M E H E R Z A D
B
meherzad.shroff@gmail.com (+61) 0488119252 p.o.box 72 collinswood adelaide south australia 5081
S H R O F F Bachelor of Design Studies Master of Architecture Master of Landscape Architecture The University of Adelaide
P O R T F O L I O
M E H E R Z A D
B
S H R O F F
Master of Architecture Master of Landscape Architecture Bachelor of Design Studies
BIO 02.02.1991
Meherzad graduated from the University of Adelaide with a Bachelor of Design Studies in 2011. A commitment to influence the built fabric in which we all live, propelled him to undertake his Double Masters Degree in Architecture Referees
and Landscape Architecture in 2012, which he completed by 2014. Being the SONA representative at the University of Adelaide in 2014
allowed
Urs Bette • Urs Bette Design Lecturer & Course Coordinator: Adelaide University Phone: 0430 305 665 Email: mail@bette.at
him to further develop leadership and organizational skills. Possessing an
Damien Chwalisz • Roarkus Design Studio Phone: 0414 689 574 Email: w@roarkusmoss.com
registration in a work environment which is eager to drive a contemporary
Dr Veronica Soebarto • Associate Professor, Lecturer & Course Coordinator: Adelaide University Phone: 8303-5695 Email: veronica.soebarto@adelaide.edu.au Sharon Taplin • MD & Office Matters Pty Ltd Phone: 0417 828 575 Email: staplin@officematters.com.au
architectural ‘right and left brain’ duality and a careful objective sensitivity to design, he is interested in building his formative career in Adelaide. Being committed to personal development, he would like to work towards his own architectural identity within Adelaide and Australia.
SKILLS Autodesk AutoCAD Autodesk Revit Rhino 3D
Languages
English
Sketchup Adobe Photoshop Adobe Illustrator Adobe InDesign V-Ray
Hindi + Gujarati
Microsoft Office Graphic Design
Español
(Elementary proficiency)
Model making Analogue Drawing
Basic
Intermediate
Advanced
CV EXPERIENCE 2015
Participated in The Market Tower Ideas Competition
2015
Participated Chicago Architecture Biennial Lakefront Kiosk Design Competition with JPE Design Studio
2015
Autocad demonstrator for Construction II at the University of Adelaide
2015 - 2014
Participated in Lesley Lynn Design Competition (Top 5)
2015
Work Experience at JPE Design Studio (Feb 2015 to April 2015)
2014
SONA representative for the University of Adelaide
2013
Involved in the fundraising committee for Final year (Organized the Architecture Ball)
2012-2013
Participated in The Tokyo Replay Centre architecture competition.
2012-2013
Work Experience at Roarkus Design Studio. (Nov 2012 to Feb 2013)
AWARDS & MERITS 2014
Work Featured in SABE Final Year Exhibition ‘Hypothesis’
2014
Logo Competition for (LSA) Landscape Architecture Student Association
2013
Work Featured in SABE Final Year Exhibition ‘Tabula Rasa Opus’
2013
Received for Final project 87% High Distinction
2011 to 2014
Featured in ‘ALL IN’ Exhibitions (all courses & semesters), at the University of Adelaide.
2013
Winner All In Exhibition Poster Competition
2012
Adelaide Design Festival 2012
2012
Accepted into the Golden Key International Honour Society
2012
Selected and participated for Troppo Architect’s Darwin/Kakadu away studio.
2007 and 2008
Highest Marks within the International Baccalaureate Visual Art Program within Prince Alfred College
PERSONALITY 2015 to 2009
Team Member of PAOC Badminton team in B & C Grade (2009 to Present)
2015 to 2014
Team Member of Vandelay Industries socail bastkeball in D Grade (2014 to Present)
2010 and 2007
Featured and sold artworks at the Prince Alfred College Art Show
INDEX
P O R T F O L I O
ARCHITECTURE LANDSCAPE ARCHITECTURE URBAN DESIGN GRAPHIC DESIGN
Architextural Mechanism Sanctum Parallax Tower Constellations of Transparency Tokyo Replay Centre Coorong Learning Centre Ubirr Learning Centre Presence Studio Crystal Studios Harts Mill West End Bike Storage Seaford Town Square Vagrancy + Grote Street South Australian Parliament Courtyard Physical Models Event Posters: A Collection Grote Street: A Graphical Site Analysis Emotion Site Mapping + Landscape Fallacy
Process: This project began with a story based on the present site + my past memories of Rundle street + tomorrow’s ambitions and atmospheres. I sketched with words. With this point of departure, the next question was, how do I translate this body of text into architectural form ? With an interest in building an apparatus / machine to map the story, I decided on building a “Typewriter Drawing Machine”. I purchased two old typewriters, one working and one broken. However, pulling apart the broken typewriter I discovered the beauty in the parts themselves and this lead to forming architecture from mechanical compositions, while simultaneously inputing my story into this process of part-composing. After finding the right compositions, analogue sketching was utilized to refine and find space. Proposal Circa 2035. Architextural Mechanism is an urban intervention that exists in 2035. The two towers rise out of the East end of the city on Rundle street. The West tower contains a vertical market, which takes inspirations from the East end Fresh fruit and Vegetable market from the past. There are living quarters with the ability to plan your own configuration. Throughout the West tower, transition spaces occur allowing for breakout spaces or tower services. An elevated meditation hall can be found, as well as a Hawker food court and city lookout. The East tower contains an open source university, where people learn the skills that they need to achieve their outcomes. This complex contains breakout study areas, a 425 seat lecture venue, tutorial rooms, studio spaces and a traditional workshop space, which also specializes in laser cutting. 3d routing and 3d printing, important machines ever since the embrace and the democratization of production, in the early 2020s, due to the emergence of open source products. Ascending the East tower, a small gallery/event space is found, which leads to the Court of Thought, a public meeting/transition space. In the higher levels one will come across the East tower’s co-working floors, which connect to the Think tank, a hireable meeting room space accessed by the co-working levels. Both towers are connected by a sky bridge.
Architextural Mechanism • 2013 Masters of Architecture: Final Project
Architextural Mechanism • 2013
T h e
S t o r y
He looked up and saw something, which he had not seen in a long time.
Present Site + My Memories + tomorrow’s ambition • atmospheres I S k e t c h e d w i t h W o r d s As he climbed the staircase he counted the steps losing count, distracted by a woman with red bright lipstick. He stopped in confusion and awe as he witnessed the court of thought, where fools, dreamers and business men shared ideas and conducted their own business. Here the old merged into the new, stone, glass, fabric and steel bound together. There he asked a fool how to reach the smiling man. Water flowed in the stone ground as it does in the chambers of Zoroastrian temples. The fool spoke and led him to a dreamer who was tall, and he had a pen in one hand and an orange in the other. He was drawing an extension to his space, which he had acquired for 9 years. One could really see the gleam in his eyes, for he was in love with the potential. He guided him via a broken hung passage held together tight, renovations were in progress yet wabi sabi. He could see the hills and the sea at one point it was silent. He approached with the dreamer. The dreamer pointed to a large copper door. Incense was in the air as the door opened. There in the doorway I asked a question to the smiling man, the dreamer look on from a distance. “Why are you smiling?” I am in the present
Architecture from Mechanical Compositions
A man smiling for he had found a home in a place free from the past yet connected to the earth. The birds had accepted it, and made it their home, therefore enabling the consciousness of the city and nature to merge and hang in the balance. Eclectic in its own way binding the old with the new. He remembered how he felt as a child, everything was new, he remembered his first bike or his first birthday cake with his mother and father, it seems so long ago, those experiences in atmospheres were part of a simple time. This was a new atmosphere. His heart beating from nostalgia, he decides to meet the smiling man. He gazed upon the metabolism in flux and he entered a hanging chamber flooded in light, his shadow vacant, part of a once confined sanctuary. A cold mist dotted with amber aqua light led to the new market, sandalwood smoke created ambience, babel of the neo venders echoed. The building chimed in the wind, its shields shining, glistening in the sun.
