialled (lower left) oils on board 16cm x 17cm. Provenance: Duncan Campbell Contemporary Art, London. £100-200 662. Phelan Gibb (British, 1870-1948) Nudes bathing oils on board 16.5cm x 21cm, unframed. Provenance: Duncan Campbell Contemporary Art, London. £60-100

663. Luke Piper (British, b.1966) Village near Segou, Senegal, 1995 signed and dated (lower right) ink, watercolour and gouache 30cm x 39cm. £100-200

664. Luke Piper (British, b.1966) San Yang Beach, The Gamba, 1995 signed and dated (lower right) mixed media 53.5cm x 74cm. £100-200

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665. Luke Piper (British, b.1966) Frome II, 1993 signed and dated (lower right) mixed media 53.5cm x 73.5cm. £150-250 666. Christine Barnett (British, b.1963) Inspiration, 1997 initialled and dated (lower left) watercolour 74.5cm x 106cm. £80-120

665

666

667

668

673

674

667. George Melhuish (British, 1916-1985) St Mary’s College, Oxford, circa 1940 signed (lower left) oils on canvas 58cm x 96cm. £100-200 668. Nicola Toms (British, b.1969) Tiny Trumpeter Resting, 1998 1/25, signed, numbered and dated bronze the bronze 10.5cm high. £300-500 669. See page 181 670 and 671. See page 182 672. See page 183 673. William Rothenstein (British, 1872-1945) Moritz Rothenstein, 1914 initialled and dated (lower right), titled (to reverse) pencil 18cm x 14cm. Provenance: Rachel Ward (nee Rothenstein) and Alan Ward; thence by family descent. £100-200

674. William Rothenstein (British, 1872-1945) Portrait of Lady, 1921 signed and dated (lower right), and inscribed ‘For Mrs Ward’ coloured chalks 27.5cm x 20cm. Provenance: Rachel Ward (nee Rothenstein) and Alan Ward; thence by family descent. £200-300

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669. Ernest Howard Shepard (British, 1879-1976) A terribly sleepy Mole initialled in pencil (lower left) for The Wind in the Willows, Kenneth Grahame 1931 edition pencil 11.5cm x 6.5cm. Provenance: Estate of the Artist; Sally Hunter Fine Art, London; Miss S. Sinclair, 1992; Private Collection. Exhibited: Sally Hunter Fine Art, London, E. H. Shepard; The Wind in the Willows, December 1992, No. 58. ÂŁ800-1200

181

670. Ernest Howard Shepard (British, 1879-1976) Studies of Mole, 1947 pencil 15cm x 14.5cm. Provenance: Estate of the Artist; The Fine Art Society, London; Lady Cadbury, 2002; Private Collection. Exhibited: The Fine Art Society, London, E. H. Shepard, December 2002, No. 58. ÂŁ500-700 671. Ernest Howard Shepard (British, 1879-1976) The Feathered Hat dated in pencil (lower right) pencil 13.5cm x 14.5cm. Provenance: Estate of the Artist; Sally Hunter Fine Art, London; Lady Cadbury, 1997; Private Collection. Exhibited: Sally Hunter Fine Art, London, E. H. Shepard, December 1997, No.114. ÂŁ150-250

182

672. George Hammond Steel (British, 1900-1960) The Bell Tent, Derbyshire, 1936 signed and dated (lower right) oils on canvas 53.5cm x 74cm. Provenance: Rachel Ward (nee Rothenstein) and Alan Ward; thence by family descent. ÂŁ1500-2500

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675. William Rothenstein (British, 1872-1945) Rachel Rothenstein and her sister pencil 30.5cm x 23.5cm. Provenance: Rachel Ward (nee Rothenstein) and Alan Ward; thence by family descent. £200-400 676. William Rothenstein (British, 1872-1945) Mother and Child coloured crayons 25cm x 28.5cm. Provenance: Rachel Ward (nee Rothenstein) and Alan Ward; thence by family descent. £200-400

675

676

677. William Rothenstein (British, 1872-1945) Portrait of lady with flowers in her hair coloured chalks 28cm x 22cm. Provenance: Rachel Ward (nee Rothenstein) and Alan Ward; thence by family descent. £300-500 678. William Rothenstein (British, 1872-1945) Mountain and chalet gouache and pencil 29cm x 55cm. £200-400

677

678

679. William Rothenstein (British, 1872-1945) (attributed to) Half length portrait of a lady coloured chalks 20.5cm x 13.5cm. Provenance: Rachel Ward (nee Rothenstein) and Alan Ward; thence by family descent. £50-100 680. Walter Knewstub (Britsih, 1830-1906) Portrait of girl, possibly Alice Knewstub (later Lady Rothenstein) chalks 22.8cm x 20cm. Provenance: Rachel Ward (nee Rothenstein) and Alan Ward; thence by family descent. £100-200

184

679

680

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681. Walter Knewstub (Britsih, 1830-1906) Portrait of girl, possibly Alice Knewstub (later Lady Rothenstein) monogrammed (lower left) watercolours and gouache 30.5cm x 21.7cm. Provenance: Rachel Ward (nee Rothenstein) and Alan Ward; thence by family descent. £200-400 682. William Gear (British, 1915-1997) Coloured Ink Study No. 6, 1957 signed and dated in pencil (lower right) coloured inks 33.5cm x 44.5cm. £300-500

