PORTFOLIO SELECTED PROJECTS
MARIE KJÆRGAARD GOODSTEIN ba. arch at dept. no. 6 the Royal Danish Academy of Fine Arts School of Architecture 2011-2014
INFO MARIE KJÆRGAARD GOODSTEIN born in Denmark in 1990
Address
Sølvgade 30 5.sal 1307 Copenhagen K, Denmark
Phone
(+45) 61 71 37 40
mariegoodstein@gmail.com
CONTENTS A FILMHOUSE FOR EXHIBITION, ARCHIVING, PRESERVATION bachelor project/selfprogammed assignment
KALVEBODFÆLLED THE TEMPORARY BODY; A THEATER landscape and building/space and scale
SPACE AND CONSTRUCTION construction and material/body and space
CARLSBERG BYEN DANCERS RECIDENCE AND OUTDOOR STAGE selfprogammed assignment/subject handling
HOUSING IN VESTERBRO MICRO COMMUNITY IN THE CITY building, function og context/The home
SPACE AND FORM/ARCHITECTONICS the creative process
CV
A FILMHOUSE FOR EXHIBITION, ARCHIVING, PRESERVATION bachelor project/selfprogammed assignment
INTERIOR VIEWS
FACADE
A FILMHOUSE FOR EXHIBITION, ARCHIVING, PRESERVATION bachelor project/selfprogammed assignment
PRESERVATION conservation
laboratory
open office/administration closed workspace staff area storage
video library
shelf structure monitors viewing rooms
protection and restoration maintenance digitization research
ARCHIVE categorization storage displaying
CINEMA showcasing lecturing
EXHIBITION information
communication
foyer info exhibition space projections
film collection
nitrate archive -5째C polyester archive +5째C
ticket sales
ARCHIVE categorization storage/acclimatization
pasteursvej tap H vej
dansehallerne
tap E vej j.c. jacobsens have
de hĂŚngende haver
The starting point of the project is a study, which questions how a new kind of architecture is integrated in the tough industrial character of Carlsberg Byen. In this project I used an optic of modeling in which the building’s physique is challenged to adopt the proportions and characters of the site. At the same time, the new building should introduce a more flexible and open structure, which enables the body to incorporate data from both the external context and the internal programming A key point to this project was to let the program and the context cooperate to determine if the structure of the building should stay closed and fasten the architecture given it a static expression or if it should open up to the surroundings exposing its internal functions.. The new architecture must contain different layers of characters. For example, a layer that can obtain the static and somewhat closed character of the site. In the new architecture, this layer is expressed by the way some parts of the building provide the architecture with a sense of gravity and strength, which helps the building settle into the context.
railway tracks
Simultaneously, the new architecture must contain a layer of flexibility and elasticity, which can provide a kind of counterforce to Carlberg Byen.
j.c. jacobsens have
+0,6
tap E vej
-01_ARCHIVE
00_EXHIBITION
01_CINEMA projektion teknik
udstillingsrum #2
polyesterarkiv -5˚C
SNITC
info
udstillingsrum #1 -0,4
nitratarkiv -5˚C
biograffoyer
foyer
SNITB
SNITA
de hængende haver
A FILMHOUSE FOR EXHIBITION, ARCHIVING, PRESERVATION bachelor project/selfprogammed assignment
02_VIDEO LIBRARY
03_VIDEO LIBRARY
04_PRESERVATION
projektion teknik
책bent kontor
labratorie
labratorie
administration
monitorstationer
videotek
personaleareal
videotek
visningsrum
visningsrum
lager
A FILMHOUSE FOR EXHIBITION, ARCHIVING, PRESERVATION bachelor project/selfprogammed assignment
CONCEPTUAL MODELS_FRAGMENTS OF THE BUILDING
STUDIES OF VOLUMNE
LONGITUDE SECTION_B
ØDER DEN HORISONTALE FLADE I EN FLIMRENDE BEVÆGELSE. I DERES MØDE FINDES EN LINÆR STRÆKNING, SOM ÅBNER OG LUKKER SIG GENNEM TRYK OG FORSKYDELSER, RYDER ET TILSYNELADENDE STRINGENT SYSTEM.
