OILOFTROP MANOJ VAMSI
00 A B O U T 01 P R A S T H A P I T
3-4
5-6
02 C H A A Y O ’ S
7-8
03 P R A S T H I T I
9-15
04 A A L A Y
16-20
05 C R A N E T O W E R
21-25
06 A B H I V I
26-29
MANOJ VAMSI NERELLA STUDENT ARCHITECT
ABOUT ME Coming from Vinukonda a small town in Andhra Pradesh, I’m always curious about habitable spaces and the construction sector. I firmly believe that space is dynamic and a good design can make that space more reliable to live in. I enjoy all my time working on designing and making spaces better for habitation.
EDUCATION Undergraduate, B.Arch National
Institute
of
Technology
Calicut,
Kozhikode, Kerala Year : 2018 - 2023
Contact 7989056463, 8297736772
Email nerella.manojvamsi@gmail.com Address Dr. No: 29-592, Beside geethanjali school, ramalayam street, kothapeta, vinukonda, Guntur district, Andhra Pradesh. PIN: 522 647
D.O.B 17/07/2000 LinkedIn https://www.linkedin.com/in/mano j-vamsi-nerella-ba2548179
CGPA: 8.2 (1st yr.), 8.18 (2nd yr.)
Senior Secondary (XII), Science Jupiter Junior College, Guntur, A.P. Year of completion: 2018 (state board) Percentage: 96.7%
High School (X) Geethanjali High School, Vinukonda, Guntur, A.P. Year of completion: 2016 (state board) CGPA: 10/10
OBJECTIVE Interested to work in a place where I learn how to implement all theories practically and know how to manage a work environment and working with a team to bring better outputs beyond my limits.
EXPERIENCE TEACHING
Artmate Trendz Started an educational institute called Artmate Trendz in Vijayawada in 2018 to train designing aspirants for entrance examinations and encouraging hundreds of school student and household women in the field of art through this institute every year. (https://artmatetrendz.in)
AUTHOR
‘Handbook for JEE B.Arch and NATA’ Author of ‘Handbook for JEE B.Arch and NATA’. I wrote this book to make the architecture entrance exam learning process easy for students from the nonurban background who aren’t opt for coaching.
DESIGNER
Freelance Designs
posters
and
brochures
for
college
and
club
events.
Freelance
logo
designer.
EVENT ORGANIZER
Conducts events and competitions encouraging arts and virtual live programs to aware students on designing courses. Spectrum Art competition: Painting and model making competition (June 23, 2019) Artmate Lecture series on Instagram
JOBS & POSITION OF RESPONSIBILITY
POSTIONS
Co-founder of Artmate Trendz institution Marketing head in Indian Society for Technical education Club Executive of Association of Students of Architecture in NIT Calicut
SOFTWARE SKILL AUTOCAD REVIT SKETCHUP INDESIGN LUMION PHOTOSHOP MICROSOFT OFFICE
INTERESTS & HOBBIES TEACHING
CULTURAL ACTIVITIES
SKETCHING
SOCIAL DEVELOPMENT
GROUP DISCUSSIONS
PUBLIC SPEAKING
ENTREPRENEURSHIP
LISTENING MUSIC
HAND DRAFTING
WATCHING DOCUMENTORIES
3-4
01
PRASTHAPIT LUXURY BUS STAND DESIGN
PROJECT TYPE :
Product & Culture
SITE :
Arbitrary
WORK :
Academic
YEAR
2018, S2
OVERVIEW :
An introductory project to space designing.
This Project gave me an introduction to how public spaces are designed, from seating to washroom, direction of traffic flow, things were taken in consideration while designing.
Prasthapit
is
a
luxury
bus
stand
designed
on
the
junction of roads, this corner plot has been given a futuristic design look, with clear edges and profile, the two
stand-alone
are
the
street
lights,
it
has
a
washroom attached along with the seating area. With waste disposal and pickup on exteriors and drinking water accessibility, it can seat around ten people at a time and has the possibility of future expansion as well.
LEFT TOP : TOP VIEW, MIDDLE : ELEVATIONS, BOTTOM : FLOOR PLAN
RIGHT BOTTOM : INTERIOR RENDERS
5-6
02
CHAAYO’S INTERIOR-EXTERIOR RENOOVATION
PROJECT TYPE :
Commercial Shop
SITE :
Delhi
WORK :
Professional
YEAR
2019, S3
OVERVIEW :
To redesign a small space for retail food
Chaayos, one of the famous cafe extensions in India, while a internship trial turn, I was given the task to redesign the exteriors and interior of an outlet of chayoos in Canught Place, Delhi. This an inspired mixed used design.
An architectural attraction in the form of an arched gateway acting as the entrance, constructed as a memorial, from Luten's Delhi, with a Mughal-styled Jali Door. With the Massive opening on the one end, the cafe has a feel of openness, yet being in congestion with the regular motion, seating on the edge gives a connection between the inner and outer space.
The kitchen being open gives a clear view to the customers while their food is being prepared, a feeling of trust and belief in the brand.
The main aesthetic of this punk visual art is to shock or perplex
the
viewer
so
as
to
create
a
sense
of
challenge, empathy, or revulsion in viewers.
Exteriors
are
cladded
with
orange-brown
granite
stones, which gives it an abstract monumental look.