Architextural Mechanism • 2013
Floor Plates
Floor Plates
Structure
Vertical Circulation
Architextural Mechanism • 2013
Architextural Mechanism • 2013
Sanctum is a site-specific intervention providing a comfortable refuge space away from the hustle and bustle of Victoria Square. Based within the parameters of ‘Suburban City Corner’ vision. The vision was translated in the ‘L – Shaped corner typology’. The Key Moves of the design intervention were anchored upon 5 design principles: levels of interpretation, simplicity and complexity, flexible spaces, interplay of materials and shade & comfort. The Key Moves: Sanctum is entered obliquely bypassing large pivoting bronze doors, 5m tall and 8m wide, with embossed federation floral patterns. The doors create a division between the Victoria Square space domain and the ‘inner’ Sanctum. Along the inside of the doors is the glass pavilion made from laminated glass structural members. It is inspired by the Nordic pavilion by Sverre Fehn and the roof lattice from the ‘Last Supper’ by Leonardo da Vinci. Covered in key spots, to protect against the elements, simple movable furniture is placed around for the public to sit wherever they please. This landscape introduces a shallow water feature, which takes cues from Matthew 14:22-33, where Jesus walks on water – a ‘walking on water feature’ with the statue of Mary Mackillop repositioned obliquely within it. An Australian drift planting style has been adopted with a selection of bright coloured, flowering native plants adding to the biophilic effect for the user. Populus tremuloides - White Poplar trees have been used for the colour of their foliage and their white trunk. Their deciduous nature allows for sun penetration into the plaza during the winter months. Flexible by nature, it is a place for shade, a place to soak in some colour, a place to spend lunchtime and a place to meet a friend or a muse. It is a quiet sheltered space both hidden and open. Sanctum is for people who work in the Sanctum • 2014 surrounding context and the general populace. Masters of Landscape Architecture: Final Project
Process Critical Regionalism
Mistakes of Adelaide
Concept
e Sit
How to Translate the Vision...
An
Vision+
aly sis
Design Intent
SWOC
“Revive the site with a local inclusive built presence / public domain”
Honesty vs Ego
Design Principles
Levels of Interpretation
Simplicity and Complexity
•
Flexible Spaces
L
S h a p e C o r n e r Ty p o l o g y
Interplay of Materials
Shade and Comfort
Sanctum • 2014
1,471,446 Litres
evation Pavilion Isometric
on
Potential Water collection Annually from SA Water
Pavilion has sheltering at key points for functionality and comfort. Sheltered with lightweight 100mm Translucent concrete slab.
Pavilion is made from toughened safety laminated glass members inspired by the roof lattice above Jesus in Leonardo Da Vinci’s ‘Last Supper’. The choice of glass was to ‘allow the light‘ to enter.
Pavilion is supported on polished concrete columns. Glass panels are intersected between columns to frame spaces and in future allow for temporary sealed spaces with movable partition walls.
Pavilion is set out on 4.2m grid referencing the Adelaide plot typologies from another era.
Option 1: Doors open 20 degrees
375,000L Per Tank Water tanks installed under the site to hold water collected from SA water building.
4 tanks • 15m by 5m by 5m Option 2: Doors open 20 degrees Pavilion is has sheltering at key points for functionality and comfort. sheltered with lightweight 100mm Translucent concrete slab
on Isometric Doors Closed
Bench
Tr e e P i t + H a l o L i g h t
Pavilion is made from toughened safety laminated glass members inspired by the roof lattice above Jesus in Leonardo Da Vinci’s Last Supper. The choice of glass was to ‘allow the light‘ to enter.
Tree pit grate [brass]
Plan View Pavilion is supported on polished concrete columns. Glass panels are intersected to frame spaces and in future allow for temporary sealed spaces with movable partition walls.
LED Light Halo
Water Feature drainage grate [brass]
Pavilion is set out on 4.2m grid referencing the Adelaide plot typologies from an other era.
Option 1: Doors open 20 degrees
Aged and weathered Moonta Bay jetty timber 80mm by 1000mm, sourced from Adelaide Rural Salvage mixed to 20mm galvanized steel plates. The central structural member is a cruciform shaped which references the religious site context. The choice of an aged timber aesthetic was adopted to mirror the designer’s interpretation of the timber used in Noah’s Ark.
Concrete Tree pit structure
Bronze Pivot Doors Option 2: Doors open 20 degrees
Inspired from Federation style steel work patterns *The corner pivoting door is the only door the opens 40 degrees.
West Elevation
1,471,446 Litres Potential Water collection Annually from SA Water
375,000L Per Tank
Water Collection
Water tanks installed under the site to hold water collected from SA Water building.
4 tanks • 15m by 5m by 5m
Material Palette TRANSPARENT CONCRETE
MOONTA BAY JETTY TIMBER
BRASS
STEEL GRATES
GALVANIZED STEEL
PARACHILNA SLATE
LAMAINATED GLASS
Sanctum • 2014
BRONZE
Bronze Pivot Doors Inspired from Federation style steel work patterns *The corner pivoting door is the only door the opens 40 degrees.
20 Degrees
Door Structure
Wind
Sound
The doors not only provide a threshold, but they also act as noise barriers to the waiting buses and traffic of Victoria Square and as wind breaks to the prevailing winds from the SW and NW.
Bench
20 Degrees
Tr e e P i t + H a l o L i g h t Tree pit grate [brass]
Plan View
LED Light Halo
Water Feature drainage grate [brass]
Aged and weathered Moonta Bay jetty timber 80mm by 1000mm, sourced from Adelaide Rural Salvage fixed to 20mm galvanized steel plates. The central structural member is cruciform shaped, which references the religious site context. The choice of an aged timber aesthetic was adopted to mirror the designer’s interpretation of the timber used in Noah’s Ark.
Concrete Tree pit structure
PAVING
HCHA LBCB
OMMF
MFLA
GRATE
MFLA
PAVING
GRATE
FPSH
HCHA
LBCB
APKT
INKR
PAVING
CTFM
ETRS
SSCS
TTKG
DBHB
LMNF
ATE GR
PAVING
KPRP
EMMP
FPSH
INKR
PAVING
GRATE
GACG
Tom Stuart-Smith
LVSS
Piet Oudolf
Plant Colour Palette
Sarah Price
‘New Perennial Movement’ the ‘Dutch Wave’ The objective of the new perennial movement is to create a space where people can make an emotional connection to nature by experiencing the freedom that comes from standing in a meadow, surrounded by the spontaneous feeling of nature and being able to escape our increasingly urban lifestyles. As much as this type of garden is organized and planned, the idea is to imitate the natural environment and establish a link to nature regardless of the surrounds.
