MARTA SANTALUCIA /
PORTFOLIO 2019
MARTA SANTALUCIA
Marta Santalucia marta.santalucia linkedin.com/in/marta-santalucia-5677a0195
GRADUATE ARCHITECT
My name is Marta Santalucia and I am a young, determined and passionate architect. I truly enjoy working as an active team player because I consider teamwork stimulating and essential to achieving successful ideas. I have strong technical/software design skills improved at university and especially during my recent work experiences. As an ambitious and goal-oriented woman, I am always willing to learn whatever is new to me.
CONTACT and PERSONAL INFORMATION
WORK EXPERIENCES march - november 2019
marta.santalucia94@gmail.com Born in Brescia, Italy, on the 29/12/1994 Italian: native English: proficient (TOEIC score 870) French: basic
EDUCATION MASTER DEGREE: ARCHITECTURE_2016-2018 Politecnico di Milano (Milan, Italy), Mark: 110L BACHELOR DEGREE: ARCHITECTURE_2013-2016 Politecnico di Milano (Milan, Italy), Mark: 108
TRAINING and ACHIEVEMENTS BEST GRADUATES AWARD 2019 Master thesis reported as worthy by a delegated representative of the Order of Architects of Milan SELF-BUILD WORKSHOP_sep 2016 CanPO #02 (Corbola, Italy) SELECTED PROJECT FOR A HOTEL_2014 Exhibition at Triennale Milano (Milan, Italy) ENGLISH COURSE_july 2012 English in Chester (Chester, UK). Level: B2/C1 ENGLISH COURSE_july 2009, 2010, 2011 Isca School of English (Exeter, UK). Level: B2
PERSONAL SKILLS and INTERESTS I am a dynamic and open-minded individual with positive attitude towards challenges that let me gain experience and knowledge. During the spare time I enjoy taking pictures and I am also lead singer in a band that have performed in a number of local venues over the years.
GRADUATE ARCHITECT ROSSI technical studio (Brescia, Italy) • Worked mainly on residential projects in which I showed my creativity with multiple concept designs. • Drafted a number of 3d models and photorealistic renderings which helped me improve my skills. • Carried out interior design studies for the preparation of a club and an office. • Filed standard documents and paperwork for clients. • Sat in on company meetings and asked relevant questions. • Filed priced bills of quantities. march - april 2018 ARCHITECTURAL INTERN ADAI Engineers (Castel Mella, Italy) • Contributed design ideas to the firm by drafting concept and schematic design for competitions. • Drafted 3d models in front of the client in order to quickly show every possible configuration of the project. march - april 2016 ARCHITECTURAL INTERN LPArchitects (Brescia, Italy) • Learned and used digital design software for 3d mode -ling and drafted photorealistic renderings. • Contributed design ideas to the firm by drafting concept and schematic design for competitions. • Learned how to draft accurate final proposals designs.
