SELECTED WORKS | MATTHEW K. STOLL
[ fig. 1 ]
CON TE N TS: CURRICULUM VITAE GRADUATE WORK:
3
5
TACTILE URBANISM
6
THE INFLECTION POINT
10
[RE]GENERATION HEALTH CENTER
14
PROFESSIONAL WORK:
19
URBANISM NEXT CENTER
20
DOTLOOP OFFICES
23
SOCIAL, O.T.R. RESTAURANT HI-MARK BAR
26 29
STAFFORD CONDOMINIUM
32
UNDERGRADUATE CO-OPS
34
UNDERGRADUATE WORK:
37
OFFICE FOR URBAN RESEARCH
39
CENTER FOR CONTEMPORARY SCULPTURE
43
MT. ADAMS CULINARY ACADEMY
45
SOUND CLOUD INSTALLATION
46
HOUSE FOR A CERAMICIST
48
INTERLOCKING SPATIAL CONSTRUCT
50
PERSONAL WORK:
53
DRAWING + SKETCHING
55
PHOTOGRAPHY + TRAVEL
56
INDEX
|
INTRODUCTION
1
2
MATTHEW K. STOLL
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SELECTED WORKS
E DUCATI ON :
June 2021
University of Cincinnati, D.A.A.P. Bachelor of Science in Architecture, 2014 Magna Cum Laude [3.8 gpa]
2010-2014
EXPE RI E N CE:
Institute for Health in the Built Environment- PDX 2021-ongoing Researcher investigating indoor environmental quality office standards, soundscape design opportunities, and developing guidelines and infographics for a large, international sportswear brand. UO Graduate Instructor- Portland, OR autumn 2020 Graduate Employee responsible for leading discussions, grading assignments, and providing guidance to 60+ students, all while navigating a challenging pandemic, course-load, and virtual format. Urbanism Next Center- Portland, OR winter 2020-ongoing Graduate Employee that conducted research, graphic design, and workshop organization for a fast-paced research center analyzing the impacts of emerging technologies on buildings + urban design. PLATTE Architecture- Cincinnati, OH 2015-2019 Project Designer experienced in adaptive reuse, historic preservation, multi-family residential, + commercial projects. Worked across a variety of project types—independently and on teams—at every stage from planning to CA. Gained specialized knowledge in NPS historic tax credit process, FEMA regulations, interior + brand design, and aerial photography. Two projects that I led and submitted received Cincinnati Design Awards in 2017 + 2019. MAHLUM Architects (co-op)- Portland, OR summer 2013 Collaborated with the healthcare and education teams on SD, CD, + marketing materials, in a great work environment with an emphasis on socially + ecologically focused design. BHDP Architects (co-op)- Cincinnati, OH autumn 2012 operated within the retail team, generating as-builts, schematic layouts, CD’s, and interior material palettes for fast-paced, high-profile retail brands with large regional portfolios. STOSS LU (co-op)- Boston, MA spring 2012 worked closely under the Principal LA + Associate to create unique designs, models, + presentation graphics for innovative landscape urbanist projects + competitions in a high-intensity setting.
CURRICULUM VITAE
|
sUAS
drone pilot
DWG
AutoCad
3DM
Rhino
RVT
Revit
SketchUp
G-Suite
Microsoft
Adobe CC
SKP
drawing
931 NW 20th Ave. #22 Portland, OR 97209 330.232.3892 stollmk@gmail.com issuu.com/matthewstoll
University of Oregon, Portland S.A.E. Master of Architecture II current [4.0 gpa]
SKILLS:
M AT T HEW STOL L
INTRODUCTION
3
[ fig. 2 ]
4
MATTHEW K. STOLL
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SELECTED WORKS
GRADUATE WORK UNIVERSITY OF OREGON, S.A.E., PDX M.ARCH | 2019-2021
COVER
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GRADUATE
5
activator toolkit
TACT I L E U RB A N I SM- PL ATFOR M OF DIVE R S ITY PROFESSOR: NICO LARCO | SPRING 2020 3-PERSON TEAM PROJECT
As designers, it is critical that we recognize the disparity that exists between different groups and their ability to access public space. In order to create more equitable and inclusive environments, design must address this disparity while providing amenities and safe spaces for diverse uses and needs. Tactile Urbanism was our response to this requirement, as a way to utilize scarce resources to activate spaces and facilitate growth, diversity, and equity. Jake Bryda and Josymar Rodriguez were my partners in this endeavor. Together, we created a framework for facilitating Community, Recreation, Culture, Work, and Environment, to foster a sense of place and ownership within the neighborhood. Within this framework, I developed a toolkit of furniture + utility components for adapting spaces and infrastructure. This nimble and flexible approach allows for quick interventions and experimentation, resulting in more successful and resilient spaces. We proposed investing in 5 existing anchors within the neighborhood, to promote and support further development and activate the neighborhood around it, while also considering how different groups would utilize or occupy each space, to increase access and equity. 6
