ZERO TO ONE | PORTFOLIO by Marcus Pun

ZERO TO ONE MARCUS PUN KA WING | DESIGN PORTFOLIO

CONTENT PROJECT 0.2 | YEAR ONE |

MOVEMENT OF CONSCIOUS ఺ 挷 ጱ ஌ 㵕

S TAT E M E N T & C O N C E P T … P. 4 - 5 F R O M C O N C E P T T O 3 D … P. 6 2 D D R A W I N G … P. 7 - 1 0 F R O M 2 D T O 3 D … P. 1 1 E X P E R I M E N T F O R 3 D … P. 1 2 I N S TA L L AT I O N … P. 1 3 - 1 4

PROJECT 0.4 | YEAR THREE |

NECESSITY OF LIFE 䰽盓瓵 ૡ 皜

I N T R O D U C T I O N … P. 1 5 - 1 7 B A C K G R O U N D … P. 1 8 C O N C E P T & P L O T … P. 1 9 S PA C E & P L A N … P. 2 0 - 2 1 P E R S P E C T I V E … P. 2 2 - 2 5

PROJECT 0.6 | YEAR THREE |

RE:THE GOOD OLD D AY S ᄈ 澆懯㴟蜦䮣揠搚 ಅ

I N T R O D U C T I O N & B A C K G R O U N D … P. 2 6 - 2 9 S PA C E & A N A LY S I S … P. 3 0 - 3 1 T R A D I N G M E T H O D … P. 3 2 F L O O R P L A N … P. 3 3 P E R S P E C T I V E … P. 3 4 - 3 6

CONTENT PROJECT 0.8 | YEAR THREE |

D E P L O YA R B O R MICROCONSTRUCTION

I N T R O D U C T I O N … P. 3 7 - 3 8 O R I G A M I T O C O N C E P T … P. 3 9 C O M P O N E N T S T O G R A P H S … P. 4 0 C O N S T R U C T I O N G U I D E … P. 4 1 D AY & N I G H T … P. 4 2 I N S TA L L AT I O N … P. 4 3 - 4 4

PROJECT 1.0 | YEAR FOUR |

FINAL YEAR PROJECT

MOVEMENT OF CONSCIOUS 意識的律動

Y E A R FROM 2D TO 3D

MENTORING | 䮉纨૝ꖜ䒍

O N E

STATEMENT & CONCEPT DESCRIPTION Thoughts

Sensory Memory

Conscious level

Perceptions

閉起雙眼以兩指抵住眼簾在短暫的與外界切隔後有趣的光景便會從黑暗浮現起初是一些大小不一的光點  它們以隨意卻帶規律的路徑   各自游離打轉  像顯微鏡下的細胞活動一般   繼而一道亮光閃過以網狀的形態短暫地停留了一會  漸漸消散然後又間歇性地重現  凝望著光影的變化我彷彿看到意識有形的流動  如潮水流轉時而安定時而躁動不同的趨勢相遇或交融或對峙沒有固定的狀態記憶存取的過程就好像水的不同變化。感官的刺激、外部接收的資訊匯集成流注入腦海中。因著資訊的重要性再掉到不同深度，就是long term memory和short term memory。記憶像水一般以不同的形態去呈現。隨著溫度變化成霧氣、水點、冰塊。當要elicit memory的時候，過程就如evaporation水份因著氣溫上升而蒸發成霧氣，在半空積聚化作雲層，就是凝聚意識的集合體。

Stored Knowledge Memories

Preconscious level

Sensory Input

Attention Rehearsal

Fears

Violent Motives

Unacceptable Sexual Desires

Irrational Wishes

Short-term Memory

Immoral Urges

Subconscious level

Storage

Retrieval

Long-term Memory

Sigmund Freud’s Human Mental Iceberg Conscious | ఺挷 Awareness at present (Input) Explicit

Subconscious | ꕂ఺挷 Memory recall (Elicit) Implicit

Memory System Stages 1. Retaining (storage) 2.Retrieving (retrieve from LTM to STM) Using

఺ 挷 ጱ ஌ 㵕

FROM CONCEPT TO 2D

TRANSFORMATION

Concept

Focus

Idea

Method

1. Depth | 窼ଶ

1. 蒅 & 䋿

1. ᯿猟ಋဩ

2.Process | 螂纷 Memorizeҗ ‫ޕ‬硩 Elicit җ 朰‫ڊ‬

2. 愊 & क़

2. 䌘‫ׯ‬

3. ԰傶奲౮ 獉牏क़絑ह

3. 秇괭麁

Human Mental & Memorizing System

఺ 挷 ጱ ஌ 㵕

MOVEMENT OF CONSCIOUS 意識的律動

1 S T

Description Size | 786 x1088 mm Medium | marker pen Detail | all Formed by horizontal dot lines

L A Y E R

MOVEMENT OF CONSCIOUS 意識的律動

2 N D

Description Size | 786 x1088 mm Medium | marker pen Detail | all Formed by vertical dot lines

