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M A R K J O HN M A N G AYAYA M
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ISSUE ONE: THE WORKS 2013–2017
Mark John Mangayayam
C O P Y R I G H T © 2 0 17 M A R K J O H N M A N G AYAYA M A l l r i g h t s r e s e r ve d . T h i s b o o k o r a ny p o r t i o n t h e r e o f m ay n o t b e r e p r o d u c e d o r u s e d i n a ny m a n n e r w h a t s o e ve r w i t h o u t t h e ex p r e s s w r i t t e n p e r m i s s i o n o f t h e p u b l i s h e r.
M a r k J o h n M a n g ayaya m +1 (8 0 8) 2 2 0 - 8 9 4 9 aloha@itsmarkjohn.com w w w. i t s m a r k j o h n . c o m
Ti Pamiliyak
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Have No Chill
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INTR O D U CTI O N
Virgil Abloh once said, "have no chill" during a lecture talking about his outlook on design. When he talks about this, he explains how he doesn't see it as a singular thing. but the umbrella of many things. Personally, I see design the same way. My perspective of design doesn't come from a single subject, but a combination of multiple subjects. It's something that you could see on the street, as a building, within a store, or on a screen. Design is everywhere and it can be found wherever you choose to look. My goal with this book is to show my outlook on design and how that has made me the person I am today. I invite you to take this journey of my college career through a series of work that I've made.
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Table of Contents
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TA B LE O F C O NTENTS
ONE
Colors: Art + Music Festival
06–33
TWO
Men’s Warhouse
34–63
THREE
Eye Candy
63–91
FOUR
Local Brewing Company
92–119
FIVE
Shinola
120–137
SIX
Film Photography
138–167
SEVEN
Hint
168–193
EIGHT
Everlane
194–215
EXTRA
Random Work
216–223
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Project One
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PR OJ ECT 01
Colors: Art + Music Festival Let’s color the world with awareness.
Type
Conceptual Course
Visual Systems 1 Instructor
Troy Alders Semester
Fall 2016
C O LO R S: A R T + M U S I C FESTIVA L
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Background Colors: Art + Music Festival is an annual event that creates a conversation about global pollution. This festival is made up of live perfomances, community murals, and interactive installations sharing a single message. Together we are able to make a difference in our community.
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Approach To share this bold message, an identity was made in the spirit of communication. This music festival is meant to be a place for open conversation on an important topic. Speaking directly to the name, a colorful palatte was created throughout the whole brand system. Bright and enticing colors are used to spark insight to this music festival. A pattern that mimics our polluted waters is made to show an alternate way to see this problem.
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C O LO R S: A R T + M U S I C FESTIVA L
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Typeface— Relative
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Foundry— Colophon
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Attributes— Fun, Powerful, Vivid
Category— Festival Identity
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01 — Pantone 7424
05 — Pantone 299
02 — Pantone 266
06 — Pantone 604
03 — Pantone 163
07 — White
04 — Pantone 360
08 — Pattern
Typography Typeface — Relative Foundry — Colophon
Regular
Bold
Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm
Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm
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Important facts are shown on each poster to create awareness on global pollution.
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Tickets are organized by color for each day of the event.
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Project Two
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PR OJ ECT 0 2
Men’s Warehouse You are going to like the way you look. I guarantee it.
Type
Conceptual Course
Branding Identity 2 Instructor
Thomas McNulty Semester
Summer 2016
MEN ’ S WA R EH O U S E
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Background Men's Warehouse is built to satisfy their customers with tailored suits and world class service. For over 40 years, the motto has not changed, "you are going to like the way you look". All their stores have a professional that has access to the finest materials and equipment for that custom tailored look.
â&#x2020;&#x2019;
Approach Moving forward, the rebrand is created as a bolder approach to keep up with their competitors. There are many brands that are taking a smiliar approach that Men's Warehouse has done for many years. The difference is that those other brands are approaching the younger audience, the millenials. This rebrand is made to bring in that millenial demographic, but keep the sophisticated customers they currently have.
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Attributes— Bold, Modern, Refined
Category— Fashion Identity
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01 — Pantone 2965 02 — Pantone 7527 03 — White 04 — Photography Style
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Every store offers enough room for custom measurements on location.
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Shot with strong contrast for detail and texture.
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Public ads show bold statements that describe the company.
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Project Three
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Eye Candy
For your visual pleasure.
