Maria degtyareva full portfolio 2016

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Maria Degtyareva Vaghani


I am a fourth year architecture student from Mississippi State University. I have a very diverse background, which ranges from training as an architect to a strong education in mathematics. Each my project has a thorough concept inspired by natural sciences. I wish to be able to narrate the story about every project, but the format of the portfolio does not allow me to do so. Please, feel free to visit my blog at archmaths. wordpress.com for the stories about my designs and my account on https://issuu.com/mariadegtyareva where I publish all my pamphlets and brochures.

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Table of Contents Externship at DIGSAU, March 2016

4

Externship at Belinda Stewart Architects, March 2015

6

Studio IIIB (winery renovation project), Spring 2016

8

Studio IIIA (urban housing project), Fall 2015

12

Studio IIIA (narrow dwelling facade), Fall 2015

14

Studio IIB, Spring 2015

16

Studio IIA, Fall 2014

18

Studio IB, Summer 2014

28

Studio IA, Summer 2014

32

Understanding parametric design methods and fabrication

36

Mural Art Works, 2011-2013

38

Miscellaneous Projects, 2014-2015

42

Fine Art,2009-2014

44

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Externship at DIGSAU, March 2016

The meeting house building

The meeting house building

4

The middle school building

Assembling the model

Externship in DIGSAU was a ve ry i n f o rm a t i ve a n d e njo y a b l e experience. Over the week, I was able to produce three models, which were parts of two projects. During the week, I was working on two assignments respectively. The first assignment was an addition to a school building on Greene Street in Philadelphia, PA. My job was using drawings of the site to create a file for a laser cutter, to operate the laser cutter, and assemble the models of a middle


The site model for the Spring Arts district

school and a meeting house. The second assignment was to create a laser cut file and to assemble a site model for a Spring Arts district development project in Philadelphia, PA. The result of this assignment was a model, showing the extents of the future district with detachable city block cut outs, which would allow the client and the design team to brainstorm and rearrange the existing conditions and future proposals. The site model for the Spring Arts district

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Externship at Belinda Stewart Architects, March 2015

single-family residence designed by Sam Krusse

Ceiling option #1

AutoCad drafting

6

Ceiling option #2

During a week of externship in Belinda Stewart Architects I got a chance to work with each member of the team of architects there. Each of them had his own project with numerous tasks that they were happy to share with me. My work included organization of project files and documents, organization of the office library, drafting and layout organization in AutoCAD, development of design options with deliverables for the client, attendance during meetings


Site condition

Rendered facade

with a client and a contractor, and creating a rendering of a project facade. I got a lot of experience and learned what an architecture firm is and how it functions. I got even more appreciation about the profession and architecture as a kind of art overall.

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EXISTING CONDITIONS

ADDITION

Studio IIIB (winery renovation project), Spring 2016 EXISTING CONDITIONS DIAGRAM COST DISTRIBUTION

Threshold

Foyer/Lobby Wine Tasting

Office

STANDING STANDINGSEAM SEAMMETAL METALROOF ROOF

STANDING SEAM METAL ROOF

STANDING SEAM METAL ROOF

1”x4” 1”x4”WOOD WOODFURRING FURRINGSTRIPS STRIPS

1”x4” WOOD FURRING STRIPS

1”x4” WOOD FURRING STRIPS

2”2”FOIL FOILBACK BACKRIGID RIGIDINSULATION INSULATION

2” FOIL BACK RIGID INSULATION

2” FOIL BACK RIGID INSULATION

2“x6” 2“x6”T.T.&&G.G.CEDAR CEDARPLANKS PLANKS

2“x6” T. & G. CEDAR PLANKS

2“x6” T. & G. CEDAR PLANKS

TIMBER TIMBERTRUSS TRUSS@@8’-0“ 8’-0“O.C. O.C.

TIMBER TRUSS @ 8’-0“ O.C.

TIMBER TRUSS @ 8’-0“ O.C.

BLOCKING BLOCKING

BLOCKING

BLOCKING

Lab Dining

Kitchen PROCESSION DIAGRAM

CONT. CONT.GALV. GALV.MTL. MTL.DRIP DRIPEDGE EDGE

CONT. GALV. MTL. DRIP EDGE

CONT. GALV. MTL. DRIP EDGE

2”x_ 2”x_WOOD WOODFASCIA FASCIA

2”x_ WOOD FASCIA

2”x_ WOOD FASCIA

1“x_ 1“x_WOOD WOODFASCIA FASCIA

1“x_ WOOD FASCIA

1“x_ WOOD FASCIA

VENTED VENTEDSOFFIT SOFFIT

VENTED SOFFIT

VENTED SOFFIT

THE EVENT SPACE. SUN STUDY. SEMI-TRANSPARENT LOUVERS

STANDING STANDINGSEAM SEAMMETAL METALROOF ROOF

STANDING SEAM METAL ROOF

1”x4” 1”x4”WOOD WOODFURRING FURRINGSTRIPS STRIPS

1”x4” WOOD FURRING STRIPS

2”2”FOIL FOILBACK BACKRIGID RIGIDINSULATION INSULATION

2” FOIL BACK RIGID INSULATION

EXISTING EXISTINGSHINGLE SHINGLEROOF ROOF ASPHALT ASPHALTMEMBRANE MEMBRANE PLYWOOD PLYWOODSHEATHING SHEATHING 1”x4” 1”x4”FURRING FURRINGSTRIPS STRIPS

