UNDERGRADUATE P O R T F O L I O
MATTHEW A. SPINNER
MASTERS OF ARCHITECTURE 2014 CANDIDATE
Photo by Matthew Spinner
Statement of Originality
6-7
Design Philosophy
8-17
Architectural Fundamentals I
18-31
Architectural Fundamentals II
32-45
Architectural Fundamentals III
46-59
Architectural Studio I
60-73
Architectural Studio II
74-87
Architectural Studio III
88-101
Architectural Studio IV
102-103
Construction Technology II
104-109
Professional Projects
110-115
Personal Interests
CONTENTS
4-5
3
This portfolio belongs to Matthew A. Spinner. Do not copy without permission. Some of the samples within this portfolio are the property of the organization, or persons, whose name appears on the document. Permission from each has been granted for the product to be used as documentation of my work.
Photo by Grace Murney
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STATEMENT OF ORIGINALITY
Photo by Matthew Spinner
5
Photo of Matthew and Gilles discussing initial design: by Brad Nobbe
meaning than what is visually apparent, rooted in
their surrounding context, but also stand out from
addressing the social, cultural, and political issues
the rest of the neighborhood context—a signature
that plague our societies at both the local, and,
characteristic of true organic architecture. In our
more importantly, the global scale.
current society, we have hit a tipping point for the
what happens in one corner of our world will affect
amount of developed land that already exists.
something on the opposite side of the world; this
The sites that we build on have been tampered by
new way of thinking needs to be embraced as we
human hands, a history which needs to be taken into
enter into a time period of fragile human existence.
consideration when designing. Whether the site is
One way that I address this is by focusing on
in a rural landscape with untouched land, or in an
designing architecture that balances the energy
urban context with no remaining traces of nature,
equation, transforming his architecture into a
the need to transplant the landscape helps to revert
living object that breathes, hydrates, and absorbs
us to our natural existence; Tapping into this innate
its nutrients from its immediate surroundings.
and natural state of being is the key to good design. Keeping in tune with this idea of the natural state of existence, my selection of natural building materials is based on both site location and regionalism.
Over time,
DESIGN PHILOSOPHY
My designs have the ability not only to adjust to
My designs always hold deeper
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BECOMING A SOUND 8
UNDERSTANDING + ORGANIZING SPACE
ARCHITECTURAL FUNDAMENTALS
I 9 Amphitheater Model
ORDERING + ORGANIZING Alvar Aalto - Vuoksenniska Church 1958
Graphical analysis of the floor plan, using
six
created by the interior spaces. Inspired ordering
ordering and organizing principles of architectural
principles were then adapted to the transformation
design, helps emphasize the strong analogical,
of
plan-to-section
model that reflected the captured principles.
relationship and the rhthym
SYMMETRY 10
the
initial
HIERARCHY
paper
model
into
a
second
R H T H Y M
Source: http://archinect.com/blogs/gallery/47316398/12/lakelands-finland-east
AXIS
Source: http://www.danda.be/gallery/vuoksenniska_church/9/
PROPORTION
DATUM 11
Final Transformation
Final Entry Condition
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Original Conditions
First Transformation
ENTRY An entry system was created using four different operational principles. Circulation through spaces and around elements was also a consideration during design. The new entry condition was then constructed with the same architectural language engaged in earlier in the quarter’s design process.
Second Transformation
Third Transformation
13 Approach to Entrrance
BASE PLANE After
thorough
designs,
a
final
conceptualization design
was
of
chosen
base that
was directly based off the geometry of the First Design
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building both in plan view and section view.
It
was then constructed from layers of foam core and wrapped in bristol board.
Second Design
Final Design
One must try to design a thing in order to find out what the thing is.
- Tim Woods
15
The intent of this project was to
foundation of design principles used
design space first and then to assign
throughout an architect’s
an identity to that space. Designing
This design approach also allowed
without
architectural
for the discovery and exploration
solidify
of
program
16
a
given helped
the
individual
architectural
career.
styles .
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DISCOVERING PLACE 18
SAVANNAH MARITIME-RELIC MUSEUM
Photo by Matthew A. Spinner
ARCHITECTURAL FUNDAMENTALS
II 19
PATH + PLACE Connecting path and place to one another is fundamental in architectural design. The path can influence the place, creating a specific feelings before entering the space. Place can also inform the path, giving bearing for future progression through the space.