TECHNICAL SKILLS
EXPERTISE
Photoshop Illustrator InDesign AutoCad Archicad SketchUp Rhinoceros Artlantis 3ds Max V-Ray Revit
Teamwork - Collaboration Attention to detail Work independently Presentation skills Organisation Time management Quality enhancement Photography Creative and analytical thought Reliability Communication
CONTENTS selected works I 2015 - 2019
01
3D VISUALIZATIONS’ SELECTION
march - november 2019 GRADUATE ARCHITECT ROSSI technical studio
02
december 2018 MASTER THESIS mentor: Galliani Pierfranco collaborator: Bojan Vlahovic public I mixed use I urban I landscape
03
october 2017 - january 2018 ARCHITECTURAL DESIGN LABORATORY II, master professors: Galliani Pierfranco, Gasparini Christian, Nava Luisa collaborator: Bojan Vlahovic public I mixed use I urban
04
october 2017 - january 2018 BUILDING DESIGN CONSTRUCTION, master professors: Bolici Roberto, Broggini Alessio, Maistrello Mario collaborators: Lorenzo Porzio, Eleonora Rancati, Bojan Vlahovic public I residential I mixed use I urban
05
march - july 2017 ARCHITECTURAL DESIGN LABORATORY I, master professors: Pierini Orsina Simona, Isastia Alessandro, Salsa Eleonora public I residential I mixed use I urban
06
march - april 2016 INTERNSHIP, COMMISSION, bachelor tutors: Pellegrinelli Luca, Muccio Alessandro construction I detail
07
october 2015 - january 2016 ARCHITECTURAL DESIGN STUDIO III, bachelor professors: Tagliabue Franco, Bassoli Caterina public I mixed use I urban
NEW CULTURAL CENTER FOR MATERA 2019
PLAZA DEL CARMEN CULTURAL CENTER
PIACENZA SOCIAL HOUSING
LIVING IN THE CITY
FINAL PROPOSALS FOR A STAIRCASE
A LIBRARY FOR ZAMORA
01 GRADUATE ARCHITECT mar - nov 2019
3D VISUALIZATIONS’ SELECTION
During the collaboration established with ROSSI technical studio, I have held a number of duties that included the production of 3D photo-realistic renderings. I especially worked on 3D modelling and the successive rendering of the following projects: • VITA club (Brescia, Italy): study of a distinct layout for the club entrance with the arrangement of plant elements and points of light; • Apartment in Costalunga (Brescia, Italy): subdivision of the apartment in two independent units and study of the internal redistribution; • COFFINARDI Villa (Gardone Riviera,Italy): study of the apartment’s internal redistribution with open space kitchen and living room overlooking the lake. • NIGRITELLA Mountain hut (Ponte di legno, Italy): study of the external configuration of the chalet and its integration in the local context.
02 MASTER THESIS dec 2018
NEW CULTURAL CENTER FOR MATERA 2019
+7.73
+5.10
+2.20
+2.00
±0.00 -1.26 -2.00
-2.11 -3.39
-6.20
Situated within the Mediterranean Basin, Matera is an emblematic case of an “excavated” city and world heritage site since 1993. The idea of renovation and development of existing heritage takes on a particular nuance in this site: in such a characteristic place, all architectural interventions need to be based on a profound knowledge of the area, without which any enhancements would not work. Thus arises the context for the competition “Matera city of culture: a museum for the ancient city”, which includes the design of a new Cultural Centre as a “container of traditions”. The project area involves the northernmost part of the ancient city which is characterized by the presence of the Complex of Sant’Agostino. The main objective of the new Cultural Centre at the “north gate” of the “Città dei Sassi” stems from the desire to create a rich, lively cultural quarter that will contribute to revitalize the designated European Capital of Culture, in view of the events that will take place in the year 2019. By analysing the proposed area of intervention, both the general characteristics of the site (therefore the morphology and spatiality of the site) and the surrounding architectonic structures have been taken in consideration, A
SEZIONE AA
A
in order to understand how the new intervention can relate to the landscape and reinterpret the ancient construction models. Planning in such a singular and peculiar context, meant thinking deeply about some fundamental themes supporting this contemporary project. First of all, dealing with Matera means understanding that this city, in its combining action, “builds on what already has been built”, with new parts layering on top of existing ones. Moreover, within the “Città dei Sassi” one can perceive the idea of “cavity”. It’s an excavated space rather than a built-up area, where man and the natural environment are connected. It is a place where the concept of “inner space” is the core of the constructing process. On the one hand the existing architecture presents homogeneity of materials, the main construction material being tuff; on the other hand, the city structure is characterized by strong differences in height visible from above. Taking into consideration the specific nature of the site, it has been necessary to investigate the theme of roofing and coverage as a “fifth façade”, an element of mediation between nature and artifice, which respects the “Materan Murgia” landscape. Therefore the project is to build on a pre-existing wall overlapping it and filling an unused
empty space hopefully giving it a new purpose. This will be done without altering the existing road network, which is part of the city’s identity, and without trying to eclipse the monumental Sant’Agostino Complex. The new multifunctional Cultural Centre will result as an extension of the existing terracing. Consisting of two separate buildings and connected by an underground passage, it is designed to accommodate exhibitions, workshops and an auditorium. The project will also offer visitors the opportunity of using an underground access to one of the hypogean locals pertaining to the Complex. This underground access would represent one of the key points of the project, as it is in line with the vocation of the area of becoming a tourist and cultural attraction. But what really makes the structure truly unique is the presence of skylights of different heights and depths, capable of conveying natural light from the roof to the interior. Aimed to replicate the rich underground environmental systems, creating an extraordinarily suggestive space. The intervention has been designed in total respect of the site and the decision to operate mainly in a hypogean manner has allowed us to reconnect the past and the future, respecting the exsisting environmental heritage. 0m
2m
5m
10m
Thanks to the calcareous edge of the Gravina, all the types of built architecture set their origin from the cave. All these constructions, juxtaposed and overlapped, determined the characteristic urban landscape with sloping terraces.