EXISTING SHINGLE ROOF ASPHALT MEMBRANE PLYWOOD SHEATHING 1”x4” FURRING STRIPS

2”x6” 2”x6”OUTLOOKERS OUTLOOKERS

2”x6” OUTLOOKERS

EXISTING EXISTINGWOOD WOODTRUSSES TRUSSES

EXISTING WOOD TRUSSES

WOOD WOODFRAMED FRAMEDGABLE GABLEEND END

WOOD FRAMED GABLE END

5/8” 5/8”PLYWOOD PLYWOODSHEATING SHEATING

5/8” PLYWOOD SHEATING

HOUSE HOUSEWRAP WRAP

HOUSE WRAP

#30 #30ASPHALT ASPHALTBUILDING BUILDINGPAPER PAPER

#30 ASPHALT BUILDING PAPER

1”x4” 1”x4”VERTICAL VERTICALP.T. P.T.FURRING FURRINGSTRIPS STRIPS

1”x4” VERTICAL P.T. FURRING STRIPS

2”x3” 2”x3”HORRIZONTAL HORRIZONTALOAK OAKRAINSCREEN RAINSCREEN

2”x3” HORRIZONTAL OAK RAINSCREEN

STANDING STANDINGSEAM SEAMMETAL METALROOF ROOF

STANDING SEAM METAL ROOF

STANDING SEAM METAL ROOF

1”x4” 1”x4”WOOD WOODFURRING FURRINGSTRIPS STRIPS

1”x4” WOOD FURRING STRIPS

1”x4” WOOD FURRING STRIPS

2”x8” 2”x8”P.T. P.T.DOUBLE DOUBLETOP TOPPLATE PLATE

2”x8” P.T. DOUBLE TOP PLATE

2”2”FOIL FOILBACK BACKRIGID RIGIDINSULATION INSULATION 2”x8” P.T. DOUBLE TOP PLATE

2” FOIL BACK RIGID INSULATION EXISTING EXISTING ATTIC ATTICSPACE SPACE

2” FOIL BACK RIGID INSULATION EXISTING ATTIC SPACE

2“x8” 2“x8”P.T. P.T.WOOD WOODSTUD STUD

2“x8” P.T. WOOD STUD

2“x6” 2“x6”T.T.&&G.G.CEDAR CEDARPLANKS PLANKS 2“x8” P.T. WOOD STUD

2“x6” T. & G. CEDAR PLANKS

2“x6” T. & G. CEDAR PLANKS

5/8” 5/8”PLYWOOD PLYWOODSHEATING SHEATING

5/8” PLYWOOD SHEATING

HOUSE HOUSEWRAP WRAP

HOUSE WRAP

EXISTING SHINGLE ROOF ASPHALT MEMBRANE PLYWOOD SHEATHING 1”x4” FURRING STRIPS

EXISTING SHINGLE ROOF ASPHALT MEMBRANE PLYWOOD SHEATHING 1”x4” FURRING STRIPS

#30 #30ASPHALT ASPHALTBUILDING BUILDINGPAPER PAPER

#30 ASPHALT BUILDING PAPER

EXISTING EXISTINGSHINGLE SHINGLEROOF ROOF 5/8” PLYWOOD SHEATING ASPHALT ASPHALTMEMBRANE MEMBRANE PLYWOOD PLYWOODSHEATHING SHEATHING HOUSE WRAP 1”x4” 1”x4”FURRING FURRINGSTRIPS STRIPS #30 ASPHALT BUILDING PAPER

1”x4” 1”x4”VERTICAL VERTICALP.T. P.T.FURRING FURRINGSTRIPS STRIPS

1”x4” VERTICAL P.T. FURRING STRIPS

1”x4” VERTICAL P.T. FURRING STRIPS

2”x3” 2”x3”HORRIZONTAL HORRIZONTALOAK OAKRAINSCREEN RAINSCREEN

2”x3” HORRIZONTAL OAK RAINSCREEN

2”x3” HORRIZONTAL OAK RAINSCREEN

EXISTING EXISTINGWOOD WOODTRUSSES TRUSSES GALLERY GALLERY

Event Space

GALLERY

GALLERY

THE EVENT SPACE. SUN STUDY. NO LOUVERS

EXISTING WOOD TRUSSES ONE OF THE ILLUSTRATIVE CONCEPTUAL DRAWINGS TIMBER TRUSSES @ 8’ O.C.

TIMBER TIMBERTRUSSES TRUSSES@@8’8’O.C. O.C.

EXISTING ATTIC SPACE

EXISTING WOOD TRUSSES TIMBER TRUSSES @ 8’ O.C.

THE EVENT SPACE. SUN STUDY. SOLID LOUVERS

EXISTING EXISTING2”x8” 2”x8”P.T. P.T.BOTTOM BOTTOMPLATE PLATE

EXISTING 2”x8” P.T. BOTTOM PLATE

EXISTING 2”x8” P.T. BOTTOM PLATE

EXISTING EXISTINGCONCRETE CONCRETESLAB SLAB

EXISTING CONCRETE SLAB

EXISTING CONCRETE SLAB

EXISTING EXISTINGCONRETE CONRETEFOOTING FOOTING

EXISTING CONRETE FOOTING

EXISTING CONRETE FOOTING

Site Plan

EXPO EXPOKITCHEN KITCHEN

RAINSCREEN RAINSCREENWALL WALLDETAIL DETAIL

RAINSCREEN WALL DETAIL

AA

R-21 BATTING INSULATION

DOUBLE DOUBLE 2”x6” 2”x6”TOP TOPPLATE PLATE R-21 BATTING INSULATION

DOUBLE 2”x6” TOP PLATE

EXISTING EXISTING1”x2“ 1”x2“FURRING FURRINGSTRIPS STRIPS

EXISTING 1”x2“ FURRING STRIPS

R-21BATTING BATTINGINSULATION INSULATION EXISTINGR-21 1”x2“ FURRING STRIPS

R-21 BATTING INSULATION

2’x2’ 2’x2’DROP DROPCLG. CLG.W/ W/PVC PVCTILES TILES

2’x2’ DROP CLG. W/ PVC TILES

EXISTING EXISTING 1”x2“ FURRING FURRINGSTRIPS STRIPS 2’x2’ DROP CLG. W/ 1”x2“ PVC TILES

EXISTING 1”x2“ FURRING STRIPS

DOUBLE DOUBLE2”x4” 2”x4”TOP TOPPLATE PLATE

DOUBLE 2”x4” TOP PLATE

5/8” 5/8”GYPSUM GYPSUM DOUBLE 2”x4” TOP PLATE

5/8” GYPSUM

STANDARD STANDARDBRICK BRICK

STANDARD BRICK

2“x6” 2“x6” WOOD WOODSTUD STUD STANDARD BRICK

2“x6” WOOD STUD

1/2” 1/2”PLYWOOD PLYWOODSHEATHING SHEATHING

1/2” PLYWOOD SHEATHING

5/8” 5/8”PLYWOOD PLYWOOD SHEATING SHEATING 1/2” PLYWOOD SHEATHING

5/8” PLYWOOD SHEATING

2“x4” 2“x4”WOOD WOODSTUD STUD

2“x4” WOOD STUD

HOUSE HOUSE WRAP WRAP 2“x4” WOOD STUD

HOUSE WRAP

BRICK BRICKTIES TIES

BRICK TIES

#30 #30ASPHALT ASPHALTBUILDING BUILDINGPAPER PAPER BRICK TIES

#30 ASPHALT BUILDING PAPER

PREP PREPKITCHEN KITCHEN EXPO KITCHEN

PREP KITCHEN EXPO KITCHEN

PREP KITCHEN

1”x4” 1”x4”VERTICAL VERTICALP.T. P.T.FURRING FURRINGSTRIPS STRIPS

1”x4” VERTICAL P.T. FURRING STRIPS

2”x3” 2”x3”HORRIZONTAL HORRIZONTALOAK OAKRAINSCREEN RAINSCREEN

2”x3” HORRIZONTAL OAK RAINSCREEN

RAINSCREEN WALL DETAIL

A 1”1”==1’-0” 1’-0”

R-21 R-21BATTING BATTINGINSULATION INSULATION

A 1” = 1’-0”

