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Content
Sketching And Photography
INTERESTS
Third year project
HOSPITAL
Professional Training
PSBA SCHOOL
Professional Training
LAWYERS CHAMBER
Graduation Thesis
DESIGN PLAZA
1 2 3 4 5
Thesis DESIGN PLAZA
RESURRECTION AND RE-ENVISIONING OF THE LOST GLORY India has a long and unique history of numerous forms of art, with several indigenous crafts, performances and practices passed down across generations of artisan communities. Unfortunately, due to the impact of the modernization and unintentional negligence by the people, specially younger generation towards this treasure, many of these artisans, who work on the indigenous art forms, today face a struggle for survival, competing against the cheap, rapidly produced products of the modern age. India has nearly 3,000 unique Arts & Crafts, many of which have the potential to be revived quite quickly, leveraging and adapting existing skills to suit both traditional and modern markets. So, to highlight these aspects, a platform should be provided for the support and survival of these art forms, yet making it fascinating and engaging, with the introduction of contemporary art, so that these forms of art should be appreciated encouraged and enthused by the people.
Researc
EVOCATION OF THE IDEA The whole idea was based on the thought to preserve and revive, “our identity” in modern way. Another intention was to bring the exposure of art and craft to Aurangabad’s local public and the youths. OUR IDENTITY: As India consist of the most rich, vivid and diversified heritage, history and civilization, the reminiscent of these, are in the form of product, ritual and / activity. The existence of the different art and craft proves that they have been valued and efforts have been taken to preserve them. Timeline influenced the designs and art, and fascinated by people over the globe. HANDICRAFT AS AN ECONOMY GENERATOR: Handicrafts are main form of art and craft which continuous and passes from generations to generations. The product mirrors the craftsman soul and expression. This, agriculturally linked sectors of rural economy, technically and statistically forms the second largest source of employment in India.
PRESENT DAY CONDITION OF HANDICRAFT SECTOR IN INDIA
70% population is from villages. i.e. about 700 million people needs betterment
23 Mn people engaged to HC Industry. 43k persons are ttached to handlom sector only
As it is a cottage industry there are nearly 42% artisans working out of their homes
As it is a home-based industry with approx. 50% of household heads working
An estimated 71% of artisans work as family units
Such families having minimal access to schooling
This sector has 50% of female individuals. Among them 90% barely receive education
No. of artisans has decreased by 30% over the past 30 yrs, according to the report
RESEARCH INDIAN HANDICRAFT IN GLOBAL MARKET This sector is also one of the biggest and important handicraft suppliers around the globe. The Indian handicrafts are exported to more than hundred countries of the world.
OO It has 2% share in the $400 billion global handicrafts market.
OO
The handicraft shares about 42% of total economy produced i.e. about 1481.93/ 35659.14 M.USD, through the total export of the year 1998-1999.
OO If the demand increase to 15% the export earnings will increase to 3.8 billion USD.
OO 95% of the hand-woven fabric comes from india itself only.
Strategic Idea
ANALYSIS CRAFT COUNCIL OF INDIA
And the reason for this is the cycle, which, somewhere needed to be broken.
CURRENT SCENARIO If the public gets an exposure it will be helpful in the maintenance and the survival of these, at least.
The art form that are indigenous to this place are begging and struggling for their survival.
There are 22 cities ecognize by craft council of India, Maharashtra, which shows that thsese art and craft are indigenous to that specific city, which are: Ambadi - sisal craft Taal, jhaanj, ghanta, Bidri ware, Kumhar kaam, Handloom, Warli painting, Dhurrie weaving, Ruptankar, Kolhapuri craft, Bamboo work, jewellery stringing work, Pushpa grathan Stringing of flowers, Terracotta and pottery, silver ware, copper and brass ware, metal embossing Banjara embroidery, Ganjifa cards.
CONCLUSION
The main reason for the fall is globalization and the current trade. The negative impact on the demand, is because that almost no innovative methods and advanced technology have been introduced in this sector, which leads to stagnation of the sector.
