undergraduate portfolio

Page 1

PORTFOLI O M

A T H E W

S

A D IT H Y A


m a th e w s

a d ith y a

curriculum vitae


CONT ACT

BI ODAT AANDEDUCAT I ON

mat hews . adi t hya1998@gmai l . com DOBj u n e61998, I NDI A +91 9789939624 k i n der gar dent o10t hs t d PONVI DYASHRAM, CHENNAI

B3, Bhuv anes hwar icons t r uct i ons , A. G. Scol ony , 4t hcr os ss t r eet , k ot t i v ak k am, chennai 41

h i ghs ch ool i n g DAVGOP AL PURAM, CHENNAI

mat hews . adi t hya

MANUALSKI L L S u n der gr adu at i on “ BAT CHOF2020” MEASIAcademyofar ch i t ect u r e CHENNAI

wat er col our

l oos es k et chi ng

T HI NGSI L OVE

S OF T WAR E S

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WOR KE X P E R I E NCE ani mal s

f oot bal l

I NTERNSHI P-Dust udi o Aur ovi l l e wor k i n gu n der Dh ar mes hJ adej aan dwi t hear t hc on s t r u c t i ont ec h n i qu es . ex per emen t i n gwi t hn ewc on s t r u c t i ont ec h n i qu esl i k ef l at domesan dj ac kar c h es wor k edu n der I n s t i t u t i on al bu i l di n gs -I I HS R es i den c esan dc ommer c i al s t or es

gym WORKSHOPS s i ngi ng

made i n ear t h-NI T Tr i chy l ear n i n gt h edi f f er en t k i n dsof mu dc on s t r u c t i on t ec h n i qu esan dc r eat i n gs ampl ewal l sasat eam cont i nualgeomet r r i esSAP Chennai t h eu s ageof r h i n oan dgr as s h opper s of t war est ogen er at e des i gn sbas edonpar amet er s


S E LE C TE D

W O R KS


REVIVING AN ABANDO NED Q UARRY xs emt hes i s

C AFE AG APE s nackbari napar k I Inds emdes i gn

TRAC ING TEXTURES wor k sdur i ngi nt er ns hi p

THE VERANDAH HO USE

f r eel ancepr oj ect

SKETC HING AND “RO M E”ING acol l ect i onofs k et chesdur i ng anar chi t ect ur alt our


REVIVING AN ABANDO creating an ensemble


NED Q UARRY

t hepr oj ecti si ns pi r edf r omAr . Ani k etBhagwat ’ sl ands capepr oj ect , T i mbabas l atquar r y .Themai nmot i v ei st ot hr owl i ghtont hedar ks i deof quar r y i ngandhowar chi t ect ur ali nt er v ent i oncanr ev i v eanabandoned pl ace/ quar r yi nTr i chy , Tami l nadui nt oonewhi chi scapabl eoff or mi ng anecos y s t emwhi chs uppor t samul t i t udeofl i f eandact i v i t yt hr ough l ands capi ngandact i v ehumani nt er v ent i on. r y i ngact i v i t i espr ev al ent Thepr oj ectal s ot hr owsl i ghtont hei l l egalquar i ncent r alT ami l nadus oast obr i ngaboutanawar nes st ot heus er s .


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n men tl an df i l l edwi t ht r eesan ds h r u bs 1 gover l u ms et t l emen tabu t i n gt h eaban don edqu ar r ycon s i t u t i n goff or mermi n ewor k er swh o 2 as ar en owcon n ect edt ot h er es i den t i al n ei gh bou r h oodt h r ou ghan u mberofway s

3 MAI NACCESSROAD-NH45n at i on al h i gh wayt h atcon n ect s , T r i ch y , Ch en n ai , Madu r aian dKan y ak u mar i( pl acesofcu l t u r al i mpor t an ce owden s i t yr es i den t i al n ei gh bou r h ood 4 al an dabu t t i n gt h equ ar r y -ex pl oi t edl an dwi t hdamagedt ops oi l an dweedgr owt hi ncer t ai nar eas 5 l


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ANALYSING THE SITE C O NTEXT

t he pr oj ectst ar t ed wi t hanel abor at e macr omesomi cr o anal ysi soft he si t et o der i ve a speci f i csetofpr ogammes vi abl ef ort he si t e and t hi swast he st ar toft hi scont extdr i ven j our neyt hati sbot hi nspi r ed and as sosi at ed wi t ht he si t e


M ETHADO LO G Y

W H A T

i s ensem bl e archi tecture?