1” = 1’-0” OFFICE OFFICE

OFFICE

OFFICE

SITE PLAN 1”=20’

COVERED DECK

STANDING SEAM METAL ROOF

STANDING SEAM METAL ROOF

1”x4”WOOD WOODFURRING FURRINGSTRIPS STRIPS 1”x4”

1”x4” WOOD FURRING STRIPS

1”x4” WOOD FURRING STRIPS 2”x6” 2”x6”T T&&GGOAK OAKFLOOR FLOOR

2”x6” T & G OAK FLOOR

2”x6” T & G OAK FLOOR

FOILBACK BACKRIGID RIGIDINSULATION INSULATION 2”2”FOIL

2” FOIL BACK RIGID INSULATION

2” FOIL BACK RIGID INSULATION EXISTING EXISTING3/4“ 3/4“T T&&GGPLYWOOD PLYWOODSUBFLOOR SUBFLOOR

EXISTING 3/4“ T & G PLYWOOD SUBFLOOR

EXISTING 3/4“ T & G PLYWOOD SUBFLOOR 2”x6” 2”x6”T T&&GGOAK OAKFLOOR FLOOR EXISTING 2”x12“ FLOOR JOIST @ 12” O.C. EXISTING EXISTING3/4“ 3/4“T T&&GGPLYWOOD PLYWOODSUBFLOOR SUBFLOOR EXISTING 1”x2” FURRING STRIPS EXISTING EXISTING2”x12“ 2”x12“FLOOR FLOORJOIST JOIST@@12” 12”O.C. O.C. EXISTING STEEL I-BEAM BEYOND EXISTING EXISTINGP.T. P.T.2“x10” 2“x10”FLOOR FLOORJOIST JOIST@@12“ 12“O.C. O.C. EXISTING R-21 BATTING INSULATION 2”x6” 2”x6”CEDAR CEDARPLANK PLANK

EXISTINGSHINGLE SHINGLEROOF ROOF EXISTING ASPHALTMEMBRANE MEMBRANE ASPHALT PLYWOODSHEATHING SHEATHING PLYWOOD 2”x4”FURRING FURRINGSTRIPS STRIPS 2”x4” EXISTINGWOOD WOODTRUSS TRUSS EXISTING

WORKSPACE WORKSPACE

COVERED COVEREDDECK DECK

STANDING STANDINGSEAM SEAMMETAL METALROOF ROOF

EXISTING SHINGLE ROOF ASPHALT MEMBRANE 4”4”S.S. S.S.TRIM TRIM PLYWOOD SHEATHING 2”x4” FURRING STRIPS POLISHED POLISHEDCONCRETE CONCRETESURFACE SURFACE EXISTING WOOD TRUSS 6”6”FIBER FIBERREINFORCED REINFORCEDCONCRETE CONCRETE

EXISTING SHINGLE ROOF EXISTING EXISTING2”x12“ 2”x12“FLOOR FLOORJOIST JOIST@@12” 12”O.C. O.C. ASPHALT MEMBRANE 4” S.S. TRIM PLYWOOD SHEATHING EXISTING EXISTING1”x2” 1”x2”FURRING FURRINGSTRIPS STRIPS 2”x4” FURRING STRIPS POLISHED CONCRETE SURFACE EXISTING EXISTINGSTEEL STEELI-BEAM I-BEAMBEYOND BEYOND EXISTING WOOD TRUSS 6” FIBER REINFORCED CONCRETEEXISTING EXISTINGR-21 R-21BATTING BATTINGINSULATION INSULATION

METAL METALDECK DECKOVER OVER15” 15”STEEL STEEL TRUSS TRUSS@@8’8’O.C. O.C.

METAL DECK OVER 15” STEEL TRUSS @ 8’ O.C.

EXISTING 2”x12“ FLOOR JOIST @ 12” O.C. 4” S.S. TRIM

EXISTING 1”x2” FURRING STRIPS

POLISHED CONCRETE SURFACE

EXISTING STEEL I-BEAM BEYOND

6” FIBER REINFORCED CONCRETE EXISTING R-21 BATTING INSULATION METAL DECK OVER 15” STEEL TRUSS @ 8’ O.C.

CONT.GALV. GALV.MTL. MTL.DRIP DRIPEDGE EDGE CONT.

CONT. GALV. MTL. DRIP EDGE

CONT. GALV. MTL. DRIP EDGE

2”x_WOOD WOODFASCIA FASCIA 2”x_

2”x_ WOOD FASCIA

2”x_ WOOD FASCIA

1“x_WOOD WOODFASCIA FASCIA 1“x_

1“x_ WOOD FASCIA

1“x_ WOOD FASCIA

VENTEDSOFFIT SOFFIT VENTED

VENTED SOFFIT

VENTED SOFFIT

EXISTING2”x8” 2”x8”P.T. P.T.DOUBLE DOUBLETOP TOPPLATE PLATE EXISTING

EXISTING 2”x8” P.T. DOUBLE TOP PLATE

EXISTING 2”x8” P.T. DOUBLE TOP PLATE

EXISTING5/8” 5/8”P.T. P.T.PLYWOOD PLYWOODSHEATING SHEATING EXISTING

EXISTING 5/8” P.T. PLYWOOD SHEATING

EXISTING 5/8” P.T. PLYWOOD SHEATING

EXISTING2“x8” 2“x8”P.T. P.T.WOOD WOODSTUD STUD EXISTING

EXISTING 2“x8” P.T. WOOD STUD

EXISTING 2“x8” P.T. WOOD STUD

EXISTING2“2“RIGID RIGIDINSULATION INSULATION EXISTING

EXISTING 2“ RIGID INSULATION

EXISTING 2“ RIGID INSULATION EXISTING EXISTINGDROP DROPCEILING CEILING

EXISTING DROP CEILING

EXISTING5/8” 5/8”PLYWOOD PLYWOODSHEATING SHEATING EXISTING

EXISTING 5/8” PLYWOOD SHEATING

EXISTING 5/8” PLYWOOD SHEATING EXISTING EXISTING 2”x8” 2”x8”P.T. P.T.DOUBLE DOUBLETOP TOPPLATE PLATE

EXISTING 2”x8” P.T. DOUBLE TOP PLATE

HOUSEWRAP WRAP HOUSE

HOUSE WRAP

HOUSE WRAP

EXISTING 3”x4”x12” CLAY TILE

#30ASPHALT ASPHALTBUILDING BUILDINGPAPER PAPER #30

#30 ASPHALT BUILDING PAPER

#30 ASPHALT BUILDING PAPER 5/8” EXISTING EXISTING 5/8”P.T. P.T.PLYWOOD PLYWOODSHEATING SHEATING

EXISTING 5/8” P.T. PLYWOOD SHEATING

1”x4”VERTICAL VERTICALP.T. P.T.FURRING FURRINGSTRIPS STRIPS 1”x4”