681

682

683. William Gear (British, 1915-1997) Untitled, 1966 signed and dated (lower right) mixed media 37.8cm x 56.5cm. £300-500 684. William Gear (British, 1915-1997) Untitled, 1966 signed and dated (lower right) in blue, purple, orange and yellow mixed media 55.8cm x 37.2cm. £400-600 685. William Gear (British, 1915-1997) Untitled, 1970 signed and dated in pencil (lower right) acrylic 40cm x 46.5cm. £400-600

683

684

686. Yakov Bespertov (Russian, b.1929) The Winston Churchill Walk, Yalta, 1960 signed (lower left), inscribed and dated (to reverse) oils on card 14.2cm x 20.3cm. Provenance: Artist’s Studio, St. Petersburg; Roy Miles Gallery, London. £60-100

685

686

185

687. William Russell Flint (British, 1880-1969) Maruja The Strong, circa 1935 signed (lower right), signed and titled in pencil (to reverse) chalks 31cm x 43cm, the sheet also including two nude studies. Provenance: Vicar Brothers, London, 1960; Private Collection. This is a study for the oil painting Maruja the Strong (Rochdale Art Gallery) and the title is a play on words, as Maruja is a variant of the name Maria, which in Spanish is also a slang word for ‘good wife’. The oil painting was exhibited in the Royal Academy, London in 1935. £5000-7000

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‘In all her dewy beauty bright, unfolding fair the glories of her form’.

688. William Russell Flint (British, 1880-1969) Mlle Louisette Lacharme Rebuffat initialled (lower left), signed and titled in pencil (to reverse) chalk 26cm x 18cm. Provenance: The Fine Art Society, London, 1955.

Illustrated: William Russell Flint, Minxes Admonished or Beauty Reproved - The Golden Cockerel Press, London 1955, p.75. Recommended by Archdeacon Hubbub for Le Triomphe de La Coquetterie £2500-3500

187

689. Krishen Khanna (Indian, b.1925) Woman, 1959 signed and dated (lower left) oils on canvas 186cm x 86cm. ÂŁ3000-5000

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690. Elisabeth Vellacott (British, 1905-2002) Trees by Lake Gwernan, 1972 signed (lower right), titled and dated (to reverse) graphite stick 45.5cm x 55cm. Provenance: The New Art Centre, London; Private Collection. £200-400 691. See page 190

690

692

693

694

695

696

692. Wyn Casbolt (British, 1914-1963) Reflection, 1961 signed and dated (lower right), titled (to reverse) oils 31cm x 35cm. Provenance: Ernest Brown and Phillips Ltd., The Leicester Galleries, London. £80-120 693. Mary Potter (British, 1900-1981) Regent’s Park Walk ink and wash 18.3cm x 29cm. Provenance: Thompson’s Gallery, London. £300-600 694. Jacob Kramer (British, 1892-1962) Cottage in landscape, 1925 signed and dated (lower left) oils on canvas 48cm x 58.3cm, unframed. £200-400 695. Ken Moroney (British, b.1949) Venice Canal signed (lower left) oils on board 22.5cm x 18.3cm. £250-350 696. Ken Moroney (British, b.1949) The Overworked Don signed (lower right), titled (to reverse) oils on board 28.5cm x 20cm. £150-250

189

691. Sidney Robert Nolan (Australian, 1917-2002) Seascape, possibly Antartica signed (lower right) oils on paper 62.5cm x 51cm. ÂŁ1500-2500

190

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697. Ken Moroney (British, b.1949) Seated Lady signed (lower left) oils on board 22.5cm x 17.5cm. £250-350 698. Ken Moroney (British, b.1949) Lydstep, Tenby signed (lower left), titled (to reverse) oils on board 16.5cm x 28.8cm. £300-400 699. Zoltan Szabo (Hungarian, 1928-2003) Women Bathing signed and dated (lower right) pastels 67.5cm x 98cm.

697

700

698

699

701

702

Provenance: Kormendi Galeria, Budapest. £150-250 700. Orlando Greenwood (British, 1892-1989) The Departure of Orpah artist’s studio sale stamp (to reverse) oils on canvas 63cm x 50.5cm, unframed. Provenance: Christie’s, London, Orlando Greenwood Studio Sale, 11 October 1990. £250-350 701. Peter Till (British, b.1945) Eight illustrations for Time Out Magazine pen and ink each signed the largest 28.5cm x 15.7cm, unframed (8). £100-200 702. Ian Pollock (British, b.1950) Illustration for Time Out Magazine, 1983 signed pen and ink 27.5cm x 22.7cm. £50-100

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703. Josh Kirby (British, 1928-2001) The Sentinel Stars, 1963 cover illustration and another illustration the former signed (lower right) gouache each 37.5cm x 22.7cm, unframed (2). Literature: Louis Charbonneau, The Sentinel Stars, Transworld Publishers, Corgi Edition, 1964. This lot is sold together with an original version of the paperback. £100-300 704. Jean Tinguely (Swiss, 1925-1991) Meta-matic drawing, 1982 signed in pen blue felt pen on paper 33cm x 27cm.

