MARIJA KRSMANOVIC
Name and surname: 0DULMD .UVPDQRYLü Date of birth: 31.08.1983. Nationality: Serbian Mobile phone : +974 55183274 E-mail : marija.krsmanovic@gmail.com Marital Status : Married
EDUCATION 2009- 2011. Master of Arts in Advanced Architecture Design- post graduate master degree Staatliche Hochschule fur Bidende Kunste Staedelschule-Stadelschule Architecture Class,Frankfurt am Main 2002- 2009. Master of Architecture- master degree, Faculty of Architecture, University of Belgrade, Belgrade, Serbia
PROFILE SUMMARY Marija is a design architect with experience on a wide range of international projects. She completed her first master in Serbia,and worked in Slovenia and Brazil,after which she did her second master in Germany. After Europe and South America,she came to Middle East , participating in creation and forming of multidisciplinary international studio, Albaker Architects, which won Award for Best Middle East Boutique Office, only after 2 years of existence. She is especially interested in research about transitional spaces, and social relations between different groups of users, which culminated in her Master Thesis about new urban typology- builtscape which was awarded and supported by scholarship of the German Academic Exchange Service (DAAD). Her key attributes are combination of design,management and graphic design skills. Participant of various winning teams of international competitions. Her work also has been exhibited in Doha, Tokyo, Frankfurt and Belgrade.
EXPERIENCE 2011–CURRENT Architect Albaker Architects / www.albakerarchitects.com ,Doha, Qatar APRIL–AUGUST 2009. Architect Mach Arquitetos / www.mach.arq.br ,Belo Horizonte, Brazil OCTOBER 2008.- FEBRUARY 2009. Internship in BevkPerovic Arhitekti / www.bevkperovic.com, Ljubljana, Slovenia NOVEMBER 2007.-MAY 2008. Internship Milena Kordic studio, Belgrade, Serbia DECEMBER 2006. -APRIL 2007. Participation in organization team of BelgradeDesign Week, Belgrade, Serbia JULY- AUGUST 2006. Internship in Syria, University of Aleppo
AWARDS NOVEMBER 2010. Competition for reconstruction of Public museum, Belgrade, Serbia, 2nd Prize DECEMBER 2008. Invited competition for Urban&Architectural planning, Belgrade, Serbia, office BevkPerovic Arhitekti, 1st Prize JANUARY 2007. Competition in Architecture and Urban Planning of Social Residential quarter, New Belgrade, Belgrade, Serbia, Special mention
EXHIBITION MARCH 2012. TASMEM EXHIBITION / Hybrid Making / VCU university Qatar NOVEMBER 2011. Invited participation on student exhibition / Tokyo Design Week APRIL 2011. Rundgang/ Städelschule, Frankfurt, Germany FEBRUARY 2010. Rundgang/ Städelschule, Frankfurt, Germany MAY 2008. “Ramp recycling materialâ€?/ Belgrade, Serbia MAY 2007. Ghost project/ Belgrade, Serbia NOVEMBER 2006. 3URMHFW RI WUDQVIRUPDWLRQ RI SXEOLF VSDFHV 3DQĂžHYR 6HUELD
RELEVANT SKILLS SOFTWARE Adobe Illustator (Adv), Adobe Photoshop (Adv), Adobe InDesign (Adv), AutoCad (Adv), Rhinoceros (Adv), Grasshopper (Beg), Vray (Beg) LANGUAGE English (Adv), Portuguese (Int), French (Beg), PERSONAL SKILLS Flexibility and adaptability to team work and multicultural environment Hard-working, organized and responsible
PUBLISHED OCTOBER 2008. Interior of a restaurant “Green City “/ Kvart SEPTEMBER 2008. Interior of a restaurant
“Green City “/ Kuca stil
ALBAKER ARCHITECTS
EQUESTRIAN GARDEN MIXED USE/ DOHA/ QATAR
DOHALIVE
MIXED USE HOTEL/ RETAIL/ DOHA/ QATAR
NEW SLATA
MIXED USE HOTEL/ RETAIL/ DOHA/ QATAR
MARSA ALAM RESORT 1 MAIN BUILDING RESORT/ MARSA ALAM/ EGYPT
MARSA ALAM RESORT 2 MAIN BUILDING RESORT/ MARSA ALAM/ EGYPT
MACH ARQUITETOS
UAKTI
CULTURAL CENTER / BELO HORIZONTE/ BRAZIL
BEVKPEROVIC ARHITEKTI