PLANTING BED SUNKING 150MM
GRATE
Inspiration
FVFA
SLVG
MFLA
GRATE
PFSG
LBCB
SSCS
OMMF
CCLB
Goodenia amplexans Clasping Goodenia
Lomandra Longifolia Spiny-headed Rush
Muehlenbeckia florulenta Lignum
Wahlenbergia stricta Austral Bluebell
Thomasia petalocalyx Paper-flower
Orthrosanthus Multiflorus Morning Flag
Juncus usitatus Common Rush
Senecio lautus Variable Groundsel
Calytrix tetragona Common Fringe-myrtle
Microseris Ianceolata Yam Daisy
Vittadinia cuneata New Holland Daisies
Daviesia brevifoliaee Bitter Peas
Linum marginale Native Flax
Stackhousia monogyna Creamy Candles
Frankenia pauciflora Common Sea-heath
Gahnia filum Chaffy Saw-sedge
Isolepis Nodosa Knobby Club-rush
Leucophya brownii Cushion Bush
Kunzea pomifera Muntries
Olearia Axillaris Coast Dasiy Bush
Spinifex sericeus Coastal Spinifex
Calocephalus citreus Lemon Beauty-heads
Clematis microphylla Old Man’s Beard
Lepidsperma viscidum Sticky Sword Sedge
CACE
Pennisetum setaceum Fountain Grass
GRATE
Ptilotus exaltatus Pink Mulla Mulla
SLVG
Rosmarinus officinalis Roseamary
EMMP
Lagurus ovatus Hare’s Tail Grass
KPMA
Foeniculum vulgare Fennel
OADB
Pultenaea tenuifolia Narrow-leaf Bush-pea
LOHT
Carpobrotus rossii Native Pigface
GFCS
Maireana sedifolia Pearl bluebush
CCLB
Hakea carinata Hakeas
CTFM
Grevillea lavandulacea Lavender Grevillea
DBHB
Astroloma conostephioides Flame Heath
LBCB
Acacia myrtifolia Myrtle Wattle
PAVING
Cymbopogon ambiguus Lemon-scented grass
PAVING
INKR
APKT
ACFH
CRNP GACG Themeda triandra Kangaroo Grass
PEPM
Kennedia prostrata Running Postman
DDBP
Hardenbergia Violacea Native Lilac
GRATE
Eutaxia microphylla Mallee Peas
GRATES ARE FLUSH INSET AT FFL
Enchylaena tomentosa Ruby Saltbush
PAVING
Dodonaea viscosa Hop Bush
Plaza South Planting Bed
Chrysocephalum apiculatum Common Everlasting
GRATE
Acacia paradoxa Kangaroo thorn
GRATE
CMOM
HCHA SSCS
KPRP GRATE
Australian Native Drift Planting Palette
Sanctum • 2014
The planting beds take inspiration from dense drift planting practised by Piet Oudolf, Sarah Price and Tom Stuart-Smith . A selection of bright coloured native flowering plants have been chosen due to observations made in Site Analysis and the lack of colour complexity present on the current site. Also native grasses have been chosen to take advantage of their form, plus the South-west wind curving around SA water allows for kinetic beds. The Populus tremuloides White Poplar has been chosen for its foliage colour and white trunk. The deciduous nature of the tree allows sun penetration into the plaza in the winter months.
EMMP
KPRP
About Planting
RORA
PAVING
DDBP
Populus tremuloides- White Poplar/ Aspen Poplar
PLANTING SCHEDULE BOTANICAL NAME
Acacia paradoxa Astroloma conostephioides Calocephalus citreus Calytrix tetragona Carpobrotus rossii Chrysocephalum apiculatum Clematis microphylla Daviesia brevifoliaee Dodonaea viscosa Enchylaena tomentosa Eutaxia microphylla Foeniculum vulgare Frankenia pauciflora Gahnia filum Goodenia amplexans Hakea carinata Isolepis Nodosa Kennedia prostrata Kunzea pomifera Lagurus ovatus Lepidosperma viscidum Leucophya brownii Muehlenbeckia florulenta Olearia Axillaris Orthrosanthus Multiflorus Pennisetum setaceum Ptilotus exaltatus Rosmarinus officinalis Senecio lautus Spinifex sericeus Themeda triandra
COMMON NAME
Kangaroo thorn Flame Heath Lemon Beauty-heads Common Fringe-myrtle Native Pigface Common Everlasting Old Man’s Beard Bitter Peas Hop Bush Ruby Saltbush Mallee Peas Fennel Common Sea-heath Chaffy Saw-sedge Clasping Goodenia Hakeas Knobby Club-rush Running Postman Muntries Hare’s Tail Grass Sticky Sword Sedge Cushion Bush Lignum Coast Dasiy Bush Morning Flag Fountain Grass Pink Mulla Mulla Roseamary Variable Groundsel Coastal Spinifex Kangaroo Grass
ABBREVIATION
POT SIZE
DENSITY
APKT ACFH CCLB CTFM CRNP CACE CMOM DBBP DVHP ETRS EMMP FVFA FPSH GFCS GACG HCHA INKR KPRP KPMA LOHT LVSS LBCB MFLA OACB OMMF PSFG PEPM RORA SLVG SSCS TTKG
140mm 200mm 140mm 140mm 140mm 140mm 140mm 140mm 200mm 140mm 140mm 140mm 140mm 140mm 200mm 140mm 200mm 140mm 140mm 200mm 200mm 140mm 140mm 200mm 140mm 200mm 140mm 140mm 200mm 200mm 140mm 140mm
0.5 Ctr 0.8 Ctr 0.5 Ctr 0.25 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.8 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.8 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.8 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr
Urban Design Statement Parallax Tower is a proposed multi-storey mixed-use development, located in the East end of Adelaide, situated and spanning across 13- 21 Frome Street, Adelaide, South Australia. The site of 1500sq metres, is a restricted site, with an existing car park entrance ramp running through it and high restriction, which divides the site. With these parameters in mind, this proposed 24 storey mixeduse development is at a height of 97 metres.
Parallax Tower: Frome Street Architecture Studio • 2013
Architecture Studio • 2013
Architecture Studio • 2013
Outcome The eventual intervention is that of a building clad in glass louvers and engraved acrylic panels, lit by LED lights. This treatment is chosen to allow light to enter and maintain the overall temperature of the different spaces. The overall structure of the jagged turning members on the ground floor and the East facade represent point-line joint profiles of stars in the Hercules constellation. The levels in the building, translated from the Photoshop concept image, intended to make the building “light”. The central spine, also the lift core, is used to support the floors with suspension wires. Adaptive re-use has occurred in the observatory, as it has been converted into the gym’s major change-spaces and the main new AUSA Office. The swimming pool level is abstractly based upon the Greek gym planning systems and the floor of the pool is made from glass, which is supported on steel members. Concept Gym • na • si • um ORIGIN late 16th cent.: via Latin from Greek gumnasion, from gumnazein ‘exercise naked,’ from gumnos ‘naked.’ The etymology of the word “Gymnasium” was the starting point of the creative process. From this point many angles were explored, like the original Greek gymnasium planning system- its role in Greek society and its ties to the ancient Greek Olympics. Simultaneously a critical approach was taken in reviewing architectural precedents from the modern day Olympics, like Tokyo 1964 / Munich 1972. This rigor led me to a statement in a book, which outlined the Greek gods associated with fitness and the ancient Olympics - the main one being Hercules: god of strength, courage, ingenuity. Within the proposed site of this project was the existing observatory. This is where the site tied into concept and it all fell into place when it dawned upon me, that up in the sky one can find a star constellation of Hercules. With these “points in space” a deep exploration began to find an architectural form. Doing more research I found the distances of each star from earth. Using this point and line diagrams I experimented. One night the breakthrough came using Photoshop. The image produced subdued me- I felt it represented light caught in motion, this formed the base image for my subsequent architectural development.