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Diagramming
the
procession
through
the
pathways allows for better understanding of how the phenomena of arrival, compress and release, elevational change, and lighting influence spatial perception and understanding.
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SITE + CONTEXT Site context and program requirements direct the development of a building and how it fits into its surrounding context. The location of the site and the program schedule need to be addressed together during design development, in order to produce a building that is specific to the site and needed function. Analysis of a site also helps to inform the programmatic layout of different spaces based on their functions, while fulfilling all ADA requirements necessary for all occupants.
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Photos by Matthew A. Spinner
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CONCEPT This museum is meant to educate the people of Savannah, GA by showcasing the remaining ship relic and becoming the regional epicenter for early 19th century maritime history. This was accomplished by focusing on elements of the ship that could be functionally portrayed throughout the new building design. The idea of sail, sails, sailing,
flight,
and
movement
were
captured
through modeling and sketching.
Source: http://www.dipity.com/tickr/Flickr_wreck/
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Sketch of Sail Concept
Model of Sail Concept
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Second Floor
First Floor
Parti
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Ground Floor
PROGRAM + CIRCULATION It was a challenge to properly weave an organized program with functional circulation due of the vast array of different elements of the program along with necessary fire egress and ADA requirements. The rule of thirds was used to separate public from private and semi-private space and the elevator shaft acts as the main mast of circulation throughout the building.
Cirulation Diagram
Circulation Model
Spatial Adjacency Diagram
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East-West Section
North-South Section
South Elevation
East Elevation
Rooftop Terrace
North Elevation
Conference Room Interior
View from Montgomery Street
View from Factor’s Walk
First Flloor Elevator and Relic Overlook
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Building Model built at 1/8” = 1’ - 0”
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Photo by Matthew A. Spinner
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OASIS URBAINE 32
PARISIAN MULTI-MODAL TRANSPORTATION HUB
ARCHITECTURAL FUNDAMENTALS
III
Rendering by Amanda Krazckowsky
Architectural Studio III: Amanda Krazckowsky Interior Design Studio IV: Michelle Kuvinka Architectural Fundamentals III: Matthew A. Spinner SEMAPA Representative: Gilles du Mont-Marin Collaborative Studio Project with SEMAPA
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Form I
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Photo series taken by Brad Nobbe
Form II
TGV Station Satolas (Lyon Airport Station)
STRUCTURE OF MOVEMENT
Santiago Calatrava 1989 - 1994 Satolas-et-Bonce, France
Project Scope
Two different forms were created by analyzing the movement of the approach and throwing of a javelin. Main pivotal points of the body were connected creating a wire frame from which multiple forms can be taken from. These forms reflect how the body moves through three-dimensional space. The structure of movement can also be reflected in other ways and strategies.
Studying other
forms of architecture that reflect movement and flight helps reinforce new ideas for successful designs.
These case studies also display how
to reflect program and function through the form of the building.
This TGV station is located in Satolas, France, just East of the city of Lyon and its intended function is to connect the TGV’s high-speed train network to the Lyon Airport, also located in Satolas. A competition was organized by the Rhone-Alpes Region and Lyon Chamber of Commerce and Industry, that called for a design that would enable smooth passenger flow, while at the same time symbolizing a “gateway to the region.”
Location: Satolas, France approx. 15km east of Lyon. Client: Rhone-Alpes Regional Government and SNCF Design Architect: Santiago Calatrava Date Project Started: 1989 Date Completed: 1994 Floor Space: 18, 375 sq. ft. 5,600 sq. m Climatic Data: Temp: July AVG: 21 C (70 F) Jan. AVG: 2 C (36 F) Rain: H. Oct. 83 mm (3.26 in) L. Jan. 38 mm (1.5 in) Wind: Avg. 14.5 - 19.3 km/h (9 - 12 mph) Humidity: Morn. Avg. 86% Eve. Avg. 60 %
The sketches to the right are from the early developmental stages of Calatrava’s design. The left one is of his concept of mass and void through the medium of two-dimensional sculpture and the right one is a refined sketch that explores structural form and how it can relate to stereotomic and tectonic skin systems.