PROJECT DESCRIPTION
As this project, focus on to reinvigorate different art and craft of this country, the projects attempt to apprehend the essence of the art which have influence the Indian craft in high esteem and demand in the international market. The art forms, that are emphasized in the project, are, specifically, various handicraft of Aurangabad and Maharashtra, which are originated, flourished, practiced and indigenous to this region. Along with this there are 2 contemporaray art has included. The major art forms which will be covered in this project will be:
HANDMADE PAPERS
AMBADI- SISAL CRAFT
BIDRI-WARE
GRAPHIC DESIGN
TAMBAT-ALI KAAM
POTTERY
Kalagra AIM OF THE PROJECT The main aim of the project was to represent Maharshtra’s culture, and which will cater as the art village molded after Dilli haat. The project is aimed at providing an opportunity to craftsmen for demonstrating their skills to tourists. Apart from catering to the contemporary expectations of the tourists, the project also provides the ambiance of a traditional rural hall and village.
THE
REASONS OF FAILURE As, the motive of proposal of this project (Kalagram, Aurnagabad), is to represent the culture of Maharashtra, specially Aurangabad, fails to put-in the main purpose of the project, as, in the current situation, the campus is not serving majority of the aspects of its motive. Kalagram campus rarely held any program related to its main aim of it, and if the cultural gatherings or festivals, or any similar Mahautsav is held, it doesn’t get much response by the public. So, for neglacting the existing downsides of the Kalagram, I have studied and analyzed some of the major reasons of it being successful.
1 2 3 The main reason for the failure of this project is, its location. The project is located at the western end of the city, in the industrial area which is away from the tourist routs and the difficult for the access for the local public.
The second reason for the failure of this project is, the policies made by government and MTDC for the project, which has negatively impacted on the working of the project.
Thirdly, the advertisement and the marketing schemes and policies, which has also acted pessimistically on the running of the project.
Site Analysi
LOCATION
The site is located in Dr. Babasaheb Ambedkar Marathwada University campus, Aurangabad, Maharashtra.
WHY AURANGABAD on the plateau of deccan, the city of Aurangabad lies on the banks of Kham river, surrounded by hills, has major tourists’ attraction. The traces of the long artistic and cultural influences, that a number of dynasties have cast upon, seen everywhere in Aurangabad. Also, the project aims to highlight the fading culture of Aurangabad and the upliftment of artisans and craft person which will ultimately help in the economic development.
MOTIVE FOR SITE SELECTION Major tourist route lies in the western part of the city. There are state highways are crossing from the city, and the new development is coming along them. The site, proposed, lies at this tourist rout which connects Aurangabad caves, Bibi ka Maqbara, Paithan, Ellora, Khuldabad and Ellora, from different directions. Hence the possibilities of failure of the project is very low as that was in the Kalagram case.
LEGENDS USED
MAP: THE CITY OF AURANGABAD
PROXIMITY
RAILWAY STATION 6.3 km
BUS STAND 3.6 km
AIRPORT 11.1 km
LANDMARKS NEAR BY The proposed site selected for the project is near to the major tourist attractions of aurangabad, such as. • Bibi ka Maqbara - 1.1 km • Aurangabad caves - 1.9 km • History museum - 0.55 km • Soneri Mahal - 0.9 km • Goga baba tekdi - 1.7 km • Panchakki - 3.1 km Other than that, the proposed site’s location is,indirectly, connected to: • JALNA ROAD:- This road is parallel to the Beed bypass road. this was the end of the old Aurangabad city, but now it has come to the center and it is now the core of the whole commercial development of the city. • Paithan Aurangabad road:- This road is connecting the south end of the city to the north end of the city. And it is crossing the main old city, Jalna road, Beed bypass road and the Salim ali lake. This road is the main tourist way road because it is connected to the city from Paithan, Khuldabad, Ellora, Ajanta and Bibi ka Maqbara which are the main tourist spot of Aurangabad. Hence the site proposed lies at this tourist rout which connects Aurangabad’s major tourist attractions. The site comes under the semi-private zone of the city development plan.
