PORTFOLIO Marta Tonelli
My name is Marta Tonelli; I am an Italian architect by education and training. I have graduated from the Accademia di Architettura di Mendrisio, Switzerland, in June 2017 with Professor Mario Botta. I have compiled a variety of academic and professional experiences in Italy, Chile, Austria, Switzerland, Marocco, and the United States of America. If you want to receive my curriculum vitae, mail me at: marta.tonelli@gmail.com.
SELECTED PROFESSIONAL WORK
Casa Tre, Castelgomberto, Vicenza, 2018 Marta Tonelli Architetto Architetto
“Passepartout” project, Trento, 2017 Marta Tonelli Architetto - with Dott.ssa Linda Martinello Martinello
Exhibition “DENTRO!”, DENTRO, Palazzo Palazzo di Giustizia, di Giustizia, Trento, Trento, 2017 2017 with weber+winterle architetti
Fondation Beyeler Extension Building, Basel, competition, 2016 2016 Heiz) with Made in (François (François Charbonnet & Patrick Heiz)
Museum of the 20th Century, Kulturforum, Berlin, competition of ideas, 2015 Heiz) with Made in (François (François Charbonnet & Patrick Heiz)
Blue Pavillion, Royal Academy of Arts, London, 2014 with Pezo von Ellrichshausen Ellrichshausen
Lamp Museum, Concepcion, 2012 - 2018 with Pezo von Ellrichshausen Ellrichshausen
Bookshelf, Trento, 2014 Marta Tonelli Architetto
Casa Tre, Castelgomberto, Vicenza, 2018 Marta Tonelli Architetto - ongoing Castelgomberto
Claudia
74.82 m2
Claudia
56.35 m2
Claudia
73.84 m2
Luca
55.63 m2
Luca
61.62 m2
Luca
55.63 m2
Luisa
109.88 m2
Luisa
107.64 m2
Luisa
81.36 m2
Preliminary phase: the client has asked to transform a single family house into a three apartment building. | schemi superoncithe investment costs and the changes made. Above schemes of the surfaces: three projectscasa are tre proposed depeding
“Passepartout� project, Trento, 2017 Marta Tonelli Architetto, with Dott.ssa Linda Martinello - ongoing
Development of a strategy for the recovery and enhancement of historic buildings along the local railway, to increase the culture of local territory. Analysis of the constraints and possibilities of financing the interventions; in cooperation with the competent institutions (RFI Italian Railways and regional authorities, PAT Provincia autonoma di Trento).
© w+w
Exhibition “Dentro!”, Palazzo di Giustizia, Trento, 2017 with weber+winterle architetti
Fondation Beyeler Extension Building, Basel, competition, 2016 with Made in (Franรงois Charbonnet & Patrick Heiz)
Museum of the 20th Century, Kulturforum, Berlin, competition of ideas, 2015 with Made in (Franรงois Charbonnet & Patrick Heiz)
Photography: James Harris
Blue Pavillion, Royal Academy of Arts, London, 2014 with Pezo von Ellrichshausen
Lamp Museum, Concepcion, 2012 - 2017 with Pezo von Ellrichshausen
Bookshelf, Trento, 2014 Marta Tonelli architetto
SELECTED ACADEMIC PROJECTS
Urban block and square in Salzburg - Prof. Mario Botta DIPLOMA - spring 2017
Water infrastructure in Capri - Prof. J. Nunes & J. Gomes MAS II - autumn 2016
Showcase in Milano - Prof. Valerio Olgiati MAS I - spring 2015
Frank Lloyd Wright, Solomon R. Guggenheim Museum, New York 1959
Traces - Prof. Franรงois Charbonnet & Patrick Heiz MAS I - autumn 2014
Hortus Conclusus in Cagliari - Prof. Martin Boesch BAC III - autumn 2013
Housing in Copenhagen - Prof. Walter Angonese BAC II - spring 2012
Cloud & Flying Pensieve - Prof. Riccardo Blumer BAC I - spring 2011
Urban block and square in Salzburg Diploma 2017, Prof. Mario Botta invited critics Hermann Czech, Walter Angonese
The Mirabell square is located on the border between the old town (Altstadt) and the new town (Neustadt). The area around the Mirabell Castle has been until 1800 a residual place of the city, where nothing was built, as it is evident from the historical analysis of its urban development, before the Blockrandbebauung structure developed in the late nineteenth century. On site there are two elements: the church of Sant’Andreas, placed on the Schloss axis, and a smaller building, called “Pharmacy”. The church is a reconstruction of the II World War: the project questions its presence as an architectural element (i.e. demolishing it), and considers the Pharmacy as a generator of a new Block structure that can thus recapture the surrounding fabric, in a sort of “travel against time”. The project consist of a new block structure with multiple functions and courtyards, which have different nature - urban, private and ancillary. On the programmatic level several functions are proposed: an extension for the university, a library, an auditorium, a new church and a new housing, to ensure that the new complex is always alive. With this “functional injection”, the real square, reorganized and redesigned, becomes the public place between the Schloss and the new built mass that connects the succession of historic buildings of the gardens and the block structure in front of them, as suggested by the image - partly utopian - of the Seminarwoche 1974, by Prof.H. Kramel, ETH Zürich.