1”x4” VERTICAL P.T. FURRING STRIPS

1”x4” VERTICAL P.T. FURRING STRIPS EXISTING EXISTING 2“x8” 2“x8”P.T. P.T.WOOD WOODSTUD STUD

EXISTING 2“x8” P.T. WOOD STUD

2”x3”HORRIZONTAL HORRIZONTALOAK OAKRAINSCREEN RAINSCREEN 2”x3”

2”x3” HORRIZONTAL OAK RAINSCREEN

2”x3” HORRIZONTAL OAK RAINSCREEN EXISTING EXISTING 2“2“RIGID RIGIDINSULATION INSULATION

EXISTING 2“ RIGID INSULATION

WORKSPACE

EXISTING EXISTING3”x4”x12” 3”x4”x12”CLAY CLAYTILE TILE

STANDARD STANDARDBRICK BRICK

STANDARD BRICK

4”x8”x16” 4”x8”x16”CMU CMUW/ W/CONCRETE CONCRETE&&REBAR REBARFILLED FILLEDCELLS CELLS

4”x8”x16” CMU W/ CONCRETE & REBAR FILLED CELLS

1-1/2” 1-1/2”AIR AIRSPACE SPACEW/ W/BRICK BRICKTIES TIES

1-1/2” AIR SPACE W/ BRICK TIES

WORKSPACE

2”x6” CEDAR PLANK

EXISTING EXISTING2”x8” 2”x8”P.T. P.T.DOUBLE DOUBLETOP TOPPLATE PLATE

EXISTING 2”x8” P.T. DOUBLE TOP PLATE

EXISTING EXISTINGR-21 R-21BATTING BATTINGINSULATION INSULATION

EXISTING R-21 BATTING INSULATION

EXISTING EXISTINGDROP DROPCEILING CEILING EXISTING DROP CEILING EXISTING EXISTING3”x4”x12” 3”x4”x12”CLAY CLAYTILE TILE EXISTING 2”x8” P.T. DOUBLE TOP PLATE EXISTING EXISTING5/8” 5/8”P.T. P.T.PLYWOOD PLYWOODSHEATING SHEATING EXISTING 3”x4”x12” CLAY TILE EXISTING EXISTING2“x8” 2“x8”P.T. P.T.WOOD WOODSTUD STUD EXISTING 5/8” P.T. PLYWOOD SHEATING EXISTING EXISTING2“2“RIGID RIGIDINSULATION INSULATION EXISTING 2“x8” P.T. WOOD STUD EXISTING EXISTING5/8” 5/8”PLYWOOD PLYWOODSHEATING SHEATING EXISTING 2“ RIGID INSULATION HOUSE HOUSEWRAP WRAP STANDARD BRICK #30 #30ASPHALT ASPHALTBUILDING BUILDINGPAPER PAPER 4”x8”x16” CMU W/ CONCRETE & REBAR FILLED CELLS 1”x4” 1”x4”VERTICAL VERTICALP.T. P.T.FURRING FURRINGSTRIPS STRIPS 1-1/2” AIR SPACE W/ BRICK TIES 2”x3” 2”x3”HORRIZONTAL HORRIZONTALOAK OAKRAINSCREEN RAINSCREEN

STORAGE

MECHANICAL WINE TASTING

EXISTING 2”x12“ FLOOR JOIST @ 12” O.C.

EXISTING P.T. 2“x10” FLOOR JOIST @ 12“ O

EXISTING STEEL I-BEAM BEYOND

STORAGE STORAGE

MECHANICAL MECHANICAL WINE TASTING

EXISTING 3/4“ T & G PLYWOOD SUBFLOO

EXISTING EXISTINGSTEEL STEELI-BEAM I-BEAMBEYOND BEYOND

EXISTING EXISTING3”x4”x12” 3”x4”x12”CLAY CLAYTILE TILE

WINE WINETASTING TASTING

2”x6” T & G OAK FLOOR

EXISTING DROP CEILING EXISTING 3”x4”x12” CLAY TILE EXISTING 5/8” P.T. PLYWOOD SHEATING EXISTING 2“x8” P.T. WOOD STUD EXISTING 2“ RIGID INSULATION EXISTING 5/8” PLYWOOD SHEATING HOUSE WRAP #30 ASPHALT BUILDING PAPER 1”x4” VERTICAL P.T. FURRING STRIPS 2”x3” HORRIZONTAL OAK RAINSCREEN EXISTING 3”x4”x12” CLAY TILE

STORAGE

MECHANICAL

WINE TASTING/SAMPLE LIBRARYLIBRARY WINE TASTING/SAMPLE

R/R

R/R

EXISTINGCONCRETE CONCRETESLAB SLAB EXISTING

EXISTING CONCRETE SLAB

EXISTING CONCRETE SLAB

EXISTING2”x8” 2”x8”P.T. P.T.BOTTOM BOTTOMPLATE PLATE EXISTING

EXISTING 2”x8” P.T. BOTTOM PLATE

EXISTING 2”x8” P.T. BOTTOM PLATE

EXISTINGCONRETE CONRETEFOOTING FOOTING EXISTING

EXISTING CONRETE FOOTING

EXISTING EXISTING2”x8” 2”x8”P.T. P.T.BOTTOM BOTTOMPLATE PLATE EXISTING CONRETE FOOTING

EXISTING 2”x8” P.T. BOTTOM PLATE

EXISTING 2”x8” P.T. BOTTOM PLATE

EXISTING EXISTINGCONRETE CONRETEFOOTING FOOTING

EXISTING CONRETE FOOTING

EXISTING CONRETE FOOTING

EXISTING EXISTINGCONCRETE CONCRETESLAB SLAB

EXISTING CONCRETE SLAB

EXISTING CONCRETE SLAB

WINE BARREL STORAGE WINE BARREL STORAGE

VIEW TOWARD THE WINETASTING SPACE

Basement Plan

4” WWM REINFORCED CONCRETE SLAB

4” WWM REINFORCED CONCRETE SLAB

VAPOR VAPORBARRIER BARRIER

VAPOR BARRIER

VAPOR BARRIER

First Level Plan 1/8”=1’

1/8”=1’

1/8”=1’

RAINSCREEN RAINSCREENWALL WALLDETAIL DETAIL

RAINSCREEN WALL DETAIL

BB

B 1”1”==1’-0” 1’-0”

RAINSCREEN WALL DETAIL B

1” = 1’-0”

RAINSCREEN RAINSCREENWALL WALLDETAIL DETAIL

WEST ELEVTION WEST ELEVTION 1/8”=1’

1/8”=1’

RAINSCREEN RAINSCREENWALL WALLDETAIL DETAIL BB

STEEL I-BEAM COLUMN

DOUBLE DOUBLEGLAZED GLAZEDALUMINUM ALUMINUMFRAMED FRAMEDCURTAIN CURTAINWALL WALL

DOUBLE GLAZED ALUMINUM FRAMED CURTAIN WALL

FIXED FIXEDVERTICAL VERTICALALUMINUM ALUMINUMLOUVER LOUVERSYSTEM SYSTEM

FIXED VERTICAL ALUMINUM LOUVER SYSTEM

5/8” GYPSUM

2“x6” 2“x6”WOOD WOODSTUD STUD@@16“ 16“O.C. O.C.

