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Medieval Champagne
Architecture, sculpture and stained glass
26 September–3 October 2023 (mj 906)
8 days • £3,120
Lecturer: John McNeill
Outstanding Gothic architecture, with some of the finest collections of medieval sculpture and stained glass in France.
Based in Reims and Troyes, two of the three principal centres of medieval Champagne.
The art and architecture of southern Champagne is inextricably entwined with that of Burgundy’s far north: Châtillon-sur-Seine, Pontigny and Auxerre are also examined.
Champagne is better known for its wine than its monumental culture, though along with neighbouring Burgundy it abounds in architecturally distinguished towns. It also played a major role in the development of Gothic architecture and retains more medieval statuary and stained glass than any other region in France.
The old county recognised three principal towns: Reims, Provins and Troyes – all of them sites of major European annual fairs. This lent a cosmopolitanism to medieval Champagne – an openness and suggestibility evident in its material culture. It should equally be celebrated for its earlier monuments.
The greatest of the 11th-century are the abbey of St-Remi at Reims and the hill-top church at Châtillon, while for the 12th century one is spoiled for choice. The 13th century saw Champagne at the cutting edge of Europe: at Reims, the tracery window was invented, while at Troyes the clerestory was perhaps first glazed. The late-13th century marked something of a change of direction – St-Urbain at Troyes is one of the keys to late medieval architecture in Europe.
Champagne suffered grievously during the Hundred Years War and recovery was protracted and uneven. Its great concentration of sculptural and glazing shops only reached a peak in the early 16th century, but there is still much to savour.
Itinerary
Day 1. Eurostar at c. 10.30am, London St Pancras to Paris. Drive to Reims; first of two nights here.
Day 2: Reims. Walk to the cathedral: the greatest and most varied architectural sculpture in France. Afternoon at the abbey of St-Remi, and among the stunning Roman and medieval collections housed in the adjacent monastic precinct.
Day 3: Châlons-en-Champagne, Orbais, Troyes. The museum at Notre-Dame-en-Vaux in Châlons-en-Champagne houses the finest early Gothic cloister sculpture in Europe. Orbais Abbey perfectly illustrates the shift from early to high Gothic architecture. First of five nights in Troyes.
Day 4: Troyes. Troyes Cathedral’s treasury, flamboyant west front and rich stained glass form a splendid ensemble. Visit the church of St-Urbain with razor-sharp tracery, openwork gables and fastidiously coloured glass. View 16th-century sculpture at La Madeleine, and visit the museum of stained glass at the Cité du Vitrail.
Day 5: Villemaur-sur-Vanne, Villeneuvel’Archevêque. See the Renaissance wooden choir screen at Villemaur and the episcopal church at Villeneuve, the town where Louis IX received the crown of thorns. Free afternoon in Troyes.
Day 6: Pontigny, Auxerre. Drive to Pontigny’s Cistercian church, contrasting a light-filled nave with a beautiful early Gothic east end. At Auxerre, visit St-Eusèbe, the Cathedral and the amazingly well-preserved Carolingian crypt at St-Germain.
Day 7: Châtillon-sur-Seine, Tonnerre, Chaource. Châtillon boasts a wonderful early Romanesque church on a hill above the Seine, and a museum built to house the Vix vase. Visit Margaret of Burgundy’s great hospital at Tonnere and the charming late medieval church at Chaource.
Day 8: Provins. In Provins, see the walled upper town and church of St-Quiriace. Eurostar from Paris to London St Pancras, arriving c. 6.30pm.