Site Analysi
PHYSICAL ANALYSIS
PHYSICAL FEATURES:
1
AREA: The propsed site has a total area of 27930 sq.m i.e. 7.2 acres. ACCESS ROAD: 15m wide (part of Dr. BAMU campus). SLOPE: very gradual slope which is 1 in 30 (appoximateley). LATITUE: 19.9N LONGITUDE: 75.3E ALTITUDE: 583 to 586
NATURAL FEATURES:
2
VEGETATION: The proposed site has very negligible vegetation and the ground cover is not actually noticeable (Wild grass and wild bushes around the Naala). SPRING: There is Seasonal spring runs along the one side of proposed site which activates during monsoon.
MAN-MADE FEATURES:
3
DEFENSE WALL: The wall on the south east side is the defense wall of old Aurangabad (mid 1600s). (not preserved well). FENCE WALL: The another wall at the north east of the site was constructed by Dr. BAMU. ELECTRIC LINE: 3 distribution poles on the site are serving from the main electric substation.
APPROACH AND ACCEBILITY • MAIN APROACH ROAD 18m WIDE- (MAJOR TRAFFICE)
PRIMARY ACCESS ROAD 9m WIDE- (MODERATE TRAFFICE)
SECONDARY ACCESS ROAD 6m WIDE
PATHWAY 6m WIDE- (LOW TRAFFICE)
• • •
The main approach road is connecting the Bibi ka Maqbara to the Aurangabad caves, so it is moderately occupied by the traffic mostly tourist, people staying the near and the medical college students (foster medical college and forensic science department). The main access road to the proposed site is unpaved yet. The secondary access road is at the rare side. Another pathway, is created by the local people, to the proposed side on the broken defence wall.
NODE
CLIMATIC ANALYSIS MACRO-CLIMATE: • Aurangabad features a semi arid climate (hot and dry, avg. 59% humidity), with annual mean temperatures - 7 to 33 °C (highest: -46 °C) and Avg. percipitation 710 mm per annum. MICRO-CLIMATE: • Due to negligible vegetation, the absorption of heat on the land is more. Lack of waterbodies around the proposed site (exept dead kham river), has lead to the low humidity. The northen side of the proposed site is covered with deccan plateau, hence the probability of high wind flow is more. Ability to receive as well as hold water is very low, as the entire area is covered by deccan trap lava.
SENSORY ANALYSIS VISUALS: • The backdrop of deccan plateau (northW west to the north east) and the glimpse of the Bibi ka maqbara. AUDITORY: • The souces for the major noise production does not exists, as the area around it is a low density residential and institutional, hence so the main sound souces are vehicles, residence, and the community mosque. • The defence wall is acting as the barrier for the sound.
Site Analysi
NEIGHBOURHOOD
The site lies on the campus of DR.BAMU. ON NORTH: • ON WEST:
• •
ON SOUTH- • EAST: ‒‒
• ‒‒ • ‒‒ •
Electric substation (close prox.) Residential area (distant prox.) University department building (languages, art & humanity, UGC), (close prox.) Residential areaIbrahim Shah Colony -Approx.130 house (650 pr.) Muslims community, lower middle class, with g+1RCC structures (close prox.) Religeous areaIbrahim shah mosque (community mosque), (close prox.) Commercial area daily need shops, (distant prox.) Bibi ka maqbara (distant prox.). BIBI KA MAQBARA RESIDENTIAL AREA COMMERCIAL AREA PUBLIC/ SEMI PUBLIC (UNIVERSITY AREA) PUBLIC UTILITIES
USERS ACTIVITY Most of the proposed site does not hold any major activity, but a part of it, is used by the local public for the playing cricket and football (at evenings).
SPONSORSHIP ASSUMPTION: Dr. BAMU in association with government of Maharashtra (the Maharashtra small scale industry development corporation and /or ministry of statistic and program implementation and/or regional development commission of handicraft and/or Maharashtra ministry of textile and/or MTDC), has taken an initiative to build a design plaza on the university land.