Großglockner Hochalpenstraßen
Ärztekammer Salzburg
Salzburg Congress
Volksschule Sankt Andrä
Schloss Mirabell Magistrat Salzburg Kirche St. Andrä
Mirabell-Garage Mirabellgarden
Hotel am Mirabellplatz
Evangelische Pfarrgemeinde Salzburg Christuskirche
Galerie Thaddaeus Ropac
Altstadt - Planarchiv und bauhistorische Unterlagen Internationale Stiftung Mozarteum (ISM)
Universität Mozarteum Salzburg Dreifaltigkeitskirche
Mozart Ton- und Filmsammlung Mozarts Wohnhaus
DIPLOMA BOTTA 2017 | SALISBURGO - MIRABELLPLATZ | Marta Tonelli 0
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50
There are several public buildings around the site, including the Schloss Mirabell, some detached offices of the City Hall, a part of the University, as well as the church of Sant’Andreas, placed on the Schloss axis. This church was originally located at the “Platzl”, the corner where Linzergasse meets Dreifaltigkeitsgasse: after a great debate, the city decided to tear it down to make it a wider street. Reconstructed on the - at that time - free space front of the castle, it was completely bombed during World War II and then reconstructed a second time in neo-Gothic style. The city is clearly unsatisfied with the church as demonstrated by various attempts to change its impact and character, such as the lowering of the bell tower in the 70s, always trying to mitigate its presence. On the site there is the Pharmacy building at the corner, which divides the space into three parts: the church’s churchyard, broken by the flow of the road, the space behind the pharmacy itself, and the front with the Mozarteum. The late nineteenth-century city, with its traditional block structure, is built around the city before meeting the “spread” city of recent construction. This first site analysis has laid the foundations of the proposed design proposal: the project questions the church as an architectural element (i.e. demolishing it), and considers the pharmacy as a generator of a new Block structure that can thus recapture the surrounding fabric, in a sort of “journey back in time”.
Mirabellplatz, Andräkirche und Schrannengebäude (Mitte) around 1900
Andräkirche reconstructed, Mirabellplatz
Andräkirche, Mirabellplatz
Seminarwoche 1974, Atelier Prof. H. Kramel, ETH Zürich
Groundfloor plan, scale 1: 200
View on the new square towards the Mรถnchsberg
Underground plan, scale 1: 200
First floor plan, scale 1: 200
Sections, scale 1: 200
South-west elevation, scale 1: 200
80mm Gravel 10 mm Drainage 10mm 2 layers of Bituminous sealing 200mm Insulation 5mm Vapor barrier 280mm Concrete slab Installations and Ventilation 50mm Suspended ceiling
Metal folding shutters Window with anodyzed aluminium frame and double glazing
15mm Parquett 70 mm Floor screed with heating 1mm Foil 20mm Accoustic insulation 20mm Installations 250mm Concrete slab Installations and Ventilation 50mm Suspended ceiling
35mm stone 120mm thermal insulation 220mm concrete wall
15mm Parquett 70 mm Floor screed with heating 1mm Foil 20mm Accoustic insulation 20mm Installations 350mm Concrete slab 100mm Thermal insulation 35mm Stone
80mm Concrete panels in large format 70 mm Gravel 10mm Drainage 10mm Bituminous sealing 300mm Concrete slab
UniversitĂ della Svizzera italiana
Accademia di architettura
Atelier Diploma a.a. 2016/2017
SALISBURGO SITO 2 - MIRABELLPLATZ DETTAGLIO SCALA 1:25
Prof. M.Botta Ass. G. Cappellato
Diplomando: Marta Tonelli
View and section on the entrance, scale 1:50
Section model of the auditorium, scale 1:50
Water infrastructure in Capri Prof. J. Nunes & J. Gomes invited critics Martina Voser, Nicola di Battista
The territory and its various ecology, geography, topography, atmospheric conditions, vegetation and animal species have shaped our way of living and inhabiting it. While occupying a place, men constantly write on it through their presence: agricultural fields, roads, buildings and cities are part of our environment in the same way as mountains, rivers and lakes. If spatially the landscape is a continuous and systemic reality, the mechanism of water is one of its first activators: considering the geological context of Capri through time and its morphology, the intent is to deal - through infrastructures with forms of collection, storage and distribution of water and the consequent resulting maintenance of the soil, to enhance the endogenous capabilities of the island of Capri and to focus on its autonomy.
