2016-2021 SELECTED WORKS
MARIA K ALATH A
DESIGN PORTFOLIO
Design Por t folio T he Rip p le W ild Habitat Re se arch Ce nt re Hyd rop od Wate r’s Ed ge
INDE X
I
Int roduct ion 51.3 8 ° N, -2.3 6 ° W
II
The R ipple
-2 0.12 ° N, - 6 7.5 8 ° W
III
Wild Ha bitat Resea rch Cent re 51.3 8 ° N, -2.3 9 ° W
IV
Hyd ropod
51.3 8 ° N, -2.35 ° W
V
Water’s Edge 52.32 ° N, - 0.10 ° W
A
pencil, a rubber and a
reconcile social and cultural themes.
sharpener; those were the essential tools that have followed me around since I was child. Growing up in the small Mediterranean island of Cyprus I was surrounded by the buildings and architecture occupying nations have left behind. Intrigued by the conflicting compositions of grand architectural wonders and derelict structures, I explored the meaning and importance of architecture.
at
your
university
and
an
important
step
towards
becoming the well-rounded architect I aspire to be. Having developed an architectural background based on critical rationalism, I now look forward to expanding my horizons and as
approaching the
abstract,
architecture innovative
and
technical field it is. I am fascinated
Today, I have come to believe
by the diverse culture you have
that great design is the result of
established at your university and
interdisciplinary
your
integration
of
multi-disciplinary
towards
abstract and aesthetic principles of
architecture,
art. My body of work is defined by
solutions to technical, social and
understated elegance in the context
spatial challenges. It would thus
of modern minimalism. I relish from
be a great privilege to be educated
experimenting
proportion,
at your institution, to challenge
materiality and form making. Taking
the boundaries of how architecture
delight in what I do, I believe that
is defined and redefine my own
I design from a place of deep love
approach.
with
the
‘artful
approach
science-based principles with the
and compassion in an attempt to 01
Studying
would be an exciting challenge
science’
encouraging
of
radical
CHAPTER I
DESIGN IS NOT MAKING BEAUTY
INTRODUCTION 51.38°N, -2.36°W
BEAUTY EMERGES FROM SELECTION AFFINITIES INTEGRATION LOVE Louis Khan
DESIGN PORTFOLIO 02
T H E R I PPLE N o n - De n o m i n a t i o n a l Te m p l e
-2 0.12 ° N, - 6 7.5 8 ° W
2 02 0 In d i v i d u a l C o m p e t i t i o n P ro j e c t
Te m p l e o f Re f l e c t i o n
E m b ra c i n g
Sinkin g
S c u lp t i n g
A.
A mid
the Andes, there is a
place where silence is complete; no sound will you hear except the crush of salt crystals beneath your feet. The seemingly desolate landscape of endless white extends to the horizon in every direction, where shimmering mirages and purple mountains loom in the misty distance. When the drier months begin to be replaced by more abundant rains the salt flat transforms into a mirror; perfectly reflecting
the
sky
and
creating
illusions of infinity.
embodying the importance of water and self-reflection across religions. Appearing as a blazing mound, the sculpture of salt slowly rises from the Salar embracing the temple and framing views beyond. Sunken within the landscape, the grounds of the temple are realised as a series of rings in a pond. From the most communal spaces on the outer ring to the most intimate in the centre, functions radiate inwards immersed in ‘ripples’ of water. In the middle, the Temple of Reflection appears as a blooming
In the middle, emerging from
flower of the salt desert. Embraced
the blazing white, lies an intimate
by nature, it encourages spiritual
temple. In praise of the landscape,
contemplation and self-reflection in
the local cultures and religions,
the waters of the Salar.
the temple references no religious archetypes. Imagined as ripples in the water, the complex is expressed B. 03
as a subtle gesture to the landscape,
A. Ma s s i n g , C o n c e p t D i a g ra m B. S i t e Pl a n , V i s u a l C . Ae r i a l V i e w, V i s u a l
CHAPTER II
THE RIPPLE -20.12°N, -67.58°W
2020 COMPETITION PROJECT
C.
04
05
CHAPTER II
THE RIPPLE -20.12°N, -67.58°W
2020 COMPETITION PROJECT
06
E.
F.