ANALYTICAL DATA POTENTIAL OF THE PROJECT IN AURANGABAD: • • • • •
As Aurangabad is tourism capital of Maharashtra, no of visitors in and around the Aurangabad, is calculated between 36 lakhs to 41 lakhs from 2013 to 2018 per year. Avg. No. Of tourist visits to the Bibi ka Maqbara is between 75,000 to 1,50,000 per year, and it has reached to 2,02,512 in dec-2017. Other places such as history museum of Dr. Bamu, the Chhatrapati Shivaji Maharaj museum as well as Marathwada Mukti Sangram museum count this no to 8091/yr., 8404/yr. and 40,000/yr. respectively.
The below graph shows the no of Indian and foreign visitor in the last five years:
Developmen Design
DESIGN APPROACH The design of the whole campus depends on certain ideas that has been implimentes, that are:
CIRCULATION
THE USE OF THE CONTEXTUAL ELEMENTS
Initilal idea of a grid pattern was converted to circular arrangement.
1- USE OF THE HISTORICAL DEFENCE WALL As the site has historic defense wall of old Aurangabad,it has to be revive and highlighted to merge with the concept of the project, i.e. to restore the identity. steel mesh to creat privecy from residential area around
historic plaques
Grid pattern, with the a cental avenue leading to the central plaza would create specific access to individual building that would result in a less interaction within the campu. Aside from this, buildings and spaces would not get enough attention.
Circulation pattern was converted to the circular pattern. This will create more attention to every spaces and the building, ultimately creating more interactive spaces.
public benches
Existing old city wall
Making the old city wall to grab the attention by public thus reviving history
RENDERED VIEW
Steel mesh is erected which is supported on the steel posts, and on that the history of Aurangabad (5 dynasties) is represented in the graphical form. On the ground a information boards are provided for the written form of that graphical presentation.
Less envolvment with the contextual elements
Historic wall as a backdrop to focus attention
RENDERED VIEW
To highlight the wall, the amphitheater is placed near to it so that it can actually act as a backdrop for stage, as well as different digital shows.
2- USE OF THE NATURAL
Exixting stream running along the site
Creating a waterbody inside the site
Public engagment and good ambiene around..
A stream is flowing along the one corner of the site, which activates in the monsoon season. The artificial waterbody is created inside the campus, so that it should look like as the part of the campus itself, merging with the inside spaces. Apart from this concept it will also act as aesthetic feature for the campus and will create interactive space in the campus which will greatly impact the surroundings, and will cater the place for interchange of ideas.
CREATING URBAN POCKETS 1- CENTRAL PLAZA The central plaza is created as an urban pocket, so that the space should be more interactive, without being formal.
IMAGE FOR REFERENCE
IMAGE FOR REFERENCE
CONCEPTUAL SKETCH
APPLICATION OF IDEA
2- CENTRAL COURT Another left-over space, infront of the OAT and Shops, are developed as an urban pocket, so that people get engaged in an interaction.
IMAGE FOR REFERENCE
IMAGE FOR REFERENCE
CONCEPTUAL SKETCH
APPLICATION OF IDEA
Theme
USE OF THE DIFFERENT ARCHITECTURAL STYLES AS A THEME Every building is designed with particular style of architecture, so that along with the art forms people will get the exposure of architecture also, and it will be a fun element the whole design.
E
XPRESSIONISM
A
For Admin Block
RT DECO
M
For Workshops
INIMALISM
For Restaurant
F
UTURISM
For Auditorium
D
ECONSTRUCTIVISM
For Exhibition Hall
S
PANISH-MOORISH
For Dormitories
FINAL ZONING
ISOMETRIC VIEW OF SITE PLAN SHOWING BUILT-UP SPACES
ISOMETRIC VIEW OF SITE PLAN SHOWING LANDSCAPE SPACES
SITE PLAN
Designing
ADMIN BLOCK ARCHITECTURAL STYLE The building has an architectural style of expressionism. So it uses some of its characteristics, such as subordination of realism to symbolic or stylistic expression, distortion of form for an emotional effect. CONCEPT The concept of the building was to make a symbolic replica of the gate, which will mimic the gates of Aurangabad, which are the alias epitome of the history of Aurangabad. the building is the entryway to the whole campus hence it will reflect the purpose and function of the gates in the historic times.
