Architecture Portfolio Marina Resch by Marina Resch

PORTFOLIO

MARINA RESCH

MArch vienna, AT + 43 664 53 53 822 marina.resch.arch@gmail.com

table of

contents CV 04 - 05 MArch Academy of Fine Arts Vienna

06 - 17

CITA Copenhagen

14 - 15

Free projects

18 - 21

BArch Academy of Fine Arts Vienna

22 - 35

HTBLVA Ortweinschule Graz

36 - 39

contact MARINA RESCH + 43 664 53 53 822 marina.resch.arch@gmail.com Johann-Strauß-Gasse 43/5 1040 Wien

Marina Resch Portfolio | 3

curriculum vitae Marina Resch

work experience

education

* in nationality

18.08.1994 Feldbach, Styria Austria

languages

german native speaker english C2 french B1

2021 - 2022

family business horseradish farm, Styria

2019 - 2020

travelling and extended stay in New Zealand due to covid-19 pandemic

2017

speaking choir of Junges Volkstheater Die Summe der einzelnen Teile, Vienna

2017

furniture acquisition team gnester for Academy of Fine Arts, Vienna

2016

exhibition assembly 2AA Architecture Award, Vienna

2015

internship architectural competition architect DI Michael Gattermeyer, Graz

2014

summer job Erste Bank sIT solutions, Vienna

2010 and 2012

internship workshop and design office joinery Pölzl, St.Stefan i.R.

2017 - 2022

MArch IKA, Academy of Fine Arts, Vienna

2018

CITAStudio, Royal Danish Academy of Fine Arts computational architecture, Erasmus Copenhagen

2013 - 2017

BArch IKA, Academy of Fine Arts, Vienna

2008 - 2013

technical high school HTBLuVA Ortweinschule for interior design, Graz

skills microsoft office photoshop indesign illustrator premiere pro

rhino grasshopper vray autoCAD maya 3ds max +

sketch up archicad concept design handsketching photography model building lasercutting milling 3D printing

Marina Resch Portfolio | 5

1.light matter(s)

7 Solar Mediators

Thesis Book and Slipcase

architecture master thesis 2022 – advisor David J. Lieberman

6 | Portfolio Marina Resch

Our relationship with sunlight is changing with the optimization of artificial light sources to create the desired improved visual environment. In Austria, the average amount in front of a digital screen in 2022 is close to six hours every day. However, the physiological needs of our diurnal bodies adapt to this environmental and cultural shift at a slower pace. Our eyes and skin sense the amount and quality of light we see and this impacts the biochemical processes of body and brain, which makes safe sunlight consumption an essential factor to human health. The visual pleasure of observing refracted and reflected natural light is something that can make us stop in our tracks, and make us observe or perceive the time and space we find our physical bodies in. In my thesis I experimented with the beauty that sunlight gives us every day to create moments of light amplification and mediation. After previously working mainly digitally, in my thesis I focused on analogue experiences of directed and refracted sunlight and designed 7 case studies of so called Solar Mediators. They reach from 1:1 prototypes and installations to recreational typologies and land art. This aims at mediating our perception of natural light, in times of climatic uncertainty. It’s a design language that broadens architecture’s creative view on manipulating natural light. Exhibition at Semperdepot

marina.resch.arch@gmail.com

Solar Mediator: Walking Images Plaster Model 1:50 casted in milled negative form

Walking Pictures is an excavation into the ground. On the north south axis towards descends into an inner chamber with translucent walls. On this wall you will perceive sunlight refractions walking by, the sunlight exposed exit steps lead to the outside to sit down directly under the refraction creating glass-panels. The intention is to create a place of perception, (self-)reflection and meditation. A place that amplifies natural sun light and the physics behind it – a sun dial that shows movement of our solar system.

+43 664 53 53 822

Marina Resch Portfolio | 7

Solar Mediator: Beginnings and Endings 3D Printing and Laser cutting This sculpture of a large transparent refraction panel reaching over a two sided projection surface creates a morning and an evening resting place. The seats underneath are in the shadow of the opaque wall that continues into the shaped, curved glass towards the top. This creates a cool observation spot that faces the wall receiving the projection.