MATTHEW K. STOLL
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SELECTED WORKS
paseo render
COMMUNITY gathering
THE LIBRARY + more resources
RECREATION food + play
BIZ DISTRICT + activated streets
CULTURE diversity
THE THEATER + public plaza
WORK training
THE MARKET + shared kitchen
ENVIRONMENT growth
TRANSIT CENTER + new urban lawn
site isometric
TACTILE URBANISM
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GRADUATE
7
activator diagram
8
MATTHEW K. STOLL
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SELECTED WORKS
market render
plaza site plan
TACTILE URBANISM
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GRADUATE
9
T HE I NF L ECT I ON P OI N T PROFESSOR: JUSTIN FOWLER | 4-PERSON TEAM PROJECT
landscape render
WINTER 2020
The Inflection Point re-imagines how housing could tackle the dual challenges of affordable housing and climate change in this country. Our proposal for the redevelopment of Dekum Court in Portland rethinks what is possible, creating a positive carbon and social footprint. Our approach was to develop a mass-timber framework that incorporates components to address infrastructure, landscape, structure, and canopy systems. These components meet the needs of the community, from housing and gardens, to water collection and the production of energy and food. I collaborated with Josymar Rodriguez, Satoru Igarashi, and Katherine Martin on this project, while leading on the landscape components, systems integration, project management, and presentation graphics. We submitted this project for the Warming climate change competition, and were also invited to present to the Oregon AIA.
30% 100%
70%
energy collection diagram
10
MATTHEW K. STOLL
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SELECTED WORKS
water collection diagram
Canopy Structure Landscape Infrastructure systems framework
exterior render
THE INFLECTION POINT
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GRADUATE
11
community plaza render
building section
12
MATTHEW K. STOLL
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SELECTED WORKS
10
9
8
7
6
5
4
3
2
1
L
K
J
I
H
G
F
E
D
C
B
A
site plan
construction diagram
1+2bd unit axons
THE INFLECTION POINT
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GRADUATE
13
atrium rendering
[ RE]G EN ER ATION PROFESSOR: YIANNI DOULIS | AUTUMN 2019
[RE]Generation is envisioned as a holistic mental and physical health center that serves the inner Portland community. It’s location is an eccentric L-shaped site, wedged between a residential area and a commercial district. Patient privacy was a critical concern, though the client—Cascadia Behavioral Healthcare—wanted a stronger presence in the community. My proposal was to organize the building with a discrete, private entrance, and a more public facing entrance with a cafe space and open atrium to draw visitors in. This comfortable third-space allows people to interface with the center, hopefully connecting the healthcare services with those who may need help but fall in the gap between emergency and mainstream care. The clinical and office spaces are further up within the building, surrounded by a translucent veil that offers privacy while projecting a soft light to the community like a paper lantern. The main circulation is at the light-filled central atrium, which reaches up to the rooftop gardens, which offer healing and respite within the busy neighborhood. 14
MATTHEW K. STOLL
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SELECTED WORKS
12th ave
ankeny
isometric exterior
lab restroom elevator restroom
group
staff kitchen
waiting (physical health)