SKETCH OF GATE POSSESING THE CHARACTERSTICS AND FEATURES OF MUGHAL ARCHITECTURE
FIRST FLOOR PLAN
STYLISTIC REPRESENTATION OF THE CHARACTERSTICS AND FEATURES OF MUGHAL ARCHITECTURE
The central arch represents the triumphal arch of the historic gates, and the curvilinear side walls represents the side bastions, and the elevated plinth with number of steps represents the steps of Buland Darwaza, which gives it a magnificent grandiose look. GROUND FLOOR PLAN STRUCTURE The building will be having the basic RCC frame structure. the curve wall be made in ferocrete, with 5 layers of morter. SERVICES HVAC- Split AC system. Fire tank- On the top above staircase tower.
FRONT (NORTH SIDE) ELEVATION
SECTION AA’
SOUTH SIDE ELEVATION
SECTION BB’
Designin
AUDITORIUM ARCHITECTURAL STYLE The building has an architectural style of FUTURISM. so it characterized by strong chromaticism, long dynamic lines, suggesting speed, motion, urgency and lyricism. Another is, breaking motion into small sequences and using the wide range of angle within a given time frame. The oblique and elliptical lines are dynamic, and by their very nature possess an emotive power a thousand times stronger than perpendiculars and horizontals. the architecture of reinforced concrete of steel gless are the substitute for wood, stone and brick. CONCEPT The design of the building is purely based on the function. The form of the building is complimenting to the architectural standards and function of building. The entryways are hidden to create a sence of curiosity and that ultimatly will compliment the architectural style of the building.
GROUND FLOOR PLAN STRUCTURE Because of the span the central house of the auditorium will have Space Frame covering over it, and the rest of the building will have Reinforced concrete slab above it. The stage will have the truss covering above it to achieve the height required for cat walk. SERVICES HVAC- VRV (Variable Refrigerant Volume) system. Fire tank- seperate water tank.
AXONOMETRIC VIEW
FRONT (NORTH SIDE) ELEVATION
SECTION AA’
INTERIOR VIEW
EAST SIDE ELEVATION
SECTION BB’
Designin
EXHIBITION HALL ARCHITECTURAL STYLE The building follows some principles of deconstructivism. The architectural style mimicks the disintegration of form and degradation of connections symmetry and coherance. CONCEPT The basic idea was to represent the mental journey of an artist or creator while he is creating something.
Size of the exhibit is considerd with ref. to the french standard size for oil paintings in the size 100 (toile de 100) measuring (1.62 x 1.30) M. The distance is taken 1.5 M from the exhibit to maintain the cone of vision of 60*. SERVICES HVAC- VRV (variable refrigerant volume) system fire- individual fire on the top of the building
GROUND FLOOR PLAN
FIRST FLOOR PLAN
Designin
Ground floor structure with initial ramps.
The axonometric projection showing the main ramp, leading to first floor.
INTERIOR VIEWS
The axonometric projection showing the main ramp and the portion of first floor.
The axonometric projection showing the final view of the building.
NORTH SIDE ELEVATION
EAST SIDE ELEVATION
SECTION AA’
SECTION BB’
Designin
WORKSHOPS ARCHITECTURAL STYLE Building blocks has an ART DECO style (ART DECORATIFS). So it uses some of its characteristics, it represents modernism turned into fashion. It represents luxury, glomour, exuberance, and faith in social and technological progress. the intention was to create a sleek and antitraditional elegance.
GRAPHIC DESIGN WORKSHOP GROUND FLOOR PLAN
CONCEPT The concept of the building was to make a structures that should be responsive to climate. And it should absorb less heat, so that the work space should be comfortable. The main idea was to incorporate passive cooling techniques, hence the structure has the certain form and material.
HEAT ABSORPTION ON FLAT SURFACE
HEAT ABSORPTION ON CURVILINEAR SURFACE
The flat has more surface area for the heat absorption by solar radiattion.
BREEZE BLOCKS WILL ALLOW THE COOL AIR TO ENTER INSIDE THE BUILDING AND VOIDS IN THE PEDEMENT WILL HELP TO EXIT THE WARM HEAT PRODUCED INSIDE.