Anens embl ei ss omet hi ngt hati scons t i t ut edofs ev er aldi f f er entuni t sbuti sper cei v edasoneuni t . Thi si deai si mpl i edi nt hedes i gnbynoti ns t i t ut i ngones t r uct ur ei ns t eadt hewhol epr ogr ammei sdev el opedi naway ast obef unct i oni ngands eenasas etofdi f f er enti ndi v i dualuni t st hatar ev i s ual l yt i edt ooneanot hert ocr eat eav ar y i ng r angeofex per i ences . Eachuni toft heens embl econt r i but est ot hebi ggerpi ct ur ei ni t sownuni queway Thedes i gni sdonei ns uchawayt hatt hequar r yi sus edasacent r alel ement t hatt i esal lt hebui l tf or mar oundi t . Thi smet hodol ogyal s ocr eat esani l l us i onofar educeds cal ewi t hr es pectt o t hequar r yanddoesnotdwar ft her es i dent i albui l di ngsar oundi t . Thi smak est heobs er v ergetas ens eofs cal eanddept hoft hequar r y Eachuni toft heens embl eof f er sadf f er ents pat i alambi enceandex per i ence. Thi si sbecaus eoft hef actt hatt hes i t ewel comesal ls t r at aoft hes oci et yand t hedes i gni sdonei nawayt oenabl ei nt er act i onaswel laspr ov i depr i v acy whenneeded STYLE O F DESIG N I ns i pr at i ondr awnf r omt her ock sandmas s i v eex pr es s i v ef or msoft hequar r yl edt ot he i deaofadapt i ngabr ut al i s ts t y l e. Thear chi t ect ur ef ol l owedr es pect si t s cont ex tandi sI ndi anbys pi r i tbutnotbyaes t het i cs . Thi sf us i onhel peddev el op as t y l et hatdi dnotl acki dent i t ybutatt hes amet i mewasnothi ghl yor nament al . As t y l et hati sI ndi ani ndi anbutmi ni mal -I ndi anmi ni mal i s m

IN D IA N

3

M IN IM A LISM


IN T E R V E N T IO N

S T R A T E G IE S

Thef ol l owi ngar et hev ar i ousi nt er v ent i onst hatwer edonebot har chi t ect ur al l yaswel lasf r omal ands capepoi ntofv i ew.

PRO JEC T M O TIVES

cut t i ngandchi ppi ngoutapar toft hequar r ywi t ht he us ageofr et ai ni ngwal l sandi nduci ngaf eelofmov i ng i nt ot hequar r y t er r af or mi ngt hedes t r oy edt ops oi l t hr oughl ands capi ngt echni quesl i k e mul chi ng

des i gni ngs pacest hatbr i dget he gapsi ns oci et yandi ncl udeawi de s pect r umofs oci ali nt er act i ons

cr eat i ngapl at f or mf orus er st o i nt er act wi t hnat ur eands ubs equent l y ex per i encev ar i ouss pat i alqual i t i es

us i ngar t i f i ci alcont ourt obl end t hegr oundandcr eat ebunds whi chi nt ur nactasbar r i er s

us ageofel ev at or st oacces scer t ai ns el ect edar easof t hel or r ypat handt of r amet hes ev i ewsi nt ot hebui l di ng

hangi ngs t r uct ur esandcant i l ev er st ocr eat eas ens eof dy nami s mandmov ement

br i dgest hatar eus edt oconnectv ar i ousar easof t hes i t eandt opr ov i deav i ewi ngpl at f or mi nt ot he quar r y