KALVEBODFÆLLED THE TEMPORARY BODY; A THEATER landscape and building/space and scale This project is a study of how a building is integrated into a landscape. By investigating the site through different media and materials, I find a specific methodology that enables me to qualify an architecture that relates to its context in both space and scale. Kalvebodfælled is a 4,942 acres nature reserve on the western edge of Amager. The wide flat expanses and the tall dense birch forest characterize the site. This project is focused on the stretch where the open landscape meets the closed dense vegetation. In this stretch down the fringe of the forest, the body finds itself in a constantly changing state of exposure because of the way the landscape goes through different states of transparency. At times, the vertical compressed forest encapsulates the body in a small-encircled space. At other times, it opens up to the horizontal heath surface and exposes the body to a larger scale and dimension. This ever-changing temporary state of the site must be integrated in a new architecture. The new building must be able to take up different stages just like the context. .
the attachment_locking_static
the folding_movement_ temporality
VIRTUAL SECTIONS IN LANDSCAPE
MODELLING
PAPER
_open surface encounters a dense structure _movements and forces creates pulses and modifications _vertical density turns and becomes a horisontal enclosure
CARTOGRAPHY Mapping of the selected space at the site. The fringe of the site is conceived as a flexible border between the flat heathscape and the dense forest. In this space gaps appear and allow new data to be injected into the area and form the foundation for a new architecture to settle.
KALVEBODFÆLLED THE TEMPORARY BODY; A THEATER landscape and building/space and scale
WOODEN MODELS _ section of landspace: the open flatscape meets the dense structure _ study of the different states of the ever changing site _ the linear structure breaks and voids and gaps are created
KALVEBODFÆLLED THE TEMPORARY BODY; A THEATER landscape and building/space and scale The concept of the building is to adapt the temporality of the site. The new architecture must incorporate the changing context, which appears sometimes totally open and transparent and other times dense and closed.
TEATER 3
KØKKEN
AUDITORIUM
TERRASSE
WC
2
RESTAURANT
Different units of the building are placed as a kind of skeleton of the building. Selected walls and columns constitute the static element of the architecture and pin the building to the ground. These stationary units allow the architecture to appear movable and flexible. The idea is that the building can be transformed from a closed construction into an open space with only a few units left in the landscape.
LOUNGE
ENTRE
1
The architecture can be expanded and reduced just like the nature and the landscape changes by the seasons. It’s able to unfold as the context requires. The auditorium itself is a static but simple construction excavated in the ground. It can be reduced to a simple outdoors amphitheatre but also work as an indoor auditorium in a closed theatre building.
PLAN
SECTIONS
SPACE AND CONSTRUCTION construction and material / body and space
expansion
framing
flexibility
THE ASSEMBLY (opposite side)
PROSTHESIS
VIRTUAL SECTION (next page)
The object is the same but is studied at different distances, framing and over various time-laps. From a close-up and microscopic observation to the wide observation from a distance.
This study is an attempt to construct an actual experience of space and material in the scale of 1:1 by building mock-ups of primarily wood.
In the virtual section, I collect the information from the previous studies (the assembly and prosthesis).
The project is carried out as a workshop with fellow students and mentoring from contemporary Indian architect Bijoy Jain.
The drawing should not be looked at as traditional building section but as an architectural statement which shows the identity of the architecture.
The object will be exposed and interpreted in different ways by these series of observations. Still, they will produce a kind of cohesion in the material. By using this method of observation, different aspect of the object will be uncovered and various rhythms, phases and systems will appear. This assembly of observations was used as a pre-study to work with 1:1 mock-ups where my fellow students and I worked together with different optics of the assembly in mind.
The installations are created from rhythms, sizes and systems within the already existing room by working with a bodily survey of space. The models add a new dimension to the space buy creating a new internal system between them. This system emanates from the existing building but adds new space to it by the way the body finds new ways to interact with the room.
INTERIOR VIEWS OF DANCERS’ RECIDENSE
entrance_ verticality/depth
stairwell_ passage/rythm
CARLSBERG BYEN DANCERS RECIDENCE AND OUTDOOR STAGE selfprogammed assignment/ Subject handling Carlsberg Byen was the given site of this project and my focus was to attribute the area, which is characterized by a huge scale industrial building, by implementing a more flexible and accommodating architecture. Not only does the building introduce a new form of architecture, it also works by integrating the forces and flow from the context. PHOTO REGISTRATION OF SITE
The new building, a residential complex for dancers and an outdoors theatre added to Dansehallerne, considers how the generated phenomena (which create the “voids�) can be inhabited by a program that is not relying on a closed physique. However, it is pointing towards a more open and fluent way of inhabiting Carlsberg Byen. This architecture sits as an elastic body. The inhabited context cuts it open and extends it. Thus, I work with a kind of architecture that seeks to question the idea about the enclosed building volume.
