The Mancunion - Issue 8 by The Mancunion

FRE

Issue 8 / 14th Feburary 2022

www.mancunion.com

Student protest disrupts pro-Israel stall outside SU

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LGBTQ+ month double spread inside!

Will France succumb to conservativism and Islamophobia? page 10

Born To Die 10 Years On: Did Lana Del Rey make the best pop record of the 2010s? page 22 Film

Books

Is UoM doing Are women more enough to support likely to die postsurgery under a male its student sex workers? surgeon?

Domination or dissapointment? Our 2022 Oscar predictions

Valentine’s: five books for breakups

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News

Science

All you need to know: SU elections explained Page 3

Opinion

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ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

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News Editor: Archie Earle News Editor: Shikhar Talwar

Deputy Editor: Gemma Brown

Editor-in-Chief: Jess Walmsley

mancunion.editor@ gmail.com

Co-Science & Technology Editor: Sam Bronheim & Emma Hattersley

Music Editor: Reece Ritchie Deputy Editors: Sarah Taylor & Jack Greeney

Managing Editor News & Current Affairs: Ella Robinson

Investigations Editor: Joe McFadden

Lifetsyle Editor: Erin Botten

Managing Editor Michal Wasilewski

Features Editor: Serafina Kenny Deputy Features Editor: Steffie Banatvala Opinion Editor: Annie Dabb

Culture:

Online Editor: Sophie Berkley

Film Editor: Benjy KaluberGriffiths Deputy Film Editor: Florrie Evans

Fashion Editor: Alex Bikard Deputy Fashion Editor: Zahra Mukadam

Theatre Editor: Jay Darcy Books Editor: Aileen Loftus Deputy Books Editor: Ava Innes

Marketing Team: Conrad Pope, Lucy Pummell, Jimena Gonzalez, Martina Ferrara, Camille Garret

Sport Editor: Arsh Asthana

Sub-editors: Elinor Burt, Katy Bray, Naziha Mardem-Bay, Harry & Emily

Food & Drink Editor:Katie Hourigan Food & Drink Editor: Izzy Langhamer

Designers: Emily Turvey, Jonno Hadfield, Roisin Haver, Sam Bronheim, Anja Samy, Jess Walmsley, Ella Robinson, Mariam Hussain

Beauty Editor: Alice Henderson

All you need to know: SU Elections Shikhar Talwar News Editor

Union Affairs

T h i s post involves understanding and helping the students of the University of Manchester through advocating for changes in their best interest. This officer is required to develop a range of networks and relationships to promote the right of students. They will

brought to them by associate chairs and advocate for u n d e r- re p re s e nt e d students on campus. The officer is likely to organise events during months dedicated to specific

histories. The officer should have well researched methods of supporting student wellbeing and collaborate with other execs to ensure liberations of students.

KEY DATES

The Wellbeing and Liberation Officer looks at the overall representation, diversity, liberation and equality amongst the student body. They are there to support campaigns

have the opportunity to meet and discuss student issues with senior leadership from Vice-Chancellors to the Mayor of the City. The officer would also network with the vast number of societies in order to strengthen relationships. Furthermore this officer would need to attend training sessions and meet other Students’ Union officers in the country to learn and evolve together. This role holds the wellbeing of the student body as top priority.

The Research Officer’s role is caring for the wellbeing of postgraduate students, this involves strengthening the relationship between the faculties and the doctoral college. This officer will need to recognise the differing background many postgraduates come from, whether a mature student, fully employed or a parent and work to organise inclu-

sive events and training schemes. The points that this officer would have to make could include bringing about changes to the doctoral college through researching new educational methods and wellbeing plans.

Wellbeing and Liberation City and Community Officer

Tea-time: Past Elections The 2019 elections would probably go down in the history of Manchester to be the most controversial. Four of the candidates later banned by the SU were running on a ‘slate’ or common platform. The candidates were not allowed to campaign, but were still up for elections. The banned candidates included Kwame Kwarteng and Rana Phool. Both of these candidates were international students and ran roughly on

Research Officer

the same platform. However, if running on the same platform was not controversy enough they were also accused of cheating. Students had complained that these candidates had snatched the phones of students to vote for themselves. Both Kwarteng and Phool ended up winning, the elections in positions of Gen Sec and Postgrad Officer, respectively. However, the NUS decided that they needed to do a full in-

vestigation. So to add to the drama around the elections already, the NUS decided that the international students officer would not be announced on the same day as the rest. The candidates for the position of international officer were told to leave when the results of the elections were being announced. The NUS took a further 2 weeks to do their whole investigation to make sure that no other misconduct had taken place.

Their job is to ensure that the students are engaged with their local community and help students make changes that

Activities and Culture

The officer here is required to run and organise events for students. They stand up for new student societies and ensure that all societies get the support that they deserve. This also includes helping student societies organise socials, debates and fundraising events. Another responsibility would be to organise multicultural events and ensure that international students do not feel under-represented at university. It is imperative for this officer to be notified of any barriers affecting international students, for example any Covid restrictions. The officer is meant to work closely to JobShop to review graduate job schemes and apprenticeships. The Activities and Culture Officer is meant to ensure that students don’t miss out on any exciting opportunities

would affect their everyday lives. They are also meant to collaborate with their local community and the Government to ensure that student voices are listened to

These would be 3 new positions that the SU would be introducing from this year onwards. All these will be representing their own faculties, i.e. Humanities or Biology, Medicine and Health or Science and Engineering. They are meant to work with their faculty to ensure students are supported throughout their degree. Another responsibility would be working with courses, faculty representatives and schools to make a positive change to the student experience. You would also use your position to voice student concerns in senate meetings. Overall the position prioritises the students’ academic experience.

in addition to this they should to ensure and advocate for student safety as well as looking for ways to improve transportation and housing. They are meant to take students interests and debate these with GMCA and the University at large.

Faculty Officers (x3) Read more tea online ...

4 News

ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

‘Gash or Tash’: Five complaints for Student Union bar after risqué quiz round The student Union bar have come under fire after five students complained about a risque new photo round in the weekly quiz Archie Earle Head News Editor

he Students’ Union bar, 532, have received five complaints from participants of their Monday night Dizzy Quiz last week, following a raunchy picture round titled ‘Gash or Tash’. A participant of the quiz told The Mancunion that the aim of the newly added ‘Gash or Tash’ round was for quizzers to guess whether a cropped photo shown was a moustache or pubic hair. ‘Gash or Tash’ was allegedly met with mixed responses from quizzers and five formal complaints were submitted directly to the Students’ Union, from students who did not feel that a round like this was appropriate for a Students’ Union quiz. A third-year politics and sociology student, who would like to remain anonymous, shared their thoughts on the quiz saying: “That’s pretty grim. Yeah, I get that you want to have fun rounds in a quiz, pushing the boundaries a bit, and it’s obviously not the worst thing in the world, but rounds like ‘Gash or Tash’ aren’t inclusive and make me not really want to do a quiz there.” Katy, a second year English Literature student told The Mancunion that she found the round “hilarious”, but felt it would have been much better suited to a “stag do or a friend’s birthday, where you know they

have that kind of sense of humour.” The Students’ Union, Bar 532, and Dizzy Quiz have been contacted for comment. It is not clear if any further action will be taken on the bar or the hosts of the quiz, but a representative from the Students’ Union have said they are still looking in to the matter. The SU pub quiz is a very popular weekly event, hosted by Dizzy Quiz - a pub quiz organiser who also runs similar nights across Greater Manchester. The quiz is more fast paced than the traditional pub quiz format. Alongside the usual quiz master with a microphone, questions are displayed on TV screens around the bar, with participants using mobile phones to submit answers. Dizzy Quiz describes itself as “fun, funny and a challenge” that not only “eliminate[s] Pens and paper, but it also eliminates CHEATING!” The Bar 532, located on the ground floor, is part of the Student Union’s group of commercial venues, which provide a portion of the income for the SU, alongside the annual block grant from the University. Aside from pub quizzes, Bar 532 hosts themed nights for large sporting events, open mic nights, and screens sports matches. The bar is open from 12-10 on Monday-Thursday and 12-Midnight on Friday.

On this day February 8 2018: Why was Sabra hummus removed from campus shelves? Why was Sabra hummus removed from UoM campus in February 2018 and why is the whole debacle actually a big misunderstanding Archie Earle Head News Editor

n 2022 you still cannot buy Sabra hummus on the University of Manchester campus because of a debacle surrounding protest, backlash and ultimately mistaken identity. On February 8 2018 the University of Manchester removed the brand Sabra hummus from being sold on university campus after backlash from university campaigners surrounding the ties of the company to the Golani Brigade. Campaigners for the Boycott, Divest and Sanctions (BDS) movement wanted the university to remove the hummus after it emerged that the US based-company Sabra hummus, a division of PepsiCo and Strauss Group, had been helping to fund a specific wing of Israeli army named the Golani Brigade. The Golani Brigade is an Israeli infantry brigade that BDS at the time alleged “are known to commit a myriad of war crimes in Palestine.” The campaigners aimed to highlight the violations committed by the military force and wanted the brand to stop being sold and to be removed from campus. In selling the hummus on campus they accused the University of being “complicit in human rights violations through the funding of

the ‘elite’ branch of the Israeli army.” The UoM branch of the Boycott, Divest and Sanctions movement started an online petition to remove the product from the Student Union shelves. The campaign included the suggestion that purchasing the hummus at the university would mean an endorsement of the companies links to the IDF branch, which may inadvertently help the Israeli Infantry brigade. The hummus was removed from campus shortly after. Speaking on the success of the campaign the Palestinian Solidarity Campaign (PSC) claimed a victory for the BDS movement at the University of Manchester and abroad: “This success illustrates the power of student activism in working towards an end to ties with Israel’s war crimes.” However, the University of Manchester denied that the BDS movement was the reason for the pulling of the product stating “the product was pulled by a new member of staff who was not aware of the correct procedure for making these choices.” It was not elaborated on as to why the action was taken by the employee or if the product would be reinstated but they did not say that they would start selling the hummus again. In yet another twist to this, when reporting on the situation,

the online news source JC.com, were contacted by the Sabra dipping company, who said that the product subject to the boycott was not part of its firm and they were not responsible for its sale. Sabra is exclusively distributed in North America and the Sabra hummus that is sold in the UK is made by Israeli food manufacturer Osem, who are owned by Nestlé. The company believes that BDS campaigners in Manchester targeted the wrong brand and mistakenly had the Sabra UK hummus which has no connection to the Israeli army taken off of the shelves. One third year history student, who would prefer not be named, said that the whole situation “was probably the right decision.” However, the student went on to add “that was almost 4 years ago but we should probably focus on larger issues as well... it’s all well and good banning a brand of hummus but surely there are things we can do to actively aid in the Israel/Palestine conflict right now, which would be way more effective.” To this day the Sabra hummus is not sold on the UoM campus and shows no signs of being brought back, however it’s still not entirely clear why the hummus is no longer being sold. Read me on the event in our archived story online.

GMP stop and search power increased: Can expanded authority increase safety? Stop and Search powers have been increased in Greater Manchester after a series of fatal stabbings in the past few weeks Photo: Ethan Wilkinson @ Unsplash

Clara Margotin News Reporter

reater Manchester Police has recently announced that its officers are to be given increased stop and search power in order to reduce youth violence in the Greater Manchester region. Indeed, following a series of fatal stabbings, over the past three weekends, including one in Tameside on the evening of February 4, the Police Assistant Chief Constable Mr Chaudhry has decided to identify a few “hotspots” in which security controls should be reinforced. These regular stop and search checks will take place in a few specific areas of Greater Manchester, including Manchester city centre, central Stockport, Stretford and Old Trafford. Assistant Chief Constable Wasim Chaudhry said that the aim of the measures

was to prevent violence and keep people safe. However, reinforcing police’s authority had raised questions from students at the University of Manchester about the role of the police as a protective institution, and its legitimacy to use power and violence. Some students seem to agree and think that it would be efficient and useful. Emily, a second-year nursing student explains that her position as a woman often stops her from feeling safe around Manchester, especially at night. She explains that increased powers for officers would help her to feel protected. “It’s good to know that they are doing their job by making sure that all these areas stay safe”. She also explained that “as a woman I can’t afford not being safe in my own city”. Yet, other students, especially when they consider themselves being part of a minority, do not agree with a more powerful and controlling police. Indeed, Jamal, a second-

year engineering student argues that “it’s just going to increase facial discrimination and racism. We’re going to be stopped all the time just because we’re Black”. Certainly, black people are over 9.5 times more likely to be stopped and searched than white people. Andy Burnham, Greater Manchester’s mayor spoke out on the issue and expressed his concern for inhabitants’ safety in the area. He encourages everyone to “speak out” and

let the police know if they witness anything suspicious. Burnham commented to the BBC that “If you see anything that doesn’t feel right with a youth person (…) please speak out”.

News 5

ISSUE 8/ 14th February 2022 WWW.MANCUNION.COM

Student protest disrupts pro-Israel stall outside SU Last week a student protest disrupted a pro-Israel stall, shouting pro-Palestinian chants and graffitiing the walls outside the SU. Joe McFadden Investigations Editor

ast week (Thursday 10th February 2022) a student protest disrupted a pro-Israel stall run by the Union of Jewish Students and Stand With Us - an “Israel education organisation”. The Union of Jewish Students’ stall was handing out pro-Israel literature, including a booklet titled “Israel 101” that spoke of “the soft war against Israel” and Israel’s “self-defence measures” against “terrorism”. The Mancunion spoke to many students gathered around the stall, some of which felt that the materials being handed out were offensive. A member of the society said that the stall was part of antiSemitism awareness week and its purpose was to raise awareness of, and educate people on, anti-Semitism. At approximately 3.30pm this afternoon proPalestine students disrupted the stall, chanting “From the River to the Sea, Palestine will be free” and “Viva Viva Palestina”. They hung signs behind the stall, which was emblazoned with an Israeli flag, reading “Students support Palestine and “Zionism = Apartheid”. The students also graffitied the walls outside the SU with similar

messages, writing “Free Palestine” and “Israel = Apartheid”. Following the protest, the stall was shut down. It is unclear whether the stall’s winding down was due to the protests of pro-Palestinian or the protest just conincided with the stall’s predetermined end time. This all comes in the wake of the University of Manchester Students Union recent announcement that it was “pro-Palestine” and officially recognised the Palestinian state. Up until the protest, students from the stall were debating with pro-Palestinian students about the wider Israeli-Palestine conflict and its contested history. The debate was heated and lively but overall healthy. However, it still caused distress to some of those present as the President of UoM Friends of Palestine declined to be interviewed due to the emotional impact of the discourse. Another student, who identified herself as being from Gaza, was also debating with a representative from Stand With Us over the conflict and its impact on the Palestinian people. When contacted for comment, a spokesperson for the Union of Jewish Students said: We were made aware of the situation

yesterday at the University of Manchester during our stall, where our J-soc members were intimidated by protestors. We know a number of students reported feeling unsafe and concerned and we will be in touch with the university to discuss ways they can support their Jewish students. Every student should feel safe on campus regardless of their belief. We are here to support our members and if anyone was affected by this please reach out to the Jewish society, the Union of Jewish Students or any other organisation who are here to support. When contacted for comment, a spokesperson for UoM Friends of Palestine told The Mancunion: As a committee we were outraged by the University allowing a stall like “Stand With Us” to be have a place on University Grounds. The stall erected by the Jewish Society yesterday has given ground to an organisation like Stand With Us to promote their settler colonialist views and principles on to University grounds. And we demand the University to ask themselves whether they would like to be remembered as apologists to an Apartheid occupation and its allies, or on the side of justice? Stand With Us is a racist Pro-Israeli

Photo: Jess Walmsley @ Mancunion

organisation that promotes propaganda amongst University Students. They persist on denial of the Palestinian plight continues to normalise apartheid and the illegal occupation of Palestine, which we as Friends of Palestine firmly stand against. Their presence has led to discomfort and outrage amongst University Students, and it was our duty as the only representative body of Palestinians on campus to step in and protest against their stall. We did what we thought was appropriate in protesting against their stall, and as long as we’re on campus we’ll always protest against apartheid. *Disclaimer*UoM Fop has not promoted graffiti nor vandalism at any point during the protest, and we condemn such acts. The University of Manchester Students Union has been contacted for comment. This is a breaking news story. Follow us @themancunion on Twitter, Instagram, and Facebook for more updates on this breaking news.

