PORTFOLIO Maryse Léveillé
Maryse LĂŠveillĂŠ
514-823-7434 maryse.leveille@gmail.com
GRIFFINTOWN
GASTRONOMY
VENICE
ART
SUN
HOUSE
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Mixed Use Urban Block Montreal Duration: 15 weeks Fall 2016
Large flexible workspaces sit on grade, allowing for an open collaborative work environment for entrepeureurs, co-working or start-ups. With operable doors, these spaces open up to an exterior public space. This incubation zone becomes a central link between a raised public platform and a larger open plaza surrounding a cultural centre which integrates the artistic culture of Griffintown, and acts as a link to the Lachine Canal. The mixed residential sits above the offices with external circulation connecting to shared accessible roofs. Visitors, residents and employees co-exist, grounded by a collaborative workforce, recalling the working community of Griffintown.
By Maryse LĂŠveillĂŠ, Sabrina Charbonneau & Elaine Welsher Tutor David Theodore
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WILLIAM STREET
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0
1. CULTURAL CENTER AND PUBLIC SPACES
2. SHOPS AND OFFICES
3. RESIDENTIAL
4. CIRCULATION
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PROGRAM AXO
50
100
200m
0
TRANSVERSAL SECTION
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6
12m
5
6
ENVELOPPE DETAILS
PRESENTATION MODEL
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Regional Gastronomical Complex Isle-aux-grues Duration: 15 weeks Fall 2015
This project takes place on a huge rural site, located on Isle-aux-Grues, near Quebec City. Our task was to design a complex that includes a restaurant, spaces for production and housing for a famous chef from Sweden. Our project reflects the chef ’s culinary identity. The proposed concept respects the island and its community. We wanted to put the emphasis on the natural landscape, so our architecture becomes part of it instead of supplanting it. Simple forms for the buildings are well integrated to the very traditionnalist context. We chose modern materials for the outside skin (board-form concrete , copper roofing) that contrast with a more traditional interior finish (wood cladding).
By Maryse Léveillé & Othmane Laraki Tutors Hubert Pelletier & Yves de Fontenay
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APPROACH TOWARD THE SITE
ARRIVAL TO THE RESTAURANT
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0
EMPLOYEES’ HOUSE AND RESTAURANT
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SECTION OF EMPLOYEES’ HOUSE AND RESTAURANT
SECTION OF RESTAURANT
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10
20m
0
25
50
100m
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1
3
5 4
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1. Chef ’s house 2. Hop fields 3. Parking 4. Reception and microbrewery 5. Versatile pavilion 6. Hives 7. Root cellar 8. Restaurant 9. Employees’ house 10. Guests’ lounge 11. Guests’ houses 12. Dock
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ELEVATION OF RESTAURANT
ELEVATION OF EMPLOYEES’ HOUSE
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ELEVATION OF GUESTS’ HOUSES AND LOUNGE
5
10
20m
Wood beam 370mm Interior cladding in massive wood 30mm Plywood sheet 12mm Vapor barrier Rigid insulation board 120mm Roof membrane Copper coating
Interior cladding in massive wood 30mm Metal supports Sprayed polyurethane insulation 100mm Cast in place concrete 300mm
WALL SECTION OF RESTAURANT
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Italian Piazza Diagrams Venice Duration: 9 weeks Summer 2015
In the summer of 2015, I took part in an intensive workshop in northern Italy. For this program, we had to carry out a detailed study of a piazza from the Italian Renaissance, to produce specific diagrams. We studied the Piazza San Marco in Venice. First, we had to prepare CAD drawings of the building facades and plans to draw multiple sections and elevations of the Piazza. Then, we prepared a 3D model of the Piazza. This model allowed us to develop axonometric views in order to realize the final diagrams. These diagrams point out to some major features of the space. For example, we studied the program of the Piazza, the type of accesses, the paving and the materiality of the surrounding buildings.
