MASTERPIECE : Southeast Asian, Chinese, Modern & Contemporary Art by MASTERPIECE Auction House

TIMED AUCTION

Southeast Asian, Chinese, Modern and Contemporary Art

24 January - 9 February 2022

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ONLINE AUCTION masterpiece-auction.com TIMED AUCTION 24 January - 9 February 2022

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Tel: (62-21) 351 0808 (Hunting) Fax: (62-61) 351 0707

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24 January - 9 February 2022 Mon - Fri 09.00 - 17.00 Saturday 09.00 - 15.00 Sunday CLOSED SAFETY GUIDELINES • Social distancing of 1 metre must be observed. • Please don’t gather in group. • Wash hand often and void touching your eyes,nose, and mouth with unwashed hands. • Mask is compulsory. • Frequent touched surfaces will be clean and disinfect multiple times per day. • Person with temperature above 37.5 degree celcius will not be allowed for enter. For those who not able to come, we provide video of the artwork and condition report as well, please feel feee to approach one of our staff. Stay healthy and keep safe.

FURTHER INFORMATION: Singapore: Renny Tan (+65) 9731 7663 Jakarta: Kevin (+62) 815 8457 6431 Chris (+62) 817 9972 929 info@masterpieceauction.com.sg info@masterpiece-auction.com

SoutheastAsian,Chinese,Modern&ContemporaryArt 6

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MASTERPIECE FINE ART - SINGAPORE

IMPORTANT NOTICE BRIEF ON CATALOGUE

All Lots are sold on an ‘’as is” basis.The contents of catalogues produced by Masterpiece form statements of opinion only. Subject to the limited warranty given in the Condition Of Sale For Buyers, no representation and warranty is made by Masterpiece or any seller of a Lot in respect of anything, including without limitation, description, value, or quality. Buyers are advised to inspect the property themselves. Masterpiece is not liable for any error or omission in this catalogue. All descriptions of dimension are approximate only. CONDITION REPORTS Condition reports are provided as a service to interested clients. Prospective buyers should note that descriptions of property are not warranties and that each lots is sold “as is”. Masterpiece catalogues sometimes include references to condition only in descriptions of Lots such as prints, books and wine. Generally, no statement of condition is given although they can be made available on request. Please liaise with Masterpiece representatives for a condition report on a particular lot. PROPERTY INCORPORATING MATERIALS FROM ENDANGERED SPECIES An export license may be required from the Primary Production Department and other regulatory departments in Singapore for the export of any item made of or incorporating (irrespective of percentage) endangered animal material such as ivory, whalebone, tortoiseshell, rhinoceros horn, etc., and this may take up to eight weeks to obtain. Clients are advised to check with the regulating body in the country importation regarding any possible restrictions on the importation of items within this category. EXPLANATION OF CATALOGUING PRACTICE For Pictures, Drawings, Prints and Miniatures. Terms used in this catalogue have the meanings ascribed to them below: Name(s) or Recognized Designation of an Artist without any Qualification In Masterpiece opinion a work by the artist. *”Attribute to…” In Masterpiece qualified opinion probably work by the artist in whole or in part. *”Studio of..”/”Workshop of..” In Masterpiece qualified opinion a work executed in the studio or workshop of the artist, possibly under his supervision. *”Circle of..” In Masterpiece qualified opinion a work of the period of the artist and showing his influence. *”Follower of…” In Masterpiece qualified opinion a work executed in the artist’s style but not necessarily by a pupil. *”Manner of…” In Masterpiece qualified opinion a work executed in the artist’s style but a later date. *”After…” In Masterpiece qualified opinion a copy (of any date) of a work of the artist. *”Signed..”/”dated…”/”Inscribed…” In Masterpiece’s qualified opinion the work has been signed/dated/inscribed by the artist. *”With signature…”/”With inscription…” In Masterpiece’s qualified opinion the signature/inscription appears to be by hand other than that of the artist. *”With date…” In Masterpiece’s qualified opinion the date on the item was not executed on that date.

INFORMATION FOR BUYERS CONDITIONS OF SALE Masterpiece CONDITION OF SALE FOR BUYERS governs the term and conditions of contract between the buyer and the seller of a lot and is set out later in this catalogue. Persons who have been registered as bidders will be deemed to have read and be fully aware of and subject to the terms as stated in the CONDITIONS OF SALE FOR BUYERS. No reliance should be placed on oral representations made by any person at the auction. ESTIMATES Estimates are based upon prices recently paid at auction for comparable property, condition, rarity, quality and provenance. Estimated are subject to revision. Buyers should not rely upon estimates as prediction of actual selling prices. Estimates do not include the buyer’s premium. For estimate on request, please contact us for further information. RESERVES The reserve is the confidential minimum price the consignor will accept.The reserve will not normally exceed the low estimate.

BUYERS PREMIUM Masterpiece charges a premium to the buyer on the final bid price of each lot sold at the following rates: 22% of the hammer price.

VIEWING/ADMISSION Pre-auction viewings are open to the public and free of charge. Please note the location of the painting. Masterpiece reserves the right to refuse admission and participation in its auctions. REGISTRATION Prospective buyers need to register online at auctions.masterpiece-auction.com to get an account to place bid. BIDDING Bidding are solely by online only. Bidding will be done in Singapore Dollar (S$). BIDDING INCREMENTS The auctioneer will normally start with bids below the low estimate and may at his own discretion increase bids. The standard increments are: $500 - $1,000 by $50 $1,000 - $2,000 by $100 $2,000 -$5,000 by $200 $5,000 - $10,000 by $500 $10,000 -$20,000 by $1,000 $20,000 - $50,000 by $2,000 $50,000 - $100,000 by $5,000 $100,000 - $200,000 by $10,000 SUCCESSFUL BIDS The highest bid will be the successful bidder when the lot closes. Winning bidders will receive and email notification of any successful bid.

CONDITION OF SALE FOR BUYERS Together with the terms as set out in “INFORMATION FOR BUYERS”, these conditions contain all terms in which a buyer contracts with a seller in respect of the sale of a Lot. These terms may be amended at any time by way of notices or oral announcements during the sale and auction. The buyer agrees to be bound by the Conditions when he/ she bids to purchase a Lot. 1. Meanings In these terms and conditions, the following words and expressions have the following meaning: “Buyer” means the successful bidding buyer of a Lot; “Catalogue” means the Catalogue prepared by Masterpiece which describes and illustrates all Lots for sale by Masterpiece; “Conditions” means these terms and conditions; “Hammer Price” means the price at which a Lot is sold to Buyer; “Lot” means each piece pf property as described in the Catalogue for which bids are invited for purchase; “Masterpiece”, “our”, “we”, “us” means Global Auction Pte Ltd; “Reserve Price” means in respect of a Lot, the minimum price which the Seller is prepared to accept from a buyer; “Seller” means in respect of a particular Lot, the seller of that Lot and his personal representatives; “$” means the lawful currency of Singapore. Except where the context otherwise requires, words importing the singular shall include the plural and vice versa, words importing any one gender shall include all genders, and words importing persons shall include companies and corporations and vice versa. Unless otherwise stated, references to Clauses are references to Clauses in these Conditions. The headings appearing in this Agreement are inserted for ease of reference only and shall in no way define, limit or construe the terms and conditions appearing herein.

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2. Parties to the sale of a Lot Unless otherwise stated, a Buyer contracts with a Seller to purchase a Lot. Masterpiece acts as the Seller’s agent in respect of the sale of a Lot. 3. Bidding (a) Registering. Prospective buyers are required to register online at auctions. masterpiece-auction.com. You will receive email confirmations indicating that you have successfully registered online. (b) Reserve. Unless otherwise stated, all Lots are offered for sale, subject to a Reserve Price which is confidential between Seller and Masterpiece. Bids may be placed by representatives of Masterpiece on behalf of the Seller up to Reserve Price. There is no obligation on Masterpiece to identify bids placed on behalf of the Seller. (c) Types of Bids. Bids are solely placed by online only. (d) Currency. Prices of all Lots are in Singapore dollars and all bids shall be made in Singapore Dollars. Prices which may be stated in other currencies on the screen during the auction are for reference purposes only. (e) Closing of a lot. A countdown clock is displayed for each lot on the lot description. There will be a bidding extension so that there will always be a 3-minute period between the last bid and closing of that lot.These extensions will continue indefinitely until there is no more bidding activity on the lot for a period of 3 minutes. The highest bid will be the successful bidder when the lot closes. (f) Buyer’s Responsibility. When bidding, a prospective buyer accepts personal responsibility to pay the Hammer Price of the Lot for which he bids if he is successful, together with the following additional amounts being : (i) a buyer’s premium of 22% of the Hammer Price (ii) Good and services tax at the applicable rate if any and Premium as set out in Clause 3(f)(i) above; and (iii) Shipping cost, duty and taxes for cross-country pick-up/shipment if needed.

4. Limited Warranty (a) No Warranty. Neither the Seller nor Masterpiece makes any warranty on respect of the description of any Lot, its value or its quality. Save for the limited warranty set out in this Clause 4(b) below, the Buyer purchases a Lot ‘as is” without any representative or warranty of any kind by masterpiece or the Seller. The contents of the Catalogue are statements of opinion only and do not constitute any representation or warranty whatsoever in respect of any Lot. (b) Limited Warranty. The Seller and Masterpiece only warrant that the Lot is related to the artist named in its description in the Catalogue. In the event of any allegation of lack of authenticity or forgery, the Buyers is required to notify Masterpiece in writing within a period of one year (the “Notice”) from the date of auction. (c) Contents of Notice. The Notice shall include written evidence from a reputable independent expert who is able to show that the Lot is forgery. Masterpiece or the Seller reserves the right to request for further evidential proof from other experts if in their respective opinions either of them is not satisfied with the finding of the Buyer’s expert. (d) Refund. In the event that Masterpiece is satisfied with the evidence as enclosed in the Notice and subject to (i) receipt of the full refund from the Seller and (ii) the return of the Lot in such condition as it was sold, a refund of the purchase price for that Lot will be made to the Buyer.The liability of Masterpiece and Seller is limited to the purchase price of such Lot. Neither Masterpiece nor the Seller shall be liable for any other damages, costs and expenses that may be incurred in presenting the Notice. (e) Conflict of Opinion. In the event of conflict opinion between the Buyer’s expert and the expert appointed by Masterpiece or the Seller, or if it can be shown that test of authenticity would involve scientific process which could damage or otherwise jeopardize the condition of the Lot and which scientific process did not exist at the time of the publication of the Catalogue, no refund will be made of the affected Lot. (f) No assignment of Limited Warranty. The Limited warranty in this clause 4 is for the benefit of the Buyer only and cannot be assigned to any third party.