MATHERKAM WORKSHOP GROUND FLOOR PLAN
SISAL CRAFT WORKSHOP GROUND FLOOR PLAN
GRAPHIC DESIGN WORKSHOP
MATHERKAM WORKSHOP
SISAL CRAFT WORKSHOP
WEST SIDE (FRONT) ELEVATION
EAST SIDE (FRONT) ELEVATION
WEST SIDE (FRONT) ELEVATION
POTTERY WORKSHOP GROUND FLOOR PLAN
HANDMADE PAPER WORKSHOP
POTTERY WORKSHOP
BIDRI-WORK WORKSHOP
WEST SIDE (FRONT) ELEVATION
EAST SIDE (FRONT) ELEVATION
EAST SIDE (FRONT) ELEVATION
HANDMADE PAPER WORKSHOP GROUND FLOOR PLAN
SECTION AA’ GRAPHIC DESIGN WORKSHOP
BIDRIWARE WORKSHOP GROUND FLOOR PLAN
SECTION AA’ HANDMADE PAPER WORKSHOP
SECTION BB’ MATHARKAM WORKSHOP
SECTION BB’ POTTERY WORKSHOP
SECTION AA’ SISAL CRAFT WORKSHOP
SECTION BB’ BIDRI-WORK WORKSHOP
PROJECTS •
AJAY SHIRKE AND ASSOCIATES, PUNE
LAWYERS CHAMBER FOR ADVOCATES ASSOCIATION OF BOMBAY HIGH COURT AURANGABAD CONTRIBUTION: Working drawings of floor plans Detail working drawing of compound wall Detail working drawing of security cabin Detail working drawing of canopy Toilet detail drawings Doors and windows schedule Gate and grills details signages and symbols plan
OTHER PROJECTS: • DR. RAJENDRA AVHAD’S MULTISPECIALITY HOSPITAL, AHMADNAGAR CONTRIBUTION: Toilet detail drawings Proposed inetrior design for front lobby and waiting area Rendered 3D views of exterior and interior spaces •
DR. KULKARNI’s BUNGALOW, PUNE CONTRIBUTION: Working drawing revision of floor plans (G+2) Door, Windows schedule Window grill details
•
Dr. TARDE’s BUNGALOW, PUNE CONTRIBUTION: Presentation drawings of plans and elevations Window grill detail Terrace floorig details
• • • • • •
DR. ROHIT GANDI’s BUNGALOW, PUNE - Presentation drawings MR. GANESH CHORRDIYA’s BUNGALOW, PUNE - Presentation drawings MR. SABODH GITE’s BUNGALOW, AURANGABAD - Presentation drawings AURADHA MOTARS PVT. LTD’s OFFICE, AURANGABAD - Presentation drawings SANJEEVE GROUP’s OFFICE, AURANGABAD - Presentation drawings HOTEL MOON LIGHT, SHRIDI - Presentation drawings
LAWYERS CHAMBER
FOR ADVOCATES ASSOCIATION OF BOMBAY HIGH COURT, AURANGABAD PERIOD: JAN 2018- APRIL 2018 TEAM: UTKARSHA POTE LOCATION: PLOT NO. B&D, S.NO. 10,11&12, GARKHEDA, HIGH COURT, JALNA ROAD, AURANGABAD. PROJECT DESCRIPTION:- Total 8 towers and 7 out 8 under construction, (Each tower) G+6 RCC construction. Worked on working drawing (plans, toilet details, door window schedule, grill and gate details, WD of compound wall, security cabin and canopy, and signages and symbols (plans).