clinic
clinic meeting rooms
clinic
clinic clinic clinic
clinic clinic
isometric interior
[RE]GENERATION
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GRADUATE
15
front elevation
model photos
16
MATTHEW K. STOLL
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SELECTED WORKS
atrium section
facade rendering
[RE]GENERATION
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GRADUATE
17
[ fig. 3 ]
18
MATTHEW K. STOLL
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SELECTED WORKS
PROFESSIONAL WORK URBANISM NEXT CENTER | WINTER-SPRING 2020 PLATTE ARCHITECTURE + DESIGN | 2015-2019 MAHLUM ARCHITECTS- PORTLAND | SUMMER 2013 STOSS LANDSCAPE URBANISM | SPRING 2012 [ all graphic work is my own, unless otherwise noted ]
COVER
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PROFESSIONAL
19
[link]
white paper design + writing
U R B A N I SM N EXT G R A DUATE EMPLOYE E ROLE: RESEARCH + GRAPHIC DESIGNER | WINTER + SPRING 2020 SUPERVISORS: NICO LARCO + BECKY STECKLER
Working as the GE for the Urbanism Next Center was a fast-paced and fascinating introduction to the way that new technology is shaping urban design, planning, and architecture. Within this academic setting I gained a lot of insight into the institutional processes involved in funding, researching, writing, and disseminating cutting-edge information within the field. This work also tied in directly with the urban design focus of my graduate work at the time, understanding the implications of new tech on the form, development, and occupancy of buildings and urban spaces. While I was there I closely collaborated with the head directors and colleagues on a number of projects and tasks, like writing white papers, producing infographics and maps, laying out and designing 140 page reports, editing video, organizing events, performing interviews, and conducting research. 20
MATTHEW K. STOLL
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SELECTED WORKS
[link]
report graphic design + layout
Emerging TECHNOLOGIES
Emerging TECHNOLOGIES
TNC factsheet (TRANSPORTATION NETWORK Companies)
5%
74.5%
Car 0%
59.9%
9pm
20.3% 6pm
59.2%
3pm
.7%
12am
6pm
14.9%
75.3%
1.5%
noon
Taxi/TNC
less often
38.6% 12am
Walk 10.6% 5% Transit 4.5%
rush hour
more often about the same
10%
9pm
9am
noon
15%
3pm
Station-based Bike Share annual members casual riders
Scooter Share
0%
44.1%
Car ShareUrbanism .4%Next based 68.1% Source: on NACTO, 201931.5% more often about the same less often
0-1 mile trips
1-2 mile trips
39%
40%
1-2 mile trips
12%
18%
15%
0-1 mile trips
67%
2-3 mile trips
RAIL TNCs
TNCs TNCs
BUS
RAIL RAIL
TNC ENTERS MARKET TNC TNC ENTERS ENTERS MARKET MARKET YEARLY RIDERS LOST YEARLY YEARLY RIDERS RIDERS LOST LOST
INITIAL
peak peakridership ridership
9pm 9pm peak ridership
12am 12am
9am 3pm 9am
3pm 9pm 3pm
noon 6pm noon
6pm 12am 6pm
3am 9am 3am
6am noon 6am
9pm 3am 9pm
6pm 12am 6pm
BUS BUS
Uber founded (2009)
annual ridership (billions)
annual annualridership ridership(billions) (billions)
GENDER
$15k-30k: 10.8%
20% 30% 20%
30% 40% 30%
increase in0% VMT: 0% 0% increase in VMT:in 50% increase VMT:
40% 40%
<$15k: 12.3%
50% 100% 150% 200% 100% 100% 150% 150% 200% 200% 50%
Source: Urbanism Next based on Schaller, 2018
$30k-50k: $50k-75k: 21.5% EDUCATION 19.5% +$75k: 35.8%
some school/other:3.4%
2-3 mile trips
assoc./tech. degree: 7% >1 degree: %Population: of US US Population: Population: 0% 10% 24.8%10% % of 4-yr US 0% 10% 20% degree: 40.2% % of 0%
INCOME
assoc./tech. degree: 7% 4-yr degree: 40.2%
>1 degree: 24.8%
EDUCATION
combined (0-3)
0
20
0
20
URBANISM NEXT center 40
60
80
100
40
60
80
100
TNCs | January 2020 | 2
For more information visit: URBANISMNEXT.org/the-nexus
9%
0%
20%
10%
high school/some college: 24.5%
some school/other:3.4%
high school/some college: 24.5%
Micromobility | January 2020 | 1
30% 20%
28.1%
25%
12%
18%
15%
US
0%
10%
50% 0%
Germany 20%
60% 10%
70.9% 25%
UK
31.5%
All other vehicles vehicles All otherAll vehicles other Lyft && Uber Uber Lyft & Uber Lyft
