Mandolin Schreck
S e l e c t e d
Wo r k s
Mandolin Schreck 513-562-0898 schreck.mandolin07@gmail.com 4022 Carrie Avenue Cincinnati, OH 45211 United States
Hello, my name is Mandolin.
And the following publication is an introduction of myself and my work.
PROFESSIONAL EXPERIENCE
education
INC Architecture & Design intern architect NYC 2018 (4 mos) Developed initial design concepts, furthered construction drawing sets, created internal and client presentations, specified products, computer modeled design proposals, drew details, and created design visulation.
Bachelors of Science in Architecture Design, Architecture, Art, & Planning University of Cincinnati 2015-2019 (4 years) Cum Laude
Marmol Radziner Architects intern architect Los Angeles 2017 (4 mos) Created atmospheric sketches and renderings, construction document drawings, conducted site analysis and documenation, progressed digital models, created client presentations, communicated with specifaction companies, and conducted material studies.
Academic Minor in Fine Arts Design, Architecture, Art, & Planning University of Cincinnati 2015-2019 (4 years)
GBBN Architects intern architect Cincinnati 2017 (4 mos) Developed physical and digital models, completed as-built analysis for historical restoration, conducted site analysis, worked on document sets, created client presentations, and completed renderings and drawings. DPMT7 studio assistant 2015-2019 (4 years)
Gallery installation, physical models, full-scale mock ups, sculptures, hand drafted drawings, construction, sketching, site analysis, early design ideation, drawing sets, client presentations, photo documentation of work and shows, and professional website.
University of Cincinnati gallery assistant 2019 (5 mos) Installed gallery shows, de-installed gallery work, facilitated openings and events, monitored the gallery, greeted visitors, answered questions, packaged/shipped artwork, assisted with wall graphics and art labels. University of Cincinnati resident advisor 2014-2017 (3 years) Led a 75 person residence hall, facilitated meetings, cultivated community, assisted in all emergency situations, acted as a liaison between residents and the university, and developed programs to promote education, health, diversity, and growth within the hall. University of Cincinnati Student Research Fellow 2014 (4 mos) Was chosen among 1% of applicants to assist in the prestigious summer program. Assisted research, labratory work, documentation, and presentation of findings in a neuroscience lab studying PTSD and anxiety disorders.
Cooperative Education & Practice Design, Architecture, Art, & Planning University of Cincinnati 2016-2019 (3 years) Honor ; Exellence
LEADERSHIP DAAP Camps camp facilitator 2016, 2017, 2019 (3 years) Facilitated the University of Cincinnati’s Architecture/Interior Design summer camp for high school students. Spent two weeks each summer educating and exposing students to the fields via extensive design exercises, tours, interviews, and presentations. GlobeMed non-profit executive member 2012-2014 (2 years) Helped run the University of Cincinnati chapter. Educated the university community on current global health issues and strategies to make a positive impact. Planned and implemented the annual fundraising banquet for our grassroots health organization we partner with in Mae Sot, Thailand. Created healthcare programs and budgets to help create sustainable change in our partner’s community.
ACHIEVEMENTS Maureen Tansey Tokar Endowed Scholarship recipient 2018 Lewis Franklin Palmer Scholarship recipient 2018
Professional SKILLS
University of Cincinnati resident advisor 2014-2017 (3 years)
Model Making Photoshop Indesign Illustrator Rhinoceros Revit Photography Hand Drafting MS Office
John & Norma H. Richards Scholarship recipient 2017 Cwest Red Rose Leadership Award finalist 2015 Cincinnatus Scholarship recipient 2011-2014 (4 years) University Honors Scholar admittee 2011-2013 (3 years) Undergraduate Research Fellowship recipient 2014
Resume 4
Contents Angel Island Sanctuary
Trammel Fossil Park
Lyceum Competition
Junior Year Studio
2019
2017
10
24
36
48
Film Institute
Greenh
Sophmore Year Studio
Junior Yea 2018
8
TWA Flight Center
Art
INC. Architecture & Design
Selected Works
2018
2018-2019
60
64
hills
Brooktree Residence
ar Studio
Marmol-Radziner Architects
68
2017
Table of Contents
6
Academic Work The following are selected works completed while enrolled in the School of Design, Architecture, Art, and Planning at the University of Cincinnati.
Projects vary from architectural competitions in San Francisco, to historic Renovation in the historic district of Over The Rhine, OH.
Academic
84
01
Ampitheater
Angel Island Sanctuary Angel Island, located in the San Francisco Bay, was home to the West Coast Immigration Station for many years. The nation’s history around the island is both complex and dark. Immigrants were considered unwelcome and were held in inhumane barracks, which would later be converted for WWII JapaneseAmerican internment camps. Today the island is a beauitful California state park visited for its hikes and ocean vistas. The immigration station ruins remain as a reminder to visitors of the island’s historic past. This competition provided the opportunity to design a welcoming place of sanctuary as a new arrival center for new immigrants as well as a place of reflection for past immigrants and the community. With respect to the past, the design provides a delicate labyrinth floating overtop the flooded ruins.
Gently floating over flooded ruins, a diaphanous glass system gently screens an intimate series of internal sanctuaries. These sanctuaries provide diverse and rich spaces for individual or communal contemplation, education, and reflection.
Angel Island Sanctuary
10
1
2
3
4
The traditional approach to the site. The original arrival view (4).