Photo: Jess Walmsley @ Mancunion

Increase in bike theft around UoM campus UoM has responded to the recent increase in bike theft across the University campus and has offered a new service to help protect bikes Archie Earle Head News Editor

he University of Manchester has warned students that there has been a marked increase in bike theft across campus. The University has received reports of an increase in bike thefts after the return of students from the Christmas break, which they say has “given thieves greater opportunities to target campus”. In response the University has offered a free overt bike marking service for all students and staff. The newly launched scheme will involve the ability for your bike to be marked with a unique anti-tamper serial number which is entered onto a database, that is then accessible to campus security, as well as the Greater Manchester Police, who will then be able to use the service

for any recovered stolen bikes across Manchester. There are frequent bike registration events that can be found on the universities crime reduction Facebook page, which includes sessions to register to be part of the scheme. The University has also urged staff and students to remain vigilant whilst bike theft is still a looming threat across the city and campus. The University have also urged all those who are vigilant of bike safety to alert the University Security Team by calling the number on the back of your student card. Students can also use the SafeZone app to report suspicious behaviour. CyclingUK.org report that 300,000 bikes are stolen every year in England and Wales alone. They suggest that you should insure your bike as well as locking it up, even if you will only be away from it for a short time. Photo: Matt @ Wikimedia commons

Features 7

ISSUE 8/ 14th February 2022 WWW.MANCUNION.COM

BBC Three has bounced back to our screens Tom Grant Features writer

t’s 2am on a school night in Year 9 and you’re loudly awakened by the beginning of the Family Guy theme tune after you’ve drifted off during the last episode of American Dad. Remember it well? Well those nights may be back on the cards, just without everything but the drifting off, because the BBC announced on 11th January that BBC Three would be returning as a terrestrial television channel from the 1st February. Yes, the channel that brought you Don’t Tell the Bride, Snog Marry Avoid? and the career of Stacey Dooley has come back to our screens, starting with the label’s new favourite programme RuPaul’s Drag Race. However, your classic American imports will not be returning to the channel after ITV2 snatched them up after BBC Three’s shutdown six years ago. The channel originally launched nearly 20 years ago on February 9th 2003, replacing the BBC’s former digital channel BBC Choice, and ironically starting after the birth of BBC Four. The organisation took the decision to move the brand online in 2014, and the channel closed with an episode of its timeless comedy Gavin & Stacey in the early hours of February 16th 2016. But since March 2019, the BBC Three brand has been used on several weekday nights on BBC One to promote the new original online content the organisation has continued to produce. The BBC announced early last year their intentions of returning the channel to the terrestrial world, after the successes of hit shows produced under the BBC Three banner such as Normal People, Fleabag and Killing Eve, with BBC Chief Content Editor Charlotte Moore hailing the channel a “BBC success story” for “backing creativity, new talent and brave ideas”. The relaunch of the channel was intended to be a “multi-genre offering”, from which “audiences can expect a rich content mix of drama, comedy, entertainment,

documentaries, news and sport”. The BBC aired the semifinals and final of the Africa Cup of Nations (AFCON) during launch week. Controller of BBC Three, Fiona Campbell, said in a BBC press release that “We [the BBC] know how popular sport is with younger audiences and it’s going to have a big part to play on BBC Three”, in a BBC Media Centre press release. The channel will broadcast from 7pm till 4am daily, as it did prior to its 2016 closure. Due to UK broadcasting requirements and airtime shares, this will mean that CBBC’s extended broadcasting hours to 9pm will be shortened back to its pre-2016 7pm, with the remit of BBC Three expanding with a “pre-watershed content offer suitable for 13+”. Third-year Arabic student Alice said that “she will be interested to see how the channel progresses back on terrestrial television” as the move to online “was definitely a step in the right direction for a channel that is aimed at a youth audience in the new digital streaming age”. Tegwyn, a third-year Spanish student from the West Country, didn’t have a smart television whilst at university last year, and noted that the reprise of the channel “will increase accessibility to content for some people,” but stressed that “we do live in a digital age so the overwhelming audience may not be so intrigued by the launch of a new terrestrial channel”. Third-year English Literature student Emily, from North East England, wasn’t aware of the channel’s relaunch on terrestrial television, but noted she will “definitely watch it”, especially considering RuPaul’s Drag Race will air on the channel. She also felt as though the “demographic of the channel is younger” than what it was previously. However, not all have welcomed the return of the channel. 20-yearold trainee pilot Ethan

asked, “why bring back a channel that failed in the first place and is not really needed?”, following up with the fact he “can watch Family Guy whenever [he] want[s]” and “streaming services are better”. The boost in the BBC’s terrestrial television services comes at a time of uncertainty after the Secretary of State for Digital, Culture, Media and Sport Nadine Dorries MP announced the BBC licence fee will be ‘frozen’ for two years until 2024, with the government beginning the ‘last’ discussions of the licence fee altogether amongst rumours of intentions to replace it with a subscription-based service.

BBC Three has returned to our TV screens for 2022 what do UoM students think? Photo: @ Canva

The man, the myth, the building: Zochonis The next in our series exploring the history behind buildings on campus

Emily Hayden Features writer

he Zochonis Building is a hidden treasure, with an unusual name and striking structure. Hiding away from the spotlight, you can find it tucked behind the Simon Building. Its peaceful and quiet location makes it the perfect spot for students going about their day at the University of Manchester. Located on Brunswick Street, the Zochonis Building is owned and used by the Age and Cognitive Performance Centre for multiple purposes. From sociology lectures to linguistics tutorials, the building sees many students entering its doors every week- but why is it called Zochonis? Built in 1953, the building was designed by architect brothers J.S. and J.W. Beaumont. These brothers also designed the architecturally aesthetic building located in Manchester’s city centre which is now used as a Primark outlet. Although it is isolated in a peaceful corner of campus, the building’s long windows and columned entrance makes it particularly conspicuous. The Zochonis family originated in Greece, and much of their business was carried out in Sierra Leone and other parts of West Africa. Incorporated as Paterson Zochonis & Co, their firm imported palm produce, groundnuts, coffee, skins and timber to Liverpool and

Manchester, and exported waxprinted cotton fabrics. The building itself is named after Sir John Zochonis, a British businessman and philanthropist. He was the director of the company, P.Z. Cussons, which now owns famous healthcare brands such as Carex and Morning Fresh. Sir John was an avid businessman, known best for his charitability. He formed the Zochonis Charitable Trust, which has given over £26 million in grants. The Zochonis Charitable Trust also donated £2 million to a variety of worthy causes, such as local schools; cultural sites around Manchester such as The Lowry and a variety of museums; and the rebuilding of several Manchester buildings following the 1996 IRA attacks. Sir John also completed National Service in the British army during World War Two, just before he became director in his family business. The business tycoon eventually became Chair of the University of Manchester council from 1987-1990. He created the Zochonis Special Enterprise Fund, which provided students in need of financial help with special study projects, and funding to study abroad. The Fund also helped students from disadvantaged backgrounds to attain a degree at the Russell Group university. Despite his philanthropy, Sir John was a private man. The

humanitarian preferred to stay away from the spotlight, carrying out his charity work and running his business under the radar. He was known in local communities to be passionate about creating equal opportunities for children and for bridging the gap between the middle and working class in Manchester especially. After a varied life of business and charity work, he died in 2013 at the age of 84. The Zochonis Building was named in his honour, and serves as a reminder to students of his generosity and philanthropic mindset. At his funeral, it was requested that no flowers were given, and that all donations be sent to Chetham’s School of Music, near Cathedral Gardens, again highlighting Sir John’s appreciation of the arts. So, next time you pass by the Zochonis Building in its serene location on Brunswick Street, perhaps to attend a lecture, remember the generous, giving man whom the building is named after and the numerous opportunities he created for so many students and people across Manchester. You can find out more about the history of UoM buildings by reading the other articles in this series on our website.

8 Science & Tech

ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

Citizen scientists: how are amateur scientists advancing astronomy? This new series hears from passionate citizen scientists to discover more about their contributions and why they do what they do. This week: amateur astronomy. Emma Hattersley Science & Tech Editor

o many people, science can seem incredibly elitist and impenetrable, requiring lengthy study to be accessed or understood. However, there are a group of passionate amateurs around the world who are constantly adding to our body of knowledge, many without any formal training or qualifications. Why is amateur astronomy so important? One field that has historically benefited enormously from the work of these so-called ‘citizen scientists’ is astronomy, and for good reason! In case you hadn’t noticed, the sky is massive. In the Milky Way, our own galaxy, alone, there are about 100 thousand million stars, and the universe is thought to contain many millions of galaxies. Expensive telescopes run by observatories simply can’t observe all these stars themselves. This is where amateur astronomers step in. With smaller telescopes or binoculars, they can search the skies for interesting variations the

astronomers to point their telescopes at celestial events they might otherwise have missed. Most recently, he observed an outburst of the recurrent nova RS Ophiuchi. Novae are the explosion of white dwarfs, the cores that remains after stars like our sun have used up most of their fuel and start to ‘die’. This explosion causes the core to shine up to a million times brighter than normal. For recurrent novae, this increase in brightness reoccurs periodically. Astrophysicists are still unsure as to what causes this recurrence, which is why their observation is so important. RS Ophiuchi recurs about once every 15 years, making it convenient to study. The nova lies in the Ophiuchus constellation, and is a binary system, consisting of a white dwarf and a red giant-a large star in the final stages of its evolution. It is about 5000 light years away, meaning the explosion occurred 5000 years before Geary witnessed its light arriving to Earth. Geary was visiting his parents’ home in Waterford City, Ireland on summer holidays when

experts may have missed, even beating specialised computer programmes to new discoveries.

“

“I thought I had made a mistake... to my amazement, it was an outburst.” Keith Geary

Keith Geary: Astronomer extraordinaire Keith Geary, an Irish laboratory manager, is one of those individuals. Despite his full-time job in paint manufacturing, he still finds the time to observe the sky, directing professional

RS Ophiuchi’s place in the night sky. Paul Martinez and Philip Brents @Wikimedia Commons

Radio map and VLTI measurements of the outburst of RS Ophiuchi. @European Souther Observatory

he made his discovery. “I went to my old observing place by the seaside called Dunbratton, County Waterford. After a week of cloudy nights, I set up my DSLR camera for my regular nova patrol (I photograph the same part of the Milky Way with the same camera settings and lens, and compare to a ‘master’ shot). I photographed the RS Ophiuchi field with my 200mm lens and reviewed the shot on camera (left), I thought that I had made a mistake...to my amazement, it was an outburst.” Geary then notified the scientific community, allowing researchers at UoM’s Jodrell Bank and elsewhere to record data on its recurrence, and deduce more about the star’s activity. It was a long time coming, as Geary had observed the star since the year 2003. His niche is variable stars and recurrent novae, enthusing

“I love ‘nova hunting’ whereby you can keep an eye on known recurrent novae for another outburst and possibly discover another yourself.” This long commitment to a tiny section of the sky is characteristic of the dedication of amateur astronomers, who often spend hours shivering outside during late nights and early mornings. Geary tries to restrict his observations to weekends due to astronomy’s inconvenient hours, but admits that “any clear night during the week tempts [him] out”. The joys of astronomy Despite the sometimes unsociable hours, Geary is keen to emphasise the accessibility of astronomy. When asked why he loves it so much, he stated “It’s free! You can gaze with simply your eyes at our Milky Way or observe our moon, planets or any deep sky objects.”

Are women more likely to die post-surgery under a male surgeon? A terrifying and headline grabbing statistic has drawn plenty of media attention but is there anything to the claims? Joe Blake Science & Tech Writer

study has emerged in the JAMA Surgery medical journal suggesting a dramatic 15% increased chance of a poor outcome in females treated by a male surgeon. The study also found a 32% greater chance of death in female patients when operated on by male surgeons when compared to their female counterparts. The research findings are based on 1.3 million surgical patients in Ontario, Canada over a more than ten-year period. The participants all underwent a range of common operations performed

by nearly three-thousand surgeons. The observations from this study are undeniably very alarming. Questions about gender biases have long been directed at the surgical vocation. The inflexibility of surgical rotations in accommodating part-time work is seen as a common barrier for women progressing to the upper echelons of the profession. With 86% of the most senior surgeons (consultants) in the UK being male. This is clearly a large proportional over-representation of male surgeons at the senior end of the specialty. More senior surgeons will generally take on more challenging operative procedures due to their experience. With more challenging surgeries generally producing worse outcomes, it

is reasonable to attribute an amount of the gender difference in patient outcome to this structural feature of the profession. Death following surgery is a rare event. However, this does not change the significance of the study. Despite the individual risk increase equating to only one extra death for every six-hundred and twenty-five surgeries performed. It is still crucial that any inequities in outcome based on the gender of the patient are addressed. Whether the revelations from this study can be explained away by differences in the structure of the profession is up for debate currently. Whatever the outcome of further scrutiny, it seems clear that more female surgeons in the profession can only be of benefit to patients.

Surgeons in the UK

Male - 86%

Science & Tech 9

ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

No more tears: tearless onions now sold in the UK

Onions are a must-have kitchen staple, but regularly leave cooks in tears. How is science helping to solve the problem? Anna van der Zwaluw Science & Tech Writer

n the 18th of January, tearless onions went on sale for the first time in the UK. Gone are the day of wearing goggles in the kitchen: ‘sunions’ are here. Contrary to what might be expected, sunions are not genetically modified (GM). Instead, they have been specifically crossbred for over 30 years by plant breeder Rick Watson to produce this tear-free strain. Selective crossbreeding involves choosing onions with desirable characteristics (i.e. onions which don’t make you cry) and making them reproduce with each other. Some of their offspring will contain the alleles (versions of genes) which produce the desired characteristic. The offspring onions are then crossbred again and again over many years to refine and enhance the characteristics of the strain. This technique is often used in agriculture to us many other benefits, such as seedless fruits, crops with a bigger yield or root vegetables with a larger edible root. How do sunions wipe away our tears? Cutting into an onion typically releases allinase enzymes, which convert molecules inside the onion into sulfenic acids. Sulfenic acids then spontaneously rearrange into either a tear-inducing chemical (syn-propanethial-S-oxide, for all you interested chemists) or odorous thiosulfates. It isn’t the smell that causes your eyes to burn, but a separate irritant as an alternative product of the same chemical pathway. The sunions strain release less of the tear-inducing chemical as a result of cutting into them, so are not as tear-inducing. Genetic modification can also be used to the same effect. A scientific paper published in 2008 showed that modifying the genetic code can significantly reduce production of the tear-inducing molecule in onions, which was deemed ‘lachrymatory factor’ after the Latin for ‘tears’, lacrima. RNA interference was

used to silence the genes encoding lachrymatory factor synthase, an enzyme in the chemical pathway producing the lachrymatory factor. Instead more of the alternative smelly product, thiosulfate, is produced. This method to produce tear-free onions may be quicker than 30+ years of crossbreeding, but GM food still holds false stig-

ma as being in some way harmful or dangerous. This is scientific misinformation – crossbred plants also contain DNA changes due to human manipulation, and are equally completely safe. If you feel like splashing out on a cool product of scientific experimentations, sunions are now available at Waitrose at £1.50 for 3 (compared to regular onions for 14p each). Photo: outsideclick @pixabay

Want to hear from professionals in the Science Media Industry? The 2022 Women In Media Conference will take place between the 21st and 27th of March, find the QR code in the paper to get a ticket and attend all events!

OPINION:

10 Opinions

ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

Is UoM doing enough to support its student stu dent sex workers? Manchester University is one of only three Russell Group universities that supports student sex workers, but is it doing enough?