5. Payment, title and collection of purchases (a) Deadline for payment. All payments for sold Lots must be made within seven calendar days from the date of sale, notwithstanding that the Buyer wishes to export the Lot and is applying for an export/import licence.

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(b) Title. No title in the Lot will pass to Buyer until all amounts due to Masterpiece as stated in Clause 3(f) above the been paid, even in circumstances where Masterpiece has released the Lot to the Buyer before full payment has been made. (c) Payment modes. Payments must be in Indonesian Rupiahs and will be based on Bank Indonesia average exchange rate against SGD on the day of closing to: (i) Telegraphic Transfer to Masterpiece’s bank account as set out below, together with the Buyer’s name and paddle number in the instructions to the bank: Name of Account : Benny Oenardi Raharjo BANK : BCA Account Number : 654-060-3136 (d) Collection. The Buyer is required to collect his purchase from the premises of Masterpiece and pay for all delivery and shipping costs. Masterpiece may assist the Buyer in making packing and shipping arrangements at the Buyer’s own costs and risk. (e) Export, import Restrictions. Property comprised in a Lot may be subject to laws governing export out of Indonesia and import restrictions in foreign countries. It is responsibility of the Buyer to comply with all export and import regulations imposed by the relevant authorities. (f) Storage Charges. All purchases will initially be held for collection at the premises of Masterpiece at no charge for a period of fourteen days from the date of Sale. Subsequently Masterpiece will charge the Buyer storage charges at the rate of $10 a day per Lot, together with all other transport, handling, removal, insurance and other expenses where a Lot is transported to another location pending collection. Limit on insurance cover. Masterpiece provides general insurance cover for sold (g) Lots for a period of up to seven days from the date of sale such Lots. Subsequently, risk of such Lots will transfer to the respective Buyers. 6. Non-payment Where a Buyer fails to make payment with cleared funds within the stipulated time, Masterpiece and/or the Seller shall be entitled, in addition to all other rights and remedies available under the law, to” (a) Charge default interest at the rate of 1.5% per month in the outstanding sums due from the buyer; (b) To commence legal proceedings against the Buyer for recovery of all outstanding sums, including interest, legal fees, costs and other expenses on a full indemnity basis; (c) Rescind the sale of the Lot; (d) To resell the property on such terms as they deem fit and to set-off the proceeds of sale against the outstanding sums unpaid by the Buyer; (e) To hold the Lot as security; pledge or lien pending payment of all outstanding sums due from the Buyer. 7. Copyright The copyright in all images, illustrations and literature, including the Catalogue is the property of Masterpiece and shall not be used by the Buyer without the prior written consent to Masterpiece. No warranty is made by Masterpiece and the Seller that the Buyer of a Lot shall acquire any intellectual property rights in it or to reproduce it.

8. Miscellaneous (a) Notwithstanding anything stated in these conditions, the Buyer shall indemnity basis, in respect of any loss, damage, cost or expense that may be incurred by either the Seller or Masterpiece in respect of any breach by the Buyer of these Conditions. (b) If any part of this agreement is found by any courts to be invalid, illegal or unenforceable, that part may be discounted and the rest of the agreement shall continue to be valid and enforceable to the fullest extent permitted by law. (c) Masterpiece will hold Buyer’s personal data and may communicate it to affiliated companies worldwide for the purposes of enabling the Buyer to consign or purchase property or services and, unless the Buyer objects, advising of forthcoming sales, events and service. (d) These conditions are subject to Singapore Law, which shall apply to its construction as well as to its effect. (e) Where a translation of this agreement has been provided, the English language version shall prevail in case of conflict.

Srihadi Soedarsono Born in Solo, December 4, 1931. In 1958 he studied fine arts at the Institute of Technology Bandung and the Ohio State University, United States (1960 – 1962). His works has been exhibited in Indonesia, the United States, Australia and Brazil. He received cultural awards from both the Indonesian government (1971) and Australian (1973). In 1978 and 1987, he received the highest award in the Biennial Exhibition in Jakarta. Srihadi is currently a senior lecturer in painting and drawing at the Jakarta Institute of Arts and the Bandung Institute of Technology.

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001 SRIHADI SOEDARSONO (Solo, 1931) Pantai Hening, Lebih Bali, 1989

Lot location: Jakarta, Indonesia

Oil on canvas: 130 x 202 cm Signed and dated, upper right: Srihadi S89 Signed, titled and dated on the reverse Provenance: Private collection, Jakarta SGD 70,000 - 90,000 IDR 700.000.000 - 900.000.000

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Affandi

Born in Cirebon, March 11, 1907. He is considered as the Indonesian Artist par excellent. He was the founder of the Himpunan Pelukis Masyarakat (Community’s Artists Association (1946) and Himpunan Pelukis Rakyat (People’s Artists Association) in 1947, Affandi was committed to creating a new artistic idiom for Indonesia. In the early of 1950s he traveled to India for a grant from Indian Government, he held several one-man shows in several Indian Cities, United Kingdom, the Netherlands, Belgium, France and Italy. He received an Indonesian Art Award from the Ministry of Education and Culture (1969), the Dag Hammerskjoeld Prize from Italy (1977) and an Indonesian Government the First Class Merit (1978). His works were exhibited in major exhibitions in Asia, Europe, and the Americas and were also be acquired by major art collectors and institutions all over the world since the 1950s. 12

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002 AFFANDI (Cirebon, 1907 – 1990) Self Portrait, 1970 Oil on canvas: 135 x 96 cm Signed and dated, lower left: A.1970 Provenance: Private collection, Jakarta SGD 150,000 - 250,000 IDR 1.500.000.000 - 2.500.000.000 Lot location: Jakarta, Indonesia 14

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Sotheby’s 04 Oct 2015 #1058 Hammer Price: SGD 685,570

It was in India that the technique Affandi had had to "forget" was further developed. This "delay" did not seem to present a problem to him; he did not, after all, have to start from zero. Also, the reasons for his liking the squeezing technique seem to have been becoming clearer to him. First, he had felt that it was the solution when he discovered that the conventional technique took up too much time, causing the act of painting to drag behind the emotional experience - or what, at another time, Affandi called his "stimuli". Second, in addition to the fact that the squeezing technique could keep abreast with the movement of his emotion, he also felt that this technique could produce an effect that was different from the one made by brush. Third, the squeezing technique shortened the physical distance between hand and canvas compared to when the hand connected with the canvas via the brus. And fourth, and this may have been the most compelling attraction to him: the squeezing technique caused his painting to, in essence, be formed by lines. On his travels, Affandi liked to draw unique objects and sceners of life. This present lot is one of Affandi's paintings dated in 1951 using medium of oil on canvas. The painting expresses Affandi's time India, a place he said was a malicious place. Affandi shows this by using dark, intense and gripping colors MASTERPIECE ONLINE AUCTION

Lot location: Jakarta, Indonesia 003 AFFANDI (Cirebon, 1907 – 1990) Huts in India, 1951 Oil on canvas: 75 x 87 cm Signed on the reverse Literature: Sardjana Sumichan, Affandi Vol III, Published by Bina Lestari Budaya Foundation, Jakarta, 2007,Page 39 Raka Sumichan, Umar Kayam, Affandi, Published by Yayasan Bina Lestari Budaya, Jakarta, 1987,Page 71 Affandi, Prix International Dag Harmmarskjoeld SGD 70,000 - 80,000 IDR 700.000.000 - 800.000.000 16

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004 AFFANDI (Cirebon, 1907 – 1990) Perahu Jukung, 1975 Oil on canvas: 49 x 65.5 cm Signed and dated, lower right: A.1975 SGD 48,000 - 55,000 IDR 480.000.000 - 550.000.000

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Lot location: Jakarta, Indonesia

Sunaryo "Born in Banyumas, Central Java, 1943. Sunaryo studied at the Bandung Institute of Technology (ITB) majoring Art Department in 1969 and continued to study marble carving for 7 months at Carrara, Italy in 1975. Then he joined the Decenta group which was reacting against the more traditional ""Bandung school"" that had pioneered abstract art and was viewed generally as more Westernized than other schools of thought at the time. Artists in Decenta were trying to reprocess the visual elements of Indonesia's traditional arts in search of ""local colour and their cultural roots,"" Sunaryo recalled. Sunaryo theme of Balinese Dancer are most desirable by the art connoisseurs. Back in the 1980s, Sunaryo es tablished himself with his lyrical paintings of Indonesian themes, such as Balinese dancers that often incorporat ing with traditional art forms and motifs. But over the last 10 years, his works had become much more politically conscious. The dancer series often expressed his social and environmental concerns and issues like ""the tension of tradition and modernity"" or political issues through symbolization of colors. Abstract or figurative, his work has always been known for its formal strength and inventiveness, but his work has also always been about social, environmental and spiritual issues, and goals." MASTERPIECE ONLINE AUCTION

005 SUNARYO (Banyumas, 1943) Tiga Penari, 2007 Mixed media on canvas: 150 x 150 cm Signed and dated, lower right: Sunaryo’07 SGD 45,000 - 60,000 IDR 450.000.000 - 600.000.000 Lot location: Jakarta, Indonesia 20

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MASTERPIECE 11 Apr 2015 #068 Hammer Price: SGD 90,000