Inplace of the old welcoming center, a looming brick wall, a light glazed building holds the same footprint. This time reflecting the ocean and sky back to the new visitor. The warm internal spaces are gently hinted at beneath the undefined layered facade.
Angel Island Sanctuary
12
Gently floating over flooded ruins, a diaphanous glass system gently screens an intimate series of internal sanctuaries. These sanctuaries provide diverse and rich spaces for contemplation, education, and reflection. Angel Island Sanctuary
14
InternalSanctuary Sanctuary Internal of of perforated perforated corten steelcorten panels. steel panels. InternalSanctuary Sanctuary marble slabs Internal of of marble slabs InternalHeart HeartofofSanctuary. Sanctuary of Internal stackedtimber timberwalls walls veiled Stacked veiled by by bambooscreens. screens. bamboo An array of slender, reflective Array of slender, reflective steel steel columns` support the columns support the floating floating roof. roof.
Modular stone stonepavers pavers create Modular create a a circulation pathway floating circulation pathway floating over over the flooded the flooded ruins. ruins. Original ruins beneath Original ruinsvisible visible beneath waterline.pool waterline. reflective
Reflective as as Reflective pool Pool over overflooded floodedruins ruins sanctuarybase. base. sanctuary Floatingroof roofwith withreflective reflective ceiling. Floating ceiling.
Stone ampitheater carved into the
Stone amphitheater carved into the existing hillside. existing hillside.
stageplatform. platform. Floating stage InternalSanctuary Sanctuary Rammed Earth. Internal of of Rammed earth. InternalSanctuary Sanctuary site-cast Internal of of site-cast concrete. Concrete.
Overlapping, glass panels Overlapping,laminated laminated glass panels the internal veiling theveiling internal sanctuaries-anchored sanctuaries, anchored at the bottom at the bottom of the reflective pool to of the areflective poolfreestanding to create ascreen. create diaphanous, diaphanous, freestanding screen.
Reflective pool Pool over overflooded floodedruins ruins Reflective as as the sanctuarybase. base. sanctuary
Angel Island Sanctuary
16
3
4
5 6
7
1. Internal Sanctuary of Corten Steel 2. Internal Sanctuary of Marble 3. I Internal Sanctuary of Concrete 4. Internal Sanctuary of Rammed Earth 5. Internal Sanctuary of Wood & Bamboo 6. Floating Platform Stage 7. Stone Amphitheater carved into hillside
2
1
Angel Island Sanctuary
18
Internal Sanctuary of Corten Steel Internal Sanctuary of Corten Steel
Internal Sanctuary of Woo
Internal Sanctuary of Timb
Internal Sanctuary of Concrete Internal Sanctuary of Concrete
Internal Sanctuary of Marble Internal Sanctuary of Marble
od and Bamboo
ber and Bamboo
Internal Sanctuary of Rammed Earth Internal Sanctuary of Rammed Earth
Angel Island Sanctuary
20
Angel Island Sanctuary
22
02
Film Institute An empty plot of land sits in the heart of the historic district of Over the Rhine (OTR), Cincinnati, Ohio. As one of the largest, most intact urban historic districts in the United States, space for new architectural opportunities are rare. Known for its 19th century architecture, brick textures, immigrant history, breweries. and a developing art scene. This project provided the opportunity to design a contemporary building in an overwhlemingly historical streetscape. A film institute that would have the opportunity to fill one of the few empty plots and further the artistic growth within the community.
Utilizing a historic structure on site, the institute blends into and stands out from the existing context. The form of the building and the experience of moving within the space, is an extension of the use of frame and moment in both film and architecture.
Film Institute
24 4
3
4
1
2
1
2
3
4
The site, located at 1405 Walnut Street, is at the heart of the Over the Rhine district. Within the site an abandoned 19th century row house stands in the South East street corner. The streetscape facing the site (4) , depicts a series of historic brick facades that share strong similarities in their design but vary greatly in their elevation heights.
Film Institute
26 4
The design responds to the surrounding context, taking the major characteristic of vertical stepping within the neighboring buildings, and translating into plan. Visible from the exterior and sequentially experienced within, the rhythmic stepping, mimics film’s use of slightly altered single moment photos to create an experience of series or extended frame. The 19th century row house is adapted as part of the design. It distinguishes private spaces from the shared educational spaces and allows for a fluidity between the old and new. Film Institute
28 4
wc
Artist Residence Library Archives Lounge
Multi-purpose
Floor Plan 3
012
3
Floor Plan 2
012
3
Floor Plan1
012
3
wc
Classroom Classroom
Classroom
Editing + Tech
Auditorium Vestibule
Lobby
Offices wc
The main circulation path utilizes a suspended stairwell allowing for visual connection between floors as one moves through the building. This design emphasizes the use of frame by rotating it into a plan view, that the user can experience when looking up or down the path of vertical circulation.
Film Institute
30 4
The facade of the building meets the sidewalk with attention to privacy and way-finding. The exterior stepped framing creates a clear way-finding experience and a sense of entry through compression before entering into the interior space. This allows for the facade to meet the sidewalk in the same style as the surrounding buildings, but also pull the interior of the building back from the street for privacy. The new building seamlessly blends into the historic as the roof line of the exterior frames becomes the interior flooring of the adjacent mass.