Constellations of Transparency
Constellations of Transparency
Trying to understand the enigma of reality becoming a series of staged fantasies is the essence of HIVE – which acts less to define our reality, instead facilitating fantasy • HIVE seeks to provide an environment in which the miasma of media and the concurrent lifestyles of the people that consume them can be elevated beyond simple experience to the level of transcendent immersion • HIVE is thus named to consider the intensity of the immersive experience and the way that it can relate to the Japanese psyche - creating a fever pitch of activity that buzzes through the 24hr cycle of Tokyo • Intended to be non-referential, HIVE only represents the traces of perceptions of Japanese ‘Otaku’ culture, created through method of free-drawing and manipulated by distortion and disjunction • Featuring tectonic structures, plunging crevices, organic curves, sweeping planes and enticing apertures, HIVE provides a fantastical landscape set within the concrete host; intrinsically linked with Akihabara station • HIVE aims to redefine its context, leaving the realm of geometric solids and morphing into a seemingly chaotic façade subliminally amplifying the intensity of the Media • HIVE is designed as the new concept of entertainment; staged fantasy: immersive, intense, manic and possessive as entertainment should be. Group: Meherzad Shroff / Jared Wasilewski / Voo Min Tshung / Hafiz Hamzah / Simon Carter
Tokyo Replay Centre: Archmedium Student Competition
Tokyo Replay Centre
This studio asked me to come up with design ideas for a Learning and Research Centre, one to be located in Northern Territory and one in South Australia (McGrath Flat) in 6 weeks. This Learning Centre is aimed to be used for groups such as architecture students to stay for a short period and be involved in a studio-based activity, and for other community groups to learn about the arts and the environment. The Learning Centre could comprise of a main multi-purpose gathering and working spaces (inside & out), a communal kitchen and toilet and storage facilities, and a dormitory of 12 shared rooms (maximum capacity of 4 people/ room, but designed also for couples and families) including shared bathrooms/ toilets. It was imperative that the ideas for this Learning and Research Centre will take into account the local context – the culture, the climate, the available materials, and the spirit of the place. The spaces were meant to allow the occupants to connect with the outdoors; have abundant natural light and fresh air, where occupants can taste the sweetness of the environment, feel the warmth and the cool of the air, of the ground and of the surfaces they touch and experience the site with all their senses.
Troppo Studio: Learning and Research Centre Kakadu • Coorong
Troppo Studio: Learning and Research Centre
McGrath Flat Learning Centre • Coorong
Coorong
Ubirr Learning Centre • Kakadu
Troppo Studio: Learning and Research Centre
Develop a business plan and design an Architectural studio. Form groups of up to 5 with at least one member from the opposite discipline. You are a group of young designers establishing a new design studio in Adelaide. Good financial management can make or break any business. It requires a disciplined approach to the planning and control of budgets. The objective of this proposal is an appreciation of the elements involved in constructing a design practice budget, and the key aspects of good financial management in any business + the necessary aspect of firm branding and architectural office design. Group: Meherzad Shroff / Jared Wasilewski / Voo Min Tshung / Kanlin Bei / Ben Ramsey
Professional Practice: Presence ADL+ Studio Design
Professional Practice
Outcome: This studio aimed to give us guiding prompts, to direct us to an eventual intervention of the Hart’s Mill site. Initially, using the methods of drawing, modelmaking and conceptualising, we produced a shell, which we then translated into architecture. The initial spark for a movie studio came from a combination of stimuli…Looking at the graphics of ‘Super Studio’, the movie Inception and Man Ray- All these factors lead me to the thought, “What about a Movie Studio on Hart’s Mill Site ? ” “I want this space to be for the dream merchants among us who wish to produce within this dream factory”. The eventual intervention results in the building, which is divided into two halves and clad separately per half. Half of the building is clad in a steel mesh above the building’s structure, which is also used to hold the inner glass cladding. This treatment was inspired by the quote, “We see what they want us to see”. The shell of the back half, is impenetrable to light and sound. This was done to achieve a controlled environment for a production studio space. Adaptive re-use has occurred in both of the existing buildings on site. The Hart’s Mill has been converted into a formal Viewing Theatre. The Adelaide Milling Company has been adapted to house a variety of uses, from videoediting, sound-recording to Administrative offices, plus the studio’s main café space and toilet spaces on the ground level. There is a void between both halves of the building. This was done for access, circulation purposes plus service requirements. There are ornamental structures within the building. It is intended that these structures give added support to the building’s shell structure + act as an installation. This installation, due to its complexity, hopes to act as an inspirational gesture to people working, visiting and learning within Crystal studios.
Crystal Studios Harts Mill • Port Adelaide
Crystal Studios
This studio provided opportunities for exploration of themes in contemporary landscape architecture including interrelationships with planning and ecology. The site was that of the WEST END in ADELAIDE: The themes and site were ambitious in scale, including urban parks, post industrial and urban renewal projects, consistent with effective consideration of the scale of ecological systems and the influence of planning policy. After an advanced collaborative site analysis and a preferred future publication in a team, it was outlined in the preferred future document that bike storage was a lacking element within the West End and seen as a development opportunity. Using the Adelaide power-line poles “stobie poles� as a inspiration for aesthetic, materiality and concept, an advanced design resolution was produced, demonstrating critical application of strategic understandings to a specifically contextualised site.
Bike Storage: West End • Adelaide
IN THE WEST END
Bike Storage: West End • Adelaide
7650MM
FRONT ELEVATION
ELEVATION WITH SHEILD
zzaz SHROFF
BIKE STORAGE: WEST END
VISION
Key Opportunities • Improvement of Bike Infrastructure
COMMUNITY CITY
The West End precinct is to be reshaped into a compact community city that integrates: FOCUS • ADOPTION OF DENSITY • SUPPORTING INFRASTRTUCTURE • ECONOMIC DIVERSITY • HUMAN SCALE.
HISTORY of STOBIE
WEST END HISTORIC CONTEXT
CONCEPT
A stobie pole is a power line pole made of two steel joists held apart by a slab of concrete in the middle. It was invented by Adelaide Electricity Supply Company design engineer James Cyril Stobie (1895–1953). Stobie used materials easily at hand due to the shortage of suitably long, strong, straight and termite-resistant timber in South Australia. South Australia has largely remained the only place where they are widely used...
OUTCOME Simplification of Design Idea
“IN A CITY CHANGING AT A RAPID RATE SOME ASPECTS STAY CONSTANT AND MAINTAIN A PRESENCE”
GUIDING PRINCIPLES TO BIKE STORAGE
DESIGN PRINCIPLES
Enhance The Cyclist Community interpretive Stobie Aesthetic
Promote Health through Cycling
Bike Storage of Place
Improved Security for Bike Storage
Flexible System Aesthetic Bike Storage System
Improve Wayfinding
Suspended System
LEGEND BIKE LANES (PRIMARY ROADS) NO BIKE LANES (PRIMARY ROADS)
Provide a South Australian Designed and Built Bike Storage System
NO BIKE LANES (SECONDARY ROADS) BIKE SA HIRE
BIKE SHOPS
ACC BIKE RACKS
N
CURRENT BIKE INFRASTRUCTURE • WEST END Durable and Quality materials
STORAGE LOCATIONS + BIKE IMPROVED BIKE INFRASTRUCTURE • WEST END 1250MM
LE.
rt e e
A Bicentennial timeframe for the necessary upgrade of Bike infrastructure and the implementation of this bike storage system within the West End firstly, then Adelaide CBD and Suburbs.
PLAN 1:10
ly a. 800MM
re
HYBRID STEEL CABLE CLAMPS WITH STEEL RODE WELDED TO FOLDED STEEL SHADE
MATERIAL PALETTE
Aqua Glass
Concrete
Galvanised Steel
Stainless Steel Cables
CORE-TEN
PROGRAM 10MM FOLDED GALVANIZED STEEL PLATE AS SHELTER DEVICE
Bike Storage
HYBRID STEEL CABLE CLAMPS TIGHTENED TO CABLE
Includes: Tire Pump, Tool Assortment
Bike Storage: West End • Adelaide
STRUCTURAL SYSTEM WIREFRAME
Maintenance Station
STEEL CABLE 30MM DIA.