703

704

705

706

Provenance: This drawing was created by the 1959 sculpture Meta-matic No.13 at the Private View of the Tinguely retrospective at the Tate Gallery, London on 7 September 1982 and was immediately signed for the owner personally. £100-200 705. Jean Tinguely (Swiss, 1925-1991) Meta-matic drawing, 1982 signed in pen orange, blue, red and green felt pen on paper 33cm x 27cm. Provenance: This drawing was created by the 1959 sculpture Meta-matic No.13 at the Private View of the Tinguely retrospective at the Tate Gallery, London on 7 September 1982 and was immediately signed for the owner personally. £100-200 706. Josh Kirby (British, 1928-2001) Fahrenheit 451 original cover illustration signed (lower right) pen and gouache 37.5cm x 22.7cm, unframed. Literature: Ray Bradbury, Fahrenheit 451, Transworld Publishers, Corgi Edition, 1963. This lot is sold together with an original version of the paperback. £200-300

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707. Eric Gill (British, 1882-1940) Female Nude, 1928 initialled, dated and inscribed in pencil (lower right) pencil and crayon 42cm x 26cm. Provenance: Christieâ&#x20AC;&#x2122;s, London, 24 October 2007, lot 81; Private Collection. ÂŁ1000-2000

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708. Joan Gillchrest (British, 1918-2008) High Tide, Newlyn monogrammed (lower right), titled (to reverse) oils on board 70cm x 85cm. ÂŁ2000-3000 709. Joan Gillchrest (British, 1918-2008) Port Isaac monogrammed (lower right) oils on board 68cm x 46.5cm. ÂŁ2000-3000

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‘... lovers, locked in each other, a single bipolar entity, oblivious to the outside, reaffirming each his existence in the other. And the threat of parting never far away’

710. Keith Vaughan (British, 1912-1977) The Kiss, 1943 studio stamp (lower right) pencil on paper 11cm x 14cm, unframed. Provenance: from the Keith Vaughan sketchbook, 1943; Professor John Ball; Hargreaves & Ball Trust; Private Collection. £800-1200

(Keith Vaughan to John Lehmann, undated letter from NCC Ward Barracks, Bulford, Wilts, quoted in Malcolm Yorke, Keith Vaughan: His Life and Work, Constable, London, 1990, p.97).

Keith Vaughan (1912-1977) - Lots 710 to 715 From the Artist’s Sketchbook, 1943 During the war, as a conscientious objector, Keith Vaughan served in the Pioneer Corps and during this period he was influenced by the romantic landscape tradition and particularly Graham Sutherland. Although there is a debt to be played to Sutherland in these compositions in terms of technique, by this point in his career Vaughan had created his own unique vision and artistic standpoint and these drawings record points in his life during the war. The Kiss is important for Vaughan, as it features both a man and a women entwined as its central focus point, an unusual motif as female figures were rare in his artistic oeuvre and it relates to the gouache sold in these rooms in December 2014.

195

711. Keith Vaughan (British, 1912-1977) Three nude figures in landscape studio stamp (lower right) pencil on paper 11cm x 15cm, unframed. Provenance: from the Keith Vaughan sketchbook, 1943; Professor John Ball; Hargreaves & Ball Trust; Private Collection. £500-700 712. Keith Vaughan (British, 1912-1977) Figures and children in landscape studio stamp (lower left) pencil on paper 11cm x 14.5cm, unframed. Provenance: from the Keith Vaughan sketchbook, 1943; Professor John Ball; Hargreaves & Ball Trust; Private Collection. £500-700 713. Keith Vaughan (British, 1912-1977) Tree stump studio stamp (lower right) pencil on paper 8.8cm x 8.3cm, unframed. Provenance: from the Keith Vaughan sketchbook, 1943; Professor John Ball; Hargreaves & Ball Trust; Private Collection. £300-500 714. Keith Vaughan (British, 1912-1977) The Quarry studio stamp (lower right) pencil on paper 9.5cm x 18cm, unframed. Provenance: from the Keith Vaughan sketchbook, 1943; Professor John Ball; Hargreaves & Ball Trust; Private Collection. £300-500 715. Keith Vaughan (British, 1912-1977) Conifer Trees ink on paper 12cm x 17.5cm, unframed. Provenance: from the Keith Vaughan sketchbook, 1943; Professor John Ball; Hargreaves & Ball Trust; Private Collection. £100-200

196

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716. Mary Potter (British, 1900-1981) Still life of white rose oils on canvas 49.5cm x 34.2cm. Provenance: The current vendor’s mother was friends with Mary Potter and this was given to the family; thence by family descent. £800-1200 717. See page 198 718. Donald McIntyre (British, 1923-2009) Garden terrace initialled (lower left) oils on board 33.8cm x 33.8cm. £800-1200

716

718

720

721

722

723

719. See page 199 720. Hattakitkosol Somchair (Thai, 1934-2000) Abstract sculpture 23/1000, stamped and numbered (to the bronze) bronze on marble base overall 20cm high, 23cm across. £100-200 721. John Horsewell (British, b.1952) Spring in Provence signed (lower right) oils on board 58.5cm x 58cm. £80-120 722. Susannah Fiennes (British, b.1961) The Big Wheel I oils on canvas 121.5cm x 91cm. £100-300 723. Peter Markham Scott (British, 1909-1989) Swans initialled in pen (lower right) pen highlighted in white 22.7cm x 12.5cm. £300-500