On the inside, an elongated hall allows to reach the laboratories located at +2m. Furthermore, some terraced steps, which represent an element both connecting and stopping, lead to a flexible space located at -2m dedicated to exhibitions and connected to the auditorium. On the -4m floor it is possible to visit an original hypogean cave. The structural system consists of reinforced concrete walls and an overlapped light and rigid steel lattice structure. The external cladding is continuous, homogeneous and made of large GRC sheets.
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0m
PROSPETTO NORD-OVEST
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Âą0.00 -1.26 -2.00
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0m
12 13 14 15 16 17 18 19 20 21 22 23
24 25
1
26 27 28
1 2 3 4
5 6 7 8 9 10 11 29
1. Laminated glass that filters UV rays 2. Air gap 3. Transparent reinforced glass 4. Aluminum plate, 3mm 5. Existing wall in limestone blocks ("tufo"), 40mm 6. Support piling, Ă˜ 100mm 7. Impermeable film, 3mm 8. Regenerated polypropylene plate, 50mm 9. CLS, 400mm 10. Thermoacoustic insulation Rockwool Labelrock, 50mm 11. Double plasterboard sheet with plaster finish, 30mm 12. GRC sheets cladding, 30mm 13. U-shaped aluminum profile, 50x50mm 14. Corrugated sheet Isopan Ventotto9, 30mm 15. Air gap for rainwater runoff, 30mm 16. Insulation Isotec XL with water repellent surfaces, 60mm 17. Steel profile mullion, 80x80mm 18. Steel profile transom, 80x80mm 19. Steel profile, 30x15mm 20. Plasterboard sheet , 12mm 21. Thermoacoustic insulation Rockwool Labelrock, 80mm 22. C-shaped aluminum profile, 50x80mm 23. Plasterboard sheet with plaster finish, 20mm 24. Special shaped steel profile Montanstahl 25. Steel lattice beam 26. Steel profile mullion, 180x180mm 27. Steel profile transom, 180x180mm 28. Steel support 29. Steel tie rod 30. CLS foundation 31. Ventilated cavity, 350mm 32. CLS completion, 60mm 33. Thermoacoustic insulation Rockwool Steprock, 50mm 34. Screed, 70mm 35. Radiant panel heating system, 40mm 36. Resin flooring, 40mm
30 31 32 33 34 35 36
2
3
2m
5m
10m
2m
5m
03 ARCHITECTURAL DESIGN LABORATORY II oct 2017 - jan 2018
PLAZA DEL CARMEN CULTURAL CENTER
Plaza del Carmen’s remediation project in Madrid takes part of “Europan 14” competition at European level, which involves both the urban and the architectural scale. It is especially aimed at an overall territorial rebalance, with the redefinition of the square and the addition of a cultural center. The site is located in the ancient part of the city, between Gran Via and Plaza Puerta del Sol, within the consolidated urban grid. Today, this area is a big non-hierarchical gap with some vegetation without a significant role. Furthermore, there is a large underground public car park below the square that can be reached by two ramps. Another critical element is represented by a blind front that directly faces the lot. After an accurate context morphology analy-
sis, the new cultural center has been placed in the square in order to close the block and reconnect the urban fabric. Therefore, the design proposal’s main points consist of: • a tower building, with a projection, that is adjacent to the existing blind front; • a large hypogeum square that creates a limit on the northwest side and that leads into two auditoriums; • a long building on the square’s southwest side. The tower building consists of six aboveground floors, the last two of which create a projection that directly faces the underlying hypogeum square. On the inside, there are the cultural functions, such as the study rooms and the library, in addition to the entrance hall and to an entire floor intended for
cafeteria and bookshop. The long building has a cafeteria on the first floor, with a large transparent cut that overlooks an important commercial building on the southwest front, and a gym on the second floor. Moreover, part of the ground floor has been designed in order to cover the underground parking’s new ramps and to conceal their view. The excavated central square represents a strong element of connection between the two buildings, because it generates large terraces, an axis that crosses the entire lot from northeast to southwest and, in particular, an access to two hypogea auditoria, the roof of which becomes a walkable plate equipped with earthen tanks with trees and side seats.