MASTER PLAN OF‘RASADNIK’ 1st PRIZE MASTER PLAN/ BELGRADE/ SERBIA
MILENA KORDIC STUDIO
RESTAURANT ‘GREEN CITY’
INTERIOR DESIGN/ BELGRADE/ SERBIA
PROFESSIONAL / Albaker Architects
INTENTION
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invited competition
programme / residential year /2013. location / Doha / Qatar
PUBLIC AND AMENITIES
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THEMATIC FLOOR 2
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EQUESTRIAN GARDEN
PROJECT TEAM / YAUSIF ALBAKER / MARIJA KRSMANOVIC
Main intention of the project is to question residential typologies in Doha. When the residential typology in Doha incorporates some other program beside residential there is a clear difference developed vertically or horizontally. A border which makes it just a neighboring program rather than incorporate and intentional, so that the programs can benefit from each other. The volume of the building is distributed so mix use program is set up in the center of the site. Residential units are distributed on the periphery of the site, enabling units to be two side oriented, with terraces and gallery access. The residential units have direct floor to floor access to all mix use programs such as gym, cafe, restaurants, shops etc. Mix use program is in the same time accessible for external guests and inhabitants of the units. Certain floors are fully private enabling exclusive access to inhabitants to certain programs.
RESIDENTIAL UNITS
PRIVATE
PUBLIC
PRIVATE COMMON SPACE
PUBLIC PROGRAME
COMMON SPACE
change of height / change of speed
RESIDENTIAL UNITS
PROFESSIONAL / Albaker Architects
RETAIL
HOTEL
invited competition
programme / hospitality year /2012. location / Doha / Qatar 2/ DIVISION INTO 2 VOLUMES AND INTRODUCTION OF PUBLIC SPACE
1/ FULL VOLUME
HOTEL RETAIL
RETAIL RETAI
3/ MANIPULATION OF VOLUME AND INTRODUCTION OF RETAIL IN ‘HOTEL MASS’
HOTEL
L
4/ INTRODUCTION OF VOIDS AND ARRANGEMENT OF PROGRAM AROUND VOIDS
DOHALIVE HOTEL EL VOID
VOID
PROJECT TEAM CONCEPT: / ANDREW TÉTRAULT / BRUNO STRINGHETA / TIA CROCKER / DEEPAK JAWAHAR / ANAIS SANSONETTI / YAUSIF ALBAKER / MARIJA KRSMANOVIC
VOID URBAN VOID
VOID
VOID
URBAN VOID
VOID
DohAlive is a mixed-use development which addresses the functional and organizational concerns of public space in the city of Doha. It introduces unique spatial qualities by fusing the mixed-use program with the surrounding community and by connecting it to the urban fabric. This connectivity infiltrates the project with a series of interconnected spaces through the mass of the building providing visual connectivity and interest while at the same time flooding the spaces with natural light. The use of transparent and permeable surfaces are used to spatially and visually connect Hotel and Retail areas, further aided by the curvilinear shapes and sophisticated angles which encourage fluid mobility and exploration.
PROFESSIONAL / Albaker Architects invited competition
programme / mix-use year /2012. location / Doha / Qatar
7 5
1 3
8
2
NEW SLATA
4
6
7 5
2
3 4
1 3
8 2
PROJECT TEAM CONCEPT: / YAUSIF ALBAKER / MARIJA KRSMANOVIC DESIGN DEVELOPMENT: / YAUSIF ALBAKER / MARIJA KRSMANOVIC / DEEPAK JAWAHAR / ANAIS SANSONETTI
4
2
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New Slata is a new approach for a mixed-use building in the Middle East where multiple uses come together to complement each other and the surrounding community. The building houses eight different uses of commercial and community programs. The uses are organized like Islamic patterns where every program intersection acts as a node. The intersections of spaces become hybrid programs acting as micro-urbanisms of intensified centres of cross-collaboration.