197

717. Guy Taplin (British, b.1939) Lapwings and Golden Plovers on Driftwood each signed and inscribed painted wood and steel the driftwood 100cm across. ÂŁ2500-3500

198

719. Robert Oscar Lenkiewicz (British, 1941-2002) Girl in Ivory Shawl from the Daemon Series signed, titled and inscribed (to reverse) oils on canvas 48cm x 22.5cm. ÂŁ5000-7000

199

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724. Victor Reinganum (British, 1907-1995) Abstract in orange, yellow and black, 1965 signed and dated (lower right) oils on board 33cm x 43.5cm, unframed. £400-600 725. Victor Reinganum (British, 1907-1995) Abstract in greens and black, 1965 signed and dated (lower right) oils on board 33cm x 42.8cm, unframed. £400-600 726. Alfred Daniels (British, 1924-2015) Reindeers in snow, 2004 signed and dated (lower left) oils on board 29.5cm x 38.5cm. £400-600

724

725

726

727

728

729

727. Alfred Daniels (British, 1924-2015) Dalwhinnie Distillery signed and dated (lower left) oils on board 31.8cm x 40cm. Provenance: Rona Gallery, London. £400-600 728. Alfred Daniels (British, 1924-2015) Cragganmore Distillery, Ballindaloch, 2003 signed and dated (lower left) oils on board 29.2cm x 39cm. Provenance: Rona Gallery, London. £400-600 729. Alfred Daniels (British, 1924-2015) Shepherd and Flock of Sheep, 2004 signed and dated (lower left) oils on board 33cm x 39.5cm. £400-600

200

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730. Alfred Daniels (British, 1924-2015) The Glenlivet Distillery as Ballindaloch, 2005 signed and dated (lower left) oils on board 30.3cm x 39.5cm. Provenance: Rona Gallery, London. £400-600 731. Michael Heindorff (German, b.1949) Untitled, 1991 signed and dated (to reverse) oils on aluminium 12cm x 15cm, unframed.

730

731

732

733

Provenance: Bernard Jacobson Gallery, London. £100-200 732. Michael Heindorff (German, b.1949) Untitled (L4-M9), 1991 signed and dated (to reverse) oils on aluminium 18cm x 20.2cm, unframed. Provenance: Bernard Jacobson Gallery, London. £100-200 733. Michael Heindorff (German, b.1949) Untitled (L4-M9, Yellow), 1991 signed and dated (to reverse) oils on aluminium 18cm x 20.2cm, unframed. Provenance: Bernard Jacobson Gallery, London. £100-200

734

734. John Kingerlee (Irish, b.1936) ‘El Rey Del Aire’, 2007 book jacket monogrammed (lower left) 20cm x 29.5cm, unframed. £150-250 735. See page 202 736. Mark Goodwin (British, b.1957) Scintilla I, 1995 signed, titled and dated (to reverse) oils on canvas 121cm x 182cm. £200-400

736

201

735. Rona (British, b.1965) The Bullingdon Club signed and dated oils on canvas 91.4cm x 121.9cm. The story of The Bullingdon Club Painting by Oxford-based artist Rona Marsden begins in February 2007, shortly after the photo was first published in The Mail on Sunday. It showed the future Prime Minister and the future Mayor of London posing cocksure in tails and yellow waistcoats on the steps of Christ Church College among members of ‘the Buller’. Cameron later described it as ‘desperately embarrassing’. BBC Newsnight were keen to show the image but Gilman and Soame, the Oxford portrait photographers who hold the copyright, announced that ‘for commercial reasons’ the media would no longer be given permission to reproduce it. It was then that mischievous political journalist Michael Crick came up with a suitable alternative. Rona recalls: “I was approached by Michael Crick on February 28 to paint, in great haste, a likeness of the

202

Bullingdon Club portrait - one that the BBC could use in place of the photograph. I happened to have a 3ft x 4ft canvas primed and ready to use in my studio in Oxford, so I began that night. “I am not political at all but loved the image and it was similar to other work I’ve done. The subjects seemed to exude confidence and entitlement, despite their youth. In under 24 hours I finished the painting and the crew arrived around noon the next day to begin filming. “I thought that was it, until Newsnight then asked to have the painting in the studio that night (March 1). I agreed only if I could go with it and was whisked to London with the wet painting lying in the back of a car.” On the show, Crick described the picture as ‘an artistic alternative to the photo that legally we’re no longer permitted to broadcast’. The BBC have contacted her periodically over the past decade whenever they wished to use the image. It has also been used by newspapers such as The Times, The Independent and The Observer - in addition to proving a popular subject for a tea towel. The artist has sold more than 400 of them. £5000-7000

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737. Frederick Gore (British, 1913-2009) Self portrait of the artist on a Provencal terrace signed oils on canvas 39.5cm x 49cm. £2000-3000 738. Noel Coward (British, 1899-1973) On the beach signed (lower left) oils on board 28.5cm x 48.5cm.

