ALICE ALVA
1. Smoke from the stacks, 2022 $790 Cotton and silk on suiting linen in custom frame; H210 x W245 x D30mm
ALICE ALVA
2. Cut to the chase, 2022 $790 Cotton and silk on suiting linen in custom frame; H265 x W225 x D30mm
GALIA AMSEL
5. Exploring inside the bubble, 2022 $6,700 cast blown glass, ground, hand smoothed and polished; 430 x 305 x 55mm
GALIA AMSEL, Merla 2, Merle 3, and Merle 4
GALIA AMSEL
6. Merle 4, 2022 $4,000 cast blown glass, hand smoothed and polished; 290 x 255 x 62mm 10% of sale price will be donated to Forest & Bird.
GALIA AMSEL
7. Merle 3, 2022 $2,700 cast blown glass, hand smoothed and polished; 225 x 214 x 50mm 10% of sale price will be donated to Forest & Bird.
GALIA AMSEL
8. Merla 2, 2022 $5,350 cast blown glass, handsmoothed and polished 355 x 305 x 55mm 10% of sale price will be donated to Forest & Bird.
GALIA AMSEL
9. Emerge 11, 2022 $17,700 cast bullseye hand drawn glass stringers, hand smoothed and polished; 630 x 550 x 120mm
The middle is a Manulua representing family. The Tokelau Feletoa patterns around the Manulua are supporting the family. The black circles around the outside represent the ancestor’s guidance looking out over the family as they journey through life on earth.
ZOE BRAND
11. OK, 2022 $190
Pantograph engraved acrylic, paint, cord; 60 x 3mm 12. SO WHAT, 2022 $190
Pantograph engraved acrylic, paint and cord; 45 x 3mm 13. OVER AND OVER, 2022 $220
Pantograph engraved acrylic, paint, cord; 65 x 3mm 14. RADICALLY MODEST, 2022 $220 Pantograph engraved acrylic, paint, cord; 165 x 3mm 15. HARDLY, 2022 $170 Pantograph engraved acrylic, paint, cord; 50 x 20 x 3mm 16. AND SO ON, 2022 $220
Pantograph engraved acrylic, paint, and cord; 60 x 25 x 3mm 17. ROOM FOR DOUBT, 2022 $250
Pantograph engraved acrylic, paint, and cord; 44 x 55 x 3mm 18. ALMOST RIGHT, 2022 $190
Pantograph engraved acrylic, paint, and cord; 48 x 48 x 3mm 19. LESS SO, 2020 $170
Pantograph engraved acrylic, paint and cord; 50 x 20 x 3mm
Finn Ferrier – Barnacle Lamp I
Finn Ferrier – Barnacle Lamp I
FINN FERRIER
20. Barnacle Lamp I, 2022 $750
57m, 4mm cotton rope, Custom LED light stand; H350 x W200mm at rim, W130mm at foot This lamp is an exploration of slow expansion. The form grows by one loop every revolution. It is based on a sea sponge form.
I have been making a series of lamps recently. I enjoy how the light illuminates each knot, and how the natural cotton colour glows.
Finn Ferrier – Barnacle Lamp II
Finn Ferrier – Barnacle Lamp II
FINN FERRIER
21. Barnacle Lamp II, 2022
70m, 5mm cotton rope, Custom LED light stand; H335mm x W220mm at rim, W150mm at foot
$750
This lamp is an exploration of slow expansion. The form grows by one loop every revolution. It is based on a sea sponge form.
The light illuminates each knot, making the natural cotton colour glow. It looks like a constellation at night.
MANDY FLOOD
25. On Closer Inspection – rings, 2022 Copper & enamel $325 each Pink, yellow, green, black, white, blue.
Each one of these rings needs a closer look. A mere worn surface, or a gateway to a silent narrative? The inclination of time and wear is the premise for each one of these pieces.
JANE GROUFSKY
26. Star Dome, 2022 Hand painted Dupion silk; 400 x 400 x 140mm $350
JANE GROUFSKY
27. Aquarium, 2022 Hand painted Dupion silk; 400 x 400 x 140mm $350
NATASHA KEATING
28 Hine Marama rāua ko Hine Moana, 2022 Pencil and woodstain on kauri $1450 That reflective connected relationship between the Moon and Ocean, to our ancestors and to us.
NATASHA KEATING
29 Kaitiaki, 2022 Pencil and woodstain on kauri $4450 Our water protectors. The wahine element of our waters.
SELENE HODGMAN
30 Flora and Fanau series: Little Star, 2022 $3,500 Silk ribbon, commercial woven plastic mat; H650 x W600mm
ALISON LEAUANAE
31A Saili o le filemu I, 2022
ALISON LEAUANAE
31A. Saili o le filemu I, 2022
ALISON
ALISON LEAUANAE
31B. Saili o le filemu II, 2022
ALISON LEAUANAE
31B. Saili o le filemu II, 2022
ALISON LEAUANAE
31B. Saili o le filemu II, 2022 $2000 Cotton & mixed thread hand-stitched on paper; framed 790mm x 650mm
ALISON LEAUANAE
31C. Saili o le filemu III, 2022
ALISON LEAUANAE
31C. Saili o le filemu III, 2022
ALISON LEAUANAE
31C. Saili o le filemu III, 2022 $2000 Cotton & mixed thread hand-stitched on paper; framed 790mm x 650mm
Saili o le filemu translates as seeking rest, or peace as filemu can be translated. The notion of ‘seeking rest’ is common to all and speaks of the individual’s life journey seeking that which provides purpose, meaning, peace and rest. Using Samoan motif to create intricate patterns that reference the artist’s mixed heritage, each piece represents the fabric of one’s life and the presence or influence of rest in that journey. The vae’ali (arrow-like) motif depict the legs of the traditional Samoan wooden headrest (‘ali) used to support the head while sleeping on the floor. The artist draws from her journey of faith and the concept of ‘faith rest’ that manifests itself in the final piece where rest is ever-present in all aspects of life.
