Maximiliano Martín Architecture Portfolio 2016

Page 1



///////////Presentation///////////

Architecture Competition

//////////Through Time//////////

Academic Projects

////////////Fold/Unfold/////////// ////////////#Doorshop//////////// ////////////Etsam 24h///////////// //////////Natural Baths//////////

Urban Project

/////////////Järnbrott//////////////

Construction Project

/////////Rethinking BIG/////////

/////////Miscellaneous/////////


Maximiliano Martín Parra 06/05/1993 Salamanca, Spain maximilianomartinparra@gmail.com +34 685245131 EDUCATION 2015-2016

2017-2011 2011

One year student of Architecture and Urban design Master Program, in Chalmers University of Technology, Gothenburg (Sweden), part of the Erasmus program, Currently Studying 5th grade of Architecture at the Technical University of Madrid. State exam to gain entry to the School of Architecture 12.12 (over 14) with honors.

AWARDS 2016 2016 2015 2014

2014 2013 2013

Honorable mention in Wernstedt Sketch Competition “A wedding pavilion”. Published work; “Rapidly deployable homes for refugees” in the Swedish architecture magazine “Arkitekten”. Second Position in the Competition “Rapidly deployable homes for refugees” in Chalmers University of Technology Selected the better group project for a Jury composed by 3 professors during 3rd year, a project of an entrance to the Army Museum of Madrid. Selected between 75 students to participate in an interuniversity course with Nagoya University students. Selected better idea of urban intervention during 2nd year by the class Selected work in drawing and analysis of architecture class during 1st and 2nd grade of Architecture.

WORK EXPERIENCE 2016 2016 2014

2014

2011-13

2010

Part time job in a design office, including interior design, prototipe fabrication, model making and small scale project design Collaboration in the construction of a PopUp Park, (White Architects and Chalmers University) during Gothenburg Green World, Sweden. Collaboration with an urban design teacher in his practice (PEZ studio) to organise an urban intervention course, including a real intervention in Madrid during Christmas break. Interuniversity course with Japanese students of Nagoya University, studying interventions in pre-existing buildings and designing an intervention in other one, with Toshomitsu Kuno. Part time collaboration in a small practise during the summer. Taking responsibility on different project design stages and making resentation drawings for office infill projects, site surveys and preparation of sketches schema design for presentation. Bilingual summer camp tutor for children during 3 weeks.


PUBLICATIONS “Rapidly Deployable homes for refugees”, Arkitekten Magazine, Sweden. “Rapidly Deployable Shelters” + “Hex house”, Architects for Society web. “Sustainable Development for Design Proffesion. Dossier 2015”. Chalmers University of Technology. “The Gates of Time, Sicilia in XXI Century”. Teaching Unit Book, ETSAM.

2016 2016 2015 2014

SKILLS SOFTWARE

Autocad

Rhinoceros

Map Info GIS

Wordpress

Microsoft Office

Photoshop

InDesign

Illustrator

Premiere

iMovie

TECHNICAL Space Syntax knowledge and actual further formation on the topic. CNC control abilities and computer hotwire cutter for Foam expert Laser cut expert and model making with those tools Experience working with wood Poster making knowledge SOCIAL Winter sports trip organiser, president of Architectural, Music and Design college office during 3 years in a Hall, captain of an university Rugby team.

LANGUAGES

Spanish ____ Mother tongue English ______ First Certificate Cambridge ( 7,5/10 ) Level C1 during Erasmus+ en of the year level exam French ____ Traveler user Italian ____ Traveler user HOBBIES

Plays in an amateur and an university rugby team Self learning guitar player, during 4 years in a music group Intercultural awareness after a year life experience in Sweden Compulsive traveller


//// Through Time //// COMPETITION: Wedding Chappel in Saltholmen May 2016. Wernstedt Sketch Competition “A wedding pavilion”. JURY: Gert Wingårdh, Pernilla Ohrstedt and Sverige Architecture Association Collaboration with: Jaime Palacios Anaya HONOR MENTION

Through Time fosters interior and exterior connectivity. The perspective from which it is approached influences the way it is perceived: from being massive to dissolving with its surroundings, showcasing its internal activity, being enclosed and open. Its permeability unifies the sense of space with its context. Shaped through the words Generating, Expanding, Covering and Slicing, the space created takes communion with the act the will take place and with the sourrounding, while interior and exterior fade together. From the inside its extrospective gaps frame the horizon and venerate the landscape. Seasons and time impact both the project and its environment. In this way, due to the play of spatial connections, the context and the pavilion are meant to be understood as a single changing entity.