Adrien Jean Le Mayeur De Merpres

Born in Brussels (Belgium), on 9 February 1880, in the nobility and linked with the Belgium royal family, he was the son of a painter. Adrien was very keen on becoming a painter himself, but his father insisted that he should complete his studies first. He graduated as a civil engineer (architect), but soon after devoted himself to painting. Le Mayeur’s works were executed with freeflowing and bold, strong strokes, in bright and gay colours. His works, be they sketches done in light colours or bright-coloured oil paints, showed that they were inspired by the brilliant and clear tropical sunlight. His subjects of paintings are Belgian Landscapes, Scenes of Asia and Africa, Balinese Genre, Figures and Nudes. He painted sunny landscapes in impressionist style, but most navies along the Belgian coast. Some of Le Mayeur’s early works are impressionist paintings from his travels in Africa, India, the Mediterranean and the South Pacific. After painting Belgian landscapes for more than a decade, he served as an army painter during WW I and also took battlefield photographs. After the war, seeking solace in travel, he made trips to the south of France, Morocco, Tunisia, Madagascar, India, and Cambodia. Le Mayeur’s works from this period already display a tendency towards Orientalist and exotic subject matter. He then visited Tahiti and French Polynesia with the intention of being like Paul Gauguin; a European exploring and capturing the primitive beauty of Polynesian culture. After being generally disappointed by Polynesia -- which he found in decline and tainted by colonialism -- he moved on. Le Mayeur was 52 years old in 1933 when he arrived in north of Bali at Singaraja in the Buleleng province. Since the 1920s Bali had gained a reputation as a destination for avant-garde artists including the German Walter Spies and the Dutchman Rudolf Bonnet. The island’s stunning landscapes, relaxed lifestyle and liberal sexual mores made it a paradise for European expatriates. Paintings from his early period in Bali are romantic depictions of daily life and beautiful Balinese women – often Ni Polok. The works from the 1950s are displaying the vibrant colours that later became popular with young Balinese artists. MASTERPIECE ONLINE AUCTION

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006 ADRIEN JEAN LE MAYEUR DE MERPRES (Brusse l, 1880 – 1958) Pemandangan Sungai dan Perahu Tertambat Di Flanders Belgia

Lot location: Jakarta, Indonesia

Oil on canvas: 91 x 121 cm Signed, lower left: J. Le Mayeur SGD 120,000 - 150,000 IDR 1.200.000.000 - 1.500.000.000

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Basoeki Abdullah

Born in Solo, January 27, 1915, he is the second son of Abdullah Soerjosoebroto, a prominent landscape painter. He studied at the Academia van Beeldende Kunsten in The Hague, the Netherlands. His work includes painting of the Queen of Netherlands, King of Thailand, President of Philippines, Sultan of Brunei and many other important figures. He is best known as a portrait painter as well as landscapes, fauna, flora and other themes. His works have been exhibited in various European countries, South East Asia and Indonesia.

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007 BASOEKI ABDULLAH (Solo, 1915 – Jakarta, 1993) Flowers in A Vase

Lot location: Jakarta, Indonesia

Oil on canvas: 70 x 55 cm Signed, lower left: Basoeki Abdullah SGD 7,500 - 10,000 IDR 75.000.000 - 100.000.000 MASTERPIECE ONLINE AUCTION

Basoeki Abdullah started painting since he was 5 years old in simple drawing, and at 10 he traveled to Surabaya and Bali where he started portrait painting. During 1933, he held his first exhibition in Bandung. He brought his painting to RMP. Sosrokartono, RA. Kartini’s brother, who was very impressed on Basoeki’s painting. Sosrokartono and Prince of Mangkunegoro VII became the person who greatly supported his painting career until Basoeki become a famous painter. During that time he continued his study at Academia van Beeldende Kunsten in the Hague, the Netherlands. Basoeki Abdullah is one of the most prominent Indonesian maestros in portrait paintings. The late artist was well-known for his realistic paintings. Besides painting of natural beauty and sensuous landscape, he is also noted for his portraits of beautiful women, as well as paintings of scenes from legends that are also tempered with the same lyrical and overly sensual treatment. His great fond of paintings women’s figure perhaps derived from his great interest in exploring the beauty of women that is attractive to paint in any way. The artist gain the public recognition after winning a painting competition held in conjunction with the Netherland's Queen Juliana ascension to throne on 6 September 1948.There are painters who like to paint nudity. ity in art has generally reflected — with some exceptions — social standards of aesthetics and modesty/morality of their time in painting, sculpture and more recently in photography. At all times in human history, the human body has been one of the principal subjects for artists. It has been represented on prehistoric paintings and statutes and in all eras since. The male nude was more common in antiquity, especially in ancient Greece, but today the tendency is for the female nude body to be more highly regarded and represented. " 26

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008 BASOEKI ABDULLAH (Solo, 1915 – Jakarta, 1993) Imagination Will Still Remain

Lot location: Jakarta, Indonesia

Oil on canvas : 65 x 130 cm Signed, lower right: Basoeki Abdullah Signed and titled on the reverse SGD 10,000 - 15,000 IDR 100.000.000 - 150.000.000

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I Nyoman

Masriadi

I Nyoman Masriadi was born in Gianyar, on October 28,1973. He graduated from the Indonesian Art Institue (ISI), Yogyakarta. Presently, Nyoman Masriadi is one of the most well received contemporary Indonesian artist in the Art world. He has received various awards for his work, including the Best Painting Award at the Des Natalis Awards in 1997, held by the Yogyakarta Art Institute (ISI). He has participated in several group exhibition such as (2002) "Not Just Political" at H. Widayat Museum, Magelang, “Terumbu Karang" Exhibition and Auction, Jakarta (2000) "Seni Rupa Campur" Exhibition at Beeldende Kunst (CBK), Dordrecth, Netherland, (1999) Biennale VI at Purna Budaya, Yogyakarta, "Knalpot" Exhibition at Cemeti Art House, Yogyakarta · Duet Exhibition with I GAK Murniasih at Cemeti Art House, Yogyakarta (1998), An Exhibition at Rudana Museum, Ubud, Bali. 28

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009 I NYOMAN MASRIADI (Gianyar, 1973) 2 W, 1996 Mixed media on canvas: 98 x 99 cm Signed, Titled and Dated on the Reverse Literature : Nyoman Masriadi “Reconfiguring the Body”, TK. Sabapathy, Publication Gajah Gallery 2010, pg. 32 SGD 40,000 - 50,000 IDR 400.000.000 - 500.000.000 Lot location: Singapore MASTERPIECE ONLINE AUCTION

S. Sudjojono "Sudjojono was a prolific artist and writer. His artistic oeuvre covers a wide spectrum, from paintings, sketches, drawings, public art and reliefs as well as ceramic works. His style and artistic preoccupation were also diverse, from his early and monumental works, which significantly reflect on the true spirit of In donesia and the people during the war and their struggle against independence; to landscapes; still-lifes; portraits and renditions of his more personal life and family at later years. S. Sudjojono paintings often derived from his fantasy and memory he person ally experienced. He often put joyful humor as a cloak over his painting. It’s an image that sometimes gets into his works because humor was always passing by his life. Because of his sense of humor, his works tends to trigger a smile or laughter if not poetic, sentimental, emotional or heroic. His works often come to us in caricature spirit. He used a combination of fantasy and memory to create his surrealistic landscapes. Sometimes, he incorporated elements derived from places that he had seen in books or actually visited. S. Sudjojono paintings have a typical harsh and wild strokes as if the paint has been poured directly onto canvas. His observation of his surroundings seemed spontaneous, as though they were snapshots of views that appealed to him" 30

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010 S. SUDJOJONO (Kisaran, 1914 – 1986) Bertahan, 1971

Lot location: Jakarta, Indonesia

Oil on canvas: 50 x 60 cm Signed, titled and dated, upper right: SS.101.Djak 1971, Bertahan Signed, upper left: S. Sudjojono SGD 23,000 - 30,000 IDR 230.000.000 - 300.000.000

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Mochtar Apin "Born in Padang Panjang, West Sumatra, 1923. He graduated from the Bandung Institute of Technology (ITB) in 1951 and continued his study of art and handicrafts in Amsterdam finished in 1953. Besides painting, he also created graphic works. His works have been exhibited in many countries. He was among the first who benefited from a Dutch formal education during the colonial period and was able to acquire a strong intellectual basis for producing modern art. From a very young age, he was able to nurture his artistic bent through special instruction from Dutch art teachers. He went on to pursue art at the Kunstnijverheid School in Amsterdam, and the Ecole Nationale Suprieure des Beaux Arts in Paris as well as the Deutsche Akademie der Kuenste in Berlin. Due to his extensive art studies, Mochtar Apin became proficient in a variety of techniques.With such knowledge, he was well equipped to debate on the role of art in Indonesia. In the Indonesian art world, Mochtar Apin’s diverse range of interests and unique versatility in style has left behind an artistic legacy that has held the interest of art connoisseurs to this day. Mochtar Apin’s naked painting presents paradox to apply the concept of representations. He does not represent reality for conclusion like in the work of landscape and realism. His return of representation exactly deconstructs the concept of representation. All his nude figures in his paintings did mean that he directly bring the model to the location. His nude figure was not a representation at all, in fact, it is only Apin’s imaginary. It is unlikely the culture for Indonesian women posing half naked in public. The reality in the picture is none other than the imaginary reality." MASTERPIECE ONLINE AUCTION

011 MOCHTAR APIN (Padang, 1923 – 1994) Pantai, 1991

Lot location: Jakarta, Indonesia

Oil on canvas: 130 x 140 cm Signed, titled and dated on the reverse This lot is accompanied with statement letter from Artis’s family Literature: Jim Supangkat, Tubuh-tubuh Provokatif, Membaca Karya-karya Mochatar Apin, Pblished by KPG (Kepustakaan Populer Gramedia), Jakrta, 2005, page.130 SGD 12,000 - 15,000 IDR 120.000.000 - 150.000.000 34

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Trubus Sudarsono

Born in Yogyakarta, 1926. A member of Seniman Indonesia Muda (Young Indonesian Artists) and Pelukis Rakyat (People’s Painters), Yogyakarta, he was a self-taught practitioner who honed his skills in the amateur art associations that flourished during and after the Japanese occupation. Trubus was taught by both Affandi and Hendra Gunawan and he also studied the paintings of the old and modern masters through prints and lithographs, as well as the works of artists in Indonesia such as Antonio Blanco, Romualdo Locatelli and Basoeki Abdullah. His works are represented in the Jakarta Art Gallery and other museums in Indonesia.