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Large modular light fibre cement panels externally cover the tower and the long building’s ground floor; U-glass slabs compose the long building’s second floor; the external flooring is made of grey fibre cement panels and the internal one of parquet or resin.
-6,14
04 BUILDING DESIGN CONSTRUCTION oct 2017 - jan 2018
PIACENZA SOCIAL HOUSING
demolition existing building new building
The project involves a housing development property of ACER public economic company, which is located in Piacenza. This building complex consists of six seven-floor blocks of flats, in which 23 ethnic groups live together. The client requests the complete redesign of
the lot using different building typologies and pursuing the theme of the social housing project’s technological sustainability. Following our design intents, such as the reconnection of the existing green areas, and after the sequence of several construction and
demolition phases, the site’s layout has been designed with three micro blocks. These are different for both the building typology and the treatment of the ground, but they have in common the commercial services placement on the ground floor.
Lr+K
wc
B1
B2
B2
wc
Four-room apartment
Lr+K B1 B2
wc
Bearing structure plan
Three-room apartment
B2 Lr+K
wc
Two-room apartment
B2 wc
wc
Lr+K
B2
Three-room apartment
The project edifice is part of the six nine-floor tower building complex. Each tower has a commercial space and a central stairwell at ground floor, and eight residential floors, which have two possible configurations generated by the composition of four typical units. The structural system consists of a grade beam foundation, steel beams and columns, reinforced concrete casting and ISOPAN Lg55/750 corrugated sheet, and a reinforced concrete stairwell with bracing function. HEB 300 profile is used for the columns, HEB 320 profile for the main beams and HBE 240 profile for the secondary beams.
Typical floor plan
CIRCUITO 4 1,45 mq
Ø160 SCARICO ACQUE NERE Ø160 VENTILAZIONE SCARICO ACQUE NERE Ø160 VENTILAZIONE BAGNO CIECO Ø120 SCARICO ACQUE METEORICHE Ø100 COLONNA ADDUZIONE ACS FREDDO / CALDO / PANNELLI RADIANTI Ø100 SCARICO ACQUE GRIGIE Ø80 VENTILAZIONE CUCINA Ø25 ADDUZIONE ACS CALDA / FREDDA Ø50 SCARICO ACQUE GRIGIE Ø15 CIRCUITI E MANDATA / RITORNO PANNELLI RADIANTI COLLETTORE ACS / PANNELLI RADIANTI
Typical hydraulic and radial panel system plan
CISA Atelier stoneware flooring LECA Lecamix radiant screed LECA Cls 1400 lightweight subfloor LECA Spr Calpestop acoustic insulation ROCKWOOL Steprock thermal insulation Reinforced concrete + ISOPAN Lg55/750 corrugated sheet HEB 240 profile secondary beam KNAUF Ignilastra Board Suspended ceiling’s metal structure
Typical floor framing
KNAUF Diamant Board applied with Perlfix adhesive mortar Poroton P62A building blocks ROCKWOOL Frontrock thermal insulation Air gap EQUITONE Creaton Materia fibre cement panel
Typical wall’s layers
The choice of each material demanded extreme attention, from the window frames, to the claddings, and to every walls’ layers. For example, the external vertical closing system is realized with a ventilated façade of fibre cement panels, an air gap, a double layer of thermal insulation, building blocks and an internal drywall cladding. Each internal slab, instead, is realized with a suspended drywall ceiling, a corrugated sheet with a reinforced concrete casting, thermal and acoustic insulation layers, a lightweight subfloor, a radiant screed and a stoneware flooring. The heating and cooling system produces energy from a renewable source with a water-to-water heat pump, which indeed uses groundwater. In addition, 80 solar panels located on the rooftop produce 58% of the electricity required for the housing units, the commercial services, and the machinery.