4


PRO G RAM M ES

T h epl az ai sdes i gn edwi t h“ ach i k al br i ck s ”t o pr ov ok eas en s eofcu r i os i t yan dt oi mbi bea s en s eofi den t i t y . I tact sasagat h er i n gn odean dasanel emen t t h atu n i t est h emu s eu man dcommu n i t ycen t er

P LA Z A

RESO RTS t h er es or t sar edes i gn edf oranu r banes capef r omt h e “ ci t yl i f e”f ort h eT r i ch ydwel l er s . Vi s u al con n ectt ot h epu bl i c z on ef r oms omepar t si ses t abl i s h edf r omt h er es or tcot t ages t omai n t ai nas en s eoft oget h er n es san dcon n ect i onwi t ht h eot h er el emen t soft h equ ar r y -t h ebas i cpr i n ci pl e bywh i cht h edes i gni sdr i v en

H O U S IN G t h eEWSh ou s i n gpr opos al f ort h e aban don edqu ar r ywor k er si sbu i l twi t ha l otofopens pacesi nawayt or ei n t er pr et t h el i v el y h oodoft h eear l i ers l u mwh er e peopl epr ef er eds pen di n gt h ei rt i me ou t s i deov eri n s i de


MUSEUM PLAZA

COMMUNI TY CENTER

BOH RESTAURANTS

HOUSI NG

0m

M ASTERPLAN

50

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THE PUBLIC DO M AIN

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SECTI ON Aa t h r ou ght h es i l en c epav i l i onn ear t h ec ommu n i t yc en t er

SECTI ON Cc t h r ou ght h ec on n ec t i n gbr i dgean dr es t au r an t s

s ec t i on st h r ou ght h es i t es h owi n gh owv ar i ou s i n t er v en t i on sh av ebeenex ec t u t edt opr oi v de awi der an geof s pat i al ex per i en c est ot h e obs er v er

SECTI ON Bb t h r ou ght h epl az a

SECTI ON Ee t h r ou ght h er es or t c ot t agewi t hah an gi n gbal c on y

SECTI ON Dd t h r ou ght h ebear medr es or t c ot t age


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C O M M UNITY C ENTER

T h ec ommu n i t yc en t er i sdes i gn edt opr omot e as en s eof t oget h er n es san df or t h epeopl eof t h ec ommu n i t yt ogat h er du r i n gt h emor n i n gs an dev en i n gst os h ar ean di mpr ov et h ei r s k i l l s . T h emot i v ei st opl an t t h es eedof u n i t yan d c ompan i on s h i pi nt h eh ear t sof t h ey ou n gmi n ds of t h en ei gh bou r h ood.



F I G 1T OPL EF TCORNER ar i el v i ewoft h emai nr es or tar ea F I G 2BOT T OM L EF TCORNER per s pect i v ev i ewt owar dst h es wi mmi n gpool F I G 3BOT T OM RI GHTCORNER per s pect i v ef r omt h es t ar toft h ebr i dge F I G 4RI GHTMI DDL E per s epct i v ef r omt h ecot t agepat h way


THE RESO RT DESIG N

t h er es or tl an ds capeh asbeendon et obr i n gi nas en s eof con n ectwi t ht h eex t er i oran dt h ecot t ages . s u bt l ev ol u mesan dgeomet r i esdef i n et h epat han dh el p embr acet h es u r r ou n di n gl an ds capi n gan dgr een er y