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012 TRUBUS SUDARSONO (Yogyakarta, 1926 – 1966) Indonesian Landscape, 1954 Oil on canvas: 90 x 150 cm Signed and dated, lower left: Trubus S.54 Jak SGD 9,500 - 12,000 IDR 95.000.000 - 120.000.000

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Lot location: Jakarta, Indonesia

Popo Iskandar

Popo Iskandar started painting using cats object in the early 1960s which then developed into leopards in early 1980s. Repetitive theme of cats, chickens and leopards probably has become Popo Iskandar’s main contemplation in reflecting the essence of cats, nudity or even mystery of nature. The source of his idea of cats is not the form of the cat, but rather its involvement in various situations and conditions which stimulate his ideas and imaginations. In painting a cat, he feels that he doesn’t only present it physically, but that he tries to express the meaning and the impression of the cat’s appearance for him. So, a cat for him is a totality of inspired understanding, an integrated understanding of music and poetry. Popo’s leopards strongly express smooth line as if the flow of the music. As in cats, leopards figure often shown alone or in groups. Therefore, we often see a leopard’s or cat’s face with many bodies. The moon at the background can be a symbolic shape that was not reflects the actual mean (moon, balloon or sun), but only as a circle of compositor element.The circle often used to give strong impression that surrounds the object mystery or only as the rhyme balancing. But, sometimes it was only like a dot in a sentence, as idea synchronizing. . MASTERPIECE ONLINE AUCTION 37

013 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Three Leopards and The Moon, 1996 Oil on canvas: 120 x 100 cm Signed and dated, lower right: Popo96 This lot is accompanied with certificate of authenticity from Griya Seni Popo Iskandar SGD 14,000 - 16,000 IDR 140.000.000 - 160.000.000 Lot location: Jakarta, Indonesia 38

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014 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Jendela, 1961 Oil on canvas: 100 x 60 cm Signed and dated, lower right: Popo’61 This lot is accompanied with certificate of authenticity from Griya Seni Popo Iskandar Literature: DR. Hawe Setiawan, MSn, Soni Farid Maulana, Anton Susanto S.Sn, RUPAKATA, Art Thoughts of Popo Iskandar, Publihed by Studio Titian Seni and Griya Seni Popo Iskandar, Bandung, 2013, page. 83 SGD 6,000 - 8,000 IDR 60.000.000 - 80.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

Dullah Dullah was born in Solo, 1919. He studied painting under Affandi and Sudjojono but has his own distinctive style of naturalism. He was well known for his landscape and portraits paintings. He was one of the founders of HBS – Surakarta Cultural Community (1950). In 1956, he edited book of former Presiden Soekarno’s Private Collection of Indonesian Art (volume I & II). Since the early days of the independence, Dullah was very close to Soekarno, the first President of the Republic of Indonesia and was appointed by Soekarno to care for the President’s private art collection and as curator of the state painting collections.At age 70, Dullah built his museum, now a cultural landmark, as his dedication to a love of the arts over a creative lifetime. He has had numerous art exhibitions in Indonesia and overseas and in 1988 his work was included in the Art of Bali exhibition held at the East West Center in Honolulu, Hawaii. Now, his works been kept in Dullah Museum in Solo. He died in 1996. 40

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015 DULLAH (Solo, 1919 – 1996) Pedati Oil on canvas : 55 x 107 cm Signed, lower right: Dullah SGD 13,000 - 20,000 IDR 130.000.000 - 200.000.000

Lot location: Jakarta, Indonesia

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016 DULLAH (Solo, 1919 – 1996) Menjelang Upacara Di Pura, 1951 Oil on canvas laid on board: 130 x 78 cm Signed and dated, lower right: Dullah, 1951 Literature: Agus Dermawan T, Dongeng Dari DULLAH, Published by KPG (Kepustakaan Populer Gramedia), Jakarta, 2020, Page. 270 SGD 23,000 - 28,000 IDR 230.000.000 - 280.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

017 DULLAH (Solo, 1919 – 1996) Mencari Kayu Bakar, 1977 Oil on canvas: 59 x 69 cm Signed and dated, lower right: Dullah, Bali’1977 SGD 6,500 - 8,000 IDR 65.000.000 - 80.000.000 Lot location: Jakarta, Indonesia

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Itji Tarmizi Born in Batusangkar, West Sumatra, 1935. He had a speech defect and hearing impaired. His disabilities drove him to Russia and China for medication where he may study painting there. In 1953 - 1954, he studied painting under painter Hendra Gunawan. He actively participated in several group exhibitions held by Pelukis Rakyat (People's Painters and LEKRA (People's Cultural Institute). He held his solo exhibition in Jakarta, November 23, 2001. He died 5 days later in Jakarta, 2001. One of his artwork was collected by Soekarno and can be found in literature Painting and Statues from the Collection of President Soekarno of the Republic of Infonesia.

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018 ITJI TARMIZI (Batusangkar,West Sumatra, 1939 - 2001) Komposisi I Stitchery/Quilts Artwork Painting: 130 x 240 cm Exhibiton: Suatu Kehadiran, Itji Tarmizi, One Gallery Seni Rupa, Jakarta, 23 Nov - 7 Des 2001 SGD 17,000 - 25,000 IDR 170.000.000 - 250.000.000 Lot location: Jakarta, Indonesia

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019 ITJI TARMIZI (Batusangkar,West Sumatra, 1939 - 2001) Rumah Gadang Stitchery/Quilts Artwork Painting: 160 x 150 cm SGD 12,000 - 15,000 IDR 120.000.000 - 150.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

Widayat Born in Kutoarjo, Central Java, 1919. He studied at the Indonesian Fine Art Academy (ASRI),Yogyakarta and Ceramics and Landscape, Nagoya, Japan (1960). He received BKPM award (1953), a cultural award from the Indonesian Government (1972), the Best Biennial Painting, Yogyakarta (1986) and the ASEAN Award, Brunei Darussalam (1993). His works have been shown throughout Indonesia and abroad. He performed his solo exhibitions in Yogyakarta (1983), Jakarta (1985, 1990, 1991, 1992, 2000 and participated in joint exhibition in Japan, Netherlands and United States for KIAS (1990 – 1991).

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020 WIDAYAT (Kutoarjo, 1919 – Jakarta, 2002) Flora Fauna, 1975 Oil on hardboard: 118 x 197 cm Signed and dated, lower right: Widajat’75 SGD 38,000 - 50,000 IDR 380.000.000 - 500.000.000

Lot location: Jakarta, Indonesia

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021 WIDAYAT (Kutoarjo, 1919 – Jakarta, 2002) Abstaksi Dekora Magis 7, 2001 Oil on canvas: 100 x 125 cm Signed and dated, lower left: H. Widajat’2001 Signed, titled and dated on the reverse SGD 9,000 - 12,000 IDR 90.000.000 - 120.000.000 Lot location: Jakarta, Indonesia

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022 WIDAYAT (Kutoarjo, 1919 – Jakarta, 2002) Deformasi Burung, 2001 Oil on canvas: 80 x 115 cm Signed and dated, lower right: H. Widajat’2001 Signed, titled and dated on the reverse SGD 9,000 - 12,000 IDR 90.000.000 - 120.000.000 Lot location: Jakarta, Indonesia

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023 WIDAYAT (Kutoarjo, 1919 – Jakarta, 2002) Membawa Hasil Bumi, 2002 Oil on canvas: 95 x 150 cm Signed and dated, lower right: H. Widajat’2002 Signed, titled and dated on the reverse SGD 9,000 - 12,000 IDR 90.000.000 - 120.000.000 Lot location: Jakarta, Indonesia

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024 WIDAYAT (Kutoarjo, 1919 – Jakarta, 2002) Abstraksi, 2002 Oil on canvas: 60 x 68 cm Signed and dated, lower left: H. Widajat2002 Signed, titled and dated on the reverse SGD 2,500 - 3,500 IDR 25.000.000 - 35.000.000 Lot location: Jakarta, Indonesia 54

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025 NYOMAN ERAWAN (Dlodtongkluk, Bali, 1958) Pralaya Matra XXXXI, 1997

Lot location: Jakarta, Indonesia

Mixed media on canvas: 95 x 140 cm Signed and dated, lower middle: Nyoman Erawan’97 Signed, titled and dated on the reverse SGD 7,000 - 9,000 IDR 70.000.000 - 90.000.000

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Cheong Soo P ieng Cheong Soo Pieng received formal art education in China, and developed a distinctive style throughout his career in Singapore. Cheong first studied art at Xiamen Academy of Art and subsequently enrolled at the Xinhua Academy of Fine Arts in Shanghai. After arriving in Singapore in 1946, he lectured at the NAFA from 1947 to 1961. Indians and Cows, an oil painting of 1949 is representative of Cheong's work in the late-1940s. Cheong's innovative spirit drove him ceaselessly to test new ideas and explore new visions. Seaside, executed in 1951, was one such experiment. The motif of the sea is not obvious at first glance 56

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026 CHEONG SOO PIENG (b. China, 1917- Singapore, 1983) Village, 1974 Watercolor on Paper: 47 x 45.5 cm Signed , stamped and dated, lower Left: Soo Pieng’ 74 SGD 20,000 - 30,000 IDR 200.000.000 - 300.000.000