Drink Fountain FIXES TO STOBIE: PULLEY CABLE SUPPORT SYSTEM
Wifi Hotspot
2560MM
CUSTOM MOULDED LIGHTWEIGHT STEEL MEMBER
LEGEND PRIMARY BIKE ROUTES WITH BIKE LANES SECONDRY BIKE ROUTES WITH BIKE LANES BIKE SHOPS
N
STOBIE BIKE SYSTEM + 5 • 10 MIN RIDE RADIUS
ELEVATION 1:10
POTENTIAL BIKE INFRASTRUCTURE • WEST END
ACC BIKE RACKS
650
BIKE SA HIRE
Considering themes in ecological design, context, site anaysis and new technologies as they relate to contemporary landscape architecture, Seaford Square was proposed. This proposal explores topics such as ecology, habitat restoration, hydrology, horticulture, planting design, installation in detail and maintenance and other techniques pertinent to the production of ecologically vibrant landscape from a vague greenfeild town square site.
Seaford Town Square • South Australia
ON AA
PLANTING SCHEDULE 1
PLANTING PALETTE
PLAZA PLANTING BED
EMMP CCLB
TTKG
KPMO SEAT
SEAT
PAVING TR
EE V
AU LT •
D RA INAG
EG
RA T E
AVDS
PLANTING PLAN 2
BOTANICAL NAME
COMMON NAME
5 5 30 20 5 25 5 10 5 5 15 15 15 55 8 10 5 10 8 8 10 18
BOTANICAL NAME
COMMON NAME
ABBREVIATION
POT SIZE IN LITRES
Allocasuarina verticillata
Drooping Sheoak
AVDS
45L
Acacia paradoxa Chrysocephalum apiculatum Dodonaea viscosa Enchylaena tomentosa Eutaxia Microphylla Hardenbergia Violacea Kennedia prostrata Themeda triandra Cymbopogon ambiguus Acacia myrtifolia Astroloma conostephioides Grevillea lavandulacea Hakea carinata Maireana sedifolia Carpobrotus rossii Frankenia pauciflora Gahnia filum Isolepis Nodosa Leucophya brownii Kunzea pomifera Olearia Axillaris Spinifex sericeus Calocephalus citreus Clematis microphylla Lepidosperma viscidum Pultenaea tenuifolia Foeniculum vulgare Lagurus ovatus Gossypium hirsutum Rosmarinus officinalis Pennisetum setaceum Goodenia amplexans Pteridium esculentum Banksia blechnifolia Muehlenbeckia florulenta Thomasia petalocalyx Pennisetum clandestinum PLANTING BED EDGE Orthrosanthus Multiflorus Juncus usitatus Lomandra Longifolia
Kangaroo thorn Common Everlasting Hop Bush Ruby Saltbush Mallee Peas Native Lilac Acacia paradoxa Chrysocephalum apiculatum Running Postman Kangaroo thorn Common Everlasting Kangaroo grass lemon-scented grass Myrtle Wattle Flame Heath Lavender Grevillea Hakeas Pearl bluebush Native Pigface Common Sea-heath Hardenbergia Violacea Kennedia prostrata Chaffy Saw-sedge Native Lilac Running Postman Knobby Club-rush Cushion Bush Muntries Coast Dasiy Bush Coastal Spinifex Lemon Beauty-heads Old Man’s Beard Sticky Sword Sedge Narrow-leaf Bush-pea Fennel Astroloma conostephioides Grevillea lavandulacea Hare’s Tail Grass Flame Heath Lavender Grevillea Mexican Cotton Roseamary Fountain Grass Clasping Goodenia Bracken Fern Blechnum Banksia Lignum Paper-flower Kikuyu Morning Flag Frankenia pauciflora Gahnia filum Common Sea-heath Chaffy Saw-sedge Common Rush PLAZA PLANTING BED Spiny-headed Rush BOTANICAL NAME COMMON NAME ABBREVIATION
PLANTING SCHEDULE 2
SWALE+ PLANTING BED
SWALE+ PLANTING BED
THIS PLANTING BED IS ONE SIDE SWALE AND OTHERSIDE DENSE DRIFT PLANTING PRACTICED MY PIET OUDOLF. A SELECTION OF BRIGHT COLOURED NATIVE FLOWERING PLANTS HAVE BEEN CHOSEN DUE TO OBSERVATION MADE IN SITE ANALYSIS AND THE LACK OF COLOUR COMPLEXITY. ALSO NATIVE GRASSES HAVE BEEN CHOSEN TO TAKE ADVANTAGE OF THE WIND OF SEAFORD, THIS ALLOWING A KINETIC BED.
ON BB
NUMBER
0.5 Ctr 0.8 Ctr 0.5 Ctr 0.25 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.8 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.8 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.8 Ctr 0.5 Ctr
BOTANICAL NAME
COLOUR SPECTRUM • POTENTIAL SITE
PLANTING PLAN 1 PLAZA PLANTING BED
PLANTING TAKEN INSPIRATION NOTE: POROUSTHIS PAVING TILL DROPBED LINESHAS OF TREES FROM DENSE DRIFT PLANTING PRACTICED MY PIET OUDOLF. A SELECTION OF BRIGHT COLOURED NATIVE FLOWERING PLANTS HAVE BEEN CHOSEN DUE TO OBSERVATION MADE IN SITE ANALYSIS AND THE LACK OF COLOUR COMPLEXITY. ALSO NATIVE GRASSES HAVE BEEN CHOSEN TO TAKE ADVANTAGE OF THE WIND OF SEAFORD, THIS ALLOWING A KINETIC BED. NOTE: POROUS PAVING TILL DROP LINES OF TREES
GLLG
COMMON NAME
Chrysocephalum apiculatum Dodonaea viscosa Cymbopogon ambiguus Astroloma conostephioides Isolepis Nodosa Banksia blechnifolia Muehlenbeckia florulenta Thomasia petalocalyx Orthrosanthus Multiflorus Juncus usitatus WATER FEATURE Leucophya brownii
PAVING
PEBF
BBBS NAME BOTANICAL
ACFH
OACD COMMON NAME
CONCEPT Allocasuarina verticillata
LVSS CRNP JUCR
MFLO
FVFO
ABBREVIATION
Common Everlasting Hop Bush lemon-scented grass Flame Heath Knobby Club-rush Blechnum Banksia Lignum TTKG Paper-flower Morning Flag Common Rush CALG ACFH Cushion Bush
APKT
ACFH
CACE DVHB CALG ACFH INKC BBBS MFLO CCLB TPPF OMMF MFLO JUCR LBCBHCHO
JUCR
SSCS
TTKG
LOHT
Platanus hybrida Malus domestic
SSCS
MDAT
TR
EE V
AU LT •
D RA INAG
EG
RA T
E
TR
EE V
AU LT •
D RA INAG
EG
RA T
E
SECTION AA N
AVDS
TTKG
N
PAVING
TR
BBBS • D RAI NAG E G
RAT
MFLO
CCLB
MFLO
AMMW
TREE VAULT • DR
INKC
BBBS
TR
EE V
AU LT •
D RA INAG
EG
AG
EG
MFLO
CRNP
R
SIDE DENSE DRIFT PLANTING PRACTICED MY PIET OUDOLF. A SELECTION MFLO OF BRIGHT COLOURED NATIVE FLOWERING PLANTS HAVE BEEN CHOSEN DUE TO HCHO OBSERVATION MADE IN SITE ANALYSIS AND THE LACK OF COLOUR COMPLEXITY. ALSO NATIVE GRASSES HAVE BEEN CHOSEN TO TAKE ADVANTAGE OF THE WIND OF HCHO SEAFORD, THIS ALLOWING A KINETIC BED.