8 | Portfolio Marina Resch

marina.resch.arch@gmail.com

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Solar Mediator: The Space of Time

Over and Under – walk able sunlit grotto breaking ground Solar Mediator

Solar Mediator: Solar Forrest – microclimate installations: sun meets water

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2. NASH museum spheres, pedestals,vitrines: the architecture of history MArch Studio David Gissen 2019

Hochhaus Herrengasse

Stephansdom Parliament

Hofburg Dome

NHM Dome

Sight map from sourrounding highpoints to ground level: High visibility of the Heldenplatz from inside and outside of the “Ring”

10 | Portfolio Marina Resch

marina.resch.arch@gmail.com

1 : 2 000

NAS-H

THESEUSTEMPEL

VOLKSTHEATER

NASH

VOLKSGARTEN

PAVILION

NASH

KHM

History of Nature, Art and Societies

NHM

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NASH GALLERY B1 B2

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NASH is a museum and gallery that combines the histories of nature, art and societies on the given site, the Heldenplatz, in Vienna. This site has seen dense, diverse and controversial history and still functions as an important gathering space for the people of Vienna. My design references Gottfried Sempers symmetrical “Kaiserforum” idea by mirroring a ghostly ruin of the existing Hofburg. The museum encompasses an exhibition gallery, a research pavilion and a design café/ noshery “NASCHEN.” To ensure and emphasize the public functions of the square, the museum itself offers a public garden and display space and is only partially visitor exclusive. The NASH museum exhibits in thematic chapters that are a critical reflection of natural, artistic and social history and its artefacts demand more or less protection from the environment and public crowd. The research pavilion hosts workshops and knowledge exchange events, the gallery exhibits the results of the research group that collaborate with the museum direction and other museums that loan their artefacts.

+43 664 53 53 822

ies

NASH Design Stud

Marina Resch Portfolio | 11

ASH

MODELSTUDIES

more N

mirrored and abstracted footprint of Hofburg to complete Sempers “Kaiserforum”

deconstructing Sempers column and facade

COLUMN

STUDIES

study of Hofburg facade

placing show cases and “wrapping” them according to their vulnerability level to create interior and public zones

12 | Portfolio Marina Resch

marina.resch.arch@gmail.com

defining levels, programme and accessibility thresholds

study of frayed column as space defining element

+43 664 53 53 822

landscaping of public square and implementation of additive manufactured frayed columns

additive manufacturing of the column on site

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3. CITA research MArch erasmus semester at KADK Copenhagen, CITA: Computation in Architecture – design led research by Mette Ramsgaard Thomsen, Martin Tamke, Phil Ayres, Paul Nicholas and Yuliya Sinke 2018/19

WS2 material design: generating knit-able patterns for knitting machine and evaluating performance in specific sunlight situations.

WS3 kinetic membranes (with ITECH): simulating and building kinetic membranes, shaping light environments with kinetic light pillar.

simulating and sewing

working with robots, DIVA, ladybug, photometric analysis

laser cutting presentation drawing

open wings

closed wings

WS1 inhabitable membranes: designing a stable membrane tunnel, simulating membrane behaviour to create sewing patterns and build 1:1 installation

14 | Portfolio Marina Resch

marina.resch.arch@gmail.com

SOFT SPACES – TEXTILE. LIGHT. ARCHITECTURE During four group research workshops about computation and textile architecture, I immensely enjoyed collaborating with the diverse student body and navigating everyone’s strengths. To come to great solutions and projects in a short time period has been the most rewarding learning experience. I deepened my knowledge in Grasshopper and how to link software with hardware to work with newly gathered data or control robots for production. Evaluating the common goal and distributing the tasks within the group during this time was a very enriching experience that I perceived as best practice back then and is something I want to continue to improve – I believe good communication and team work is the key element to a well-rounded project. During time allocated for personal research, I deepened my knowledge about architectural light refractions.