By Maryse Léveillé, Geneviève Ladouceur & Rose-Marie Simard Tutor Hal Ingberg
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0
12.5
25
50m
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Religious Institutionnal/Civic Commercial Green spaces Water
PROGRAM
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TRANSITIONS AND AMENITIES
TRANSVERSAL SECTION 0
10
20
40m
Istrian stone
Bricks
Marbles
Verona and white stone
Trachyte stone
Terracotta
Water
Zinc
Grass and trees
Copper
Stuccos
MATERIALITY
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Museum of Fine Arts Montreal Duration: 12 weeks Winter 2015
This goal of this project was to design a new pavilion for the Montreal Museum of Fine Arts on Bishop street. Our concept is to give more importance to the educational mission of the museum.The exhibition galleries and the educational spaces are then segragated and have their own architectural language. The art galleries are confined in a huge opaque cube, cladded with dark polished concrete. Circulation is integrated in the exhibition spaces with big sculptural staircases. On the higher floors, educational spaces are contained in a box of glass. People can enjoy a panoramic view of the city. The studios are versatile and can be of variable sizes to fit multiple needs. To bring a ludic caracter to the space, a wood dome englobes the last two floors. By Maryse LĂŠveillĂŠ & Corinne Pouliot Tutor Manon Asselin
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0
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2.5
5
FIRST FLOOR
10m
SECTION WALL
0
.25
.5
1m
1Opaque Roofing Gravel 3mm Monolayer roof membrane 1mm Waterproof gypsum sheet 16mm Polystyrene Foam Insulation Panel 204mm Vapor/Air barrier 1mm Gypsum sheet 16mm Metal decking 40mm Open web joist steel structure 200mm Suspended ceiling system 2 Parapet Metal flashing 2mm Monolayer roof membrane 1mm Waterproof gypsum sheet 16mm Polystyrene Foam Insulation Panel 204mm Steel support Vapor/Air barrier 1mm Interior coating 3 Aluminium sheet and silicon joint 4 Steel angle 5 Steel beam 6 Curtain wall Prevost 3400E + serie Triple glazing 47mm Mullion with silicon joint 130mm
ROOFING DETAIL
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0
2.5
5
10m
FRONT SECTION
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STUDY MODEL FOR THE DOME (WOOD)
PRESENTATION MODEL (WOOD, CARDBOARD, PLEXIGLAS)
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Solar Shading Device NA Duration: 3 weeks Winter 2015
The goal of this project was to design a solar shading device that could be applied to a building. We had to build a mock-up (scale 1:1) of the device. The chosen solution is created by assembling vertical strips that are turned to 45° and compressed. This creates a network of curves with multiple lights and shadows effects. We propose to build the device with a soft material that allows to modify the strips curvatures. A network of holes at eye’s height control the views and makes the light effects more complex. This device could be placed inside or outside the curtain wall of a building in order to be used as a solar shading device. Thermical gains are reduced in summer but kept during the winter, creating a building that is more thermically efficient. By Maryse Léveillé, Corinne Pouliot, Shakeera Romain, Juliette Amyot & Thomas Buono Tutor Manon Asselin
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CONCEPT DRAWINGS
TOP VIEW
FRONT VIEW
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SUMMER
SPRING/FALL
WINTER
SHADING STUDY FOR A SOUTH-WEST FACADE
1:1 MOCK-UP
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Townhouse Montreal Duration: 3 weeks Fall 2014
This short project was to design a townhouse for a fictive client: a collector of various artifacts related to De Stijl group. We had to include rooms for the exposition as well as domestic spaces in the concept. The site is located right in front of the Canadian Centre for Architecture, in a neighborhood full of old victorian houses. Succeeding to make a good urban integration in this context was a challenge. With clear lines and refined interior spaces, esthetism of the house is inspired by De Stijl universe. Natural lighting was made possible in the narrow house by opening the facade, since the buiding is adjoingning other houses on both sides. With a cladding of grey stones, the house merges easily with its neighbors, while the glass facade gives it a clear modern touch. By Maryse Léveillé Tutor Cécile Baird
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GROUND FLOOR
FIRST FLOOR
SECOND FLOOR
SECTION A
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2
5m
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514-823-7434 maryse.leveille@gmail.com