JUCR MFLO
NOTE: POROUS PAVING TILL DROP LINES OF TREES
BBBS
COTTEN / GRASS FIELD
KPMO SEAT
E
TR
E
U LT • E VA
D RA INAG
EG
PAVING
RA T E
MFLO
NG
MFLO
EMMP TTKG
AVDS
RA T
JUCR SSCS
CCLB
LVSS
MSPB
MFLO
GHMC THIS PLANTING BED IS ONE SIDE SWALE AND OTHER-
TR
EE V
SWALES
SEAT SEAT INLETS
A IN
JUCR
MFLO
TREE PLANTING
PLANTING PLAN SSCS 2
HCHO
INKC
KPMOWIND BEAKER
GFCS SWALE+ PLANTING BED
TTKG
SSCS
MDAT
INKC
E AT
LOHT
TPPF
MOVEMENT
GHMC
SSCS
PLANTING BEDS
APKT
ACFH
E
T
U LT
RA T
AVDS
LOHT
JUCR
EG
POROUS PAVING
AU LT •
D RA INAG
EG
RA T
•D
R A IN
AVDS
AGE GRATE
AVDS
TR
EE
CACE
INLETS
SEAT
AVDS ULT VA
TPPF
OMMF
LBCB
PLANTING SCHEDULE 2
SWALES
RETAIL
DVHB
BIKE RACK
N
PLANTING PLANEucalyptus 1 mannifera Brittle Gum PLAZA PLANTING BED
TPPF PAVING
INLETS
THIS PLANTING BED HAS TAKEN INSPIRATION FROM DENSE DRIFT PLANTING PRACTICED MY PIET OUDOLF. A SELECTION OF BRIGHT COLOURED NATIVE FLOWERING PLANTS HAVE BEEN CHOSEN DUE TO OBSERVATION MADE IN SITE ANALYSIS AND THE LACK OF COLOUR COMPLEXITY. ALSO NATIVE GRASSES HAVE BEEN CHOSEN TO TAKE ADVANTAGE OF THE WIND OF SEAFORD, THIS ALLOWING A KINETIC BED.
BBBS
ACFH
PLANTING PLAN 2 SWALE+ PLANTING BED
LBCB TPPF OMMF EE TR
T • D RAI NAG VA UL EG
RA T
T
RE
EV
JUCR
T • D RAI NAG E G R AU L ATE
SEAT
FROM SURROUNDING ROOFS
ACFH
Malus domestic
TPPF
INKC
TOWARDS RETIREMENT VILLAGE
CALG
E VAULT • D TRESWALES R
DVHB JUCR
INLETS
MDAT
R
SECTION BB EEN
SHOPPING CENTRE
TR
RETAIL
VA
AINAGE GRATE
AVDS
TR
TIN SEA
N
S
N
RE
EV
T • D RAI NAG E G R AU L ATE
MDAT
INKC
ALFRESCO
RETAIL
CALG
FORECOURT
CURB
ENTER
O
ESC
EE
OMMF
TTKG
D RA INAG
EG
RA T
SEAT Eucalyptus oleasa Red Mallee
PAVING
BOTANICAL NAME
EE V
AU LT •
D RA INAG
EG
RA T
Chrysocephalum apiculatum Dodonaea viscosa Cymbopogon ambiguus Astroloma conostephioides PLANTING PLAN 2 Isolepis Nodosa SWALE+ PLANTING BED / MOOD Banksia MATERIALITY blechnifolia CONCEPT Muehlenbeckia florulenta GREEN INFRASTRUCTURE MOVEMENT PATTERNS PRINCIPLES Thomasia petalocalyx STREET TREES AUDIENCE URBAN FOREST Orthrosanthus Multiflorus GREEN WALLS CONDITIONS COMMUNITY GARDENS CONTEXT Juncus RAIN GARDENS usitatus SWALES GREEN INFRASTRUCTURE PRODUCTIVELeucophya brownii GARDENS
THIS PLANTING BED IS ONE SIDE SWALE AND OTHERSIDE DENSE DRIFT PLANTING PRACTICED MY PIET OUDOLF. A SELECTION OF BRIGHT COLOURED NATIVE FLOWERING PLANTS HAVE BEEN CHOSEN DUE TO OBSERVATION MADE IN SITE ANALYSIS AND THE LACK OF COLOUR COMPLEXITY. ALSO NATIVE GRASSES HAVE BEEN CHOSEN TO TAKE ADVANTAGE OF THE WIND OF SEAFORD, THIS ALLOWING A KINETIC BED.
TREE VAULT • DR
L W
NOTE: POROUS PAVING TILL DROP LINES OF TREES
A IN
AG
EG
R
AVDS
DRA
IN A G E G
RATE
REALM DEFINED: A FIELD OR DOMAIN OF ACTIVITY OR INTEREST.
TREES
PLANTING BEDS
WIND BEAKER TREE PLANTING
Allocasuarina verticillata Platanus hybrida Malus domestic SECTION AA
COTTEN / GRASS FIELD
DVHB
Euc
BIKE RACK
INKC
SEAT
tus
p aly
TPPF
MFLO
PAVING
INLETS
AL GA
RETAIL
ION EDUCAT
BBBS
ALFRESCO
RDEN
N
ta
NEW RETAIL / COMMERCIAL / APARTMENT BUILDING
AGE GRATE
cula
ma POROUS PAVING
JUCR
ACFH
TR
EE
CCLB
KPMO
Eucalyptus odorata SEAT Peppermint Box
TR
AVDS
EA
VA
HCHO
LVSS
AVDS
AR
TPPF
• LT
ING
ALFRESCO
• ULT
EMMP
SWALE+ PLANTING BED
BBBS
AU LT •
BBBS
POROUS PAVING
IN DRA
U VA
LBCB
AD
FR
AL
RE
ALFR
TPPF
CACE
TR
SWALES
INLETS
LIBRARY AND SCHOOL
ESCO
PLANTING SCHED
MFLO
MEHERZAD SHROFF A1195477
MFLO
MOVEMENT
TO SEAFORD TRAIN STATION
EE V
MFLO
SSCS
HCHO
GREEN ROOFS SITE ANALYSIS • SWOT = INTERPRETIVE PUBLIC REALM BOTANICAL NAME SEAFORD TOWN SQUARE
BBBS
INLETS
RELAXATION + WATER FEATURE FOR CHILDREN
ALFRESCO
TR
ACFH
JUCR
GHMC
MFLO
JUCR
Eucalyptus fasciculosa SEAT Gum Pink
AT
MSPB
MFLO
SSCS
RETAIL
JUCR
MASTERPLAN
GR
KPMO
JUCR
MFLO
AVDS
ENTER
ED
P TEP
EE
T • D RA INAG E VA U L
MFLO
CRNP
GHMC GFCS
TTKG
APKT SSCS
INKC
CCLB
INKC
D
PLA
LOHT
HCHO
AVDS
TPPF
G
PHLP NEW RETAIL & COMMERCIAL BUILDING
ACFH CCLB
LOHT
Jacaranda mimosifolia Jacaranda
PAVING
ATMOSPHERE
ION
VIL PA
JUCR
PLA
E AT
EE
SWALES
AIL RET
ATMOSPHERE COTTEN / GRASS FIELD
CALG
• DR ULT
OACD MFLO
FVFO MFLO
AMMW
NEW CIVIC BUILDING
LAWN
ACFH
CACE
CRNP JUCR
ACFH
GLLG Eucalyptus maculata Spotted Gum SEAT
C Melaleuca Lanceolata Moonah
Allocasuarina verticillata
MFLO
LVSS
LL WA
TPPF
WIND BEAKER TREE PLANTING
K M K l M F L H P N C K M C L S F H M B L C
SSCS
CURB
EG
GR
CO
AG
INKC
RETAIL
RES
ALF
A IN
Acacia paradoxa Eutaxia Microphylla Themeda triandra Cymbopogon ambiguus Acacia myrtifolia Astroloma conostephioides Grevillea lavandulacea Hakea carinata Maireana sedifolia Carpobrotus rossii Gahnia filum Isolepis Nodosa Kunzea pomifera Spinifex sericeus Calocephalus citreus Pultenaea tenuifolia Foeniculum vulgare Lagurus ovatus Gossypium hirsutum Banksia blechnifolia Muehlenbeckia florulenta Juncus usitatus
