Northside Hip Hop Archive Curriculum Resource Guide: Visual Arts, Grade 10, Open (AVI2O) – Lesson 1

Page 1

Lesson 1

Lesson Title Subliminal Simulation: Hip Hop’s Street Magazine Comics

Expectations:

The Critical Analysis Process

B1.1 identify and describe their initial reactions to a variety of art works, and explain the reasons for their reactions

• B1.3 explore and interpret a variety of art works, both historical and contemporary, to identify and describe their purpose and style, the materials used, and the meanings the works convey

Art, Society, and Values

B2.1 identify and describe the function of various types of art works

• B2.2 identify and describe ways in which various art works reflect the society in which they were created

Learning Goals Assessment

Explore the way hip hop art/culture engages with society and its institutions

T dot Pioneers 3.0

Subliminal Simulation Represent Materials

Demonstrate understanding of the conventions of hip hop influenced artwork

Hip Hop Aesthetic entry slips

Intro text and Video: T Dot Pioneers 3.0: The Future Must be Replenished

Audio: Dream Warriors’ ‘You Wash Your Face in my Sink’

Comic: Dream Warriors’ Subliminal Simulation

LCD Projector, Laptop and Internet access

T Dot Pioneers 3.0

The teacher meets students at the door with entry slips that pose questions about the aesthetics of hip hop: What is hip hop style? How does it manifest itself in terms of graphics, text, fashion and more? Students respond individually on slips and share responses in the large group.

Laptop/tablets for small groups Time:

15 Before : Minds On

The teacher reads students introductory text accompanying a short video documenting the T Dot Pioneers 3.0: The Future Must be Replenished gallery show (Click Visual Arts Lesson Arc Resources) pausing to highlight and explicate its description of hip hop as “insubordinate to the status quo. Schools, Police, Art Galleries and even Record Labels could never hold hip hop, it was always too creative, too generative, too all encompassing (read: holistic) to remain locked into the structures and strictures of an institution”.

Before watching, the teacher asks students to consider how hip hop might subvert expectations of a typical art gallery show. Post video, students discuss their impressions and reactions to the art, artists and gallery scene in the large group.

Dream Warriors’ Subliminal Simulation

The teacher introduces Canadian hip hop pioneers Dream Warriors by playing their song ‘You Wash Your Face in My Sink’.

The teacher shares the 1994 comic ‘Dream Warriors Subliminal Simulation’ (Click Visual Arts Lesson Arc Resources) illustrated by Christopher B. Clarke. This can be read in the large group, with students playing the four parts, or alternatively, in small groups of four, with access to one laptop/tablet for each group.

5 Essential Practices Designed to Promote Anti Racist Pedagogy • Education for empowerment T dot Pioneers 3.0

•Talk about race T dot Pioneers 3.0 •Capture the Unseen Subliminal Simulation •Tell a Complicated Story Subliminal Simulation •Connect to the Present Represent

Students present and share their comics (Assessment for/of learning)

Curriculum
(AVI2O)
Northside Hip Hop Archive
Resource Guide: Visual Arts, Grade 10, Open
15 15 5 25 25 During: Action!
Assessment Opportunities Assessment FOR Learning: T Dot Pioneers Discussion Assessment FOR Learning: Subliminal Simulation analysis Assessment FOR Learning: Represent comic Differentiated Instruction: Learning environment Full class, small group and individual work Interest& Content Choice of symbols Time:
After reading, students respond to the comic, considering guiding questions as they take a closer look: 1. What are the goals of this artwork? 2. What ideas or themes does it communicate? 3. What design elements mark it as part of hip hop culture? The large group comes together to share reactions and analysis. Time: 25 After: Consolidation & Connection Represent
Ti m e: Next Steps
In the Dream Warriors comic, each member of the hip hop group shares a symbol that represents them (sugar cane staff, star, sword, circle), explaining how it fits their identity. Students will think about a symbol that represents them and communicate it in the style of the Dream Warriors comic, using a minimum of three panels via comic templates provided.
of Hip Hop: Entry Slips Whatishiphopstyle?Howdoesitmanifestitselfintermsofgraphics,text,fashionand more? Whatishiphopstyle?Howdoesitmanifestitselfintermsofgraphics,text,fashionand more?
Aesthetics
Dream Warriors’ Subliminal Simulation

Lesson Title Boom Comics

Expectations:

The Critical Analysis Process

B1.1 identify and describe their initial reactions to a variety of art works, and explain the reasons for their reactions

• B1.3 explore and interpret a variety of art works, both historical and contemporary, to identify and describe their purpose and style, the materials used, and the meanings the works convey

Art, Society, and Values

B2.1 identify and describe the function of various types of art works

• B2.2 identify and describe ways in which various art works reflect the society in which they were created

