MARISSA EVERLING m.everling21@gmail.com 408.505.7782
CHING RESIDENCE
PORSELEIN
CONTENTS
ARTWORK
SERIES OF SPACE
OPENINGS
PORSELEIN
Studio: DSIT 102 Media: Modo, AutoCAD, Photoshop, Illustrator Location: Schiphol Airport, The Netherlands
INSPIRATION: WIEL ARETS ARCHITECTS The aim of this project was to design a prototypical lounge for the Schiphol Airport in the Netherlands. Design aesthetics derived from Dutch design firm Wiel Arets Architects were adopted in the creation of the lounge, with two projects serving as the main inspiration for the design, the Utrect University Library and the H house. Both projects are incased in glass, utilizing either prints or varying opacities to provide multiple levels of privacy. In the Utrecht University Library, a nature pattern is silkscreened onto the glass, allowing for a dappled light effect within the interior spaces as well as a level of privacy from the exterior. In the H House, glass is used to designate spaces through varying levels of opacity; private spaces are surrounded in opaque white glass and public spaces are clear. Additionally, in most of their designs, Wiel Arets refrains from incorporating walls and room dividers within spaces, and in doing so, patrons within spaces have more opportunities to interact and communicate with each other.
Above: Utrecht University Library
Above: H House
Left: preliminary sketch study of varying opacities of glass
SITE
EXTERIOR PATTERN
Acting as one of the worlds most important airports, Schiphol ranks as the 4th busiest airport in Europe and the 14th in the world, accommodating the traveling needs of roughly 50 million passengers yearly. In order to accommodate the needs of this huge amount of traffic, the lounge provides travelers a with a space to escape the bustling nature of the airport terminal and spend their time during long layover. Tired travelers can relax and have a drink, while still enjoying the breathtaking views the airport has to offer.
One of the main features of Porselein is the patterned exterior glass shell. The origin of the pattern derives from the traditional Delftware pottery which originates from the Netherlands. Using an image of the Delftware, I desaturated and half toned the image and tiled it onto the exterior facade. In addition to acting as an ornamental piece, the patterned glass serves a functional purpose by shielding the sunlight during the day and providing privacy to the patrons inside. Varying degrees of privacy are accounting for as well: public spaces such as the bar are surrounded by a transparent patterned black glass, semi private spaces such as the lounge are surrounded by a semitransparent black glass, and private spaces such as the sleeping area are surrounded by an opaque black glass. PROCESS OF CREATING PATTERN
Original Delftware pattern
Half toned image of Delftware pattern
Legend: Transparent Semi-transparent
LASER CUT SAMPLES
Transparent. Used in public spaces; ability to see clearly though both sides of glass
Opaque
Semi Transparent. Used in semi private spaces; Opaque. Used in spaces where privacy is moderate view from outside to inside most needed; no ability to see from exterior to interior
SPACE PLAN Once inside the lounge, travelers are greeted by a bright red acrylic check-in desk, where they are directed by the receptionist to either the sleeping area if they are in need of peace and relaxation or to the lounge if they wish to have a drink and enjoy a more public atmosphere. At the private sleeping area, sleeping pods are scattered throughout the space, inviting guests to take a nap, or just enjoy a moment of solitude away from the bustling airport. If wishing to go to the bar, guests are directed to the ramp which takes them to the second floor where they once again are greeted by a bright red bar. After they have their drinks, patrons can sit at the tables located within the cantilever, overlooking the travelers in the airport below and the planes taking off the runway. If longing for a bit more comfort in the lounge, guests can stretch their legs on the large triangular cushions facing the runway.
SECOND FLOOR PLAN AND SHORT SECTION
Above: preliminary space plan sketches
SECOND FLOOR PLAN AND LONG SECTION
MATERIALS AND FINISHES The materials and finishes utilized in the interior are industrial in nature and are neutral in color, with the exception of the red acrylic. Through this mostly neutral color palette, the dramatic patterned exterior is on exhibition, with the simple and open interior enhancing the patterned glass. The red acrylic material, in addition to acting as a bright pop of color in an otherwise neutral environment, doubles as a way finding device for guests new to the space. Metallic silver paint: used on ceilings; reflects light coming through exterior and LED lights in interior, brightening up the space from the otherwise dark design.