Generating Space

Expansion

Covering

Slicing the shape


G

tre Cen urg mb he ot

Frolu nda

en sholm s Hin

Gota Al v

Sou th Ar c

ago pel chi Ar th

Saltholmen

No r

o lag pe i h


+ 5,70

+ 3,00

+ 2,25 Upper floor

+ 0 Ground floor





//// (F)Home //// RAPIDLY DEPLOYABLE SHELTER FOR REFUGEES September 2015. Chalmers University of Technology. GÜteborg, Sweden Collaboration with: Jens Ljunggren, Thea Wängborg-Nyberg, Margot Scheyving

With the increasing refugee crisis because of the Syrian civil war, the pressure on the refugee camps have been reaching limits never seen before. In this context, the necesity of rapidly deployable shelter for the newcomers is a priority. The research was based in the utilization of foam as the principal material of construction, because of his aisolation qualities, as well as its lightness. The project concept is the creation of pieces that can be easily packed, transport and assembled for everyone, and also can be transformed, so it is possible to add different modules in the project. Furthermore, the assembling pieces are based a the bottle of light created in the favelas, so it will create light entrances all over the house as well, and at the same time they work as a joint for the pieces In the urban scale, following the hexagon shape will create inner courtyard that will be filled with outside furniture that comes from the doors/windows of the shelter itself.







//// ETSAM 24h //// A MULTIFUNCTIONAL BUILDING FOR THE SCHOOL OF ARCHITECTURE September 2014. Etsam School of Architecture. Unit Frechilla. Madrid

The aim of the project is to create another building for ETSAM, the School of Architecture of Madrid, which would be open 24 hours, and would have a cafeteria, a space for group working, a model work shop, offices for teachers, an a high ceiling library. The concept is based on the reutilitation of the main structure of the old building, giving it a new faรงade, high spaces inside, and from the outside, the building creates a covered plaza beneath and around it, so the students can be around there regardless of the weather. The program includes a cafeteria, model workshop, computer and group work rooms and the different facilities of a library. Also several chillout spaces for the students.





//// #DoorShop //// Entrance for the new building for the Prado Museum January 2014. Etsam School of Architecture. Unit Aparicio. Madrid Collaboration with: Blanca Muñoz, María Escudero, Belén Gil Collaboration with students of Nagoya University

This project was developed after an intense analysis workshop with Japanese students of how to intervene in preexisting historical building. Because of that, it tries to modify as little as possible the façade of the building, just allowing the pedestrian to know something is going on inside through the windows, and the intervention in the urban scale. The urban scale includes several milestones around the area, all in reflective ceramic tilework, creating a circulation around that lead to this new museum. Once you go through the door, a new universe of color, reflections and light is open up to the visitor. Several concrete beams covered with high reflective ceramic tilework create a passage/tunnel, where the entrance of the museum is. On the other hand, this breaking in the interior of the building is also fixed transforming the upper surface of the beams into little bridges that connect both parts of the museum.





////Natural Baths//// River Pools and facility in Sicily January 2014. Etsam School of Architecture. Unit Aparicio. Madrid

Situated in a privileged place, deep into a canyon where a river run calm, the place itself is half mistical half inspiring. The building in rough concrete walls apears between the white rocks of the canyon, interrupting the natural flow of the river, and transforming it into two ponds at different heights. Walking down the long staircase that gets to the place, the fortunate user that finds this place feels like getting inside different waterfalls, first walking on the first one, then next to the other one that he can almost touch the water with his hand. The facilities organize the space in two different levels. The upper one is refered more to swimming and enjoying the water, while the second one, isolated by the noise of the waterfall, is looking for a more isolated place, more suitable for meditation and relaxation. In both situation, the buildings lay by the water, just a few inches from the reflecting surface, giving the sensation of being another rock of the canyon.