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4.
2.
4.
G. 07
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5.
CHAPTER II THE RIPPLE -20.12°N, -67.58°W
As
a subtle gesture to the
landscape,
the
temple
awaits
those who seek shelter, solitude, intimacy and contemplation of self. The complex promotes freedom of religious expression across various private and communal typologies of space; the Salar itself, the Temple, the Floating Prayer Pods, the Gardens and the Sunken Yard. In this landscape time stands still, the sensation of peace is breathed and the human being flows.
I.
2020 COMPETITION PROJECT
D. E l e va t i o n & S e c t i o n s , D ra w i n g E . S un k e n Ya rd , V i s u a l F. F l o a t i n g Pa y e r Po d s , V i s u a l G . G a rd e n , V i s u a l H. E x p l o d e d Is o m e t r i c , D ra w i n g 1. Te m p l e o f Re f l e c t i o n 2. F l o a t i n g P ra y e r Po d s 3 . S un k e n Ya rd 4 . G a rd e n 5 . P u b li c W i n g 6 . P r i va t e W i n g I. Te m p l e o f Re f l e c t i o n , V i s u a l
08
W I LD H A BI TAT R E S E A RC H C E N T R E Na t ure Pa r k & Re s e a rc h C e n t re
51.3 8 ° N, -2.3 9 ° W
2 019 In d i v i d u a l D i s s e r t a t i o n P ro j e c t
F ra g m e n t i n g
A.
C o n n e c t i n g & P ro t e c t i n g
T he project is located across
flowing natural forms, are located on
Weston Island; Bath’s very own secret
the opposite banks of the river and
island. Making use both of its location
canal to simultaneously separate and
and biodiversity the design proposes
immerse man into nature.
the redevelopment of the site into a Wild Habitat Research Centre, offering
tantalising
opportunities
both for humans and nature. This S c u lp t i n g
was my 4th Year Dissertation project and the last semester of this year was solely dedicated to this entirely selfdriven project.
This separation allows the island to be reinstated as a valuable natural asset within the urban context, while displaying the catastrophic longterm effects of human actions on the environment. It allows both man and nature can co-exist
in perfect
balance, while ensuring minimal Research
intervention on the site. As a result,
Centre is envisaged as a fluid form
the appropriate research can be
which emerges from the landscape’s
conducted on the island for the
natural topography and wraps the
improvement and advancement of
individual functions of the Centre.
ecosystems within the urban fabric.
The
Wild
Habitat
The scheme, rather than imposing Car vin g
on the island, is fragmented into three components; i) Research, ii) Education the iii) Periscope Tower.
B. 09
These,
inspired
by
organic
and
A. S i t e , Ph o t o s B. Ma s s i n g , C o n c e p t D i a g ra m s C . Ae r i a l V i e w, V i s u a l
CHAPTER III
WILD HABITAT RESEARCH CENTRE 51.38°N, -2.39°W
2019 DISSERTATION PROJECT
C.
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CHAPTER III WILD HABITAT RESEARCH CENTRE 51.38°N, -2.39°W
W eston
island is currently
used as a bus depot and is thus predominantly
characterised
by
concrete, tarmac and steel-work. By returning the island to nature, the site is expected to be re-inhabited through Primary Succession; one of two types of biological and ecological succession of plant life occurring in an environment in which new substrate devoid of vegetation and other organisms is deposited. Weston Island thus provides ideal grounds for such research, where
Primary
Succession
and
Ecosystem Growth can be monitored and examined in an urban context. can be then employed across the banks of River Avon, as well as the UK, to restore the local biodiversity in urbanised areas. D. S i t e Re ge n e ra t i o n , D i a g ra m s E . Pe r i s c o p e To w e r,V i s u a l
E.
2019 DISSERTATION PROJECT
Lessons derived from such research
12
13
CHAPTER III
WILD HABITAT RESEARCH CENTRE 51.38°N, -2.39°W
2019 DISSERTATION PROJECT
14
T he
Research
Building
is
envisaged as a fluid form which emerges from the landscape’s natural topography, wrapping the individual functions and seamlessly connecting the scheme across the river. The
building
form
takes
inspiration from natural structures such as shells, where the individual functions spiral outwards to the extent of the site. Public functions are placed at the centre; the ‘heart’ of the design, and are exposed through a system of glass and timber. Private functions are placed along the outer ring, sheltered away by a system of tall rammed earth walls and a series of skylights.