ANALISI GEOLOGICA calcari ad ellipsactinia brecce di Marina Piccola (origine piroclastica) depositi di piede di falesia (origine carbonatica, lavica, tufacea) calcari bioclastici con rudiste puddinghe carbonatiche e calcareniti calcari e dolomie calcari oolitici calcareniti bioclastiche faglia (alcune incerte e/o sepolte) 0
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375
IDROGRAFIA apporto grosso apporto sottile impluvio in erosione pozzi 0
75
375
Geomorphological analysis of Capri, taking in consideration the type of soil (first map) and the water draining lines (second).
BACINO DI RACCOLTA
SUPERFICIE TOTALE di RACCOLTA: 358’374 M2
This analysis led us to locate the collection basin on the south coast of the island (where the biggest amount of water can be collected, thanks to the steepness and nature of the land). The infrastructure is divided in three parts: the first collection basin is located at the end of the system in its lowest point on the south coast; the second consists in a vertical structure that pumps up the water again and acts as a landmark fot the whole island on the south coast, and the third finds its place on the west side of the island, where a big cistern collects the water and then distributes it again for agricolture.
Situation plan with the collection basin on the south coa
ast and the irrigation system on the west coast (all in red).
Tramontana
N Grecale
Maestrale
Ponente
O
E Libeccio
Scirocco
S Ostro o Mezzogiorno
Levante
Plan and sections of the higer part, scale 1:200
Interior view
Plan and sections of the
South elevati
e lower part, scale 1:200
ion of Capri
Model, scale 1:500
View on the west coast
Showcase in Milano Prof. Valerio Olgiati
Frank Lloyd Wright, Solomon R. Guggenheim Museum, New York 1959
invited critics Alberto Campo Baeza, Nicola di Battista
The project starts from a given motto, circulation system. The site chosen is in Milano: Piazza Filippo Meda. This piazza, very close to the Duomo, occupies a core position in the city; it hosts a parking spot underneath that can take in up to 600 cars in five floors underground: it is an exclusive place that benefits both of the pedestrian movement as well as car flows. The project is conceived as a showcase, imagining that the building has the character of a gigantic catwalk that develops in height as well as being a display for Italian fashion brands and more. Infrastructure is turned into a stage: the idea is to make a building as a threshold for the underground world that the square embraces, so the events can benefit of different type of fluxus - people walking in the city as well as drivers that use the parking. Circulation brings the visitor / the actor through the progressive discovery of a series of places that develop along the route, in a sort of reversed Panopticon, where everyone is visible both acting and circulating, in a form of supervision which is linked to clarity and transparency. The idea of visibility is not linked anymore only to a showcase: it becomes the essence of the building.
The ambition is to combine different speeds, different ways of moving within a city: on a urban level by infrastructure, on a human level by the act of walking (referring to the architectural typology of the passage as a covered street and as a performative space, where people are watching and being watched), on a performative level by one-to-one places for performances, where people sit and observe actors walking.
The site in the Fifties and its actual layout.
Piazza Crispi - Piazza Filippo Meda
In order that the building gains autonomy on its plot, the original circulation on the square gets restored.
Longitudinal section, scale 1: 200
Cross section, scale 1: 200
Parking plan, scale 1: 200
Underground plans, scale 1: 200
Above ground plans, scale 1: 200
Zoom 1: the space between the pillars is the exhibition space
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Zoom 2: the space between the pillars hosts the spectators
Traces Prof. François Charbonnet & Prof. Patrick Heiz invited critic Marco Zßnd
TRACE(S) investigates the manyfold understandings of the notion of trace: element, footprint, fragment, hint, indication, particle, proof, relic, remains, remnent, shred, strain, taste, tinge, vestige [‌]. In the footsteps of Friedrich Nietzsche, Walter Benjamin, Jacques Derrida and Pierre Bourdieu - among others - TRACE(S) attempts to decipher and comprehend the semiological, iconographical, archeological and ideological remnents in the production of architecture, their lasting and ephemeral natures as well as their original determinations. I have analyzed the Patrimonial trace: after having defined it within a specific frame of discourse, the attempt was to portray it through the choice of a place in Rome that could embrace all the significance of the topic, i.e. Piazza Navona. The interest lies in what we use as a depth of field, not meant in a photographical way - but in this sense of the idea of transcending time or obscuring time, and that something is retained, even where there is a loss of origin.