Canalización de agua

N

N 0

5

Metros

Grava Análisis de visuales

Catarata artificial

En el bloque de la cafetería, por un lado se busca que la cubierta deje libre la vista hacia la montaña, y a su vez, permite que la luz que entra y refleja tanto en la pared como en el agua, rebote e ilumine la estancia. Por otra parte, al otro lado la cubierta se alarga hacia el agua, focalizando la visión hacia esta y la superficie del agua, favoreciendo el reflejo en esta

Croquis iniciales

Planta de canalizacion de aguas

En la parte de los baños, con la colocación de un cristal translúcido a la entrada se oculta la visión del interior, y a su vez se permite que entre luz al interior. La extensión de la cubierta al otro lado se coloquen cristaleras ducha, Esquema dela cómo se canalizaría el agua a través de evita todoque el aunque complejo, de forma queensela pueda desde el acceso se tenga una visión de este espacio.

y así conseguir los reflejos buscados.

Al igual que en la cafetería, en el extremo junto a la montaña se recoge la cubierta para favorecer la visión hacia montaña. la parte de las habitaciones, encuentra ade raslos de suelo, de forma que al levantarse la llevar a latodos losEnlugares, tanto delanterosla cama comosetraseros, bloques edificados primera visión que se tenga sea una panorámica de todas las termas.

Pl

Ci se

Evolución de la planta Es un ejemplo de la evolución que han ido siguiendo los bloques en favor de un espacio más fluido, que busque alejarse de unos límites fijos, Los baños, por ejemplo, se han desarrollado de forma que la entrada no sea directa, sino que requiera una serie de quiebros. La cubierta, además, se desplaza sobre los muros, dando sensación de proyección frente a los límites.

Detalle escalera/cascada

Imagen del interior de la cafetería

Escalera de acceso

Canalización de agua Grava Catarata artificial

Croquis iniciales

N

Análisis de visuales

En el bloque de la cafetería, por un lado se busca que la cubierta deje libre la vista hacia la montaña, y a su vez, permite que la luz que entra y refleja tanto en la pared como en el agua, rebote e ilumine la estancia. Por otra parte, al otro lado la cubierta se alarga hacia el agua, focalizando la visión hacia esta y la superficie del agua, favoreciendo el reflejo en esta

En la parte de los baños, con la colocación de un cristal translú permite que entre la luz al interior. La extensión de la cubierta al otro desde el acceso se tenga una visión de este espacio.

Evolución de la planta

Es un ejemplo de la evolución que han ido siguiendo los bloques en favor de un espacio más fluido, que busque alejarse de unos límites fijos, Los baños, por ejemplo, se han desarrollado de forma que la ent



a su vez, permite lado la cubierta

N

N 0

En la parte de los baños, con la colocación de un cristal translúcido a la entrada se oculta la visión del interior, y a su vez se permite que entre la luz al interior. La extensión de la cubierta al otro lado evita que aunque se coloquen cristaleras en la ducha, desde el acceso se tenga una visión de este espacio.

Metros

Al igual que en la cafetería, en el extremo junto a la montaña se recoge la cubierta para favorecer la visión hacia la montaña. En la parte de las habitaciones, la cama se encuentra a ras de suelo, de forma que al levantarse la primera visión que se tenga sea una panorámica de todas las termas.

alejarse de unos límites fijos, Los baños, por ejemplo, se han desarrollado de forma que la entrada no sea directa, sino que requiera una serie de quiebros. La cubierta, además, se desplaza sobre los muros, dando sensación de proyección frente a los límites.

Imagen del interior de la cafetería

5


the point where the longitudinal and transversal axis connect, and can become an important connection core of South Gothemburg.

ed inside the buildings. In that way the people living in the blocks always have a good quality of light inside the houses, including the ground levels. In the case of the biggest blocks, some buildings can be found inside the courtyards as well.

////Jร RNBROTT MASTERPLAN//// Urban SpaceSyntax analysis and a proposal of a medium scale area in Gรถteborg Febrary 2016. Chalmers University of Technology. Gรถteborg

The renewal of old industrial areas is a hot topic nowadays, but there is not any real method to do so in a efficient and totally succesful way. The first part of the urban project was an analysis of the current area, using the Space Syntax tool,SUPERGRID plus some density analysis as well. Afterwards, a model of new density model is created and some examples ANDof basic typologies are given in order to have a complete integrated neigbourhood there, giving the basics to the architects that will design the buildings there. SUPERBLOCK

M

A t n d d a

M

T a c s s T t t s t T t I s t

B

T b i a a t I h s s T t a a t

STRENGTHEN PRE-EXISTING 100% of the actual dwellings close to the area are preserved, so the proposal is trying to improve the actual situation of those building, making some of them more integrated into the superblock, or mantaining some qualities, as the privacy of some of the villas, by limiting the accesibility to those areas with a few entrances and not from the main street. All preexisting buildings are shown in dark gray, and the one that are related to the superblock with the volume to see the relation between them and the new blocks.