737

738

739

740

741

742

Provenance: Gift from the artist to Cole Lesley, and thence by descent. £2000-3000 739. Anthony Curtis (British, b.1928) Abstract, 1961 signed and dated (lower right) watercolour 27.5cm x 37cm. £50-100 740. Guy Warren (Australian, b.1921) Bathers and Jungle, 1959 inscribed and dated (to reverse) oils on board 33cm x 48.5cm. Exhibited: Bear Lane Gallery, Oxford, January 1960. £200-400 741. Louis Robert James (Australian, 1920-1996) Landscape, 1958 signed and dated (lower left) oils in board 23.5cm x 48.5cm. £200-400 742. Manner of Henri Gaudier-Brzeska Untitled bronze the bronze 22.2cm across. £100-300

743. Eric James Malthouse (British, 1914-1997) Goats, 1948 inscribed and signed on letter (to reverse) pen, ink and watercolour 13.4cm x 18.3cm. Provenance: Collection of Desmond Morris. £100-300

743

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744. Eric James Malthouse (British, 1914-1997) Cockerel and Baby, 1949 inscribed and signed on letter (to reverse) pen, ink and gouache 19.3cm x 22.5cm. Provenance: Oscar Mellor; Collection of Desmond Morris. £200-400 745. Scottie Wilson (British, 1888-1972) Swans, Fish and Butterflies signed (lower right) ink and gouache 37cm x 25cm. Provenance: Collection of Desmond Morris. £300-500

745

747

746. Victor Pasmore (British, 1908-1998) Line drawing, 1992 initialled in pencil computer generated drawing 21cm x 29.5cm. Provenance: Collection of Desmond Morris. Together with a facsimile copy of the letter from Victor Pasmore to Desmond Morris to the reverse of the picture, explaining the experiment and process of creating this art work. The letter inscribed: ‘Dear Desmond, Following your experiment to ‘create’ art with a drawing computer I have tried a drawing myself and enclose a larger hand-drawn extension. As I see it, after my experiment, the computer could be useful to the painter by producing a dictionary of variations on a particular form to which he can refer. In other words the computer could function as an additional tool to the pencil or paintbrush, but not as a substitute. A combination of the two, would be my choice. What do you think? All good wishes - Victor.’ £600-900

744

747. Haydon Williams (British, b.1942) 3D Box Painting, 1969 signed and dated (to reverse) 44cm x 31cm, 14cm deep. Provenance: Drian Gallery, London; Collection of Desmond Morris. £200-400

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746

748. P. J. Crook (British, b.1945) ‘Neck & Neck’, 1993-4 signed (lower right), titled and dated (to reverse) liquitox acrylic 22.8cm x 56.5cm. Provenance: Portal Gallery, London. £600-800

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749. Clinton King Vezillon, 1969 signed, titled and dated (lower right) ink and gouache 36.2cm x 53.4cm. £200-300 750. Austin Osman Spare (British, 1886-1956) Fantasy landscape signed (lower right) pencil and watercolour 25.3cm x 26.7cm. £400-600

749

750

751

752

753

754

751. Mabel Killam Day (Canadian, 1884-1959) Desolate tree landscape signed (lower right) oils on canvas 59.5cm x 50cm. £100-300 752. Ken Howard (British, b.1932) Canal View, Venice signed (lower left) oils on board 24.5cm x 19.3cm. £600-800 753. Thomas John Coates (British, b.1941) Two nudes monogrammed (lower left) oils on board 29cm x 28.5cm. £300-500 754. Leonard Rosoman (British, 1913-2012) Overhanging Branch signed (lower left) oils on canvas 59.5cm x 44.5cm. £600-900

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755. Tullio Gasperi (Italian, b.1923) ‘Le Due Civilta’, 1969 signed and dated oils on board 78.5cm x 58.5cm. £100-200 756. Tullio Gasperi (Italian, b.1923) ‘La Caduta’ and ‘L’eta Dell’Oro’, 1969 each signed and dated (lower right), titled (to reverse) oils on board 47cm x 36.5cm and 48cm x 38cm (2). £200-300

755

757

756

758

759

757. Tullio Gasperi (Italian, b.1923) ‘Il Tramonto’, 1969 initialled and dated (lower left), titled (to reverse) oils on board 58.5cm x 38cm. £100-200 758. Sidney Perrin (British, 1891-1971) The Houses of Parliament, London signed (lower left) watercolour 20.7cm x 28cm. £80-120 759. Sidney Perrin (British, 1891-1971) St. Paul’s Cathedral, London signed (lower right) watercolour 20.5cm x 28cm. £80-120 760. Frank Brangwyn (British, 1867-1956) The Re-building of Charing Cross Station monogrammed in pencil (lower right) crayon 32.3cm x 42.5cm. Provenance: Collection of Count William de Belleroche; The Ruskin Gallery Ltd., Stratfordupon-Avon; Private Collection. £300-600

760

207

761. Asher Bilu (Australian, b.1936) ‘Quezalcoatl’ inscribed and titled (to reverse) mixed media 60.7cm x 60.7cm. Provenance: Rowan Gallery, London. £300-500 762. Asher Bilu (Australian, b.1936) ‘In Stark Motion’ signed and titled (to reverse) thinned binder, pigments on lino 38.5cm x 34.3cm. Provenance: South Yarra Gallery, Australia. £200-300

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763. Leon Bakst (Russian, 1866-1924) (attributed to) Cart with Red Wheels pencil watercolour and gouache 9cm x 11.7cm. Provenance: Purportedly from The Fine Art Society, London. £100-300

763

764. Bernard Dunstan (British, b.1920) Making the Bed, 1981 initialled (lower left), titled and dated (to reverse) oils on board 29.5cm x 34.2cm. £800-1200 765. Clifford Fishwick (British, 1923-1997) Cornish Harbour, 1956 signed and dated (lower right) oils on board 13.8cm x 22.8cm.

