THE RIGHT TRACK
WELCOME TO THE BLACKBIRD ACADEMY a new standard of excellence in audio education Your passion for audio has led you to The Blackbird Academy – a school that sets a new standard of excellence in audio education. Throughout this catalog, you will view rich content that tells the Blackbird story and how our unique approach is unparalleled in the industry. Once you have gone through the material, we encourage you to call or email us with any questions you may have and to reserve your seat in an upcoming class.
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CONTENTS
INTRODUCTION
ADMISSIONS
Welcome to The Blackbird Academy .....................3 Foreword, Mutt Lange.............................................5 Message from John McBride, Founder ..................9 The Blackbird Academy Difference.......................10
Admission Requirements.......................................20 Start Dates .............................................................20 Program Cost.........................................................20 Payment Options...................................................20 Refund Policy .........................................................20 Placement Assistance ............................................21 Student Housing....................................................21
FACILITIES Campus Information............................................. 12 Gear & Studios .................................................14-15 Studios ...................................................................14 Microphone Locker................................................14 Recording Laboratory............................................14 Outboard Gear ......................................................15 Amplifiers...............................................................15 Drums.....................................................................15
STAFF John McBride, Founder/President/ Institutional Director ..............................................16 Carma Bandstra, Director of Student Operations and Marketing ....................................16 Mark Rubel, Co-Director of Education..................16 Kevin Becka, Co-Director of Education ................18 Tony Cottrill, Director of Live Sound, Instructor .....18 LeeAnn Carlen, Publicist/Executive Assistant.......18 Scott Phillips, Director of Artists Relations............18 Nick Shasserre, Director of Human Resources .....18
PROGRAMS Studio Engineering Program ...........................24-26 Live Engineering Program................................27-29
TESTIMONIALS What the Experts Say .......................................22-23 Keith Urban.......................................................22 Vance Powell.....................................................22 Patrick Carney...................................................22 Don Was............................................................23 Sheryl Crow.......................................................23 Tim McGraw .....................................................23 Marc Roberge ...................................................23 What the Students Say ..........................................30
CONTACT US Talk to a representative from The Blackbird Academy Mon.- Fri., 9 a.m.-6 p.m. CST. If you call after regular business hours, leave a voice mail message and someone will contact you the next business day.
Call: 615-385-2423 Toll Free: (International) 1-855-385-3251 Fax: 615-385-2748 Email: info@theblackbirdacademy.com
Visit our website at www.theblackbirdacademy.com
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[
FOREWORD
]
MUSIC FIRST
The Music Business is exactly that. Music first and then the business of star making, marketing and more. The music side comprises writing, arranging, recording and mixing of the songs. The Blackbird Academy gives its students a natural fusion of new recording technology and the old and eternal recording techniques that have been used over the last 50+ years. The Blackbird Academy can give any individual a great kickstart into learning about and understanding these disciplines. It can also provide a great foundation from which to springboard one's natural talent. The Blackbird Academy will be a very exciting and life-changing experience for any aspiring artist, producer or engineer. If I was starting all over again, this is exactly where you would find me – a great place to learn and to keep one's creativity intact. Blackbird Studio is the finest recording studio on Planet Earth. What better place could there be to learn?
– Robert John "Mutt" Lange, producer, songwriter 5
WHAT MAKES THE BLACKBIRD ACADEMY DIFFERENT?
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TOP INSTRUCTORS
BEST GEAR MORE HANDS ON
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[
INTRODUCTION
]
A MESSAGE FROM JOHN MCBRIDE
FOUNDER, THE BLACKBIRD ACADEMY A number of years ago I took three steps back and took a long, hard look at my life. The center of my life is God and family, as I am sure it is for a lot of people. After that, I am fortunate because I have been making a living in the music business for a number of years and frankly, any day I can make a living in the music business is a great day! So, here I am with an incredible wife (Martina McBride), an incredible studio (Blackbird Studio), and a long list of friends that work in all areas of the business. I have great friends at record labels, management companies, booking agencies, live production companies, studios and publishing companies. So, how do I do something with my life that can involve all of these factors and benefit the world? I have to say that the
older I get the more important mentoring has become for me. Teaching is an honorable and great occupation that is important to the future of our world. There is a bit of the teacher in my DNA as my dad taught for years and is now retired. This is where the idea of The Blackbird Academy originated. There are teachers I have had that made a huge difference in my life. I would love to have the same positive effect on as many students' lives as possible. Thanks to a number of mentors that have shared their knowledge and experience with me, I have been able to work on many projects in the recording studio in a very short amount of time. Music by a variety of artists from Ke$ha to Dave Stewart to Martina has my stamp and my name on it – something of which I am very proud. I would like to provide