Libby Elliott Opinions Writer

nly three Russell Group universities, Manchester, Durham and Newcastle, have an official policy in place to protect and support their students engaged in sex work. Save the Students have found that 3% of students have engaged in sex work, a statistic they describe as small but consistent each year. Although for many, selling sex might be the first thing that springs to mind, 39% of this work involved the selling of intimate photos and 28% involved the selling of used clothes. The University of Manchester links the Support for Student Sex Workers campaign on its Student Union site. There is a Facebook link, the offer to help with CVs and a promise of 1-1 support. Although this does seemingly place UoM amongst the more progressive universities, is the University as an institution doing enough? The Mancunion spoke to Jessica Hyer Griffin, the support lead of the campaign, to find out. I asked Jess what specific support is offered to student sex workers on campus. She detailed that Support for Student Sex Workers offer confidential sex worker led peer support. This protects all sex workers and anyone who identifies with the sex work community. Tailored support is on offer and takes many forms – be it a 1-1 session, in person, over the phone or in groups. The team is comprised of people with professional mental health experience and people with lived experience working hard to offer services beyond the mental health support detailed above. Student sex workers can seek career and academic advice and CV checks. They are offered opportunities to build creative portfolios, and are supported when reporting rape or sexual assault (be it on or off campus). Jess, who is not directly affiliated with or employed by UoM, handles all urgent queries and guarantees to respond to requests within 24 hours over the phone as the support lead. Specialising in psychological trauma, her day-to-day job consists of advocating for sex workers across multiple

universities and providing mental health support (often in times of crisis). Jess engages in noble and important work, filling the vacuum of support left by institutions. From chatting to her it is clear that there is a general culture of misunderstanding around what sex work comprises of, and the effects it has on an individual. She is, “proud of the trust her community has in her,” and regularly keeps up with the sex workers she supports. I asked Jess if she could provide me with any anecdotes of how sex workers find their experience at University or are treated in general. I was privileged that she shared her own story with me. As an undergrad she was fired from around 14 waitressing and bar jobs because of her bipolar disorder. Having also developed PTSD and agoraphobia, from circumstances unrelated to sex work, she found fullservice sex work to be the only line of work that could suit her needs as a disabled survivor. “Working on a bar, on a 12-hour shift with only fiveminute cigarette breaks for minimum wage is not in the least bit viable. And for this reason, making more than you can obtain from a full shift in a low paid job in one hour of sex work is an attractive option for students who are looking to juggle their studies with their employment, and struggling with their finances.” Arguably, Jess felt more oppressed as a waitress than she did in sex work, despite the risk of sexual assault and dangerous clients she experienced. She explained that sex workers often have complex needs, meaning they are often rejected from services for being “too high risk.” She firmly believes that in these situations you need just one person not to give up on you and that is the service she provides for the people who contact her. As a community, there is definitely work that needs to be done on reducing the stigma around sex work. Something we can all reflect on as a student body with active sex work going on in our community. The stigma brings personal shame and the need to keep secrets relating to the work of Jess and those she supports – this alongside lack of support options is commonly regarded as the most difficult part of the job. On an institutional level, Universities need to open up a

dialogue that reduces the shame that can be felt. According to Jess, “every student needs to know they deserve support and have the right to be supported regardless of what they do to make a living.” It is completely acceptable, Jess explains, for staff at the University to admit that disclosures around sex work are not their speciality and that you might need to refer someone on when out of your depth. This is due to safeguarding procedures, but she is eager to express her willingness to help and support that person with absolutely anything that is within her power. It is vital that our fellow students engaged in such work are referred on to peer organisations – like Jess’ – who do have the means to support them and can offer them a community of understanding. I asked Jess if she would be comfortable sharing any statistics on how many students she has helped at the University of Manchester. Understandably, she explained that she does not give out numbers as it feels wrong to her to out how many people are sex working at UoM. Another testament to the honest and selfless service she provides. However, she did explain that she has helped many UoM students personally and several have gotten work experience within her team. Whilst the University’s stance of support and official endorsement of Support for Student Sex Workers is a step ahead of many other Russell Group Universities. Jess ends by telling me the University has a lot more to do in its sexpositive journey. “Although through my work with the University of Leicester, where I train university staff on disclosures relating to sex work and other matters relating to sex work, we have trained a good few members of UoM staff here, there needs to be much more training done to wider groups of staff.” Jess is available as the support lead over email: jess@ supportforstudentsexworkers.org or over the phone by text: 07455310289. Alternatively, she recommends her website for a list of all peer support workers, who have a range of experience to suit individual needs, all of whom aim to reply within 4 days. Give @supportforstudentsexworkers a follow next

Opinion 11

ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

Will France succumb to conservativism and Islamophobia?

A fall to islamophobia and conservatism seems inevitable in France as the majority of presidential candidates boast right-leaning politics and xenophobic attitudes Raquel Mariani Opinions Writer

n recent years, many have witnessed how the political arena in France has shifted more and more towards the right. This movement resembles that of many European countries such as Italy (with Lega Nord) or Spain (with Vox), where far-right parties have experienced a resurgence. President Macron, once seen as a liberal centrist candidate, has shifted further to the right side, in an effort to secure his position in the coming elections of April 2022. This conservative turn has been seen in some of his policies, such as abolishing the wealth tax in 2018, where he implemented a flat tax of 30% on wealth and a

tax on real estate. Additionally, his labour reform of 2017, which made it easier for companies to hire, and cheaper to fire their staff. The discontent caused by these reforms was felt in late 2018, when the gilet jaune (yellow vests) protests began, and continued until the start of the pandemic. Currently, the polls place Macron as the winner of the 2022 presidential elections, with 25% of the votes in the first round, and around 50% in the second round. This number varies depending on the other candidate, with 57% against Le Pen and 53% against Pécresse. However, what has characterised this election is the absence of a clear leftist party and the almost exclusivity of right or far-right candidates running. The second candidate, with the highest intention of vote is the infamous Marie Le Pen (Rassemblement National) with a 16% in the polls. She is followed by two newcomers: Valerie Pécresse (Les Républicains) with 16%, and Éric Zemmour (Reconquête!) with 12%. An astonishing 71% of votes in these next elections are projected to go towards the right. Only two big parties on the left, La France Insoumise led by Jean-Luc Mélenchon and Parti Socialiste, led by the mayor of Paris Anne Hidalgo, have a mere 13% intention of vote in total. However, this clear shift towards

conservativism is not the only worrisome sign coming from the Hexagone. Over the past decade there has been a rise in a xenophobic movement against the Muslim population. Islamaphobia has spread throughout France quickly over the years, meaning “an intense dislike or fear of Islam”, especially as a political force. It has projected hostility and prejudice towards Muslims. One of the main voices of this movement has been the above-mentioned Éric Zemmour, a famous TV political commentator, journalist and writer. Zemmour has openly declared his dislike for the Arab and Muslim communities in France. As his record shows, he was fined in 2011 for racial discrimination and in 2018 for inciting hate against Muslims. In the last week he was sentenced to pay €10,000 for inciting hatred and racial abuse. Not to mention, he has been acquitted six previous times of similar charges. Through his YouTube channel, he has been able to share what some of his objectives are if he is elected President. These include: forcing Muslim parents to give their children a French first name (around 22% of new-borns in 2020 where given Arab-Muslim names), and removing all financial helps for the non-French population. He also endorses returning foreign criminals jailed in France to their original countries, the expulsion of clandestine immigrants and a tighter selection process for students from Africa coming to study in France. On top of these openly racist policies, he also is against same-sex couples accessing assisted reproduction; believing children must have a mother and a father. What Zemmour forgets to mention is that the Muslim and Arab population migration to his dear country did not occur because of some evil-Islamist plan to overtake it, but is an aspect of French history. North and West Africa were French

colonies for decades. When the time came for the French to leave, they did not give back the resources they had stolen from the African people, nor did they offer compensation for their crimes. The only hope these people had to support their families was to migrate to the only country in Europe of which they knew the language, and with which they had some connection; la France. The best example of this was the Algerian War of Independence (1954-1962), a conflict started by the Algerian National Liberation Front in an attempt to conquer freedom for their country. This complex conflict caused thousands of deaths on both sides, but most importantly it led to mass migrations of Algerians to metropolitan France. By 1965 there were over 500,000 Algerian nationals in France. Currently, the population of North African descent makes about 10% of the total, and the country hosts the biggest Muslim majority in Europe. What we can extract from all this, is that there has certainly been a shift towards the right in French politics - conservative parties lead in voters’ intentions, and the left is too weak to create any type of strong support. However, this does not mean that islamophobia is going to become a part of the mainstream political discourse. The Arab population is too entrenched in French history for it to be rejected with a couple of strong words and actions; the fact is that Muslims did not migrate to France because they had a free choice. Rather, they did so because that was their only true option after the French left. Maybe what people like Éric Zemmour and Marie Le Pen should start seeing is that their beloved, predominantly white, Western nation died when they set foot in lands that were not theirs, where people had different skin colours and beliefs, and from whom they took everything they could.

Out of the frying pan into the fire: Who could replace BoJo?

Boris Johnson’s premiership is as tenuous as ever - but any replacement would spell the return of Thatcherism

Jacob Hartley Opinions Writer

s I write this, it seems quite probable that Boris Johnson will resign from his role as Prime Minister in the coming days, weeks, or months. Bookies now believe that it is unlikely that he will make it to the end of the year, and even less likely that he makes it to the next election. It feels only too easy to get swept up in the commotion; Labour have a ten-point lead in the polls (their highest since 2013), but beyond Labour, this feels like a victory for the whole country. The potential exit of a man whose lazy ineptitude is surpassed only by his history of bigotry - who facilitated the highest number of Covid cases in Europe, and partied as the public said goodbye to their loved ones over Zoom - feels like a monumental moment. But, where one head is cut off, there are several desperate to replace it, and any of the potential replacements do not bode well either for Keir Starmer or for the country. Rishi Sunak, at 2/1, is the favourite to replace Johnson, and paints a very different political picture. Economically, he is aligned much further right than Johnson. Sunak’s new fiscal rules to try to cut government debt, and cap public investment, mean that public spending will be haemorrhaged. He intends to cut income tax, which could only become possible once public spending is limited to the point of comprehensive underfunding. His latest budget slashed spending on social care, denied the investment needed to tackle climate change, and abandoned the spending on infrastructure that the North desperately

needed. His economic policies spell disaster for a country begging for public spending rather than a return to austerity. Sunak’s image, built around personal competence, would be disastrous for Starmer, a man with neither policy nor passion.

“

[The Prime Minister] has time and time again betrayed the British Public, given nepotistic contracts to his friends and donors and broken laws

Arguably, Starmer replaced Jeremy Corbyn simply because he was the most unobjectionable option. Labour’s leader plays the role of Joe Biden to Johnson’s Trump, but having removed Johnson, Sunak’s real political stance, business acumen, efficacy and competence would wipe the floor with Starmer. The competence that gets him into power would be the same competence that allows him to execute cuts that b e n e f it his millionaire peers and devastate real people in real poverty. Second on the list of those aiming for Johnson’s job is Liz Truss, whose popularity among grassroots Tory voters seems only to grow. She wields the rhetoric of free-market patriotism, and is recognised for signing several freetrade agreements post-Brexit. Praise among her supporters seems not to recognise that these

deals have, at best, replicated the same deals that the UK had as part of the EU. Truss’s carefully curated image speaks volumes: her Department for International Trade was quickly nick-named the “Department for Instagramming Truss,” by some MPs. Her desire to promote her own self-image reflects her ‘everyone-for-themselves’ politics. Her replication of Thatcher’s infamous tank photo-op is part of a larger and worrying pattern of Thatcherite ideas – promotion of freedom, liberty: founding the Free Enterprise Group of Conservative MPs, and seeking to battle what she deems “woke” attitudes about, race, sexuality, and gender. However, just by having an ideology, she is dangerous to Starmer, whose main policy seems to be criticism of his own party, and vague attempts at pacifying those outside of it. Other candidates would presumably include current health-secretary Sajid Javid, who is Honorary VP of the Thatcherite group Conservative Way Forward. He cites Thatcher’s action in the Falkland Islands as a “big moment”

in “admiring Margaret Thatcher and her decisiveness”. Priti Patel, a self-declared ‘massive Thatcherite’ would also presumably be in the running. It seems unlikely that Patel could be the next leader of the country; her own party are too scared of her. Nevertheless, one can only imagine the catastrophe of a leader whose two most recent acts have been the Policing Act, which essentially removes our right to protest, and the Nationality and Borders bill, which breaks the Geneva Convention on several fronts. Doubtless she is a woman with passion, albeit passion that manifests itself in hatred, in comparison to Starmer’s complete woodenness. The danger she poses to Labour is nearly as big as the danger she poses to the country, were she to replace Johnson. All this is not to say that Boris Johnson should remain in office. He has time and time again betrayed the British public, given nepotistic contracts to his friends and donors, and broken laws whilst punishing the British public for breaking those same laws. It is just to voice concern, that if Johnson were replaced, it would be both the return of Thatcherite hyper-individualism and nationalism, and the defeat of Labour at the next election. Every viable option for PM replacement is far further to the right than Boris Johnson, and while competency is a quality to be praised, it is also to be feared. Keir Starmer was brought in as the anti-Johnson, and has barely succeeded in defeating him. Facing someone with ideology and ability, Labour will struggle. Much more importantly, the UK will suffer.

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ISSUE 8/ 14th February 2022 WWW.MANCUNION.COM

2022 Men’s Six Nations Preview Who will emerge victorious at the Six Nations tournament?

Ted Hughes Sports Reporter

t’s that time of year again, where European rugby shows the best it has to offer. With fans being allowed back for the first time in two years and to what might be the most tightly contested tournament ever. All six nations return to rugby’s greatest championship fired up, so who are the players to watch out for and which nation will be victorious? England - 4th Star Man: Marcus Smith (Fly-half) One to Watch: Freddie Steward (Fullback) This England squad is a very different one from the one that attended last year’s Six Nations, especially the backs. Some of the old guard still remain, Ben Youngs and Henry Slade will still most likely start but most of the backs have never played in the Six Nations. This inexperience could cost them in the closely fought games. I do not think they will win this tournament, but get ready for bits of magic from some of the new backs. Despite losing 20-17 away at Scotland last weekend, they can build momentum from the next three games and then possibly leave a showdown in Paris might be on cards. Despite not being one of my favourites for this tournament, they are my favourites for the 2023 tournament and could go one better and win the 2023 World Cup. France - 1st Star Man: Antoine Dupont (Scrum-half) One to Watch: Damian Penaud (Wing) It seems now that France have been the best side in Europe for the past two years now and yet they still haven’t won the Six Nations since 2010. Surely this time they can finally win it, and in fact I think they will. A grand slam is going to be difficult and I think they will slip up away to either Wales or Scotland and will have to fight for the tournament against England on the final day. My prediction is that France will win down to bonus points. They can score tries from anywhere and having the current World Rugby Men’s 15s Player of the Year, Antoine Dupont, is just the cherry on top. Therefore, France are my favourites for Six Nations 2022. Ireland - 2nd Star Man: Johnny Sexton (Fly-half) One to Watch: Caelan Doris (Back row) Possibly the most difficult team to predict from all six teams. More than any other team, Ireland rely on their system. Other teams in the Six Nations can mould and adapt easier in-game making Ireland predictable. This method has been successful recently though, defeating the All Blacks in the Autumn. Ireland’s attack may look boring and uninspirational but it is very

effective. With Andy Farrell, a defensive coach, as head coach they have adopted an attack which is the most tiring and annoying attack to defend. It relies on relentless energy and power eventually grinding down their opposition. Although it has been effective I think that the lack of spark in this team is what will cost them points. They will be a difficult team to beat but I think relying on a 36 year old Johnny Sexton is risky, and will lead to a loss to France, but they still have a good chance for the Triple Crown and with a bit of luck on the final day, possibly the championship. Italy - 6th Star Man: Michele Lamaro (Back row) One to Watch: Paolo Garbisi (Fly-half) Italy have not won a match in the Six Nations since 2015. Recently rugby supporters have asked if Italy still deserve to be in the tournament. However, I believe that this current Italian squad is the best we’ve seen in over a decade. Plus with the squad being so young, they can only get better. The grassroots of Italian rugby have transformed over recent years leading to this new crop of exciting young players coming into the national team and hoping to break their losing streak. Despite all the encouraging

signs, this tournament is possibly one year too soon for this Italian team to break their losing streak. They will be an exciting and fun team to watch but still not quite good enough. Scotland - 3rd Star Man: Stuart Hogg (Fullback) One to Watch: Rufus Mclean (Wing) Scotland have been a very exciting attacking team to watch for years but they still make silly mistakes that cost them games that they should win. We’ve seen over the past few tournaments that they have the capability to beat any team in the tournament so can they be victorious for the first time since 1999? Winning against England was the perfect start and much needed if they want to challenge for the title this year but there are still tough tests ahead. The key men of this squad are all reaching 30 or above (Stuart Hogg, Finn Russell, Hamish Watson, Ali Price and Chris Harris) so this may be their last chance but I think they might lose the title on the final day. Wales - 5th Star Man: Tomos Williams (Scrum-half) One to Watch: Taine Basham (Back row) Riddled with injuries to the likes of Alun

Wyn Jones, Justin Tipuric, Ken Owens, Talupae Faletau and George North it is unlikely that the reigning champions can win it back to back. Despite saying all that, they were seen as 5th favourites last year and went on to shock everyone to win so if they can take advantage of their home matches (Scotland, France and Italy) then they could do it again. There is plenty of young talent in this squad and with what might be the best back three in the tournament there are a lot of tries to be had also. The biggest worry is the centres. If they can get a creative pair working together well in the midfield then Wales might fight to the final weekend. Sadly, I do not think they will win away matches, having already lost at Dublin last weekend, so Wales might have to fight for 3rd on the final day at the most. Conclusion It would be an incredible achievement if any of these teams can win the Grand Slam but with this tournament being so hotly contested I cannot see it happening. I am certain the winners will be decided during the final round of matches on the 19th of March. It will probably go down to the last game as France take on England. So my advice is, book time off for that night because it is going to be a cracker!

Lifestyle 13

ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

Sex Toys R Us

with 11 pressure settings and 10 different vibrations. Use it solo, mutually, or during sex. This will definitely transform your sex life. It also looks quite cute…

Erin Botten Lifestyle editor

From dildos to rabbits to saucy eggs, the Mancunion has something to please everyone.

t’s Valentines, meaning tis the season to be horny! So, spread your legs, and find your new soul mate this season.

May the sexcapade commence!

Mantic Realistic Vibrator Mantic’s waterproof vibrator is definitely worth your money. At £54.99, it has three speeds and seven settings that will keep you distracted for hours. With a slight curve and head, this pink lightup vibrator gives you powerful internal and external stimulation. It targets both G-Spots and P-Spots on all genders, with it lasting up to 10-hours before needing a quick recharge. The only sounds your flatmates will hear is you reaching your “orgasmic bliss”. Oh, did I mention it’s seven inches...

Lover Luxe Dildo Back to the dildoes! Available in several colours, the Lover Luxe Dildo can provide 6.5 inches of “supreme” internal stimulation from any angle! The suction cup on the base can be put on a variety of surfaces as well acting as a strap-on. Sturdy, curvy and soft, this £20.99 dildo is for the more advanced explorers looking to add some fun to their bum (or vag). Just add lube and you’re good to go.

