BRIEFCASE PRESENTATION R E C E N T
W O R K
F R O M
T H E
L A S T
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Y E A R S
O F
P A I N T I N G
MARCO ANTONIO DIAZ A
J O U R N E Y
T H R O U G H
P A P E R
PROJECT FOR THE LONDON MARKET
A N D
F A B R I C
P R O Y E C T
L O N D O N
MARCO ANTONIO DIAZ W O R K S
R E C E N T
CONTENT PROJECT LONDON
REVIEW
OIL ON LINEN MARCO ANTONIO DIAZ CHILEAN 2019
ABOUT ME
1
THE AWAKENING
2
THE SEARCH
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THE AWAKENINGII
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THE PROMISE
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WHITE PERIOD 2000 _2006
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TULLE PERIOD 2006\2015
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PERIOD STILL LIFES AND CRYSTALS 2014-2017
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WORKS IN DRY PASTEL
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ABOUT ME Presentations are tools that can be used as speeches, reports, and more. It is presented to an audience. It serves a variety of purposes, in the particular case of me as a visual artist I began to draw at the age of 7 or a little earlier I would say but my career started late as a result of living in a country with limited opportunities and with a classist assertion it cost me a lot dedicate myself to the arts that as an introduction
PROJECT FOR THE LONDON MARKET
THE AWAKENING IBENITO PEÑA GARROS MY DRAWING TEACHER WHOM I REMEMBER WITH FONDNESS AND NOSTALGIA IN THE YEARS FROM 1986 TO 1992 WHEN HE TAUGHT AT LEA LICEO ARTISTIC SCHOOL ON CALLE ALMIRANTE BARROSO N ° 23 KNOWN AT THAT TIME FOR BEING THE ONLY ART SCHOOL THAT WENT AGAINST THE NEOLIBERAL MODEL, ALSO MY PAINTING TEACHER OLGA OYARZUN
TWO GREATS OF MY EARLY YEARS IN DRAWING AND PAINTING THERE I HAD MY FIRST STUDENT SHOW IN THE SUMMER OF 87
MARCO ANTONIO DIAZ RIQUELME It was the school years, 1981 had to cross a large soccer field to get there. It was not easy to go through those years of uncertainty marked by the vicissitude of my reality, although there was never a lack of what was necessary to survive, there is a certain ambiguity in some experiences of my childhood, Japanese cartoons invade our collective consciences of widenecked schoolboys and shoes. elastics and cuts of the 70s Beatles. I had two pets that love the Russian cat and my roky dog.
THE SEARCH In August in my country they celebrate the week of the child, coinciding with my birthday on the 9th, it happened that some teachers received the contest of ccu company of breweries united to represent the school at the community level, it was then after painting a bottle from which a river came out with children who received the diploma I was surprised in the middle of the course training game by the unforgettable line on a very cold morning in August the honk from the seventies microphone from where you could see the podium and the director Vargas and his tall figure, face upright with some diplomas and the plastic arts teacher telling me to fix my flying tie I was 9 years old ,,,,
MARCO ANTONIO DIAZ RIQUELME I STUDIED GRAPHIC ARTS AND DESIGN, I DID MY PRACTICE IN DRY-DIE ENGRAVING AND OFFSET PRINTING PRESSES, SO I LIVED MOST OF MY BEGINNINGS IN THE BOLD LITHOGRAPHY DRY-DIE ENGRAVING OF CLICHÉS AND OTHER SOUVENIRS FROM THE RANGE OF PUBLISHERS OR PRINTERS AND THE PRE-PRESS IN GIGANTOGRAPHIES THEY EDUCATED MY EYE
THE AWAKENING II READ EX HIGH SCHOOL EXPERIMENTAL ARTISTIC YUNGAY NEIGHBORHOOD
MARCO ANTONIO DIAZ RIQUELME I REMEMBER THAT I ATTENDED THE FIRST TIME TO THIS CAMPUS ALLA IN 1986 IN SEPTEMBER OR OCTOBER WITHOUT A DOUBT IT WAS A PRIVILEGE TO BE ABLE TO STUDY WITH A HALF SCHOLARSHIP THE YEARS PASSED INEXORABLY AN UNFORGETTABLE MEMORY IS THE COLLEGE STAIRS OF MÉTENO. NEXT TO THE CORRIDOR YOU COULD SEE THE DANCERS FROM THE BALLET CLASS. ME WITH MY EYES BETWEEN THE RAILING OF THE STAIRCASE I HIDDEN FOR A FEW MINUTES FROM THE TEACHERS TO LOOK AT THOSE MAIDES, AN IMBORRABLE MEMORY OF MY CHILDREN.