the same opportunity to any student that signs up for The Blackbird Academy to know that in a short amount of time they may be working on big music projects. We are passionate and driven in our goals to improve the music business and change the world, and we can do that by giving an incredible education to our students. If you have any questions, do not hesitate to contact us. We are here to make a difference. I believe students can figure out if this career is for them by taking this course. It will not take four years of your life, and you will not have huge debt to deal with upon graduation. If this is your chosen profession, let us get you on your way to making a great living right away! Thanks, and I look forward to hearing from you. – John McBride
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WHAT MAKES THE BLACKBIRD ACADEMY DIFFERENT? The current state of audio education often puts students at a disadvantage upon graduation by leaving them with below average skills, not enough hands-on experience, and an incomplete education. There is often a high level of debt, which can limit a graduate's ability to build a successful career. The Blackbird Academy offers a new model in education. Our program gives students access to true working professionals and a hands-on experience using a world class collection of gear – all in a facility designed for one purpose: making excellent music. The Blackbird Academy is a mentorbased program where students are taught by a unique cast of professional instructors and award-winning guest lecturers. Our campus is built on the foundation of Blackbird Studio, the Nashville home to a community of engineers, producers, musicians and 10
technical staff who over the years have taken the art of audio recording to new highs. The principles and beliefs that guide the Academy's program are simple: Challenge and educate students by presenting them with real life scenarios an engineer would encounter on a regular basis. We believe training should take place in spaces that are not empty, cold classrooms but professionallydesigned studios and labs where engineers can hone their craft. Students will graduate with a high degree of both practical and theoretical knowledge of their trade, which will give them the best opportunity to establish and build their careers. Our goal is to provide the greatest education, in the shortest amount of time for the least amount possible. Realize your potential by taking part in The Blackbird Academy experience!
5:1
STUDENT/STUDIO
RATIO ULTIMATE LEARNING
EXPERIENCE
CAMPUS INFORMATION The Blackbird Academy is located in Berry Hill, Tennessee, home to more than 40 recording studios and just minutes from downtown Nashville. Known worldwide as Music City – the capital of country music – Nashville has always been so much more. It's an entertainment center and a music production hub for Rock, Gospel, Christian, Americana, Pop, Rap, R&B – all styles of music. The Blackbird Academy is part of Blackbird Studio, founded in 2002 and today one of the most outstanding recording destinations in the world. The rooms, consoles, microphones, outboard gear and lounges were chosen around a central concept: to provide the best audio production facili-
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ties for top musicians, producers and engineers. This passion for great audio quickly made Blackbird the studio of choice for artists ranging from Beck to Kenny Chesney, Sheryl Crow, Tim McGraw, Faith Hill, Kings of Leon, Kid Rock, The White Stripes and Keith Urban, just to name a few. The Blackbird Academy carries on this tradition by repurposing two of the eight studios solely for education. In addition, a purpose-built Recording Laboratory adds the perfect space for critical listening and teaching of key concepts, skills and techniques. The Recording Laboratory is a studio itself, with an API 1608 console, Pro Tools HD, outboard gear, and live video/audio from the other studios.
THREE STUDIOS
1400 MICS 50 AMPS 70 GUITARS
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GEAR & STUDIOS The Blackbird Academy's microphones, consoles, outboard gear and recording spaces are second to none. Students are trained on the same equipment used by the top professional producers, musicians and recording artists who have created countless award-winning records at Blackbird Studio. STUDIOS The Blackbird Academy's Studio A features 11 different recording areas including a variable Tom Hidley-designed chamber with an adjustable ceiling to customize reverb time. The control room features a 72 input Neve 8078, a six card Pro Tools HD system, and ATC 300s as main monitors. In the racks are many processors from Blackbird's famous outboard gear collection. The Blackbird Academy's Studio B comes equipped with a 48-channel API Legacy Plus console with Flying Fader automation, a six card Pro Tools HD system and ATC 300s as main monitors. The studio's small live chamber is also perfect for vocal or instrumental overdubs. In the racks are many coveted processors from Blackbird's famous outboard gear collection. The Blackbird Academy's newest studio is under construction and will feature a revolving range of gear from Blackbird's
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impressive collection. Students will have access to preamps, processors and reverbs from a large list of manufacturers giving instructors and students the ability to mix and match gear for each session.
experienced staff and award-winning guest lecturers. Access to the single best collection of microphones in the world is one of the things that makes The Blackbird Academy education so unique.
MICROPHONE LOCKER The Blackbird Academy's microphone locker has more than 1,400 microphones on hand, including U47s, Telefunken 251s and Elektroakustic RFTs, AKG C12s, Neumann U67s, M50s, M49s, M269s, classic small diaphragm tube mics and many more. Students will experience ears on shootouts, best practices for setup, and tips on miking from instructors,
RECORDING LABORATORY The Blackbird Academy's Recording Laboratory accommodates 30 students and uses three large video screens and high-definition cameras for an unparalleled learning experience. The lab is also a fully equipped recording studio featuring high-quality audio playback, an API 1608 console, a Pro Tools HD system, and outboard gear from Blackbird's extensive collection. Each student will be seated at a station equipped with a hybrid interface/console, a computer with video display and headphones for monitoring and critical listening. Each station will have Pro Tools and other software used for recording and mixing. The room is networked, meaning each student will be able to record the
same audio being fed to the instructor's rig from the isolation booths and other locations in the complex.