PROFESSIONAL / Albaker Architects programme / main building resort year /2012. location / Marsa Alam/ Egypt
MARSA ALAM RESORT 1
night activities
JAN UARY
EMBER DEC
24:00
Lobby
Lobby
Lobby Lounge
Lobby Lounge
Lobby Bar FE BR UA RY
M VE NO
Lobby Bar Front Office
R BE
Business Center
Front Office
21:00
All Day Restaurant Main Kitchen
Specialty Restaurant
Specialty Restaurant
Specialty Kitchen For Children Daycare
Specialty Kitchen For Children Daycare
Convenience Shop Gaming
OCTOB
3:00
Convenience Shop Gaming
tion Space Inspira Administration
ER
Business Center
All Day Restaurant Main Kitchen
tion Space Inspira Administration
H MARC
ing Rooms 1 Meet ting Rooms M ee 2
ing Rooms 1 Meet ting Rooms M ee 2
18:00
6:00
APR IL
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JULY
AY
JUNE
PROJECT TEAM: / YAUSIF ALBAKER / BRUNO STRINGHETA / ANAIS SANSONETTI / MARIJA KRSMANOVIC
AU G US T
SEP
15:00
DIVING PERIODICITY:
9:00
12:00
low tourism season mid tourism season high tourism season best time to dive
PROGRAM PERIODICITY IN HIGH SEASON: day activities night activities
day activities
day diving night diving
Set among sand, sea and rocky terrain, the resort’s Main Building eliminates physical and visual barriers by forming a relationship with its surroundings and blurring the distinction between manipulated and actual topography. The building accommodates the resort’s main food and beverage outlets, front and back-of-house areas, and public and leisure facilities. The building attempts to tackle the resort industry’s largest obstacle, “how can program adapt to seasonality”? The building’s unique temporal arrangement of program addresses this obstacle. In embracing topography, the building experience is intensified by the different circulation paths, relative to distance and time.
Main Kitchen
Main Kitchen
Main Kitchen ext.
Main Kitchen ext.
Main Kitchen
Main Kitchen ext. Restaurant Adj 2 Restaurant Adj 2
Main Kitchen ext.
MECHANICAL
MECHANICAL
Main Kitchen
Restaurant Adj 1
MECHANICAL
Main Kitchen
Main Kitchen ext.
Restaurant Adj 1
Main Kitchen
Main Kitchen ext.
Restaurant Adj 1
Restaurant Adj 1 Gaming
Gaming All Day Restaurant
All Day Restaurant
All Day Restaurant Gaming
Gaming All Day Restaurant
Signature Restaurant
Specialty Kitchen
Signature Restaurant
Specialty Kitchen Gaming
Gaming
Lobby Bar
Hotel Lobby
Signature Restaurant Lobby Bar
Hotel Lobby Inspiration Space
Flexible Lounge
Front Office
Inspiration Space
Front Office ADMINISTRATIO ADMINISTRATION DM M IS I
Front Office
Flexible Lounge
Convenient Shop
entry access
entry access
Business Center
ADMINISTRATION ADMINISTRATIO ADMINISTRATI ATIO O entry access
O Convenient Shop
Low Season Night Peak
Daycare Children
Medium Season Day Peak 9 : 00
Flexible Lounge Convenient Shop
Flexible Lounge
Flexible Lounge
Business Center
entry access
entry access
20 : 00
Flexible Lounge
Convenient Shop
Flexible Lounge
Meeting Meet eeting roo rooms
Low Season Day Peak
Inspiration Space Front Office
Flexible Lounge
Convenient Shop
entry access
9 : 00
Lobby Bar
Hotel Lobby
Inspiration Space
Front Office
Daycare Children Business Center
Flexible Lounge
Convenient Shop Flexible Lounge
Daycare Children Business Center
Lobby Bar
Hotel Lobby Flexible Lounge
Flexible Lounge ADMINISTRATIO ADMINISTRATION RATION I
Daycare Children
Specialty Kitchen
Flexible Lounge
Inspiration Space
Inspiration Space
Front Office
All Day Restaurant
All Day Restaurant
Flexible Lounge
Hotel Lobby
Hotel Lobby
Medium Season Night Peak 21 : 00
High Season Night Peak 9 : 00
High Season Night Peak 21 : 00
PROFESSIONAL / Albaker Architects programme / main building resort year /2012. location / Marsa Alam/ Egypt
MARSA ALAM RESORT 2 Pool / Lounge
PROJECT TEAM: / YAUSIF ALBAKER / BRUNO STRINGHETA / ANAIS SANSONETTI / MARIJA KRSMANOVIC
Main programs
Restaurant
built plateau 18 914 m2
73 %
preserved landscape 6 871m2
Pool / Lounge
Main programs
Restaurant
27 % Restaurant Main programs Pool / Lounge
Set among sand, sea and rocky terrain, the resort’s Main Building eliminates physical and visual barriers by forming a relationship with its surroundings and blurring the distinction between manipulated and actual topography. The building accommodates the resort’s main food and beverage outlets, front and back-of-house areas, and public and leisure facilities. The building attempts to tackle the resort industry’s largest obstacle, “how can program adapt to seasonality”? The building’s unique temporal arrangement of program addresses this obstacle. In embracing topography, the building experience is intensified by the different circulation paths, relative to distance and time.