THE PROMISE HTTPS://WWW.SOTHEBYS.COM/EN/AUCTIONS/ECATALOGUE/LOT.299.HTML/2008/IMPRESSIONIST-AND-MODERNART-INCLUDING-LATIN-AMERICAN-AND-RUSSIAN-ART-N08473
IN THE YEAR 2000 I MET MARIO VELASCO RINGELING ANTIQUARIAN, I WORKED 7 YEARS FOR HIM, MAKING WORKS OF ART. 2007 WAS THE YEAR THAT MY WORK LEFT FOR THE SOTHEBYS AUCTION. APPEARS ON THE PAGE DONE IN DRY PASTEL ON PAPER.
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IMPRESSIONIST AND MODERN ART INCLUDING LATIN AMERICAN AND RUSSIAN ART
Antonio Diaz Marco Antonio Diaz b. 1972 7 October 2008 Sale price: 6,875 USD Past lot
ONE OF THE FIRST WRITTEN FOR THE AUDIENCE.
WHITE PERIOD 2000 _2006
n his work we can also see the interest that he devotes to the human body, revealing the truth of the human condition through lights and shadows, small gestures that build their own and intimate space within the painting.
PAPERS IN WHEAT AND EARS
WHITE PERIOD
2006 author Marco Antonio Diaz dry pastel technique on paper
this first period is represented by spikes, branches and cottons
A calm and seductive world presents Marco Antonio Díaz, a world that speaks of colors and textures, of fragile and brilliant natures from a great plastic dexterity, a metaphorical realism that allows us to speak of poetry and beauty through objects. Source: Praxis Gallery
TULLE PERIOD 2006\2015 THIS PERIOD IS CHARACTERIZED BY HIS COMPOSITIONS IN DRAPERIA, COLOR AND VARIOUS FABRICS
THE DRAPERIA what freed me in this period were the knots, unlike the draperia de maffei, or bravo. I am in a more complex composition of colors and shapes ... which for the neophyte believes that it is bravo but has to go more to the composition ... I left the cloths to dedicate myself to other tectonies and to advance I recognize that it was a path through which I had to go ... EXPERIENCE CREATIVITY
LANGUAGES
STILL LIFES ARE MY PASSION, ESPECIALLY CRYSTALS, AND THE REPRESENTATIVES PAR EXCELLENCE AT THE TABLE OF A KING, PRACTICE WITH PERFUME AND WINE, WITH WATER, FRUITS, SEEDS, WITHOUT A DOUBT IT IS NECESSARY TO GO THROUGH THIS EXERCISE THE STILL LIFE THEY HAVE ALL DONE IT IN OIL, BUT DRY PASTEL, THEY ARE FEW AND I INCLUDE MYSELF IN THAT LIST.
STRAWBERRIES AND CUP
Dry pastel technique on paper dates 2009 120 x 90 cm
PERIOD STILL LIFES AND CRYSTALS 2014-2017
WORKS IN DRY PASTEL His taste for art led him to practice mixed techniques such as graphite, colored pencils and pastel, which he later perfected. In 1992 he began to study Graphic Arts at the Alps Institute where he learned about photography and photoengraving processes, standing out for his great ability to illustrate and draw.
With a hyper-realistic tendency, he draws attention not only for his great craft, but also for the subtlety with which he works with color and composition. In his work, the warm and luminous tones stand out, oil paintings on canvas and on paper that marvel at the cleanliness of his technique and his sensitivity.