2“x6” WOOD STUD @ 16“ O.C.

5/8” PLYWOOD SHEATING

HOUSE HOUSEWRAP WRAP

HOUSE WRAP

#30 #30ASPHALT ASPHALTBUILDING BUILDINGPAPER PAPER

#30 ASPHALT BUILDING PAPER

1”x4” 1”x4”VERTICAL VERTICALP.T. P.T.FURRING FURRINGSTRIPS STRIPS

1”x4” VERTICAL P.T. FURRING STRIPS

5/8” GYPSUM 2”x3” 2”x3”HORRIZONTAL HORRIZONTALOAK OAKRAINSCREEN RAINSCREEN

2”x3” HORRIZONTAL OAK RAINSCREEN

HOUSE WRAP

HOUSE WRAP

#30 #30ASPHALT ASPHALTBUILDING BUILDINGPAPER PAPER

#30 ASPHALT BUILDING PAPER

#30 ASPHALT BUILDING PAPER

1”x4” 1”x4”VERTICAL VERTICALP.T. P.T.FURRING FURRINGSTRIPS STRIPS

1”x4” VERTICAL P.T. FURRING STRIPS

1”x4” VERTICAL P.T. FURRING STRIPS

2”x3” 2”x3”HORRIZONTAL HORRIZONTALOAK OAKRAINSCREEN RAINSCREEN

2”x3” HORRIZONTAL OAK RAINSCREEN

2”x3” HORRIZONTAL OAK RAINSCREEN

RAINSCREEN WALL DETAIL

THE EVENT SPACE. SUN STUDY. SOLID LOUVERS

1” = 1’-0”

EXISTING EXISTING5/8” 5/8”P.T. P.T.PLYWOOD PLYWOODSHEATING SHEATING 5/8” GYPSUM EXISTING EXISTING2“x8” 2“x8”P.T. P.T.WOOD WOODSTUD STUD 2“x6” WOOD STUD @ 16“ O.C. EXISTING EXISTING2“2“RIGID RIGIDINSULATION INSULATION R-19 BATTING INSULATION EXISTING EXISTING5/8” 5/8”PLYWOOD PLYWOODSHEATING SHEATING 5/8” PLYWOOD SHEATING EXISTING EXISTING3”x4”x12” 3”x4”x12”CLAY CLAYTILE TILE HOUSE WRAP HOUSE HOUSEWRAP WRAP #30 ASPHALT BUILDING PAPER #30 #30ASPHALT ASPHALTBUILDING BUILDINGPAPER PAPER 1”x4” VERTICAL P.T. FURRING STRIPS STANDARD STANDARDBRICK BRICK 2”x3” HORRIZONTAL OAK RAINSCREEN

EXISTING 5/8” P.T. PLYWOOD SHEATING EXISTING 2“x8” P.T. WOOD STUD EXISTING 2“ RIGID INSULATION EXISTING 5/8” PLYWOOD SHEATING EXISTING 3”x4”x12” CLAY TILE HOUSE WRAP #30 ASPHALT BUILDING PAPER STANDARD BRICK

2“x6” WOOD STUD @ 16“ O.C.

HOUSE HOUSEWRAP WRAP

Rendering of the event space and wine tasting zone relationship THE EVENT SPACE. SUN STUDY. NO LOUVERS

R-19 BATTING INSULATION

R-19 BATTING INSULATION

VIEW FROM THE EVENT OUTDOOR SPACE TOWARD THE WINETASTING

THE EVENT SPACE. SUN STUDY. SEMI-TRANSPARENT LOUVERS

2“x6” WOOD STUD @ 16“ O.C.

5/8” 5/8”PLYWOOD PLYWOODSHEATING SHEATING

5/8” PLYWOOD SHEATING

1/8”=1’

8

5/8” GYPSUM

R-19 R-19BATTING BATTINGINSULATION INSULATION

R-19 BATTING INSULATION

1” = 1’-0”

D

1” = 1’-0”

FIXED VERTICAL ALUMINUM LOUVER SYSTEM

2“x6” 2“x6”WOOD WOODSTUD STUD@@16“ 16“O.C. O.C.

5/8” PLYWOOD SHEATING

B

RAINSCREEN

D

1” 1”1” = == 1’-0” 1’-0” 1’-0”

DOUBLE GLAZED ALUMINUM FRAMED CURTAIN WALL

R-19 R-19BATTING BATTINGINSULATION INSULATION

RAINSCREEN WALL DETAIL

RAINSCREEN WALL DETAIL

C DD

1” = 1’-0”

5/8” 5/8”PLYWOOD PLYWOODSHEATING SHEATING

EAST ELEVATION EAST ELEVATION 1/8”=1’ 1/8”=1’

SOUTH ELEVATION SOUTH ELEVATION 1/8”=1’

EXISTING CONRETE FOOTING

STEEL I-BEAM COLUMN

5/8” 5/8”GYPSUM GYPSUM

1” = 1’-0”

EXISTING 2”x8” P.T. BOTTOM PLATE

EXISTING EXISTINGCONRETE CONRETEFOOTING FOOTING

RAINSCREEN RAINSCREEN RAINSCREEN WALL WALL WALL DETAIL DETAIL DETAIL

C

1”1”==1’-0” 1’-0”

STEEL STEELI-BEAM I-BEAMCOLUMN COLUMN

B 1”1”==1’-0” 1’-0”

EXISTING CONCRETE SLAB

EXISTING EXISTING2”x8” 2”x8”P.T. P.T.BOTTOM BOTTOMPLATE PLATE

This project was created as a part of collaborative studio in team of three people: Larissa Tobar from Building construction Science program, and Austin Schnitzlein and me from Architecture Department. The McKay building is a facility for research, wine making, and an event space for the university. In this project, we would like to transcend the event space as the termination point of the wine making process. First, we started generating a set of rules, which would govern RAINSCREEN WALL DETAIL

CC

1” = 1’-0”

5/8” 5/8”GYPSUM GYPSUM

NORTH ELEVATION NORTH ELEVATION 1/8”=1’ 1/8”=1’

EXISTING EXISTINGCONCRETE CONCRETESLAB SLAB

Wall detail section

1ST FLOOR PLN 1ST FLOOR PLN

BASEMENT FLOOR PLAN BASEMENT FLOOR PLAN 1/8”=1’

4”4”WWM WWMREINFORCED REINFORCEDCONCRETE CONCRETESLAB SLAB

RAINSCREEN RAINSCREENWALL WALLDETAIL DETAIL CC

RAINSCREEN WALL DETAIL

C

1”1”==1’-0” 1’-0”