OUTBOARD GEAR Outboard compressors, EQs, reverbs, effects processors and preamps are the tools that take any mix, overdub or tracking session to the next level. Blackbird's collection is one of the best in the world, featuring processors from over 90 companies and some historical gear not often found under one roof. The selection includes coveted units both old and new from Telefunken, EMI, Fairchild, Shadow Hill, Helios, Decca, Pye, RCA, Chandler Limited, Tube-Tech, UREI, AMS, Inward Connections and much, much more. Students will have access to this fabulous collection in class and during sessions where instructors will guide them through A/B listening tests, best practices, advanced usage tips and more. This collection of outboard gear is another reason The Blackbird Academy education is like none other. AMPLIFIERS The production and learning environment at The Blackbird Academy goes well beyond studio recording, overdubbing
and mixing. All productions begin with musicians, and our instrument, amplifier and drum collections are unequaled. Students will be taught the importance of choosing and setting up a guitar and amplifier before the Record button is pushed; if the source is not right, no microphone, console or good intention will be able to fix it later. Blackbird's amplifier collection includes more than 50 vintage and new units from Fender, Marshall, Gibson, Matchless, Vox, Ampeg, Watkins, Mesa Boogie, Dumble and many more.
DRUMS Blackbird's drum collection provides a strong pulse with more than 30 vintage kits and 50 vintage snares. Top Nashville drum techs will take students through the techniques they use to make kits ready for a high-quality recording. Manufacturers include Gretsch, Craviotto, Camco, Slingerland, Dunnett, Ludwig, Leedy, Rogers, Sonor, WFL, Yamaha and more.
The studio’s microphone collection is the most extensive private collection in the world. 15
LEARN FROM THE INDUSTRY’S LEADERS The Blackbird Academy features a highly skilled, professional teaching staff including a cast of industry award winning guest lecturers who regularly visit the campus. JOHN MCBRIDE FOUNDER/PRESIDENT/INSTITUTIONAL DIRECTOR
John McBride has had a 30+ year career in live sound, tour management and studio recording. He started a live sound company called MD Systems which was purchased by Clair Global in 1997, and John remains part of the Clair Global management team. He and his wife Martina, a multi-platinum selling music artist, built Blackbird Studio into one of the greatest recording studios on the planet. His passion for audio and will to
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mentor are paramount in his life. John and Martina's love of music have resulted in The Blackbird Academy being formed in 2013.
CARMA BANDSTRA DIRECTOR OF STUDENT OPERATIONS & MARKETING
Carma has been in the education and music industries for over 20 years. While in the music industry she has worked in recording studios, tour management and as a professional event/concert photographer. Carma has worked with
artists/bands including Bon Jovi, Stone Temple Pilots, Ted Nugent, Alice Cooper, Marty Stuart, Travis Tritt and many more. Carma believes that education is an essential part of life. She has taught at the High School, University and corporate levels. Carma has degrees in Education, Audio Engineering and Entertainment Business.
MARK RUBEL CO-DIRECTOR OF EDUCATION, INSTRUCTOR
Mark has taught audio, music technology, music business and the history of rock to thousands of students since 1985. He has taught at various colleges and universities, and served as the Audio and Recording Director at Eastern Illinois University’s $70 million Doudna Arts Center. Since 1980, Mark has recorded extensively both at his Pogo Studio in Champaign, IL and elsewhere. His client list includes Hum, Alison Krauss, Rascal Flatts, Fall Out Boy, Ludacris, and more.
THIRTY
ELITE STUDENTS 24 +WEEKS
700 HOURS
ONE
AMAZING CAREER
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KEVIN BECKA CO-DIRECTOR OF EDUCATION, INSTRUCTOR
Kevin has been a musician and recording engineer for over 30 years. He has engineered and been on production teams for the top names in secular and Christian music including George Benson, Kenny G., Quincy Jones, Michael Bolton, Matt Maher and many more. Kevin has taught audio recording at the High School and post-secondary levels. He is also a seasoned journalist serving as editor of both Audio Media and Pro Audio Review magazines, and has been the technical editor at Mix Magazine since 2003 where he writes the TechTalk column.
TONY COTTRILL
Artist Management. A 2007 graduate from the College of Entertainment and Music Business at Belmont University, LeeAnn has worked with such artists as Ben Folds, Emmylou Harris, Manchester Orchestra, Trisha Yearwood, Dierks Bentley, Ke$ha, and many others.