Type
Team
Personal Project
Jay Jeon Mark John Mangayayam
Course
N/a Instructor
N/a Semester
Summer 2016
E Y E CA NDY
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Background Eye Candy is a gallery and bookstore that is curated for your visual pleasure. It is built as a space to collobrate with designers, artists, photographers, and creatives alike. Limited edition products could be found here that are made from many artists in different industires.
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Approach Our goal was to present aesthetically pleasing design through the concept of "Eye Candy". Expressed figuratively and literally, the brand system features printed collateral that uses vivid colors and alluring imagery.
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Attributes— Vivid, Inspirational, Progressive
Category— Gallery & Bookstore Identity
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01 — Pantone 3965
04 — Photograhy Style
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05 — Pattern
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Typeface — Helvetica LT Std
Foundry — Adele Type
Foundry — Linotype
Light
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Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm
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Medium Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz 0123456789 <!@#$%^&*>
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The store stationary system based on three colors: green, yellow and magenta.
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Photography consists of vivid color for a strong visual presence.
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A packagaging system was made for every exhibition. Within each package you recieve a poster pack of the artist's work.
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Project Four
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LO CA L B R E WIN G C O MPA N Y
Local Brewing Company Made and inspired by the people.
Type
Conceptual Course
Packaging Design 3 Instructor
Thomas McNulty Semester
Fall 2016
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Background Local Brewing Company is a brewery that creates craft beer based on customer feedback. Being located in San Francisco, one of the most diverse cities in the United States, there are many personalities and perspectives that walk in and out of their brewery. All is welcomed to give their own feedback on their beer and also recommend what they would want out of it.
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Approach Different styles of hand-made typography was made to convey the various districts of San Francisco that each flavor is named after. With all the production done in one place, the design is made for the brewer to personalize and explain what to expect in each bottle you receive. This is done to educate the customer and show that every product is made under the same roof.
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LO CA L B R E WIN G C O MPA N Y
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Attributes— Cultured, Diverse, Handcraft
Category— Updated Beer Identity
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01 — Pantone 1655
05 — Pantone Cool Gray 1
02 — Pantone 7734
06 — Bass Wood
03 — Pantone 300 04 — Pantone 186
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Regular
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Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm
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Shinola
Where American is Made.
Type
Conceptual Course
Visual Systems 2 Instructor
Eszter Clark Semester
Spring 2017
S HIN O L A
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Background Shinola creates jobs for a historic city. All based in Detroit, MI the company specializes in multiple categories: watches, bikes, and leather goods. Within each industry they strive to create quality products made in America. The company not great because of their products, it's because of the craftspeople. Each of them share a story and contribute their skill to create what you see today.
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Approach This editorial explains how Shinola is a company that not only creates jobs, but also quality products. The book is seperated into three chapters: the city, craftspeople and product. Each chapter explains how they all play an important role to creating quality products in America.
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01 — Photography Style
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Typography Typeface — Akzidenz Grotesk
Typeface — ITC Bodoni 72
Foundry — Berthold
Foundry — Linotype
Roman
Book
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Condensed Medium
Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu V v W w X x Yy Z z 0123456789 < !@# $ %^&* >
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Quality materials are picked like each of their products.
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The editorial was constructed by hand, the Shinola way.
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FILM PH OTO G R A PH Y
Film Photography Through the lens of a designer.
Type
Personal Project Course
N/a Instructor
N/a Semester
Spring 2016
I S S U E O NE
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â&#x2020;&#x2019;
Approach I believe that design could be found in many places. One way for me to record these incidents would be through photography using a 35mm film camera. During the early part of 2016, I picked up a Canon AE-1 on eBay and it has helped me understand composition and negative space within a photo and on a page. By using this medium of photography I needed to have patience and confidence in myself because nothing is digital. This helped me understand the importance of the different fuctions of a camera instead of relying on having everything automatic. After a few moths of under-exposed photos and stale compositions, I was able to get the hang of what my film camera could do. This is a collection of what I've collected within the last year.
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There's a unique kind of beauty with some of these flaws.
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There's a unique kind of beauty with some of these flaws.
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Project Seven
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Hint
A little bit of something.