Sketchbook

On

Learning Goals Assessment

Explore the way hip hop art/culture engages with society and its institutions

Sketchbook Beat Nation

Boom Comics Materials

Demonstrate understanding of the conventions of hip hop influenced artwork

Boom Comics sketches; chart paper, markers

Audio: ‘Get Loose’ by the Get Loose Crew Motion video, Intro text and Boom Comic covers React to Art Graphic Organizer LCD Projector, Laptop and Internet access Copies of ‘The Afro Astronaut’

Six drawings from Boom! Comics’ sketchbook submission section are posted around the room, taped to blank chart paper. While ‘Get Loose’ by the Get Loose Crew plays (Click Visual Arts Lesson Arc Resources) students respond to each sketch, using markers to draw speech balloons to give characters some dialogue. They should consider details presented in the drawing, tone, as well as dialogue added by previous students to shape their content. When the music stops, they move to the next drawing. At the final one, they discuss the drawing and various speech bubbles. Guiding questions: How do the speech bubbles shape/influence/change the meaning of the sketch? Which bubble do you find the most engaging? Why?

Boom Comics

The teacher introduces Boom Comics via a short video in which Motion talks about its influence on her career as an artist and then by introductory text featured on the NSHHA website (Click Visual Arts Lesson Arc Resources) noting that the sketches from the Minds On were featured in the street magazine. The teacher uses the LCD projector to share the covers of Boom Comic #4, 6, and 7; students vote on which to focus on and then individually, write: First Impressions (react); Description (what they notice); Analysis (elements of hip hop style) and Interpretation (messages). Students share in the large group.

Students form small groups to read the comic “The Afro Astronaut” by Little X (who went on to become Director X, a noted music video director). After reading, students respond to the comic, using the React to Art graphic organizer.

Beat Nation

5 Essential Practices Designed to Promote Anti Racist Pedagogy

• Education for empowerment Beat Nation

•Talk about race Boom Comics

•Capture the Unseen Sketchbook

•Tell a Complicated Story Boom Comics

•Connect to the Present Beat Nation

In ‘The Afro Astronaut’, Little X suggests that Vanilla Ice appropriated Black culture to make superficial, derivative hip hop. Hip hop’s roots in social justice issues make this position worth discussing. Yet, people of many different ethnicities perform and participate in hip hop culture. The teacher shares the website www.beatnation.org which documents the ways Indigenous artists use hip hop to explore identity. Students view images under the Artists tab. How does Aboriginal participation in hip hop culture, differ from that of someone like Vanilla Ice? Students can reference the Beat Nation’s introductory text and the art, as they discuss with an elbow partner and then share ideas with the large group. Ti

Assessment Opportunities

Assessment FOR Learning: Speech bubbles Assessment FOR Learning: Freewriting notes and graphic organizer Assessment FOR Learning: Beat Nation discussion Differentiated Instruction: Learning environment

Full class, small group and individual work Interest& Content Choice of sketches and covers

Students can respond to questions of cultural appropriation in hip hop and in the art world in a written reflection. (Assessment for/of learning)

2
Northside Hip Hop Archive Curriculum Resource Guide: Visual Arts, Grade 10, Open (AVI2O) – Lesson
Time: 15 Before : Minds
Time: 15 15 25 During: Action!
25
Time:
After: Consolidation & Connection
me : Next Steps
React to Art: Boom Comic # ________

Lesson Title The Art of Eklipz

Expectations:

The Critical Analysis Process

B1.1 identify and describe their initial reactions to a variety of art works, and explain the reasons for their reactions

• B1.3 explore and interpret a variety of art works, both historical and contemporary, to identify and describe their purpose and style, the materials used, and the meanings the works convey

Art, Society, and Values

B2.1 identify and describe the function of various types of art works

• B2.2 identify and describe ways in which various art works reflect the society in which they were created

I Used to Love H.E.R.

On

Time: 25 Before : Minds

Time: 30

Learning Goals Assessment

Explore the way hip hop art/culture engages with society and its institutions

I Used to Love H.E.R. The Art of Eklipz

Summative Task: Street Magazines Freestyle Comic Materials

Demonstrate understanding of the conventions of hip hop influenced artwork

Audio: Common’s “I Used to Love H.E.R.” radio edit Intro text and Boom Comic covers

LCD Projector, Laptop and Internet access Tablets or Laptops for small group use

React to Art Graphic Organizer (see previous lesson’s appendix)

Summative Task: Street Magazines Freestyle Comic Boom Comics’ Call for Freestyle Submissions

The teacher plays a (clean edit) of Common’s classic “I Used to Love Her”. The teacher asks them to consider the subject of the song; is it a woman, or hip hop itself? The teacher reveals that H.E.R. stands for ‘hearing every rhyme’. Navigating to Click Visual Arts Lesson Arc Resources, students read artist Mark Stoddart’s account of when he fell in love with hip hop and then view his painting ‘I Used to Love H.E.R.’. They consider the distinct representation of time (boom box, cassette tape). How would they represent H.E.R. today? Students do some free sketches, and share with a partner. The teacher asks a few students to share their sketches with the large group.