SCOTT PHILLIPS DIRECTOR OF ARTIST RELATIONS/SCHEDULING
Scott has been managing studios for more than 16 years, handling client projects such as Kings of Leon, Taylor Swift, The White Stripes, Pearl Jam, Martina McBride as well as Producer/Engineers such as Brendan O’Brien, Joe Chiccarelli, Mutt Lange, Dann Huff and others.
DIRECTOR OF LIVE SOUND, INSTRUCTOR
Tony has worked as a recording and live sound engineer, musician and educator for over 35 years. He has worked with some of the top acts in music including Exile, Juice Newton, The Turtles, Earl Thomas Conley, Chely Wright, and many more. Tony’s educational background includes his role as Coordinator of Sound Reinforcement at Belmont University in The Mike Curb College of Entertainment & Music Business.
LEEANN CARLEN PUBLICIST/EXECUTIVE ASSISTANT
LeeAnn comes to The Blackbird Academy with six years of experience in 18
NICK SHASSERRE DIRECTOR OF HUMAN RESOURCES & IT
Nick has been a part of Blackbird since 2006 rising through the ranks to become the Assistant Studio Manager & IT Administrator. He has his B.A. in Communications from Southern Illinois University and Associates from NSCC in Computer Networking. With an engineering background, Nick's credits include Jewel, John Rich, Martina McBride, Chuck Wicks and The White Stripes.
WE CONCENTRATE ON DOING, INSTEAD OF TALKING ABOUT IT.
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GETTING TO THE BLACKBIRD ACADEMY ADMISSION REQUIREMENTS Students applying for admission to The Blackbird Academy must have a minimum of a high school diploma or GEDequivalent. A prospective student must submit an official copy of their high school transcripts or GED upon completion of their admission application. Nonaccredited schools or those not approved by the Board of Education may not be acceptable; please check with your admissions representative before paying/attending any of these courses. Two letters of recommendation (from an instructor or audio professional) are required, as well as two essays of 500 words each. Each student will be given an exam to determine the level of their audio knowledge. An interview will be conducted either in person or by phone upon receipt of the admission application. The Blackbird Academy reserves the right to request corroborating information in addition to the application prior to the final determination of acceptance and/or admission.
START DATES The Blackbird Academy's programs have four starts in a calendar year, each running six months in length. Current start dates are: January 6, 2014 April 7, 2014 July 7, 2014 October 6, 2014
Holidays Students will have the following holidays for the next calendar year: Thanksgiving Christmas Break Spring Break Summer Break Fall Break Thanksgiving
Nov. 28 - Dec. 1, 2013 Dec. 21, 2013 - Jan. 5, 2014 March 31 - April 6, 2014 June 29 - July 6, 2014 Sept. 28 - Oct. 5, 2014 Nov. 27 - 30, 2014
PROGRAM COST The cost of attendance is composed of charges billed directly to you by The Blackbird Academy as well as indirect costs that go along with attending school. The current tuition, including iPad with all educational materials included is: Studio Engineering Program: $21,900 Live Sound Engineering Program: $21,900
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PAYMENT OPTIONS Please contact the Admissions Department regarding payment options and payment of tuition. Cash payments and/or a payment plan may be used to fund your education. This option maybe used in combination with other financial assistance. REFUND POLICY Refunds Due to Cancellation: Students who are rejected by the college or cancel the application within three (3) business day's of receipt of the application fee are entitled to a 100% refund of any fees/tuition paid. Students who have not visited The Blackbird Academy prior to sending in application will have three (3) business days following their visit to cancel and receive a 100% refund. Under any other circumstances, the $75 application fee is retained by The Blackbird Academy. If a student is terminated, withdraws or otherwise fails to complete the program(s) and has received any form of financial assistance while enrolled, the financial institution will determine the refunds (if applicable) that will be given.The date from which the refund is calculated is the last date that a student attended a class. Refunds will be made within thirty (30)
days of the date The Blackbird Academy determines that the student has withdrawn. The original source that the monies were received dictates the entity of how the monies will also be refunded. In the event of a students prolonged illness, accident, death in the family or other circumstances that make completion of the program(s) impossible or impractical, the school will attempt to make a fair and reasonable settlement. REFUNDS DUE TO WITHDRAWAL WEEK
GET IN TOUCH Talk to a representative from The Blackbird Academy Mon.- Fri., 9 a.m.-6 p.m. CST. If you call after regular business hours, leave a voice mail message, and someone will contact you the next business day.
Call: Toll Free: Fax: Email:
615-385-2423 (International) 1-855-385-3251 615-385-2748 info@theblackbirdacademy.com
Visit our website at: www.theblackbirdacademy.com
% OF REFUND (less application fee)
Before Class Begins Weeks 1 - 3 Weeks 4 - 6 Weeks 7 - 12 Weeks 13 - 24
head start on their careers. While students may hold jobs to help support themselves while they're in the program, the focus once they leave should be on finding a promising job in the audio industry. The Director of Student Operations can help students make contact at many studios, live sound companies, manufacturers and more, where students may interview once they leave the program. To qualify, you must have met the course's graduation prerequisites, and honored all predetermined financial arrangements.
