MARIA VITTORIA GANDOLFI d esig n portf ol i o
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ABOUT ME
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ORC ALINE 30
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SPLIT UP
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TASTY BOX
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CRIB PACK
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PIMMY ARIETE
ABOUT ME
BI RT H
august 24, 1994, lugo (ravenna), italy
L AN G UAG E S
italian|native, english|b2 fce 2016, spanish| beginner
EDU C AT I O N
2013-july 2016|product design student at university of bologna (average 27/30) 2013|scientific high school diploma at “rambaldi valeriani” of imola (grade 84/100)
P ROF ESS I O N A L EXPE R I E N C E
SKILLS
feb 2016-now|working experience and degree thesis at “g.d spa” of bologna, as packaging designer for product innovation centre teamwork, project management, organization, precision, taking care of details hand and technical drawing, modelling 3d, rendering, prototyping
SO FT WA R E
illustrator, indesign, photoshop, microsoft office, keyshot, autocad, creo parametric ptc, alias autostudio autodesk, vred autodek
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ORCALINE 30 D AT E TYPE OF WORK FOR BRIEF
TO O L S
february, 2016 virtual modeling of product university of bologna research, benchmark, concept, 3d modeling, render vred autodesk, creo ptc, illustrator, hand drawings
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n a three students team, we were asked to offer an innovative solution for a 30 feet boat.
in detail, the joint of the tubular tire on the deck
First, we analysed the general characteristics of this type of craft investigating the rhib world (rigid hull inflatable boat). A benchmarking research was indispensable to find out the possible competitors of the rhib and to draw a morfological matrix, which can describe some features our boat must have. The concept of Orcaline 30 was born by the desire to renovate the traditional view of the rhibs, which has always been related to the military field. Restyling the structure means mantaining its scrappy and sporty feature combined with graceful and sinusoidal shapes. The evolution of the rhib has led us to another image linked to the sea: the killer whale. Although this animal is aggressive, it has got shapely and harmonious lines in contrast with its inner nature.
ORCALINE 30
After the definition of the technical specs of the boat, we selected the materials and we studied how they can be processed. Finally, we designed the 3D modeling of Orcaline 30 and its render.
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ORCALINE 30
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ORCALINE 30
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SPLIT UP D AT E TYPE OF WORK FOR BRIEF TO O L S
december, 2015 industrial product design g.d spa, bologna research, concept, prototyping cutting plotter, hand drawings, illustrator, photography
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he brief requested by G.D S.p.A was the study of a new smart feature for an aseptic liquid container, mostly used for juices. Analysing some habitual interaction problems between the consumer and the product, we understood that the user can’t see the variation of the liquid level inside the packaging, and he can’t reasonably divide the content. So, the consumer perceives the packaging as a closed box. Therefore, we led our research to the study of a quantity indicator: the idea was to apply some trasparent window pattern, of a few millimeters diameter, on the packaging surface. In order to preserve our packaging from the light and little bacterium passage, we also decided to apply a sticky aluminum strip to cover the holes. We designed a functional graphic, which can tell about packaging innovations and technologies, in order to exalt its potentiality.
SPLIT UP
Thanks to the tools (e.g. cutting plotter, welding machine, etc.) we were given by the company, we realized a real prototype taking advantage of company materials, volumes and shapes.
split up
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3 kiwi
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1L
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SPLIT UP
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TASTY BOX D AT E TYPE OF WORK FOR
june, 2015 project managment of product university of bologna
BRIEF
project managment planning, research, concept
TO O L S
microsoft project, keyshot, microsoft excel, illustrator, hand drawings
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e were asked to develop a research and study of a new lunchbox, following the main project managment principles. First, we built up our team work, assigning roles to each of us: i was the market analyst. During planning activity, we created wbs chart and gantt scheduling: useful tools to check the activities progress. Taking into consideration any possible competitors, defining one target and drawing a stakeholders map were really indispendable, in order to develop an effective design process. The longest and most difficult part of the project was the study of the quality function deployment (qfd house), which contains all the assumptions, risks, requirements and smart objectives we defined for our product. Thus, we conceived our tasty box, a product which was born by the necessity to make lunch a pleasure moment, even when you are not at home. A lunchbox which allows an easy and ergonomic transport of the meal in a reduced space.
