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Once the height of industrial activity has developed into a abandadoned arrangement of masses, standing as relics of their previous disposition. The architectural language, exemplifies rigidity, solidity and verticality. The programme I developed For art and performance was creating perfomative structures, for a series of visual artists, perfomers and musicians, which these various postions could practice and hone their craft, in complete openess Fluidity, uniformity ands functionality were all concepts I thought crucial to the programme, Using can ricart as the rough surface to sketch a seriesd of gestural forms on top of. I exploited the solidity and verticality of the site, providing a playful counterpoint that worked horizontally to provide functional geometry, from the city scale to the detailing of benches and furniture. This language was adopted across the site, providing uniformity and functionality to the disparat site. The physical forms stimulate the imagination of inhabitants and a re-engagement with the aesthetics of old. The freeform geometry allowed for much more freedom of space, and a flexibility of scale that was important in the programme.



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The largest space in can ricart is essentially seen as just seen as two surfaces, the floor and the ceiling which undulate and inflect for social. To support this nuance, a steel frame is essentially placed inside the building to support both the existing walls and the new floors and ceiling.



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