INDIGENOUS MUSEUM UWA CULTURAL PRECINCT
1
CONCEPT
Concept
“Our artists have the power to bring our dreams and our nightmares to life so we will never forget.� Hetti Perkins Indigenous Art curator and writer, the daughter of Australian Aboriginal Activist Charles Perkins
Contemporised
The UWA Indigenous Museum aims to pay respect to the numerous indigenous cultures throughout Australia by providing an open, natural and accessible space in which the native Australian artists can have their dreams and nightmares come to life. The structure acts as a representation of indigenous culture through the inspiration its form derives from Indigenous Australian art and spirituality, further enhanced by the strong nature element featured in the central courtyard. These elements are then illuminated at night to become an almost mystical and primal representation of Indigenous art and its importance to the University of Western Australia, and Australia as a whole. This is why the UWA Indigenous Museum will become the perfect place to pay respect and honour not only the aboriginal works exhibited within, but the entire Indigenous Australian culture.
Extruded
Contextualised
Student Number: 20950992
INDIGENOUS MUSEUM UWA CULTURAL PRECINCT
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CONTEXT
N
1:1000
NEDLANDS CAMPUS Whitfeld Court
ry
alle G y t i l l Cu
Dr Harold Schenberg Art Gallery
ad
a B s
t
n ou
o R y
Sunken Garden Winthrop Hall
M
Earth Science Museum
Potential New Landscaping Project
Tropical Grove
ay
w Broad
UWA Cultural Spine
Fairway
Michael Building
Pedestrian Spine UWA Landscaping
Great Court Student Number: 20950992
INDIGENOUS MUSEUM
3
SCHEDULE OF ACCOMODATION AND CIRCULATION
UWA CULTURAL PRECINCT
Circulation First Floor - 1:500
Second Floor - 1:500
N N
22 23 21
18 24
9 9
25:Curator 26:Gallery 1(Permanent) 27:Administration office 28: Staffroom
18: Photo/Sound Studio 19: Reference Library 20:Dock, Crate store, Workroom 21: Study Centre 22: Administration office 23: Gallery 2 (Asian) 24: Gallery 4 (Travelling)
28 27 10 9 25 10
20
19
6: Reception 7: Cafe 8: Shop 9: Toilets 10: Service Space 11:Male Viewing Room 12:Female Viewing Room 13: Function Space 14: Gallery 3 (temporary) 15: Gallery 5 (Community access) 16: Theatrette 17: Courtyard
Basement Level - 1:500 N
2 1: Visible Storage 2: Storeroom/Strongroom 3: Parking Spaces 4. Delivery Dock 5. Visitor/Service Elevators
1
9
26
Ground Floor - 1:500 N
13
16
10 14
17
12
3 15 4
10 5
Visitor Access/Circulation
Staff Access/Circulation
Limited Access
Service Spaces
9
7
8
11
6
Student Number: 20950992
INDIGENOUS MUSEUM UWA CULTURAL PRECINCT
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INTERNAL SPATIAL QUALITY
First to Second Floor Staircase
Community Access Gallery (Gallery 5)
Asian Gallery (Gallery 2
Permanent Gallery (Gallery 1)
Student Number: 20950992
INDIGENOUS MUSEUM UWA CULTURAL PRECINCT
OPEN COURTYARD
5
Student Number: 20950992
INDIGENOUS MUSEUM UWA CULTURAL PRECINCT
SURROUNDING WALLS
6 East Elevation - 1:200
With the aid of a local indigenous artist, it is the intention that this large structural wall will not only act as a cladding for the structure, but become a symbolic representation of aboriginal culture. Beginning at 1 meter heigh, the wall will sail up to a maximum height of 11.5 meters. In the process, the wall acts as a cladding for the structure and simultaneously manages to hide the outer circulation spine. The wall began as a representation of the waugal; the giver of life in Noongar culture. From there, corten steel was added as a representation of the earth, which is considered exceedingly important within indigenous spirituality. Finally, to capture the essence of the art and culture within the museum, a local artist will be enlisted to design the perforated pattern along the exterior of the wall.
West Elevation - 1:200
The Waugal North Elevation - 1:200
Corten Steel Indigenous Art
South Elevation - 1:200
Student Number: 20950992
INDIGENOUS MUSEUM UWA CULTURAL PRECINCT
7
SPATIAL LAYOUT
Section 1 - 1:200 Floor Two
S1
Floor One
S2
The interior of the structure aims to remain a traditional and pure white while also creating a seamless connection between each internal gallery and space and simultaenously remaining faithful to the curved nature of the structure. With each non-gallery space breaking off from the main circulation axis, the curve of the main galleries remains uninterrupted.
Basement Level
Section 2 - 1:200
Ground Floor
Additionally, the majority of the circulation from each space has been located outside on both the exterior; hidden behind the surrounding walls of the structure and on the interior, in which each staircase flows along with the open courtyard. By locating the circulation externally, the structure aims to leave the internal gallery spaces as pure as possible while also allowing the visitors to experience nature, which remains a very important cultural and spiritual element of the Indigenous Australian people.
Student Number: 20950992
INDIGENOUS MUSEUM UWA CULTURAL PRECINCT
PEDESTRIAN SPINE AND POTENTIAL LANDSCAPING PROJECT
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Pedestrian Spine
Nedlands Campus Path
Open Courtyard Entrance
The Pedestrian Spine has been proposed as a suggestion in order to maximise pedestrian circulation and access to the Indigenous museum. The construction of this new pedestrian access route works under the assumption that the Masonic Hall and any other unused structures within the area are demolished to make way for this additional path. With the addition of the Pedestrian spine, the museum’s site now has 4 major lines of access and pathing heading to and from: The Nedlands Campus from the north, Main Campus from the Eeast, Fairway from the south and now Broadway from the west. The pedestrian spine also makes it feasible to situate the main entrance on the south eastern side, reducing danger or noise posed by Mounts bay Road to the north.
Main Campus Pedestrian Path Main Museum Entrance Removed Masonic Hall New Broadway Access
The Potential New Landscaping Project that could be proposed as a solution to the now empty space next to the museum focuses on creating a connection between the numerous landscaping projects situated within the University of Western Australia. Using a similar style to the existing UWA landscaping projects, the European styled garden or park could offer a connection and contrast between the Indigenous museum. This landscaping element could also offer the potential for the surrounding perforated screen of the museum to be integrated further into the park or garden, furthering the Indigenous influence of the land surrounding the structure.
Fairway Pedestrian Path
Landscape Spine Nedlands Grassed Area Whitfold Court Sunken Garden
N
1:1000
Potential New Landscaping Project
Tropical Grove Student Number: 20950992