764

Provenance: The Belgrave Gallery, London; Austin Desmond Fine Art, London, 1988; Private Collection. £300-600 766. Prunella Clough (British, 1919-1999) Cell, 1988 mixed media on board 22.7cm x 23.5cm. Provenance: Contemporary Art Society Market, 1990. £300-500

765

766

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767. John McLean (British, b.1939) Bunting, 1993 initialled and dated in pencil (lower right) acrylic on paper 28.5cm x 37.5cm. Provenance: Francis Graham-Dixon Gallery, London. £200-400

767

768. Jules de Goede (Dutch, 1937-2007) Black Form with Movement signed, dated and titled (to reverse) oils on canvas 39cm x 56cm. £100-200 769. Sandra Blow (British, 1925-2006) Omega, 1989 signed and dated (lower right) acrylic on South Indian gelatin sized cotton 65cm x 65cm.

768

Provenance: Francis Graham-Dixon Gallery, London, 1991. £1000-2000 770. Derek Roberts (British, b.1947) Pinewood, Winter Sun No.3, 1984-5 signed, dated and titled (to reverse) ink and watercolour 75cm x 105cm. Provenance: Francis Graham-Dixon Gallery, London, 1990. £200-300

769

770

771. Michael Warren (Irish, b.1950) Abstract form bronze 45cm high. £300-500 772. See pages 212 and 213 773. Walter Nessler (German, 1912-2001) Figure in the Mountains, 1975 signed (lower left), dated (to reverse) mixed media 61cm x 77cm. £300-400

771

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774. Walter Nessler (German, 1912-2001) Mountain Flowers, 1975 signed (lower right), titled and dated (to reverse) mixed media 74cm x 54cm. £300-400 775. Walter Nessler (German, 1912-2001) Falling figures and animals signed (lower left) mixed media 69cm x 90.5cm. £300-500

774

777

775

776

776. Walter Nessler (German, 1912-2001) Figures by the sea, 1977 signed (lower left), dated (to reverse) mixed media 82.5cm x 112cm. £350-450 777. Walter Nessler (German, 1912-2001) The Lovers, 1978 signed (lower left), dated (to reverse) mixed media 94cm x 82.5cm. £350-450 778. Jonathan Armigel Wade (British, b.1960) The Reluctant Fire signed (lower right) oils on board 34.5cm x 59.5cm. £300-400

778

779. Andrew Macara (British, b.1944) Children on the Beach, Club at Cap Ferrat, 1989 signed and dated (lower right) oils on canvas 50cm x 60cm. £800-1200 780. Andrew Macara (British, b.1944) The Archway, Lindos, Rhodes, 1988 signed (lower right) oils on canvas 35cm x 45cm. £400-600

779

780

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212

772. Julian Trevelyan (British, 1910-1988) Italian landscape, 1949 signed and dated (lower left) oils on canvas 62.5cm x 75.5cm. ÂŁ6000-10000

1949 was an important year for Trevelyan, as he began teaching at the Chelsea School of Art and it marked the first point that he travelled on holiday with the artist Mary Fedden, his future wife. It was after a party at Feddenâ&#x20AC;&#x2122;s Redcliffe Gardens Chelsea studio that Mary asked Julian to drive her to Taormina in Sicily and it is presumably on this trip that this significant landscape was conceived.

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781. Manual Espinola Gomez (Uruguay, 1921-2003) Serie Divertimentos o Improvisaciones, 1997 initialled and dated in pencil (to reverse) mixed media 81cm x 56cm. Provenance: Galeria Latina, Montevideo, Uruguay. £100-200 782. Pat Cleary (British, 20th Century) Quarry Miner’s Hut signed (lower right) oils on board 47.8cm x 60cm. £200-400

781

782

783. Ernst Eisenmayer (Austrian, b.1920) Two figures, 1964 signed and dated (lower right) gouache 29.3cm x 18.2cm, unframed. £100-200 784. John Bratby (British, 1928-1992) Aphrodite Girl Hastings, 1991 signed, titled and dated in pencil crayons 56.5cm x 37cm. £150-250

783

784

786

785

785. John Bratby (British, 1928-1992) The Aphrodite Belly Dancer, 1991 signed, titled and dated crayons 38cm x 57cm. £150-250 786. John Bratby (British, 1928-1992) Aphrodite Girl Resting 1991 signed, titled and dated (lower right) crayons 56.5cm x 37.5cm. £150-250