FIRST FLOOR WORKING DRAWING
SECOND TO FIFTH FLOOR WORKING DRAWING
SIXTH FLOOR WORKING DRAWING
Trainin Professional
TYPICAL WINDOW SCHEDULE WORKING DRAWING
TYPICAL TOILET DETAILS WORKING DRAWING
TYPICAL DOOR SCHEDULE WORKING DRAWING
GATE DETAILS WORKING DRAWING
GATE DETAILS WORKING DRAWING
PROJECTS •
MANOJ KALA AND ASSOCIATES, AURANGABAD
PSBA SCHOOL CAMPUS, HIRAPUR DIST. AURANGABAD. CONTRIBUTION: Initial sketch and planing Designing of elevations Rendered 3D exterior view Presentation drawing Working drawing of all (G+3) floor plans, elevation and sections Submission drawings Phase-1 construction drawings (block cutting plans and WD)
OTHER PROJECTS: • GIRNAR GREARS, MIDC WALUJ, AURANGABAD CONTRIBUTION: Working drawing of floor plans(G+2), elevations and sections Landscape designing Rendered 3D exterior views Railing and grill details Overhead water tank details • MR. AMIKANTHWAR’s COMMERCIAL COMPLEX, AURANGABAD CONTRIBUTION: Working drawing revision of floor plans (G+3), Sections, elevations and water tank center line plan WD Gate details • MR. AMOL KALA’s RECIDENCE, SAFFRON, AURANGABAD CONTRIBUTION: Presentation drawings of plans Toilet details and plumbing layouts • • • •
MR. AVINASH WATANE’s RESIDENCE, BULDHANA CONTRIBUTION: Initial sketch, planing and designing Presentation drawings of plans KHATOD HOUSING, AURANGABAD CONTRIBUTION: Landscape designing Presentation drawings of all floor plans (G+7) FORTUNE PARK, PHASE- 2, AURANGABAD - Presentation drawings MR. TAYAL’s COMMERCIAL PROJECT, AURANGABD - Presentation drawings
PSBA SCHOOL
AURANGABAD MANOJ KALA AND ASSOCIATES
PSBA SCHOOL
SCHOOL CAMPUS AT HIRAPUR DIST. AURANGABAD PERIOD: JULY 2018- OCTOBER 2018 TEAM: SHIVANI JAISWAL LOCATION: GUT NO: 46/P at Hirapur District, Aurangabad. PROJECT DESCRIPTION: - Worked on Initial sketching and designing to the working drawing of all plans, elevations and sections (G+3 and basement), submission drawing, presentation drawing, elevation designing and exterior 3D view.
SITE PLAN PSBA SCHOOL
Trainin Professional
BASEMENT PLAN
GROUND FLOOR PLAN
FIRST FLOOR PLAN
SECOND FLOOR PLAN
THIRD FLOOR PLAN
TERRACEFLOOR PLAN
Training Professional
FRONT (NORTH SIDE) ELEVATION
BACK (SOUTH SIDE) ELEVATION
SECTION BB’
SECT. AA’
SECT. BB’
SIDE (WEST) ELEVATION
SIDE (EAST) ELEVATION
SECTION AA’
SECT. CC’
SECT. DD’
Academic
MULTISPECIALITY HOSPITAL ARCHITECTURAL STYLE The project was to design a Multi-Speciality Hospital . The site is located on Shahnoor Miya Darga road, Aurangabad. The site is a corner plot which is having access from both Shahnoor Miya Rarga road(24 m) and small arterial road(9 m). The climate of Aurangabad is hot and dry with average minimum temperature of 8-15 degrees and average maximum temperature of 35-39 degrees, with average rainfall of 710 mm. CONCEPT According to the site area and the Project requirment, virtical zoning was a need. So, the spaces were designed considering this aspect.
FRONT (SOUTH SIDE) ELEVATION
VERTICAL ZONING
WEST SIDE ELEVATION
CLIMATIC ANALYSIS
SITE PLAN
SECTION AA’
BASEMENT PLAN
SECTION BB’
Academic
GROUND FLOOR PLAN
FIRST FLOOR PLAN
SECOND FLOOR PLAN
THIRD FLOOR PLAN
SOUTH- WEST ELEVATION VIEW
Photograph
“
The picture you took with camera is the imagenation you want to create with the reality. .. . . ~ Scott Lorenzo
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Art Work
“Architects have to dream. We have to search for our Atlantises, to be explorers, adventurers, and yet to build responsibly and well.� ~ Renzo Piano