Film Institute
32 4
Film Institute
34 4
03
Trammel Fossil Park Trammel Fossil Park, located in Sharonville Ohio, boasts over ten acres of the richest and largest deposits of ancient fosssils in the United States. Guests travel from around the country for learning and fun- spending hours searching through the fossils for treasures to take home. Nothing but a small sign marks this park as a special space off the side of the highway. The park, a rocky, rugged, and steep terrain, is highly exposed to the elements. Its strengths in its natural experience, are also its weaknesses. Visitors, many being children, spend hours in the sun, knees in sharp rocks digging. This project provided the opportunity to create a distinct and unique space that would become a landmark for the park, drawing visitors in, and enhancing the comfort, fun, and learning opportunities of the fossil park.
A playful extension of the existing canopy distinguishes the rocky hillside. Interplay between semi-transparent and thin bright metallic installations create a macro and micro sense of interior spaces to an otherwise exterior and raw environment. Light filtrated spaces, and projected playful shadows create moments to rest, dig, talk, collect, and reflect.
Trammel Fossil Park 36
The site, just off the highway, is bordered by dense vegetation
n along the northern edge, and hardscape on the southern. 4 Trammel Fossil Park 38
Shading Study
Slate vs. Limestone Study
Sun Exposure Study
Sound Study
Site analysis focused on sun exposure, shading, vegetation, and desirable vs,. non-desirable sounds. The combined results and study of popular areas for visitors, yielded a site diagram of areas to respond to with varying degrees of need.
4 Trammel Fossil Park 40
Minimal Surface Tensile Structure
Folded Metal structure
Purpose: shading device, diffusion of sunlight, low impact on site, intimate spaces for relaxation and education
Purpose: reverberates pleasant sounds of forest, shading device, diffusion of sunlight, low impact on site, intimate spaces for relaxation and education
With the intent of keeping the experience as natural as possible, and considering the fragility of the site, low impact solutions were explored. A light tensile structure shading device began to develop-an extension of the natural canopy that would filter the harsh sunlight, project shadows, and create both a macro and micro sense of interior spaces to the site. A sense of playfulness in form that would further the theme of the park was desired.
4 Trammel Fossil Park 42
Distribution on site maximizes the use of present vegetation to facilitate a suggestive circulation path, provide shade on majority of the fossalized region, enhance natural sounds, and create nodes of interior space at multiple scales.
4 Trammel Fossil Park 44
4 Trammel Fossil Park 46
04
Greenhills Study During the 1930s, as a response to the Great Depression, Greenhills Village was designed and built by the USA goverment, president Franklin Roosevelt. Greenhills Village was one of three communities actualized as a response to recover from the Great Depression. Located just outside of Cincinnati, Ohio, the goverment program helped to relocate struggling urban and rural families to the village, a community closely planned by the federal government. Today, though most of the village is a National Historic Landmark for its significant role in American history, the village lacks a sense of community, and is struggling to hold on to what originally defined it. This project provided the opportunity to study a past idealistic planned community, and imagine a way to re-define what the ideal american dream could be in present American society.
Through the use of interstitial space, a central datum becomes a shared extension of the front porch amongst community members. Four varieties on a live-work unit, re-energize the village along this communal front porch.
4 Greenhills Village 48
The site, lies within the heart of the village on a neglected golf course, which has become a large patch of unused interstitial space between neighboring streets. The topography slopes down towards the center of the green creating a central shallow ravine.
Early analogue mapping studies of the site and its surrounding context revealed patterns of design potential in a central spine or datum.
4 Greenhills Village 50
In exploring architectural units, opportunity for individuallity within each unit became evident. Studies of possible distributions and patterns to facilitate a unified and extended communal datum began to develop an interstitial front porch. Extending these two-dimensionsal studies to three-dimensional models brought clarity to placement on site and their spatial interactions with one another and their shared datum.
Greenhills Village 52
Four unit styles were chosen to occupy this community datum including creative studios (ex. sculptor), service spaces (ex. bike repair shop), physical studios (ex. yoga studio), and entertainment studios (ex. puppeteer studio). Each unit is individualized based off of the unit styles needs and the extent of interaction with the social datum desired. Greenhills Village 54
Greenhills Village 56
Professional Work The following are selected works from previous work at architectural and interior firms across the United States. The work varies from public event space and galleries within Saarinen’s TWA Flight Center in NYC to high-end, mid-century modern residences in Los Angeles. Many of the projects were featured in Dezeen, Architectural Record, Design Boom, Archdaily, and Architectural Digest. All projects selected were done in collaboration with and while employed at the noted firm.
Spaces varying as public as TWA airport development in NYC to high-end single family residences in Los Angeles.
Professional
58
05
TWA Flight Center Loation: Queens, NYC, New York Status: Built Inspired by the optimistic mid-century design, the new event spaces and galleries within Eero Saarinen’s TWA Flight Center in New York City, feature two ballrooms, a grand stair, a landmark hall, bar, meeting rooms, and skyboxes. Contributed to this project in collaboration with and while employed at INC. Architecture and Design.
Featured in Dezeen, Architectural Record, Design Boom, Archdaily, and Architectural Digest.
TWA Flight Center
60 4
20
4"
4"
LEVEL H2 - T.O.F.F. 3' - 10"
TYP.
TR230
R 6"
COLUMN IN THE FOREGROUND
19 DTL./SEC - METAL SLEEVE ABOVE DOOR NICHE
21 DTL./SEC - FIRE SHUTTER SLEEVE, CENTER 3" = 1'-0"
18 DTL./PROFILE - FIRE SHUTTER SLEEVE, SIDE
2"
120 Broadway, 20th Floor New York, NY, 10271 212 777 7800
Lighting Cooley Monato Studios/One Lux Studio
Pool Atlantic Aquatic
Structure Arup
Vertical Transportation Jenkins & Huntington, Inc.