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Source: Jodidio, Philip, Calatrava: Santiago Calatrava, Complete Works 1979 - 2009. Taschen: Los Angeles.
Structural Case Study
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Photos takens by Matthew A. Spinner. Model produced by SEMAPA.
SITE ANALYSIS With a site located in the 13th Arrondissement of Paris, initial site history, context, and scale were crucial to first steps in design. Taking advantage of the regions’ seasons and the lack of communal greenspace in the neighborhood would become important aspects that influence the final design of the transportation hub.
Vegetation
Paris, France
Private Green Spaces
Public Green Spaces
Paris Climate Analysis Winter: • Sunshine is scarce • Cold days (above freezing at around 7 degrees Celsius) • Night frosts and heavy snowfall is not uncommon
Spring: • Mild days, cool nights • Warm and Cool temperatures • Frequent spring showers
Summer: • Warm temperatures • Fair amount of sunshine • Minimal rainfall Autumn: • Changing and unstable temperatures
• Paris has a Western European Oceanic Climate and is affected by the North Atlantic Current
Corrin Turner, Franchesca Barba, Alvaro Gutierrez, and Sabrina Richter
Diagrams produced by various studio groups
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Renderings by Amanda Krazckowsky
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Charette Sketches by Matthew A. Spinner
BUILDING PROGRAM The main function of the our design was to properly
massive steel and concrete structure into the context
house the station platforms for the proposed light-
of this neighborhood. We needed to celebrate this
rail system that would encompass the greater circle
opening in the urban grid by allowing the community
of Paris, bus system drop-offs, taxi stands, and entry
to use this space to gather in. Inspired by the markets
to the Parisian Metro system. A secondary function
of Apt, France, designing of an outdoor space and
of space became aware when our team realized the
market kiosks became crucial in translating this idea.
implementation of the potential addition of another
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DESIGNING STRUCTURE
Av e
nu
e
de
Truss A
Fr
an
ce Structural Rendering by Amanda Krazckowsky
Truss C
Truss B
Having a background education in the field of engineering,
Support Column
allowed
for
precision
designing
of the structural system for the entrance to the transportation hub. Tubular-steel truss design was used along with glass fenestration and live-growth
Structural Grid for Front Entry
exterior skin system to come together to help emphasize the idea of community greenspace.
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Main Truss End Connections Truss A
Truss B
Truss C
Support Column Base Structural Drawings by Matthew A. Spinner
Support Column
Truss Designs
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STUDIO OVERVIEW
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The Rive Gauche area of Paris, France promotes
The site, located at the end of the newly iconic
a modern environment and invites residents and
Avenue de France, is a prime site to house a major
visitors to explore a contrasting setting to the iconic,
transportation hub and gathering space. By including
historical city. The current environment in the 13th
an above-ground train, a tramway and a bus stop, as
arrondissement is a striking example of a post-modern
well as a farmer’s market to encourage interaction
utopia, yet the district lacks an interactive connection
within a natural setting, the site at the terminus of the
with its patrons and a natural space for families, friends
Avenue would promote community interaction and
and colleagues to gather and enjoy the outdoors.
pride - Oasis Urbaine
Elevation Renderings by Amanda Krazckowsky
Initial Design Sketches by Matthew A. Spinner
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Rendering by Amanda Krazckowsky
Rendering by Amanda Krazckowsky
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SPIRITUALITY OF THE EARTH 46
A HOUSE FOR MODERN MONASTIC LIVING
U
D
I
O
ARCHITECTURAL
S T
I 47
HUMAN SCALE Emphasizing the human scale by designing with the human body in mind is an important first plateau for an architectural education. Designing an object that will be used by man instead of an object that will house man, helps to break down the current trends in design, allowing for a better understanding of its role in architecture.
This
scale is important because it is the base scale from which architecture is derived from and it is the scale with which we see our built environment.
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This series of drawings narrates an individual’s digression
through
different
densities
of
urbanization. Starting with the densest of human environments and progressing to the least dense, a feeling of solitude and individuality began to present itself.
These feelings associated with
place would help influence the overall design of the different buildings and location and reference to one another within the site.