100% 75% 50% 25% 0%
SOCIAL e
Facebook: https://www.facebook.com/TheBlackbirdAcademy Twitter:
@AudioEducation
LinkedIn:
The Blackbird Academy
STUDENT HOUSING PLACEMENT ASSISTANCE The Blackbird Academy is a microcosm of the audio recording industry, and networking with other students, teaching staff and guest lecturers begins immediately upon enrolling in the Academy. During a student's stay at the Academy, students will be exposed to many expert panels, mentoring sessions both live and online, remote interviews and other resources meant to help students get a
The Blackbird Academy has arranged different lease options with several local apartment complexes for incoming students. Admissions Representatives can also assist students with a roommate list if you would like a roommate to help lower expenses. The resource links below can also help guide you through the many housing choices in the Nashville area. Housing Resources: http://www.apartments.com/Tennessee/Nashville http://www.apartmentfinder.com/Tennessee/Nashville http://www.apartmentguide.com/apartments/Tennessee/ Nashville! http ://www.forrent.com/search-apartments-bv-area/TN/GreaterNashville.php
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WHAT THE EXPERTS SAY ABOUT THE BLACKBIRD ACADEMY
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KEITH URBAN
VANCE POWELL
PATRICK CARNEY
Recording Artist, Songwriter, Musician
Grammy-Winning Recording Engineer
Drummer, The Black Keys
“
IF YOU ARE THINKING ABOUT GOING ANYWHERE FOR AN AUDIO SCHOOL, THIS IS THE PLACE...IT’S THE EPICENTER OF RECORDING IN NASHVILLE AND PEOPLE FROM OUTSIDE COUNTRY MUSIC ARE ALL COMING HERE TO RECORD AS WELL.
”
“
IF YOU ARE GOING TO GET AN EDUCATION IN THIS BUSINESS, THIS IS THE BEST SET OF ROOMS TO BE DOING IT IN.
”
“
IF YOU ARE INTERESTED IN LEARNING HOW TO RECORD OR MIX LIVE SOUND ... FROM SOME OF THE BEST PEOPLE IN THE GAME, I WOULD RECOMMEND GOING TO THE BLACKBIRD ACADEMY.
”
DON WAS
SHERYL CROW
TIM MCGRAW
MARC ROBERGE
Grammy-Winning Producer, Musician
Recording Artist, Songwriter, Musician
Recording Artist, Songwriter, Actor
Recording Artist, Musician, O.A.R.
“
TO BE ABLE TO LEARN IN THAT ENVIRONMENT…MAN, YOU ARE GONNA HAVE THE BEST SHOT OF AN EDUCATION IN RECORDING THAT YOU'RE GONNA HAVE ANYWHERE.
”
“
[STUDENTS] ARE GOING TO WALK IN HERE, BE EXCITED ABOUT LEARNING, AND REALLY LEARN WHAT IT TAKES TO MAKE A RECORD…IF I HAD SIX MONTHS TO DEDICATE TO COMING TO THE BLACKBIRD ACADEMY, I WOULD SO BE HERE.
“
“
IF YOU ARE LOOKING FOR A PLACE TO LEARN ALL YOU CAN ABOUT AUDIO, THEN THE BLACKBIRD ACADEMY IS THE PLACE YOU NEED TO BE.
COMING TO THE BLACKBIRD ACADEMY WOULD BE THE BEST DECISION YOU EVER MADE, IF YOU WANT TO BE IN THE REAL MUSIC BUSINESS.
”
”
”
To see the complete interviews, visit http://www.theblackbirdacademy.com/about/testimonials
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STUDIO ENGINEERING PROGRAM Length of Program: Current Tuition:
Six Months $21,900
PROGRAMS
WEEK 1
Intro, Listening, Recording, Careers & Professionalism - 30 Hours Introduction to staff and instructors, Blackbird Studio tour and technical orientation. Ears On listening challenge, history of music technology. Recording session: tracking, overdub session, editing session and mixing homework. Care and handling of gear. Celebrity panel. WEEK 2
Microphones - 30 Hours Microphone types, design, uses and placement for both studio and live recording environments. Listen to different microphones and microphone preamps. Contrast and compare differences between classic and modern microphones and preamps from Blackbird's collection.