Individual Research During time allocated for personal research, I deepened my knowledge about architectural light refractions, worked with the concept of light patterns and relative contrasts within light refractions and reflections and formulated 3 case studies that showcase the design potential of light refractions in an architectural context.

+43 664 53 53 822

case study I

case study II

case study III

light pendulum over reflective sculpture, movement of light creates

reflecting sun dial in interior room

urban mural reflecting different information according to spotlight position

ray tracing with grasshopper

Extending James Turell’s idea of his Skyspaces with reflective artwork installations

scripted surface manipulation makes reflecting precise pictures and words is possible

Performing Patterns

Turrelian Sun Dial

Interactive Reflections

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4. indexing light die kunst des ver/-zeichnens MArch Studio Kathrin Aste 2017/18

Diakausitk generating room installation: Endless worlds of light In an arrangement of consistent change, the observer is challenged to question their own perception of phenomenological situations developing momentarily. The projected light moving within space-time passes through a denser transparent filter and is therefore refracted. The contortion of the light path is becoming visible to the human eye on the projected surface, drawing light caustics. The caustic, envelopes of light rays refracted by a curved surface, is nothing more than rearranged density of light. In constant change there is no perceivable finite shape, attempting preservation and translation means changing the possibilities of perception and the therefore, the very nature of the appearance itself. The projected light environment is product of planned processes positioned in nature and existing within human perception, cognition and intervention. The installation invites to question our internal as well as intersubjective correlations between perceived sensation and learned knowledge, between remembering self and perceiving self – a meta-modern perspective on thinking environment, a phenomenological inspection. Architecture as an organisation of a generative list.

16 | Portfolio Marina Resch

marina.resch.arch@gmail.com

01 02 03 04 05

the list the energy / the light source / the input / the filter / light-transmissive matter/ the order / relation / space-time coordination and movement / the translation / generation / physical behaviour of light / the reception / perception / recording / the image plane / the eye / the camera / the brain/ the interpretation/

+43 664 53 53 822

Marina Resch Portfolio | 17

5. exhibtions at Garage Grande Wien

colaborative exhibition Reflecting on Loose Spaces with L. Felder, N. Flaata, A. Maharani, June 2022

The exhibition explored the concept of loose space through photography of vacant buildings, light refracting installations and a site-influenced dance performance. Experiencing and working with the space of Garage Grande as an

important community building place and activated vacancy was a pleasure and insight. The exhibition tied together the topic of “loose space” in 3 dimensions: My presentation of immaterial ever changing spaces build by light, shadow and refraction. Architect Lukas Felder photographed and researched vacancy in Berlin and Rome and Dancers Nikoline Flaata and Adela Maharani framed the delicate situation of the in-between as contemporary dance performance. 18 | Portfolio Marina Resch

marina.resch.arch@gmail.com

collaborative exhibition on holiday with freeroom collective August 2023

Urlaubsschachmatt Our collective got invited to exhibit at the Garage Grande during summer. My contribution to the over arching theme of freeroom collective on holiday picks up on

conflicting feelings people can feel during their time off when they are confronted with realities like the historically hottest recorded July ever, guilt about taking time off work or taking a plane. The chess figures allegorically represent different powers and interest groups that play their own holiday game on the sand chessboard. How does your holiday-checkmate look like?

+43 664 53 53 822

Marina Resch Portfolio | 19

6. creatives vienna competition 2023 with freeroom collective members V. Anibas, L. Felder, A. Schmidl

We took part in the creatives for vienna competition for the usage of 4 rooms in MQ in 2023 – I was responsible for the design of the perspectives. Our aim was to distribute the equipment needed for the diverse art forms and the concerns of the collective among the available spaces. The Form Room is intended to invite painting and the realisation of jewellery and woodwork pieces through its insensitive furnishings. In the Focus Room we want to realise literary and photographic ideas through various seating and writing areas as well as a darkroom. Both rooms will be connected via the Common Room and the Show Room, which will facilitate artistic and personal exchange. This exchange will take place not only within the collective, but also within the MQ. The Show Room is intended to be a flagship for the FREE ROOMS and, like a shining shop window, a point of attraction for all. freeroom.collective

