ACADEMIC PORTFOLIO
Email: la.m.aria@hotmail.com
Maria Lambiriti
CONTENTS
01
3
A perfumer’s journey
Spring 2020 Academic/ 3rd year Individual work
02
River cafe
03
The ‘Gig House’
04
Artisan studio
05
Visual essay/Dissertation
Autumn 2019 Academic/ 3rd year Individual work
Winter 2019 Academic/ 2nd year Individual work
Spring 2019 Academic/ 2nd year Individual work
Spring 2020 Academic/ 3rd year Individual work
01 A perfumer's journey
Urban context and map
Main entrance
Area of interest The framed areas mark the proposed building. It is located in the hardwick village near the river.
The selected site of the project is situated in Hardwick village in the Clumber park in Nottinghamshire, managed by the National Trust. Clumber park is missing a focal point to elevate the overall experience and become a ''place to go'' for the next 50 years. The design process is based on enhancing what was found on the spot; flowers. As such, the development of
Site Hardwick village area with a highly diverse natural environment.
River Poulter The river's water quality is good, enabling it to support populations of ďŹ sh
a perfumery is ideal for the project. The venue is a world of sensory experience, emotion, and enjoyment, North-East Elevation offering an original, educational, entertaining, and immersive experience to help visitors understand the world of perfume while also offering them the opportunity to get involved in the production processes. 4
Sectional Isometric
Flower masterplan concept diagram
N x - point of interest
Daaodils
Roses
Tulips
Bluebells Hyacinths
The smell of the flowers and their utilisation is the combining element to merge light industry with indoor and outdoor public spaces. The outcome Name: vividly illustrates a fragrance’s Maria Lambiriti mesmerizing transition from creation and imagination to formulation.. Student No.: N0775299
Project Name: Adaptive Reuse - Perfumery Site Address: Hardwick Village, Clumber Park Worksop S80 3AZ, United Kingdom Drawing Title: Isometric Isomet Drawing Scale: Not in scale
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Drawing No.: 006
'Enfleurage' working space
Retail Name: area visual Maria Lambiriti Student No.: N0775299
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Project Name: Adaptive Reuse - Perfumery
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Key: 1
1. Main Entrance 2. W.C. 3. Enneurage process' working space 4. Fermentation Tanks 5. Raw material storage 6. Viewing area of aging area 7. Aging Area (Dark-private only) 8. Bottling area 9. Distillation area 10. Botanical - growing area 11. Workshop 12. What's new - Testing area 13. Retail 14. Coffee shop 15. Courtyard
Drawing Title: Visual of enneurage process working space
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Drawing No.: 007
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A
Plan
Site Address: Hardwick Village, Clumber Park Worksop S80 3AZ, United Kingdom
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Name: Maria Lambiriti
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B’
A’
Student No.: N0775299 Project Name: Adaptive Reuse - Perfumery
Section
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1 2 3 4
Village, Clumber Park 6Hardwick Worksop S80 3AZ, United Kingdom
Site Address:
N M
Drawing Title: Plan
S N
Drawing Scale:
Perfume process diagram
Testing area visual
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Coffee shop visual
02 River cafe
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Site photomontage Views out: Best views from the site - opposite the site- towards South A: River Trent B: Views towards the Wilford/West Bridgford suspension footbridge. C: Pedestrian sidewalk under the bridge D: Bridge’s sidewalk
Photomontage North side of Victoria Embankment
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C B
Urban context and map
Access diagram
A
Views diagram
This project researches and redisigns a small cafe area for ‘OKENDE’, located on the Victoria Embankment in Nottingham. The river location was really important to the exploration of the site, and the intension was to capture the flow of the river to explore it further in the design process. 8
wash & cleaning
coee making
preparation
cooking
interaction
storage
Coffee production diagram
Scale 1:65
Victoria Embankment
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2.
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Scale 1:65
Plan Key: 1. Main Entrance 2. Cafe sitting area 3. Stock storage
Entrance visual
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Plan
4. Counter 5. Kitchen 6. Toilets
Sitting area visual
Exploaded axonometric
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External Isometricvisual View scale 1:150
01‘The Gig House’ 03 The 'Gig House' Site analysis diagram
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West elevation
E
W S
Site model Site Map
North elevation This project researches and redesigns the adaptive reuse of a historical building in East Anglia. Located in Clare, Suffolk, the building is set within a parkland bounded by a variety of mature trees to preserve and is accessed by a private driveway.
This project researches and redesigns the adaptive reuse of a historical building in East Anglia. Located in Clare, Suffolk, the building is set within a parkland bounded by a variety of mature trees to preserve and is accessed by a private driveway. Old historical buildings are always full of memories with strong atmosphere.
Site model The intension was to capture the warmth of the old structure and the simplicity of the new work. The design approach is based on creating a new extension through the properties, enabling interaction with the existing building. A new contemporary house is inserted into the old building.
South elevation 11
Section A
Section B Section A
Plan
Visuals
Visuals
Rendered visuals
Rendered visuals
Section A
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Section B
04 Artisan Studio Urban context and map
rsit
ive
Un
y
Entrance visual
The aim of the project is to create a studio space for a ceramist. The selected building is the engine hall of the old fire station located on Shakespeare Street in Nottingham. The ceramist resurrects the techniques used to make classical Ancient greek pottery to produce modern pottery.
Traditional manufacturing skills and the traditional Attic black glaze were lost over centuries. The aim of the design is to engage people with the making process in order to bring in life the almost lost Athenian tradition. Elevation 13
Long Section
Short Section
1. Main Entrance 2. Storage 3. Clay Studio 4. W.C. 5. Corridor around the glazing area 6. Glazing and Fining area 7. Exhibition 8. Retail 14
Visual of glazing area
Visual of exhibition area
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05 Visual Essay/Dissertation
Mind and memory visual
Excerpts from Dissertation entitled ''How are we supposed to remember events we did not actually experience? Traces of memories in Nicosia''.
''Multi-sensory'' experience visual
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Architecture reinforces the sense of human existence in the world setting the body in constant interaction with the environment and vice versa (Pallasmaa, 2005). Architecture is a ‘’multi-sensory’’ experience where all senses are equally important to the perception and experience of the place and must be dealt with at the same time (Pallasmaa, 2005). All the sensory experiences are merged in the body and are activated as soon as the body interacts with space. The sensory approach to architecture is to create buildings that promote human understanding of the world through the experience of space, mediated by the senses to evoke emotions (Pallasma, 2012). Thus, a space with experience evokes an emotional attachment that will afterwards generate a memory. The experience of a space is a personal process, an interaction between the build and the person experiencing it (Pallasmaa, 2012). A space can accommodate every human activity leaving intangible traces in it. The body plays an irreplaceable role in the architectural design. The ergonomic features of the human body are used to understand dimensions and proportions in architectural spaces (Pallasmaa, 2011).