1”x4” 1”x4”VERTICAL VERTICALP.T. P.T.FURRING FURRINGSTRIPS STRIPS

1”x4” VERTICAL P.T. FURRING STRIPS

2”x3” 2”x3”HORRIZONTAL HORRIZONTALOAK OAKRAINSCREEN RAINSCREEN

2”x3” HORRIZONTAL OAK RAINSCREEN

RAINSCREEN RAINSCREEN RAINSCREEN WALL WALL WALL DETAIL DETAIL DETAIL

C DD

1” = 1’-0”

RAINSCREEN WALL DETAIL

D

1” 1”1” = == 1’-0” 1’-0” 1’-0”

VIEW THROUGH THE AXIS OF THE STAIRS TO THE WINETASTING SPACE

1” = 1’-0”

RAINSCREE D 1” = 1’-0”


R/R

UILDING BUILDINGPAPER PAPER

#30 ASPHALT BUILDING PAPER

#30 ASPHALT BUILDING PAPER

R/R

ALP.T. P.T.FURRING FURRINGSTRIPS STRIPS

1”x4” VERTICAL P.T. FURRING STRIPS

1”x4” VERTICAL P.T. FURRING STRIPS

ONTAL NTAL OAK OAKRAINSCREEN RAINSCREEN

2”x3” HORRIZONTAL OAK RAINSCREEN

2”x3” HORRIZONTAL OAK RAINSCREEN

WINE BARREL STORAGE

BASEMENT FLOOR PLAN

1ST FLOOR PLN

WINE BARREL STORAGE

1/8”=1’

1/8”=1’

WEST ELEVTION NORTH ELEVATION

1/8”=1’

RAINSCREEN WALL DETAIL 1/8”=1’

RAINSCREEN RAINSCREENWALL WALLDETAIL DETAIL

B

CC

1” = 1’-0”

RAINSCREEN WALL DETAIL C

1”1”==1’-0” 1’-0”

BASEMENT FLOOR PLAN

RAINSCREEN RAINSCREEN RAINSCREEN WALL WALL WALL DETAIL DETAIL DETAIL

RAINSCREEN WALL DETAIL

C DD 1ST FLOOR PLN

1” = 1’-0” 1/8”=1’

1/8”=1’

D 1” 1”1” = == 1’-0” 1’-0” 1’-0”

RAINSCREEN WALL DETAI D

1” = 1’-0”

1” = 1’-0”

1ST FLOOR PLN

BASEMENT FLOOR PLAN

1/8”=1’

1/8”=1’

WINE TASTING/SAMPLE LIBRARY

R/R

WINE BARREL STORAGE

1ST FLOOR PLN BASEMENT FLOOR PLAN

WEST ELEVTION 1/8”=1’

NORTH 1/8”=1’ ELEVATION

1/8”=1’

1/8”=1’

EAST ELEVATION SOUTH ELEVATION

1/8”=1’

1/8”=1’

WEST ELEVTION NORTH ELEVATION

North elevation 1/8”=1’

NORTH ELEVATION 1/8”=1’

West elevation 1/8”=1’

WEST ELEVTION 1/8”=1’

WEST ELEVTION EAST ELEVATION 1/8”=1’ 1/8”=1’

NORTH ELEVATION SOUTH ELEVATION 1/8”=1’ 1/8”=1’

1 A105

BUILDING SECTION 1 A108

1/8”=1’

South elevation SOUTH ELEVATION 1/8”=1’

BUILDING SECTION 1/8”=1’

East elevation EAST ELEVATION 1/8”=1’

EAST ELEVATION

SOUTH ELEVATION

1/8”=1’

1/8”=1’

EAST ELEVATION SOUTH ELEVATION BUILDING SECTION 1 1/8”=1’ A105 1/8”=1’

Building Sections 2 A105

1 A105 1 A105

1/8”=1’

2 A108

1 A108

1/8”=1’ BUILDING SECTION

1 A108

1/8”=1’

1/8”=1’

BUILDING SECTION 1/8”=1’

BUILDING SECTION 1/8”=1’ BUILDING SECTION 1/8”=1’

Group 2

BUILDING SECTION 2 A105 SOUTH SITE SECTION BUILDING SECTION 11 1/8”=1’ A110 A105 1/8”=1’ 1/8”=1’

2 A108

1 A108

BUILDING SECTION

1/8”=1’ BUILDING SECTION 1/8”=1’

BUILDING SECTION

Austin Schnitzlein - Larissa Tobar - Maria Degtyareva 2 A105

BUILDING SECTION

BUILDING SECTION

Building Sections 2 A105

1/8”=1’ 1 A108

BUILDING SECTION

1/8”=1’

2 A108

BUILDING SECTION 1/8”=1’

2 A108

BUILDING SECTION 1/8”=1’

BUILDING SECTION 1/8”=1’

The project is the A.B. McKay renovation and addition. The bulding is designed to become a threshold between the first nature of the research park and the third nature of the winery fields. The passage starts from the entrance through the urbanistic event space and out onto the paved outdoor space followed by the formal garden of trees, and the free access to a winery fields. Inside the building, the main focus of the project is to bring the sense of an event to the center of attention, while promoting the main activity of the building - winemaking. The building is designed to clearly distinguish between the public part of the event and the private part of winemaking. The public area is light, open, and capacious with the exposed ceilings; while the winemaking space is meant to be mysterious and enclosed. The winetasting room and the sample library are designed to provide a threshold between the parts.

South site section 1 A110

2 A105

SOUTH SITE SECTION 1/8”=1’

BUILDING SECTION

our design decisions. The building site is consisted of three types of natures: 1st - the wild fields, 2nd the formal garden of trees on a grid, 3rd - the world of the research park in the University campus. The second rule was that given the system the building must serve as the threshold between the industrial and the natural worlds. 1 A110 1 A110

1 A110

1/8”=1’

2 A108

BUILDING SECTION 1/8”=1’

SOUTH SITE SECTION 1/8”=1’

SOUTH SITE SECTION 1/8”=1’

SOUTH SITE SECTION 1/8”=1’

Approach view to the winery VIEW THROUGH THE AXIS OF THE STAIRS TO THE WINETASTING SPACE

THE APPROACH VIEW

Exploded Axonometric EXPLODED AXON

9


Studio IIIB (winery renovation project), Spring 2016 THE EVENT SPACE. SUN STUDY. SEMI-TRANSPARENT LOUVERS

THE EVENT SPACE. SUN STUDY. NO LOUVERS

THE EVENT SPACE. SUN STUDY. SOLID LOUVERS

Group 2

Austin Schnitzlein - Larissa Tobar - Maria Degtyareva

Austin Schnitzlein, Larissa Todar, Maria Degtyareva

The project is the A.B. McKay renovation and addition. The bulding is designed to become a threshold between the first nature of the research park and the third nature of the winery fields. The passage starts from the entrance through the urbanistic event space and out onto the paved outdoor space followed by the formal garden of trees, and the free access to a winery fields. Inside the building, the main focus of the project is to bring the sense of an event to the center of attention, while promoting the main activity of the building - winemaking. The building is designed to clearly distinguish between the public part of the event and the private part of winemaking. The public area is light, open, and capacious with the exposed ceilings; while the winemaking space is meant to be mysterious and enclosed. The winetasting room and the sample library are designed to provide a threshold between the parts.