$75k-100k: 14.5% CAR ACCESS • $50k-75k: In most scenarios, switching from private auto 16.4% Source: Urbanism Next based on Fehr & Peers, 2018 +$100k: 37.1% AGE AGE AGE travel or18-29 other modes actually increases 18-29 36%total 36% 36% 18-29 Fig. 6: Change in Overall Mileage from TNC Private 30-49 26% (See Figure 6) vehicle miles traveled (VMT.) 30-49 26% 126% 30-49 INCOME 16-29: 30-39: 40-49: 50+: and Shared Ride Trips 50-64 13% 50-64 13% 50-64 13% shared: 7.3% car-share service: 2.2% 34.9% 37.6% private ride (all switch switch 65+17.5% 4% 10% privateprivate ride (allride switch • In between trips, TNC drivers spend (all 65+passenger 4% 65+ 4% none:15.4% yes: 75.2% from personal personal auto) 58% GENDER from personal auto) auto) 58% 58% from GENDER GENDER a significant portion of time traveling to other men 20% 20% 20% AGE men men private ride (switch (switch from private ride (switch from from private ride women 23% This time is women destinations or waiting to23% be hailed. women 23% CAR ACCESS auto +modes) other modes) modes) 180% auto + other 180%180% auto + other INCOME INCOME INCOME 15% <$35k known<$35k as the cruising other: 4.9% men: 61.7% women: 33.4% 15% rate. 20% shared shared ride (switch (switch 15% <$35k 20% shared ride (switch 20% ride $35k-75k 20% from auto +modes) other modes) modes) 160% $35k-75k 20% 20% $35k-75k from auto + auto other+ 160%160% from other $75k-150k 25%for ride hailing • In New York City, the cruising rate $75k-150k 25% $75k-150k 25% 50% shared 50% shared GENDER 16-29: 30-39: 40-49: 50+: 50% shared +$150k 33% +$150k 33%attempted (Lyft goal) goal) 120% +$150k 33% services was 41% in 2018. NYC to cap 34.9% $30k-50k: 37.6% 17.5% 10% (Lyft goal) 120%120% (Lyft $15k-30k: 10.8% $50k-75k: 21.5% RACE RACE RACE Highly optimistic 19.5% White 21%but was sued by HighlyHighly optimistic optimistic cruisingWhite rates at 31% 2020, 21% <$15k: 12.3% +$75k: 35.8% by White 21% scenario 41% scenario Black by the courts. 27% 41% 41% scenario 8 Black 27% 27% AGE Black Uber and blocked Hispanic Suburban scenario 22% Hispanic Suburban scenario 22% 22% Hispanic Suburban scenario INCOME 68% (90% from auto) auto)68% 68% Asian 33.4% 23% 23% 23% (90% from auto) Asianwomen: (90% from Asian other: 4.9% men: 61.7%
44.1%
68.1%
core county county traffic traffic traffic core 87% 13%core county 87% 87% 13% 13%
$30k-50k: 11.9% <$30k: 20.1%
59%
1.0%
80% 30%
38.6%
48%
50% Bike Share
20.3%
48%
US .4%
25%
67%
59.2%
.7%
59%
59.9%
UK
60% Car Share
70% 20%
25%
1.5% Germany
28.1% 14.9%
9%
4.5%
70.9% 74.5% 0% 75.3%
10%
Bike Share 1.0% Walk 10.6%
12am 6am 12am
Fig. 2: US Micromobility Trips by Hour, 2018
Fig. 5: Percentage of TNC Traffic in San Francisco
AGE major US cities like Washington, Boston, In some INCOME and San Francisco, 7-13% of total traffic in the other: .4% 7.3%men: 68.9% shared: car-share service: 2.2%women: 30.8% core county is TNC driving, despite only 2-3% of none:15.4% yes: 75.2% 7 regional GENDER trips being TNCs. (See Figure 5)
•
9am 3pm 9am
rush hour
4.5M .32M 2.4M 2010 2011 2012 2013 2014 2015 2016 2017 2018
40%
factsheet infographic design
22M
-1.7% -1.7% -1.7%
Source: Urbanism Next
Monday Saturday Monday Saturday GENDER Monday Saturday 25-34: 35-44: 45+: 41.7% 20.1% 14.4% $50k-75k: $75k-100k: 14.5% 16.4% +$100k: 37.1%
TNC impacts:
3pm 9pm 3pm
13M
18M
under 25:
23.8% $30k-50k: 11.9% <$30k: 20.1%
-1.3% -1.3% -1.3%
RIDERSHIP RIDERSHIP RIDERSHIP
6 do so occasionally. women: 30.8%
noon 6pm noon
Scooter Share
30 15% 20 10 10% 0
Station-based Bike Share annual members 35M casual riders28M
•
0.0
1.0 1.0 Nationally, only1.1 7% TNC users combine 0.91.1 1.1 1.4 0.8 0.7 0.6 their 1.4 of1.4 0.8 0.7 0.6 0.8 0.7 0.6 0.00.9 AGE 0.9 0.0 1990 2000 2012 2016 2017 2018 TNC with2000 public transit on a weekly 1990trips 2000 2012 2012 2016 2016 2017 2018 basis. 1990 2017 2018
men: 68.9%35%
dropoffs
40
Transit 80% Car
For more information visit: URBANISMNEXT.org/the-nexus
84M
Source: 50 Urbanism Next based on NACTO, 2019
70% Taxi/TNC
URBANISM NEXT center
13M
Station-based Bike Share
1.0
RIDERSHIP RIDERSHIP RIDERSHIP
1.9 1.9
1.9
3am 9am 3am
Scooter Share
4.5M .32M 2.4M Dockless Bike Share 2010 2011 2012 2013 2014 2015 2016 2017 2018
other: .4%
2.0
5.0 5.0