Waterproofing Frank Seta & Associates
Site/Civil Engineer Langan Engineering & Environmental Services
M/E/P & F Jaros, Baum & Bolles
Curtain Wall Front Inc.
Acoustic Cerami & Associates
Landscape Architect Mathew Nielsen
Sustainability YR&G
Architectrual Conservation Integrated Conservation Resources
Interiors Inc. Architecture & Design/Stonehill & Taylor Architects
1 15/16 "
26
16 DTL./PROFILE - FIRE SHUTTER SLEEVE, FRONT 3" = 1'-0"
5/16"
03
TYP.
23 PT201
A-731
TYP. ALIGN
N
ALIGN
MT361
PT201
ALIGN
4"
3
TYP. FB300
CFT-1
TYP.
OPEN TO BEYOND 23
CFT-1
A-716
MT360
MT360
27
MT360
MT360
MT360
TYP. 04
A-716
3
MT360
A-716
CL HARDWARE
TYP.
3' - 0"
FB300
A-719
CFT-1
13 DTL./PROFILE- CUSTOM HANDRAIL END AT STAIRS 12" = 1'-0"
PROJECT NORTH
CONFERENCE CENTER
NORTH HOTEL
PT201
PT201 PT201
A-716
1" 25 A-716
CFT-1
LEVEL 1 - T.O.F.F. 0' - 0"
CARVED SOLID WOOD HANDRAIL AS SPECIFIED
02 DTL./PROFILE - CUSTOM HANDRAIL AT STAIRS
KEY PLAN
A-731
3
22
12" = 1'-0"
SEAL
6
TYP.
02
TYP.
A-716
4"
POST
Building #60 JFK International Airport Queens, NY 11430
± 7' - 6" 6"
TYP.
3/8"
TR290 TRIM AT TOP OF WALL, CUT AND BEND IN FIELD ALONG CURVED PARAMETER, TYP.
04 ELEVATION - FLIGHT CENTER BALLROOM - SOUTH 1
03 DTL./ELEV. - CUSTOM HANDRAIL ON POST
MT361
MT361
05 ELEVATION - FLIGHT CENTER BALLROOM - SOUTH 2
1/4" = 1'-0"
08 ELEVATION - FLIGHT CENTER BALLROOM PANTRY ENTRY
1/4" = 1'-0"
1/4" = 1'-0"
12" = 1'-0"
0
Code Code Consultants, Inc.
Traffic Philip Habib & Associates
02 A-731
MT204 METAL PLATE FASTENED TO HANDRAIL AND POST
3" = 1'-0"
Consulting Architect Lubrano Ciavarra Architects
6
TYP.
6' - 9 5/8"
2"
3" = 1'-0"
LEVEL 1 - T.O.F.F. 0' - 0"
07 ELEVATION - FLIGHT CENTER BALLROOM EAST 2
6"
C2 LEVEL B.O.F.C.
MT361
TYP.
TYP.
03
END OF POST
C2 LEVEL B.O.F.C.
04
1/4" = 1'-0"
6"
C1 CONFERENCE - T.O.F.F. -14' - 7"
2 1/4"
3' - 6"
3' - 6" 6"
3' - 6"
20
1/8"
C2 LEVEL B.O.F.C.
CFT-1
06 ELEVATION - FLIGHT CENTER BALLROOM NORTH 2
A-716
EQ
2"
± 7 3/4"
WOOD VENEER AS SPECIFIED MITER JOINT AS SHOWN
5/25/2018 9:51:54M P
1ST ISSUANCE: TAA Architecture
DATE: 2017/07/24
ISSUANCES NO DESCRIPTION 1 Construction Documents 5 Stair Revision
DATE 2017/10/16 2018/05/25
NOTES
STATUS
2"
As indicated
DATE
10/24/17
PROJECT NO
2553.00
DRAWING NO
Stairs & Railings Details Conference Center
FLIGHT CENTER
1"
SCALE
CONSTRUCTION DOCUMENTS
DRAWING TITLE
SOUTH HOTEL
A-543
0
Consulting Architect Lubrano Ciavarra Architects
Code Code Consultants, Inc.
Lighting Cooley Monato Studios/One Lux Studio
Pool Atlantic Aquatic
Traffic Philip Habib & Associates
Structure Arup
Vertical Transportation Jenkins & Huntington, Inc.
Waterproofing Frank Seta & Associates
Site/Civil Engineer Langan Engineering & Environmental Services
M/E/P & F Jaros, Baum & Bolles
Curtain Wall Front Inc.
Acoustic Cerami & Associates
Landscape Architect Mathew Nielsen
Sustainability YR&G
Architectrual Conservation Integrated Conservation Resources
Interiors Inc. Architecture & Design/Stonehill & Taylor Architects
SEAL
Building #60 JFK International Airport Queens, NY 11430
KEY PLAN
PROJECT NORTH
CONFERENCE CENTER N
1ST ISSUANCE: TAA Architecture
DATE: 2017/07/24
ISSUANCES NO DESCRIPTION 1 Construction Documents 3 FC Ballroom Revision 6 FC Ballroom Revision
DATE 2017/10/16 2018/05/01 2018/06/04
NOTES
STATUS
CONSTRUCTION DOCUMENTS
While working at INC. Architecture and Design, contributed and worked on the Grand Stair, the Constellation Ballroom, the 1962 Room, and the Landmark Hall. Above are selected examples of space and construction document drawings worked on. 120 Broadway, 20th Floor New York, NY, 10271 212 777 7800
6/4/2018 10:49:43 PM
C:\Users\skim\Documents\_REVIT 2017\1608_TWA FCH_INC_Interior_skim.rvt 5/25/2018 9:51:46 PM
SIM.