Collaboration level

Collaboration Beat

GROUP 2

AS_1.0

Rendering. Wine tasting space outdoor space. THE APPROACH VIEW

VIEW TOWARD THE WINETASTING SPACE

Structural Design

AS_2.0 Part A

AS_2.0 Part B

AS_3.0 Part A

Collaboration goals Establish internal deadlines and work sequence; hold frequent group meetings

Learn structural systems from one another and discuss the available options in design and construction aspects

Discuss architectural ideas, their constructibility, and bring precedent architectural studies on each design meeting

Discuss detailing ideas and bring precedent studies on each group meeting

Discuss massing ideas and bring precedent studies on each group meeting

The plan of the building with extent of the site is circumscribed in the nine square grid. The major grid lines divide the space into larger parts, creating a clear separation between the public and the private parts. The event space stepped up in its significance and became a two story space volume. The enthralling nature of the space is highlighted with open structure of the roof. The wine making process is rendered to be a mysterious space with closed systems and narrow corridors. SITE LOGISTICS PLAN

Rendering. Event space and the view from the event space.

10

MATERIAL PALLETTE

EVENT SPACE INDOORS LOOKING OUT

Schematic Design

Design Development

Construction Documents

30 days

55 days

85 days

Permit Review and Ap 5 days Project Start + Demolition + Site preparation


RAINSCREEN RAINSCREENWALL WALLDETAIL DETAIL BB

2“x6” WOOD STUD @ 16“ O.C.

2“x6” WOOD STUD @ 16“ O.C.

R-19 R-19BATTING BATTINGINSULATION INSULATION

R-19 BATTING INSULATION

R-19 BATTING INSULATION

5/8” 5/8”PLYWOOD PLYWOODSHEATING SHEATING

5/8” PLYWOOD SHEATING

5/8” PLYWOOD SHEATING

HOUSE HOUSEWRAP WRAP

HOUSE WRAP

HOUSE WRAP

#30 #30ASPHALT ASPHALTBUILDING BUILDINGPAPER PAPER

#30 ASPHALT BUILDING PAPER

#30 ASPHALT BUILDING PAPER

1”x4” 1”x4”VERTICAL VERTICALP.T. P.T.FURRING FURRINGSTRIPS STRIPS

1”x4” VERTICAL P.T. FURRING STRIPS

1”x4” VERTICAL P.T. FURRING STRIPS

2”x3” 2”x3”HORRIZONTAL HORRIZONTALOAK OAKRAINSCREEN RAINSCREEN

2”x3” HORRIZONTAL OAK RAINSCREEN

2”x3” HORRIZONTAL OAK RAINSCREEN

RAINSCREEN WALL DETAIL B

1”1”==1’-0” 1’-0”

THE EVENT SPACE. SUN STUDY. SEMI-TRANSPARENT LOUVERS

2“x6” 2“x6”WOOD WOODSTUD STUD@@16“ 16“O.C. O.C.

THE EVENT SPACE. SUN STUDY. NO LOUVERS

RAINSCREEN WALL DETAIL B

1” = 1’-0”

1” = 1’-0”

RAINSCREEN RAINSCREENWALL WALLDETAIL DETAIL CC

RAINSCREEN WALL DETAIL C

1”1”==1’-0” 1’-0”

RAINSCREEN RAINSCREEN RAINSCREEN WALL WALL WALL DETAIL DETAIL DETAIL C DD

1” = 1’-0”

1” 1”1” = == 1’-0” 1’-0” 1’-0”

THE EVENT SPACE. SUN STUDY. SOLID LOUVERS

VIEW TOWARD THE WINETASTING SPACE

Model. The event outdoor space

The building by itself became a threshold between the 1st and the 3rd nature, rendering itself as a formal garden. A person would move through a space from one to another side by stepping first on a polished concrete geometric steps of the entrance to the rough textured way through the trees. A thick brick wall is located on the threshold between the public event space and the private rooms of the wine making part, where small openings are used to restrict passage. VIEW FROM THE EVENT OUTDOOR SPACE TOWARD THE WINETASTING

View toward the wine tasting space VIEW THROUGH THE AXIS OF THE STAIRS TO THE WINETASTING SPACE

11


Studio IIIA (urban housing project), Fall 2015

R/R

R/R foyer kitchen foyer

foyer

bedroom

bedroom bedroom

living room

living room

kitchen

kitchen

R/R

living room

bedroom

Typical unit floor plan showing different grid systems and their relationship to one another

N 1/4" = 1'

Site model. The back facade

Site model

Site model. The train rails

Site model

12

The project intent was to design a multi-family housing close to the downtown Chicago, IL, using 3 rules of design Time is space, and could be measured differently in different energy scales; There is no system that could describe all energy scales; however, all systems have something in common; There are two sides of the project: one respects the pedestrian, another-the rider of the


The back facade elevation

The front facade elevation

CTA train. The rules were implicated in the design with the following moves; All major load-bearing walls are thick with windows pushed in to reinforce privacy of a private space; Rendering of the front facade showing the balconies Each time interval change would be represented with a material change; Grid system should change from scale to scale, while maintaining connection between one another.

Rendering of the back facade showing the circular staircase

13


Studio IIIA (narrow dwelling facade), Fall 2015

Plan of the 1st floor

East site elevation

Elevation sections

14

The project was to design a facade for a narrow dwelling. The idea behind this design was to show a periodical nature of a city life. The theme of the design was damped oscillations. The square columns represent the nods on the axis, the round columns depict the amplitude of the wave at the local maximums. The walls run in direction to an intended tangent at the nods.


Plan of the 2nd floor

North site elevation

10ft

Model. Grate pattern from the outside

Model. Grate pattern from the outside

Model. The columns inside Model. The inside and the shadow pattern

15


Studio IIB, Spring 2015

Site section

16


Site plan

Renderings of the entrance level

Plan of the scientific underground level

Plan of the public level

The Sun like any other star is a good source of neutrino, and neutrino could pass through the Earth and do not react with anything. The Noxube Refuge, where the laboratory is located, is a national park. The Neutrino Laboratory is nested on top of the Radial Gate, which is served as an entrance to the park. Because neutrino could react only with hard water, the laboratory must be isolated from interference from all other particle. The Neutrino Observatory in the Noxube Refuge is found 2 km down the natural rock and 500 meters toward the south in order to prevent any particle penetration from the atmosphere. The sun relation is conserved at this level, the north part of the level is dedicated to the living space for the researcher, and the south is the research, library, and supercomputer space. The detector chamber is located under the research level at the center [of gravity] of the level.

