RESONANCIAS

Employing the record player as an instrument, Villafañe makes a group of circular drawings—to a large extent random—that she later manipulates. On the basis of these drawings, she elaborates visual constructions in which waves, vibrations, echoes and reverberations predominate. The embodiment of these constructions takes a wide diversity of forms. In the CAJAS DE RESONANCIAS (SOUNDING BOARDS, 2014) series, they capriciously materialize in cut-out paper forms,