TOP RIGHT : VIEWS SHOWING THE OUTLOOK MIDDLE RIGHT : ARCHED GATEWAY ENTRY & EXTERIOR WALL BOTTOM RIGHT : PUNK ART WALL INTERIOR BOTTOM LEFT : KITCHEN AND TAKE-AWAY COUNTER
7-8
03 PRASTHITI BUS TERMINAL DESIGN
PROJECT TYPE :
Public Space development
SITE :
Sakleshpur, Karnataka
WORK :
ANDC 2020
YEAR
2020, S5
OVERVIEW :
The society has always been evolving, this
process needs consistent work in different fields and places. Public
mobility
spaces
are
the
one's
which
help
people
connect to places across the country. In India, the public transportation people
a
sector
day.
indulges
Objective
of
in
transporting
this
millions
competition
of
was
determine, how do we change the idea of public mobility?
to
9-10
11-12
"Extraordinary times” require extraordinary designs.
What Can Architecture Do for our Health?
Our rapidly developing world has given us the endless possibilities of globalization, within a brief amount of time. However, the introduction of a highly contagious virus into our world, poses a serious threat towards urban and rural settings alike. While most city inhabitants now have the ability of resorting to use their individual vehicles or even technologically advanced sanitation methods in public transports, the harsh reality is that most rural areas still lack the necessary resources to bring about such rapid changes to their lifestyle without disrupting their livelihood. Thus, a proposal to urbanize this mobility space and enhance the experience of all its stakeholders by using elements of natural ethnicity to this region while also attempting to incorporate, the recent challenges and subsequent design solutions brought about by the COVID-19 pandemic.
13-14
TOP : SITE PLAN OF THE TERMINAL, BOTTOM : FLOOR PLAN
04
AALAY RESIDENCE DESIGN
PROJECT TYPE :
Residential
SITE :
Arbitrary
WORK :
Academic
YEAR
2019, S4
OVERVIEW :
The aim of this project was to design a
medium scale house for a Banker, working in a bank, and his wife was a school teacher, who often takes tuitions in the evening. They have two kids in the fourth and fifth standard respectively. The special requirement was a rooftop room for winter season.
15-16
17-18
19-20
05 CRANE TOWER COMMERCIAL COMPLEX DESIGN
PROJECT TYPE :
Commercial Building
SITE :
Prayagraj, U.P
WORK :
Academic
YEAR
2020, S5
OVERVIEW :
The aim of this project was to design a
commercial complex with mixed use typology of shops. The site chosen for this was triangular, which was at the junction
of
two
major
townships
of
Prayagraj.
Major
Requirement was to design a sustainable building which can act as the center of commercial activities in that area.
SITE PLAN : CRANE TOWER
21-22
Crane Tower, Commercial Complex design. This
project
has
been
designed
on
a
triangular in site, with roads on each side, which makes it a stand alone site, with a complete 360 degree view, all these factors were taken in consideration while design the building.
Crane
Tower
is
located
at
the
junction of two major townships of Prayagraj, with its main concept focusing upon utilizing the site standing materials and producing VIEW : CRANE TOWER
a
stand alone remembrance of the place.
CORNER VIEW 34-35
TOP : GROUND FLOOR PLAN. BOTTOM : MID-WAY SECTIONAL ELEVATION 23-24
TOP : TYPICAL FLOOR PLAN. BOTTOM : LONGITUDNAL SECTIONAL ELEVATION
06 ABHIVI
BUS TERMINAL DESIGN
PROJECT TYPE :
Documentation
SITE :
Khonoma, Nagaland
WORK :
Academic
YEAR
2020, S5
OVERVIEW :
The aim of this documentation was to
give
these tribal settlements a new page, with a better
understanding of there cultural and tradition. Studying the vernacular from of architecture and the evolution it has taken over time.
25-26
Far, far away, far East and North, Hidden ‘twixt green mountain tops Emeralds ‘neath grey, gauzy fog; Where liquid ditties dribble forth As dancing creeks through vale and bog.
Yonder ‘neath those lofty crests, There lies a land of mystic lore Ringing of drums and horns furore, These warriorfolk doth ne’er rest; Their hearts bound by blood and more.
In the book chapter 7 covers the story of Khonoma Village in Nagaland, it was virtually documented by me & the teammates as a part of ADFT-5 studio, S5
The focus of the study is a little paradise located near Kohima. Its story starts from the 1840s, when the British spent four decades trying to annex a small territory in the Northeast. The indigenous warrior tribes offered unyielding resistance. Khonoma village, derived from the name of a native plant, Khwuno-ra, is estimated to around 100 years old. The total population of 3000 is divided among 600 households. is famous for its forests and is considered the oldest terraced cultivation in the terrain is hilly, and covered with forests, rich in various species of flora and fauna.
be
Khonoma
region. The It is home to
the Angami, a tribe of hunter-farmers famous for their martial prowess.
This brief study on their settlements gave me a chance to explore the vernacular architecture of Khonoma, how these olden tribes built structures in harmony with their surroundings, purely based on the innate knowledge of what should be, and what shouldn’t.
"Khonoma is a model for sustainable interdependence with nature."
27-28
Manoj Vamsi Nerella 7989056463 nerella.manojvamsi@gmail.com