SEASONALITY
SEASONALITY SEASONALITY LOW SEASON
MID SEASON
HIGH SEASON
19.2 M shisha lounge
restaurant 3
lounge 2
15.2 M restaurant 2 restaurant 1
10.2 M
SECTION 2-2 19.2 M shisha lounge
restaurant 3
lounge
villa suite
15.2 M
reception restaurant 1
restaurant 2
lobby bar business guests elevator center
restaurant 2
10.2 M
PROFESSIONAL / MACh Arquitetos invited competition
programme / cultural year /2009. location / Belo Horizonte/ Brazil
UAKTI
PROJECT TEAM / MARIZA MACHADO COELHO / FERNANO MACULAN / MARIJA KRSMANOVIC
Uakti is a Brazilian instrumental musical group that is composed of Marco Antonio Guimaraes, Artur Andres Ribeiro , Paulo Sergio Santos , and Decio Ramos . Uakti is known for using custom-made instruments, built by the group itself.The site is placed in the middle of forest of the University park in Belo Horizonte, Minas Gerais, Brazil. The institute of culture of Minas Gerais wanted to create a building for bend, like an honor for they work. Programme is consisted of auditorium-concert place, memorial center, place for workshops, administration and study rooms for the group. Concept of the project was to position activities, opening to trees that are surrounding the site. Programme was divided in three cylinders with theme for every cylinder : auditorium, memorial center with workshops and less public space with study rooms for the bend. All the time we were leading in the project by concept of the group, that is using : custom-made instruments and playing instrumental music. So goal was to great a inspiring place, calm, reconciled with nature.Materials used are concrete, glass and bamboo facade.
PROFESSIONAL / MilenaKordicstudio invited competition
programme / interior year /2008. location / Belgrade / Serbia
RESTAURANT ‘GREEN CITY’ PROJECT TEAM / MILENA KORDIC / ANDJELKA BADNJAR / VANJA OTASEVIC / MARIJA KRSMANOVIC
Contrary to urban, is green as a way of life. According to the use of space is divided into three zones: Express Restaurant, primarily for food employees in the business complex, but completely open to all guests, a separate a la carte restaurant, which can be organized banquets, business lunches or other events and lounge cafe, comfortable and warm place, convenient for longer visits. How to actually rest, you need something green, beautiful, fragment of nature is retreating in the building with wood, and two trees that follow the movement through space.In this area of New Belgrade is still a great site. Although a large number of new squares, but still without spirit of used, identified and experienced place. Not escaping of that, but just discovering it as the layer, we have decided to leave a visible concrete ceiling and concrete pillars, and introduce a black steel as a constructive element of the gallery. Materials: raw concrete, industrial floor, black panels, furniture from the finest lightwood, green fabric, sand and black leather gives elegance without much detail.
