Visual Order by Mary Lim

Page 1

v i s u a l

m a ry

o r d e r

l i m


contents


figure/ground similarity proximity c lo s u r e co n t i n ua n c e t r a n s l at i o n r otat i o n reflectionv glide/reflection d i l at i o n symmetric balance asymmetric balance ambiguous balance neutral balance



figure ground TH E SMILING BOY T HE BLEA K SKY TH E SMILING BOY T HE BLEA K SKY TH E SMILING BOY T HE BLEA K SKY TH E SMILING BOY T HE BLEA K SKY TH E SMILING BOY T HE BLEA K SKY





similarity

two girls in black,

two girls in black,

two girls in print

two girls in print

two girls in butterflies

two girls in butterflies

two girls squint

two girls squint





in the air

p r ox i m i t y or on the ground





closu r e

fill in the ________.




c


continuance

w h e r e a r e yo u g o i n




t r a n s l at i o n hang the sheets side by side

by side by side by side by side by side by side by side by side by side by side by side by side





r otat i o n

o k es

spokes

sp spokes

spokes of a wheel





n o i t c e l f e rr e f l e c t i o n mirror image






glide

|

reflection row wor row wor row wor

on opposite sides r o w r o w t h e b o at mirror one side




d i l at i o n

e c h o e s i n a c av e ridges in a tunnel

e c h o e s i n a c av e ridges in a tunnel

e c h o e s i n a c av e ridges in a tunnel





symme tric bal ance

n ot o v e r w e i g h t o r u n d e r o r o v e r w e i g h t n ot , in the middle the in





the

crow

on

her shoulder

a s ym m e t r i c bal ance





ambiguous bal ance the curb

the old man

the sign

t h e yo u n g b oy





e v e r y w h e r e s w i m m e r s i n t h e s e a s w i m f r e e ly

e v e r y w h e r e s w i m m e r s i n t h e s e a s w i m f r e e ly

e v e r y w h e r e s w i m m e r s i n t h e s e a s w i m f r e e ly e v e r y w h e r e s w i m m e r s i n t h e s e a s w i m f r e e ly

e v e r y w h e r e s w i m m e r s i n t h e s e a s w i m f r e e ly

nue tr al bal ance e v e r y w h e r e s w i m m e r s i n t h e s e a s w i m f r e e ly

e v e r y w h e r e s w i m m e r s i n t h e s e a s w i m f r e e ly

w h e r e s w i m m e r s i n t h e s e a s w i m f r e e ly

e v e r y w h e r e s w i m m e r s i n t h e s e a s w i m f r e e ly

e v e r y w h e r e s w i m m e r s i n t h e s e a s w i m f r e e ly






速 M a r y L i m 2 01 3 c o m p l e t e d a s a r e q u i r e m e n t f o r v i s u a l c o m m u n i c at i o n c o u r s e i n t h e g r a p h i c d e s i g n p r o g r a m at t h e k a n s a s c i t y art institute. m i c h a e l k i d w e l l , a s s i s ta n t p r o f e s s o r .



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