05 ARCHITECTURAL DESIGN LABORATORY I mar - jul 2017
LIVING IN THE CITY
The lot, that to date represents a big urban gap, is located in Porta Volta district in Milan, close to the new Herzog & de Meuron’s Fondazione Feltrinelli building, which is an important city’s spot. Numerous issues have arisen after the inspection of the area: the medieval walls’ boundary, the relation to the ancient tollgates, the residence seen as a complex urban system, the street frontage’s compactness, the traffic presence, the green areas absence. The building faces the street in the southeast with a long and compact front, which rises at the end, reaching Fondazione Feltrinelli’s
height; the sleeping areas are located on this side. On the contrary, a big projection with living areas’ loggias characterizes the northwest front. Most of the openings are hinged windows to the fourth floor, ribbon windows in the tower and big “holes” in the highest floor’s walls surrounding the roof garden. The ending part of the building constitutes a big “spyglass” with apartments inside, which have a privileged point of view on the main street. The three project’s key issues are: • Private residences: large and medium -si-
zed apartments, part of which can have a temporary “dépendance”; • Common spaces: wide lobbies and fourth floor with all common functions only available to the residents, such as a gym, a co-working room with a collective library, two winter gardens connected by an outer passage and a panoramic terrace/roof garden with a pool; • Urban activities: the basement contains functions opened to the city, such as 24h market, two coffee shops, one clothing store and a nursery with an outdoor garden.
1st floor
2nd and 3rd floors
4th floor and roof garden
5th floor
6th floor
7th, 8th and 9th floors
Roof garden
06 INTERNSHIP, COMMISSION mar - apr 2016
FINAL PROPOSALS FOR A STAIRCASE
Dettaglio gradino_scala 1:20 30,00 Tub 40x40x4 Profilo ad L 15x15 Lamiera stirate a maglia quadra Tub 40x40x4 Profilo ad L 15x15 Lamiera microforata o rete
3,00
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3,00
Pianerottolo in legno massello in rovere mordenzato (mordenzatura da definire con la DL) sistema di fissaggio come gradino
23 7,12
30,00
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4,76 11
320,50 250,00
Pianerottolo in legno massello in rovere mordenzato (mordenzatura da definire con la DL) sistema di fissaggio come gradino
Gradini in legno massello in rovere mordenzato (mordenzatura da definire con la DL)
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4,00 27 ,53
96,00
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Profilo ad L 40x40 Gradino in legno massello in rovere mordenzato (mordenzatura da definire con la DL)
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Cosciale metallico formato da piatto sagomato sp.20mm
28 7,10
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Tub 40x40x4 Profilo ad L 15x15 Lamiera stirate a maglia quadra
Profilo ad L 40x40x5
Cosciale metallico formato da piatto sagomato sp.20mm
50,50
214,25 9,89
111,29
Tub 40x40x4 Profilo ad L 15x15 Lamiera microforata o rete
30,00
3,00
Cosciale metallico formato da piatto sagomato sp.20mm
3,00
100
78,51
Gradino a sbalzo prefabbricato in cemento armato
4,00
170,06
105,00
96,00
7,12 23
,00 10
Pianerottolo in legno massello in rovere mordenzato (mordenzatura da definire con la DL) sistema di fissaggio come gradino
111,29 114,00
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96,00
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200,00
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5,93 24
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97,00
70,50
Gradini in legno massello in rovere mordenzato (mordenzatura da definire con la DL)
92,00 3,00 Tub 40x40x4 3,00 Profilo ad L 15x15 Lamiera stirate a maglia quadra
97,00
97,00
9,70
B
B
Tub 40x40x4 Profilo ad L 15x15 Lamiera stirate a maglia quadra
30,00
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3,00
99,41
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10,00
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302,00 Gradino in legno massello in rovere mordenzato (mordenzatura da definire con la DL)