Lot location: Jakarta, Indonesia

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Chen Wen Hsi

Born in 1906, Guangdong (China). Wen Hsi was an artist, an academician and a gallerist. He studied art at the Shanghai College of Art in 1928. Wen Hsi settled down in Singapore at 1948 and became an art teacher at The Chinese High School and taught there from 1949 to 1968, concurrently teaching art at the Nanyang Academy of Fine Arts from 1951 to 1959. As a passionate art educator he had greatly influenced many of Singapore’s early Chinese artists. Wen Hsi was a great observant of nature. Almost everything can be the master’s inspiration to create exciting work namely, landscapes, human figures and animals. Chicken, gibbons, herons, carps and squirrels are some of his favourite subjects. Wen His’s constant eagerness to strike for something new led him to learn finger painting – a technique that dates from the Tang Dynasty.This drawing style has enabled him to produce unpredictable broken stroke on paper. 58

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027 CHEN WEN HSI (Baigong, Caozhu, 1906 – Singapore, 1992) Goldfish Ink and Colour on Paper: D: 43cm Signed and stamped in Chinese Character middle right

Lot location: Singapore

Provenance: Private Southeast Asian Collection, acquired by the current owner’s father in the early 1980s, then by descent within the family. SGD 9,000 - 14,000 IDR 90.000.000 - 140.000.000 MASTERPIECE ONLINE AUCTION

Fan Chang Tien

Fan ChangTien is an artist true to the tradition of Chinese painting, belonging to the lineage of the Shanghai school of Xieyi painting, studying under the masters Wang Geyi, Wang Yiting, Pan Tianshou and others, who were disciples of Wu Changshuo, the renowned master of the Shanghai School of Painting. Fan Chang Tien arrived in Singapore from China in the 1950s, bringing with him a fresh dimension of Xieyi painting. He is widely credited with inspiring a new direction and development for Chinese ink painting in Singapore teaching successful artists such as Ling Cher Eng (1940-1995), Nai Swee Leng, Lim Kay Hiong, Chua Ek Kay (1947-2008), Tan Oe Pang and Chen Kezhan. In 1973, the Hwa Han Art Society was established with Fan Chang Tien as the head advisor. Under his guidance, the Society flourished, greatly invigorating the practice of ink painting in Singapore through their exhibitions and discussion forums. In 1989, a retrospective exhibition for Fan Chang Tien was organised by the National Museum Art Gallery. More than 100 works of Fan from the 1950s to 1980s was showcased to commemorate his significant contributions to the local arts scene. In 1993, fifty scroll paintings by the late master was donated to the National Museum of Singapore by the artist’s family, being one of the largest donations of work from a single artist made to the museum. His favourite subjects of bamboo and orchids are often depicted to express the values that he identifies with – the bamboo stood for fine gentlemanly qualities such as humility and integrity while the orchid emits elegant fragrance and embodies refinement and goodness. 60

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028 FAN CHANG TIEN (1907-1987) Two Mynas on a Rock Ink and colour on paper: 118 x 34 cm Inscribed and Signed with Artist’s Seal Provenance: Dr Seah Pong Pin, renowned Singaporean Dermatologist; Private Collection, Singapore SGD 6,500 - 10,000 IDR 65.000.000 - 100.000.000 Lot location: Singaopre

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029 FAN CHANG TIEN (1907-1987) Sparrows and Plum Blossoms Ink and colour on paper: 66 x 45 cm Inscribed and Signed with Artist’s Seal Provenance: Dr Seah Pong Pin, renowned Singaporean Dermatologist; Private Collection, Singapore SGD 6,000 - 9,000 IDR 60.000.000 - 90.000.000 Lot location: Singaopre 62

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030 FAN CHANG TIEN (1907-1987) Rambutan Ink and colour on paper: 69 x 34 cm Signed with Artist’s seal Provenance: Dr Seah Pong Pin, renowned Singaporean Dermatologist; Private Collection, Singapore SGD 6,000 - 9,000 IDR 60.000.000 - 90.000.000 Lot location: Singaopre

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031 WU GUAN ZHONG (China,1919–2010) Figure Painting in Paris Ink on Paper: 38.5 x 26.5 cm Titled and inscribed Lower right with artist’s seal SGD 5,000 - 7,000 IDR 50.000.000 - 70.000.000 Lot location: Singaopre 64

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Lee Man Fong He was born in Canton, China, 1913. He arrived at Singapore at young age then later moved to Jakarta. He has shown great artistic talent since young. He participated in the Association’s First Art Exhibition invited by the head of the Dutch East Indies Associations (1931). Lee Man Fong was a successful commercial artist before engaged in full time painting in 1941. His successful exhibitions in Bandung and Jakarta made him a fast growing artist at that time. He received scholarship from the Dutch government to study painting in Holland (1946). In 1952 he returned to Indonesia and gained more credits as well as acknowledgement. He was officially become a presidential palace’s painter and chief curators of its collection in 1961 and compiled a 5 volume edition of President Sukarno’s art collection. He died in 1988 and remembered as a western vigorous painter and an oriental unique oil painting painter. MASTERPIECE ONLINE AUCTION

032 LEE MAN FONG (Canton, China 1913 – Singapore 1988) Landscape Pencil on paper: 51 x 65 cm Signed and stamped in chinese character, lower right SGD 8,500 - 9,500 IDR 85.000.000 - 95.000.000

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Lot location: Jakarta, Indonesia

033 LEE MAN FONG (Canton, China 1913 – Singapore 1988) Seated Lady Watercolor on paper: 50 x 36 cm Signed, lower left: MF. Lee SGD 2,800 - 3,500 IDR 28.000.000 - 35.000.000

Lot location: Jakarta, Indonesia

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Rudolf Bonnet

Born in Amsterdam, 1895. He studied art at the Hendrick de Keijser-school, the Rijksschool voor Kunstnijverheid and the Rijksacademie in Amsterdam. He visited Indonesia in 1936 and stayed in Bali from 1931 – 1941. He helped establish the Museum Puri Lukisan and together with Walter Spies founded the Pita Maha Artist’s Association (1936). His works are amongst the collections of former President Soekarno, the Neka Museum, the Agung Rai Fine Art Gallery, the Rijksmuseum Kroller Muller Otterlo and the Sinerg Museum in Laren.

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034 RUDOLF BONNET (Amsterdam, 1895 – 1978) Mannelijk, 1975 Pastel on paper: 71 x 38 cm Signed and dated, lower left: R. Bonnet,Bali, 1975 SGD 12,000 - 15,000 IDR 120.000.000 - 150.000.000 Lot location: Jakarta, Indonesia

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Handrio

Handrio was born in 1926 in Purwakarta. He started his painting career by studying with Basuki Abdullah. Furthermore, during the Japanese period, he studied with Sudjojono and Agus Djaja at Keimin Bunka Shidoso and Poetera in Jakarta. At first, Handrio's paintings were in the style of realism and Surrealism. In the 1950s Handrio has shifted to a semi-abstract style, which is analytically breaking down shapes in the geometric plane. This style was a different expression from the Yogyakarta painters at that time who generally painted populist themes from realism to expressionism and decorative styles. In this semi-abstract style, he analyzes many forms of still life objects and musical instruments. In its development in the late 1960s, these forms disappeared into dynamic and complex geometric spaces. The peak of Handrio's abstract style achievement occurred in the 1980s. The space, field, and color in his paintings represent the characterization of the construction of the elements themselves. In this expression, what is present is dynamics, rhythm, complexity, robustness, balance, or other images. 70

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035 HANDRIO (Purwakarta, W. Java, 1926 - Jakarta, 2010) Musical Composition, 1980 Oil on canvas: 150 x 200 cm Signed and dated, lower left: Handrio, 1980 SGD 11,000 - 15,000 IDR 110.000.000 - 150.000.000

Lot location: Jakarta, Indonesia

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Teguh Ostenrik

After graduated in 1980 from the Fine Arts Department of Hochschule der Kuenste, West Berlin or Germany, he stayed in New York/USA, Amsterdam/ The Netherlands and Cologne/Germany. In 1988, Teguh as an established painter and sculptor came back to Indonesia. He has had more than one hundred solo and group exhibitions in USA, France, The Netherlands, Germany, Australia, Singapore, Malaysia, Thailand, The Philippines, Hong Kong, Japan, Indonesia (Jakarta, Bandung, Yogyakarta, Solo, Surabaya, Bali). His art works are collected by a lot of national and international institutions and corporations. Awards received include Top Ten Philip Morris Art Award in 1997. He was one of the Juries in 2005 and 2007 China ASEAN Youth Art Competition in Nanning/China. In 2006 he was invited as a guest lecturer in Beijing Central Academy of Art. In 2007 he stayed in Penang or Malaysia as an Artist in Residence, a Program of ABN-AMRO and Wawasan Open University. 72

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036 TEGUH OSTENRIK (Jakarta, 1950) Flower Shop, 1992 Acrylic on canvas: 110 x 120 cm Signed and dated, lower left: Goeh Ost.92 Signed, titled and dated on the reverse SGD 23,000 - 28,000 IDR 230.000.000 - 280.000.000

Lot location: Jakarta, Indonesia

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037 TEGUH OSTENRIK (Jakarta, 1950) Angel, 2005 Mixed media on canvas : 110 x 90.5 cm Signed and dated, lower right: Teguh Ost’05 SGD 23,000 - 28,000 IDR 230.000.000 - 280.000.000 74

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Lot location: Jakarta, Indonesia

Hasan

Hasan, born January 20, 1986 in Sumenep, precisely in the Masalembu Islands (commonly known as the Thampomas Island II) which is in the waters of the Java Sea in the middle between the islands of Java and Kalimantan. Everyday life is very closely related to the activities of fishermen, even since childhood they have always played and fished in the sea, so that (underwater life) is very inspiring in the current process of creation. ISI Surakarta is the first step to deepen his interest in art, even since ISI Surakarta has been active in art exhibitions. He already had many exhibitions in Indonesia since 2004