CARLSBERG BYEN DANCERS RECIDENCE AND OUTDOOR STAGE selfprogammed assignment/ Subject handling
snitA
snitB
snitA
+6,0m
+5,0m
+1,125
+2,5
+3,75
+4,5m +4,5m
+0,5m
plan 01_1:100 01_PLAN
plan01
SECTION_A snitA_1:100
snitB_1:100 SECTION_B
N_ELEVATION
CARLSBERG BYEN DANCERS RECIDENCE AND OUTDOOR STAGE selfprogammed assignment/ Subject handling
DUALITY 3d-models: Studies of an architectual body which can equally process an open and closed structure.
HOUSING IN VESTERBRO MICRO COMMUNITY IN THE CITY building, function og context/The home My focus in this project is both to exercise and improve my technical drawing skills and to discuss and challenge the perception of the modern home. The urban context and small site (Enghavevej) calls for a different way of living. This building operates as a collective home with shared kitchen facilities and an outdoor area and is a proposal of how a home can be incorporated in a crowded and expanding city
00_PLAN
a
b
01_PLAN
02_PLAN
WOODEN MODEL STUDIES IN SCALE 1:5
INZOOMS OF VIRTUAL FACADE
SPACE AND FORM/ARCHITECTONICS the creative process THE ITERATIVE MODEL surface_mask_ contour_twist_cutting_duplication component_assembly_lamination_distortion effect_blur_depth_transparency
In this study, I investigate how the feeling of space is created through architectural flatscape models. I ask how spatial depth and perception is found in a minimal space that does not possess a voluminous body. The study discusses a space, created by transversal meetings of surfaces. Surfaces that are cut, duplicated, and joined in lamination of the material and are connected by points of intersections. These points consist of different components that not only fixate the surfaces but also twist and distort them. It is in this transversal relation between the surfaces that the space of the flatscape exists. 3D MODELS The next assembly of iterative models is made with 3d programming and is no longer subject to the acrylic material. I can work more freely, and the surfaces can respond more flexibly to the impact of the components.
CV/Marie Kjærgaard Goodstein
COMPUTER SKILLS Adobe CS6 (photoshop,illustrator,indesign) 3d Studio Max Officepackage knowledge of: Rhino Revit Skechtup
EDUCATION 2011-2014
Bachelor student in architecture at dept. no. 6 the Royal Danish Academy of Fine Arts School of Architecture, graduated with highest honors
2011
KTS, Copenhagen Technical College, studying as graphical technician, course not finished because of acceptance at
2010
the Royal Danish Academy of Fine Arts, School of Architecture Krabbesholm Højskole - Photography (Art college)
2006-2009
STX, Himmelev Gymnasium (High school)
WORKSHOP/STUDYTRIPS 2012
1:1 Prosthesis with architech and owner of Mumbai Studio, Bijoy Jain - at Refshaleøen, Copenhagen
2013
Experimental scenography for dance performance “Casting Traces” by Pondering Props and New Dance Movement - at Carlsbergbyen, Copenhagen
2011
North West India. With focus on both classical and modern architecture, especially the work og Louis Kahn and Le Corbuiser
2012
Northern Spain. With focus on modern architecture, especially the work og Alvaro Siza and Peter Eisenmann
2013
China: Beijing, Shanghai, Hong Kong. With focus on ancient Chinese architecture and modern architecture such as Foster + Partners, Kengo Kuma
EXHIBITIONS 2010
Assistent with fellow students to art collective, Am Nuden Da, on their exhibition “SESSION_12_WORDS + UNTITLED” in The Four Boxes Gallery at Krabbesholm Højskole, Skive
2013
Contributed to the group exhibition “So long dept.6” in Galleriet with my whole project “Kalvebodfælled - landscape and building/space and scale” at The Royal Danish School of Fine Arts, School of Architecture
CURRENT JOB AND INTERNSHIP 2013 -
seater at Madklubben Admiralgade
2014 (Aug.-Dec.)
internship at Den Frie Udstillingsbygning on the project FRI:rum