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50
Picnic for Two
OBJECT FOR DINING Focusing on the client, myself, I used human scale to help design a comfortable eating environment that based its scale off of the daily caloric intake for a specific individual. Using formulas that involve one’s gender, age, height, weight, and daily activity levels, one can roughly estimate the daily caloric needs. From there I devised measuring utensils to measure the calories for proper portioning of rice, fish, and salad dressing. The overall theme was inspired by the Japanese culture.
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INDIVIDUAL SCALE
A
Designing at the individual scale allowed for even more intimacy to be developed between the user and the space. Minimalism in the monk’s lifestyle and daily habits played a crucial role in the development
B
B
and layout of the space inside the room. Keeping in tune with the Spirituality of the Earth I wanted the user to be at one with the outside world when inside, but I also wanted the user to be reminded that they were still human in nature.
A
Monk Living Cell 0’
52
4’
SectionB-B
Back Elevation
Section A-A
Front Elevation
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A
GROUP SCALE
A
Designing the Library for the monastery was a chance to design at a smaller scale. Focusing on more details, I attempted to create a place where one could feel like a
B
B
part of a group while focusing on individual activities. I divided the space according to use and amount of daylight needed for the activities that took place inside.
Books
getting less light then places used for reading and learning.
A
A First Floor
MONASTERY LIBRARY
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Second Floor
0’
8’
North Elevation
West Elevation
South Elevation
East Elevation
Section B-B
Section A-A
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B
A
A
North Elevation
South Elevation
B
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Church Floor Plan
0’
8’
Section A-A
COMMUNITY SCALE Designing at the community scale was a constant balance between welcoming visitors to enjoy this special place while allowing the monks to call it their own.
Division of
West Elevation
public and private spaces was crucial in the development of the floor plan. Using the eastwest axis as a divider, visitors are seated at the south and monks are privileged at sitting to the north or at the head of
East Elevation
the altar.
Section B-B
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Master Site Plan
Master Floor Plan
Model of Monastery Library
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SAVANNAH CENTER for ENVIRONMENTAL EDUCATION 60
BALANCING THE ENERGY EQUATION
U
ARCHITECTURAL
S T D I O
II Conceptual Model representing Environmental Displacement
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SITE SPECIFIC DESIGN
The
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Savannah
for
developed for all levels of education
Environmental Learning will help to
but primarily directed towards levels
inform the surrounding communities
of high school and higher. The best
about
relationship
way to learn about our impact on our
between humans and their natural
environment is to visibly showcase
habitats,
and highlight them through the site.
the
Center
sensitive through
a
curriculum
Master Roof Plan
Master Floor Plan
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The analysis of the environmental, social, and cultural conditions of the site on Cockspur Island in Chatham County, GA
inspired a respectful
response to various energies on
Banquest Hall
site.
Design intent was directed
towards balancing the site’s energy equation by introducing a network of passive and active mechanical energy systems. Savannah/Chatham
County
Environmental
Center
Learning
will be a living, breathing body that coexists with the site, having minimal impact on its surroundings, while taking from and giving back Main Building First Floor
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Master Site Plan
Main Building Second Floor
to the Earth in a respectful manner.
Electrostatic harvesting, photovoltaics, geothermal, and biomass energy systems.
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Banquet Hall
East Elevation
South Elevation
North-South Section
East-West Section
Approach to Banquet Hall
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Aerial of Main Building
North Elevation
East Elevation
East-West Section
North-South Section
Approach to Main Building
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V-COLUMN
SYSTEM
A structural system was developed around two basic principles; minimalization of materials and localization of materials. Wood, steel, concrete, and brick from the southeast region would be used in a manner that reflects the vernacular of the area. This system also reflects the skeletal system of an animal, while allowing for minimal impact on the grounds of the site.
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Wooden Louver Sized Glulam Rafter Steel Connection
Footing Detail
1/2” Carriage Bolts Sized Glulam Column
Steel Connection 1/2” Galvinized Anchor Bolts Georgian Brick
Rafter Detail Soil (fine sand)
Crushed Gravel Drainage Pipes Spread Footing
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Unfinished model of main building with finished banquet hall in background
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EDUARDO CALVO FASHION HOUSE 74
PARALLELS BETWEEN FASHION AND ARCHITECTURE
U
ARCHITECTURAL
S T D I O
III
Source: Google Images
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FASHION and ARCHITECTURE A duality has always existed between fashion and architecture.