G. 15
F. S i t e S e c t i o n , D ra w i n g G. Ex hibit ion, Vis ual H. C o n c e p t , S k e t c h I. S i t e Pl a n , D ra w i n g J. Re s e a rc h S e c t i o n , D ra w i n g
CHAPTER III
S01
WILD HABITAT RESEARCH CENTRE 51.38°N, -2.39°W
S01
I.
H.
J.
2019 DISSERTATION PROJECT
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C o n c re t e f o o t i n g & re i n f o rc e m e n t 7 8 1 9 10 F ra m i n g , p o ur i n g & ra m m i n g
11 1
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12 13
K. 17
L.
R a m m e d E a r t h Wa l l
CHAPTER III WILD HABITAT RESEARCH CENTRE 51.38°N, -2.39°W
T he
Wild Habitat Research
Centre is imagined as a landmark that relates to today while striving for the future. Inspired by nature and its bath-stone context, its material palette primarily consists of Rammed Earth, Concrete and Glued laminated timber.
With
structural
honesty
and environmental impact in mind, the majority of these materials are resourced locally and are reused or recycled.
M.
2019 DISSERTATION PROJECT
K . Re s e a rc h S e c t i o n , D ra w i n g 1. c o n c re t e li n t e l w i t h re i n f o rc e m e n t 2. ro o f g ut t e r s y s t e m 3 . t r i p l e g l a ze d ro o f- li gh t 4 . 5 0 0 x 25 0 m m g l u l a m b e a m 5. a d jus table sha d in g panel 6 . ra m m e d e a r t h w i t h re i n f o rc e m e n t a s re q ui re d 7. f i r s t f l o o r b ui l d - up 8 . 15 0 x 10 0 m m t i m b e r b a t t e n 9. c o n c re t e d o o r j a m b 10. s o un d p ro o f d o o r 11. g ro un d f l o o r b ui l d - up 12. d a m p p ro o f m e m b ra n e 13 . c o n c re t e s t r i p f o un d a t i o n w i t h re i n f o rc e m e n t L. R a m m e d E a r t h C o n s t r u c t i o n , D i a g ra m s M. Re s e a rc h E x p l o d e d Is o m e t r i c , Visual
18
H Y DROP OD S p o r t s & Ag r i c u lt ure C e n t re
51.3 8 ° N, -2.35 ° W
2 018 G ro up Ac a d e m i c P ro j e c t
H yd ro p o n i c Ba s e
Ru g b y La n d m a r k A.
T he project’s brief is set in 2038
C e n t ra l S t re e t
confronts
global
challenges
such as climate change, population
Grimshaw’s Rugby Stadium design.
growth and access to energy, water
Whilst the main function is to serve
and food. The design completes the
Bath Rugby, the design develops a
cycle of production, consumption &
strategy in order to be occupied for
recycling and thus weaves itself into
as many days of the year as possible,
the urban fabric of Bath and creates
even outside match days. This was
a sustainable network at the very
a 4th Year Academic group project
centre of the city.
that was undertaken during the first semester alongside other units. Ac c e s s Ro ut e s
and
and requires a new South Stand to
As a response to the ideas of permanence, garden and flexibility,
The proposed design is inspired
the concept is realised as a ‘forest’ of
by Bath’s architecture, its cityscapes
structure. A modular system of pods,
and
belts.
where the grid restricts and defines
Garden
volumetric boundaries but not the
intertwining
Further
referencing
green the
City Movement principles that the
activities within.
city has been built on, the design incorporates the defining factor of ‘The Garden City’; agriculture. By using the tool of Urban Farming, the B. 19
H yd ro p o n i c Fo r m
scheme addresses larger issues that are critical in designing for the future
A. Fo o d C y c l e s An a ly s i s , D i a g ra m by FC B. Ma s s i n g , C o n c e p t D i a g ra m by FC C . Ae r i a l V i e w, V i s u a l
CHAPTER IV
HYDROPOD 51.38°N, -2.35°W
2018 ACADEMIC PROJECT
C.