TNCs Each yearTNCs after a TNC first enters a market there 4.0 TNCs 4.2 4.0 4.2 4.2 taxis taxis taxis is3.0 a 1.3% reduction in heavy rail ridership and 3.0 25-34: 35-44: 45+: 6 2.6 2.6 1.7% in bus (See Figure 4) 2.0 2.6 41.7% reduction 20.1% 14.4%ridership. 2.0
6am noon 6am
60
35M
3.0
dropoffs dropoffs
70 0
28M
22M
• 4.0
3am
80 10
18M
5.0
12am
90 20
Fig. 4: Change Transit Ridership Due to TNCs
60% of TNC users would have used transit, walking or biking for trips.1
12am 6am 12am
40
100 30
34%
Half of Portland E-scooter riders have used an e-scooter to access a bus, light-rail or street car.6
under 25: 23.8%
34%
•
50
6am
The top 5 reasons for using shared e-scooters / bikes: work-related (29%), Recreation/fun (26%), Eating out (14%), to/from home (11%), shopping (8%).5
Station-based Bike Share
9am
•
60
6am
Average E-scooter trip time is 14 minutes and average trip length is 1.3 miles.5
Dockless Bike Share
39%
•
Scooter Share
70
16%
E-scooter use is highest from midday to early evening whereas station-based bike share peaks during rush hour.1 (See Figure 2)
84M
80
16%
•
Total Trips Taken (millions) Total Trips Taken (millions)
micromobility trips:
90
3am
By 2019, a dozen e-scooter companies operated in Paris with a combined fleet of 20,000 scooters.2
•
100
12am
•
In 2018, 85,000 e-scooters were deployed nationwide, compared with 57,000 station-based bikes. E-scooters accounted for 38.5M trips, compared with 36.5M station-based bike share trips and 9M dockless bike share trips.1
TNC and modeshift: Fig. 1: Breakdown of Micromobility Trips (2010-2018)
3am
•
In the US, bike share programs have existed for over twenty years. Shared E-scooters launched in the US in late 2017 and quickly grew to nearly half of total shared micromobility trips.1 (See Figure 1)
12am
•
Uber Uberfounded founded (2009) (2009)
micromobility Deployment Facts:
INITIAL INITIAL
MICROMOBILITY (shared bicycles, e-bikes, e-scooters)
[link]
combined (0-3)
URBANISM NEXT- GRADUATE EMPLOYEE
|
PROFESSIONAL
21
22
MATTHEW K. STOLL
|
SELECTED WORKS
DOTLOOP OFFICE EXPA NSION ROLE: DESIGN + PRODUCTION, S.D. + C.D. | 2017 P.A.: JEFF PEARSON, I.D.: LAUREN FARQUAR
Dotloop is a young, growing tech company based in Cincinnati. When the company saw explosive growth and investment by West-coast based Zillow Group, the founders decided it was important to stick with their roots in Cincinnati. The location in historic Longworth Hall, an industrial train depot provided an interesting backdrop. The diverse company organization required extensive programming interviews and creative solutions to meet the needs of each team. I was heavily involved in the planning and design for this project. The office culture of Dotloop is open and boisterous, so in order to provide some separation between departments we concentrated meeting spaces, amenities, and functions in a common core, linked by a sculptural, 3-story stair that I designed. The company culture is young and playful, so much of the furniture and finishes are colorful and casual. I also designed custom environmental graphics for the conference rooms, which correspond to themes chosen by the client like “Fish Tank” and the “Queen City.” While the new elements are clean and modern, we paid particular attention to preserving and highlighting the industrial shell. photography credit: Ross Van Pelt DOTLOOP OFFICE- PLATTE
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PROFESSIONAL
23
view of corridor
view of staircase
view of conference room
24
MATTHEW K. STOLL
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SELECTED WORKS
axon diagram
view of staircase
DOTLOOP OFFICE- PLATTE
|
PROFESSIONAL
25
primary logo
S O C I AL , O.T. R. RE STAU R A NT
[link]
CINCINNATI DESIGN AWARD 2019 ROLE: ARCHITECTURE + GRAPHIC DESIGN BRAND IDENTITY: KEREN KABO
The concept behind Social, O.T.R. was a restaurant that would be a neighborhood, fine-dining experience, while also providing a platform for lifting people out of poverty. A collaboration between the Cincinnati-based social-services provider CityLink and the Findlay Market association, Social is a full-service restaurant where people with fewer opportunities can train and become full-time culinary professionals. I had the great privilege to work on the entire concept of this restaurant, from the schematic design of the restaurant, construction documents, construction administration, and even the brand identity of the restaurant itself. I collaborated with our in-house graphic designer, Keren Kabo to create the logo, color palette, and identity package. And while I was the lead on the entire project, Amy East was P.M., Courtney Zunis assisted with production, and Caity Osborn was on I.D. 26