Again available in several colours, this “super-powerful” magic wand provides “intimate massage” to any external area. Mains-powered, the wand has a 1.8m cable and a scroll wheel that controls the intensity. Despite not being waterproof, the wand does allow for less intense vibrations for those who are sensitive. Buy from £59.99. If easter eggs aren’t your thing, this egg definitely will be. At £9.99 this “super-stretchy” descent male masturbator is lined with soft ripples in all directions. Easy to clean and waterproof, it’s messfree and intense, with the shaft stretching up to 12 inches!

If you’re new to the dildo game, this Lovehoney basic is an affordable introduction (£16.99). Designed like a penis (veins and all) at over six inches, this dildo flexy-sexy dildo is an easy way to find out what you like. You’re in control. Simply twist the base knob to choose from various speeds and reach your internal escape.

Lovehoney Colour Changing Jingle Balls If you’re looking for something risky that acts as a silent workout, these 60g Kegels aim to please. Designed to intensify orgasms and strengthen your pelvic floor, thee beginner balls are easy to insert with a silicone loop for retrieval. Jingle your way around town with “discreet thrills” from these colour changing balls. Also makes for a £7.49 fun Christmas ornament too…

Satisfyer Pro 2

Photos: @ Lovehoney.com

Lovehoney Extra Powerful Magic Wand Vibrator

Tenga Egg Wavy II

Classic Realistic Dildo Vibrator

Wat e r p ro o f, rechargeable, vibration and suction, whilst being on sale?! What else could you need! Down from £50 to £32 on Amazon, the Satisfyer Pro 2 is a wizard among all sex toys. If anything is guaranteed to make you finish, it’ll be this, trust me. The oral suction comes

massages your G-Spot, whilst the ears go to town on your clit for an hour of moans. Any male partners are really no match for this. Buy from £22.49.

Lovehoney Glitterati Rabbit Vibrator Another rechargeable gizmo, Lovehoney’s sparkling Rabbit Vibrator provides both clitoral and internal stimulation with ten different settings. With its travel lock feature, take it anywhere without fears of rumbling surprise. The vibrators bulbed end Satisfyer Pro 2 photo: @ Amazon.com

How to spend Valentine’s Day single

A singles guide to Valentine’s/ Galentines’sday in Manchester, from restaurants, shopping trips, board games and cosy nights in Annabel Benton Lifestyle writer

t’s that time of year again: everyone seems to be focused on romance, yet you’re still single. Fear not, as The Mancunion presents the guide to Valentine’s Day for those without a date. Whether you fancy a night out with friends, a trip for one or a cosy evening in, we’ve got you sorted. It’s common for singles to label Valentine’s ‘galantines’, with many choosing to celebrate the day of love with friends rather than romantic partners. As Valentine’s Day falls on a Monday this year, it’s the perfect opportunity to visit Haus for their ‘Pizza Mondays’, where pizzas are only £5. The friendly Fallowfield bar has recently introduced in house board games too, so make a night of it and challenge your other single friends to some healthy competition. The Oxford Road corridor offers many other drinks deals for those not wanting to head too far into the city centre on a Monday evening. The Deaf Institute is offering Valentine’s themed cocktails such as ‘Pink Filth’ and ‘Love Shake’ for instance. Alternatively, Brickhouse Social has just launched its Monday night ‘Rooftop Garden Open Mic’. Plus, with free entry, why not show off your talents whilst grabbing a pint for only £2.50? (student ID required) Valentine’s Day could also be the perfect time to treat yourself to a cultural pick-me-up. If you’re still looking to get into the romantic mood, Vue Cinema in Printworks is showing The Royal Ballet’s Romeo and Juliet on the 14th. However, if the £20 price tag stretches the budget too far, Manchester has loads of free galleries. Currently, Manchester Art Gallery has a ‘Spring’ collection perfect for warming up the winter days.

For the theatre lovers, Contact Theatre is currently running a series of events called ‘Queer Contact’, with a range of productions in February certain to fend away the Valentine’s blues. A date for one doesn’t have to be cultural or anything too far out of the ordinary – a splash of shopping is guaranteed to improve your mood. Why not take the opportunity to check out The Mancunion’s article on the best plant shops in Manchester and pick yourself up a new house plant (or five) – entering into a dedicated relationship with potted plants could be just as nurturing as with a person! Or, if thrifting is more your thing, consider taking a day trip to Didsbury to check out the great range of charity shops, as well as eateries for when your legs get tired from all that sustainable shopping. In fact, The Mancunion also has you sorted with a guide on the ‘6 Best and Most Affordable Independent Clothing Shops in Manchester’, perfect for those looking for some city centre retail therapy which will benefit the local economy. Finally, if staying in is more your thing, why not spend some quality time doing something you wouldn’t usually make time for and shake up your daily routine? Although cooking can be quite far down the average student’s list of priorities, Valentine’s Day could be the perfect opportunity to try something new, such as trying out a new recipe or cooking a meal with friends. Self-care can also mean just spending quality time with yourself, for yourself, so alternatively consider simply ordering your favourite food for delivery and starting a new book or TV show – though maybe nothing too romantic! Whichever way you spend your single Valentine’s Day – even if you do nothing special at all – remember to show yourself love: the most important relationship we can have is with ourselves. Photos: Jamie Street @ Unsplash.com

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ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

Agony Aunt Angela: Pungent partners Submit your worries, queries or quandries to Aunt Angela

ikes…that’s a tricky one, especially if you’re not friends. I’d definitely get the landlord to be the messenger in this scenario. If there are issues with the tenants, particularly in regards to hygiene, it’s their responsibility to address them. Plus, if the landlord is conducting viewings, they’ll want the place to look (and smell) spotless – otherwise, people won’t want to rent that property. I’d shoot your landlord an email, but be sure to address the smell issue as a concern rather than a complaint. Hopefully, this will get them to the awkward conversation sooner rather than later. In the meantime, Lush bath bombs are a good way to cover

odours. You can hide one in the bathroom or near their room. The smell lasts for weeks and you can obviously use it after. My mum uses it in her classroom, effectively shielding the odours of 30 children! That or offer to wash her bedding. Use the excuse that you’re about to wash yours and are just offering to lighten the domestic load. It’s a subtle way of saying ‘I think it needs a wash’. If all else fails, throw all your useless air fresheners and diffusers at her and start being the smelly one! Become the problem you want to solve. Hope that helps! Kisses, Aunt Angela x

Submit your worries here

Toxic Troubles

t can be hard to watch this happen, especially to someone you care about. In the past, I’ve had friends visit dodgy men or stay with manipulative boyfriends. The best thing to do is be there when it ultimately goes wrong, as sad as it sounds. Reiterate that you’re there for them and that they can count on you. The worst thing to do is get angry or irritated. They’ll simply push you away and then you have no way of helping them or checking that they’re ok. You’ve gotta bite the bullet and ignore the urge to hold them hostage until they see the light. Soz. There are a few more ways you can help however… Firstly, try and work out why they’ve put themselves in that situation. Chances are they’re aware of the risks, but something deeper is preventing them from leaving. By understanding the circumstances, you’re more to be able to

lead them away slowly. Another method would be to be with them when they’re in that toxic situation. As you’re aware of the toxic behaviours and manipulation that’s unfolding, you’ll be able to point this out to your friend. This way, they won’t be able to say “You weren’t there, you wouldn’t understand!” You can also stand up for your friend against the perpetrator(s). Finally, if all else fails, purchase a megaphone. Whenever you pass the toxic situation, blast the first 10 seconds of Britney Spears’ Toxic. Eventually, that friend will join the dots thanks to your appropriate song choice. Need emergency assistance? Contact these organisations: Samaritans: 116 123 UoM Nightline: 161 275 3983/4 Kisses, Aunt Angela x

Love triangle, gone wrong “H

ahaha girl, what have I done! I don’t want to have a relationship but I’ve somehow ended up in a love triangle. I slept with a guy on my course who very quickly ‘fell in love’ with me so I took the L. He’s still very much into me but I really like just hanging with him as pals (and low key the attention I get from him being obsessed with me). HOWEVER, I’ve started seeing another guy on my course casually who I actually do fancy. He’s a bit boring, but I do like him…But because he’s boring I find myself messaging the other guy when I’m drunk. Long story short, the other night I

was hammered and stayed at the obsessed guy’s house and made out all night. This reignited his ‘love’ after I managed to chill him out last month. I can’t hurt his feelings by I also can’t fathom the idea of this getting out on my course. What do I DO!!!?” Starting things off messy, love that. I had the same situation as you with the ‘Boring Guy’. Hot, but very boring – a tragedy. Luckily, if you’re seeing him casually and don’t want a relationship then he shouldn’t be offended that you’re texting other guys. If you’re finding him boring already it’s probably an indicator that you’re not the best fit.

The same goes for ‘Obsessed Guy’: you know you’re not romantically attracted to him. Sexually? Probably, but I think really you’re looking for a stable relationship where someone is attracted to you beyond your appearance (regardless of if it’s exclusive). This is what ‘Obsessed Guy’ is giving you unlike ‘Boring Guy’, hence why you keep comparing the two. One you like platonically, the other you like romantically, and both you like sexually. Ultimately I think you’re going to have to be firm with ‘Obsessed Guy’. The best thing to do is apologise for the mixed messages, but also make sure he

understands that his gushing and ‘love’ is overwhelming and borderline inappropriate. Encourage him to see other people and make sure he doesn’t confuse your friendship as something else. If he’s still obsessive in a few weeks, distance yourself from him over the summer break. If this does get out as gossip onto your course, deny, deny, deny. Loads of people have found themselves in this situation, and it could easily be someone else. That, or brush it off as something funny and a bit messy. Either way, who you get off with is your business only. Good luck!

Horoscopes 14.02.22 - 27.02.22 Fortnightly Astrological Prophecies from Catherine Shatwell (charlatan in training)

Sagittarius (23.11 - 21.12)

Capricorn (22.12 - 19.01)

Aquarius (20.01 - 19.02)

A good sense of humour really is a requirement

Ready for another Valentine’s sat alone crying

As Forrest Gump said, you can tell a lot about

for someone who’s been single for as long as

in the shower?

someone from their shoes and yours are... well,

you.

points for trying I guess.

Pisces (20.02 - 20.03)

Aries (21.03 - 20.04)

Competent. Unique. Magnificent. Just some of

Stalking their Instagram and Facebook does not

the words used to describe absolutely no one

constitute pursuing a healthy relationship with

born under this sun-sign.

someone.

Gemini (21.05 - 20.06)

Cancer (21.06 - 22.07)

Leo (23.07 - 22.08)

Roses are red,

Over 7 billion people on the planet and you

Violets are blue,

think you’ll meet ‘The One’ at Uni? That’s

It’s Valentine’s Day and no one’s thinking of you.

laughable.

Libra (23.09 - 22.10)

Scorpio (23.10 - 22.11)

Star Wars: Return of the Jedi, 01:48:55

Virgo (23.08 - 22.09) Stop giving people relationship advice they didn’t ask for.

Taurus (21.04 - 20.05) Stop pretending you’re too good for Tinder.

If it hasn’t happened by now, why on earth Grow up.

would it happen on some arbitrary day in February.

Word Games

because apparently somethingcalled ‘Wordle’ is popular now

Word Ladder TAIL

CURL

Make as Many Words as Possible Using the Middle Letter

C O P A U T M L E

LGBTQ+ HISTORY MONTH 14th FEB

15th FEB 15th FEB

17th FEB 19th FEB 22nd FEB

24th FEB

25th FEB

UoM Sport's LGBTQ+ History Month Panel This is an online discussion looking at the lack of LGBTQ+ representation in sport. Special guests include Olympic swimmer Michael Gunning, Olympic race walker Tom Bosworth, and sports lawyer Leon Farr. Starts at 4:30pm, scan the QR code for the registration link.

PRIDE IN PROTEST Free placard making workshop to celebrate LGBT history month at Terrace NQ Bar, hosted by the LGBT foundation

LGBTQ+ PG Conversation Corner Tuesday 15th, 3pm, Room 2.2 in the SU Come along to a Conversation Corner to meet similar students, to talk about shared interests and issues and to feed into the work the Students’ Union does in these areas. There will be refreshments available. For any LGBTQ+ PGs.

Scan here to read our article on all the upcoming Queer events at Contact

PANEL FOR LGBT+ HISTORY MONTH (@ UoM) Panel discussing the theme of this year's LGBT+ History Month: Politics in Art. Hosted by Hayley Jane Sims (writer and Your Manchester Stories podcast host). Register for tickets online.

OUTing THE PAST LGBTQ+ HISTORY FESTIVAL Event taking place at Stockport Central Library (can also attend via Zoom). 4 speakers will present on a range of topics.

My History Zine Workshop Tuesday 22nd, 4pm, Room 2.2 in the SU Engage in LGBTQ+ History through radical, self-expressive art! Come and make a homemade zine about your life (or anything you want) just like members of the LGBTQ+ community did in the past! This year's theme is politics in art, and self-published zines are the perfect merger of the two. Create your own piece of LGBTQ+ history here!

LGBT Living at Home Lunch Thursday 24th, 12:30pm, The Nest in the SU For LGBTQ+ History Month, the Living at Home project is hosting an LGBT Lunch.Bring along your own food, or grab food from the SU's great outlets, and meet other LGBTQ+ commuter students in Manchester. This is a safe space to meet people with similar experiences to you, and there will be information available on various support groups and services around Greater Manchester for LGBTQ+ young people. Trans Clothes Swap Friday 25th, 10am to 4pm, SU Foyer Trans students often struggle to access gender affirming clothing for a variety of reasons. UoM SU's Trans Clothes Swap is an opportunity for trans and nonbinary students to access free and sustainable clothing from their fellow students to help them present as their correct gender. The clothes swap is open to everyone, but those who do not struggle as much to access affirming clothing are encouraged to make a small donation to Trans Mutual Aid Manchester if they take home a piece of clothing. After the event, the clothes swap pages 6 & 7 will be permanently accessible fromRead the Safe more Space onon the 2nd floor of the SU building.

Photo: Antonio Ross

Who was Margaret Roff? Jess Hamilton News Writer

anchester is celebrated for its thriving gay scene. The city has one of the largest gay communities in the county and the famous ‘Canal Street’ is at the heart of it. Over the years, Manchester has been the home of many significant figures who helped pave the way for equality. One of which is Margaret Roff; an underrated advocate and campaigner for LGBTQ+ rights. Roff began her political career in Manchester working for a co-operative, where she distributed radical publications. In 1982 she was elected as the Labour Councillor for the Rusholme Ward. During her time on the council she was Vice-Chair of the Equal Opportunities Committee. She supported many issues including lesbian and gay rights, women’s rights and joined the fights against racism. Roff worked hard for these causes which were readily dismissed at the time. Amid an AIDS epidemic and under the Thatcher government, she worked during a difficult time on the journey towards equality. Roff’s persistent efforts for LGBTQ+ rights to

be recognised should be remembered. Margaret Roff is often branded as the first openly gay mayor. Yet unfortunately she never carried out any official duties. After a mass-critical response from her election she chose to withdraw. The Manchester Evening News reported on the matter and outed her in a headline which read: ‘Lesbian rights campaigner to be Lord Mayor’. This wide-scale outing mostlikely affected Roff as she was deemed a ‘private and sensitive person’. Not to mention how she hadn’t yet disclosed her sexuality to her parents. A year after the 1985 nomination, she resigned from her position as councillor. Roff was also involved in helping the women in Nicaragua, which is Manchester’s twin town of Puerto Cabezas. She was a supporter of the special connection and visited Nicaragua. In 1987 she tragically died there in a hotel fire. Roff’s legacy should be widely recognised. But unfortunately information on LGBT campaigners like Roff aren’t easily accessible and are often lost in history. However her efforts for equality weren’t for notoriety. And there are many people who’s private efforts we can thank for equality as it is today. Roff is remembered fondly by the Manchester

Labour party, a portrait of her is displayed in the town hall. Pat Carney and Paul Fairweather deem her as ‘one of the leading women in the fight for equality in Manchester’. You can watch their tribute to Roff here.

Lavender Menace Jess Baxter News Writer Purple, in any way, shape or form, has long been associated with the LGBTQ+ community, lesbians in particular. Violets used to don the lapels of the 1920’s lesbians in ‘Paris Lesbos’, and purple flowers even come up in the poems of the immortal Sappho. These symbols of beauty and one lover’s adoration of another would later become associated with protest and rebellion in the 1960s and 70s. Betty Freidan, the leader of the National Organisation for Women, dubbed lesbian activists ‘The Lavender Menace’. Despite lesbians’ collective efforts to push forward feminist activism and move the wheels of history, Freidan considered the group a detriment to second-wave feminists, keen to push forward their politics that deliberately omitted any policies to further the rights of lesbians. Freidan hadn’t heard the last of the Lavender Menace. It was this name that was printed on hand-dyed T-shirts of the lesbians that protested the Second Congress to Unite Women in 1970. They cut off the speakers and raised their voices, to prove that lesbians belong in the fight for feminism.