L A Y E R

MOVEMENT OF CONSCIOUS 意識的律動

3 R D

Description Size | 786 x1088 mm Medium | marker pen & water color

L A Y E R

MOVEMENT OF CONSCIOUS 意識的律動

2 D

1st Layer

Description Size | 786 x1088 mm Medium | marker pen & water color

2nd Layer

3rd Layer

D R A W I N G

FROM 2D TO 3D

TRANSFORMATION

Discussion

Idea

1. Basic elements i. Relationship between Point & Line ii. Mutual Composition ԰傶奲౮

Point ӕ Line ӕ Surface

Vision | Direction | Distance 2. Clear & Blur i. Boundary ӕꗹኴก嘦௔ ii. Fuzzification | 秇괭麁 iii. Overlapping | ᯿吩

Intensity

Layer

Installation

఺ 挷 ጱ ஌ 㵕

EXPERIMENT FOR 3D

LAYER & CLARITY

P H O T O S

Focus 秇괭௔ ӕୌꖇ ӕ絑ह Result i. 괒ེ᩼ग़ ᴥᵍ᩼䔶 ii. ᰁ꘨괚ᰁ > 绚樌ጱ 樄硯&ᐺੂଶ

S K E T C H E S

Practice 蝚ก&܎蝚ก๭搡硯ୌꖇ&绚樌ጱ䛑አ

1 Layer

ABOUT INSTALLATION

M A T E R I A L

Dense bags + Colored water

S E Q U E N C E

2 Layers

3 Layers

I N S T A L L Continuous Circulation

Hang up

E X P E R I E N C E

Changing Images

఺ 挷 ጱ ஌ 㵕

MOVEMENT OF CONSCIOUS 意識的律動

3 D

I N S T A L L A T I O N

THE NECESSITY OF LIFE 樹德夢工廠

Y E A R

DEVELOPMENT EQUAL TO IMPROVEMENT牫

MENTORING | 蟞Ռ䴠ꖜ䒍

T H R E E

IMPROVEMENTç&#x2030;«

= DEVELOPMENT

Wifi Phone Money l Water Sun Air

THE NECESSITY OF LIFE 樹德夢工廠

INTRODUCTION

ℂ1960ଙդ樄ত牧‫ݣ‬傀‫׎‬蚎Ӥԧ匍դ麁ጱ螇᪠牧 ౮傶ԧ‫܉‬ᐲଙ‫ڹ‬ጱ㫎窓ࢥੜ熫牐匍犡耆ፐጱ麃蟂牧౲ 战ฎ‫ݣ‬傀匍դ麁ጱ挨ก牐ꕍᘒ牧蝡ᇆஃคଘऌ碢ᗭ肞੷ጱ ࢿ瑿牧妿螂裾๗ጱ樄광ୌ戔಩ᛔꕍ瑿ᨩय़य़ጱ硬ꗰ牧౮傶‫ݣ‬傀 Ոጱ̿ቘమጱ疑瑼̀牧㶴虏ܻ࿆֘Ӟꕭ蝐ਝ牐౯㮉犥ᛔꕍ矦玲ጱฎ ౯㮉ꕰྋ襑ᥝጱ㻟? ইຎ绚䶷牏檚‫ط‬牏࿜ฎ姘ኞጱ஠ᥝ‫ز‬ᔰ牧ᮎ౯㮉 ኞၚጱ̿஠殾݈̀ฎ綍꘸?犥੷֘絑हጱ̿螂݄牏匍ࣁ牏䌔㬵ୗ̀傶禊盢牧蝚螂蕕ꖙꗆ蔩ጱོ搕޾꘨涢牧ࣁ眤‫ݑ‬疻薩绚樌ጱ̿ᛔꕍ̀牧‫ݶ‬䦒‫ݍ‬௏ “what is the necessity of life?”

Y E A R

DEVELOPMENT EQUAL TO IMPROVEMENT牫

T H R E E

BACKGROUND

LISTEN TO OUR LAND

匍դ‫ݣ‬傀牏෈麁‫ݣ‬傀牏‫ܖ‬䎦‫ݣ‬傀牧蝡Զҁ ҂‫ݣ‬傀ጱ޸氂牧犋㻌ฎ傶 ԧ䌘獨Ոവ鹢‫ݣ‬傀ጱ聅অꖮ獉窩牧 ๅग़ጱฎฎࣁꔩቘᛔ૩ጱ獉ࣁ牧ತ ‫ڹڊ‬ᤈጱො‫ݻ‬ꖮ㵕‫ێ‬牐ֺই꘻ຣ຋ 疩ᄍጱ፡憎‫ݣ‬傀牧ℂ๜搡ᘒ᥺疰ฎ 虏౯㮉ٚӞེᶎ䌘ᛔ૩ጱࢿ瑿牐 ํ஠ᥝ㰆ꖞꖮᶎ䌘౯㮉ኞၚಅࣁጱ 瑿ො牐 ౯㮉琲手ℂ‫ݣ‬傀ጱૡ䮣咳疻牧犖ฎ Ӯኴ‫ݱ‬㾴ጱ咳疻蝱纷牧֢傶च๜ጱ 脁妏݄፡౯㮉੷֘ጱࢿ瑿ฎই֜ᤩ 硬虋牐 ࣁ稲‫ݥ‬蝱纷Ӿ牧ૡ䮣玟ጱ樄咳牧ጱ嘦䌘‫ݣ‬傀ૡ䮣咳疻狶‫ڊ‬᯿य़ 揙糽牧 ֕ฎࣁ獊‫ێ‬೪妿ꕆԏӥ牧战 ग़ࢩ傶ૡ䮣玟樄咳牧ಅꗰ౮ጱ࿱ວ Ԫկ牏犋吚樄咳牏ࢿ瑿ꘅꖙᒵ㺔氂牧᮷ਠ獊ᤩ䃲ಪࣁ妿ꕆ抷蝄ԏӥ牐