FORMA Gianbattista Nolli, Map of Rome (1748)
The plan shows a superposition of historical layers, showing what was able to traverse time and became part o It is interesting to realize how the same form of the Circus has been mai
A URBIS - Rodolfo Lanciani, Urbis Romae (1901)
of the urban fabric - like the Pantheon - or was was retained within a distance from its origin, like Piazza Navona. intained there, and the same did not happened for the Circo Flaminius.
FRAMING
Piazza Navona, Rome (200
Monuments are not transmissible in their fixity - there is an expansion in the transmission, reality moves, widens up. The histori of field with which we began to look at the past through a system of thicknesses. This reading of time becomes a reading of space our eye, the way we grasp things; bu
G REALITY
03) / Train Wagon (1987)
ical distance that allows the disjunction between the form and the content has been introduced by the prospective, i.e. the depth and vice versa: perspective allows to read in time the layering of spaces, not only physically. Patrimonium undoubtedly structures ut it is dynamic, it is in movement.
INFRAS
Plans - sc
Transformation of the Circus in an infrastractural ensamble. Layering: thre
STRATA
cale 1:750
ee levels in between above ground and underground, complexity, impurity.
INGRE
Sant’Agnese in Agone (1
Conversion of the Church of S. Agne
ESSUM
1998) / Elevators (2003)
ese into the main Hall of the station.
SUPERPO
Roma Termini (1910) / Pan
Links between ground and underground - columns holding the fountains, that on the square are the
OSITIONS
nathinaiko Stadium (2007)
references points (like the old mete of the Circus) became now orientation points also underground.
FUNDA
Cross Section
We rely on the traces of the past, t
AMENTA
n - scale 1:250
that support our present condition.
Hortus Conclusus in Cagliari Prof. Martin Boesch invited critics Piotr Broza, Marco Lecis
The site of the project is an abandoned cloister, destroyed after Second World War and left as a forgotten place in the heart of the city. It faces a key position between the low neighborhood of Stampace and the high one of Castello. Since the topic of the semester was reuse, the intervention is as discrete as possible, willing to maintain the intimate condition that the site embraces on its own and creating a public space using nature as the tool to build it. A sensual garden with typical plants of Sardegna recalls the typology of the hortus conclusus; furthermore, a small cafĂŠ, a pergola and a library allow to enjoy the experience being isolated from the nearby market and the noise of the city.
in red the intervention added
39.2m
32.8m
31.3m
28.9m
A-A'
39.2m
32.8m
31.3m
28.9m
B-B'
91.1m
65.4m
40.7m
C
31.6m
B' 29.1m
A'
C' A-B
C-C'
ATELIER BOESCH
SEMESTRE INVERNALE 2013 - 14
STUDENTI: MARIA LUISA BONGIOVANNI, MARTA TONELLI
RIUSO A CAGLIARI: TRA MARE E CASTELLO
SEZIONI 1:200
0m
10 m
20 m
Housing in Copenhagen Prof. Walter Angonese
invited critics Artec Architekten, Quintus Miller
Copenhagen is among the cities with more architectural exploration nowadays; the site chosen faces a key position in front of the old town and just above Christianshavn, being exposed to the water canal in a calm zone. The established masterplan was linking the complexity of three projects in a single square in common, and generating an external path towards the waterfront as well. Therefore, the housing project has been developed by paying attention to a more intimate and human scale, with the idea of recreate three “Lichthof �, a typical structure of northern architecture. This decision allows to generate a radically different environment in the internal patios, including the distributive system in a Piranesian evolution of stairs, being far away from the rigid and repetitive facade outside, which confronts itself which a residential place; as well as creating several typologies of apartments.