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038 HASAN (Sumenep, East Java, 1986) It is Better to Spred The Flower Than a Fire, 2019 Acrylic on canvas: 198 x 290 cm Signed and dated, lo wer right: Hasan, 2019 SGD 15,000 - 20,000 IDR 150.000.000 - 200.000.000

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Lot location: Jakarta, Indonesia

039 HASAN (Sumenep, East Java, 1986) Nature and Myth, 2020 Acrylic on canvas: 150 x 200 cm Signed and dated, lower right: Hasan’20 SGD 8,000 - 12,000 IDR 80.000.000 - 120.000.000

Lot location: Jakarta, Indonesia

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Irina & Andrea

Irina & Andrea is a mother-and-daughter duo who collaborates together to produce extraordinary works of art. As self-taught artists, Irina and Andrea explores the world and their ideas from her unique perspective with surrealistic figures and interesting colour expressions. Irina and Andrea’s artistic talents are heritage from Irina’s father, Paulus Suharto (Sie Hoat Ho), a multi-talented artist and a nephew of the late Peter Sie, one of the first Indonesian designer. Andrea went to Indonesian School of Design (Sekolah Tinggi Desain Indonesia) in Bandung, and quit to pursue her career as fulltime artist with her mother. Their original works are not only intriguing visually, but also by-products of a meticulous process of creation that requires creativity, imagination, skills, and precision. Their original 1-of-1 sculptures require at least one month to complete. After completing the sculptures, Andrea loves to transcend her ideas into paintings on canvas. 78

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040 IRINA & ANDREA Go To The Circus, 2021 Oil on terpaulin: 65 x 71 x 72 cm SGD 8,000 - 12,000 IDR 80.000.000 - 120.000.000 Lot location: Jakarta, Indonesia

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041 IRINA & ANDREA Let It Gogh, 2021 Oil on terpaulin: 72 x 50 x 51 cm SGD 6,000 - 8,000 IDR 60.000.000 - 80.000.000 Lot location: Jakarta, Indonesia 80

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G. Sidharta

Born in Yogyakarta, 1932. He studied at the Indonesian Fine Art Academy (ASRI), Yogyakarta and Jan Van Eyck Academy in Maastricht, The Netherlands. He participated in several exhibitions in Indonesia and overseas, Poland, India, Japan, Norway, Singapore, Canada, Philippine and Thailand. He awarded several awards from the Indonesian government and some of his sculptures were installed in several parks and plazas abroad. From 1958 – 1964, he taught at ASRI, Yogyakarta and lectured at the Bandung Institute of Technology (ITB) afterwards. Awards received include Best Painting by the Badan Musyawarah Kebudayaan Nasionalin 1952.Indonesian Government Art Award in 1980, Winner of the Tanjung Priok Harbour Monument competition in 1980; Best Sculpture awarded by DKI / Jakarta Arts Council in 1986 and ASEAN Cultural Award in 1990. He has created numerous public monument and sculpture in Indonesia, Korea, Philippines and Japan. He retired from teaching at ITB in 1997, and was the chairman of API/Indonesian Association of Sculptors from 2000-2003. MASTERPIECE ONLINE AUCTION

042 GREGORIUS SIDHARTA SOEGIJO (Yogyakarta, 1932 - 2006) Peniup Suling, ed.7/7, 1987 Bronze: 67 x 85 x 40 cm Signed and dated, lower area: G. Sidharta, 1987, 7/7 SGD 4,000 - 6,000 IDR 40.000.000 - 60.000.000 82

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Lot location: Jakarta, Indonesia

043 GREGORIUS SIDHARTA SOEGIJO (Yogyakarta, 1932 - 2006) Ayam Jantan, ed. 4/7,2004 Bronze: 82 x 70 x 22 cm Signed and dated, lower area: G. Sidharta, 2004, 4/7 SGD 4,000 - 6,000 IDR 40.000.000 - 60.000.000 Lot location: Jakarta, Indonesia

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Redy Rahadian Born in Cianjur, West Java, 1973. He studied at the Mechanical Department of the St.Joseph Institute in Brussels, Belgium. He won a public sculpture exhibition in Medan, North Sumatra. He has participated in several group exhibitions.

044 REDY RAHADIAN (Cianjur, West Java, 1973) Team Work 2, 2016 Steel: 135 x 105 x 50 cm Signed and dated, lower area: Redy R.016 SGD 4,000 - 6,000 IDR 40.000.000 - 60.000.000 Lot location: Jakarta, Indonesia 84

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045 REDY RAHADIAN (Cianjur, West Java, 1973) Keep Balance I, 2001 Mild Steel: 212 x 69 x 30 cm Signed and dated, lower right: Redy R.2001 SGD 3,000 - 4,000 IDR 30.000.000 - 40.000.000 Lot location: Jakarta, Indonesia

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Soedibio Soedibio was born in Madiun, June 17, 1912. During 1940 he joined the PERSAGI and founded The Young Indonesia Artist (Seniman Muda Indonesia) together with S. Sudjojono,Trisno Soemardjo, D. Suradji and Sunindyo. In 1967 he joined Sanggar Puri Surabaya and become a member of The Surakarta Culture Association (Himpunan Budaya Surakarta) in 1970. During his carier as an artist, Soedibio was very productive and participated in many exhibitions, especially from the 1950s to the 1970s. With support from Dewan Kesenia Jakarta (DKJ, Jakarta Arts Council), his works were shown at Taman Ismail Marzuki art centre in Jakarta in 1976. Soedibio passed away in Surakarta (Solo) on 16 December 1980. He actively performed exhibitions ever since in several city in Indonesia. 86

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046 SOEDIBIO (Madiun, 1912 - 1981) Dewi Sri, 1974 Oil on canvas: 135 x 80 cm Signed and dated, lower right: Soedibio’74 SGD 7,700 - 9,000 IDR 77.000.000 - 90.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

047 SOEDIBIO (Madiun, 1912 - 1981) Abstrak, 1977 Oil on canvas: 99 x 80 cm Signed and dated, lower left: Soedibio77 SGD 2,500 - 3,500 IDR 25.000.000 - 35.000.000 Lot location: Jakarta, Indonesia 88

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Fadjar Sidik

Born in Surabaya, February 8, 1930. He studied at ASRI Yogyakarta in 1954 and learnt painting from Hendra Gunawan and Sudarso (1952) at Sanggar Pelukis Rakyat. He lived in Bali from 1957 – 1961. He received art award as Contemporary Painter from the Indonesian Government in 1971 and from the Government of Yogyakarta.

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048 FADJAR SIDIK (Surabaya, 1930 - 2004) Perahu Layar, 1962 Oil on canvas: 60 x 120 cm Signed and dated, lower right: Fadjar Sidik’62 SGD 6,500 - 7,500 IDR 65.000.000 - 75.000.000 Lot location: Jakarta, Indonesia

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049 FADJAR SIDIK (Surabaya, 1930 - 2004) Abstrak, 1995 Oil on canvas: 60 x 45 cm Signed and dated, lower left: Fadjar Sidik’95 SGD 4,000 - 6,000 IDR 40.000.000 - 60.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

Umi Dachlan

Born in Cirebon1942. She studied painting at the Faculty of Fine Arts and Design at Bandung Institute of Technology (ITB). After graduating in 1968, she became a lecturer there in 1969. Umi later went on to study at the Gerrit Rietveld Academy in Amsterdam, The Netherlands, from 1977 to 1979. The Artist has participated in many group exhibitions in Indonesia and Japan, Malaysia, Singapore, Hong Kong, Korea, Jordan, Belgium, the Netherlands, Denmark and Cape Town in South Africa, including Festival of Indonesia in America Touring exhibition in 1990 to 1991, and she has held several solo exhibitions at Taman Ismail Marzuki art Centre Jakarta in 1977 and 1980, Gallery in Bandung in 1990, and Andy’s Gallery in Jakarta in 2000. 92

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050 UMI DACHLAN (Cirebon, 1942 – Bandung, 2009) Matador, 1998 Acrylic on canvas: 103 x 144 cm Signed and dated, lower right: Umi D98 SGD 12,000 - 14,000 IDR 120.000.000 - 140.000.000

Lot location: Jakarta, Indonesia

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051 UMI DACHLAN (Cirebon, 1942 – Bandung, 2009) Bidang Merah dengan Noktah Emas, 1992 Mixed media on canvas: 100 x 90 cm Signed and dated, lower right: Umi D92 SGD 6,000 - 7,500 IDR 60.000.000 - 75.000.000 94

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Lot location: Jakarta, Indonesia

Nashar

Born in Pariaman, West Sumatra, October 3, 1928. He studied painting under Affandi and Sudjojono. He help established the Institut Kesenian Jakarta (IKJ, Jakarta Arts Institute) where he became a lecturer. In 1979 – 1992 he was a member of Dewan Kesenian Jakarta (Jakarta Art Committee). He has participated in exhibitions of the Festival of Indonesia (USA, 1990 – 1992), the Gate Foundation (Amsterdam, Holland, 1993) and several places in Indonesia. He left his figurative paintings to fully paint in abstract style until his deceased in April 13, 1994.

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052 NASHAR (Pariaman, 1928-1994 Under the Sea, 1964 Oil on canvas: 65 x 125 cm Signed and dated, lower left: 1964 SGD 7,000 - 9,000 IDR 70.000.000 -90.000.000

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Lot location: Jakarta, Indonesia

053 NASHAR (Pariaman, 1928-1994 Irama Alam, 1980 Acrylic on canvas: 90 x 130 cm Signed and dated, lower right: 1.3.80 SGD 7,000 - 9,000 IDR 70.000.000 - 90.000.000

Lot location: Jakarta, Indonesia

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Zaini Born in Pariaman, West Sumatra on March 17, 1926. He first began painting under painter Wakidi and later continued under S. Sudjojono and Basoeki Abdullah. In 1940, Zaini went to Jakarta and moved to Yogyakarta in 1945 where he established together with Affandi the “Pelukis Rakyat” (Community’s Artists). Not more than a year, he moved to Madiun, East Java and established the Young Indonesian Artists, together with S. Sudjojono and Trisno Soemardjo. He returned to Jakarta in 1946. Zaini died on September 25,1977. Until the end of his life, he was a member of the Jakarta Art Council.