THE Q UARRY M USEUM

T h emu s eu mi sj u x t apos edwi t ht h epl az aan dt h es i t ebot hv ol u met r i cal l yan ds pat ai l l l y T h i si st oi n di cat et h en egat i v esofqu ar r y i n gan dcon v eyt h ei deaofr ej ect i n gi t t h r ou ghar ch i t ect u r e. T h ef or man dmov emen twi t h i nt h ebu i l di n gen v ok eemot i on sofcon t empt wh i chi sani n t er pr et at i onofwh att h equ ar r yi st oi t scon t ex t anu n des i r edan di n appos i t epi eceofl an d T h emat er i al i t yoft h emu s u embl ocki sal s os el ect edi nawayast obej u x t apos edwi t ht h eot h er bu i l di n gs . weat h er eds t eel an dor an gewoodi sch os enbecas u eoft h i s


co n


C AFE AG APE fro nting na ture thro ug h a rchite cture

2n ds emes t er ,s nackbardes i gn s i t e:Ch en n ai , Nu n gmbak k am, Semoz h ipoon ga, t ami l n adu . T h es i t ei sl ocat edi napar ki nch en n aiwh i chi sf u l l of l u s hgr eenl an ds capean dt r ees . t h edes i gni smyt ak eonh owl an ds capecani n f l u en cear ch i t ect u r ei nal l as pect ss t ar t i n gf r omcon ceptf or mat i ont omat er i al s el ect i on . t h ebu i l di n gi sen v i s i on edasamedi u mf ort h eobs er v ert o con f r on tn at u r ean dt ocon v er s ewi t hn at u r ear ou n dh i m


conceptand m assi ng form ati on

ex i s t i n gl an dcapeel emen ti ns i t e

or gan i s i n g el emen t sar ou n di t

or gan i s i n gv ol u mesar ou n dt h edat u m

s i n cet h es t r u ct u r ewaspr opos edi napar kan da l an ds capedar ea,t h econ ceptr ev ol v edar ou n d mak i n gt h ebu i l di n ganembodi men toft h e v i t al i t yar ou n dt h es i t ebecau s eoft h e ex i s t i n gl an ds capi n g

t h i sdes i gni sdr i v enbyt h ef actt h atal an ds capeel emen t canactasas t ar t i n gpoi n torgu i def ort h edes i gn . Awat erbodyi scr eat edasaDAT UM t h atact sasabody wh i chdeci dest h eci r cu l at i onan dv ol u mesoft h es n ackbar. Sof tan dh ar dl an ds capesh av ebeenu s edi nh ar mon y wi t ht h ebu i l ts t r u cu t u r et ocr eat edi f f er en ts pat i al ex per i en ces an dedgesi nt h es t r u ct u r e

es t abl i s h i n gadat u mf ors pat i al or gan s at i on

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br eak i n gdownt h ev ol u mesi n t os emiopen , openan dcl os edmas s es

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F I G 04 pr el i mn ar ys k et chdon et oen v i s i onh owt h ebu i l tf or man d l an ds capesi n t er act F I G 01 pr el i mi n ar yar ei el v i ews k et choft h es n ackbar F I G 02 per s pect i v es h owi n gh owt h edat u m( wat erbody ) i n t er act swi t ht h ev ol u mesar ou n di t

F I G 03 l oos es k et chdon edu r i n gt h emas s i n gs t age


the

D A TU M

Al i n e , pl an e , or v ol u met h at , byi t sc on t i n u i t yan dr egu l ar i t y , s er v est ogat h er , meas u r e , an dor gan i z eapat t er nof f or msan ds pac es . T h ec or ec on c ept i st h at ageomet r i cz on ei ses t abl i s h edt oor gan i s ean dmeas u r eot h er s pat i al c ompon en t s . T h i sgeomet r i cz on e , beal i n epl an eor v ol u meei sr ef er edt oasadat u m. T h edat u mss i gn i f i c an c el i esi nt h ef ac t t h at al l ot h er el emen t sof t h ec ompos i t i onr el at et oi t

F I G 01t opl ef tcor ner v i ewf r omt h eeas twi t hmat er i al pal l et e F I G 02t opr i ghtcor ner pl an F I G 03bot t omr i ghtcor ner f u l l v i ewf r omt h eeas ts i de