70s~present

Permanent

ૡ皜窂ၹધ娄莑翍

‫ك‬᯾瞷ৼੲ倀瑿 ࿱ວఘ丆

T H E

1970s

Forever

Rebirth?

‫ݣ‬傀ጱᒫӞ㮆ૡ䮣玟 ‫م‬फૡ䮣玟

ꖴ䩚ጱ篷毣ઊ

ꘊ茐ૡ䮣玟螠櫝麃蟂 ᘒ绚ꖙጱૡ皜

N E C E S S  I T Y O F L I F E

CONCEPT & PLOT Sound cave l before 1970s ࣁԲ眤吚Ӿ牧Ոग़犥憙憽Ԇ疩牐ࣁἓิጱ၏ᑩ绚樌牧憙憽ᤩ‫ڷ‬୧牧ꖞ憽ᤩ᯿ꔢ藉咳牐绚樌㰍犥࿜ᄆ୵ጱ‫ݵ‬籗୚疩㵕娄牧ྯ㮆‫ط‬რ‫ݶ‬䦒阑傶ᶪრ牧砮硯茐ᛔꕍ恝澆ጱ㻦‫ݞ‬肨牐 ꖙꘊ秚ጱᶪ რ㶓肞౮ꖞᘏ䌘ᛔꕍጱమ猟牧虏Ոꖮᴲኞጱᛔꕍེٚ蝫矑ࣁӞ蚏牐

Waste garden l 1970s~present 蚎ࣁ咳疻ጱ螇᪠Ӥ牧౯㮉瞪ധԧ຋๙牧砬ଘԧ螇᪠牧ୌ蚏ԧ̿祜຋̀牐౯㮉犨఺瑿聻አ 괿რ牧 ಩ᛔꕍ虋౮珶ߝ牧ٚ蝑ࢧ瑿愊ञ౮ઊӯ牧֢傶ኸ妔ӥӞդጱ̿聅ว̀牐

2080 l future 2015ଙӞղᎸ绗䁭‫ޞ‬氥ᐏ牧೮ꖘጱ獊ꕟ䶷괐伩疩ꖬၹଘᶎӤ‫܋‬牧2080ଙጱ‫ݣ‬傀䌔‫ݝ‬獵 Ӿ।ઊ

NECESSITY OF LIFE 脁ኸࣁၹଘᶎӤ牐犋抷ฎ玽౮ꕰ牧ই֜ᶎ䌘䌔㬵ጱኞၚ絑ह虋螠Ֆฎय़疑襑ᥝ ௏ᘍጱ捍氂牐犥ྌ傶䯤మጱ绚樌牧蟴‫ݳ‬100%‫ݣ‬傀࿱࿜蕣ꗰጱ٩༉霎裬牧૶磭୚蚏薪ᘏ ௏ᘍ๜疻ጱԆ氂牐 उ૱ጱ咳疻ฎ傶ԧ虏ኞၚ虋괔ๅ聅 অ牐ℂ੢๚樄麁ጱᛔꕍ牧妿螂樄광 ୌ戔牧‫ک‬ԧ匍ࣁ牧‫ک‬皈౯㮉ኞၚጱ 瑿ො虋౮ெ䰬?䌔㬵݈ฎই֜?犥੷ ֘絑हጱ̿螂݄牏匍ࣁ牏䌔㬵ୗ̀ 傶禊盢牧蝚螂蕕ꖙꗆ蔩ጱོ搕޾꘨ 涢牧୚疩౯㮉᯿ꔢ㰆ꖞꖮᶎ䌘౯㮉 ጱࢿ瑿௏ᘍ綍꘸ฎ౯㮉ኞၚӾጱ ̿஠襑ߝ̀牐

Harmony l start from now What is the necessity for life? ᴻԧ㮆Ոጱࡅঅ牧絑ह஠ꕍฎٌӾԏӞ牐ই֜玲괔ଘᤍꖮᛔꕍ‫و‬ኞ牧ᮎฎ౯㮉஠襑哴ጱ嬝率牐

T H E N E C E S S  I T Y O F L I F E

SPACE & PLAN D1

SECTION

D4 D5

A | Sound Cave & Glass Forest B | Waste Garden & Transition A

Floor Plan S: 1/600 cm

Section A S: 1/200 cm