ART AND DESIGN AREN’T THE SAME
Pontificia Universidad Católica del Ecuador Sede Ambato
Mary Isabel Rios
Final work 5th Level
Differences between art and design ď‚Ą Many people often confuse art and design, as two equal but things are definitely NOT.
Manifestation of human activity through which personal and or imagined plastics, linguistic or
sound resources is expressed. linguistic or sound resources is expressed
.
Art
selfless vision that interprets real
or work for mass production. Graphic design, fashion,
industrial.
Design
Original conception of an object
The art makes the artist for your own enjoyment, to vent, to communicate feelings, criticisms or worldview, without any other purpose. Instead the designer has commissioned the designer creates something functional, almost always responding to a client or a human need. The design has a rationale, as propaganda, sell, make things more comfortable. The design does not exist only to be aesthetic and to be admired. Again, the design seeks to create a functional, something that works.
With these definitions we can see the huge difference there is between the two.
A designer does not have to let your emotions take over in the creative
process as would the artist, because the latter is sad and paint rain, dark, sad faces (very gullible to be
understood examples) and when this happy painting flowers , sun, animals ... a designer can not afford to
express their emotions through a graphic work for a company or client.
I think here we have clearly distinguish ed art and design.
I think so, a designer usually has the
technical
and
creative
enough to do, however this art / design will be created without being commissioned by a third
party.
That
is
for
enjoyment. That is art.
your
own
A DESIGNER CAN CREATE ART?
Relationship between art and design ď‚Ą As graphic artists and designers in general had greater opportunities to express their own style, created as much personal images and generated own techniques and styles. ď‚Ą The traditional boundaries between fine art and visual communication public, became more confusing and prone to conceptual images became significant in Poland, USA, Germany and Cuba and then implemented as a significant trend that emerged in the mid twentieth century
Advances in linguistics and semiotics have allowed themselves to provide the design metaphorical content of human communication, providing new levels of reading: it is no longer just about a design work, that materials are properly used and optimized construction processes. Now there is talk of a compromise: to represent aspirations and desires related to taste and comfort translates into better quality of life. In some cases, lead to other ideologies or only sales volume
Note