The Art of Eklipz

The teacher shares and unpacks the following quotes from ‘I Was There’ Hamilton Edition: The Art of Eklipz catalogue: Likewise, ‘high’ or ‘fine’ art, as understood within the (still) conser vative discipline of art history, greatly limits the creative practices of artists as well as ignores deeper structural issues within art institutions at large. (Ellyn Walker)

Discussion: What kinds of art are ignored or dismissed by the mainstream art world?

While many artworks appear as if shiny or glittering images (see Minnie Mouse image on page 12), Eklipz’s subjects are ripe with deeper meaning, which include critiques of Monsanto, West ern consumerism, racism and police brutality. (Ellyn Walker) Discussion: Consider the underlying meaning of images, logos and material used.

The teacher distributes slips of paper with other quotes from the catalogue to students, numbered 1 4. Students should form groups with other students who have numbers, until groups of four are formed. They share and discuss each quote and then visit the catalogue online: Click Visual Arts Lesson Arc Resources They examine the various pieces of art pictured and choose three for closer analysis, using React to Art graphic organizer from the previous lesson.

Summative Task: Street Magazines Freestyle Comic

5 Essential Practices Designed to Promote Anti Racist Pedagogy

• Education for empowerment

The Art of Eklipz

•Talk about race

The Art of Eklipz

•Capture the Unseen Street Magazines

•Tell a Complicated Story

The Art of Eklipz

•Connect to the Present

I Used to Love H.E.R.

Assessment

Opportunities Assessment FOR Learning: H.E.R. Sketches

Assessment FOR Learning: The Art of Eklipz discussion and graphic organizer Assessment OF Learning: Street Magazine freestyle comics

Differentiated Instruction: Learning environment

The teacher shares Boom Comics’ call for freestyle comics for their publication. For the summative task for this lesson arc, students will follow the Boom guidelines to create a 2 4 page comic in the hip hop style, creating their own title character. Content must consider sociopolitical issues like cultural appropriation, racial profiling, sexism in music etc. They can refer back to Little X’s ‘The Afro Astronaut’, and the Dream Warrior’s ‘Subliminal Simulation’ as exemplars. Students should work in the large groups to co create success criteria. What makes an engaging, successful hip hop comic?

Full class, small group and individual work Interest& Content Choice of Eklipz’ art, comic theme

Students should start planning characters, plot and theme for their Freestyle Comic. (Assessment for/of learning)

Northside Hip Hop Archive Curriculum Resource Guide: Visual Arts, Grade 10, Open (AVI2O) – Lesson 3
5 25 During: Action!
Time: 15 After: Consolidation & Connection
Ti m e: Next Steps

TheArtofEklipz

1. “IWasThere!Steel City is a solo art exhibition which showcases more than 20 years of artistic work by multidisciplinary artist Eklipz. Mixing both visual art and archival materials, the body of work Eklipz shares with us intimately details the creation of community, the making of a sense of belonging to the city and a public discourse that values lives of racialized peoples.” (Mark V. Campbell, “Curatorial Statement”)

2. “Like respected African Griots, historians, story-tellers and wisdom keepers of tribal history, Eklipz has respectfully compiled a significant archive of materials and ephemera from his own productive practice, from his position as an emcee, activist, filmmaker, break-dancer, rapper, entrepreneur and street artist/painter of graffiti styled portraits which pay homage to early hip hop icons and cultural figures, including Maestro Fresh Wes and Muhammad Ali.” (Pamela Edmonds, “Eklipz: Worlds in Rotation)

3. “His is a practice that works against the co opting and mass commercialization of hip-hop and rap culture which has effectively decontextualized the messages of freedom and protest which the culture emerged from, and the social realities of race and class discrimination that it still continues to battle.” (Pamela Edmonds,“Eklipz: Worlds in Rotation)

4. “The dynamic interdisciplinary mash up artwork of Hamilton based artist, Leon “Eklipz”Robinson, represents this ideological spirit through his aesthetic practice of selecting cultural objects and inserting them into new, re fashioned contexts.” (Pamela Edmonds, “Eklipz: Worlds in Rotation)

……………………………………………………………………………………………………………………………………………………………

Northside Hip Hop Archive: Lesson Arc for AVI2O

Summative Task: Street Magazines Freestyle Comic

Read the Boom Comics’ call for freestyle submissions below.

Follow the Boom guidelines to create a 2-4-page comic in the hip hop style, creating your own title character.

Content must consider sociopolitical issues like cultural appropriation, racial profiling, sexism in music etc.

Refer back to Little X’s ‘The Afro Astronaut’, and the Dream Warriors’ ‘Subliminal Simulation’ as exemplars.

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