20
21
CHAPTER IV
HYDROPOD 51.38°N, -2.35°W
2018 ACADEMIC PROJECT
22
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12 13 F.
CHAPTER IV HYDROPOD 51.38°N, -2.35°W
T he design, as a form of art
that deals as much with the future as with the past, achieves a relative permanence through the ideas of flexibility.
The
modular
system
restricts volumetric boundaries but promotes short-term and long-term space manipulation and flexibility of each pod.
2018 ACADEMIC PROJECT
D. S h o r t S e c t i o n , D ra w i n g E . Po d De s i g n s , D ra w i n gs F. H yd ro p o d De t a i l , D ra w i n g 1. i n f l a t e d E T F E c u s h i o n 2. g ut t e r 3. 300 x 300mm I beam (p r i m a r y) 4. r igid in s ulat ion in a l um i n i um f o i l 5 . 15 0 x 15 0 m m I b e a m ( b ra c i n g ) 6 . 10 m m d i a m . s t e e l c a b l e 7. hyd ro p o n i c c o n t a i n e r 8. ve nt ilat ion 9. w a t e r 10. w a t e r p um p 11. 12 0 m m i n s u l a t i o n 12. h o l l o w c o re c o n c re t e f l o o r slab 13 . 3 0 0 x 3 0 0 m m I b e a m (p r i m a r y) w i t h p l a t e G . E x p l o d e d Is o m e t r i c , V i s u a l
G. 24
WAT E R’ S E D GE Re s i d e n t i a l
52.32 ° N, - 0.10 ° W
2 02 0 Pl a c e m e n t P ro j e c t a t C a S A
A.
W ater’s Edge is a replacement
whilst remaining bright and airy.
dwelling project for a private client in
Simultaneously, an open balcony
Cambridgeshire. The proposal strives
into this central space maintains
for a cohesive design strategy which
a strong connection between the
utilises local materials to create
separate levels which supports family
modern, sophisticated building by
interaction and cohesion.
referencing and interpreting the local vernacular.
Ancillary rooms, such as the entertainment spaces, are gathered
The key challenge of the site is
in a secondary wing. Bedrooms are
a conflict between North and South.
located upstairs, to the most private
Beautiful views and engagement of
part of the house. The north side
the lake and wider context are to the
benefits from the best views and
North, whilst the best quality light
thus the family rooms take this prime
comes from the South. A double
location. Guest rooms are gathered
height space in the heart of the plan
in the southern wing so they can be
reconciles these conflicting demands
‘shut down’ when not in use.
by collecting south light through roof glazing
and distributing this
throughout the family room, allowing B. 25
the space to have a northerly aspect
A. S i t e An a ly s i s , D i a g ra m B. Ae r i a l V i e w, Ph o t o b y T F C . Ae r i a l V i e w, S k e t c h
CHAPTER V
WATER’S EDGE 52.32°N, -0.10°W
2020 PLACEMENT PROJECT
C.
26
1
2
3
600
6250
3000
