Matthew Schneider - Academic Portfolio

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Distant cousins rely on the characteristics of familiarity and vagueness to garner affection from its participating audience. They are not only distant cousins to yourself, but also to each other, as their only tie to you is through an immediate family member and remain related to each other through the similar typologies. 3URIHVVRU Grant Gibson, Fall 2012, Arch 465 3URMHFW $ZDUGV Selected for exhibition, 2013 Year End Show, UIC School of Architecture



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Photo Credit : Matthew Messner

Photo Credit : Jeisler Salunga

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*ROGHQ &KLOG &KLFDJR ,/ A public library set for the site of the current Harold Washington Library in Chicago. The golden child relies on the contextual properties contained within, both formally and programmatically. Situated in the glass container, the golden child reveals its personality by inviting the visitor inside. In the poche that is between the glass container, and the golden child exists open areas for public interaction. Upon entering the inside, the personality is revealed as environments change ESBTUJDBMMZ GSPN UIF QPDIF UP JOTJEF UIF nPPST $IBODFT GPS NPSF JOUJNBUF BDUJWJUZ PDDVS PO UIF JOTJEF PG the golden child as book stacks or reading areas are introduced. Formally the golden child obtains characteristics from its mother, the glass box. 3URIHVVRU Sarah Dunn, Spring 2012, Arch 366 3URMHFW $ZDUGV Selected for exhibition, 2012 Year End Show, UIC School of Architecture Nancy Gislason Award, Honorable Mention, Third Year BSArch



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*Golden Child expounded upon | Summer 2012 On object relationships.

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:PISPUNZ Two Separate connecting pieces [separate but related]. Connecting surfaces must be of a positive and negative relationship.

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-H[OLY Single, stand alone object. Compliments the mother, but still independant. Big and robust shapes.

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%ORFN 3DUW\ &KLFDJR ,/ A Navy Pier redesign proposal. By sampling the typical Chicago block size, the block is able to be copied and pasted forward onto Navy Pier. Each block is able to stack vertically, with the spaces between allowing for vertical and horizontal circulation. Programming of the blocks are then able to be thought of as individual manifestaUJPOT PS HSPVQJOHT 5SBOTGFS GSPN CMPDL UP CMPDL BMMPXT GPS nVDUVBUJOH BUNPTQIFSFT XJUI JO UIF mFME

3URIHVVRU Xavier Vendrell, Fall 2011, Arch 365 3URMHFW $ZDUGV Selected for exhibition, 2012 Year End Show, UIC School of Architecture



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$FWLRQ 5HDFWLRQ &KLFDJR ,/ A stage set for Eugene Ionesco's Rhinoceros $FWLRQ 5HDFWLRQ subscribes to all four of the different stage types [Proscenium, 5SBWFSTF 5ISVTU *O UIF 3PVOE> BOE JT B mFME PG QPMFT UIBU BSF BCMF UP CFOE BOE adjust to the actors movements. The poles are able to be adjusted externally as well to allow for different variations. All Drawings done by Matthew Schneider unless otherwise noted. 3URIHVVRU John Manaves, Spring 2010 7HDP : Chris Nodarse, Robert Becker, Cory Martin, David Cabornay, Daniel Moore, Patrick Spence, Kevin Ocampo, Emma Davies, Rehan Hussain, Danny Raguay, Mike Berns, Saravana Vennelakanti 3URMHFW $ZDUGV Selected for exhibition, 2010 Year End Show, UIC School of Architecture Nancy Gislason Award, Honorable Mention, Second Year BSArch



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Version #3

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Version #3

V ersion A

[ version a : rundown] All poles are in tension. Version #2

Version #4

Version #2

[team a] Hussain + Caburnay [rundown]

Version #4

[team e] Martin + Schneider [rundown]

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Version #3

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V e r s ion B

[ version b : rundown]

[team b] Ocampo + Moore [rundown]

Certain groups of poles begin to bend.

[team f] Hernandez + Vennelakanti [rundown]

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Version #4

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V e r s io n C

[ version c : rundown] More sections of poles bend and are manipulated by the actors.

[team c] Becker + Berns [rundown]

[team g] Nodarse + Raguay [rundown]

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V e r s ion D

Version #2

Version #4

[ version d : rundown] [team d] Spence + Davies [rundown]

Certain sections of the ceiling are lowered to externally control the tension of the poles.

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VARIATION [01]

\ȣǸɜѼɕ ȝɄȨȽȝ ɄȽѵ \ȣǸɜȐɨȐɑ Ȩɕ Ȩɜѵ <ȣ Ǹ ɑȣȨȽɄȃȐɑɄɕѳ ɑȣȨȽɄȃȐɑɄɕ ȵɄɄɕȐ ȨȽ ɜȣȐ ɜɄɬȽѮ ǸȽȇ ɴɄɤ ȇɄȽѼɜ ǾǸɜ ǸȽ ȐɴȐȵȨȇѳ $ɜ ɕȣɄɤȵȇȽѼɜ ǾȐ ǸȵȵɄɬȐȇѳ $ɜѼɕ ȇǸȽȝȐɑɄɤɕѱ $ ȣǸȇȽѼɜ

VARIATION [02]

ɑȐǸȵȨɺȐȇѱ ɤɜ ȇɄȽѼɜ ɬɄɑɑɴ ǸǾɄɤɜ ȨɜѮ Ȩɜ ɬɄȽɜ ȝȐɜ ɤɕ ȣȐɑȐѱ

VARIATION [03]

Ʉɑ Ȩɜ Ȩɕ ɉɄɕɕȨǾȵȐ ɜȣǸɜ ɕȨȽȃȐ Ȩɜɕ ȘȨɑɕɜ ǸɉɉȐǸɑǸȽȃȐѮ ɜȣȐ ɑȣȨȽɄȃȐɑɄɕ ȹǸɴ ȣǸɨȐ ȵɄɕɜ ɄȽȐ ɄȘ Ȩɜɕ ȣɄɑȽɕѮ ǸȽȇ ɜȣǸɜ ɜȣȐ ȘȨɑɕɜ ǸȽȇ ɕȐȃɄȽȇ ɜɑǸȽɕȨɜ ɬȐɑȐ ɕɜȨȵȵ ȹǸȇȐ Ǿɴ Ǹ ɕȨȽȝȵȐ ǾȐǸɕɜѱ VARIATION [04]

Ʉɤȵ ȇ ɬȐ ɜȣȐȽ ȃɄȽȃȵɤȇȐ ɜȣǸɜ ɬȐ ɬȐɑȐ ȇȐǸȵȨȽȝ ɬȨɜȣ ɜɬɄ ȇȨȘȘȐɑȐȽɜ ɑȣȨȽɄȃȐɑɄɕȐɕѵ

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1 S Hooks Aircraft Cable 1/16” diameter x 1000 ft

Soft Mesh Bungee

2 1 Nuts 1/4’’ x 60

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3 Bolts

6 Bolts 1” x 1/4’’ x 60

Connector Pieces

4 8

Hard Frame

Square Tubing 3/4” opening x9 Linear ft

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Square tubing 1” opening x 75 Linear ft

Rigid Poles

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6 4 S-hook X 190

7 Hog-ring x400

5 Bungee Chord

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Bungee chord 1/4’’ diameter x 2000ft

9 Poles 1/2’’ diameter x 190

Soft Poles

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10 Poles 3/4’’ dia. x 10

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8 14 Screw 3’’ x 144

Composite

12 Wooden Block 3.5” x 3.5” x5.25” x120

Block Screws

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13 Playwood Flange 7/8’’ Thread 3.5” outer dia. x10

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Plywood

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