They both reflect personal, social and
cultural identities of specific regions and time periods. The value of good design in both practices is for the public to decide, which usually reciprocates in the tastes of an era.
Images of Fashion and Architecture
These tastes are prominently represented in the form of the fashion and architecture, creating a symbiotic relationship between the both of them. Although the scale of both art forms is greatly different, they are both derive from the scale of the human body. Geometries inspired from Eduardo Calvo’s spring fashion line
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FASHION and FURNITURE Using a piece of furniture to represent the ideals and aesthetic aspirations of a architectural or urban design firm helps to relate the overall themes that can be hard for the client to digest. Presenting them in the form of an object that the client can easily associate with through everyday use allows for these ideals to be easily understood.
Furniture model Jessica Boyer
Furniture Advertisement
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SITE CONTEXT + ANALYSIS The SoHo district, located in Manhattan, New York, is home to a very specific style of architecture dated to the early 1800s. Brick, concrete, and iron were the three main materials used to construct this historical neighborhood, whose foundation is based in industrial context but has now entered the modern world of retail and fashion. Engaging this historical Source: Google Images
context in a proper manner is a crucial factor when designing in this district. Within the past few decades, high-end retail has made a home for itself within the cast iron context of the SoHo district, bringing a new elegance to the area and making it a luxury destination. Studying the surrounding urban fabric allows for the ability to creatively design for the individual client while still being courteous to community of the SoHo and Manhattan.
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CAD drawing of Lower Manhattan Island
Surrounding Retail Shopping
Public vs. Private Space
Sun Angle Diagram
Main Structural Layout
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BUILDING PROGRAM Simultaneously developing the building program, structural
systems,
circulation
systems,
and
egress systems was the major challenge of this project.
With a heavy focus on representing
the aesthetic of Calvo’s fashion line through the structural elements it was easy to look over the other crucial aspects of a successful building design. It was an orchestration of many different solutions to many different problems that allowed the program and structure to come together in somewhat simple manner.
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Rendering of Entry Condition
Penthouse + Office Located above the SoHo skyline, this space lifts occupants above the city offering spectacular views out over the NYC community. Museum + Gallery Space Bringing back to the community, this space allows for local fashion designer’s and artists to showcase their work. Restaurant + Lounge Introducing nightlife to the building, allows for public use of the building to continue throughout the entire day and night. Storage + Utilities Sandwiched between public and private domains lies the heart of the building. It supplies and stores necessary ingredients for the buildings survival. Retail + Merchandising Situated above ground level is retail space, fitting rooms and lounges, secondary displays, employee facilities, and bathrooms; all catering to the coutoure experience. Entrance + Main Displays Located on ground level this space pays particular attention to bringing individuals in from off the street.
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STRUCTURAL DEVELOPMENT The final structural design was broken down
steel girders and a poured concrete deck.
into three separate parts. The primary structure
tertiary structure is the facade and envelope of the
consisted of the tall vertical elements made of
building. It represents the quilting pattern found
concrete and steel.
throughout all six pieces in Calvo’s spring line and
The secondary structure
helps lateral brace the building and is made of
Primary Structure
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is made of glass and steel.
Secondary Structure
Tertiary Structure
The
After
modeling
secondary
the
primary
structural
and
elements,
detailing materials and connections was the next step in furthering the actuality of design.
It is one thing
for an architect to theorize and let the pen sometimes run wild, but when trying to implement theories
Automatic Fire-Damper
into real-world construction involves knowing how convert these theories into known materials and processes available.
The material that is
intended to be used consists of concrete, steel, and glass.
Foundation Detail
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Spring Street Section
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Spring Street Elevation
0’
40’
0’
40’
Greene Street Section
0’
40’
Greene Street Elevation
0’
40’
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STRUCTURAL DEVELOPMENT Rendering my final perspectives for this project allowed me to really play with the emotional and poetic value of the project. The gray scaled images really create the atmosphere, a ‘Concrete Jungle,’ as he likes to call it, that Eduardo Calvo sees his clothing line being worn in.