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787. John Bratby (British, 1928-1992) The Aphrodite Girl, 1991 signed, titled and dated in pencil (lower left) crayons 56cm x 37.5cm. £150-250 788. Neil Clark (British, 1928-2014) ‘The Photographer, the Dog and the Menopausal Women’ inscribed and titled (to reverse) oils on canvas 112cm x 104cm. £300-500

787

788

789. John Bratby (British, 1928-1992) Birling Gap, East Sussex signed (lower left) oils on canvas 86cm x 119cm. £1500-2500 790. Pierre Lesieur (French, 1922-2011) Interior, circa 1962 signed and dated (lower left) oils on canvas 38cm x 38cm. £700-900

789

790

791. Kate Nicholson (British, b.1929) Eigg Seascape, 1980 signed, titled and dated (to reverse) oils on canvas 25cm x 30cm. £200-400 792. Ken Howard (British, b.1932) Mevagissey signed (lower left) oils on canvas 49cm x 59cm. £1000-2000

791

792

793. Francisco Rodriguez SanchezClement (Spanish, 1893-1968) ‘Bras en Bleue’ signed (lower right) oils on canvas 54.5cm x 44.8cm. Provenance: Frost and Reed. £200-400

793

215

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794. Jonny de Vins (British, b.1960) Engine of Forgiveness signed (lower left) oils and mixed media on board 43cm x 55.8cm. £100-200 795. Jonny de Vins (British, b.1960) ‘Stille Nacht, Ost Berlin, 1987’ signed (lower left), titled (to reverse) oils and mixed media on board 49cm x 59cm. £100-200

794

795

796 and 797. See page 217 798. Paul Kuhfuss (German, 1883-1960) Herbstblumen in weisser Vase, 1938/52 signed (lower left) mixed media 72.5cm x 59.5cm. Literature: Nachlass Archiv R.R.N 309. £300-500 799. Paul Kuhfuss (German, 1883-1960) Haystacks (‘Garben in Sonnenschein’), 1938 signed (lower right), titled and dated (to reverse) oils 58cm x 76cm.

798

799

Literature: Nachlass Archiv R.R.N 672. £400-600 800. Paul Kuhfuss (German, 1883-1960) ‘Hohe Dune’ Vidden (Boat Scene), 1939 signed in pen (lower right) mixed media 37.8cm x 58cm

800

Literature: Nachlass Archiv R.R.N 192. £200-400 801. Paul Kuhfuss (German, 1883-1960) Auf dem Heimweg, 1939 signed in pen (lower right), titled (to reverse) mixed media 38cm x 57.5cm. Literature: Nachlass Archiv R.R.N 184. £300-500

216

801

796. Rigby Graham (British, 1931-2015) Hebridean Landscape signed (lower right), titled (to reverse) oils on board 62.3cm x 36.3cm. Provenance: Austen Hayes Gallery, York. ÂŁ2000-3000 797. Rigby Graham (British, 1931-2015) Le Pouldu, 1956 signed titled and dated pen and watercolour 27.5cm x 37cm. ÂŁ500-700

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802. Paul Kuhfuss (German, 1883-1960) ‘Dunung’ (Beach Scene), 1939 signed in pen (lower right) mixed media 36.7cm x 36.5cm. Literature: Nachlass Archiv R.R.N 186. £200-300

802

803. Paul Kuhfuss (German, 1883-1960) ‘Trinkendes Pferd am Haft’, (Coastal scene with drinking horse) 1939 signed (lower right) gouache 38.3cm x 58.3cm. Literature: Nachlass Archiv R.R.N 187. £200-400

803

804. Paul Kuhfuss (German, 1883-1960) Sheep, 1938 signed (lower right) black chalk 47.5cm x 63.5cm. Literature: Nachlass Archiv R.R.N 39. £200-400 805. Paul Kuhfuss (German, 1883-1960) Pigs, 1939/41 signed in pen (lower right), inscribed (to the mount) oils on paper 39cm x 58.5cm, unframed.

804

Literature: Nachlass Archiv R.R.N 181. £200-400 806. Paul Kuhfuss (German, 1883-1960) Farmyard, 1955 signed and dated in pencil black chalk 29.8cm x 42cm.

805

Literature: Nachlass Archiv R.R.N 1742 or 1747. £150-250

806

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807. Paul Kuhfuss (German, 1883-1960) Farm scene with chickens, 1955 signed and dated in pencil black chalk 29.7cm x 42cm. Literature: Nachlass Archiv R.R.N 1742 or 1747. £150-250

807

808. Paul Kuhfuss (German, 1883-1960) ‘Im Bauernhof’, 1955 signed and dated in pencil coloured chalks 28.5cm x 40.3cm. Literature: Nachlass Archiv R.R.N 847. £150-250

808

809. Ernst Vollbehr (German, 1876-1960) ‘Hochmoor bei Bernau’, 1922 signed, dated and titled in pencil gouache 35cm x 46cm. £100-200 810. Richard Bawden (British, b.1936) Bottengoms Farm ink and watercolour 35cm x 51cm.