COMPETITIONS
CCEE
CULTURAL CENTER OF EVENTS AND EXHIBITIONS/ CABO FRIO/ BRAZIL
BASEL CENTER
CULTURAL TOURIST CENTER/ BASEL/ SWITZERLAND
BRIDGE HOUSING RESIDENTIAL/ PRAGUE/ CZECH REPUBLIC
RECONTRUCTION OF PUBLIC MUSEUM CULTURAL/ BELGRADE/ SERBIA
PAVILION OF SERBIA EXPO 2010
CULTURAL / SHANGHAI / CHINA
USO MENSAL DO CCEE
00
CICLO MENSAL
02
NUMERO DE USUARIOS / DIA
programme / residential year /2013. location / Prague/ Czech Republic
00
CICLO MENSAL
NUMERO DE USUARIOS / ESPACO DE EVENTOS 04
Parque Feira de Grande Porte
06
Concerto de Grande Porte Area externa 08
USO MENSAL DOS CENTROS DE EXIBICAO 02
NUMERO DE USUARIOS / DIA
COMPETITION/ freelance invited competition
convencionais
NUMERO DE USUARIOS / ESPACO DE EVENTOS 04
Feira de Grande Porte 06
Congresso
08
Exibicao Exibicao 10 dia
30 dia
Exibicao 2
10 dia
30 dia
Exibicao 3 12
28
Concerto
12
28
Feira de Pequeno Porte 14
26
14
26
Exibicao 4 16
24 18
22 20 dia
Congresso
16
24 18
22 20 dia
CENTRO CULTURAL DE EVENTOS E EXPOSIÇÕES PROJECT TEAM AUTHORS: / FERNANDO MACULAN / BRUNO STRINGHETA / MARIJA KRSMANOVIC COLLABORATORS: / DEEPAK JAWAHAR / ALEXANDRA DANCIULESCU
The design of the city of Cabo Frio Cultural Center Events and Exhibitions emerges, at first , from the interpretation of the landscape that surrounds it , in its various characteristics: the horizon and the water mirror in Araruama Lagoon to the west ; the low buildings and the layout of the city in the foreground and in the background , the mountains , both east .Even within the limitations of its range, the architecture, which also includes landscape design within the boundaries of the area for CCEE , is designed as an articulator of its surroundings. The proposal balances the different characteristics of its context and become a physical element of neutralization.Exiting visual axes and surrounding forces, guide the creation of a grid, the constructed elements ensures greater permeability of flows, especially for pedestrians , and provide a more harmonious relationship between the city and the neighboring new set .In the vertical direction, the main program is suspended from the ground, to preserve the connection between street and lagoon. Aims to qualify this space - ground plan - as essentially public place like a park – implementing a choice of leisure and entertainment for the population and tourists .A multidirectional network of paths stands out from the ground, leading to a second level of pathways for pedestrians and cyclists - a promenade - from which the visual relationship with the landscape is marked, free from the interference of cars.Through a helical ramp the ground floor connects to a suspended boardwalk called “super-lobby”. This lobby is a live and intense network of paths running through the four halls at a mezzanine level and distributes the flow of visitors, allowing free movement and stay up control points for access to lounges.
COMPETITION/ freelance
PAVILION AS THE LIVING ROOM OF THE CITY
invited competition
programme /cultural year /2013. location / Basel / Switzerland
COMMON GROUND OF INHABITANTS OF THE CITY AND TOURISTS
BASEL’S LIVING NG R ROOM OOM OF CULTURE PROJECT TEAM / BRUNO STRINGHETA / MARIJA KRSMANOVIC
The city of Basel meets its living room. The concept interpretates what would be the living room of the city. We understand that a city living room should be as a hub that stands between the intense city’s urban fabric and the calmness of its private establishments. We bring together a place of routine activities: meet, read, chat, eat, with a not less important, platform of information and culture exchange. The pavilion should be a common ground, of city inhabitants and tourists to create a pleasant environment for gathering.Maximizing the potential of the site, project centralizes 3 pedestrian flows into unique junction. Built structure of the pavilion is mainly underground enabling the continuity of city life. The geometry frames pedestrian flows creating two stages. Ground one, the ‘city stage’, and underground one ‘art stage’, nucleus of art program. These two stages accommodate in parallel different programs, creating different scenarios of use depending of the need or seasonal weather condition. The ‘art stage’ enables art exchange and platform for different art events. The screen with main information for tourists is also placed there. With a big floor map of Basel placed on the stage itself, it connects to screen from which users can choose a theme of the museum depending on their area of interest , see where is it on the floor map, how long it takes to get there, as well buy the ticket. It is possible also to generate bespoke tour, or get to know other places in Basel. Stepping on the stages user become an active participant in art and public life of the city. Steinenberg
-1.00 STORAGE AUDITORIUM +2.00
PUBLIC TOILETTE
AUDITORIUM
TOILETTE
0.00
-3.00 -2.50
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STAGE
STAGE
0.00
WORKSHOP SMALL CONCERT (260.5) ART MARKET EXHIBITION PRESENTATION MOVIE PROJECTION
Theaterstrasse
WORKSHOP SMALL CONCERT ART MARKET EXHIBITION PRESENTATION MOVIE PROJECTION
ART CORE
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AUDITORIUM STORAGE -1.00
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COMPETITION/ freelance invited competition
programme / residential year /2013. location / Prague/ Czech Republic
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PROJECT TEAM / BRUNO STRINGHETA / DEEPAK JAWAHAR/ / ALEXANDRA DANCIULESCU / MARIJA KRSMANOVIC
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PUBLIC
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The bridge is generally regarded as a transitory ,directional space, where the housing as a non directional,stationary one. At the same time,the first one can be regarded as a fast space and the second one as a slow space. The definition of the space as either one or the other is given by the ration of transitory speed and programmatic load. The project addresses the specific site condition given by the juxtaposition of the directional and non directional space typology by understanding the bridge as an experience of crossing. The solution offers the possibility to disconnect from the city,observing it from a different perspective, while slowing down from the everyday life rhythm. In order to achieve the above mentioned goals(disconnect and slow down) we have proposed an integrated system of sequential events within the transitional field,mixing public and private spaces. The result offers a multitude of perspectives which challenges the visual and emotional perception of the passer-by,as well as the one of the resident ,forced to interact on a common ground. The housing programmatic layout and orientation are defined by Moldava River presence, being developed on two levels for maximum panorama. The second challenge was how to define the private backyard of the residential in relation to the environment and the public space. The choice of placing the parking spaces on the river banks and promoting only the pedestrian and bicycle access on the site enhances our above mentioned attitude regarding the crossing experience and the moment .