They also helped me
advance my digital skills and techniques to advanced levels, in turn helping me present my ideas to other individuals in a clear and concise manner.
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THE NEW DOWNTOWN DISNEY 88
COLLABORATION WITH WALT DISNEY IMAGINEERING
U
ARCHITECTURAL
S T D I O
IV
Architectural Studio VI: Elizabeth Schminke Architectural Studio IV: Steven E. Aldridge Architectural Studio IV: Matthew A. Spinner Creative Majors: Shelly Martin and Jeannette Gregor Collaborative Studio Project with Walt Disney Imagineering
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METHODOLOGY ReGroup is dedicated to creating places that resonate with users on a multifaceted level. The methodology is a continuous practice to Reflect - Respond - Refine. Each member of the group provides a particular role, blending together to create the best results possible. The mission in all projects is to produce a cohesive collection of carefully choreographed experiences.
JEANNETTE GREGOR
STEVEN E. ALDRIDGE
ELIZABETH S. SCHMINKE
MATTHEW A. SPINNER
SHELLY MARTIN
JEANNETTE GREGOR
STEVEN E. ALDRIDGE
ELIZABETH S. SCHMINKE
MATTHEW A. SPINNER
SHELLY MARTIN
“T he Sto rytel l er”
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Illustrations Kirsten Allen “T h e by Storyteller”
“ Th e Facilitator ”
“ The Fac i l i t at o r”
“The Har monizer ”
“ T h e Harm o n i z e r”
“The Qu estioner ”
“ T h e Q u e st i o n e r”
“The D ay D re am e r”
“ The D a y D r ea m er ”
The objective of this studio was to redesign the existing 141 acres of Downtown Disney, along with another 163 acres of surrounding Disney properties. The Walt Disney Company requested that the designers explore
EDGE
all possibilities, leaving no ideas unconsidered. The scale and program of the site were unlike other urban design projects, as the guest is a non-residential pedestrian.
PATH
There are no cars, civic or institutional
programs. Furthermore, careful consideration was made to separate the guests from the cast members.
NODE
The practical aspects of the design combined with heavy emphasis on the experiential were an exceptional challenge. It required constant exploration, evaluation, and production to determine whether the creative ideas were feasible.
Ultimately, the design was a successful
LANDMARK
blend of an intricately created story and a series of detailed experiences woven together with solid urban design principles.
REGIONS
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SITE ANALYSIS Downtown Disney is located within the Walt Disney World complex, just outside the city limits of Orlando, Florida, in Lake Buena Vista. Pre-existing conditions emphasize retail, dining, and entertainment with a mix 709,000 square feet of Disney owned and operated and third party revenue producing businesses. The area receives 15 million annual visitors, second to the Magic Kingdom property. The property has changed significantly over the years to keep up with change in guest desires, yet has still not been developed to maximize efficiency.
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This is a story about a young
tenacity, and convinced that she would never make it in Florida, Croon
woman,
who
switched the plot areas in the deed before handing it over to the family.
developed a successful, booming
Lily and her siblings arrived to their land to find overrun by alligators,
town out of less than nothing, with
surrounded by a notorious hill formation called Alligator Mountain, and
all the odds stacked against her.
filled with swamp.
Lily grew up in New Orleans with
But Lily and her brothers were fighters. Lily developed a special kind
her two younger brothers, Victor
of orange tree that could grow anywhere, and successfully settled her
and Andrew. Her father, Captain
land. Victor, though only ten, was a fearless entertainer, who charmed
Edgar Dubois, chartered a ship
the alligators and developed a working, friendly relationship with them.
from the port of New Orleans to
Andrew, even younger at seven, was the child-genius of the family. His
the gulf coast of Florida, and would return to his children with stories of
collections of books and uncanny way of understanding mechanics and
the fantastic swamps, orange groves, and adventures that would take
buildings created the machinery and buildings that would make their
place in developing Florida.
orchard (and, later, town) a huge success.