MATTHEW K. STOLL
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SELECTED WORKS
secondary logo
brand identity package-collaboration w/ Keren Kabo
completed interior- dining room w/ custom light
SOCIAL, OTR RESTAURANT- PLATTE
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PROFESSIONAL
27
28
MATTHEW K. STOLL
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SELECTED WORKS
H I-MA R K BA R CINCINNATI DESIGN AWARD 2017 ROLE: PM + PRODUCTION, C.D. + C.A. | P.A.: KURT PLATTE, I.D.: TINA STEAR
2016-17
For Hi-Mark, the building owner approached us with an interesting challenge: convert a small, historic house in a flood-prone part of the East End, Cincinnati into a new bar and restaurant. Our solution was not to fight the flood, but embrace it, instead raising the floors 3’ above the 100-year floodplain and creating new openings and relationships. The historic building was left raw and exposed, with existing window sills, fireplaces, and joists juxtaposed against the new, more industrial floor construction. The overall concept of the restaurant was also informed by the flood, with reference to the historic 1937’ flood level which rose 10’ above the first floor. The end result is a unique, gritty space that exudes a neighborhood vibe and hometown charm. I led the project from design development through construction, navigating the complex issues of FEMA flood regulations, historic preservation, zoning, accessibility, and structural reinforcement. I produced all the final drawings and construction documents. This project also received a 2017 Cincinnati Design Award for historic adaptive reuse. photography credit: Ross Van Pelt HI-MARK BAR- PLATTE
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PROFESSIONAL
29
streetfront view
30
MATTHEW K. STOLL
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SELECTED WORKS
view of mezzanine
view from mezzanine
bar view
HI-MARK BAR- PLATTE
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PROFESSIONAL
31
STA F FOR D CON DOMIN IU M ROLE: DESIGN + PRODUCTION, S.D.-C.A. | 2016-17 P.A.: LUKE FIELD, I.D.: LAUREN FARQUAR
Stafford is a mixed-use development which combines three historic buildings. The third building had extensive damage after the rear partially collapsed from neglect. The variety of existing conditions offered the chance to create dramatically different condominiums across the project, from 370 sf “micro” apartments to 2-story lofted townhouses. A cool and natural palette was used to create clean and welcoming apartments that bathe in natural light and evoke a mid-century modern aesthetic. The small footprints allowed for more efficient and affordable apartments, catering to people with varied economic means looking to live in this walkable, urban neighborhood. I collaborated on the interiors and was responsible for the unit layouts and drawing work, with guidance from Luke Field. completed photography credit: Ross Van Pelt 32
MATTHEW K. STOLL
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SELECTED WORKS
completed lofts
completed lofts
existing conditions
stair details
existing conditions
STAFFORD CONDOS- PLATTE
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PROFESSIONAL
33
aerial rendering
MA HLU M A R C H I T ECTS ROLE: PRODUCTION, S.D., D.D., C.D. | 2013 MENTOR: ERIK GOODFRIEND
Mahlum places a lot of value in designing spaces that improve people’s well-being through thoughtful, passive design. Their work in healthcare and education is sensitive to site, sustainability, and light. I participated in design charettes, creating Revit models, attending meetings, and marketing presentations. One of the largest projects I worked on was a hospital campus master plan, where we proposed an extensive green roof with a tiered cafeteria.