B1/301 WARM DECK STANDING SEAM ZINC ROOF
B1/215 FIRST FLOOR EXTERNAL WALL WALL STUDDED OUT FULL HEIGHT TO GIVE TOLERANCE TO CONCRETE BEAM AT WALL BASE
B1/261 INTERNAL MASONRY WALL B1/151 INTERMEDIATE FLOOR CONSTRUCTION REFER TO STAIR DRAWINGS FOR BALUSTRADE INFORMATION
1 435 - 4 - 503
L2/309C PROPRIETARY SLIDING DOOR SYSTEM
27
1
Section G Scale: 1:50
MEZZANINE
ENSUITE
1.05
1.04
DINING
COATS
0.08
0.13
B1/101 SUSPENDED GROUND FLOOR CONSTRUCTION
LAUND
0.12
CHAPTER V
4
6
1100
3850
INCREASED BATTEN TO EAVES ELEVATION FOR CONCEALED RAINWATER PIPES
7 4950
WATER’S EDGE 52.32°N, -0.10°W
DRY
5
F1/371 PRECAST CONCRETE COPINGS
B1/201 GROUND FLOOR EXTERNAL WALL
2
GL +7.52 2020 PLACEMENT PROJECT 28
2 435 - 4 - 505
OUTLINE OF PARAPET BELOW
B1/215 FIRST FLOOR EXTERNAL WALL
L2/110 INTERNAL DOORS B1/271 INTERNAL STUDWORK WALL L1/311 STRUCTURAL GLAZING
E
F
4220
6455
3940 G. BED 1
6175 OPENING
G
H I
1880
5070
2678 M. DRESSING RWP
3862 M, BED
1095
5590
LINEN
M. ENSUITE
600
RWP
600
W.0.08.A
step FF +200mm FTC 2645
W.1.07.A
B.1 C
s
W.1.07.B
ay
FTC 2920
W.1.06.A
bo
th
w
GUEST BED 1 op
ed
1.01
DI.1.02.A
7105
M. BED
2835
W. ENSUITE
ENSUITE B.1
1.04
W.1.04.A
3
FTC 2270 to 2710
B.1 W.1.05.A
3000 G. BED 2
FFL 11.380
DI.1.08.A
MASTER ENSUITE FTC 2300
W.1.08.A
1.08
B.1
LINEN FFL 11.380
RWP
2890 LANDING
RWP
RL.1.10.A
FFL 11.180
FTC 2225 to 2770
C
W.1.08.B
600
1.09
ENSUITE
step FF +200mm
W.1.16.B
29
FTC 2225 to 2475
B.1
330
W.1.11.A
ENSUITE 1.11 FTC 2475 to 2770
DI.1.11.A
W.1.10.C
B.1 W.1.12.A
B.1
ED
H4/391 ZINC CILLS L1/309A PROPRIETARY ALUMINIUM CASEMENT WINDOWS
4950
1.10
1735
FF STAIR
F.
ENSUITE
6
8840 LANDING
W.1.10.A
G2/121A SITE FABRICATED BOXING OUT
E.
4
DI.1.07.A
FFL 11.180 FTC 2315
W.1.03.B
2825
fo
1.07
1.05
MEZZANINE BALUSTRADE TO MATCH MAIN STAIR DESIGN
5
B.1 C
MASTER BED
MEZZANINE
3000
1.03
FTC 2645
1100
GUEST BED 2
C
1.06
3570
RL.0.10.A
B.1
DRESSING
STAIR
RL.0.04.A
WI.1.05.A
DI.1.03.A
B.1 C FTC 2225 to 2530
3885
G. BED 2
W.1.03.A
W.1.07.C
FFL 11.180
DI.1.09.A
1.02
FTC 2225 to 2920
B.1
RL.1.06.A
DI.1.01.A
FTC 2225 to 2375
ENSUITE
FTC 2540 to 2680
1 no. air con units
DI.1.04.A
1790
ENSUITE
W.1.02.A
6250
ilin g,
sl
RL.1.05.A
ce
B.1 C
B.1
ld
RL.0.07.A
B.1 C
in
W.1.01.B
FTC 2690 to 2920
3035
G. BED 1
W.1.01.A
3850
5975
21
D
H
F
G
N CORNER
CHAPTER V WATER’S EDGE 52.32°N, -0.10°W
T hrough close interdisciplinary
collaboration with interior designers,
landscape architects and engineers the new home will be exemplar in
sensitive,
context
driven
contemporary design and fabric-first sustainable construction. The strategically
Master
Bedroom
located
to
have
is a
northerly aspect and capture the best views of the lake, while a series of skylights collect and distribute south light across the space.