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Team
Conceptual
Elizabeth Khuu Jihae Gu Mark John Mangayayam Hyunjin Yoon
Course
Packaging Design 4 Instructor
Michael Osborne Semester
Spring 2017
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Background Driven by our desire to provide the best gourmet food for everyday living, our aim to inspire and excite the imagination of all food lovers. With products sourced and selected from around the globe, Hint is a Private Label of Ethos focused on providing natural ingredients produced by specialist, artisan suppliers.
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Approach We wanted to approach the food industry in a differently, not just by what you see. To do this, our research pointed us to an audience that is encouraged to cook for themselves. Hint can be described as an action or the quantity of something. We developed a system that could explain both defnitions. Our goal was to create packaging that would engage our audience to cook more and also look good doing it. All of our containers were selected carefully in order to take minimal space for easy arrangement.
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Typeface— Silva (Edited)
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Foundry— Blackletra
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Attributes— Upscale, Refreshing, Sophisticated
Category— Oils/Spices Identity
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Brand System
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01 — Matte Black 02 — Oak Wood 03 — Silver Foil 04 — White
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Typography Typeface — FF Milo
Typeface — FF Milo Serif
Foundry — FontFont
Foundry — FontFont
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Project Eight
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Everlane
Ethically made. Perfectly fit.
Type
Internship Job Title
Creative Design Intern Semester
Summer 2017
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The Company At Everlane, we want the right choice to be as easy as putting on a great T-shirt. That’s why we partner with the best, ethical factories around the world. We source only the finest materials and share those stories with you— down to the true cost of every product we make. It’s a new way of doing things. We call it Radical Transparency.
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The Creative Team Creative Lead
Designers
Alexandra Spunt
Kasia Bedkowski Elaine Lin
Design Lead
Carla Poirier
Copywriters
Brand Lead
Abbey Abate Alex Applegate
Lee Cerré Copy Lead
Blair Pfander Photography Lead
Andrea Drake
Producer
Grace Brumley Photographer
David Baum Videographer
Doug Mahoney
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Email System
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01 — Logo 02 — Banner 03 — H1 04 — Product Photo
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Typography Typeface — Everlane Sans
Typeface — Century Schoolbook Foundry — American Type Founders
Bold
Regular
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MODERN H A RRING T ON JACK E T
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Made in Jiangmen, China
100% Cotton—5 oz cotton with a water-resistant finish
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Email designed specifically for this launch.
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Landing Page designed to promote the Modern Harrington.
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HE AV Y W EIGH T CHINO
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Made in Jiangmen, China
98% cotton, 2% elastane— Sturdy 8.1 oz cotton twill
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Random Work
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Posters to experiment with different tools. Each poster meantto be seen as an art piece.
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Thank You
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TITLE HER E
Family I appreciate all the love and support that you guys have given me for the last five years. I want to thank you all for giving me the fuel to finish my college career.
Friends Thavin, the homie from the start. You have been there for me since I started and never left. All those all-nighters have paid off. Jerico, we did it man! We both didn't see any of this coming so quickly. You're killing it now and I'm glad you're in a good place. Jay, the man with the plan. You've pushed me to do bigger and better things. Thank you for keeping me on the right path.
Instructors Mary Scott, Tom McNulty, Michael Osborne, Eszter Clark, Beau Monroe, David John Scott, David Hake, and Wioletta Kaminska. You all have pushed me to past my limit. For that, I thank you for not giving up on me for being so stubburn.
Mentors Will, Jacquie and Des from Rubber Design. Thanks for all tips and tricks while my time there. All the guidance has helped me see design differently and understand the industry as a starving student. The Creative Team at Everlane. There are too many of you guys to list and so many memories to talk about. You guys have pushed me to be myself and also have helped me understand teamwork. I can't even explain how grateful I am to have the opportunity to be part of the team.
BS The one that never left. Thanks for being the one that believed in me and my crazy thoughts. I can't express how thankful I am for being there when everything seemed to have gone wrong. You kept me sane in school and in life. I thank you for encouraging me to do anything and everything.
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Binding
The Key Printing & Binding Oakland, California Printing
Graphic Imagery San Francisco, California Paper
Mohawk Superfine Ultra-White Eggshell 80T Photography
Dustin Soriano James Han Mark John Mangayayam Typeface
Plain by Optimo, 2013 Contact
Mark John Mangayayam +1 (808) 220â&#x20AC;&#x201C;8949 aloha@itsmarkjohn.com itsmarkjohn.com
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"HAVE NO CHILL" â&#x20AC;&#x201D;VIRGIL ABLOH