809

Provenance: Bankside Gallery, London. £150-250 811. John Scorror O’Connor (British, 1913-2004) Landscape with barn signed (lower right) watercolour 46.5cm x 59cm. £150-250

810

811

219

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812. Duncan Grant (British, 1885-1978) Reclining Nude ink and charcoal 12.5cm x 16.5cm. Provenance: Paul Roche Estate; Louise Kosman, Edinburgh. £500-700 813. Alan Reynolds (British, 1926-2014) ‘Movement and The Plant’, 1954 signed and dated (lower right), titled (to reverse) ink on paper 32cm x 16cm. £1000-2000 814. Roger Hilton (British, 1911-1975) Nude studio stamp (to reverse) pen on paper 18cm x 25cm. £1000-2000

812

813 814

815. Keith Vaughan (British, 1912-1976) Still Life and Figures, circa 1960s three sketches studio stamp (to one) pencil on paper 24cm x 16cm, 16.5cm x 13.5cm and 24cm x 18cm. £2000-3000 816. Donald Wells (British, b.1929) Abstract in red, blues and yellow, 1963 signed and dated (to reverse) oils on paper 35cm x 28cm. £300-400

220

815

816

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817. Celia Read (British, 20th Century) Mother and Child gouache signed (lower right) 35.5cm x 19cm. £50-100 818. Roy Turner Durrant (British, 1925-1998) Untitled Head, 1979 2783, signed, dated and numbered in pencil mixed media and collage 18.5cm x 10.5cm. £200-300

817

818

819. Alexander Robertson (1925-1978) Untitled studio stamp (to reverse) mixed media wood relief 57cm x 75cm. £200-300 820. Manner of John Wells (British, 1907-2000) Untitled bears signature and inscribed pencil and gouache 38cm x 49cm. £100-300 821. Victor Anton (British, 1909-1980) Linear Study artist’s label black on perspex 76.7cm x 56cm. £400-600

819

821

822. See page 222 823. MacDonald (20th Century) Three female figures, 1939 signed and dated ink on paper 15.5cm x 14cm. £50-100

820

823

221

822. Wilhelmina Barns-Graham (British, 1912-2004) Untitled 05/92 signed and dated (lower left) acrylic on paper 37.5cm x 56cm. Provenance: Belgrave Gallery, London. ÂŁ2000-3000

222

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824. Henry Cliffe (British, 1919-1983) Three abstract reliefs each stamped artist’s estate studio mark (to reverse) plaster the largest 19.5cm x 23.5cm (3). £600-800 825. Vivian ap Rhys Pryce (British, b.1937) Youth and Child 3/9, stamped foundry mark, titled, numbered and inscribed (on label) bronze the bronze 15cm high. £100-150 826. Donald McGill (British, 1875-1962) ‘We’ve been engaged a year, don’t you think we ought to speak to the parents about getting married?’ ‘Why, I always thought they were!!’ signed (lower left) gouache 18.5cm x 13.8cm. £150-250 827. Fred Dubery (British, 1926-2011) Village Street signed (lower right) oils on canvas 49.5cm x 74.5cm. £80-120

824

825 824

827

828

828. Michael Hole (20th Century) Extending forms sculpture painted white wood on stand 130cm high overall. £100-200 829. Peter Markham Scott (British, 1909-1989) Jay, 1951 signed and dated (lower left) oils on canvas board 33.5cm x 23.5cm. £600-800

826

829

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MODERN BRITISH

POST-WAR ART May 2017 OXFORD

For enquiries please contact Philip Smith on P: 01865 241358 E: philip.smith@mallams.co.uk www.mallams.co.uk

Mallams 1788

Chinese & Japanese Art Wednesday 26th & Thursday 27th April 2017

For more information or to arrange a free valuation please contact Robin Fisher on 01242 235712 or robin.fisher@mallams.co.uk Mallams Auctioneers, Grosvenor Galleries, 26 Grosvenor Street Cheltenham GL52 2SG www.mallams.co.uk

Mallams 1788

JEWELLERY & SILVER VALUATIONS Every Tuesday 10am – 1pm at the Oxford office no appointment necessary

Our specialists will be available to provide complimentary valuations of items, with a view to selling at auction Bocardo House, St Michael’s Street, Oxford OX1 2EB T: 01865 241358 E: louise.dennis@mallams.co.uk www.mallams.co.uk

Mallams 1788

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CONDITIONS OF SALE Mallams carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Mallams or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Mallams accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (2) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. (3)The Auctioneers reserve the right to charge a deposit for certain lots. These will be indicated before the sale. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 20%. This premium is subject to VAT at the rate imposed by law. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position). 6. PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION AND TELEPHONE BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf or by telephone. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17 (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. ENDANGERED SPECIES LAWS Due to international laws, any item on the Endangered species list (i.e. Ivory, Rhino horn etc.), whether it dates from the 18th/19th Century or the 1930s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment. Mallams cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences cannot be arranged. Certain countries, particularly the USA, have their own Endangered Species Act (USESA) and possession or being involved in a commercial transaction with any item on this list can be an offence for a US resident. Therefore, it is the potential buyers responsibility to check Federal regulations before bidding for a lot, which comes under these or similar regulations. Please note no license is required to sell or advertise within the EU if items are pre-1947. ONLINE BIDDING Mallams Fine Art Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Mallams Fine Art Auctioneers, you: 1. authorise Mallams Fine Art auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Mallams Fine Art Auctioneers through www.the-saleroom.com and agree that Mallams Fine art Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price.

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