When Captain Dubois went missing, Lily was trusted with a deed to
Almost a decade after the first bountiful harvest, a horrible frost hit
many acres he had bought as a surprise to his family - the land on
Florida, hurting the orange crop everywhere except for Lily’s land.
which they would have built their dream orange orchards. With few
When the new hit her, Lily sprang into action, cutting bows from her
options for work in New Orleans, Lily and her brothers- Victor and
strongest trees and sending them out to all points across Florida. One
Andrew- took the train across the southern coast, landing in Orlando
particular farmer, Douglas King, or, the “King of Oranges”, was so
with their many books and belongings.
touched by her kindness that he sent a wagon of gifts back to Lily. His
Lily
Dubois,
son Jonathan, who drove the gifts to Lily personally, instantly fell in love They were met by Tate Croon, the local purveyor of deeds and plots.
with her. Upon marriage, Lily became know to all throughout Florida as
Despite his objections to a woman planting and running an orange
the Orange Pricess- and they all lived happily ever after.
orchard, Lily’s stubborn persistence and legal prowess claimed the land bought by her father- but there was a catch. Angered by her
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BU
L AKK E B UE U ENA N V ISS TA G OLL F C LU NA L B
EN
Existing Building s A
V IS
TA
D
1 Cirque du Soleil R IV
E
Station 3
SARATOGA SPRINGS RESORT & SPA
HO
18
Station 5
17 Station 4
TE
L
P LA
ZA
BO
E UL
VA
2 Splitsville Bowling
RD
3 AMC Movie Theater 4 House of Blues 5 Wolfgang Puck Express
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6 Bongos Cuban Cafe
20
7 Planet Hollywood
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8 Raglan Road Irish Pub 9 Portobello
9 B UUEE N NA A V ISS T A L AG A OON
10
8
12
11 1
15
14
13
4 5
6
2 B UENA V ISTA
D RIVE
3
S TATION 2
7
10
Fulton’s Crab House
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T-Rex
12
LEGO Imagination Center
13
World of Disney Superstore
14
Ghiradelli Soda Fountain
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Shops|Retail
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Goofy Candy Co. Little Mismatched
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Rainforest Cafe
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Disney Days of Christmas
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Spice and Tea Exchange
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Once Upon A Toy
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Team Disney
Existing Buildings
Proposed Buildings
-4
Support Buildings
IN
TE
R
S
TA
TE
Wetlands|Covered Green Space Open Green Space/ Recreation
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T YPHOON L AGOON W ATER P ARK
S TATION 1
Water
Roadways/Parking
Steven Aldridge Elizabeth Schminke Matthew Spinner Jeannette Gregor Shelly Martin
Fall 2012 Professor Fernando Munilla Design Studio 4 | ARCH 404 Professor Daniel Brown Design Studio 7 | ARCH 717
Conceptual Master Plan O
R
L
A
N
D
O
F
L
O
R
I
D
A
100’ 200’
400’
SCALE 1” = 200’
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DISTRICT IDENTITY WISDOM + TRADITION
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TECHNOLOGY + SCIENCE
NATURE + EVERGLADES
ARTS + ENTERTAINMENT
LOVE + ROMANCE
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CONSTRUCTION PHASES The overall proposed design was carefully
broken
distinct phases.
down
into
five
Careful attention
was paid to ensure the independence of each modification, allowing the modifications to operate indefinitely without immediate implementation of subsequent phases.
New Entry Off I-4
Introduce new approach from Interstate 4 West.
Relocation of Casting
Incorporate Casting and SunTrust Bank with Team Disney to allow for new parking.
Foundation of Alligator Mountain
Build substructure and ground level for Alligator Mountain. Allows for future additions to parking.
Scale Change of Buena Vista Drive
Mass plantation of Live Oaks (12’ - 15’) for future maturation during finalization of Phase 5.
Bus Loop + Main Vista
Construct future centralized bus hub and entry vista. Refurbish north, east, and south side of AMC. Introduction of R, D, and E around new canal.
Alligator Petting Zoo
Introduce Alligator Petting Zoo created by Shelly Martin as ‘weenie’ for northwest of property.
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Extension of West Canal
Finish western canal system implementation of water taxis.
to
allow
for
Populate with R, D, + E
Introduce new retail, dining, and entertainment that focus’s on Arts and Entertainment.
Water Taxi Station
Introduction of water taxi system for western canal. Maintenance is located on the south branch.