C:\Users\skim\Documents\_REVIT 2017\1608_TWA FCH_INC_Interior_skim.rvt
ELEVATION - GRAND STAIR - C1
3/8" = 1'-0"
TR230
4"
C:\Users\skim\Documents\_REVIT 2017\1608_TWA FCH_INC_Interior_skim.rvt
6 1/4"
2
6 1/4"
9"
TR230
R 8"
OPEN TO BEYOND
OPEN TO BEYOND
CFT-1
A-719
A-731
MT204 PLATE ALONG THE ENTIRE HANDRAIL; WELDED TO STRUCTURAL CHANNEL
TR230
MT215
STAIR RISER HEIGHT
± 7' - 6" STRUCTURAL CHANNEL FASTENED TO BOTTOM OF WOOD HANDRAIL
KNIFE EDGE OF LIGHT COVE
2 1/4"
6
?
± 7' - 6"
ALIGN
2"
CL
2" CYLINDER PROFILE TO WRAP DOWN
1/2"
3" 5/16"
4 1/4"
COUNTERSUNK SCREW; WITH MATCHING FINISH; AS REQ'D
STEEL ANGLE SUPPORT; WELDED TO HSS TUBE
2 3/4"
WC600
CONTINUOUS LH-17 LIGHTING AS SPECIFIED, FASTENED SECURELY INTO HANDRAIL WITH COUNTERSUNK SCREWS. LOW VOLTAGE WIRING TO EXIT FROM END OF FIXTURE AND TO TRAVEL THROUGH POSTS TO REMOTE DRIVERS.
1" GAP
CANE RAIL
SIM.
NO FASTENERS TO BE EXPOSED
1 1/4"
TYP.
WD200
A-543
A-716
MT361
FB300
PT201
MT361
A-543
TYP.
STEEL ANGLE BEHIND; WITH MATCHING FINISH
STEEL ANGLE BEHIND; WITH MATCHING FINISH
CARVED SOLID WOOD HANDRAIL AS SPECIFIED
"
08 A-715
TYP.
17
02
5/8"
R 3/8
A-543
HSS TUBE; ATTACHED TO STRUCUTURE AS NEEDED
2' - 7"
WD200
METAL PLATE BEHIND AND IN BETWEEN TWO PARALLEL METAL PLATES, AT FRONT OF EDGE OF SLAB; SEE 19/A-543
3
TYP.
A-716 TYP.
A-716
1/4" = 1'-0"
A-543
09 DTL./PLAN - HADRAIL POST 3 3/4"
3/4"
3/4"
1/4"
C1 TUNNEL - B.O. CEILING -6' - 7"
BLOCKING AS REQ'D
25
FB300
12" = 1'-0"
R 1"
COUNTERSUNK SREW; WITH MATCHING FINISH; AS REQ'D
TYP.
26
TYP.
CARVED SOLID WOOD HANDRAIL AS SPECIFIED
02
CL HANDRAIL
BACK OF LIGHT COVE; PAINTED AS SPECIFIED
1/4"
A-543
STEEL ANGLE ON THE OPPOSITE SIDE; WITH MATCHING FINISH
METAL PLATE AS SPECIFIED
SEE RAILING SCHEDULE
4"
TYP.
4 1/4"
1/4"
17
2"
WOOD BAND AT RAILING 9; SEE 4/A-544
RAILING 9 DETAIL AT FRONT SEE 4/A-544
TILE FLOOR AS SPECIFIED
6 3/4"
TYP.
1/4" = 1'-0"
1 1/8"
9 1/2"
1 1/4"
COUNTERSUNK SCREW, WITH MATCHING FINISH
1 1/4"
03
MT204 PLATE ALONG THE ENTIRE HANDRAIL SCREWED TO VERTICAL POST
STRUCTURAL POST WELDED TO STEEL ANGLE BELOW. ALLOW 2" X 1/2" POST TO SLIP OVER AND BE FASTENED
SIM.
10 A-543 METAL PLATE BEYOND, AS SPECIFIED
TYP.
09 A-715
TR230
1/4"
TYP.
A-543
3/8" = 1'-0"
6
06 DTL./PLAN - LIGHT COVE AND TERRAZZO SLAB 3" = 1'-0"
2" CYLINDER PROFILE TO WRAP DOWN
21
C1 LEVEL T.O.F.F.
1"
EQ
1' - 0"
SECTION - Grand Stair, Overall
1/4"
12" = 1'-0"
3"
BLOCKING AS REQ'D
TYP.
6"
3' - 8"
C1 LEVEL T.O.F.F.
METAL PLATE AS SPECIFIED
20 A-716
PT201
03 ELEVATION - FLIGHT CENTER BALLROOM - NORTH EAST
10 DTL./ SEC - HANDRAIL POST
SPACE FOR LH-17 LIGHTING WIRE TO TRAVEL THROUGH
A-544 ALIGN
LEVEL 1 - T.O.F.F. 0' - 0"
ONE 3/4" CONDUIT SLEEVE PER HANDRAIL TO RUN WIRE FOR LT-17 LIGHTING.