17


Studio IIA, Fall 2014

Perspective section of the shelter

Ribbon cutting ceremony of the Golf Shelters

18

The first semester of the second year in Mississippi State University is featured with the DesignBuild studio. The purpose of the entire semester is to design an architectural object and build it with our own hands in collaboration with Building Construction Science students. The goal of this semester was building of Storm Shelters in the MSU Golf Course considering ADA requirements. The main challenges were a tight budget, unskilled labor,


Panel design option#1

Panel design option#4

Panel design option#2

Panel design option#3

Final panel design option

and a short time. The first step was to come up with the panel design that could repeat on the shelter pod. I chose concrete as the material for the panels, because concrete is comparatively cheap and easy to reproduce over and over again. The images are of the fabricated panels that I made, and rendering of the complete wall with the final pattern.

Panel wall design rendering

19


Studio IIA, Fall 2014

Short section drawing

Long section drawing

Along with the panel design the technical drawings were developed. This set represents the initial design of the shelters, and were used as construction drawings for the building process.

20

Floor plan


Model showing the panel detail

Wood model showing the I-beam and the truss

Concrete wall from the West elevation

A gro up o f st u dents was on charge for the wooden model at 1 1/2� scale. The model helped to fully understand the shape of the shelter in three dimensional setting. It featured with the removable roof and a sliding pod illustrating the panel design. The model accurately depicts selected materials: wood is shown as unpainted wood, steel as painted wood, and the concrete wall is poured using the Portland cement mix. Wood model showing the front facade

21


Studio IIA, Fall 2014

Rendered long section

Rendered short section

Rendered front elevation

In course of planning and building the design was modified. Some elements did not work as it was planned, such as roof truss assembly was modified to be overlapped instead of being flat. Design of the concrete wall was also changed. The following set introduces the design as it was built.

Rendered back elevation with the water harvesting tank

22


East and West elevations showing the water harvesting tank

Rendered site plan

23


Studio IIA, Fall 2014

Render of the connection detail and the panel section

Render of the wall assembly

24


Plan of the shelter, including new concrete wall plan

25


Studio IIA, Fall 2014

The water harvesting tank

Finished wood paneled bathroom. Photo Courtesy Prof. Hans Herrmann

小oncrete wall and the inbuilt bench

After one semester of hard work architectural part of the construction was done. It was a way from not believing that it was possible to finish to the feeling of the complete satisfaction with the piece. Currently, shelters experienced the phase II of its development performed by landscape architecture department students. Today the building looks adorable and very reliable as a storm shelter. Wood paneled building

26

Truss front view and the concrete wall


Built structure showing the truss density

Concrete paneled restroom

Built structure showing the concrete paneled restroom front facade

27


Studio IB, Summer 2014

Villa Mairea house detail

Alvar Aalto the Villa Mairea house model

Villa Mairea house model

Villa Mairea house model

Alvar Aalto the Villa Mairea house model

The main motto of this part of the summer studio was: “Grids and Orders“. I was to pick an architect and a recognizable building, explore the order, and reproduce the piece. My architect was Alvar Aalto and the villa Mairea in Finland.

Alvar Aalto the Villa Mairea grid system model

28


Alvar Aalto the Villa Mairea grid system model showing the column grid

Alvar Aalto the Villa Mairea grid system model showing the figure element and stairs

29


Studio IB, Summer 2014

Pool house wood model showing the view through the structure

Axonometric drawing of the pool house

Wood model of the pool house showing the figure element and the stairs

Plan drawing of the pool house

Pool house wood model showing the view through the structure

30

The project is interpretation of design principles used by Alvar Aalto in the Villa Mairea. The building mimics the character of the site, bridging over an existing river. The pool house narrates about the experience of relationship between inside and outside. The central element of the composition is the sculptural wall similar to one in the Villa Mairea. In transition from entrance to the pool itself, the guest has to cross the space and observe the pool from the height of the level.


Wood model of the pool house showing the figure element and the stairs

31


Studio IA, Summer 2014

These sketches were made on beginning of the summer semester. I sketched a lot of campus buildings and student housings. This exercise helps to understand design principles of the area and relationships between buildings and their elements.

32


33


Studio IA, Summer 2014

34

“Composition around the Void� shows emptiness as an object. I did not show planes of the void; however, the planes are readable from turns and corners made with tangent surfaces. The surfaces rise from the ground plane in rotation motion around the long axis of the void space. Centered position of the void space makes the design static; however, the narrow waist and rotation of the elements around the axis add dynamic tendency to the composition.


Elevation of the Void composition

Plan of the Void composition

Vertical section of the Void composition

Roof plan of the Void composition

35


Understanding parametric design methods and fabrication

Electrified Phototropic Object shall design visualization

36

The design is a project for the Active Building Systems class. In this project, I needed to create an Electrified Phototropic Object, or a lamp. Parameters for the desired light levels were inputs in the algorithm of the design rules, The lamp is completely customizable, each piece is fabricated using laser cutter, it is detachable could be rotated revealing more or less light depending on a specific task needed.


Electrified Phototropic Object shall design algorithm

Electrified Phototropic Object

37


Mural Art Works, 2011-2013

As a student of the mural art department of Novosibirsk Academy of Architecture and Fine Art I have completed a few projects on walls both indoors and outdoors in my home city, Novosibirsk. This ceramic mosaic was a volunteer project on the building of a School of art for elementary and secondary school kids.

38


39


Mural Art Works, 2011-2013

Acrylic painting on a wall

Decorative plaster painting

Acrylic painting on an exterior wall

After some training in the mural Art department my creative skills widened. I learned how to create acrylic wall painting, sgraffito out of colored cements, glass and ceramic types of mosaics. I believe that there are times when a good mural could compliment a good design and architecture.

Egon Shiele copy, acrylic paint on a wall

40


Sgraffito, copy of an ancient vase painting

41


Miscellaneous Projects, 2014-2015

As a member of the National Organization of Minority Architecture Students, I have participated in the Trashion Show. The meaning of the show is to create a dress out of material that normally would be considered as trash. The images on the right are photographs of the Trashion Show in 2014, the main theme was “HighTrashion”. The photos on the left is the dress of the 2015 show, with the theme “Wedding”.

42


43


Fine Art,2009-2014

Being a fine art student, I have created number of easel paintings and graphic works. The following are some sets of what I have created as an art person. I like to exercise my hand with sketching and try to keep paper and pencil always easily accessible. I believe it helps to increase the skill level and also to develop creative thinking.

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Maria Degtyareva Vaghani Authorized to work in the USA

maria.vaghani@gmail.com


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