BOWLS
COLORED COTTONS
STILL LIFES
WORK IN DRY PASTEL ANALYSIS REPRESENTATION BEFORE THE AUDIENCE OF THE ASIA MARKET.
Asian markets are particularly preferred. Realism works in dry pastel. On the one hand, reaching Sothebys will also represent an added value for this great art market.
THREATS
YOUR LOGO
2020 2011 2006
2000
SALE VALUES IN GALLERIES
$.'6.000.000 $.'4.811.000 MONEDA NACIONAL CHILENA EL PESO
MONEDA NACIONAL CHILENA EL PESO
TIMELINE
SALE VALUES WITH LOCAL REPRESENTATIVES AND GALLERISTS
$.'11.850.00
INITIAL VALUES OF SALE IN ANTIQUE HOUSE
$.' 1.600.000
VALUE OF AUCTIONS IN CHILE AND ABROAD
TIME AND VALUES ONLINE PROJECT IN THE LOCAL CHILEAN MARKET
MONEDA NACIONAL CHILENA EL PESO
MONEDA NACIONAL CHILENA EL PESO
IMPRESSIONIST AND MODERN ART INCLUDING LATIN AMERICAN AND RUSSIAN ART 299 MARCO ANTONIO DIAZ B. 1972 STILL LIFE ESTIMATE 5,000 — 6,000 USD
MARKET
POSITIONING IN LONDON I seek to position myself in London at a higher level than I am in Chile, that is why I seek direct representation as far as possible less than three intermediaries to reach the auctions again and remain
HE DREW
DRY CAKE
OIL
MIXTA
MIXTA
MIXTA
$. 15.000 DOLLARS
KEY FEATURES
at a three-year level
25.000 DOLLARS
70.0000 DOLLARS
KEY FEATURES
KEY FEATURES
5 años
10 años
PROCESS IT IS PRESENTED BEFORE AN AUDIENCE.
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INVESTIGATE
iresearch to position my art
2
PLANNING
prestigious galleries and representation from an effective short-term planning
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PROTOTYPE
an agenda according to the London market) idiosyncrasy
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LAUNCH
launch more than an artist a recognized brand
SOCIAL MEDIA COMPANY
EIN THE LAST TIME AND IN FRONT OF THE ATINGENT REALITY OF THE VIRUS AT A GLOBAL LEVEL, THE OMNICHANEL HAVE SERVED ME TO SELL OIN LINE ONLY REPRODUCTIONS OF MY WORK BECAUSE THE LOCAL MARKET DOES NOT BUY STANDARD APPRECIATION MY WORK THAT IS THE GREAT SIN OF CHILE AND IT IS A REALITY LOCAL I DO NOT SELL MY NEW WORK IN THIS PRIMARY MARKET ONLY FOR WHO CAN PAY IT OTHERS IS ON MY WEBSITE AS SUBSIDY OR REPRODUCTIONS IN GICLEE
WWW.MARCOANTONIODIAZ.STORE
WWW.INSTAGRAM.COM/MARCODIAZ.ARTISTAVISUAL/
WWW.FACEBOOK.COM/STOREMARCO
MARKETING / SALES
SUCCESSFUL REPRESENTATION AT THE LOCAL LEVEL REPRESENTATION
My sole and exclusive representation to some extent in Chile is www.galerialuzbarros.com
REPRESENTATIVE BEFORE ABC1 LEVEL HIGH ECONOMIC LEVEL AN EXCLUSIVE AUDIENCE IN CHILE.
MARCO ANTONIO DIAZ RIQUELME DATE OF BIRTH AUGUST 9, 1972 PLACE RECOLETA SANTIAGO CHILE ADDRESS VEINTICINCO DE ENERO 1036, SANTIAGO, POSTAL CODE: 8430327 EMAIL MARCOPLATAYORO@HOTMAIL.ES PHONE: +569 66063621
https://www.linkedin.com/in/marcoantoniodiazriquelme/
https://www.facebook.com/storemarco
https://www.instagram.com/marcodiaz.artistavisual/
PROJECT FOR THE LONDON MARKET
THANK YOU FOR WATCHING
IT IS PRESENTED BEFORE AN AUDIENCE.