TYP.
1/4"
4"
TYP.
4
2 1/4"
LEVEL H1 - T.O.F.F. -5' - 10"
21 A-716
CFT-1 STEEL ANGLE EMBEDDED INTO CONCRETE
FACE OF LIGHT COVE
TILE FLOOR AS SPECIFIED
5 3/4"
1/4"
C1 LEVEL T.O.F.F.
SIM.
A-716
22
METAL POST AS SPECIFIED; HOLLOW METAL TUBE TO SLIP OVER STRUCTURAL POST
KNIFE EDGE LC-21 BELOW
2 1/4"
TYP.
PT201
OPEN TO BEYOND
REMOVABLE WOOD PANEL
A-543
3' - 6"
CANE RAIL
20 DTL./SEC - DOOR SIDE PANEL BELOW LIGHT TR230 COVE
A-544
10
TYP.
21
22 A-716CFT-1
TR290 TRIM AT TOP OF WALL, CUT AND BEND IN FIELD ALONG CURVED PARAMETER, TYP.
TYP.
A-543
6' - 5"
MT215
15
PT201
STRUCTURAL POST WELDED TO STEEL ANGLE. ALLOW 2" X 1/2" POST TO SLIP OVER AND BE FASTENED.
WOOD HANDRAIL ABOVE
METAL PLATE AS SPECIFIED
3" = 1'-0"
1
23
1/4" RVL
14 A-543
TYP.
A-716
A-719
1 1/2"
3" = 1'-0"
14 A-543
CFT-1
02 ELEVATION - FLIGHT CENTER BALLROOOM - NORTH 1 1/4" = 1'-0"
3
METAL PALTE AS SPECIFIED
WOOD VENEER AS SPECIFIED
WC600
3' - 0"
TR230
DTL./PLAN - RAILING AT CORNER
METAL PLATE BEYOND
OPEN TO BEYOND
TR290 TRIM AT TOP OF WALL, CUT AND BEND IN FIELD ALONG CURVED PARAMETER, TYP.
3
3" = 1'-0"
11
1 1/2" 1" GAP
OPEN TO BEYOND WC600
22
CFT-1
A-716
FB300
OPEN TO BEYOND
6
4 1/8"
3' - 6"
SEE RAILING SCHEDULE
3' - 0"
LIGHT FIXTURE BEYOND
MT200
22 CFT-1
FB300
OPEN TO BEYOND TYP.
METAL PLATE BEYOND TO FASTEN POST AND HANDRAIL
2"
3"
25 DTL./PLAN - MILLWORK SIDE PANEL AT RECESS
TYP.
A-544
LIGHTING COVE AT FRONT SEE 4/A-732
TYP.
A-716
01 ELEVATION - FLIGHT CENTER BALLROOM - NORTH
METAL PLATE BEYOND, AS SPECIFIED
2"
FB300
OPEN TO BEYOND
METAL PLATE AS SPECIFIED
4
CL
SEE RAILING SCHEDULE
A-716
CONTINUOUS LT-17 LIGHTING AS SPECIFIED
1"
MITER JOINT
FINISH FLOOR EDGE BELOW
WD200
PT201
STRUCTURAL CHANNEL SCREWED TO BOTTOM OF WOOD HANDRAIL.
3/4"
REVEAL TO MATCH WITH PANEL FACE FINISH
TERRAZZO TILE FLOOR AS SPECIFIED METAL PLATE BELOW
1/4" GAP
3' - 0"
MT204
PT201
MT204 METAL ANGLE
SLAB FINISH EDGE BELOW
A-543
TYP.
23
PT201
CARVED SOLID WOOD HANDRAIL AS SPECIFIED
CL GUARDRAIL
4 1/2"
GLASS GUARDRAIL SLOPED ALONG THE STAIRS RAILING BELOW
METAL EDGE
ALIGN
1/4" RVL
TYP.
21
A-543
MT204
GLASS GUARD RAIL WITH AC315 RAIL SHOE AS SPECIFIED; SEE A-500 FOR RAIL TYPE
TR288, REVEAL PAINTED CEILING AS SPECIFIED
TYP.
21
2 1/16"
3
TR290 TRIM AT TOP OF WALL, CUT AND BEND IN FIELD ALONG CURVED PARAMETER, TYP.
1/4" = 1'-0"
1 3/4"
1/4" RVL 3/4"
05 DTL./SEC - TERRAZZO SLAB FINISH 3" = 1'-0"
8" 6"
A-716
CFT-1
MT361
26 DTL./SEC - TREAD AT LANDING 2 3" = 1'-0"
24 DTL./PLAN - MILLWORK SIDE PANEL
MT280 TRANSITION STRIP
SOLID HARDWOOD
14 DTL./ PLAN - FIRE SHUTTER SLEEVE 3" = 1'-0"
?
07 DTL./SEC - TREAD AT LANDING
3 3/4"
MITER JOINT
3" = 1'-0"
METAL PLATE BELOW
FB300
TYP.
NOTE: SEE A-750 FOR FLOOR DETAIL
NOTE: SEE A-750 FOR FLOOR DETAIL
SOLID HARDWOOD EDGE
3/4"
EDGE OF TREAD BELOW
3" = 1'-0"
TYP.
