CHARACTER DESIGN ASSESSMENT 01 + 02 + 03
2 0 1 8 | A N I 1 0 0 0 4 | I N T R O D U C T I O N TO C H A R AC T E R A N D E N V I R O N M E N T D E S I G N
CONTENT 01 - 04
GENERAL VISUAL RESEARCH
05 - 07
CHARACTER CONCEPTS
09 - 12
CHARACTER ONE DEVELOPMENT : RESEARCH + SKETCHES
13 - 16
CHARACTER TWO DEVELOPMENT : RESEARCH + SKETCHES
17 - 18
STORY CONCEPT
19 - 20
ENVIRONMENT FOR CHARACTER ONE AND TWO
22 - 25
PLASTICINE SCULPTS & TURNAROUND POSES
26 - 29
DEVELOPED OF BOTH VECTOR AND RASTER GRAPHICS
32 - 33
CHARACTER PUPPET VIEWS
35 - 38
VISUAL RESEARCH FOR ENVIRONMENT DESIGNS
39 - 41
GENERAL ENVIRONMENT THUMBNAILS SKETCHES
42 - 43
REFINEMENT VISUAL RESEARCH - PODS, CAVES HOMES
44 - 45
REFINED SKETCHES OF THE MOTH CAVE / POD HOMES
46 - 47
REFINEMENT VISUAL RESEARCH - ABANDMENT HOUSE
48 - 49
REFINED SKETCHES OF THE ABANDMENT HOUSE
50 - 51
COLOUR VARIATIONS
52
SHADOWS & HIGHLIGHT
53
ENVIRONMENT LAYERS
54
FINAL ENVIRONMENT
55 - 58
REFERENCES
ASSIGNMENT 1
M AS K
1
VISUA L RE SE A RC H
2
3
WO LFS | IN S ECTS
4
CHARACTER CONCEPTS
5
6
7
REFINED RESEARCH AND DEVELOPMENT 8
SRI LANKAN TRADITIONAL MASK
9
CHARACTER ONE
10
CHARACTER ONE
HARVEY
THE MASK BOY
DESIGN EXPLORATION
11
12
ANIMALS INSECTS
13
CHARACTER TWO
14
CHARACTER TWO
ARLO THE HAWKMOTH
DESIGN EXPLORATION
15
16
HARVEY
THE MASK BOY
STO RY/ CONTEXT
Harvey is a Mask boy who just turned 10 years of age. He is mostly misunderstood because of his appearance but he does not give up on making friends and seeing the positive side of things in life. He usually gets into trouble because of his naughty, naive behavior but learns his lesson immediately. This Character brings out the topic of bullying and self-appreciation narratives. Harvey’s character traits include playfulness, affectionate and stubbornness. Mask boy also represents the traditional attributes of the Sri Lankan mask Gini Raksha, which has the purpose to make the enemies turn to friends and spread happiness among them.
17
ARLO
THE HAWKMOTH
STO RY/ CONTEXT
Arlo’s character was inspired by hawkmoths and silence of the lamb movie. He is an old retired fearless warrior, born evil and mastered his skills in martial arts. The news about the golden spider’s newborn is the beginning of this narrative, Arlo comes back from his retirement to seek revenge, from the one who destroyed his family 70 years ago. Despite his old age, his knowledge and experience make him an outstanding sinister soldier in the moth kingdom. He eats his enemies alive and regains life counts from each one of them. This character was created to deliver dark, depressing negative emotions to the viewer with the hint of an dark humor.
18
CHARACTER ONE
HARVEY
THE MASK BOY
E N V I RONM ENTS
EXPLORATION Classroom, home and the playground are the places he usually spends time for the whole duration of this narrative
19
CHARACTER TWO
ARLO
TH E H AWK M OTH
EN V I R O N M EN TS
EXPLORATION Environments includes the bar where arlo goes
to grab a drink and spend his time. And the forest which leads to the goldern spider gardern.
20
ASSIGNMENT 2 21
HARVEY
THE MASK BOY
PLASTICINE SCULPTS & TURNAROUND POSES 22
23
ARLO
THE HAWKMOTH - SELECTED CHARACTER
PLASTICINE SCULPTS & TURNAROUND POSES 24
NOTES FOR DEVELOPMENT OF ARLO There are couple of development needs to be done to the plasticine Sculpture of arlo. Firstly, the shape of the wings needs to be changed to show the sharp evil personality. Secondly, i have sculpted arlo’s nose more simplified but after examining i have decided to add on the sides of the nose to give more emotions to the character. Lastly, the arm length needs to be change to fit his body proportions.
25
ARLO
THE HAWKMOTH
TURNAROUND POSES 26
NOTES FOR DEVELOPMENT OF ARLO This is the sketched version of arlo with the development done to the plasticine Sculpture. As i mentioned i made the wings sharper and clean edged. Added the side of the nose to make the character look older, additionally, helps to create a personality. Body was sketched proportionate.
to
be
more
27
ARLO
THE HAWKMOTH
TURNAROUND POSES RASTER GRAPHICS (PHOTOSHOP) 28
NOTES FOR DEVELOPMENT OF ARLO The Main Colour scheme for Arlo helps to identify him from a line up of other evil characters. The idea is to keep the colours flow throughout. Showing one deadly side and one softer side of him which the character area to build and develop on. With Photoshop, i have been able to use airbrush texture details to create depth and give life to the character.