Materiality
and lighting have been approached in such a way to create a bright, 2020 PLACEMENT PROJECT
tranquil environment that aspires for a 'simplistic luxury' ambiance. D. De t a i l e d S e c t i o n , D ra w i n g b y M H, S B, M K E . Ma s t e r Be d ro o m Mo o d Bo a rd , Visual by ZF F. F i r s t F l o o r Pl a n , D ra w i n g b y M H, S B G . Ma s t e r Be d ro o m , V R V i s u a l
G. 30
RWP
W.0.07.A
D.0.07.B
600
P
D.0.09.A W.0.08.A
D.0.07.A
M2.4
F1/304B FACING BRICKS (SPECIALS)
D.0.09.B
RL.0.07.A D.0.04.B
0.09 DI.0.06A
FTC 2750
KITCHEN
DINING
0.07
0.08
F1/304A FACING BRICKS (INTERNAL)
FTC 2750
DI.0.07.A
DI.0.14.A
DI.0.04.A
FTC 2400
FTC 2400
SNUG
1095
DI.0.10.A
0.10
DI.0.11.A
B.1 W.0.10.A
W.0.04.A
FTC 2670 (tbc)
0.13
FTC 2750
0.15
C
HALL FTC 2500
WC (P.R.L) 1945
GFL 07.880 D.0.04.A
DI.0.12.A
FTC 2500
0.11 M2.1
COATS
0.14
LAUNDRY
D.0.15.A
GFL 07.880
0.12
B.1
1100
FTC 2670
BACK KITCHEN
3820
0.04
FTC 2500
RL.0.10.A
DI.0.04.B
RL.0.04.A
DI.0.15.A
L2/111 INTERNAL DOORS (SLIDING)
BOOT ROOM
D.0.14.A
W.0.11.A
RWP
RWP
4270
3360
1950
2990
BOOT ROOM
BACK KITCHEN
WC
LAUNDRY
3000
FTC 2750
B.2 D.0.09.C
RWP
STAIR 0.16 W.0.16.B
M2.3
C
W.0.16.A
3850
0.06
3570
1945
WC M2.2
STAIR
FTC 2750 RL.0.05.A
6250
6585
SITTING
SITTING
3820
0.05
F1/304A FACING BRICKS
6580
DI.0.05.A
CHANGING RL.0.06.A
SNUG
GFL 07.880
1945
FTC 2750
FTC 2670 (tbc)
STUDY
future lift
PLANT
B.2
PLANT 0.18 no ceiling
DI.0.18.A
2885
D.0.19.A
0.19
4950
FTC 2750
4670
DI.0.19.A
0.17
N1/116 BATHROOM SANITARY APPLIANCES AND FITTINGS
STUDY
WC (P.R.S)
DI.0.17.A
L2/315 ENTRANCE DOORS
WC
1655
CHEN UNITS, WORKTOPS AND SINKS 121A SITE FABRICATED BOXING OUT
FTC 2750
DI.0.20.A
RWP GFL 07.880
RWP
FTC 2750
GAMES ROOM
B.1 W.0.20.A
0.20
D.0.20.A
6470
D B.2 B1/201 GROUND FLOOR EXTERNAL WALL
6750
L1/309A PROPRIETARY ALUMINIUM CASEMENT WINDOWS
GAMES ROOM
1 435 - 4 - 502
1 435 - 4 - 504
B1/261 INTERNAL MASONRY WALL
DI.0.21.A
CINEMA 0.21
Plinth FL 08.230
OUTLINE OF COFFERED CEILING ABOVE
RWP
RWP
F1/375 BAT BOXES IN CAVITY WALL
2320 PLANT
750
J K H. 31
I.
1590
4075
CORRIDOR STUDY 7500 CINEMA (finished walls)
7200
600
LM
2250
D.0.21.A
2750
B.2
GFL 07.880 FTC 2750
4630
ANTICIPATED CUT BRICK HIGHLIGHTED WITH GREY FILL. EXACT SETTING OUT OF BRICKWORK TO BE AGREED ON SITE WITH ARCHITECT PRIOR TO COMMENCEMENT
500 wide ceiling coffer (720 at rear only)
CINEMA (finished walls)
Screen wall built out (size tbc)
FTC 2600
CHAPTER V WATER’S EDGE 52.32°N, -0.10°W
T he
proposed dwelling has
been shaped around existing house footprint, with natural light and views as primary drivers for the internal arrangement
and
corresponding
openings. The Cinema Room is thus located in the secondary wing, the one furthest from the lake, along with other entertainments spaces and ancillary rooms. Through close interdisciplinary collaboration with interior designers, lighting and acoustic specialists the Cinema Room has been designed as 2020 PLACEMENT PROJECT
luxurious, contemporary space that can be transformed to also facilitate Indoor Golf. H. C i n e m a Mo o d Bo a rd , V i s u a l by ZF I. G ro un d F l o o r Pl a n , D ra w i n g b y M H, S B J. C i n e m a , V R V i s u a l
J. 32