Platanus hybrida PAVING London Plane
CALG
ACFH
PEBF
NOTE: POROUS PAVING TILL DROP LINES OF TREES
E AT
OMMF
C
E
25,845,120 LITRES
LBCB LINK TO THE WETLAND
BOTANICAL NAME
E
ANNUEL RAINFALL COLLECTION
INLETS
BOTANICAL NAME
BOTANICAL NAME
E
AVDS
INKC
Kunzea pomifera Muntries
NUMBER
0.5 Ctr 5 0.8 Ctr 5 0.5 Ctr 30 0.25 Ctr 20 0.5 Ctr 5 0.5 Ctr 25 0.5 Ctr 5 Clematis microphylla 0.5 Ctr Old10Man’s Beard 0.8 Ctr 5 0.5 Ctr 5 0.5 Ctr 15 0.5 Ctr 15 0.5 CtrMalus domestic 15 0.5 Ctr 55 8 0.8 Ctr 10 0.5 Ctr 5 0.5 Ctr 10 0.5 Ctr Gossypium hirsutum 8 Cotton 0.5 Ctr Mexican SWALES 8 0.5 Ctr 10 0.8 Ctr 18 0.5 Ctr
Malus domestic Apple Tree
WATER FEATURE
TA IL
RETAIL
BBBS
TERIALITY / MOOD
140mm 200mm 140mm 140mm 140mm 140mm 140mm Calocephalus citreus Lemon140mm Beauty-heads 200mm 140mm 140mm 140mm 140mm 140mm 200mm 140mm 200mm 140mm Lagurus ovatus Hare’s140mm Tail Grass INTEREST. 200mm 200mm 140mm
BBBS
THIS PLANTING BED IS ONE SIDE SWALE AND OTHERSIDE DENSE DRIFT PLANTING PRACTICED MY PIET OUDOLF. A SELECTION OF BRIGHT COLOURED NATIVE FLOWERING PLANTS HAVE BEEN CHOSEN DUE TO OBSERVATION MADE IN SITE ANALYSIS AND THE LACK OF COLOUR COMPLEXITY. ALSO NATIVE GRASSES HAVE BEEN CHOSEN TO TAKE ADVANTAGE OF THE WIND OF SEAFORD, THIS ALLOWING A KINETIC BED.
E
MFLO
CACE
DENSITY
TTKG
RE
T
BBBS
CALG
MATERIALIT PLANTING
Leucophya brownii Cushion Bush
POT SIZE
PAVING
NOTE: POROUS PAVING TILL DROP LINES OF TREES
ROAD
Carpobrotus rossii Native Pigface
RETAIL
Ficus macrophylla Moreton Bay Fig
SWALES
JUCR
Maireana sedifolia Pearl bluebush
NEW RETAIL & APARTMENT BUILDING
INKC
MFLO
Hakea carinata Hakeas
Acacia paradoxa Chrysocephalum apicu Dodonaea viscosa Enchylaena tomentosa Eutaxia Microphylla Hardenbergia Violacea Kennedia prostrata Lepidosperma viscidum Themeda triandra Sticky Sword Sedge Cymbopogon ambiguu Acacia myrtifolia Astroloma conostephi Grevillea lavandulace Hakea carinata Maireana sedifolia Carpobrotus rossii Frankenia pauciflora Gahnia filum Isolepis Nodosa Rosmarinus officinalis Leucophya brownii Roseamary Kunzea pomifera Muehlenbeckia florulenta Lignum MFLO Olearia Axillaris Juncus usitatus Common Rush JUCR Spinifex sericeus TREES PLANTING BEDS Calocephalus citreus Clematis microphylla RETPLANTING AIL BED SUNKING 150MM CO BOTANICAL NAME COMMON NAME ABBREVIATION POT SIZE IN LITRES Lepidosperma viscidu S E R ALF Pultenaea tenuifolia Allocasuarina verticillata Drooping Sheoak AVDS 45L Foeniculum vulgare LAWN Lagurus ovatus Gossypium hirsutum Pennisetum setaceum Goodenia amplexans Pteridium esculentum Banksia blechnifolia Muehlenbeckia florulenta Rosmarinus officinalis Fountain Grass Clasping Goodenia Bracken Fern Blechnum Banksia Lignum ON Pennisetum setaceum IV LI Goodenia amplexans ACFH PA SWALE+ PLANTING BED Pteridium esculentum Banksia blechnifolia G COMMON NAME ABBREVIATION POT SIZE NUMBER DENSITY BOTANICAL NAME Muehlenbeckia florule TIN SEA Thomasia petalocalyx NEW RETAIL & COMMERCIAL D E EPP Pennisetum clandesti BUILDING Common Everlasting CACE 140mm 20 0.5 Ctr Chrysocephalum apiculatum T S Hop Bush DVHB 200mm 15 0.8 Ctr Dodonaea viscosa Orthrosanthus Multiflo lemon-scented grass CALG 140mm 32 0.5 Ctr Cymbopogon ambiguus Juncus usitatus ACFH 140mm Astroloma conostephioides Lomandra Longifolia Orthrosanthus Multiflorus 0.5 Ctr Juncus15usitatus Thomasia petalocalyxFlame Heath Pennisetum clandestinum Lomandra Longifolia Knobby Club-rush INKC 140mm 53 Rush 0.5 Ctr Common Isolepis Nodosa Paper-flower Kikuyu Grass Morning Flag Spiny-headed Rush Blechnum Banksia BBBS 200mm 25 0.8 Ctr Banksia blechnifolia BOTANICAL NAME Lignum MFLO 200mm 30 0.8 Ctr Muehlenbeckia florulenta SEATThomasia petalocalyx Paper-flower TPPF 200mm 50 0.8 Ctr Allocasuarina verticill Morning Flag OMMF 200mm 10 0.5 Ctr Orthrosanthus Multiflorus Callitris gracilis Common Rush JUCR 140mm 48 0.5 Ctr Juncus usitatus Pittosporum phyllirae ESCO R F L A Cushion Bush LBCB 200mm 30 0.5 Ctr Leucophya brownii Eucalyptus porosa O C ES Eucalyptus microcarpa R F AL COMMON NAME ABBREVIATION POT SIZE IN LITRES BOTANICAL NAME Eucalyptus mannifera Ficus macrophylla Drooping Sheoak AVDS 100L Allocasuarina verticillata Malus domestic London Plane PHLP 100L Platanus hybrida Platanus hybrida Apple Tree MDAT 45L Malus domestic Melaleuca Lanceolata ALFRESCO Eucalyptus maculata/ NEW RETAIL / COMMERCIAL Jacaranda mimosifolia BUILDING Eucalyptus fasciculosa Eucalyptus odorata Allocasuarina verticillata Callitris gracilis Pittosporum phylliraeoides Eucalyptus porosa Eucalyptus microcarpa Eucalyptus oleasa Drooping Sheoak Native Pine Native Apricot Mallee Box Grey Box
SECTION AA
AVDS
BBBS
Acacia myrtifolia Myrtle Wattle
TREES
E
SECTION BB
CALG
Cymbopogon ambiguus Lemon-scented grass
Isolepis Nodosa Knobby Club-rush