The fallout from that day created a turning point in second wave feminism. This meant that lesbian voices were heard within feminist movements and could pave the way for more inclusivity over the next 50 years. Intersectional feminist spaces now value and empower the voices of lesbians in our collective fight against the patriarchy, in a large part, thanks to the Lavender Menace.

Photo: Sky Cosby @ Last Word Books

Read more on pages 6 & 7 Photo: Antonio Ross

The annual Women in Media Conference is back!

Buy tickets here! Not ready to commit to the conference but still want to donate? Donate here!

20 Culture

ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

The Oscars and BAFTAs

Music

CULTURE

ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

Who is Master Peace? ‘Wrong Answers Only’ The Mancunion interviews rapper-meets-early-2000s-indie-artist Master Peace ahead of his UK tour. Covering his influences, collaborations style and more.

Reece Ritchie Music Editor

aster Peace is for me 2022’s shining example of what it means for a musician to truly be an artist. Fresh off of collaborating with Mike Skinner and The Streets on ‘Wrong Answers Only’, Master Peace is set to headline the basement at Yes on the 1st of March, as part of his newest tour that features his largest headline show to date and five shows country wide. Named after his EP, the “Public Display of Affection” tour dates are not ones to miss, especially when you want bragging rights when he eventually headlines Victoria Warehouse himself. Already feeling pumped, on a surprisingly sunny day in London, Master Peace tells me he already feels “a year behind” due to Covid. Having already supported the likes of EYK and Kawala, Master Peace has a whole backlog of great tunes he needs to tour so he can release his newest and best material yet. Local readers will be delighted to hear that the support for his Manchester date, Sweets, also features on EYK’s supporting line-up. Yet, despite all these supporting slots under his belt Master Peace is tackling his first headline since Covid humbly. “You have to travel as a musician, but you also have to give it a go and just see what happens”. A grounded sentiment surely for someone that just dropped a banger with The Streets. But who is Master Peace, and why do I find it so important to tell you? Well, having discovered his work through my earlier interviews with Mae Muller, I’ve since found a artist writing incredibly catchy music,

and combining his love for early 2000’s indie into some of the most refreshing raps I have heard in a long time. Public Display of Affection combines Master Peace’s love for the drumming and backing tracks of the likes of Bloc Party, Two Door Cinema Club and Artic Monkeys into a 6 track EP of love songs that cements his vocal technical ability but also his variety within the Indie scene. It is no wonder then that the London native was picked up by Mike Skinner and the Streets, an experience that can only be described as mad. “I didn’t deep it at the time, but when I left the studio I was like “F*ckkkkkkk”” he explains to me. As someone thriving off of his love for garage, R’n’B and Indie Master Peace fits perfectly into the track ‘Wrong Answers Only’. He also delivers one of my favourite bars of the year “Are you trying to get even with the people who hurt you, or with the people who helped?”. Incredibly simple but incredibly poignant in this messy world we find ourselves in. Master Peace has also worked with Kelly from Bloc Party, Kasien, No Rome, and Misogi. Yet, when I asked the artist what his dream collaboration would be he told me it would be Turnstile! A shock yes, but also incredibly understandable answer from someone so ready and willing to push the boundaries. It’s certainly a tune I’d be interested to hear. You can check out my interview with Master Peace’s collaborator on ‘Boyfriend’ Mae Muller here. Some of my personal favourite examples of Master Peace’s work are ‘Eyes on You’, ‘PDA’ and ‘Night Time’, three tracks that stay fresh far beyond their first listen and are sure to convince you of the rapper’s

musical prowess. The perfect example for a new generation of taking the best of what makes your different and blossoming from your individuality. Master Peace’s “Public Display of Affection tour” for 2022 Tickets Here! It was obviously heart-breaking to see the cancellation of the Streets Tour, which would’ve seen Master Peace feature as lead support for two nights at Victoria Warehouse. But he is certainly hopeful there is the potential for it to be put back on, whilst nothing concrete this was certainly a sign of life for a live collaboration I’m desperate to witness. Both Master Peace and the Streets were well aware of the damage the tour could’ve caused to Covid numbers and whilst cancelling the tour was incredibly difficult it was the right thing to do. Still releasing the single was massively helpful though, to both Master Peace and the Streets. The track has received a lot of Radio play, especially on BBC Radio 1 and has been a peculiar yet welcomed experience for the up and coming musician. Master Peace mentioned to me specifically that he’s now receiving a lot more industry love than he was before which is wonderful to see. We finish our interview with final words on Master Peace’s personal style as an artist. “You have to be relatable if you want to connect”, he says, referring to the years he has spent grinding away at music. “I’m not f*cking about and I’m here to stay!” If you’re looking for an artist to break up the monotony of your regular Indie playlists, Master Peace is the place to start.

ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

CULTURE

Friday I’m in Love:

Music 21

Valentunes for your romantic evening The Mancunion music section breaks down their favourite love songs of all time to prepare you for your hottest valentines date yet!

‘Sunday’ – Bloc Party Reece Ritchie

‘This Must Be the Place (Naïve Melody)’ – Talking Heads Aušrinė Naujalytė

A B-side on Bloc Party 2007 record A weekend in the City, ‘Sunday’ for me a was a track discovered through my love of early 2000’s indie. It recalls an evening between two souls in love enjoying a heavy night out in the city, their joy in dancing and revelry in the sound of life. “I’ll love you in the morning, when your still hungover” is the tracks most beautiful sentiment, with Kele Okereke’s vocals punctuating over Bloc Party’s iconic guitar tones with a breathless quality. This song is beautiful and reminiscent of the sound escaping your lips after that first firework inducing kiss with a new partner. You always feel full of excitement but grounded in the somewhat gritty reality thanks to the continuous floor tom pattern driving the tune. This is my favourite love song of all time because it conveys a story that comes closest to my own experience of love, perfect for dancing through your kitchen, 42’s or the first dance at your wedding. A perfect reminder that your favourite love song can be whatever you want it to be.

The simple intro, the hummable tune and beautiful lyrics make this Talking Heads classic my favorite love song of all time. Universally loved by snobby and casual fans, this song captures the simple and naive beauty of love. It promises you comfort and care forever which is reaffirmed by the beautiful melody. Every time I hear it in a coffee shop or a cafe, I am reminded of those moments that you wish would never end and the people who make life worthwhile. It’s the kind of song you would keep to yourself and would only share with ‘the one’ as the risk of losing it is too painful.

‘True Blue’ – Mark Ronson ft. Angel Olsen Emily Johnston I am a sucker for Angel Olsen. Her voice and music is hauntingly beautiful, but this is definitely a standout in Mark Ronson’s 2019 album Late Night Feelings. Starting with Olsen’s vocals through a crackly old timey effect, and leading into a funky groove supported by a booming beat, the sludgy disco feel gives you such a night-time feel of love. The lyrics include lines such as “Love the way you read my eyes” and “I ran to you/and you know why”, with the repetition summing up the bittersweet feeling of love. The feeling of yearning and longing for your lover plays through in this track in every element and I just adore it. ‘I Wanna Be Yours’ – Arctic Monkeys Lucy Turner From Arctic Monkeys’ fifth album, AM, ‘I Wanna Be Yours’ is the embodiment of a classic love song. Including lyrics from John Cooper Clarke’s poem of the same title, the track includes eccentric metaphors, beginning with “I wanna be your vacuum cleaner, breathing in your dust”, which humbles the atmospheric ballad. The title perfectly encapsulates the meaning of the song – pining over someone that’s just out of reach from being ‘yours’. Cook’s dreamy guitar chords, packed with reverb, helps to create the seductive ambience the song is known for, complimenting the simplistic baseline and drum pattern – a true representation of ‘less is more’. Topped off with Turner’s strong Sheffield accent, ‘I Wanna Be Yours’ is an obsessive love song that everyone can relate to. It truly is a three minute ‘proper northern’ masterpiece. ‘Everywhere’ – Fleetwood Mac Kai Scotney When it comes to favourite love songs, you can never tell if your choice lies in the greatness of a track, or where you heard it and who you were with. Despite its ever-presence, I had never particularly latched onto Fleetwood Mac’s ‘Everywhere’, placing it in my mind alongside other danceable, inoffensively cheesy 80s bangers. But after one particular evening in a courtyard beer garden, in which I and another were the only two people in sight, with the echoes of a tribute band playing the song across the street, I found myself enraptured in its groove. And the sparkly intro, apparently a combination of slowed-down and sped-up guitars, is just magical. Not an obscure pick, but a cheesy 80s banger at its best. ‘Androgynous’ – The Replacements Kristin Cooper This song to me is the perfect love song. With just piano accompanying the lyrics, it is not overcomplicated, it is understated but beautiful. The lyrical focus of the song covers the romantic relationship between two gender non-confirming individuals, both who dress however they like regardless of the gender society ascribes to different items of clothing. Released in 1984, this song as lyrics that feel at home in 2022 as our society becomes more tolerant. With lyrics like ‘closer than you know, love each other so’, for me this song encapsulates what we look for in a romantic partner. Someone we are at home and comfortable with, who complements our individual character and becomes a someone to face the world with. This song feels comforting, it does not describe the super passionate love of blockbuster films but instead companionship. ‘Why Should I Love You?’ – Kate Bush Annie Dabb This song has to be one of the best of all time, if only because if you find someone who loves you enough to listen to Kate Bush’s glorious warbling, then they must be absolutely besotted. I adore the woman but I get that her glass shattering vocals may not be everyone’s cup of tea. Of course, the fact that Prince is shredding guitar and singing backing vocals on this track doesn’t hurt either. This song is such a great love song because unlike your classic ‘Can’t help falling in love with you’ or ‘Make you feel my love’, the beat drops partway through and it’s an absolute bop. Bush’s lyrics manage to encompass the sentiment of nonsensical love almost as a type of overwhelming religious devotion. The whole song feels like a whirlwind romance, over before you’d even realised it had begun. ‘Of all the people in the world, Why should I love you?’. I don’t know, I just do.

‘Just Like Heaven’ – Dinosaur JR Thomas Frankland Taken from their 1987 slacker rock classic “You’re living all over me”, ‘Just like heaven’ is an eccentric, buzzing cover of the originally tame song by The Cure. Backed by bracing supporting howls, J Mascis’ guitar truly soars as the song meets a crushing crescendo in a whirl of distortion and manic guitars. Whilst this may sound audibly confrontational the caustic guitars are perfectly juxtaposed by J Masics’ syrupy yearning for companionship (“You lost and lonely, You just like heaven”) and fulfilment. Supposedly the Cure singers favourite cover of the song, ‘just like heaven’ is a remarkably sentimental and unconventional classic. ‘houseplants’ – Easy Life Maddy Oxley To me, Easy Life’s ‘houseplants’ perfectly describes the feeling of falling in love with someone for the first time, as Murray puts it with lyrics such as “What the fuck? I’m actually in love” explaining how the gravity of your feelings can suddenly hit you at the weirdest times. The track laments on the mundanities of a relationship in lyrics such as “grand designs and channel surfin’” and how it’s in these otherwise uneventful moments when you realise just how much you care for that person, as well as the comfort you can feel simply as a result of their presence. These moments that would usually be boring suddenly aren’t, and you realise that you’d much rather be doing nothing with the person you love, than something exciting with anyone else.

22 Music

CULTURE

ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

Born To Die 10 Years On: Did Lana Del Rey make the best pop record of the 2010s?

As Lana Del Rey’s seminal album Born To Die turns 10, Sarah Taylor looks back at its legacy and influence. Sarah Taylor Music Editor

op music was irrevocably altered on 27th January 2012 when Lana Del Rey released her seminal album Born To Die, a collection of baroque, trip-hop, and alternative pop songs saturated in sentimentality. The record polarised music critics: some derided Lana’s penchant for old-time aesthetics, calling it contrived, whilst others applauded its avant-garde approach to pop music. The backlash extended to concerned parents of teenage daughters who decried its glamourised depictions of depressed and drugdependent women (‘Carmen’). Meanwhile, feminists rebuked it as reductive of women (‘This Is What Makes Us Girls’). In more recent years, Born To Die has become a muse for retrospective reviewers, with many acknowledging that they had judged it unfairly upon its release. Commercially speaking, the album has sold upwards of 7 million copies, and continues to intrigue, and inspire debate. Why? Unlike other equally talented female pop stars of the era (Lady Gaga, Katy Perry, Rihanna), Del Rey’s music, though ultimately pop at its core, dripped with nostalgia and oozed melancholia. Born To Die is Lana Del Rey’s debut album on a major label (though her second overall), and it was the record that built and then cemented the character, the enigma, that is Lana Del Rey. Lana carefully crafts a world that is distinctly hers; there is intention behind each word, phrase, image used. The heart-shaped sunglasses of ‘Diet Mountain Dew’, the white bikini of ‘Off To The Races’, and the iconic red dress of ‘Summertime Sadness’ to name a few. I was 11 when Born To Die was released. I vividly recall seeing the music video for its title-track on TV and being in awe of this powerful singer bedecked in a flower crown, proudly seated atop a throne, and with a signature crimson pout. Her vocals were strange to me, unlike any I had heard or

was used to hearing. From its instantly recognisable opening line (‘Feet don’t fail me now’) to its perfectly penned chorus, ‘Born To Die’ constitutes the ultimate album opener. I remember my sister buying the CD and we would listen to it on car journeys – some of the songs were miserable and melancholy, others sultry and sensual. The stripped-back simplicity of ‘Video Games’, with its fluttering piano notes, flourishing bell chimes, and unmistakeable vocal performance, all hinging on its evocative chorus (‘It’s you, it’s you. It’s all for you.’) It should be no surprise that Q Magazine named ‘Video Games’ the Song of the Decade in 2019. The overnight success of its viral music video catapulted Del Rey to stardom. It is a carefully constructed montage of visuals; video clips of skaters and swimmers, young couples and yellow taxi cabs are interspersed between shots of Lana singing directly into the camera, hair coifed into a bouffant, lips pouted. It is, in some ways, a cinematic odyssey. The expertly executed music video for ‘National Anthem’, has Lana and then-boyfriend rapper A$AP Rocky assuming the roles of Jackie and John F. Kennedy. ‘Blue Jeans’ depicts Del Rey embracing a heavily tattooed lover in a pool, through a black and white hued lens. It all reflects the album’s highly theatrical production. Think the bells on ‘Summertime Sadness’, the striking string arrangements of ‘Lolita’, the woozy Bond-esque ‘Million Dollar Man’, or the static distortion on tracks like ‘Radio’ and ‘This Is What Makes Us Girls.’ Inflections of trip-hop crop up on ‘Diet Mountain Dew’ and ‘Off To The Races’, a realm that will be furthered explored on subsequent albums like Lust For Life. The latter track with its slow-burning opening soon accelerates into a thrilling sung-spoken verse before its infectious sing-along chorus. ‘Off To The Races’ is also the most obviously indebted to Vladimir Nabokov’s Lolita, with the exception of its namesake song. Its pre-chorus refrain is borrowed from the book’s opening line ‘Light of my life, fire of my loins.’ One of the most notorious and controversial novels of the 20th century, Del Rey’s use of its imagery is of course intentional. My personal favourite track on Born To Die was and

Scan to listen while you read!

remains ‘Radio’. Its crackly distorted beginning creates the impression that the needle has just been dropped onto a beloved old record. ‘Not even they can stop me now’ – her vocal kicks in, deep, hypnotic, determined – ‘Their heavy words can’t bring me down.’ As a teenage girl, I felt inspired, it imbued me with a sense of resilience. ‘Radio’ is a song about old acquaintances and ex-boyfriends coming back into Lana’s life now she is famous, with its sassy refrain ‘How do you like me now?’ figuratively sticking a middle finger up to those who doubted her. Born To Die, as with other Del Rey records, offers a romanticised America, an idealised country, exuding Hollywood glamour, but also exposing its darker side. Abusive relationships, imbalances of power, and manipulative (often, older) men have been subjects of her songwriting, prompting controversy. The symbolism of location continues to pervade her work – with Ultraviolence’s ‘Brooklyn Baby’ and ‘West Coast’ tracing America’s expanse. Today, pop music – that is popular music – is more diverse than ever, with artists like Olivia Rodrigo and Rina Sawayama bringing inflections of rock and nu-metal respectively to the fore, whilst Lizzo incorporates elements of hip-hop, Taylor Swift brings folk-leanings on her recent records, and rap queens Cardi B and Megan Thee Stallion rise up the charts. But there is a clear strain of artists whose music is indebted to Del Rey. The minimalism and melancholia of Billie Eilish, Lorde, and Halsey come to mind. Unsurprisingly these artists have cited her influence in interviews, and consistently draw comparisons from music critics. This Lana Del Rey-esque sound, of course, was established on Born To Die. With this record Lana Del Rey’s mythologised identity is presented to the listener, in the intricacies of her lyrics and instrumentals, reinforced by its accompanying visuals. In the 10 years since its initial release, Born To Die has aged gracefully, provided a blueprint for an alternative type of pop music, and brought together a community of listeners who connected to its provocative lyricism, wistful melodies, and seductive shine. Now get your red dress on tonight and go and give it another listen!

ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

CULTURE

Film 23

OSCAR Predictions 2022 Four of our film writers give their predictions for the upcoming Academy awards

ust under a year after the strange online event that was the 2021 Academy Awards, the Oscars will be returning to our screens on March 27th in traditional style. Full crowds, red carpets, and a return to its traditional home in the Dolby Theatre, Los Angeles represent a tentative yet hopeful step forward in our return to cinematic normality post COVID. What should you expect this year? It’s actually quite hard to predict. Omicron has continued to delay awards contests meaning an out and out winner has so far not surfaced. However, in preparation for the big day expect more controversial decisions, last minute mistakes and a wealth of inconsistencies and robberies. Therefore, we at The Mancunion thought we’d have a crack at predicting the results ourselves. Will we predict correctly? Who knows? Will we moan if our opinions don’t come true? Most definitely.

Best Picture Benjy (Chief Film Editor): Jane Campion’s The Power of the Dog has emerged as the front runner for this year’s Best Picture and in all likelihood will win it. However, to me Kenneth Branagh’s Belfast has all the sentimentality and hard-hitting social commentary required to win this. Stylishly filmed in black and white, Belfast may be a good bet given the Academy Awards and Golden Globes have a history of awarding Best Picture to different films. Florrie (Deputy Film Editor): With its recent success at the Golden Globes, winning Best Picture, and a massive 12 Oscar nominations, The Power of The Dog seems to be the one to watch. Michal (Senior Cultural Editor): If there is one thing that became clear after this year’s Oscar nominations, it is the strength of The Power of the Dog . This Best Picture frontrunner managed to get an impressive number of 12 nominations, with shocking nods in production design, sound, and supporting actor for Jesse Plemons. It might seem that The Power of the Dog is set for an Oscar glory, especially with its main rivals, Belfast and Licorice Pizza , missing a crucial editing nomination. Yet, in the era of the preferential ballot, you can never be certain about the Best Picture winner. Joe (Investigations Editor): This year’s Best Picture is a competitive category, but I predict that Jane Campion’s The Power of the Dog will beat the rest to take home the award. The Academy seems to be giving a lot of love to Campion’s Western so it makes sense that Netflix’s prize pooch will take home top honours. Best Director: B: Campion will sweep up. F: Let’s have another female win, Jane Campion with The Power of The Dog . M: It seems like the Best Director will be an easy win for Jane Campion. One thing that seems baffling is the snub of Dune’s Denis Villeneuve, especially considering that the film is the clear frontrunner in several belowthe-line categories: editing, cinematography, production design, visual effects etc. J: Despite tough competition from Academy favourites Steven Spielberg, Kenneth Branagh, and Paul Thomas Anderson, I predict that Jane Campion will win the coveted statuette. Best Actress B: Nomination snubs have been the talking point in this category. Lady Gaga (House of Gucci) would’ve been a solid choice but she hasn’t made it! Whilst Nicole Kidman is favourite, I would like to see the award go to Olivia Colman for The Lost Daughter . A brilliant performance and a classic Oscar Bait film if I’ve ever seen one. F: Seems as though everyone’s a little shocked about the missing Lady Gaga. Although her performance in House Of Gucci was certainly memorable, I am over the moon that Olivia Colman has made this category. Her performance is beautiful and heart breaking in The Lost Daughter . With moments of true discomfort and sadness,

she manages to create a subtext which is hard to bear. Olivia for the win. M: In the past few weeks, it remained clear that Best Actress seems to be between Lady Gaga (House of Gucci) and Nicole Kidman (Being the Ricardos) . With Lady Gaga getting a shocking nominations snub, Golden Globe winner Nicole Kidman remains the most logical choice. However, if we have seen a few shocking decisions in this category in this season already, we can definitely see another one on the night. J: A surprising Gaga snub has opened the category and really anyone could win it. That being said, I predict the Academy will go for a familiar favourite in Nicole Kidman but if Kristen Stewart wins for Spencer, I am done with the Oscars. Best Actor B: A more obvious list of nominees it’s got to be Benedict Cumberbatch in The Power of the Dog . Will Smith in King Richard will definitely provide adequate competition whilst Denzel Washington in The Tragedy of Macbeth would be my personal, but incredibly unlikely choice. I just don’t see Cumberbatch losing this. F: This feels like a completely new role for Cumberbatch, and I think he deserves his first win. M: The lead actor category remains more or less open. Will Smith (King Richard) is on his way to win his first Oscar. However, the Academy’s love for The Power of the Dog means that Benedict Cumberbatch might pull off a surprise win here. J: Another tight race between multiple stars will make for tense viewing but I think Benedict Cumberbatch will take Will Smith’s promised crown in an upset that will have Smith fans up in arms. Best Supporting Actress B: Another difficult category to predict. Kirsten Dunst is in with a shot for her role in (yet again) The Power of the Dog , whilst I’d like to see Ruth Negga gain recognition for her role in Passing. However, after her Golden Globe win, I have a feeling Ariana DeBose will probably win this for West Side Story . F: I would love to see Jessie Buckley win alongside Olivia Colman. Their performances lie together, both aligning with the character so well that we are swept away by the emotive subtext of the film. M: Supporting categories have seemed locked in for a long time, and it would be unreasonable to bet on anyone other than Ariana DeBose (West Side Story) . J: Once again a highly competitive category, it could really be anyone’s night but I’m going to go for Jessie Buckley to win for The Lost Daughter . A relative newcomer to Oscar season, Buckley’s deeply emotive performance will surely resonate with voters looking to make another star. Best Supporting Actor B: Kodi Smit-McPhee looks to be taking this award home for The Power of the Dog but faces stiff competition from the host of Belfast stars in the running. F: Can we take Jared Leto out of the running? I think with the amount of recognition The Power of the Dog is getting, I can see Kodi Smit-Mcphee winning best supporting actor. M: Much like the above, best supporting actor seems like an obvious choice in Kodi Smit-McPhee (The Power of the Dog) . J: Kodi Smit-McPhee is the current frontrunner, but I think (probably incorrectly) that the Oscar will go to Troy Kotsur for CODA. A win would make him the first deaf actor to win an Oscar (his CODA co-star Marlee Matlin won gold back in ‘87) and his touching performance hopefully tugged on the Academy’s heartstrings. Screenplay Categories B: The Golden Globe for the Best Original Screenplay has already been won by Kenneth Branagh and I have a

feeling he will sweep up the Oscar. However, he does face stiff competition in the form of Licorice Pizza and even Adam McKay’s Don’t Look Up . F: I would love to see Drive My Car win best adapted screenplay. Hamaguchi integrates three short stories from Murakami’s Men without women collection with ease. Although it has been said that Murakami’s literature isn’t meant for cinema, Hamaguchi manages to create the meditative nature of a Murakami novel, forefronting the character’s emotional landscapes effortlessly. I hope Best Original screenplay will go to Paul Thomas Anderson. M: The Best Adapted Screenplay category seems like another win for Jane Campion. On the other hand, Best Original Screenplay looks like an interesting two-horse race between Paul Thomas Anderson (Licorice Pizza) and Kenneth Branagh (Belfast) . Both films did not do well on the nomination’s morning, missing some important nods they were supposed to get. Right now, I would say Paul Thomas Anderson is likely to win his first ever Oscar – he’ll definitely win the Writers’ Guild Award due to Belfast being ineligible there, and he might surprise at BAFTAs as well. However, it is certainly not yet over for Branagh. J: For the Best Original Screenplay I predict that voters will award Branagh’s Belfast for its screenplay but really Paul Thomas Anderson’s Licorice Pizza could be in with a chance. However, if Don’t Look Up Wins then I will simply look down at my phone screen as I go on twitter to malign McKay’s monument to mediocrity. Best Adapted Screenplay: The idealist in me is backing CODA as it took a bog-standard story and turned it into one of the best films of the year. I’m probably wrong but a man can dream. Best Musical Score B: Hans Zimmer’s soundtrack for Dune was truly astonishing and is the clear winner in this category. However, whilst not a score, Billie Eilish’s No Time to Die is bound to win best song. F: I can’t see anything other than Dune winning this category. With an epic score and incredible cinematography, I won’t be surprised if the film wins in both. M: As mentioned above, Dune has seen a host of nominations, most notably in its sound, and score, making it the obvious choice this year. J: Dune will easily win by the simple fact that Hans Zimmer’s music could win awards if it was one note played on repeat. A left-field choice will be Nicholas Brittell for Don’t Look Up – he’d be a worthy winner because his talent lies in being the best part of overrated films and shows (yes I am looking at you Succession ). Other Notable Categories B: Regarding best non-English speaking film it’s got to be Drive My Car whilst I hope Dune gains recognition for its stunning visual effects. F: As a Murakami fan (and now a Hamaguchi fan) I am ready to see the portrait of grief, loss and loneliness, that is Drive My Car , win Best International Feature. M: One thing worth mentioning is the success of this season’s critic’s favourite, Drive My Car . Despite being a 3-hour long, international film, rather inaccessible to mainstream audiences, and despite not having any large studio funding its awards campaign, the Japanese masterpiece managed to find its way into Best Picture, Best Director, and Best Adapted Screenplay. All this on top of Best International Feature, which it is clearly winning. It is yet another important step for the Academy, which has been proving that it is becoming more aware of international cinema. J: West Side Story could easily win costume whilst Dune will sweep every technical award. Summer of Soul will win Best Documentary and Drive My Car will triumph in the Best International Feature Category. I predict a lot of snubs for King Richard as its momentum never really gathered and seems to be playing second-fiddle to Belfast as the Academy’s forever the Bridesmaid but never the Bride film this year.

24 Film

CULTURE

ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

A Month in Film: Our editor’s top picks Lacking that fix of cinema? Here’s a cohesive list of the most exciting things going on in Manchester and across the film world for the next month Benjy Klauber-Griffiths Film Editor

18 March 7 April VIVA

8 February Oscar nominees 30 January 10 March Jarman at HOME We start this list not with a film per se but with a chance to look back at one of the most influential and captivating directors of the 80s and 90s. Located at HOME, this exhibition/ screening looks back at director, designer, and author Derek Jarman’s illustrious career as a notable gay rights activist and avant-garde filmmaker. Featuring guest speakers, a range of his feature films and pieces to reflect his work with important musicians of the day, this is an exhibition worth visiting in the short amount of time it remains on.

4 March The Batman

The culmination of award season is fast approaching as the Oscars get closer and closer. The full list of nominations was released on Tuesday 8th. Jane Campion’s The Power of the Dog leads with 12 nominations, whilst a shock snub for Lady Gaga for Best Actress has left the category wide open. Check out our Oscar predictions on The Mancunion website and see if you agree!

10-11 February Victoria Baths Opinions differ when it comes to Valentines Day. Some love it, others hate it. Where you land on the debate will probably inform what you’re doing in the lead up to the ‘big day’. So when Victoria Baths played host to The Village Screen Pop-Up Cinema we couldn’t resist its dose of rom-com delights. Screening Mean Girls and True Romance, the event has already set the tone for the season of love. What will you be watching this year?

Finally, after more than a year of delays, Matt Reeves highly anticipated Batman film, featuring Robert Pattinson in the titular role, is arriving in cinemas. Personally, there is no film I’m looking forward to more. A stellar ensemble cast, a storyline that promises to be like nothing we’ve seen before and, if the trailers are anything to go by, gorgeous cinematography, means this new take on the caped crusader promises to fulfil all our expectations.

13-20 March MANIFF Manchester’s highly anticipated film festival returns in person this year. Located at the ODEON Great Northern the festival promises a host of World Premieres and never seen before films to occupy your time this March. Lasting a full week the cinema will play host to a range of feature length, foreign language, and short films to expand your indie film horizons. Whether you’re into grisly murder mysteries like Generation of Evil or intense family dramas like We’re All in This Together, MANIFF includes something for everyone.

Photos (left to right): Derek Jarman @ Janette Beckman, Oscar @Wikipedia, Pit-yacker @ Wikimedia Commons, The Batman @ Warner Bros, Swan Song @IMDB, Viva @HOME, Oscars @ Wikipedia

Another Manchester based festival to sink your teeth into. HOME welcomes the 28th edition of the festival and includes numerous UK premieres, Q&A sessions with curators and directors and exciting workshops to take part in. Films from Spain, Argentina, Chile and more shows the festivals eclectic range and pride in championing emerging voices and visions.

27 March Oscars They’ve finally arrived. Months of awards, voting and deliberation have led to this moment; the 94th Academy Awards. What drama will go down this year? Who will be the divisive winners? Will Belfast trump Jane Campions frontrunner The Power of the Dog? An important date for any film buff, check out our predictions for this year.

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ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

History of Film: New Hollywood

From Bonnie and Clyde to The Godfather, what was New Hollywood? Find out here. Joe McFadden Investigations Editor

he Times They Are A-Changin’ In 1967, a bold new film burst onto American screens. Violent, graphic, and wild, Arthur Penn’s Bonnie and Clyde represented a watershed moment for American film as it eschewed traditions and ushered in a new age of filmmaking – a movement that would come to be known as New Hollywood. New Hollywood was an American film movement primarily defined by a shift in control from the studio to the director. Gone were the days of extensive studio micromanagement, large scale productions, and the rule of the studio system. New Hollywood was ultimately about the freedom of the director to go out and tell the stories they wanted to tell whilst experimenting with new techniques and technologies to push the medium to its limits. Debate surrounds the exact timeframe of New Hollywood but it is generally accepted to have begun with Bonnie and Clyde in 1967 and ended in the early 80s, with many critics like Peter Biskind citing Michael Cimino’s famous 1980 flop Heaven’s Gate as the film that killed off New Hollywood. Personally, I always point to 1983’s Star Wars: Return of the Jedi as the end of the era because it represented the triumph of commercialism and marketing over art and personal expression; George Lucas gave into his dark side and let dreams of merchandising sales supersede his ideas for a darker, more dramatic conclusion to his epic space opera trilogy. Consolidating the Counterculture Following Bonnie and Clyde’s groundbreaking, if controversial, depiction of outlaws and appeal of a ‘free’ lifestyle, Dennis Hopper’s acclaimed Easy Rider upped the ante by showcasing two bikers simply “Looking for adventure / in whatever comes [their[ way]”. Released in 1969, Hopper’s celebration of the 60s counterculture was a critical and commercial success and once again represented a core tenet of the New Hollywood philosophy. Instead of focusing on presenting a particular vision of America, Easy Rider merely pointed the camera at America and started filming. The film’s plot loosely follows two bikers on a road trip across America after they complete a huge cocaine deal (indeed Hopper would later brag that he brought coke to Hollywood).

However, where the films ingenuity lies in is how it presents the real attitude towards hippies and the counterculture at the time. On their adventure, the two bikers frequently encounter “normal” people who are hostile to their lifestyle and what the counterculture represents, which culminates in the film’s shocking climax. By pointing the camera at the America they were living in, and not the one they wanted it to be, Hopper and Fonda further demonstrated what filmmaking could be. This style of filmmaking was key to New Hollywood’s success because it gave directors the freedom needed to tell stories about real people and contemporary issues that, up until the demise of the Hays code in the mid-60s, were previously taboo topics, unexplored in motion pictures. By opening up Hollywood, Bonnie and Clyde and Easy Rider arguably laid the groundwork for some of the most exciting films and notable directors in cinematic history. Introduction to Film 101 One of the principal features of New Hollywood was that its directors were also lovers of film. Filmmaking had shifted from an insulated industry based on nepotism to a truly open and vibrant free-for-all. Crucially this period gave America’s youth the chance to make the films that mattered to them. Nicknamed the “movie brats”, many New Hollywood directors had grown up on a diet of cinema and came of age during the early rock ‘n’ roll era (mid-50s to early 60s). Directors such as Martin Scorsese and the late, great Peter Bogdanovich were cinephiles who were unrelenting in their desire to consume as much cinema as possible. Works by directors like John Ford, Orson Welles, and Howard Hawks inspired countless filmmakers and convinced them of the power of the motion picture whilst international film movements saw similar radical changes. Foreign film movements like the French New Wave, Italian Neorealism, and the filmography of Akira Kurosawa provided inspiration in the early 50s and 60s as the studio system floundered. The Western had died, and the Epic no longer had the same appeal. It was under this context that studios and producers began to realise that audience’s desired more complex stories and thus New Hollywood came of age. In what has been one of history’s best jokes, the real pioneer of New Hollywood was 1972’s The Godfather as the film gave director Francis Ford Coppola a revered status comparable to

that of Don Corleone himself. Whilst films like Easy Rider and its companion Five Easy Pieces (1970) were controversial examinations of the counterculture, The Godfather was a return to the epic powers of fiction with a capital F, telling an epic story of the rise and fall of Michael Corleone. After the commercial and critical success of The Godfather, studios were ready to take risks, leading to some of the most iconic works in the American canon. Scorsese’s Mean Streets, Taxi Driver, and Raging Bull pushed boundaries whilst films like Polanski’s Chinatown gave classic genres a new feel. Directors like Robert Altman, Hal Ashby, and William Friedkin were given a newfound freedom in selecting their works as the studios cashed in and creativity ran wild. Knockin’ on Heaven’s Door As the 70s progressed, the counterculture died off, and America was hit with crisis after crisis. As such the New Hollywood era began to decline as well. The days of Easy Rider were seemingly over as pictures became darker and directors let their egos take full control. However, the late 70s also became an age of pioneering technology, seeing directors use new techniques and special effects to tell stories on a scale never seen before. The blockbuster was born with Steven Spielberg’s Jaws (1975) and New Hollywood would never be the same again. Although Jaws represented a major shift for cinema, it wasn’t until a story about a farmer, a smuggler, and a princess came along in 1977 that New Hollywood was essentially over, whether it knew it or not. Debuting on May 25th 1977, George Lucas’ Star Wars was both the epitome and grim reaper of New Hollywood. By using pioneering technology to push cinematic boundaries and telling a story studio executives scoffed at, Star Wars was the epitome

of New Hollywood. Destined to fail, the sci-fi flick’s runaway success changed film forever. Executives began to think about franchise’s and merchandising more than scripts and camerawork whilst auteur’s were pushed out of the directors chair as studios scrambled to make the next big hit. “We blew it” New Hollywood didn’t die with Star Wars but the writing was on the wall. Despite the magnitude of successful films from 1977 to 1983, it was clear that the age of the auteur was ending and, as Reagan took to the White House, it was time for the businessman to take the reins. This was exemplified by the failure of Heaven’s Gate as it bankrupted United Artists and essentially scared studios off from taking big risks. Ultimately, New Hollywood was a period in American film that undoubtedly created some of the finest works ever put to screen and changed cinema forever. The background of the counterculture and the freedom afforded to writers and directors led to a tidal wave of creativity and inspiration that has not been seen in Hollywood since. It would be impossible to adequately summarise New Hollywood in this article alone. Indeed, every single film mentioned is worthy of entire novels and journals dedicated to discussing it. But what I’ve hoped to achieve in this article is to merely communicate my love of New Hollywood and why you should delve into this treasure trove of classics that has been inspiring generations for over 50 years. For anyone who wants to learn more about New Hollywood then I’d highly recommend Peter Biskind’s excellent book Easy Riders, Raging Bulls: How the Sex ‘n’ Drugs ‘n’ Rock ‘n’ Roll Generation Saved Hollywood.