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COMPETITION/ freelance programme /cultural year /2010. location / Belgrade / Serbia
RECONSTRUCTION OF PUBLIC MUSEUM 2nd PRIZE ON INTERNATIONAL COMPETITION PROJECT TEAM / MILENA KORDIC / MILICA OLUIC / MARIJA KRSMANOVIC
Rehabilitation of the Museum is the opportunity to come within the existing structures, layers of cultural and historical heritage, opening it to the demystification of its inclusion in the public life of the city, through the dynamic communication space, programs and users.The solution provides a space that is aesthetically "purified" and "open", a simplified functional and rational,structurally "facilitated" by removing all unnecessary, and multifaceted program through the membrane to the heavy layering of all open spaces and a unified core. This despite "impenetrable" facade sends the message that there is nothing to hide and mystified, that relations between old / new, hard / soft, internal / external fluid and above all we consider the dynamic of modernarchitectural concepts.The primary parameter which led to the setting solution is to streamline the communication scheme up and improve, and at the same time offer new spaces and an environment that opens new possibilities for typological organization settings, as well as new supporting facilities that already Museum has a need to organize, but had not have adequate space capacity. Primarily refers to content that will include meeting more people in the area that should function as a natural extension of the public space of the square.The solution was created through extensive research into the needs of museums and manipulation of existing building structure, using primarilymethods: withdrawal, then merge the existing space and the "wrapping" layers and communication gaps that make existing static dynamic structure of the house.Wrapping procedure was carried out two-way: from the inside out-from the central "cavity" to full membrane, and out-facilitating inward current structure gradually towards the central core. Thus the two central staircase protected atrium bathed in light, associated with new galleries and panoramic glass elevators form a central free space, and then attaches them to the simplified main horizontal communication in a ring, which connects the existing exhibition spaces in the area "between" hard skins and central cavity.Wrapping procedure was carried out two-way: from the inside out, from the central "cavity" to full membrane.The central staircases, new galleries and panoramic glass elevators form a central free space, attached to main horizontal communication in a ring.Museum of integration rather than fragmentation, provides information in perception of transformable space that is able to respond to the dynamic of new processes.
COMPETITION/ freelance programme /cultural year /2008. location / Shanghai / China
PAVILION OF SERBIA EXPO 2010 ‘GIVE AWAY’ PAVILION ‘GIFT AWAY’ PAVILION PROJECT TEAM / MILENA KORDIC / ANDJELKA BADNJAR / MILICA OLUIC / MARIJA KRSMANOVIC
Republic of Serbia approach strategy should be based on forming new image for the country that should start with more comprehensive representation at upcoming exhibitions. Considering this is the first presentation for Serbia, new image is necessary, one free from closure, violence and disputing that was presented in the media for too long. Serbia should offer idea that presents will to cooperate, to interact and communicate within all cultural systems without losing its identity.Here we point out the act of GIVING as an authentic quality of our culture and universal method of communication, which can assure that in aggressive, dynamic environment that markets technical progress,visitor can stop, rest, think, not to forget but to remember and preserve experience of his visit to pavilion. This interactivity in the opening process is represented with physical opening of the hermetic box, whose parts visitors take away so they also take part in the opening process, and in the same time they receive gifts – parts of the pavilion and parts of our culture authentic product.In the end of this exhibition process of visiting and giving pavilion disappears, dissolve and drowns into the surrounding environment, representing non-invasiveness and consideration for others.