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054 ZAINI (Pariaman, 1926 – Jakarta, 1977) Landscape, 1972 Oil on canvas: 55 x 65 cm Signed and dated, lower right: Zaini72 SGD 4,000 - 6,000 IDR 40.000.000 - 60.000.000

Lot location: Jakarta, Indonesia

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Rusli

Rusli was born in Medan, North Sumatra, 1912. He studied at the Kala Bhawana Santiniketan University of Rabindranath Tagore, India from 1932 to 1938, and he taught in 1951 at Akademi Seni Rupa Indonesia (ASRI) in Yogyakarta. He joined Seniman Muda Indonesia (Indonesian Young Artists) and helped established the Seni Rupa Masyarakat (Art for People Association). His works were exhibited at the Biennale exhibition II in Sao Paolo, Brazil (1953) and held solo exhibition at Palazzo Brancaccio, Rome, Italy (1954 – 1956). He passed away in Jakarta on 11 May 2005.

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055 RUSLI (Medan, 1912 – Jakarta 2005) Pelabuhan, 1982 Oil on canvas: 50 x 65 cm Signed and dated, lower right: Rusli, 15 april82 SGD 4,000 - 6,000 IDR 40.000.000 - 60.000.000

Lot location: Jakarta, Indonesia

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056 RUSLI (Medan, 1912 – Jakarta 2005) Bali, 1982 Oil on canvas: 50 x 63 cm Signed and dated, lower right: Rusli 1 Nov 82 SGD 4,000 - 6,000 IDR 40.000.000 - 60.000.000

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Lot location: Jakarta, Indonesia

057 NYOMAN GUNARSA (Klungkung, 1944-Bali, 2017) Three Balinese Dancers Oil on canvas: 145 x 145 cm Signed, lower right SGD 8,500 - 9,500 IDR 85.000.000 - 95.000.000 MASTERPIECE ONLINE AUCTION

103

058 GREGORIUS SIDHARTA SOEGIJO (Yogyakarta, 1932 - 2006) Candi Prambanan, 1998 Oil on canvas: 100 x 135 cm Signed and dated, lower right: G. Sidharta, 1998 Signed, titled and dated on the reverse SGD 6,500 - 9,000 IDR 65.000.000 - 90.000.000 Lot location: Jakarta, Indonesia

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059 LIM WASIM (Garut, West Java, 1929 – Jakarta, 2004) Wanita Bali dan Sesaji, 1991 Oil on canvas: 85 x 60 cm Signed and dated, lower left: L. Wasim91 Literature: Agus Dermawan T, Lim Wasim, Pelukis Istana Presiden, Published by AiA Fine Art Foundation, Jakarta, 2003, page. 75 SGD 7,000 - 9,000 IDR 70.000.000 - 90.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

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Sudarso

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060 SUDARSO (Purwokerto, 1914 - 2006) Menanti, 1990 Oil on canvas: 79 x 120 cm Signed and dated, lower left: Sudarso’90 This lot is accompanied with certificate of authenticity from The Artist’s family SGD 4,500 - 6,500 IDR 45.000.000 -65.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

107

Nasirun

Born in Cilacap, October 1, 1965. He studied at the Indonesian Institute of Arts (ISI) Yogyakarta (1987 – 1994). He received awards for the best sketches and paintings from ASRI, selected as one of the five best paintings at Yayasan Seni Rupa Indonesia (Indonesian Fine Arts Foundation) – Philip Morris Indonesian Art Award, and entered to the ASEAN Art Awards in Manila, the Philippines. He held his solo exhibitions at the Galeri Nasional Indonesia (Indonesian National Gallery) in 2000 and participated in Soul Ties exhibition in Singapore Art Museum.

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061 NASIRUN (Cilacap, 1965) Gandrung, 2015 Oil on canvas: 180 x 140 cm Signed and dated, lower left: N.S Run.2015 This lot is accompanied with certificate of authenticity from the Artist SGD 5,000 - 7,000 IDR 50.000.000 - 70.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

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I Made Sukadana

Born in March 12, 1966 in Amlapura, Bali, 1966. He Graduated from the faculty of Art and Design at the Indonesian Art Institute (ISI) Yogyakarta. Actively in doing exhibition since 1987 in Yogyakarta, Solo, Bali, and Jakarta. In 1987-1988 received awards for “Best in Sketch” from the faculty of Arts and Design of the Indonesian Art Institute (ISI) Yogyakarta. He received awards for the Best Sketch/ Painting from painting program in his school (1985 – 1987), the Lempad Prize from Dewata Indonesia Gallery (1982), award from the minister of the Department of Tourism, and as the finalist for the Philip Morris Art Award. Since 1987 he participated in joint-exhibition for 42 times, The “Lempad” award (1992)and 4 times solo exhibition in Bentara Budaya, Yogyakarta (1997) and in National Museum, Jakarta (2001). 110

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062 I MADE SUKADANA (Alampura, Bali, 1966) Barong, 1997 Oil on canvas: 145 x 200 cm Signed and dated, lower right: Sukadana’97

Lot location: Jakarta, Indonesia

SGD 6,000 - 8,000 IDR 60.000.000 - 80.000.000

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Leo Eland Born in Java, 1884. He was a self-taught artist, lived and worked in Indonesia. He intensely involved in the Union of Dutch Indies Art Circles from the beginning of 20th century. He painted a great deal of Indonesian nature with tremendous command of light and shade. In 1920 he left to settle in The Hague but still continue to paint Indonesian subject. His work was included in the International Colonial exhibition in Paris (1931) but unfortunately damaged by fire. Today, his works are in the collection of several Dutch museums. 112

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063 LEO ELAND (Java, 1884 – 1952) Surau Di Betawi Oil on board: 70 x 100 cm Signed, lower left: L. eland

Lot location: Jakarta, Indonesia

SGD 6,000 - 8,000 IDR 60.000.000 - 80.000.000

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113

GP. Adolfs Born in Semarang, 1898. He once lived in Surabaya and made many paintings about the city. He traveled to many countries in Asia, Europe, and Africa, like Japan, Rome and Arab. He decided to spend the rest of his time in Holland until he died in Den Bosch, the Netherlands, in 1968.

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064 GEARD PIETER ADOLFS (Semarang, 1898 – The Netherlands, 1968) Pasar Oil on canvas: 40.5 x 30.5 cm Signed, upper right: Ger. P. Adolfs

Lot location: Jakarta, Indonesia

SGD 4,000 - 6,000 IDR 40.000.000 - 60.000.000 MASTERPIECE ONLINE AUCTION

115

Tio Tjay

Tio Tjay was an Indonesian painter who for a long time has resided in Brazil. At a very young age, young Tio Tjay enjoyed in studying Chinese painting and calligraphy. His talent for art was already sensed by people at youth. In 1967 he immigrated to the beautiful South American country with his family. He held many exhibitions, from São Paulo, Rio de Janeiro, Brasilia and even Paraguay. In 1971 till 1975 he resided in Manaus, where he befriends with many natives. 116

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065 TIO TJAY (b. 1946) Borobudur, 2020 Oil on canvas: 90 x 120 cm Signed and dated, lower left: Tio Tjay, 2020 SGD 8,500 - 11,000 IDR 85.000.000 - 110.000.000 Lot location: Jakarta, Indonesia

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066 TIO TJAY (b. 1946) Gembala Kerbau di Bawah Flamboyanr, 2020 Oil on canvas: 90 x 120 cm Signed and dated, lower right: Tio Tjay, 2020 SGD 8,500 - 11,000 IDR 85.000.000 - 110.000.000 Lot location: Jakarta, Indonesia

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119

Carel Lodewijk Dake Born in Schaerbeek, Belgium, 1886. He traveled to different places and intensely painted about Cambodja and Thailand but mostly attracted to Indonesian landscape. He went to all over Java, Sumatra and Bali as his painting objects. He died in Jakarta (1946).

067 CAREL LODEWIJK DAKE (Schaerbeek, 1886 – Jakarta, 1946) Flamboyant At The Entrance of The Gate Oil on board: 38 x 52 cm Signed, lower right: CL. Dake SGD 3,000 - 4,000 IDR 30.000.000 - 40.000.000 120

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Lot location: Jakarta, Indonesia

Barli Sasmitawinata Born in Bandung, March 18, 1921. He started to paint since 1935 with Kelompok Lima Bandung. He studied painting from Jos Pluimentz and Luigi Nobili. He also studied the model drawing in Academia Grande de la Chaumiere (Paris) and the Academy of Fine Art Amsterdam in 1957. He received awards from Jaarmarktprijss Surabaya,Keimin Bunka Shidoso Jakarta, Barisan Propaganda Jabar, Culturele Stichting Samenwerking Nederland Indonesia (Holland). MASTERPIECE ONLINE AUCTION

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068 BARLI SASMITAWINATA (Bandung, 1921-2007) Membajak Sawah, 1990 Oil on canvas: 100 x 120 cm Signed and dated, lower left: Barli, 1990 Literature: Nakisbandiah, Kehidupan Bersama Barli, Published by Bale Seni Barli Kota Baru Parahyangan, Bandung, 2004, page. 143 SGD 5,500 - 6,500 IDR 55.000.000 - 65.000.000 Lot location: Jakarta, Indonesia 122

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069 BARLI SASMITAWINATA (Bandung, 1921-2007) Kasih Sayang Ibu, 1987 Oil on canvas: 80 x 70 cm Signed and dated, lower right: Barli’1987 SGD 3,500 - 4,500 IDR 35.000.000 - 45.000.000 124

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Lot location: Jakarta, Indonesia

Amrus Natalsya

Born in Medan, October 21, 1933. He studied at SSRI & ASRI Yogyakarta majoring art sculpture. Many of his works have been collected by art collectors in Indonesia and overseas. In 1983 he did 5 wooden calligraphic monuments in Jeddah. He got the best award from the Trienale Jakarta II in 1998 held by the Jakarta Arts Council.