Red acrylic: Used for check-in desk and bar; easy to clean; doubles as a wayfinding device and acts as a pop of color in the predominantly neutral interior.
Stained black concrete: extremely durable in nature; dark colors hide dirt and footprints in high traffic areas and variations in concrete staining add texture to the otherwise smooth surfaces in the space.
White Crypton fabric: Used in lounge cushions and barstools; repels liquids and stains ; inhibits growth of microbes and germs.
CANTILEVERS One main feature of Porselein are the two cantilevers overlooking the airport. The first cantilever is first viewed by guests as they are approaching the second floor. As guests enter the ramp, which is surrounded by opaque black glass, they are unaware of their final destination. The cantilever, located between the two floors, is covered with a clear, unpatterned glass panel allowing patrons to get a sneak peek of where they are heading. In the bar area, another cantilever covered with clear unpatterned glass acts as the perfect area for patrons to enjoy their drinks while watching the planes take off and watch the bustling activity in the airport below.
Above: preliminary cantilever sketches
CHING RESIDENCE
Studio: DSIT 34 Media: Pencil, pen, marker Location: Seattle, Washington
PROJECT DESCRIPTION The scope of this residential project was to redesign the living space of a young Mr.Francis Ching, widely known author of books on architectural and design graphics. Mr. Ching, an avid chef and lecturer at various colleges across the nation, desired a space which would suit his needs: a generous kitchen area, an office space in which to do his work, and a large living/ entertainment area suited for parties. The existing space, a loft located in Seattle, Washington, was completely unfurnished, allowing for a completely custom living space to suit the needs of Mr. Ching, though it had a few minor design issues which had to be addressed. EXISTING FLOOR PLAN
Increase closet space Relocate washer/dryer
Fix door swing conflict in walk-in closet Reconsider space allocated for master bedroom and master bath
PROPOSED FLOOR PLAN(NOT TO SCALE) AND FURNISHINGS The redesign of Mr. Ching’s residence included a professional kitchen, complete with an extendable marble counter top to be used for additional cooking space or additional guest seating space if a larger amount of guests visit. Within easy access of his kitchen space is Mr. Ching’s personal workspace, in which he can spend his time writing a new book or grading assignments while enjoying the Seattle cityscape in the distance or while waiting for his dinner to finish roasting in the oven. In his living room facing floor to ceiling windows and sweeping views of the city, Mr. Ching and his potential house guests are able to enjoy a warm fireplace during the cold Washington winters. The fireplace, which is encased in glass, also acts as a separation between Mr. Ching’s reading space and the rest of the living room.
Above: preliminary space plan sketches
ELEVATIONS AND PERSPECTIVES
Kitchen elevation East wall
Kitchen elevation Wast wall
Kitchen perspective
Above: living room perspective; Below: living room elevation South wall
Above: Bedroom perspective Below: Bathroom and bedroom elevations
OPENINGS
Studio: DSIT 29 Media:Foamboard, museum board
PROJECT DESCRIPTION This project served as an exploration and evaluation of the various types of doors and openings and the ways in which they can shape space and light. The study began with the research and inquisition into various forms of openings, ranging from classical arches to modern bent metal designed to look like a curtain blowing in the wind. Once research was completed, a “museum of openings� was modeled and organized into time period, from modern to classical.
Above: initial sketches of types of openings; below: model images
SERIES OF SPACE
Studio: DSIT 29 Media: Foamboard, museum board
PROJECT DESCRIPTION This project revolved around the exploration and organization of a linear path and the ways in which boundaries can shape the experience of moving through a space. Constraints for the project included the construction of a continuous linear barrier on one side(a guard rail) and the implementation of a repeated pattern. In order to find a solution to the project challenge, began the design process by sketching a simple symmetrical pattern, with some shapes overlapping and some with another shape inside of it. I In doing so, the path is no longer parallel, and instead of merely passing though a space, movement continues around and pauses within. Through this exercise,the fundamentals of space planning were taught and can be easily applied to a real room or space.
Above: process sketches of relationships between shapes
Above: finalized design plan Right: View of model looking through right side
ARTWORK
Studio: Various Media: Pencil, charcoal