Belfast: A love letter to childhood innocence Belfast, an autobiographical story of Kenneth Branagh’s childhood, is an irresistibly charming and heart-warming crowd-pleaser.

Michal Wasilewski Managing Editor (Culture)

t’s not uncommon for filmmakers to look back to their childhood at some point in their career. Some of the world’s most acclaimed directors have shot autobiographical films over the last few years, from Alfonso Cuarón’s Roma and Paolo Sorrentino’s The Hand of God, to Steven Spielberg’s The Fabelmans, set for a 2022 release. It can be a way of reconnecting with their roots, or even a way to rediscover an authorial voice that became lost throughout their career. Kenneth Branagh’s Belfast is yet another example of such a project. Shot in nostalgic black and white, the film is an invitation into 1969’s Belfast at the onset of the Troubles. Everything here is told through the eyes of Buddy, a 9-year-old Branaghalike boy played by Jude Hill. Hereby, do not expect any in-depth political commentary or a vivisection of the problems that permeated Ireland’s society at the time. After all, Buddy is

just a regular boy who lives on an idyllic street with his family. The idyll stops as soon as Belfast sees the riots break out. Yet these events do not restrain the story from being fuelled by warm sentimentalism. You can’t hold back the sensation that actual danger is not to be found and that some sort of higher power is in control over the entire situation to ensure the family’s safety. Be it, perhaps, the relentlessness and confidence of both Ma (Caitríona Balfe) and Pa (Jamie Dornan), as they firmly face the changing landscape of the city. The background events show the social issues becoming increasingly tense, as the pressure on the parents to decide whether or not to leave Belfast becomes the source of the primary narrative tension. In the eyes of Buddy, however, there’s not much he can change. Naturally, what the parents ultimately decide for the family is out of his control, and therefore this looming possibility of

having to leave Belfast is somehow out of the foreground. This is because Branagh does not pay attention to constructing a film overloaded with dramatic tension or one that relies heavily on storytelling, but rather he aims to paint a vague nostalgic picture. It’s not only an homage to his parents and grandparents, but also a search for the birth of his passion for art and cinema. In a bold technical decision, the film gives up its black and white cinematography twice throughout the film, first when Buddy becomes enamoured by a theatre play, and second when they are sat watching a film in a cinema. Hardly a subtle choice but one that works seamlessly, highlighting the simple yet inspiring idea of art giving colour to a colourless life. One thing Belfast really excels in is building the atmosphere of the period and the city. An impressive job was done by the film’s production designer Jim Clay, as the film was not shot on the streets of Belfast, but on a set constructed on a car park in

Hampshire, England. The aim was not to create an exact replica of the old city, but rather “to create a world of fond memory of a family and its community caught up in troubled times, where singing and laughter could suddenly fill the streets as much as the Troubles”. This line from Jim Clay is a perfect summarisation of Belfast as a whole; it never gives up on the uplifting notion that no matter how difficult the situation is, the problems can always be overcome by finding joy through friends and family. Is this a naive idea? To some degree yes, but in the case of this light-hearted and charming story, you accept it instinctively. Belfast’s warmth and positive energy is simply irresistible. It might be merely an egotistical love letter to the director’s childhood, yet ultimately it is a joyous ode to ‘good old times’ and to the importance of strong family bonds. Above all, and despite its undeniable simplicity and technical flaws, Belfast is just as pure and innocent as its main character. 3/5.

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Culture CULTURE

ISSUE ISSUE8 8/ 14th / 14thFebruary February2022 2022 WWW.MANCUNION.COM WWW.MANCUNION.COM

Theatre Editor Jay Darcy talks to digital creator and model Joe Polito about his activism, aspirations, and fabulous fashion

Jay Darcy Theatre Editor

021 was a very difficult year for the Theatre section. How do you write about theatre when there’s no theatre to write about? I made the active – radical, even – decision to turn “theatre” into a metaphor. I wrote an article series, aptly titled A Tough Act to Follow, in which I explored the performativity of (a) social media and (b) gender (à la Judith Butler) – and how those two things interact and intersect. Each feature saw me sit down with an Instagram influencer, or somebody who utilises social media to advance their career, to explore the construction of gender, sexuality, and online identities. February is LGBT+ History Month, but what good is highlighting history if we aren’t learning from it and fighting for our future? For that reason, I want to shine a light on some of the incredible influencers I interviewed last year – queer guys who make me feel good about the future. Joe Polito As if by fate, this week marks a year since we published this interview on our site. An inspiring influencer, Joe’s rise to Insta fame happened unexpectedly. He made a coming out post to the platform a couple of years ago, after coming out to his family and close friends. He then created a TikTok account in March 2020, whilst Canada was in lockdown, which lead to him receiving lots of p o s i t i v e feedback. Since then, he has modelled for a large n u m b e r of swanky brands.

Joe’s fashion Joe told me that he thinks people should wear more items of clothing with bold, progressive statements on them. He agreed with my characterisation of these items as “a subtle form of activism”. Joe said he used to be worried what others would think about his clothing choices, but he eventually chose to just do his own thing: “it’s so important to dress for yourself and not for other people”. He explained that, whilst people love seeing photos of masculine and muscular guys (especially shirtless ones), if he is feeling more feminine, then he is not going to dress masculine just because other people like to see him like that. “[I] dress according to how I feel in the moment,” he said – which is clear when you see the contrasting masculine/feminine photos on his feed. Joe said that negative feedback and a loss of followers is something that you just have to accept if you want to be your true self and help others. Whilst he finds it sad that some people do not like seeing him being his true, authentic self, he decided: “That’s fine… just unfollow me then”. Joe’s background This is all a little different for Joe, because he grew up meeting masculine stereotypes, playing team sports, etc. Joe lost a considerable number of male friends when he came out and started dressing “unorthodox”. It was not that they necessarily gave him negative feedback; they just stopped talking to him. Their silence said everything that Joe needed to know. His family were surprised when he came out, because he never met the “gay stereotype”, but they accepted it and were willing to learn more about the things that he feels passionately about. They even attended Toronto Pride with him in 2019! Perhaps even more adorable – his best friend, Alexia, threw him a Pride party in 2020, to make up for the Pride parades that got cancelled thanks to this virus, Covid19 – you might have heard of it? Joe believes that the cultural conservatism of our parents’ generation renders it imperative that our generation, which is inarguably much more openminded than the last, take a stand for what is right: “We’re, in a way, shaping the younger generation”. Joe’s aspiration’s An aspiring filmmaker, Joe’s longterm goal is to create LGBTQ+ films. He thinks that there needs to be more diversity in film. He aspires to create films that are inclusive and share different experiences: to inspire minorities and disenfranchised groups and help them realise that they are not alone. Joe

recognises that there is much more diverse and inclusive representation today than there was when he was growing up, but he wants to see more. Joe’s activism Joe feels very passionately about fighting toxic masculinity, especially within the gay community, where there is too much focus on White, muscular, masculine males. “There are just so many different angles to the LGBTQ+ community that need more representation… As a white, gay male, I think it’s really important to address this… lack of representation and lack of diversity, especially in the LGBTQ+ community,” he said, stumbling on the letters: “The alphabet mafia,” he joked. Joe’s use of social media Joe agrees with my characterisation of social media as “performative”: “There’s a lot that people don’t show behind closed doors,” he said. But he also sees a lot of positives in social media. He explained that it is interesting to see how different people use their platforms. He sees social media as a great way to identify with other people, especially for young, queer kids; many of whom are now coming out very young. When he was young, he put his sexuality on the back-burner, as something to deal with in the future. He always knew he was gay but did not want to deal with it as a child, so he is so proud to see children being themselves at such a young age. They are given this confidence, partially, by seeing other people expressing themselves online. “That’s the good part of social media”. Joe’s sex talk Joe’s desire for sexual liberation lead me to ask him his thoughts on some of his fellow influencers using OnlyFans. Joe has mixed feelings towards it. Whilst money and attention are great, it is not a career that will provide you with longevity and, sadly, lots of people still see sex work negatively. But “it all depends on how you want to express yourself; it’s your body at the end of the day”. Joe explained that he posts risqué photos for himself, not for the approval of others. “It comes down to being confident, loving yourself and showing others that you can love yourself as well… How do you expect to love other people, or how do you expect to move forward, if you don’t love yourself?” I told him that this reminded me of Whitney Houston’s ‘Greatest Love of All’, where she sings, “Learning to love yourself is the greatest love of all”. Oh, I’m so embarrassing… In the year since this article was first published, Joe’s career has gone from strength to strength. He’s even organising a trip to Bali with trovatip this June – which anyone can join! I look forward to seeing Joe’s career continue to grow, and I really look forward to finally seeing his city of Toronto (I’m holding you to tour you offered, Joe). You can follow Joe on Instagram and TikTok at @journeybyjoe. Head online to read the full interview.

Photocredit: Joe Polito

ISSUE / 14th February 2022 ISSUE 8 /814th February 2022 WWW.MANCUNION.COM WWW.MANCUNION.COM

Raphaël Say Raphaël, a model-influencer, embraces gender-nonconforming fashion and even calls himself a “proponent of NonToxic Masculinity” in his Instagram bio. Raphaël, then, is the perfect collaborator for this series, which hopes to redefine “masculinity” and what it means to be “a man”. Raphaël grew up in the south of France, where masculinity is “toxic” and people are “a century behind”, but his mother encouraged him to be himself. She told him that if he conforms to gender norms, his life might be easier, but he will not be being his true self. Raphaël’s career Raphaël started modelling during a time when the industry was going through some big changes, thanks to the creation of social media. This is yet another example of why Raphaël is perfect for this social media-based series. Raphaël’s had originally moved to Paris, aged 18, to start dancing for a company, but he was scouted in the street by a modelling agent. He did not want to lose dance, though, so he incorporates it in his modelling. Raphaël explained that brands book him, in part, because of his artistry. Even when a huge brand hires him, they generally give him some control over their collaboration. He is actually in the “talent” part of his agency, not “modelling”, because he is not just a model but also a dancer and an art director. Whilst most models have people who do their art direction for them, Raphaël usually takes control of it himself. I began to tell Raphaël that he has a very individual brand, but he cheekily cut in: “A package, yeah. A full package,” he laughed. Raphaël’s use of social media Raphaël is trying to fight the “hate” and “negativity” of social media by helping to solve problems positively. Raphaël has always loved inspiring quotes, and now he even writes his own. In fact, most of the quotes on his Instagram page are his own. “I have an image, but I want people to read the hidden messages [but] it’s hard to show it on Instagram.” Raphaël thinks that captions are boring, so he decided to put quotes at the end of each album he uploads. Each quote compliments the photo(s) that it is uploaded alongside. Before I followed Raphaël, I knew him as the “quote guy”. He admitted that people are now more interested in his reels, especially his transformation looks – probably because they are more personal and allow him to show his (positive) personality. He admitted that people often told him that he looked distant in his photos. In reality, he is a lovely, charming guy, but he wanted to have a “cold” image because he loves drama and aesthetics. “Instagram is theatre, so I wanna show all my different characters and visions and play with that,” he said. “I like to surprise myself and take risks by creating things that I have in mind and using my body and art as tools, adding messages and being confident”. I was over-the-moon at this answer, not just because it is very inspiring but also because it reflects one of the primary aims of this article series – to explore the “theatre” of social media.

Photocredit: Raphaël Say

Culture CULTURE

Raphaël’s gender politics Raphaël is not bothered by the gendered term “male model”, but he does not like that “male models” are often expected to only do “male stuff”. In other words, his problem is not with the term “male model” but with what people do with that term. “I think it’s so stupid to [put] male or female on [objects] or things that you are selling… I’m a male but I do make-up, I do perfume… Art, creation, photography, image [have] no gender… This is why, on my social media, I don’t put any gender on my [creations], any sexuality on my [creations].” Raphaël thinks putting categories such as gender on art means potentially blocking people who belong to other groups, which is counterproductive because, as he explained, “I can talk [to] and try to inspire different kinds of audiences. I love the symbiosis”. Fortunately, modelling is making progress when it comes to gender – and indeed, gender-nonconformity. Raphaël thinks that this is because social media has given a voice to young people, many of whom problematise categories such as gender. Raphaël knows, from experience, that even the most “conformist” person can listen and learn. He spoke of straight men that he has inspired – guys who have told him that he has made them feel more comfortable wearing make-up and Cuban heels! Another masculine, straight man that Raphaël has inspired is his own father. Raphaël said that he and his father have had many confrontations about gendernonconformity, but now his dad is “following everything that I do on Instagram. He said, ‘I love your make-up, I love your art feed’… He’s really into it because he [understands] why people are doing this.” He now even watches RuPaul’s Drag Race! “To me, the true definition of masculinity – and femininity, too – is being able to lay in your own skin comfortably,” Raphaël said eloquently. “Non-toxic masculinity is about being yourself, whatever that may mean for you. It begins with facing fear. That voice that whispers in our ears, ‘hey, don’t do that… What are people going to think about you if you do that? Men don’t do that’.” Raphaël’s love of the 80s Raphaël and I spoke about how lots of 80s artists, such as David Bowie and Prince, embraced gender-nonconformity and were loved for it. Yet when artists do it today, they receive a great amount of abuse. Raphaël thinks that the reason for this is because the gender-nonconformity of 80s’ artists was seen as “theatre”: there was no social media in the 80s; gendernonconformity was just seen in music videos and on stage. This is not to say that gendernonconformity was merely theatre for these artists. (For Prince, especially, it was personal. Let’s not forget his iconic, stereotypefighting Love Symbol!) But it certainly was seen that way. Raphaël

Theatre Theatre 27 25

and I agreed that the gender-nonconformity of today is seen as something political because we are having cultural conversations about it, and, sadly, it makes some people feel uncomfortable. So, whilst Prince and Bowie’s gendernonconformity was seen as “theatre”, social media and identity politics have allowed gender-nonconformity to be seen as both personal and political. It is no longer just entertainment; it is about real people and how they want to identify. On top of this, social media has given ordinary people a platform, which Raphaël says is “good and bad at the same time”. People can make their voices heard, which was much more difficult in a world without social media. Unfortunately, many of these voices are cruel. One of the most famous gender-bending artists of today is, of course, Harry Styles. Raphaël appreciates Harry Styles donning a dress but does not see it as that radical – so many men have been doing this for so long. Raphaël, himself, has done it! What Raphaël finds more radical is the fact that Vogue put a man – and not just a man but a man in a dress – on their cover. This made Styles the first solo male cover star in the magazine’s 128-year history! Raphaël refers to this as “the new generation of fashion”, where “you can put a man… on [the cover of a female fashion] magazine… and it doesn’t change anything”. This interview was a real treat, and the icing on the cake was the impromptu introduction to Raphaël’s adorable dog when she started barking. “What’s she called?” I asked. “Vogue”, he responded. Of course! You can follow Raphaël on Instagram @ raphael_say and TikTok @raphaelsay. Head online to read the full interview.