20 | Portfolio Marina Resch

marina.resch.arch@gmail.com

+43 664 53 53 822

Marina Resch Portfolio | 21

7.solar gardens danube urban planing low threshold education at former Copa Cagrana BArch Studio Kathrin Aste & Antje Lehn 2017/18

Concentrated Solar Power Systhem

Wind Farming

Hydroponic Towers

Restaurant Gardening

Public Restrooms

Gardening Center

Solar Kitchen

Farming Showcase

Public urban Farming

Path with interactive Showcases

Marktplatz

Central Community Space

Showcases

Public Restrooms

Beach/ Solar Grilling

Public Viewing

ELECTRICITY

Danube Solar Gardens Top View

1: 200

SHOW GARDEN

SOLAR “GRILLING”

PUBLIC URBAN GARDENING

URBAN FARMING

FREE ACTIVITY PUBLIC KITCHEN

10 m

50 m

10 m

HAND MADE

COURSES MARKETS

PUBLIC EVENTS

path analysis

new path concept

22 | Portfolio Marina Resch

Provided are Storage Units for market stalls, workshop materials and more mobile furniture. Some furniture can be placed for a day, some will be anchored longer periods depending on workshops and the season. This helps to populate the flood endangered areas. By offering spaces as well as community, the incentive to explore one’s own potential and interests is given a nurturing ground to encourage local exchange.

ORGANISATION NETWORKING / INFO

COUNSELLING

SPREADING

DOCUMENTING

INFORMING - TRAINING

SUPPORT / COACHING

PRODUCTION

marina.resch.arch@gmail.com

Building Area

Open Area

The risk of floods and destruction, as well as a complicated situation between leaseholder and the city made the former well liked, unregulated space, a place with neglected buildings and dividing experiences by different crowds. The spot between New Danube and Vienna International Centre (VIC) needs to cater to all future visitors and it’s important that most of the area is a consummation free recovery spot for the citizens. The idea is built openly display energy and agriculture processes present on site with the opportunity to learn and engage directly. Solar public cooking, urban farming, markets, open classes and events mentored by “local coaches”, lease holders, associations and local clubs provide a network of information and a word-of-mouth advertising culture beyond a stigmatized confrontation with typical forms and norms of education. There’s also farming organized by the solar cooking hub: The solar cooking hub is the heart of the new area plan with a building that offers space for Solar Cooking appliances, Food storage, cooking workshop areas, rest rooms etc. Goods created on site can be sold on site, the intensity of workshops and production will fluctuate with the engagement of the people – the idea is to establish clubs with trained coaches that guide locals to work the gardens, cook and create on site together inspired of the Chautauqua movements of life long communal learning.

+43 664 53 53 822

Marina Resch Portfolio | 23

8. nordbahnhof freie mitte: nutzflächenstudie zu BF7 seminar Strategies for Cities Lina Streeruwitz 2017

For the development of Baufeld 7 at the discontinued north train station I studied scenarios for distribution of commercial and living spaces, evaluating gross floor area and usable area. All commercial area is on the ground level and I added an open level with connecting paths to give residents of the area a common space to use - a potential “hanging gardens” area.