WEEK 10
Fundamentals of Electronics & Music - 30 Hours Soldering clinics. Power supplies, grounding and safety. Student presentations. Gear build. Music fundamentals for engineers. DAW system clinic. Guest lecture. WEEK 11
WEEK 6
Analog Recording - 30 Hours Analog recording. Ears On challenge. Guest lecture. Studio tech visit, calibration, setup and theory of tape machine design. Students cut tape, practice editing. United Record pressing plant visit. Monitor systems and psychoacoustics. Studio Design, facility visit. WEEK 7
WEEK 3
WEEK 8
Tracking The Band In Studio - 25 Hours Studio Orientation I and II - Familiarization with rooms, monitors, patchbay, console and outboard gear. Hands on: Session Pre-Production, consultation with band, setup and testing.
Tracking The Band In Studio - 25 Hours Setup, testing gear and tracking a band in the studio I and II. Overdub and editing I and II. Rough mixes, cleanup and archiving.
Tracking The Band In Studio - 25 Hours Setup, testing gear and tracking a band in the
outboard gear. Hands on: Session PreProduction, consultation with band, setup, testing, recording, overdub, mixing.
WEEK 5
Signal Flow, Mixing Consoles, Desktop Production - 30 Hours API 1608 mixing console overview and patching systems, signal flow and troubleshooting. Ears On and Hot Seat challenges. Recording session: tracking, overdub session, editing session and mixing homework. Guest lecture.
WEEK 4
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studio I and II. Overdub and editing I and II. Rough mixes, cleanup and archiving.
Tracking The Band In Studio - 25 Hours Studio Orientation I and II - Familiarization with new room, monitors, patchbay, console and outboard gear. Hands on: Session PreProduction, consultation with band, setup, testing, recording, overdub, mixing.
WEEK 9
Tracking The Band In Studio - 25 Hours Studio Orientation I and II - Familiarization with new room, monitors, patchbay, console and
Tracking The Band In Studio - 25 Hours Setup, testing gear and tracking a band in the studio I and II. Overdub and editing I and II. Rough mixes, cleanup and archiving. WEEK 12
Theme Week - 30 Hours Revolving focus on a production style from a band, city or era. Ears On challenge, analog vs digital formats. Care and handling of gear. Soundalike recording - contrast and compare. In class mixing assignment. Field trip to recording venue, city or facility. WEEK 13
Guest In Studio - 25 Hours Celebrity guest engineer mentors students on tracking, overdubs, mixing, best practices. End of week panel in live room with playback and critique of mixes. WEEK 14
Tracking and Mixing In Studio - 25 Hours Recording a live band in studio, overdubs, edits, mixing and mastering projects from other students. End of week listening session for critiquing mixes.
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tracking, overdubs, mixing, and best practices. End of week panel in live room with playback and critique of mixes.
WEEK 15
Musical Instruments - 30 Hours Virtual instruments (VIs) in Pro Tools. Electronic musical instruments. Contemporary music workshop using Reason & Ableton Live. Hot Seat challenge. Music concrete project. Guest lecture. Hands on: Drum Replacement Software. Ears On challenge. Musician panel.
WEEK 23
Restoration, Career Overview - 30 Hours Audio Restoration, Salvage and Noise Reduction. Intellectual Property and other Aspects: (copyright, trademark etc.) Music Business Overview: (Liability, insurance, taxes, Quickbooks, business structures, marketing, self-promotion, basic web creation). Celebrity panel: The future of the music business.
PROGRAMS
WEEK 16
Signal Processing in The Learning Lab - 30 Hours Signal processing workshop. Hot Seat challenge: vocal tuning. Intro to pitch changing software and processing. Hands on: timbral processing, delays, EQ, dynamic processing. WEEK 17
Signal Processing In The Studio - 25 Hours Signal processing in the studio. Theory and use of EQ, Dynamics, Time based and hybrid processors. Compare and contrast plugins with Blackbird's collection across various workflows, instruments, and vocals. WEEK 18
Guest In Studio - 25 Hours Celebrity guest engineer mentors students on tracking, overdubs, mixing, and best practices. End of week panel in live room with playback and critique of mixes. WEEK 19
Mastering and More - 30 Hours Ears On challenge. Guest mastering engineer visit. Mastering studio visit. Hot Seat challenge. Mastering overview, theory and execution in hardware and software.
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WEEK 20
WEEK 24
Music Business and Mixing Competition - 30 Hours Ears On and Hot Seat challenges. Job interviews. Discussion of career paths. Avoidance of Occupational Hazards: (drugs, alcohol, depression etc.) The Five Obstructions Production Competition judged by a panel of experts. Anatomy of a Hit celebrity panel.
Tracking and Mixing In Studio - 25 Hours Recording a live band in studio, overdubs, edits, mixing and mastering projects from other students. End of week listening session for critiquing mixes.