30,00 3,00 4,00 4,00
13 8,30 14 6,30
207,00 97,50
3,00 30,00
30,00
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97,50
Gradini in legno massello in rovere mordenzato (mordenzatura da definire con la DL)
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Profilo ad L 40x40
30,00
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Vite a brugola a testa svasata M5
PF01
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Cosciale metallico formato da piatto sagomato sp.20mm
18,00
97,00
97,00
2,60 13
17,09
Pianerottolo in legno massello in rovere mordenzato (mordenzatura da definire con la DL) sistema di fissaggio come gradino
18,00
4,00
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100 240
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Gradini in legno massello in rovere mordenzato (mordenzatura da definire con la DL)
8,30 13 6,30 14
3,00
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Boccola innestata al gradino
25,50
Vite a brugola a testa svasata M5
92,00 D C
Profilo ad L 40x40 Gradino in legno massello in rovere mordenzato (mordenzatura da definire con la DL)
Profilo ad L 40x40x5
Pianerottolo in legno massello in rovere mordenzato (mordenzatura da definire con la DL) sistema di fissaggio come gradino
B
4,00
Tub 40x40x4 Profilo ad L 15x15 Lamiera stirate a maglia quadra
100,00
Cosciale metallico formato da piatto sagomato sp.20mm
Cosciale metallico formato da piatto sagomato sp.20mm
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168,37
Gradino a sbalzo prefabbricato in cemento armato
4,00
97,00
96,00
23 8,23
30,00
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3,00
Pianerottolo in legno massello in rovere mordenzato (mordenzatura da definire con la DL) sistema di fissaggio come gradino
4,00
23 7,13
57,00
170,50
101,76
170,50
4,0000 4,
Profilo ad L 40x40
B
4,00
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2,68 14 8,68 13
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170,50
204,00
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3,00 96,00
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4,00 Cosciale metallico formato da piatto sagomato sp.20mm
24 5,93
111,28
30,00 17,78
4,000 ,4 30
Profilo ad L 40x40x5 Gradino in legno massello in rovere mordenzato (mordenzatura da definire con la DL)
Cosciale metallico formato da piatto sagomato sp.20mm
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Vite a brugola a testa svasata M5
Tub 40x40x4 Profilo ad L 15x15 Lamiera stirate a maglia quadra
Pianerottolo in legno massello in rovere mordenzato (mordenzatura da definire con la DL) sistema di fissaggio come gradino
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Profilo ad L 40x40x5
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101,76
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Cosciale metallico formato da piatto sagomato sp.20mm
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100,00
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Pianta piano terra_scala 1:20
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Tubolare 40x40x4 Profilo ad L 15x15 Lamiera stirate a maglia quadra
Vista inferiore
Gradini in legno massello in rovere mordenzato (mordenzatura da definire con la DL)
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Tubolare 40x40x4 Profilo ad L 15x15 Lamiera stirate a maglia quadra
23 4,77
119,56
Pianta piano interrato_scala 1:20
170,06
170,06
104,18
0,04
119,56
4,00 3,77 77 14 147,
3,00
204,00
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Tub 40x40x4 Profilo ad L 15x15 Lamiera stirate a maglia quadra
Cosciale metallico formato da piatto sagomato sp.20mm
3,00
Profilo ad L 40x40x5
3,00
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96,00
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Profilo ad L 40x40x5 Gradino in legno massello in rovere mordenzato (mordenzatura da definire con la DL)
4,00
Profilo ad L 40x40 Cosciale metallico formato da piatto sagomato sp.20mm
Cosciale metallico formato da piatto sagomato sp.20mm
Tubolare 40x40x4 Profilo ad L 15x15 Lamiera stirate a maglia quadra
Assonometria
113,94
Pianerottolo in legno massello in rovere mordenzato (mordenzatura da definire con la DL) sistema di fissaggio come gradino