TASTY BOX
W B S C H A RT PROGETTO LUNCHBOX
ANALISI
INCONTRO CON COMMITTENZA I
PRELIMINARE
PLANNING
RICERCA
TARGET e POSIZIONAMENTO
INCONTRO CON COMMITTENZA II
PROGETTAZIONE
PRIME CONCLUSIONI
PROTOTIPAZIONE FORMA
ANALISI DEI COSTI
Scelta numero dei componenti
Scelta della tipologia di oggetto
Scelta del Target
Assumptions and risks
Relazione intermedia dell'elaborato
Ridefinizione delle caratteristiche fondamentali
Valutazione dei costi delle materie prime
Assegnazione dei ruoli all’interno del progetto
Analisi di contesto
Stakeholders Map
Smart Objectives
-Riassunto dello sviluppo progettuale
Ricerca e studio dei materiali
Valutazione dei costi di lavorazione
Programmazione WBS
Ricerca competitors e prodotti già presenti sul mercato
Posizionamento e scelta della fascia di prezzo sul mercato
QFD
Definizione del prodotto con schizzi e disegni
Definizione del costo totale di prodotto
Conclusioni e valutazioni sui requisiti fondamentali
Definizione di una linea di prodotto
Definizione di un prezzo di vendita
Requisiti derivanti dallo studio dei prodotti già esistenti
CONSEGNA
- Restituzione elaborato scritto
RELAZIONE FINALE
Discussione diretta con la committenza
Riposizionamento sul mercato
GANTT SCHEDULING february
march
16 17 18 19 20 21 22 23 24 25 26 27 28 1 2 3 4 5 6 assumptions and risks smart objectives
qfd
requirements drawings
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As for the tasty box structure, this lounchbox is formed by two shelves each one easily sealabled with an interlocking silicone cover. These are used singly or in pairs. Each shelf is also equipped with a movable separator which divides the bowl into several parts. The separator also allows us to keep the food divided by the three
TASTY BOX
sauce boats with which the kit is provided. The overall cover is equipped with the cutlery in its inner part. Each section of the kit can be bought individually and in different colours. As a whole tasty is an ergonomic, modular and pleasant product design.
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TASTY BOX
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CRIB PACK D AT E TYPE OF WORK FOR BRIEF
TO O L S
june, 2015 packaging design deco industrie, ravenna meta-analysis, benchmark, concept, prototyping hand drawings, autocad, illustrator,
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eco industrie asked us to design a new biscuits packaging in order to improve their Pineta brand. After an accurate meta-analysis of market, users and their daily interaction with the packaging, the biggest difficulty spotted was in the closing of the packaging.. So, my team and I established the objective of an easily recycable and movable packaging, which can preserve the freshness of the product in a innovative way. Step by step, we conceived the “crib pack�: dual recycable technology. Two sacks of different height and materials: this concept involves consumers in recycling and prevents the break of the biscuits inside the pack. It also presents an innovative closing technology thanks to a pressure seal and reinforced tab. Assigning the right measures to our packaging (350 gr.), we realised several prototypes, using kraft havana paper for the external sack and a PP bag for the inner one.
CRIB PACK
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CRIB PACK
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PIMMY ARIETE D AT E TYPE OF WORK FOR BRIEF
TO O L S
june, 2015 computergraphic design university of bologna fact-finding analysis of object, 3d modeling, render hand drawings, alias design autodesk, autocad,
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he aim of the course was to learn how to model an object in 3d and insert its render in a photographic project. After choosing the object, Ariete immersion blender, we started a fact-finding study: by drawing hand sketches, we analysed its morphology and relationship with the man and the environment. We carried out a dimensional relief of each components, which allowed us to draw them through Autocad. I drew the orthogonal projecton and the section of the blender stem part. Thanks to Autodesk Alias Design program, we managed to model our object through revolve, b-rail, extrusion, trim operations and skin creation. Finally, we realised the render: while assigning lights and materials, we tried to recreate an environment similar to the one in our photographic project.
PIMMY ARIETE
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PIMMY ARIETE
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maria.gandolfi3@studio.unibo.it www.behance.net/mariavittoria24 +39 334 7045994 36, via cavour 40026, imola (bologna), italy