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070 AMRUS NATALSYA (Medan, 1933) Harapan, 2000 Oil on canvas: 100 x 120 cm Signed and dated, lower right: Amrus Natalsya, 2000 Signed and dated on the reverse This lot is accompanied with certificate of authenticity from the Artist SGD 4,500 - 6,500 IDR 45.000.000 - 65.000.000 Lot location: Jakarta, Indonesia

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071 AMRUS NATALSYA (Medan, 1933) Kupu-kupu dan Rasa, 2000 Oil on canvas; 90 x 120 cm Signed and dated, lower left: Amrus Natalsya, 2000 Signed and dated on the reverse This lot is accompanied with certificate of authenticity from the Artist SGD 3,500 - 4,500 IDR 35.000.000 - 45.000.000 Lot location: Jakarta, Indonesia

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127

Rudy P ranadjaya Rudy Pranadjaya was born in Cirebon, West Java, Indonesia, on 17th November 1948. In 1964, at age 16, Rudy moved to Bandung and studied art with Barli and Srihadi Soedarsono. Rudy was a modern painter who still took his inspiration from traditional Indonesian art forms. 1965 first exhibition in Surabaya, Java, Indonesia. At 1968 until 1971 went to Bali, Indonesia, to paint and became completely immersed in traditional Balinese imagery for his works. At 1971 – 1975 studied art at Studio Rangga Gempol Bandung, under the guidance of the artist Barli Sasmitawinata he learned modern art techniques. Many group and single exhibitions in Indonesia and abroad. 1981/1982 study tour in Europe : Denmark, Switzerland, France, Germany. A member of “Kelompok Seniman Bandung”. Later, he became more inspired by the forms of traditional 'wayang kulit' (leather puppets) that were unique to his home town of Cirebon. Rudy passed away 2005 in Bandung, Indonesia. 128

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072 RUDY PRANADJAYA (Cirebon, 1948-2005) My Pet, 2005 Oil on canvas: 200 x 120 cm

Lot location: Jakarta, Indonesia

SGD 3,500 - 5,000 IDR 35.000.000 - 50.000.000 MASTERPIECE ONLINE AUCTION

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073 IRSAM (Klaten, 1942-2006) Ibu dan Anak, 1979 Oil on canvas: 150 x 122 cm Signed and dated,lower left: Irsam, 1979 Literature: Mikke Susanto, Irsam, Jejak-jejak Dekoratif, Published by PT. Dwi Samapersada, Jakarta, 2013, page. 85 SGD 2,500 - 3,000 IDR 25.000.000 - 30.000.000 Lot location: Jakarta, Indonesia 130

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074 WILLEM DOOIJEWAARD (Amsterdam, 1892 – 1980) Geisha Acrylic on paper: 52 x 40 cm Signed, lower right: W. Dooijewaard SGD 2,000 - 3,000 IDR 20.000.000 - 30.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

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075 RUSTAMADJI (Surabaya, 1932 – 1990) Street Vendor Oil on canvas: 50 x 60 cm Signed, lower left: Rustamadji SGD 3,000 - 4,000 IDR 30.000.000 - 40.000.000 Lot location: Jakarta, Indonesia

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076 PARDOLI FADLI (Cilacap, C. Java, 1971) Bergincu Siap Pentas, 2009 Oil on canvas: 100 x 100 cm Signed and dated, lower left: Pardoli09 Signed, titled and dated on the reverse

Lot location: Jakarta, Indonesia

SGD 5,000 - 7,000 IDR 50.000.000 - 70.000.000 MASTERPIECE ONLINE AUCTION

133

Pardoli Fadli Born in Cilacap, Central Java, July 4, 1971. He held his solo exhibition in Maestro Inn, Perth, Australia (1997), Harvey’s Gallery, Perth, Australia (1998), and City Hotel Melbourne, Australia (2003). He chose to be independent in expressing his feeling and thought while producing and creating his work. He greatly produced painting using woman as his object. For him, women have uniqueness of beauty, ugliness, sincerity, passion as well as strong and weak character. His choices of works become his manifest towards his life and art.

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077 PARDOLI FADLI (Cilacap, C. Java, 1971) Panen Raya-Puncak Cianjur, 2019 Oil on canvas: 100 x 150 cm Signed and dated, lower right: Pardoli019 Signed, titled and dated on the reverse

Lot location: Jakarta, Indonesia

SGD 5,000 - 7,000 IDR 50.000.000 - 70.000.000

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135

078 RONALD DJALING (Jakarta, 1959) Harvest, 2021 Oil on canvas: 120 x 100 cm Signed and dated, lower left: Ronald Djaling21 SGD 2,500 - 3,500 IDR 25.000.000 - 35.000.000 Lot location: Jakarta, Indonesia

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079 YAP HIAN TJAY (Surakarta, Central Java, 1927) Panen Raya, 2005 Oil on canvas: 60 x 90 cm Signed and dated, lower right: JHT05 SGD 2,500 - 4,000 IDR 25.000.000 - 40.000.000 Lot location: Jakarta, Indonesia

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137

080 WILLEM VAN DER DOES (Amsterdam, The Netherlands, 1889 – 1966) Rice Field Oil on canvas: 44 x 59 cm Signed, lower left: W.V.D. Does SGD 2,000 - 4,000 IDR 20.000.000 - 40.000.000 Lot location: Singapore

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081 OMAR YAHYA (b. 20th Century) Bersandar, 1969 Oil on board: 28 x 38 cm Signed and dated, lower left: Omar YH.1969 This lot is accompanied with statement letter from the Artist’s Family Literature: Mikke Susanto, SUKARNO’S FAVOURITE PAINTERS, Published by PT. Dwi Samapersada, Jakarta, 2018, page. 256 SGD 1,200 - 1,700 IDR 12.000.000 - 17.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

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Roedyat Martadiredja Born in Bandung, 1932. He first painting in 1948 and studied at the Bandung Institute of Technology. He performed his solo exhibition in Jakarta (1978) and was included in the East-West Center’s Art of Bali exhibition in Honolulu, Hawaii (1988). His works are unique, rich and colorful that creates a strong rhythm. His works are in private collections of European and the United States.

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082 ROEDYAT MARTADIREDJA (Bandung, 1932 – 2002) Barong dan Rangda, 1968 Oil on canvas: 70 x 138 cm Signed and dated, lower left: Roedyat, Bali’68 SGD 1,700 - 2,200 IDR 17.000.000 - 22.000.000

Lot location: Jakarta, Indonesia

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083 ROEDYAT MARTADIREDJA (Bandung, 1932 – 2002) Seated Lady Oil on canvas: 110 x 70 cm Signed, lower right: Roedyat SGD 700 - 1,200 IDR 7.000.000 - 12.000.000 Lot location: Jakarta, Indonesia 142

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084 THOMAS YEO (Singapore, 1936) Misty Morning Mixed media on board: 60.5 x 78.5 Signed, lower left: Tyeo SGD 2,000 - 3,000 IDR 20.000.000 - 30.000.000 Lot location: Singapore

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Krijono

Krijono was born in Jakarta on 11 July 1951. His father was a collector, so Krijono was surrounded by works of art. He began studied painting under the guidance of the art critic Kusnadi. In 1971, Krijono enrolled in the painting program at the Indonesian Fine Art Academy (ASRI) Yogyakarta. He has held solo exhibitions in Indonesia and aboard. His works are documented in the books Great Charcoals by Indonesia Artist Krijono (1997) and Krijono: The Flying Elephant (2000). He was lives and works in Jakarta. He died in Jakarta on 30 November 2011.

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085 KRIJONO (Jakarta, 1951 - 2011) Cerita Tenang, kenara-kenari (merak), 1996 Acrylic on canvas: 190 x 200 cm Signed, titled and dated, upper left: Cerita Tenang, bali 1996, Krijono SGD 7,000 - 9,000 IDR 70.000.000 - 90.000.000

Lot location: Jakarta, Indonesia

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086 KRIJONO (Jakarta, 1951 - 2011) Bunga Desa, 2006 Acrylic on canvas: 120 x 100 cm Signed and dated, lower right: Krijono, Bunga Desa, 2006, Jakarta SGD 6,000 - 8,000 IDR 60.000.000 - 80.000.000 146

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Lot location: Jakarta, Indonesia

087 SAMBODJA (Purworejo, Central Java, 1931) Tari Jaipong Serat Serira, 1991 Oil on canvas: 105 x 70 cm Signed and dated, lower left: Sambodja’91 SGD 3,000 - 5,000 IDR 30.000.000 - 50.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

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088 ANGKI PURBANDONO (Semarang, 1971) Viva Los Lebos, Ed. 1/3, 2008 C Print. Scanograph/Metallic paper: 194 x 100 cm SGD 3,500 - 4,500 IDR 35.000.000 - 45.000.000 Lot location: Singapore

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089 SEN PAO (Surabaya, 1949) Balinese Girl, 1983 Oil on canvas: 60 x 50 cm Signed and dated, lower right: Sen Pao, Bali’83 SGD 900 - 1,200 IDR 9.000.000 - 12.000.000 Lot location: Jakarta, Indonesia MASTERPIECE ONLINE AUCTION

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090 BOB SICK YUDHITA AGUNG (Yogyakarta, 1971) Naive, 1995 Mixed media on canvas: 70 x 90 cm Signed and dated, lower right: Bob Yudhita, 1995 Signed, titled and dated on the reverse SGD 1,200 - 1,500 IDR 12.000.000 - 15.000.000 Lot location: Jakarta, Indonesia

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091 TEW NAI TONG (Klang, Selangor, 1936) Nude 207, 1999

Lot location: Singapore

Oil on canvas: 38 x 48.5 cm Signed, lower right: NAITONG SGD 2,000 - 3,000 IDR 20.000.000 - 30.000.000

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