Disney Gallery
Re-purposing previous Disney Quest into Disney Gallery. Scales down building and allows for new connection to western canal.
Cast Member Parking + Back of House
Addition to new cast member parking and back of house to support new R, D, and E.
Northern Land Extension
Eastern Canal Extension
Love + Romance District
New Market Square
Use displaced land to construct land extension for Lily’s plantation. Populate new land extension with retail, dining, and entertainment pertaining to the nostalgia of Florida at the turn of the century.
Everglades Path + Recreational Area
Introduce outdoor recreational element to downtown are. Welcomes the Saturday morning joggers and walker.
Orange de Leon
Injection of 600 new keys, inspired by the architecture of Floridian mansions with a Spanish touch.
Mini-Mountain Parking
Construct vegetation covered parking garage. Three to four stories, 1600 new spaces, and hiking and running trails on top level.
Develop eastern canal to expand land for technology district. Flexible urban space that allows for daily markets, performances, and special events.
Technology + Science District
Refurbishment and addition of Disney’s Pleasure Island into the technology and science district inspired by the inventions of Andrew Dubois.
Wisdom + Tradition District
Refurbishment and addition of Disney Marketplace, transforming into the small-scale fabric inspired by the parents of Lily Dubois.
Disney Sculpture Gardens
Lakeside sculpture gardens allow guests to make moments with characters frozen in time.
Final Construction of Alligator Mountain
Finish Alligator Mountain to add more than 12,000 new parking spaces and two train stops. Running and walking paths take advantage of the natural landscape of top level.
All Aboard The Orange Blossom Special
Implementation of 2.3 miles of light-rail internal circulation that also allows for future connections to WDW parks.
Gare de Peritia
First train stop into park replaces existing bus stop keeping guest attendance in area.
Dubois Station
Second train stop inspired by the Dubois orange plantation.
Leon Station
Third train stop allows guests who park in minimountain parking access to internal circulation.
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REGROUP SITE MODEL
Studio model base and group site model built by Matthew A. Spinner.
Model photos taken by Matthew A. Spinner
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CONCUBÉ 102
MAKING CONCRETE WARM + INVITING
architect has to overcome during their career. Mastering the knowledge of material characteristics and processes allows for an architect to begin to orchestrate these materials in an artistic manner that can still be easily constructed.
CONSTRUCTION
construction is one of the biggest obstacles an
TECHNOLOGY
Connecting the realm of design with the realm of
II 103
TEA & ELLE WOODWORKS, L.L.C. 104
SUMMER INTERNSHIP AS DESIGNER/CNC OPERATOR
PROFESSIONAL
P R O J E C T S Photo taken by Jessica L.M. Boyer
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Ocean Grove, NJ holds one of the highest concentration of Victorian style homes in America. Hired to accomplish the millwork for the replication and
replacement
of
weathered
fretwork,
the
intricacies of the custom patterns were re-milled using a weather resistent poly-vinyl material.
OCEAN GROVE, NJ 106
VICTORIAN FRETWORK RESTORATION
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RUBBER MALLET FURNITURE While working for this company, I was approached by the owner to see if I could find a way to maximize the potential of the machines in the shop with the
workflow of the men working in the shop.
The solution was to create a repeat flat-patterns that could be milled and then quickly assembled and boxed by the worker’s in the shop.
Slip-fit
tolerances were used at all joints, and only a rubber mallet is needed to assemble the furniture.
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Chateau de Sade in Lacoste, France
PERSONAL
I N T E R E S T S
Digital photography is an activity that is very attractive for many reasons. The ability to capture a moment in time that can potentially bring to mind so many other thoughts and ideas from the time it was taken holds a very special personal connection.
Attempting to have the viewer feel
the emotions felt at the time the photo was taken is something that I try to capture. Photography can be used as a tool to practice compositional skills to keep the eye up to par for a balanced picture frame, whether looking through a camera lens or onto the drafting table. Prints have been purchased by private collectors in the south of France and southern California.
Pont du Gard in southern France
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View to Bonnieux, in southern France
Small village in southern France
Chateau Trail
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‘Toro’
‘El Matador’
Thank you for taking the time to read through the process and development of my Undergraduate Studies here at SCAD.
- Matthew A. Spinner
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