SAC ( STAEDELSCHULE ) FRANKFURT
SESCSCAPE
MASTER THESIS PROJECT /FRANKFURT/ GERMANY
SAC RESEARCH
RESEARCH SECOND YEAR /FRANKFURT/ GERMANY
COUNTRY HOUSE
RESEARCH FIRST YEAR /FRANKFURT/ GERMANY
FACULTY OF ARCHITECTURE, UNIVERSITY OF BELGRADE
CENTER FOR CONTEMPORARY ART FINAL PROJECT/ BELGRADE/ SERBIA
ACCESS
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invited competition
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PROJECT TEAM: / MARIJA KRSMANOVIC ACCESS
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ACADEMIC / SAC Frankfurt invited competition
programme / research 2nd year year /2010. location / ...
SAC RESEARCH
PROJECT TEAM: / MARIJA KRSMANOVIC
WHAT capacity of an interface to various degrees facilitates separation or contact in order to trigger social relations. WHY to trigger relations and social spaces. HOW defining tension between two different groups of users, tending to collapse them in one space that will redefine their scale, reducing specific differences.
ACADEMIC / SAC Frankfurt invited competition
programme / research first year year /2010. location / ...
COUNTRY HOUSE
PROJECT TEAM: / MARIJA KRSMANOVIC
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Proposal of Wall-core country house revolves around two elements that organize the space. Two simple flow walls like 'tunnels' defining someone travel. Main structural walls of architectural space are generated around the core. The core is located in center e and it is main access to all programes. Walls are enabling one floating platform and two independent ones and organizingg program distribution. The main idea is based on my previous research about architectural element-impost. Element which negotiate with transformable change of elements and different structural forces. Walls are transiting from vertical to horizontal plane with strong dissolving zone placed on highest moment of transformation from vertical to horizontal and vice- versa. Surface breaks in set of bundles making the central zone as open part-structural courtyard. Between two sandwich walls is placed communication core which is grounded and articulates different levels. The walls are position rather as a core around which architectural space revolves than as a just structural element. The entrance of the house shifts rather from entering from periphery to center to center to periphery. This way the user of the house is entering to network of transitions adjustable to given scale.
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$&$'(0,& ILQDO SURMHFW programme /cultural year /2009. location / Belgrade / Serbia
CENTER FOR CONTEMPORARY ART OPEN ART AUTHOR / MARIJA KRSMANOVIC
There is the need to ensure that the city is enabling production in the field of theater, art and applied art, music, film, video, new media, promotions, discussions, workshops, educational programs. A Center, which emphasizes education and social engagement in the approach to contemporary art and culture and promote the "culture of curiosity" .... Consumption of art through the interaction and flexibility as a podium for the information, presentations and participation. Subject of the graduation project is the art center for production and consumption of art, the space that is continuously active (24h / 7 days). Interest is the relationship between process of creation and presentation of art works and the possibilities of programming and spatial merging of production and consumption of art. A collage of activities that allows space to be constantly active. In WKH &HQWHU IRU &RQWHPSRUDU\ $UW WKHUH DUH ‡ &HQWHU RI $UFKLWHFWXUH ‡ 0XOWL SXUSRVH VSDFH IRU OHFWXUHV ‡ 6HUYLFH +RWHO ‡ D OLEUDU\ ZLWK PHGLDWHTXH ‡ D PXOWLSXUSRVH KDOO ZLWK DQFLOODU\ IDFLOLWLHV ‡ :RUNVKRS ‡ 6WXGLRV ‡ $GPLQLVWUDWLRQ ‡ *DOOHU\ ‡ UHVWDXUDQW ‡ GHVLJQ VKRSV ‡ XQGHUJURXQG JDUDJH IRU HPSOR\HHV DQG YLVLWRUV ‡ VSDFH IRU SHUIRUPDQFHV DPSKLWKHDWHU Compositional and volumetric solution is formed on the relationship to the river, city silhouette that can be seen from the opposite part of the city. Forming the object, "frame".The main focus of the entire facility is located on the first floor on big plateau condensing interaction between art and public-people.
SELECTED WORK FROM 2008-2014.