hospital unit rendering
rendering of green roof
34
MATTHEW K. STOLL
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SELECTED WORKS
axon diagrams
STOS S L A N DS CA PE U R BANISM ROLE: PRODUCTION + COMPETITIONS | 2012 MENTORS: MEG STUDER + CHRIS REED
My first co-op at Stoss LU in Boston was a fastpaced and immersive introduction to a competitive studio environment. I learned how to quickly iterate, create presentation graphics, and assemble marketing presentations using tools like Rhino, Illustrator, and Photoshop. I also received a lot of experience in landscape urbanism, learning how green infrastructure and urban ecologies can restore environments and improve cities. I worked on competitions and masterplanning for an arts district in Detroit, a new plaza at Harvard University, and streetscaping in Boston.
site analysis diagrams
rendering of plaza
UNDERGRADUATE CO-OPS
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PROFESSIONAL
35
[ fig. 4 ]
36
MATTHEW K. STOLL
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SELECTED WORKS
UNDERGRADUATE WORK UNIVERSITY OF CINCINNATI, D.A.A.P. B.S.ARCH | 2010-2014
COVER
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ACADEMIC
37
38
MATTHEW K. STOLL
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SELECTED WORKS
OFFICE FOR U R BA N R ES EARCH PROFESSOR: VICTORIA MEYERS |
SPRING 2014
Initially proposed as a hacker-maker space and office for Urban Outfitters in Williamsburg, NY, the O.U.R. became a vision of an accessible space for the imaginative reinvention of our urban cores. The workspace operates as a machine for creation and experimentation, with open floor plans, meeting rooms, lofted offices, and shifting floor plates for flexible programming. The structure itself is a series of exaggerated steel arches which support an articulated, translucent fabric skin over an interior shell of glazing. This creates diffuse light throughout the workspace, as well as an iconic form within the context of the mostly industrial area.
collage diagram
I designed the form of the roof through sketching before creating it in Rhino, and then out of vellum + wood as a physical light study model. The renderings were a combination of Rhino, Photoshop, and hand-drawing. During my research and site visit, I was inspired by the gritty quality of the Williamsburg neighborhood and I produced a lot of collage studies with Photoshop and hand-drawing. This exploration developed into a critique of gentrification and urban renewal, imagining an apocalyptic future where underdeveloped neighborhoods become recycled and turned into modern developments by automatic machinery.
OFFICE FOR URBAN RESEARCH
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UNDERGRADUATE
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rendered aerial
rendered elevations
study model
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MATTHEW K. STOLL
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SELECTED WORKS
floor diagram
hand-rendered section perspective
conceptual collage
OFFICE FOR URBAN RESEARCH
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UNDERGRADUATE
41
exploded axon
section perspective
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MATTHEW K. STOLL
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SELECTED WORKS
streetview rendering
C E N T E R FOR CON TEMP OR A RY S CU LPTU R E PROFESSOR: JERRY LARSON | AUTUMN 2013
The Center for Contemporary Sculpture is envisioned as a programmatic extension to the Art Institute of Chicago at Millennium Park. The Center includes a museum for showing large-scale sculptures and art installations, an elevated green space and sculpture garden, and an archive that will catalogue pieces significant to Chicago’s history or housed in the museum. This addition would create a new platform for the exhibition, restoration, and collection of contemporary public sculpture. The graphics are a combination of Rhino, hand-drawing , and Photoshop.
walkway detail
walkway detail
CENTER FOR CONTEMPORARY SCULPTURE
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UNDERGRADUATE
43
rendered elevation
section perspective
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MATTHEW K. STOLL
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SELECTED WORKS
MT. ADAMS CULINARY ACADEMY PROFESSOR: LIZ RIORDEN | SPRING 2013
MACA is both a culinary school and event center at the heart of Mt. Adams, one of Cincinnati’s most beautiful and historic neighborhoods. The sloping topography and views of the Ohio River, surrounding neighborhood, Eden Park, and downtown Cincinnati demanded a high degree of sensitivity to site placement and relationship to the landscape. The design distinguishes between the school and event center through their tectonics and relationship to the site. Through a strategy of offset classrooms and open circulation, the school visually bridges the upper and lower landscapes. The offsets allow for accessible roof terraces which would be used for conducting research on urban farming techniques.