I

T f a r t s w A i s h I c


Further expansion In the same superblock a further expansion has been projected but not totally defined. The reason is that this area is further than 10-15 minutes walking from the main street, so it will require a secondary main street that sourrounds the superblock, and increases its connectivity.

SEMI-OPEN BLOCKS A transition typology has been developed in order to increase the diversity of the area. It is based in the idea of a gradual change of the morphology of the streets when you are going inside the Superblock. Around half of the block is designed to be facing the street, so it creates a closed-block morphology, but the other half is planned as an open block with green areas around. Designing in this way help us to create a transition between two different streets that requires different kind of building, and the typology is being adapted to it.

END OF THE MAIN STREET Once the area is finished, also a end should be design to get a better integration of the superblock in the whole large scale system. Nowaday, with a big roundabout and a highway a little bit South it makes this connection more difficult. That means the city planning office should gradually make changes in the general network to adapt it to the new necessities of the city.

JĂ„RNBROTT A linear city expansion towards Frolunda Spatial Morphology Studio, CHALMERS Maximiliano MartĂ­n Parra

TRANSVERSAL SECTION + Level of integration of the streets 1:1000


N-

NORTHEN SUPERBLOCK

of ay

-

sith he

e is uxis an of

-

MAIN STREET

VILLA AREA


PUBLIC PARK

Further expansion

OPEN BLOCK DWELLINGS

SEMI-OPEN BLOCKS

END OF THE MAIN STREET


////CONSTRUCTION REINTERPRETATION//// Technical construction research for a BIG Amager Bakke project in Amsterdam September 2014. Etsam School of Architecture. Göteborg

Considered as an academic project, the aim was to develop a credible structure and also with a reasonable envelope, that would not disturb the original image of the building, as well as dont interfere with the program. The project was chosen beacuse of its originality, and the complexity of the big structure needed to maintain a ski slope on top of the building. The entire project was solve with real product that can be bought in the average market. A

Amage

ESCALA 5

1

46 m

0

e

Planta

d’

B

a.

18,3 m

d

b

LEYEN

ZON

4,7 m

C

c

D

ZO Fo re

b.

ZO Fo ra

ZON

c. Cu dd’. Pa co e.

60 m

a

Cu

13,8 m

E

5,8 m

21 m

1

21 m

2

21 m

3

21 m

4

21 m

5

21 m

6

21 m

7

21 m

8

21 m

9

F

21 m

10

11

PROYE

Prof. _Su

Álvaro de Maximilian

A


Amage

D1

5,8

D6a a 0

25,5

22,5

5

SECCI

b

c

D2

a. b. c.

D6b

d.

f

7,5

8

LEYEN

h

e

d

e.

D4a

D3 g

h. i. j.

Vig Mu inVig luz Fo los Pe la Fo co Pa ra Ce Cu Cim

4

D5

3,4

5,7

D4b

i

8,6

16,45

16,75

f. g.

12,7

13

8,5

ESCALA

4,75

6,1

D7

j 10

12,15

14,85

55,3

D6b’

D6a

28,61

ARMADURA ACERO PETO HORMIGON INSITU

PISTA DE NIEVE

PANEL GRC

EMULSIÓN BITUMINOSA

MONTANTE VERTICAL

LAMINA ASFÁLTICA APP

ZONA UNIÓN GRC

ANCLAJE MONTANTE VERTICAL PLACA DE ANCLAJE

MONTANTE HORIZONTAL

HEB 300

PANEL GRC FACHADA GRC

AISLANTE AGARRE PLADUR TRASDOSADO PLADUR ANCLAJE A MONTANTE HORIZONTAL

FORJADO CHAPA COLABORANTE

HEB 300 CARPINTERÍA

0,31

D6b

FACHADA GRC

PROYE

Prof. _Su

Álvaro d Maximilian



Miscelanea


///ARCHITECTURAL DRAWINGS


///DIBUJOS


///PARK BUILDING

_ Colaboration with WHITE ARCHITECTS


///LASER CUT MODEL MAKING, INTERIOR DESIGN AND ARTICLES


///POSTERS


///NATURE PHOTOGRAPHY


Maximiliano MartĂ­n Parra maximilianomartinparra@gmail.com [09 / 16]


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