22 MT204 METAL ANGLE
MT280 METAL TRANSITION
REMOVABLE WOOD PANEL WITH REVEALS, HUNG ON Z CLIP
CARPET AS SPECIFIED; CARPET TO FOLLOW STAIR PROFILE
OPEN TO BEYOND
CARPET AS SPECIFIED
1"
MT204 METAL ANGLE
MT204 METAL ANGLE REMOVABLE WOOD SIDE PANEL AS SPECIFIED
23 DTL./PROFILE - STAIR TREAD FRONT
A-543 REMOVABLE PLYWOOD SUBSTRATE ON STEEL PLATE, FASTENED TO STUCTURE
3" = 1'-0"
01 DTL./PLAN - RAILING AT METAL PANEL 3" = 1'-0"
3/4"
GLASS RAILING AS SPECIFIED
3/4"
T.O.STEP BELOW
23 A-716
25 ALIGN
CARPET AS SPECIFIED
3" = 1'-0"
SIM.
06
OPEN TO BELOW
04 WC600DTL./PLAN - RAILING AT STAIR EDGE
OPEN TO BEYOND
T.O.STEP
TYP.
25 A-543
REMOVABLE WOOD PANEL, HUNG ON Z-CLIP
24 A-716
1/8"
4 1/8"
EQ
GLASS GUARDRAIL WITH AC315 RAIL SHOE AS SPECIFIED; SEE A-500 FOR RAIL TYPE
TYP.
24 A-543
MT204 AT MILLWORK PANEL MT280 TRANSITION STRIP
AC315 SIDE MOUNTED RAILING SHOE AS SPECIFIED SUPPORT AS REQ'D
1 3/4"
SOLID HARDWOOD EDGE, MITER JOINT
METAL PLATES AS SPECIFIED; ASSEMBLED AT METAL SHOP
ALIGN GLASS GUARDRAIL SLOPED ALONG THE STAIRS RAILING BELOW
1/8"
METAL SLEEVE BEYOND
GLASS GUARDRAIL ASSEMBLY; SEE A-500 FOR RAILING TYPE
RISER
1/4"
FINISHED FLOOR BELOW
2 1/4"
EQ TREAD DEPTH
1/4" GAP
EDGE OF RALING TOP PLATE BELOW
EDGE OF RAILING TOP PLATE BELOW
COLUMN IN THE FOREGROUND
4"
METAL EDGE BELOW
1/8"
OPEN TO BEYOND MT204
1"
A-543
E.O.S.
CL
HANDRAIL ABOVE
1/4" GAP
3/4" 2 1/4"
MT200
CARPET BELOW
METAL PLATE ON PLYWOOD SUBSTRATE AS SPECIFIED
OPEN TO BEYOND
21
A-543 1/4" GAP PANEL BELOW LEVEL H3 - T.O.F.F. 13' - 6"
TYP.
3/4"
18
3 1/2"
REMOVABLE WOOD
09 A-543
METAL ON PLYWOOD SUBSTRATE AS SPECIFIED
3 3/4"
SEE RAILING SCHEDULE
GLASS RAILING AS SPECIFIED
2 5/8"
TR230 FINISHED FLOOR BELOW
1"
1/4" GAP
4"
4"
TYP.
1/4" GAP
CL GUARDRAIL
4 1/2"
18
SIM.
A-543
SEE RAILING SCHEDULE
3
TERRAZZO TILE AS SPECIFIED
TERRAZZO TILE AS SPECIFIED
1 1/2" GASKET
TILE FLOOR AS SPECIFIED
TYP.
TYP.
TYP.
20 A-716
6
CL GUARDRAIL
4 1/2"
3 7/8"
3" = 1'-0"
CL HANDRAIL & POST
PT201 METAL EDGE BEYOND
15 DTL./PROFILE - STAIR TREAD SIDE 3" = 1'-0"
CL GUARDRAIL
4 1/2"
1/8"
CL GUARDRAIL
22 DTL./SEC - MILLWORK SIDE PANEL, JOINT 3" = 1'-0"
CL GUARDRAIL
1"
3" = 1'-0"
A-543
02
METAL ENCLOSURE ON ALL FOUR(4) SIDES; MT200
08 DTL./SEC - STAIR NOSING PROFILE, TYP. 3" = 1'-0"
TYP.
A-731
3
REVEAL BEHIND
3/4"
1 1/2"
FACE WOOD FINISH ABOVE
DTL./PLAN - FIRE SHUTTER SLEEVE AT SLAB
02
A-731
REMOVABLE WOOD PANEL HUNG ON Z-CLIP
± 7' - 6"
METAL PLATES AS SPECIFIED; ASSEMBLED AT METAL SHOP TO H-SHAPE FACE OF LIGHT COVE
12 DTL./PLAN - GLASS RAILING CORNER MT204 MT204 ST251
MT200 MT200
SOLID HARDWOOD EDGE
SEE 2/A-544 FOR TYPICAL ASSEMBLY
SUPPORT AS REQ'D
OPEN TO BELOW
17
TYP.
03
TYP.
A-731
METAL EDGE BEYOND
3/4"
COUNTERSUNK SCREW WITH MATCHING FINISH
MT204 METAL ANGLE BELOW
FACE OF SLAB EDGE FINISH BELOW
MT206
OPEN TO BEYOND
3/4"
2 1/4"
CL GUARDRAIL
1/2" RVL
4 1/2"
STAIR REMOVABLE SIDE PANEL BELOW
MT206
STRAIGHT RISER
BACK OF LIGHT COVE, PAINTED AS SPECIFIED
1/4" GAP
WC600
LIGHT FIXTURE BEYOND
03
A-731
RABBET JOINT BEHIND; BETWEEN TWO PANELS
STAIR THREAD DEPTH RABBET JOINT BEWTEEN TWO PANELS
B.O.STEP ABOVE T.O.STEP
TYP.
