Maryam Baber (2007 to 2014)

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Maryam Baber Journey through Representative to Non-representative 2007 to 2013










Animal instinct vc Nostalgia


Babu(Narcotic nuance) & Sar faraz (Labor class)


Frozen me! & M’ Divided


Melancholia



Self interaction!







Miniatures


Lahore Darbans’ Move to city


acquaintances


Cleopatra

Woodcut


Aquatint “Massacre at Lahore”


Yes ! M SLAVE

“Provocative feel”----I Belief in synthesis concept and stimulating contextualization. Nude physicality of three dimensional mass is an allegory of freedom, provocative man is evolved from ADAM. There is no synthetic cloth on the body. Even it is baked without ceramic’s artificial color. “NUDECOLOR”, is color of natural color of mud (terra-cotta), on the other hand human body is also manufactured with the same color and with the same material; support to the subjectivity or contextualization in the installation. Yet concaved-shallow shaped tarry, covered with bowl-pattern (animal print) orate to worldliness. But the human figure is purge from the ornamentation and decoration.


M NOT GOLDEN !

M NOT GOLDEN !


Excavating Me!


Obsolete!






Trash


ď‚— Slave

Gesture painting kind of catharsis for me. Main skeptical rendered to inner desire to get escape from the material. My soul is bounded in the physical existence of material. I am melting. I want peace. I m awful....rational source of light is making me ruin...I want escape.


M NOT Slave Struggle to get amorphous muse. I don’t belief in the symmetrical balance I bow to asymmetrical venture. I don’t belief in the geometrical flow. I yearn to develop organic ting. There is constant endeavor to record automatic glimpse of instinctive stimulus, direct interact to viewer through perceptual obscure...


M I ‘SLAVE?

M I slave? Want to get rid from nostalgia. Enamel on lasani with pastels. My whole Slave series is indicating, urge to get escape from the worldly behaviors. Moreover, my innate frenzy world is yonder from the fancy happenings.


Slave Painted on a chrome sheet, conventional manual hooding of cocco-mocho (a cappuccino advertisement) used as backdrop surface, which is intentionally muffled behind the vintage point. Main hypothesis of the two dimensions picturesque is “Evil mist become narcotic�. There are thin and thick losing strokes, representing the free-fall and fluent instinct of human being. There is forceful existence of rebel against nature and stimulating desire for freedom from conventional boundaries, use of black and orange hue, referring to irrational vigor.







Swirl at 39k gallery

Maryam Babar’s piece involved 36 frames in a spiral

which resulted in “an interactive installation designed to produce an illusion…..the piece captivated viewers upon entering the room.” Sonia Malik at International art magazine Tribunal


“Controversially 2D” at NHQ Gallery


“Pie” conceived after a midbreak during workshop at Alhmra 2013 16th April



Ku nahi” At Zahoor ul iqlaq gallery on 19th April 2013 montage “question of WHAT?



Site specific installation 2013

No Parking’ Side specific installation infront of bushra mateen building on Earth Day 2013


My Celestial world 2013



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