29
Unused Colour Swatches
30
ARLO
THE HAWKMOTH
TURNAROUND POSES VECTOR GRAPHICS (ADOBE ANIMATE)
NOTES FOR DEVELOPMENT OF ARLO First time using Adobe Animate, i was able to create simplified version of the character and able to experiment with the colour scheme. Among the colours, the purple version and the final version stood out for me. But the body armour seems to blend in to the body therefore i have decided the shown version to be the final. The unique red will help to leave a mark on our eyes with speed moves of the character in action.
31
NEUTRA L V I EW
E X PLOD E D
ARLO
THE HAWKMOTH
C H A RAC T ER P UP P E T VIE WS (A DO BE I LLUSTRATO R) 32
FACIAL EXPRESSIONS
POS E D VI E W
NOTES FOR DEVELOPMENT OF ARLO Construct of the character had issues of connection when its been rotated therefore i managed to simplified the joints for arms and legs and extended the back of the character to have a backdrop to make it seamless. Facial expressions are important to the character because there are limited number of emotions.
33
ASSIGNMENT 3 34
VISUAL RESEARCH FOR ENVIRONMENT DESIGNS 35
36
37
38
GENERAL ENVIRONMENT THUMBNAIL SKETCHES
39
GENERAL ENVIRONMENT THUMBNAIL SKETCHES
skeleton hands in a pathway gives a bit of depth and excitment for the character to fly through.
40
GENERAL ENVIRONMENT THUMBNAIL SKETCHES
Pathway through the webby forest.
A window to the kitchen with the cabinet open
Old abandoned house with the window open, helps the character to walkinto the situation.
41
REFINEMENT VISUAL RESEARCH - PODS CAVE HOME
42
REFINEMENT VISUAL RESEARCH - PODS CAVE HOME
43
REFINED SKETCHES OF THE MOTH POD - HOME
Experimenting with different perspective and lighting inside & outside of pods. This will be the area where the moth will be flying in and out, (after restoring all their enegry).
individual pods have its unique light source which illuminate and contains energy. Moths will be able to meditate inside these light sources.
Landscapes made out of stones and woods.
44
REFINED SKETCHES OF THE MOTH POD - HOME
The Landscapes including caves, underground rivers is the best atmosphere for Arlo’s home ground. The streams will be a power source running and connecting the whole area. The pods are the home base for individual moth insects. The Psychology Of Color Theory Blue: Trust, security and spirituality Colour harmony between blues to yellow
45
REFINEMENT VISUAL RESEARCH - ABANDMENT HOUSE
46
REFINEMENT VISUAL RESEARCH - ABANDMENT HOUSE Abandonment House environment is used to explain the ‘war zone’. Following the story of Arlo, his enemy is a spider, and the enemy grounds are the abandonment house. House itself has a focal point for the main character Arlo to enter into the scene. Also, the entry point will indicate as the light side and opposite will be the dark side. Research visuals taken from horror and abandonment houses with spider webs including gives the creepy vibes setting the scene as a danger zone.
47
REFINED SKETCHES OF THE ABANDMENT HOUSE
Attics are consider to be a very scary enviroment. therefore it can be used to set as the scene where the Protagonist and antagonist meet.
Low angle provides the main character to view as the more prominent opponent.
48
REFINED SKETCHES OF THE ABANDMENT HOUSE
Showing the enemy in the scene sets a mood of danger.
Two perspective view, is a the best way to show the light and darkside in one scene.
49
BLUE/ YELLOW - COLD MOOD
ORANGE/BLUE - HOT MOOD
COLOUR VARIATIONS
GREEN/RED - WILD
50
COLOUR VARIATIONS The First step is to determine a simple colour scheme to set the location. I have used the green colour scheme to associate with Nature and safety of arlos home grounds. Red toned colour scheme associated with the Energy source for this home, the red energy source and the river flows throughout the whole area space to keep the balance equal.
51
SHADOWS
HIGHLIGHT
RED REFLECTION/HIGHLIGHT AND TEXTURE DETAILS
Adding Shadows and Highlights create depth to the environment briging in the perspective of the landscape.
SHADOWS & HIGHLIGHT
52
ENVIRONMENT LAYERS
BACKGROUND
MIDGROUND
+
53
FOREGROUND
+
T H E EN VIRONM ENT The Final Environment includes the underground green canyon with a Red Light source acting as the sun to this landscape providing energy. The Red rivers also carry the energy source keeping the environment balanced. Individual pod caves are where the moths are, and it also has a connection with the energy source hence it lights up red insides. Additionally, the red crystals and light orbits provide the theme of fairytale while the character flying motion leaves the fairy dust vibes as it sets in. The view has broken into three frames, to show the depth and perspective of the environment. The Scene will tilt from bottom to the top as the character flies off from the pod cave.
PORTRAIT VIEW 3840 x 2160 pixels x 3
54
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