ALISON LEAUANAE
32A. Lalaga VI, 2022
ALISON LEAUANAE
32A. Lalaga VI, 2022
ALISON LEAUANAE
32A Lalaga VI, 2022 $500
Cotton hand-stitched & woven on paper; framed 380mm x 310mm
ALISON LEAUANAE
32B. Lalaga VII, 2022
ALISON LEAUANAE
32B. Lalaga VII, 2022
ALISON LEAUANAE
ALISON LEAUANAE
32C Lalaga VIII, 2022 $500
Cotton hand-stitched & woven on paper; framed 380mm x 310mm
ALISON LEAUANAE
32D. Lalaga IX, 2022 $500
Cotton hand-stitched & woven on paper; framed 380mm x 310mm
Initially developed as a colour study applied to traditional Samoan motif, lalaga translates to weave, or woven. This series speaks to how our life’s journey creates a rich fabric that has been woven together from our knowledge and knowing of the past, from our experiences that are both positive and challenging, all of which is valuable and informs who we are uniquely as individuals. That our connection with others whilst often difficult, is the most rewarding when we can appreciate the beauty in our differences.
35 BTM Flood, 2022 $2,700 ceramics, glazes, silver, freshwater pearls D280 x H290 x W240mm sitting; H400 x W240 x D185mm on wall
Sung Hwan Bobby Park's ceramic bulletproof helmet series BTM started with his reflection on the impact of Korean military law 92-6 on members of the queer community. 92-6 strictly criminalizes homosexuality and yet gay men are not exempt from mandatory conscription as stated in the Korean constitution. The sense of constant fear and anxiety for these men in their time of duty for their country is represented in these helmets. The supposed indestructible helmets do not protect them from the brutally homophobic and violent policies and culture within the institution and they may as well be wearing these fragile ceramic helmets during their service. Park repeats his BTM series as his base to continue to talk about the relationship between government policies and how it impacts everyday people. BTM POP and BTM Eyes Have It are sculptures that break away from uniformity and celebrate the brilliance of individuality. BTM Flood is made during the Nelson flooding in 2022 and how the government's response to the crisis can be described as being temporary and responsive, putting up orange cones and metal barriers which is not adequately addressing the underlying issue of climate change.
36. Haratua (May 15 & 16), 2022 $1100
Print on silk; 100cm x 50cm Haratua (May 15 & 16) is an excerpt from the artists’ series of Maramataka works. Beginning and ending with the new moon, Emily and Arielle exchange a video and reflection on alternating days. Just as the lunar cycle begins in darkness, the exchanges begin without an illuminated pathway; without an expected outcome. As they pass the threads of conversation back and forth, patterns, rhythms and cycles begin to emerge. For this piece, their writing layers onto Emily’s film photograph from May 15, made while the artists were staying at Arielle’s family bach by the Tongapōrutu river.
EMILY PARR & ARIELLE WALKER
TANIA PATTERSON
37. Still Life with Piper fish and Puriri Berries, 2022 $2750 Ceramic vase, wooden bowl, Eco epoxy (fish, berries); 350 x 310 x 170mm
TANIA PATTERSON
TANIA PATTERSON
39 Still Life with Piper fish, Archey’s frog, Puriri flowers and Karaka berries, 2022 $2750 Ceramic jugs, Eco epoxy (frog, fish, flowers, berries); 420 x 340 x 170mm
TANIA PATTERSON
MAY TRUBUHOVICH
These fiery works from the series “Foul Wind” are an expression of rage against the abuse of power. They foreground the strength of those who tell their difficult stories, and in doing so often pave the way for others. They came about after a former teacher of mine was revealed to have acted abominably; the loss of respect, anger and complex emotions felt a little like mourning.
41 Incandescent, 2022
$2,800
Cotton hand embroidery, acrylic ink and acrylic medium and on collaged cotton toile “Festive”. conservation framed with Museum glass; W 525mm x H 255mm x D 20mm (excl. frame: W 395mm x H 115mm)
MAY TRUBUHOVICH
43. Sunset, 2022 $1,200 Cotton hand embroidery and acrylic ink on cotton toile “Festive”; conservation framed with Museum glass W 195mm x H 240mm x D 20mm (image area excl. frame: W 65mm x H 105mm)
MAY TRUBUHOVICH
44 Shame, 2022 $1,200
Cotton hand embroidery and acrylic ink on cotton toile “Festive”; conservation framed with Museum glass W 195mm x H 240mm x D 20mm (image area excl. frame: W 65mm x H 105mm)