WEEK 21
Live Sound, Panels and Professionalism - 30 Hours Student Hot Seat presentations. Blackbird Diaries view and discussion. Celebrity panel from Blackbird Diaries Video. Advanced signal processing techniques and hands on challenge. Live sound day with John McBride at BBA/Live. Applications of recording studio techniques, processing and mixing in a live setting. Vocalist panel. WEEK 22
Guest In Studio - 25 Hours Celebrity guest engineer mentors students on
LIVE ENGINEERING PROGRAM Length of Program: Current Tuition:
Six Months $21,900
WEEK 1
Intro to Blackbird, Course Outline, Mixing Consoles, Analog Signal Flow, Flow Chart & Schematic Symbol Identification - 30 Hours Orientation and Overview (Blackbird philosophy, Welcome and Keynote Speech), Intro: Instructors, Staff and Students, Tour of Blackbird Facilities, Tour of Live Sound Classroom, Analog Consoles Signal Flow, Flow Chart Symbols Identification, The Channel Strip, Auxiliary Sends, The Master Section, Signal Routing, Subgrouping, Inserts, Analog Signal Flow Lab: Applying Analog Console Live Signal Routing and Signal Flow Charts. WEEK 2
Live Stage Set-Up and Use - 30 Hours Stage Monitor Mixes and Monitor Wedges, Stage Monitor Signal Flow, Monitor Equalization, Introduction to Crossovers and Graphic Equalizers, Introduction to Amplifiers, Introduction to Software Based Analyzer Programs, Microphone Polar Response/Frequency response and Off-Axis Coloration, Stagehand Lingo. WEEK 3
Analog Outboard Gear and Equalizers - 30 hours Filters, Shelving/Sweeping/Parametric
Equalizers, Amplitude Based Processors, Time Based Processors, Spectrum Based Processors, Side-Chaining, Connecting the Hardware to Analog Sources, Audio Examples and Hands On Exercises. WEEK 4
Construction and Operation of Loudspeaker Enclosures and Their Components - 30 hours Loudspeakers, Horns, Horn Loaded Enclosures, The Moving Coil Driver, Compression Drivers, Enclosure Types, Construction &
Design, Dispersion Patterns, Decibels, White & Pink Noise, Equal Loudness Contours, Phase & Polarity, Loudspeaker Placement. WEEK 5
Introduction to Digital Front Of House & Monitor Consoles, Introduction to In Ear Monitors - 30 hours Working with Digital Console Offline Editors, Reading Digital Console Schematics and Flow Diagrams, File Management, Soft-patching, Using inboard DSP Processors, Monitor & FOH Mixing Overview with Wedges and IEM's,
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Interfacing Analog Audio Processors in the Digital World, Practical Application Lab. WEEK 6
PROGRAMS
Lab Mix Project, Basic Soldering Techniques, Microphone Theory, Microphone Techniques - 30 Hours Analog Mix Lab, Mixing Tips & Tricks, Basic Soldering Skills, Connectors, Cable Types, Soldering Lab, Microphone Splitters, Mass Connectors, Microphone Types, Identification and Techniques WEEK 7
Sound Theory & Audio Bench Testing - 30 Hours SPL Meters, Weighting Curves, Peak vs. RMS, Dynamic Range, Noise Floor, Bench Testing: Volts /Signal/THD, Audio DUT Applications: Measuring the Noise Floor/Signal to Noise/Console Clipping, Pass Band Frequencies, In Lab Demonstrations WEEK 8
Line Array Theory and Application, Line Array Calculators, System Concepts, Rigging Techniques - 30 Hours Line Array Theory, Popular Configurations and History, Line Array Principles, Inverse Square Law, Point Source Monitor, In Lab Demonstration: Critical Listening, Line Array Calculators, Rigging Hardware & Motors, Rigging Safety, In Hands On Lab: Establishing Hang Points and Flying the Line Array WEEK 9:
Wireless Microphones/ IEM's/Instruments, RF Analyzers, Antenna Combiners, Antenna Types and Cables, Troubleshooting - 30 Hours
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RF Theory & Components, FCC Regulations, Wireless Microphones, RF Troubleshooting, RF System Considerations, RF Analyzers, Wireless Cabling & Connectors, IEM Manufacturers, In Lab Demonstration: Setting Up The RF System, Hands on Lab: Creating IEM Mixes using Virtual Tracks WEEK 10
Wireless Continued, Amplifiers, Speaker Impedance, Connectors, Crossovers - 30 Hours Wireless Manufacturer Class Presentation, The Crossover: Active/Passive, Popular Active Crossover Manufacturers, Bi-Amp, Tri-amp, Amplifier Load Impedance, Parallel & Series Speaker Loads, Power vs. Load, Hands on Workshop: Testing and Critical Listening Crossovers, Lab: Building an NL4 and EP4 WEEK 11
AC Power Distribution, Amplifiers and Network Programming - 30 Hours Guest lecture from Clair Global's Rex Ray. Power and safety, transformers, testing, ground loops, troubleshooting and testing. Amplifier bridging, power outputs and requirements, loudspeaker sensitivity, the inverse square law. Hands-on workshop - programming and working with amplifier DSP software. WEEK 12
Preparing for Bands in the Venue - 30 Hours Virtual soundcheck, live mixing at front of house and monitors, digital recording workshop, various signal transfer options: MADI, Dante, CobraNet, AES/EBU, analog. Ringing out wedges, system setup, line check, sound check, dealing with backline, sub snake assignments, stage plots, input lists.