28 Food & Drink

CULTURE

ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

Izzy Langhamer previews ‘Perfectly Frank’, and Baratzuri’s Valentines themed menu at Escape to Freight Island Izzy Langhamer Food and Drink Editor

old onto your hats and polish off your dancing shoes. This Sunday (13th Feb), Escape to Freight Island is hosting a Valentine’s Special dinner and dance, billed as a tribute to the (always swoony) music of Frank Sinatra. Perfectly Frank will delight diners young and old, bringing a touch of class to Valentine’s Day. The evening will see two sittings of dinner, with entertainment beginning at 7:30pm. Baratzuri – Freight Island’s Basqueinspired restaurant- will be serving up a sumptuous 2 course dinner, along with welcome cocktails and house wine. Last week, I attended the preview of Baratzuri’s dinner and experienced the exclusive menu. Escape to Freight Island boasts some of Manchester’s most popular restaurants, and an atmospheric venue. It’s the perfect place for a slightly cooler evening that will still impress the parents/boyfriend/dog

(yes, friendly canines are welcome at Freight Island!). The atmosphere midweek is markedly quieter but the live music of New Orleans inspired King Brasstards kept our spirits high. We started with two complimentary cocktails called ‘Cupid’s choice’, a tasty blend of sauvignon blanc, orange liquor, aperol and soda water. The perfect choice to accompany quite a rich meal, the cocktails were crisp as a February afternoon. Moving onto the food now, the results of a Basque/English love affair. Our first course was El Champinon, a surprisingly hearty dish. The mushroom and crispy bread make for a gorgeously layered starter, garlic sauce providing a welcome sharpness. We followed this with Milhojas, a savoury take on the patisserie favourite. Although the apple and flakey pastry complimented each other well, the blue cheese may prove too heavy-handed for some. We enjoyed a dish of baby leeks, which does not appear on the menu for Valentines, but is a must-try at the restaurant anyway. The peppery creamy orange sauce was Baratzuri at

pe to : Esca t i d e d ocr Phot eight Islan Fr

its finest. For mains, we had the Coliflor, which turned out to be a well grilled half-head of cauliflower, swimming in a spicy sauce. The creamy butterbeans and cracking almonds added to the texture of this dish, which for vegetarians, is bound to be an instant hit. Similarly, the Cordero Lechal was a favourite, the lamb being soft as tissue. The milk-fed Pyrenees lamb was served with a rich gravy, and grilled chard and savoy- by the end of the meal we were stuffed like olives! Unfortunately the desserts left us cold, striking us as overdressed versions of supermarket basics. However, those with more of a sweet tooth may have enjoyed the tangy lemon eclairs and salted caramel flavours more. For the Perfectly Frank evening, a Black Forest Baked Alaska will be on offer, which sounds more tempting. As a whole, the meal was a delightthe perfect warming dinner to soothe these cold February days. Perfectly Frank at Escape to Freight Island is not one to be missed, and is sure to leave your heart feeling as full as your stomach.

30 Books

CULTURE

ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

The power of porn: Va l e n t i n e s ? : discussing Amia five books for a break-up Srinivasan’s The Right to Sex A list of the best books to read following a break-up, in case you’re feeling heartbroken this Valentine’s Day Aileen Loftus Books editor

ith Valentine’s Day quickly approaching, you may be in the mood to read about love, or else you may be reminded of the worst heartbreak you’ve ever experienced. If it’s the latter, we’ve got you covered with a list of the best books to read after a break-up. If you’re looking for serious books offering guidance or advice, this isn’t the right list, but hopefully these recommendations will help provide some distraction and just the right amount of soul searching.

Wild: A Journey from Lost to Found by Cheryl Strayed Wild is a classic postb r e a k - u p choice. In her memoir, Strayed recounts her decision to walk 1,100 miles alone along the Pacific Crest Trail over three months. She has no hiking experience, and she does the entire thing alone. It’s self-reflective, but also funny, moving, and inspiring.

The Great Gatsby by F. Scott Fitzgerald It may have its flaws, but The Great Gatsby makes ideal reading material for after a break-up. If you think you’ve got it bad, at least you don’t throw enormous parties just in the hope one married person comes to them, right? This book is the perfect reminder to not get hung up over an ex, because it never works out well.

This Is H o w Y o u L o s e Her by Junot Díaz

This Is How You Lose Her, is a collection of linked narratives about love, break ups, heart break, cheating and all sorts of general terrible relationship behaviour, following the Dominican-American protagonist, Yunior. It’s funny and full of energy. Instead of avoiding talk of break-ups, this book will help you to embrace thoughts of them.

Circe Miller

Madeline

Circe captivated me more than any book I’ve read in a long time, immersing me into a completely different world. If it’s distraction you’re looking for, this is ideal. The protagonist is independent, living an isolated existence and proving her ability to survive a l o n e . While there are brief moments of romance, the romantic plot is re f re s h i n g ly off-centre.

Gone Girl by Gillian Flynn If you did manage to not read Gone Girl when the New York Times Bestseller was released in 2012, now is the time. It certainly doesn’t make marriage seem attractive or being in a relationship seem enjoyable, in fact, it will make you feel really happy to be single. It’s also a thriller and a page turner, so exactly the type of distraction you might need. We hope that, instead of feeling lonely this Va l e n t i n e ’ s , these book choices will fill you with comfort and distraction, and perhaps even remind you of the joys of singledom!

Ava Innes Deputy books editor

mia Srinivasan’s new collection of essays, The Right to Sex, address, with deep thought and precision, the current state of sex. Covering topics ranging from incels to porn to MeToo, Srinivasan draws on a diverse breadth of feminist theory. Almost effortlessly, she pieces together various and differing viewpoints, asking her readers to look at hot, topical debates rigorously. She encourages readers to consider slowly and carefully how we might begin to understand how people have, think, and talk about sex. Srinivasan is a philosopher, and is currently the Chichele Professor of Social and Political Theory at the University of Oxford. The essay from The Right to Sex that I will focus on, ‘Talking to My Students About Porn’, is drawn from her conversations with students, demonstrating how her work originates from a keen desire to engage with and learn from other people. By no means dictating a singular viewpoint to her reader, Srinivasan strives to coax us into conversation. Her writing style is so clear and precise that it almost makes the reader forget that each sentence is packed with information, research, and provocative and ground-breaking ideas. Her work comes close to genius, but she has none of the pretension of one. “At a practical and technological level, albeit not a philosophical one, the internet has settled the ‘porn question’ for us. It was one thing to entertain the possibility of abolishing porn when porn […] was, in principle, containable. But in the era of ubiquitous, instantaneously available porn, it is another thing altogether”

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In the era of ubiquitous, instantaneously available porn, it is another thing altogether ‘Talking to My Students About Porn’ begins with a succinct and riveting account of the so-called ‘porn wars’ that divided the feminist movements of the 1970s. Srinivasan describes the divide between pro-porn and anti-porn feminists. The former viewed porn as a potential vehicle for the expression of sexual freedom, whilst the latter saw all porn as an ideological tool of the patriarchy: “porn is the theory, rape is the practice”. Srinivasan draws on notorious anti-porn feminists such as Catherine MacKinnon to ask questions about the very different reality of porn today. She describes how, surprising her expectations, her students were riveted by anti-porn theory. She found that it chimed with both her male and female students

sexual experiences. They described how men come to sex with a prescribed idea of how to perform, many of them having accessed porn from an incredibly young age. Srinivasan highlights how sex education is limited in its ability to combat the ubiquity of porn. Particularly since educators are unable to treat the porn as a text that they can assign to a class and then critically deconstruct as this would be illegal.

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Anti-porn feminist theory can often align with the patriarchal state [and] often reactionary and carceral modes of government Srinivasan shows how anti-porn feminist theory can often align with the patriarchal state, describing how MacKinnon was involved in drafting certain state legislature in the US. This alignment with often reactionary and carceral modes of government demonstrates the danger of a vehement anti-porn stance. Srinivasan describes some UK laws regulating the creation of porn. For instance, making difficult the filming of lesbian, BDSM, and femdom porn, effectively making only ‘vanilla’ heterosexual, penetrative sex legal and easy to film. “Whatever authority porn has is granted by those who watch it: by the boys and men who trust porn to tell them ‘what’s doing’” Her discussion of feminist and queer porn is interesting. It becomes a potential alternative to mainstream porn, with Srinivasan suggesting that it could even be subsidised by the state in order to reach wider audiences and remove paywalls. Srinivasan’s essay, and The Right To Sex as a collection, demands that the reader take responsibility for what she is discussing. Srinivasan’s work does not provide us with conclusive answers, but gives us the tools to piece together our own approach to sex, our own approach to the way we treat those we love, and especially those we do not.

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Feminist and queer porn is interesting... becomes a potential alternative to mainstream porn, ... [and] could even be subsidised by the state in order to reach wider audiences and remove paywalls

ISSUE 8 / 14th February 2022 WWW.MANCUNION.COM

CULTURE

Fashion & Beauty 31

Dress like a girlboss, become the girlboss

Serena spotlights four sustainable brands to get you sorted for upcoming job interviews Serena Jemmett Fashion & Beauty Writer

aving been complemented on my conference fits, I thought I’d share the brands I love for workwear, girlboss* looks, no gatekeeping here. AND as we rapidly enter interview season let’s look at getting your employability fits sorted. First things first, it’s important to scrub up nice and smart, but its also important to be environmentally conscious when fashion accounts for 10% of global emissions, so I’ve collated some of my favourite independent and sustainable brands to get you sorted. Whilst the pricing might be more than you would expect (or usually pay), you only need one interview fit. We don’t need to be mass consumers and have a new outfit, suit or jumpsuit each time – why not just look striking and employable in the same outfit, at every opportunity.

Alchemy London Alchemy London sell waistcoat suits. Despite suits being perceived as a pretty masculine fashion choice, the waistcoats are backless, allowing your femininity to peak through. With a wide range of fabric choices and colour choices there’s sure to be something that you fall in love with. Sizes range from 6-14 in some stocks. Waistcoat prices range

from £50-70 and trouser prices range from £40-60, meaning you will likely be spending triple digits… BUT remember this can be worn to multiple events, and I even wore mine to the MMG (Manchester Media Group) Christmas Ball, so the opportunities to wear this incredible suit are limitless.

Peachy Den Peachy Den has made a classic, retro jumpsuit which when worn can wow your way into a job. The Kernel jumpsuit is a minimalist jumpsuit with a pop of colour. Like Alchemy London, there are multiple colour choices to suit your style, vibe and shoes. Priced at £120 this again hits triple digits however, it can be dressed up for drinks with heels, or down for a lecture with trainers. Sizes range from XS to XL.

Suits You London These suits come in a range of styles, fabrics and colours so take your pick. The Betty, Cecilia and Alina suits are the same style but different colours – all £100. The other suits are three-piece suits – trousers, waistcoat and suit jacket. Priced at £250 you might be entering the overdraft but that’s why it’s there … Like the other brands,

this suit can be worn on a night out to celebrate your new job after you slay your interview. Suits You London write that they place a large emphasis on the sustainability of their products from sourcing materials to the manufacturing stage. Sizing wise, they offer a wider range from XS to XL. These suits are sold out at the moment, so if you are interested make sure to sign up to be notified when they come back in stock.

By Min By Min sells jumpsuits. Colour options are white and yellow, pink and red, purple and lilac, black and red, blue and white, pink and white. Each jumpsuit is handmade to order. Sizing wise there aren’t many options with just Extra-Small, Small and Medium – and jumpsuits can be hard to fit perfectly. However, the inseam (leg length) can be adjusted for no extra cost. The classic Liza jumpsuit is £70, and the cutout style is £80. *girlboss is used ironically throughout this article

Fast-fashion…but make it (even Should working-class people be celebrating or conthe collaboration between Greggs and more) consumabledemning Primark? Annie Dabb & Alex Bikard Opinion Editor & Fashion & Beauty Editor

don’t usually jump to conform to Geordie stereotypes, but being an avid follower of Greggs’ official Instagram (of course) it has not escaped my attention that the fast-food company have just announced a collab with highstreet fastfashion brand Primark. Maybe you’ve heard of it. From a working-class anti-capitalist perspective, I have to say I’m disappointed in Greggs. Sure, we all know on a systemic level that buying our sausage rolls or steak bakes is in a way just enough fuel for us to be able to continue contributing to capitalist production. What good little workers we are. We know too that the buttery, flaky pastry and delicious processed meat is probably not doing great things for our arteries, or our blood pressure. However, at least the relatively recent masking of capitalism with a moral concern for animal rights with the release of 5 vegan products (so far), adds a sort of moral subtlety to the whole thing. Although in terms of false-consciousness, I’m not sure whether that’s actually worse. Either way, I have to pass about 5 of them on my way home. That’s an awful lot of willpower. I don’t mind the years vegan sausage rolls have taken off my life so much if it means fewer pigs are being slaughtered in Greggs’ abattoirs. Whereas this collaboration with retail giant Primark seems ostentatiously exploitative. On a global scale, of course, this is nothing compared to the abuse of workers in sweat-shops for minimal wages and horrific working conditions just to put cheap t-shirts on the shelves. This collaboration, like any other Primark collection, will most likely be produced in a dodgy factory somewhere in

Asia where workers are physically, emotionally and financially exploited. However, just like putting calories on a menu won’t stop us ordering the burger if that’s what we’re really craving, or photos of rotting gums on baccy pouches won’t stop us from rolling another cig, the tragic reality of individuals across the globes are very unlikely to prevent anyone from buying into this collab. But, much like any capitalist-related issue, the problem lies not with the individual consumer, but with the exploitative system on a mass scale. Now I will be amongst the first to jump to the defence of working class people who choose a more unhealthy option over a salad because of the significant price difference. When a Greggs will cost you £1.05 (don’t think we’ve not noticed the 5p increase – that’s inflation for you), versus a salad for a minimum of £5.50 at Pret-A-Manger, the choice seems obvious. There is absolutely no point in promoting healthy eating in a society which deprives people of the means to actually make healthy choices. The same goes for Primark clothing. I completely understand that not everyone can afford to spend their inadequate salary on fancy sustainable brands, or mind you even a £40 pair of Topshop jeans every time they need new clothes. While thrifting is, of course, a more sustainable option, it can be extremely time-consuming, another thing a lot of working class people simply do not have a lot of. Not only that, thrifting is often simply not an option for those who do not fit within the standards of the fit and able-bodied worker. While this collab is getting a lot of buzz (I mean whoever came up with this was kind of a genius), it is just one amongst a myriad of other trendy collections which will die out, quite literally, nearly as fast as they came out. On the up-hand, whilst the poor quality and cheap mass production of Primark clothing means that these pieces

won’t last very long, if you’re eating Greggs regularly then chances are neither will you. Moreover, from a purely aesthetic standpoint, although Primark hasn’t actually released what the collection will look like, it’s probably safe to assume that it will come in the trademark blue and yellow Greggs colours along with a logo or two slapped unto some socks, t-shirts and hoodies. And I mean… let’s just say that, especially considering London fashion week in all its glory is one week away, this feels like a middle-school project rather than a real-life fashion collection. If you really wanted a hoodie with a Greggs logo and didn’t care who made it and where it came from, you could have easily made your own on one of those websites that allow you to put a picture of your dog/boyfriend/family member on pillows and hoodies. All in all, whether it means that the blue and yellow hoodies will replace PLT tank tops in students’ wardrobes, or people will be sporting affordable totes with a handy pastry compartment, it’s hard to ignore the exploitative nature of this surprising partnership. ‘Tasty by Greggs’ is set to open at 8.00am on Saturday February 12, with the clothing range launching a week later on Saturday 19th.

Photo: Greggs X Primark

Ones to ...

Look our for... Eat Listen Read Experience Follow Watch Make you laugh

Here's everything The Mancunion team are looking forward to in February.

Meme of the Week Follow @uniofmanchestermemes for more

Photo:Nell’s

Eat

Read The book details the relationships among four people – Frances (the narrator), Bobbi (her best friend), and Melissa and Nick (a married couple). There are also rumours of this being made into a TV adaptation.

Pop to Nell's if you fancy eating a pizza larger than your head! Following on from its rather generous 50% off its giant, New York-style pizzas through January, it’s following on with a solid 25% off through February too.

Follow For all the latest Manchester food trends and offers, follow @EATMCR on Instagram!

Experience Check out Contact Theatre for their amazing range of Queer events taking place this month!

Listen Watch Photo:Finch Bakery

The adaptation of Adam Kay's book, 'This Is Going To Hurt' has just been released on BBC iPlayer! Those who have already watched it say it is a hard hitting portrayal of what it is like to work in the health service.

Photo: Nic Taylor

Crawlers' latest single 'Come Over (Again)', recently made Radio 1's tune of the week, is great tune to introduce yourself to Crawlers. Photo: Crawler

Photo:BBC

Eat

Make you laugh The award-winning venue in Oldham is well worth a visit. UoM alum Jack Whitehall even performed there in his early days!

Instagram famous, Finch Bakery have arrived in Manchester with a pop up store at Harvey Nichols . You can pick up tasty treats from indulgent brownies, moreish cupcakes and colourful cake jars,

Look our for... The newest season of Killing Eve is coming out at the end of February! Sneak preview images from the set have been released so get excited to see Villanelle back in action!

Read more on pages 6 & 7 Photo: Antonio Ross