24 | Portfolio Marina Resch

marina.resch.arch@gmail.com

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+43 664 53 53 822

Marina Resch Portfolio | 25

9. website4joost BArch studio HTC meets bauhaus Angelika Schnell, Lisa Schmidt-Colinet, Achim Reese 2015/16

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Theory-Group Project with Joanne Friess. Relating to Bauhaus’ typographer chief designer and public relations manager Joost Schmidt’s work, we curated a website that showcased the work nand activities of the IKA History-Theory-Criticism Studio 2015/16. We curated posters and magazines that contain and replicate Schmidt’s design perspective and teaching life. Following his credo to “always take the next logical step”, we eventually moved to the internet and curated two website structures, displaying the same content, exploring how information is found. The created archive is filled with information about bauhaus masters,

26 | Portfolio Marina Resch

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io. d e stud g to relate h t f o n i s k e n u i l g hyper collea y our based on ikipedia. ory, b d e r s f mem erlinked gw o n i explo ucture wa e s w bro tr a gam m of hyp it. One s t, similar to e was like bove or a f d n i e r r ” n e u s conte ond struct neak peek cursor hov c s e e “ s h t d e e th er hen lly off ble w playfu s, only visi e pictur ll schne linet a k i l e o g by an schmidt-c o i d u a t s htc s eese & li r achim

marina.resch.arch@gmail.com

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Marina Resch Portfolio | 27

10.

Megaphone

HDM

theatre, orchestra university and a speakers corner for innsbruck BArch studio ESC Hannes Stiefel & Luciano Parodi 2015

OPEN AIR THEATRE “PUBLIC LIVING ROOM”

library

university area gastronomy

theatre and orchestra area

foyer

negative space produces additional public amphitheatre

Mozartheum practice conservatoire

university

practice

library institute for musicology

theatre preparation

learning outside auditorium

open air theatre Black Box

foyer

28 | Portfolio Marina Resch

small rehearsal bureau hall changing rooms big rehearsal hall

theatre and orchestra

Based on the competition brief of the “Haus der Musik” in 2014, the HDM*Megaphone intents to be a new common denominator of academic education, creative production, collective cultural enjoyment and a public meeting place in Innsbruck. The design focus was put on creating an additional public stage, an amphitheatre, between the university and the theatre parts of the building as well as high walk ability for the public. The central stage can be used freely as meeting point, event place or even as a “speakers corner” of Innsbruck, in addition to the proposed competition brief concerning the institutions that will inhabit the indoors. This semi-regulated space, in-between planned events, gives space to public discussions and underlines the sociopolitical origins of theatre . By bringing nearly half of the building volume underneath ground level and connecting natural passages with comfortably rising slopes, most of the roof becomes walk able and usable for leisure activity. This highlights the importance of the public for this space in Innsbruck, the visitor can enjoy as much freedom in making this building their own stage on the outside, as the artists and students need their protected space to hone their crafts in the interior. The institutions on the inside have guaranteed privacy and sunlight through the sunlight shafts surrounding the whole complex and the green courtyards.