Comune _ Concesio (BS)
Committenti _ Marco Ongaro e Marta Salini
Data _ Aprile 2016 Scala / 1:20 - 1:5
Oggetto _ Progetto esecutivo scala interna_ Nuovo edificio residenziale unifamiliare _ Concesio (BS)
Sezione BB_scala 1:20
Sezione BB con andamento parapetti_scala 1:20
Sezione DD con andamento parapetti_scala 1:20
Particolare attacco parapetto_opzione 1_scala 1:20
Particolare attacco parapetto_opzione 2_scala 1:20
TAVOLA 1
2 5 1 3 3 Brescia _ via Fontane , 2 6 / C _ tel 0 3 0 .2 0 0 0 1 0 9 _ mail luca.pellegrinelli@ lparchitects.it L u c a P e l l e g r i n e l l i
c o n _ A l e s s a n d r a C a n t o n i _ M a r i a c h i a r a G h i d o t t i _ A l e s s a n d r o M u c c i o _ GianniPellegrinelli _ F r a n c e s c a P a o l a U s s o l i _ MarikaPellegrinelli
GSEducationalVersion
Design an internal staircase for a house under construction has been one of the tasks assigned to me during my first curricular internship with LPArchitecs Architecture Firm; my role consisted of providing bi-dimensional drawings and three-dimensional models. After processing several 3D study models, which helped me better understand the inter-
connections between the steps and the stringers, I have achieved a final conformation, which requires the use of: • metallic stringers made of molded flats with a thickness of 20mm; • solid oak wood steps attached to the stringers with 40x40x5mm L-shaped sections and M5 socket countersunk head screw;
• hanged reinforced-concrete step; • 40x40x4mm metallic tubular parapet, 40x 40x4mm L-shaped sections, and expanded metal square-mesh panels. Finally, I completed my job drafting the required working drawings and some 3D photo-realistic renderings.
07 ARCHITECTURAL DESIGN STUDIO III oct 2015 - jan 2016
A LIBRARY FOR ZAMORA
The 30x60m lot, which is located in the Spanish town of Zamora, is “L” shaped and it borders a 30m high convent in the north and a blind front of a gym in the east. The library’s project started from the “solid” spaces placement, which generated an “empty” space. Motion is the concept that relates solid-closed and empty-open zones: the sta-
sis prevails in the first ones, the fluidity in the second one. Functionally, reading rooms and auditorium match the closed spaces, hall and archive match the open space. The building manifests itself with a great base crowned by a flat walkable roof with three towers. In this intervention, the light has a key role because it leads two distinctly different con-
ditions: an upward tense in the empty space created by big skylights and a relation with the existing context in the towers created by big side windows. The internal layout of the unit is, therefore, the result of spaces located according to their public/private and stasis/ fluidity nature.
1st floor
2nd floor
Secondly, the plan has been studied in detail with several maquettes in order to understand the best shape that could have fit the lot. The choice of each material demanded extreme attention to be proper for the internal space functions. Instead, the local yellow stone cladding has been chosen for the external facade and white rough concrete for the towers.
Double glazed frosted slabs with corten frame skylights are distinctive elements of the project’s space, because they create three different light effects: the upward tense comes back thanks to the surrounding glass and corten column; observing from the first floor, instead, the skylight looks like a great concrete and glazed lantern, which enables to keep the functions’ privacy from the more public ones downstairs; lastly, it is possible to relate to the inner space from the rooftop thanks to the glass’ transparency. A A
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opaque
reflective
scratchy
beam structure
noise-absorbing
scratchy
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Skylight terminal portion
LOCAL YELLOW STONE external cladding and access path
WHITE ROUGH CONCRETE interior and exterior finishes
MAHOGANY PARQUET reading area, auditorium and stairwell’s pavements
NOISE-ABSORBING PANEL auditorium and reading areas’ cladding
STONE PAVEMENT plaza
CLEAR RESIN hall’s pavement
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