rendered section
rendered plan
MT. ADAMS CULINARY ACADEMY
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UNDERGRADUATE
45
acoustic studies
S O U ND C LO U D I N STA L L ATION PROFESSOR: MING TANG | SPRING 2013 4-PERSON TEAM PROJECT
This installation was the winning design in a competition for the Niehoff Urban Studio in Clifton, OH. The prompt was to create a parametric-designed installation that could absorb sound, be made of inexpensive, lightweight materials, and be digitally fabricated. After winning the commission, my group of four went forward with schematic design, fabrication templates, and eventually full-scale prototyping. The system was built from a CNC’d structural plywood grid and lasercut cardstock substructure and units. Our group was composed of Prince Osemwengie, David Burgei, Sydney Brown, and myself. 46
MATTHEW K. STOLL
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SELECTED WORKS
construction diagram
rendered views
SOUND CLOUD INSTALLATION
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UNDERGRADUATE
47
HOUSE FOR A CERAMICIST PROFESSOR: VINCE SANSALONE | SUMMER 2012
This proposal is for an artist retreat within the rural farming community of Grailville in SW Ohio. The main considerations were the topography and site layout. The final design takes advantage of a grove of trees and open grasslands to the north and south to facilitate air circulation, provide passive cooling, and allow views through the building. Its low design and minimal material palette help it to blend into the surrounding landscape while maintaining a modern aesthetic. In this studio, I used charcoal + ink to create study drawings, and used Rhino + physical models to develop the form, laminating recycled newspaper to create the topography.
section axon
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MATTHEW K. STOLL
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SELECTED WORKS
schematic drawing
rendered view rendered section
model views
HOUSE FOR A CERAMICIST
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UNDERGRADUATE
49
connection axon
I N T E R LOC K I NG S PATIA L CON STR U CT PROFESSOR: MELANIE SWICK | SPRING 2011 12-PERSON TEAM PROJECT
The goal of this project was to create an individual unit that could be prototyped, replicated, fabricated, and then assembled into larger spatial configurations and compositions. In order to produce a large array of units, we were economical in our use of materials, taking high-grade wood studs and splitting, mitering, and gluing the individual pieces to create the larger form. The unit was designed with a number of possible interlocking connections which resulted in numerous structures and formations, some of which were serendipitous. Different tasks were delegated amongst the group, and I led the schematic design and prototyping of the unit. 50
MATTHEW K. STOLL
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SELECTED WORKS
ring configuration
dome configuration
construction axon
enclosure configuration
INTERLOCKING SPATIAL CONSTRUCT
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UNDERGRADUATE
51
[ fig. 5 ]
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MATTHEW K. STOLL
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SELECTED WORKS
PERSONAL WORK DRAWING + SKETCHING PHOTOGRAPHY + TRAVEL
COVER
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PERSONAL
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classical arch- drafting
schematic sketch- pen
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MATTHEW K. STOLL
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SELECTED WORKS
detail sketches- graphite
perspective sketch- graphite
DRAWING + SKETCHING ONGOING
gothic exploration- pen
I believe strongly that a great architect should able to utilize all the tools available to them to design, investigate, and illustrate their ideas. This means being proficient in both digital and physical mediums. Throughout my career, I’ve continued to develop my ability to sketch and hand-draw. This includes little schematic doodles, human figure drawing, onsite sketching, and detailed pen + ink illustrations. I’ve also developed a style of rendering that employs digital models and rendering software, but adds hand-drawn and photoshopped effects to create a more evocative and engaging image. I draw not just to improve my craft, but also for the love of the art. DRAWING + SKETCHING
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PERSONAL
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Bhaktapur, Nepal
PHOTOGRAPHY + TRAVEL ONGOING
In the time during and especially after school, I have had some amazing opportunities to travel. Growing up, we weren’t able to afford big trips, so the first chance I took I went to Cuzco, Peru for a week. After graduating, I got married to a woman from Nepal and together we have travelled all over: Hong Kong, Kathmandu, Pokhara, Bangkok, Koh Yoh Noi, Seoul, Austin, the Smoky’s, and drove up the Pacific Northwest Coast from SF to Seattle. I take great inspiration from each place I explore, trying to get off the beaten path and engage with the culture. Photography is an excellent means to record and study a place, and continue to draw inspiration from it. 56
MATTHEW K. STOLL
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SELECTED WORKS
Boudhanath, Nepal
Gyeongbokgung Palace- Seoul, S. Korea
Wat Saket- Bangkok, Thailand
Durbar Square- Kathmandu, Nepal
PHOTOGRAPHY + TRAVEL
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PERSONAL
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