Krøyers Plads, the site of the project
model of the site 1:200, gypsum
,-./012/'34'56'507./289'2/0157:.65;',-./017
- 2.00 m
0.00 m
- 0.80 m
0.00 m
ACCADEMIA DI ARCHITETTURA DI MENDRISIO
HOUSING A COPENHAGEN - PROSEGUENDO CON IL RAUMPLAN CRITICA FINALE 29/30 MAGGIO 2012
STUDENTI LORENZO FASSI, MARTA TONELLI, SAMUEL HENZEN
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0
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25
SCALA 1:500
B
A
B
A
GROUND FLOOR
+16,20
+12,70
+9,70
+6,70
+3,70
+0,70 +0,00
SECTION BB
SOUTH-WEST ELEVATION
B
A
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A
FIRST FLOOR
+15,20
+12,70
+9,70
+6,70
+3,70
+0,70 +0,00
SECTION AA
NORTH-WEST ELEVATION
atelier  angonese
ACCADEMIA DI ARCHITETTURA DI MENDRISIO
HOUSING A COPENHAGEN - PROSEGUENDO CON IL RAUMPLAN CRITICA FINALE 29/30 MAGGIO 2012
STUDENTE MARTA TONELLI
PRODUCED Â BY Â AN Â AUTODESK Â EDUCATIONAL Â PRODUCT
STUDENTE MARTA TONELLI
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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
WINDOW MODULAR SCHEME, PRECAST CONCRETE SANDWICH PANELS
WINDOW MODULAR SCHEME, PRECAST CONCRETE SANDWICH PANELS WINDOW MODULAR SCHEME, PRECAST CONCRETE SANDWICH PANELS
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT A
-POROUS BOARDS -WATERPROOFING -CONCRETE WITH WATER-REPELLING ADMIXTURE -LEAN CONCRETE
PRODUCED BY AN AUTODESK EDUCATIONAL
B D E C A B D C -STONE FLOOR TILES -WOOD PARQUET -CONCRETE WITH -CONCRETE SANDWICH -MORTAR BED -MORTAR WATER REPELLING -STONE FLOOR TILES BED -CONCRETE SANDWICH -POROUS PANEL BOARDS -WOOD PARQUET -SCREED WITH ADMIXTURE -MORTAR BED -MORTAR BED-SCREED WITHPANEL -THERMAL INSULATION -WATERPROOFING UNDERFLOOR HEATING -SEPARATING-SCREED LAYER WITH UNDERFLOOR HEATING -SCREED WITH -TILES -CONCRETE WITH -THERMAL INSULATION -THERMAL INSULATION -SCREED SOUND HEATING -PAINT FINISHUNDERFLOOR-IMPACT WATER-REPELLING UNDERFLOOR HEATING -TILES WATERPROOF INSULATION -PAINT FINISH-THERMAL INSULATION -THERMAL INSULATION ADMIXTURE -IMPACT SOUND -DAMP-PROOF -CONCRETE -CONCRETE SLAB OVER WATERPROOF -LEAN CONCRETE INSULATION MEMBRANE BASEMENT -DAMP-PROOF -CONCRETE SLAB OVER -CONCRETE GROUND MEMBRANE -PLASTER TO SOFFIT PRODUCT BASEMENT SLAB -CONCRETE GROUND -PLASTER TO SOFFIT -LEAN CONCRETE SLAB -LEAN CONCRETE
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-CONCRETE SANDWICH PANEL -THERMAL INSULATION -TILES -PAINT FINISH
-WOOD PARQUET -MORTAR BED -SCREED WITH UNDERFLOOR HEATING -IMPACT SOUND INSULATION -CONCRETE SLAB OVER BASEMENT -PLASTER TO SOFFIT
-CONCRETE WITH WATER REPELLING ADMIXTURE -SEPARATING LAYER -SCREED -THERMAL INSULATION -CONCRETE
-WATERPROOFING -CONCRETE WITH -CONCRETE WITH WATER REPELLING ADMIXTURE WATER-REPELLING -SEPARATING ADMIXTURE LAYER -LEAN CONCRETE -SCREED -THERMAL INSULATION -CONCRETE
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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
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PROSPETTO NORD-OVEST
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SEZIONE AA
A PROSPETTO NORD-OVEST
A
HOUSING A COPENHAGEN - PROSEGUENDO CON IL RAUMPLAN ACCADEMIA DI ARCHITETTURA DI MENDRISIO CRITICA FINALE 29/30 MAGGIO 2012 HOUSING A COPENHAGEN - PROSEGUENDO CON IL RAUMPLAN atelier angonese ACCADEMIA DI ARCHITETTURA DI MENDRISIO CRITICA FINALE 29/30 MAGGIO 2012
atelier angonese STUDENTE MARTA TONELLI
ACCADEMIA DI ARCHITETTURA DI MENDRISIO STUDENTE MARTA TONELLI
HOUSING A COPENHAGEN - PROSEGUENDO CON IL RAUMPLAN
CRITICA FINALE 29/30 MAGGIO 2012