02
SOLID HARDWOOD EDGE
CARPET TO FOLLOW STAIR PROFILE
STEEL ANGLE WELDED; WITH MATCHING FINISH
GLASS GUARD RAIL WITH AC315 RAIL SHOE AS SPECIFIED; SEE A-500 FOR RAIL TYPE
STAIR
3 7/8"
COLUMN IN THE FOREGROUND
OPEN TO BEYOND
OPEN TO BEYOND
CARPET LOCATION VARIES, SEE ENLARGED STAIR PLANS
A-716
A-543
STRUCTURAL SLAB; SEE STRUCTURAL DRAWING HSS TUBE; ATTACHED TO STURCTURE AS NEEDED; WITH STEEL ANGLE SUPPORTS WELDED
E.O.S.
FINISH FLOOR BELOW
C1 LEVEL
TYP.
22
TYP.
21 A-543
CL GUARDRAIL
ALIGN
1/2" OVERLAP
18' - 2 13/16"
0
120 Broadway, 20th Floor New York, NY, 10271 212 777 7800
Consulting Architect Lubrano Ciavarra Architects
Code Code Consultants, Inc.
Lighting Cooley Monato Studios/One Lux Studio
Pool Atlantic Aquatic
Traffic Philip Habib & Associates
Structure Arup
Vertical Transportation Jenkins & Huntington, Inc.
Waterproofing Frank Seta & Associates
Site/Civil Engineer Langan Engineering & Environmental Services
M/E/P & F Jaros, Baum & Bolles
Curtain Wall Front Inc.
Acoustic Cerami & Associates
Landscape Architect Mathew Nielsen
Sustainability YR&G
Architectrual Conservation Integrated Conservation Resources
Interiors Inc. Architecture & Design/Stonehill & Taylor Architects
SEAL
Building #60 JFK International Airport Queens, NY 11430
KEY PLAN
PROJECT NORTH
CONFERENCE CENTER
N
NORTH HOTEL
SOUTH HOTEL
FLIGHT CENTER
1ST ISSUANCE: TAA Architecture
DATE: 2017/07/24
ISSUANCES NO DESCRIPTION 1 Construction Documents 5 Stair Revision
DATE 2017/10/16 2018/05/25
NOTES
STATUS
CONSTRUCTION DOCUMENTS
DRAWING TITLE
Stairs 28, 29 - Elevations
SCALE
1"
NORTH HOTEL
SOUTH HOTEL
FLIGHT CENTER
DRAWING TITLE
Interior Elevations - Flight Center Ballroom
1"
2"
1/4" = 1'-0"
SCALE DATE
10/16/17
PROJECT NO
2553.00
DRAWING NO
A-615.2
2"
3/8" = 1'-0"
DATE
10/06/17
PROJECT NO
2553.00
DRAWING NO
A-525
TWA Flight Center
62 4
06
Brooktree Residence Loation: Los Angeles, Caliifornia Status: Built Single family residence located within Rustic Canyon, Los Angeles. Includes an artist studio, pool, and guests suites.
Featured in Archdaily and DesiretoInspire.
Brooktree Residence
64 4
While working at Marmol-Radziner, contributed and worked extensively on the design development and construction document set for Brooktree Residence.
Brooktree Residence
66
07
Fine Art Selected Work With a minor in Fine Arts, I have experience in many medias including ceramics, screen-printing, sculpture, film and digital photography, painting, graphite, ink, and many others. The following is a collection of selected work as a small sample to a larger collection.
Selected works include screen prints, ceramics, and film photography.
Fine Art Selected Work
68 4
An exploration in exterior ceramic wall art. The collection was designed to be highly textured, detail oriented, and adaptable. Each piece was designed by hand, built in the computer utilizing 3d modeling software, 3d printed, cast in plaster, and hand pressed..
Ceramic Wall Art
70 4
This screen print series is a collection of abstracted landscapes inspired by National Parks in the United States. From left to right the parks represented are Rocky Mountain, Arches, and Zion. Each piece evokes a sense of the place through minimal forms and selected colors.
4 Screen Prints 72
Each screen print study is a discussion around sociopolitical issues at the time of it’s creation. The first is a large wallpaper print made up of over twenty small tiled screen prints. The piece was installed at the University of Cincinnati to evoke a discussion around the Native American voting rights being revoked last year. The second piece, is a play off the iconic American Rock’Em-Sock’Em game and the current political climate between the two major parties.
Screen Prints 74
A series of moments within my neighborhood captured on black and white 35 mm film. All film photography is hand developed and printed.
35mm Film Photography
76
A small tile collection of ceramic wall art. Each piece was designed by hand, built in the computer utilizing 3d modeling software, CNC milled, cast in plaster, and finally hand pressed. Raku firing and glazes were explored for part of this collection.
Ceramic Wall Series
78
This series of ceramic vases, was designed to be an elegant piece with distinctive hard edges in contrast to soft curves. This piece was built in the computer utilizing 3d modeling software, 3d printed, cast in plaster, and slip cast.
Ceramic Vase
80 4
Mandolin Schreck 513-562-0898 schreck.mandolin07@gmail.com 4022 Carrie Avenue Cincinnati, OH 45211 United States
Thank you.