marina.resch.arch@gmail.com

OG2 OG1 EG

connection TLT rehearsal room

rehearsal room

rehearsal and event room conservatory and MOZ

rehearsal room

UG 1

library

UG 2

VERTI

toilettes gastronomy

SCALE 1

roof terrace

lev connection TLT rehearsal room

rehearsal room

rehearsal and event room conservatory and MOZ

rehearsal room

library

jazz-pop room

jazz-pop experimental room chamber music and seminars

classroom jazz and impro music

lecture hall

toilettes

chamber music and seminars

IT room

gastronomy

library

roof terrace

level +2 bath f bath m lights

lev

stage master

conductor

jazz-pop room

dressing room musicians

jazz-pop experimental room chamber music and seminars

rehearsal room

classroom jazz and impro music

lecture hall

rehearsal room

dressing room musicians

chamber music and seminars

rehearsal ensemble

rehearsal hall

green room

dressing room musicians

IT room library

office office

rehearsal room

office media room bath f

institute office

rehearsal room rehearsal room

students common room

office rehearsal room office

bath m lights

rehearsal room

rehearsal ensemble

level +1

rehearsal hall

green room

dressing room musicians

office

Freihandbibliothek office

rehearsal room

archive

dressing room musicians

rehearsal room office

rehearsal room

stage master

conductor

dressing room musicians

conference room

toilettes

seminar room

office media room institute office

rehearsal room rehearsal room

students common room

office rehearsal room office

conference room

toilettes

seminar room

office

level 0

Freihandbibliothek

archive

level 0

theatre backstage theatre backstage

mask room f

mask

room m foyer foyer

bath f

requisite

bath f

fundus f bath m

music folklore rehearsal

laboratory

mask room m admin office

fundus f

green room m

music folklore rehearsal

laboratory

music folklore rehearsal

admin office

archive

admin office

green room f

green room m

archive

user space

interim storage / instrument lighting storage depot

music folklore rehearsal music folklore depot

toiletts work space

organ room

music folklore rehearsal

admin office

direction office

archive toilet archive

fundus m

music folklore rehearsal

music folklore depot

employee common room

instrument depot

green room f

music folklore rehearsal

student representatives room admin office

requisite

music folklore rehearsal

admin office

direction office

bath m

student representatives room

archive archive

employee common work room space

toiletts toilet

work space

archive

fundus m

archive

organ room stagehand

light workshop

hydraulic platform

common room

dressing room for stagehands

user space

interim storage / lighting storage

audio workshop

work space

video workshop

decoration depot

light workshop

hydraulic platform

toilet

stagehand common room dressing room for stagehands

big hall toilet

audio workshop

stage tech

video workshop

level -1

decoration depot

toilet big hall toilet

HVAC

stage tech

toilet

drum rehearsal room

archive office

stage equipment depot

lev

orchestra chief office

orchestra librarian commitee office

hydraulic platform

orchestra manager office

instrument depot

orchestra office orchestra dress room

dress room make-up 2

solist dress room solist dress room orchestra dress room

chair depot big hall

Black Box

storage rooms

HVAC

level -2 toilet

drum rehearsal room

archive office

stage equipment depot

orchestra chief office

orchestra librarian commitee office

hydraulic platform

orchestra manager office

instrument depot

orchestra office orchestra dress room

dress room make-up 2

solist dress room solist dress room orchestra dress room

chair depot big hall

Black Box

storage rooms

lev

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Marina Resch Portfolio | 29

11. the Garonion

interstitial warming prototype 1:1 – learning from turtles BArch studio CMT Michelle Howard & Luciano Parodi 2014/15 group project with İklim Doğan

@ kunsthaus m uerz 2015 exhibition: DER RAUM N ACH DEM RA UM Initiative Raum schule Theresia Fras s, Nikola Win kler and Benjamin Frass

30 | Portfolio Marina Resch

marina.resch.arch@gmail.com

The Garonion is a mobile malleable living space, made from high insulating natural materials, held upright by different sewing and layering techniques. After investigating and building turtles, my partner Iklim and I got inspiration for The Garonion from the qualities of the built turtle models, such as the semi-stiffness and movement of the limbs from the Eretmochelys imbricata model. We were interested in softness and malleability, but also achieving to stand upright and to gain a certain stiffness with the sewing and layering methods used. Sheep‘s felt (for stiffness) and sheep‘s wool (for isolation), cotton flannel (for the interior cladding) and leather (for protection) were chosen as main materials, for gaining the required heat increment by using only highly insulating natural materials. We have thus built a space in which the user can focus on his or her immediate environment and listen to their inner self with reduced distractions. Through the use of a system of connected zips, the occupant of our prototype can decide when to open it, how much to open it, who to let in, or, to open the prototype up completely and invite others to sit with them comfortably – to control the moment and remain connected to the world surrounding them.

Pre-Studies of Tu rtl

es & Tortoises

degradable sheep felt, sheep wool, cotton flannel, leather, 1 zip

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Marina Resch Portfolio | 31

ERETMOCHELYS IMBRICATA Tortoise study for THE GARONION

n Prototype

The Garonio

32 | Portfolio Marina Resch

Semester project Interstitial Warming Turtle & Tortoise; Semper & Gewand The outer skin of the tortoise does not serve purely to protect it from predators but to regulate its body temperature and to absorb moisture. Much more than a hull, it is an essential living, breathing part of a tortoise’s body. We investigated the particularities of their carapace and plastron - their hard skin, and the way in which they extend and retract their limbs - their soft skin. Gottfried Semper argued that Architecture is like a garment because it shares the same root and meaning in Germanic languages (wand = wall, gewand = garment). If this is so, both architecture and garments can be worn. As the space between body and clothes changes, the space between clothes and building also changes. The expansion between clothes and building encompass other bodies. Can the building be more like a garment we wear about ourselves, and thus more intrinsically related to us, than our current usage of it as a stage on which we move?