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E VERANDAH HOUSE

malgamation of massing and landscape

a3bhkr es i den cel ocat edi nNagapat i nam, T ami l nadut ocat ert h en eedofay ou n g cl i en tan dh i swi f e. L an ds capewases s en t ai l i nt h i sdes i gnast h epl otwasmu chbi ger f ort h egi v enr equ i r emen tan das et t i n gh adt obees t abl i s h edi nor dert opr ov i demor e pompt ot h es i t e. T h es i t ewaswes tf aci n g,h en cet h ear ch i t ect u r eh asbeencon di t i on ed i nawayast obr i n gi ns h adi n gel emen t sasapar toft h edes i gnan dr edu ceh eatgai n



IDEALO G Y

T h ebu i l di n gwasdes i gn edwi t hr es pectt ot h econ t ex tan dt h e or i en t at i onoft h es i t e. P i er swer edes i gn edaspar toft h ef acadet oi mbi beas en s eof gr an deu r ean dt opr ov i deani l l u s i onofabi ggers cal ewh i ch r ai s escu r i os i t yt ot h eobs er v erabou tt h es i z eoft h eh ou s e. T h er oofoft h ebu i l di n gh asbeendes i gn edi nawayi nwh i chi t f or msanen v el opear ou n dt h ewes t er ns i det h atpr ot ect st h ebu i l di n g f r omdi r ects u nl i gh ti nt u r nr edu ci n gt h eh eatgai ni n s i det h ebu i l di n g. Appr opr i at el y , t h ewes ts i dei sdes i gn edwi t hwi debal con i es an dmi n i mu mf en es t r at i on st obr i n gi ndi f f u s edl i gh t

ground floor plan

first floor plan



TRACI NG TEXTURES as t u dyofear t han dox i des

ov ert h ecou r s eof5y ear s , I r eal i s edt h atI wasdr awnt owar dsbu i l di n gwi t hear t han da v er n acu l ars t y l eofar ch i t ect u r e. S u bs equ en t l yI i n t er n edi nAu r ov i l l ewh er eI h adt h ech an cet o wor kwi t hDh ar mes hJ adej aan dAr . Dh r u vBh as k eran dl ear nabou tv ar i ou smat er i al san dt h es pect r u mof av ai l abl econ s t r u ct i ont ech n i qu esofv er n acu l arbu i l di n g. T h i sch apt er , ” t r aci n gt ex t u r es ”i sacompi l at i onoft h emat er i al k n owl edgean dex per i en ce gai n eddu r i n gi n t er n s h i p


t ex t u r e

l ear n i n gn ewcon s t r u ct i ont ech n i qu eswasabeau t i f u l j ou r n eyasi t en abl edmet owi denmyv i s i onan di mbi bemor ek n owl edge. Myv i s i oni st ocon t i n u et owor kwi t ht h es emat er i al san dt oex per i men t wi t ht h epot en t i al i nt h embycombi n i n gt h emwi t hmoder nmat er i al s an dl an ds cape

f r omt op gu n av au l t , j ackar chs l ab, r ammedear t hwal l s , ox i de( I PS )wal l san df l oor i n g, “ ach i k al �mas on r yan df l atdome


mat er i al


SKETC HING AND “RO M E�ING

ov ert h ey ear sI h av er eal i s edt h atl oos es k et ch i n gh asgot t enmet oi mbi be an dn ot i cemor eabou tapar t i cu l art opi ct h anan yot h ermet h od. I ti sbecau s eoft h i st h atI pr ef ers k et ch i n gt ou n der s t an das i t ean di t sel emen t sbet t er . S k et ch i n gh adbecomeah abi tofmi n ean dov ert h ey ear sI h adev en t u al l y dev el opedas t y l eT h i spagei sacompi l at i onofs omequ i cks k et ch esI di d du r i n ganar ch i t ect u r al t r i pt oR ome, I t al y .

f i g3 aqu i cks k y l i n es k et ch

f i g4 abu i l di n gn earapl az a

f i g5 as t r eeti nR ome


f i g1 t h eP an t h eon , R ome

f i g2 cas t l eonah i l l


mat hews . adi t hya1998@gmai l . com +91 9789939624



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