A
B -STONE FLOOR TILES -MORTAR BED -SCREED WITH UNDERFLOOR HEATING -THERMAL INSULATION WATERPROOF -DAMP-PROOF MEMBRANE -CONCRETE GROUND B SLAB -LEAN CONCRETE
STUDENTE MARTA TONELLI
-STONE FLOOR TILES -MORTAR BED -SCREED WITH UNDERFLOOR HEATING -THERMAL INSULATION WATERPROOF -DAMP-PROOF MEMBRANE -CONCRETE GROUND SLAB -LEAN CONCRETE
-POROUS BOARDS -WATERPROOFING -CONCRETE WITH WATER-REPELLING ADMIXTURE -LEAN CONCRETE
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
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-WOOD PARQUET -MORTAR BED -SCREED WITH UNDERFLOOR HEATING -IMPACT SOUND INSULATION -CONCRETE SLAB OVER BASEMENT -PLASTER TO SOFFIT
-CONCRETE WITH WATER REPELLING ADMIXTURE -SEPARATING LAYER -SCREED -THERMAL INSULATION -CONCRETE
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SCALA 1:20
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SCALA 1:100
UNIVERSITÀ DELLA SVIZZERA ITALIANA - ACCADEMIA DI ARCHITETTURA TECNOLOGIA BAC 2: COSTRUZIONE E PROGETTO
CALCESTRUZZO ARMATO
STUDENTE: MARTA TONELLI FASE 3 ATELIER ANGONESE - HOUSING A COPENHAGEN
ISOLAMENTO 0 GESSO/BETONCINO
0.40
2m
UNIVERSITÀ DELLA SVIZZERA ITALIANA - ACCADEMIA DI ARCHITETTURA TECNOLOGIA BAC 2: COSTRUZIONE E PROGETTO STUDENTE: MARTA TONELLI
LEGNO
FASE 3 ATELIER ANGONESE - HOUSING A COPENHAGEN
ISOLAMENTO 0 CALCESTRUZZO PREFABBRICATO
LEGNO
PIANTA A
CALCESTRUZZO PREFABBRICATO
PIANTA A
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SCALA 1:20
-CONCRETE WITH WATER REPELLING ADMIXTURE -SEPARATING LAYER -SCREED -THERMAL INSULATION -CONCRETE
SCALA 1:100 0
0
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SCALA 1:20
-WOOD PARQUET -MORTAR BED -SCREED WITH UNDERFLOOR HEATING -IMPACT SOUND INSULATION -CONCRETE SLAB OVER BASEMENT -PLASTER TO SOFFIT
CALCESTRUZZO ARMATO
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
atelier angonese
SEZIONE AA
-POROUS BOARDS -WATERPROOFING -CONCRETE WITH WATER-REPELLING ADMIXTURE -LEAN CONCRETE
A
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
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2m
SCALA 1:100
Cloud & Flying Pensieve Prof. Riccardo Blumer invited critic Mario Botta
Those two exercises represent my very first approach to architecture, seen as an opportunity to develop a sense for composition and geometry through topics apparently very detached from architecture. After observation, photography and drawing of the phenomenon, the Cloud was developed through a series of modules stuck orthogonally to each other, to create a sequence of planes. The model moves around each point of contact between them, being hanged on plastic wires in a wooden frame. The movement takes place due to an electric engine and four disc-shaped, ad hoc designed cams. The Flying Pensieve is a rhythmic composition of cylindrical modules, filled with helium to make them float in the air. Their sequence suggests a progression through logics of proximity, similarity and alignment. From the outside, the object appears as a tower marked by alternating volumes and voids evoking an ongoing growth; inside, the same volumes create alternating intervals, enriched by shafts of light coming from the structure itself.
B A'
A
B'
PIANTA SCALA 1:5
SEZIONE A-A' SCALA 1:5
Cloud, plans
SEZIONE B-B' SCALA 1:5
DETTAGLIO COSTRUTTIVO SCALA 1:2
The Cloud
ds Wall
Flying Pensieve
The project was published on the cover of the report on Teaching Activities of 2010/2011, Mendrisio Academy Press
thank you for your time!
Marta Tonelli | marta.tonelli@gmail.com