marina.resch.arch@gmail.com

pencil studies from taxidermy model at NHM Vienna The Eretmochelys imbricata or Hawksbill sea turtle is a critically endangered sea turtle found predominantly in tropical reefs of the Indian, Pacific, and Atlantic Oceans.

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Marina Resch Portfolio | 33

12. people on wire making an unlikely home for 3 people in the Corinth canal BArch Studio ADP Wolfgang Tschapeller & Werner Skvara 2014

In 1974, not long after the Twin Towers had opened, a man – Philippe Petit – balanced on a wire strung 417 meters above the ground between the two towers. The space that Philippe Petit developed was a swaying space, precarious, elastic, which gusts of winds caused to vibrate slightly, and it was a space Petit not only traversed, but also experimented with playfully.

In ‘The invisible cities’ Italo Calvino describes a city without walls and floors: ‘Wether Armilla is like this because it is unfinished or because it has been demolished. I do not know.’” At the given site in the middle of the Canal of Corinth in Greece a tensile construction inspired by Mr. Petit’s historic balance act is to be installed: A suspended summer shelter for three inhabitants. My proposal reaches out to form a floating nest, detached from the canals to let three characters find a summer hideaway. They have a “kitchen”, a “bath”, a “bed”, a “sofa” and little personal space in the middle of supposed emptiness.

34 | Portfolio Marina Resch

marina.resch.arch@gmail.com

net for climbing fresh water tank

sleeping place

bathroom

waste water container

ng epi

are

sle hyg

iene

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area

Marina Resch Portfolio | 35

13. bar & lounge concept design for gastronomy business Ortwein Graz HTBLVA Interior Design Erich Zotter & Eduard Edelsbrunner

36 | Portfolio Marina Resch

marina.resch.arch@gmail.com

On the upper floor of the existing building in an urban surrounding a gastronomy establishment was to be planned. I chose a Bar-Lounge concept that offers fancy refreshments and delights during the day and functions as classy cocktail bar during the nights. The program includes seating areas, toilet facilities, service and staff rooms. Extending and redefining the given space as steel beam wrapped glass cube framed the view from the inside and also gives visibility and identity from the outside. Letting the NA W CH OH B NH ARO AU BJE S W KT AA SE N

Grundriss M= 1:100

facade slightly hang over, amplifies the impression of a nest sitting on top of the building.

There are different seating zones: The classic bar area, a high table seating area, the main open area with fixed concrete furniture and movable tables and seats as well as the elevated back area for private parties or adaptable stage.

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Marina Resch Portfolio | 37

14. raumplan shelf designing and building a MDF shelf for A. Loos Ortwein Graz HTBLVA Interior Design Erich Zotter & Eduard Edelsbrunner

38 | Portfolio Marina Resch

marina.resch.arch@gmail.com

0,64 m2 for... A. Loos focus: furniture plans, buildability Given the predefined material of 0,64 m2 black mediumdensity fibreboard, the insides of the 90 x 90 cm shelf was left to be defined. How to recreate the idea of Adolf Loos’ Raumplan as a shelf? I was intrigued by the idea of the Raumplan, that a room was given the volume it needed to fulfil its purpose comfortably and is arranged within the house irrespective of an levelled floor plan. The standardized folder, DVD and CD sizes as well as a vase and the “Harry Potter” book series in German hard cover version were my guides to arrange the inside space in height and width, as well as depth and continuity of space. The shelf was planned within the design course and executed by myself in the wood workshop.

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Marina Resch Portfolio | 39