WEEK 13
Advanced Analog Signal Flow and Digital Consoles - 30 Hours VCAs, DCAs, mute groups, advanced schematic diagrams and symbols. Busing, matrixes, signal routing to and from the stage. Overview of Yamaha's L59, CL and M7CL series consoles. Positioning of processors in the signal chain. WEEK 14
Maintenance Week: Bench Testing and Troubleshooting - 30 Hours System and network connections. Troubleshooting scenarios and best practices. Testing equipment for analog, power and digital workflows. Using SpectraFoo. Measuring noise floor of DUT, analog console, THD, system input/output console mic preamp at clipping. Measuring accuracy of pass band frequency. WEEK 15
Yamaha M7 Week - 30 Hours In-depth look at Yamaha's M7 console. Study of recall, saving show files and scenes, console control functions, remote signal output, channel modules, using StageMix, integration of Waves SoundGrid, editing, monitoring, module functions. WEEK 16
Tour Production Week - 30 Hours Stage managers, tour managers, production managers, stage hands, band and artist management, guitar, keyboard, and drum techs, union hands, venue management, entertainment directors. Panel and Q&A with live concert professionals. Designing stage plots, input lists. Lighting production guest lecture.
WEEK 17
WEEK 21:
Soundcraft Si Series Week - 30 Hours In-depth look at Soundcraft's Si console series including Performer, Expression, and Compact systems. Study of recall, saving show files and cue lists, console control functions, remote signal output, channel modules, console connectivity including D.O.G.S interaction, editing, monitoring, module functions.
System Design Theory - 30 Hours The math and physics of system design. Understanding impedance, resistance, AC current, volts, Ohms law, watts, amperes, load vs. power, the inverse square law. SPL calculations, temperature gradients, electrical loads and breakers. WEEK 22:
WEEK 18
Acoustics Week - 30 Hours Venue acoustics, modeling of acoustic environments, Using EASE acoustic design software, transfer function of room acoustics, speaker placement modeling, venue acoustic problems, troubleshooting and solutions, absorber placement and panel types, professional practice from detailed, realistic modeling and simulation of venue acoustics and sound system performance. WEEK 19
Avid Venue Week - 30 Hours In-depth look at Avid Venue series live sound consoles including D-Show, Profile and 5C48. Study of recall, saving show files and scenes, console control functions, system setup and best practices, channel modules, using Pro Tools and plugins. Understanding the AVB protocol and AVNU. WEEK 20
Audio Video Installation Week - 30 Hours Video and audio interconnections for corporate boardrooms, theme restaurants, nightclubs and home theaters. 70-volt systems and paging systems. Sound systems in houses of worship, network and server installs.
Digico Week and System Design Projects- 30 Hours In-depth look at Digico series live sound consoles including 5D5, 5D7, 5D8 and 5D1. Study of recall, saving show files and scenes, console control functions, system setup and best practices. Designing systems on various budgets for small, medium and large venues, houses of worship, clubs and theaters. WEEK 23
The Business of Live Sound - 30 Hours Taxes, being your own boss, sole proprietorships, DBAs, LLCs and more. Live panels on professionalism. Available jobs in live sound. Resumes, business cards, touring etiquette, bus and tour security. WEEK 24
Program Recap, Career Potential, Commencement - 30 Hours Overview of topics covered, career options, avoidance of occupational hazards, meeting with Clair Global personnel. Commencement, Q&A with staff and instructors.
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WHAT THE STUDENTS SAY ABOUT THE BLACKBIRD ACADEMY
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YOU CAN DEFINITELY TELL EVERYONE WORKING HERE HAS SUCH A STRONG PASSION FOR WHAT THEY DO.
” “
IT’S PRETTY INCREDIBLE TO REALIZE THAT THIS CAN BE HOW YOU MAKE A LIVING…I THOUGHT IT WOULD JUST BE A HOBBY.
”
”
“
THIS HAS BEEN AN EXPERIENCE OF A LIFETIME.
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“
I'VE LEARNED MORE HERE IN 3 DAYS, THAN I HAVE PROBABLY LEARNED IN 5 YEARS ONLINE.
To see the complete interviews, visit http://www.theblack birdacademy.com/ news/entries/thestudent-experience
– John McBride Founder/President/Institutional Director
a new standard of excellence in audio education
2806 Azalea Place Nashville, Tennessee 37204 615.385.2423 www.theblackbirdacademy.com
TO A CAREER IN AUDIO ENGINEERING. 2806 Azalea Place Nashville, Tennessee 37204 615.385.2423 www.theblackbirdacademy.com