Acacia paradoxa Kangaroo thorn APKT Eutaxia Microphylla Mallee Peas EMMP Themeda triandra Kangaroo grass TTKG Cymbopogon ambiguus lemon-scented grass CALG Acacia myrtifolia Myrtle Wattle AMMW Astroloma conostephioides Flame Heath ACFH Grevillea lavandulacea Lavender Grevillea GLLG Olearia Axillaris Spinifex sericeus Hakea carinata Hakeas Coast Dasiy Bush Coastal SpinifexHCHO Maireana sedifolia Pearl bluebush MSPB Carpobrotus rossii Native Pigface CRNP Gahnia filum Chaffy Saw-sedge GFCS Isolepis Nodosa Knobby Club-rush INKC Kunzea pomifera Muntries KPMO MEHERZAD SHROFF A1195477 Spinifex sericeus Coastal Spinifex SSCS Calocephalus citreus Lemon Beauty-heads CCLB Pultenaea tenuifolia Sticky Sword Sedge LVSS Foeniculum vulgare FennelBED EDGE FVFO PLANTING Lagurus ovatus Hare’s Tail GrassFoeniculum vulgare LOHT Pultenaea tenuifolia Gossypium hirsutumNarrow-leaf Bush-pea Mexican Cotton Fennel GHMC REALMBlechnum DEFINED: ABanksia FIELD OR DOMAINBBBS OF ACTIVITY OR Banksia blechnifolia
RETAIL
JUCR
ACFH
GLLG
A EV FVFO RE
D RA INAG
Themeda triandra Kangaroo grass
Seaford Town Square
LVSS CRNP
OACD
AU LT •
vvvv Mallee Peas
SWALES
PEBF
EE V
CCLB
CALG
ACFH
SEAT
SEAT
MFLO TREES
JUCR
EMMP
TTKG
Enchylaena tomentosa Ruby Saltbush
MOVEMENT PATTERNS GREEN INFRASTRUCTURE PRINCIPLES STREET TREES AUDIENCE URBAN FOREST GREEN WALLS CONDITIONS COMMUNITY GARDENS CONTEXT RAIN GARDENS SWALES GREEN INFRASTRUCTURE PRODUCTIVE GARDENS GREEN ROOFS SITE ANALYSIS • SWOT = INTERPRETIVE PUBLIC REALM PLANTING SCHEDU SEAFORD TOWN SQUARE PLAZA PLANTING BED
AIL RET
WATER FEATURE
CURB
MFLO
KPMO
REALM DEFINED: A FIELD OR DOMAIN OF ACTIVITY OR INTEREST.
MOVEMENT
ACFH
MATERIALITY / MOOD
GREEN INFRASTRUCTURE 100L 45L PRINCIPLES STREET TREES URBAN FOREST GREEN WALLS COMMUNITY GARDENS RAIN GARDENS PAVING SWALES PRODUCTIVE GARDENS GREEN ROOFS
MEHERZAD SHROFF A1195477
PAVING
MSPB
Drooping Sheoak Native Pine Native Apricot Mallee Box Grey Box Brittle Gum Moreton Bay Fig Apple Tree London Plane Moonah LINK TO THE WETLAND Spotted Gum Jacaranda Pink Gum Peppermint Box Red Mallee
E
AVDS
CCLB
100L
Allocasuarina verticillata Callitris gracilis Pittosporum phylliraeoides Eucalyptus porosa Eucalyptus microcarpa Eucalyptus mannifera Ficus macrophylla Malus domestic Platanus hybrida Melaleuca Lanceolata Eucalyptus maculata Jacaranda mimosifolia Eucalyptus fasciculosa Eucalyptus odorata Eucalyptus oleasa
SSCS
POT SIZE INHCHO LITRES
LVSS
CONCEPT PLANTING SCHEDULE 1
BOTANICALPLANTING NAMEBED SUNKING 150MM COMMON NAME
HCHO
AVDS
BBBSPHLP
SEAT
PAVING
20 15 32 15 53 25 30 KPMO 50 10 MFLO 48 30JUCR
0.5 Ctr 0.8 Ctr 0.5 Ctr 0.5 Ctr 0.5 Ctr 0.8 Ctr 0.8 Ctr 0.8 Ctr JUCR 0.5 Ctr 0.5 Ctr GHMC 0.5 Ctr
MFLO
MOVEMENT PATTERNS AUDIENCE CONDITIONS CONTEXT GREEN INFRASTRUCTURE SITE ANALYSIS • SWOT = INTERPRETIVE PUBLIC REALM SEAFORD TOWN SQUARE
AMMW
MFLO
NUMBER
DENSITY
140mm 200mm PAVING 140mm 140mm 140mm LOHT 200mm 200mmINKC 200mm GHMC MFLO 200mm 140mm SSCS GFCS 200mm
JUCR MFLO ABBREVIATION
INKC
Drooping Sheoak CRNP London Plane Apple Tree
CCLB
MFLO
SEAT
T E O K E F
POT SIZE
Dodonaea viscosa Hop Bush
SEAT
HCHO
DENSITY
140mm 200mm 140mm 140mm 140mm 140mm 140mm 140mm 200mm 140mm 140mm 140mm 140mm 140mm 200mm 140mm 200mm 140mm 140mm 200mm 200mm 140mm
ALFRESCO
MFLO
SSCS
POT SIZE
APKT EMMP TTKG CALG AMMW ACFH GLLG HCHO MSPB CRNP GFCS INKC KPMO SSCS CCLB LVSS FVFO LOHT GHMC BBBS MFLO JUCR
RETAIL
ACFH
JUCR
GHMC
MFLO
ABBREVIATION
Kangaroo thorn Mallee Peas Kangaroo grass lemon-scented grass Myrtle Wattle Flame Heath Lavender Grevillea Hakeas Pearl bluebush Native Pigface Chaffy Saw-sedge Knobby Club-rush Muntries Coastal Spinifex Lemon Beauty-heads Sticky Sword Sedge Fennel Hare’s Tail Grass Mexican Cotton Blechnum Banksia Lignum Common Rush
RETAIL
MSPB
MFLO
SSCS
FCS
COMMON NAME
Acacia paradoxa Eutaxia Microphylla Themeda triandra Cymbopogon ambiguus Acacia myrtifolia Astroloma conostephioides Grevillea lavandulacea Hakea carinata Maireana sedifolia Carpobrotus rossii Gahnia filum Isolepis Nodosa Kunzea pomifera Spinifex sericeus Calocephalus citreus Pultenaea tenuifolia Foeniculum vulgare Lagurus ovatus Gossypium hirsutum Banksia blechnifolia Muehlenbeckia florulenta Juncus usitatus
RETAIL
KPMO
JUCR
MFLO
BOTANICAL NAME
COLOUR SPECTRUM • POTENTIAL SITE
MC
SHRUBS • GROUNDCOVERS • GRASSES
ALFRESCO
PLANTING BED SUNKING 150MM INKC
COLOUR SPECTRUM • POTENTIAL SITE
PLANTING BED EDGE
G
LBCB
NEW RETAIL & APARTMENT BUILDING
TPPF
CALG
SECTION AA
AVDS
BBBS
BBBS
TR
D A ULT • RAI NAG E G EE V RA T E
LBCB
OMMF
POROUS PAVING
MFLO
CACE
SEAT
RETAIL
RETAIL
SWALES
ROAD
RETAIL
BBBS
AVDS
INKC INLETS
LBCB
SWALES
JUCR
RE
DVHB
ACFH
TPPF
INKC
TA IL
BIKE RACK
CALG
NKC
POROUS PAVING
RETAIL
DVHB INLETS
JUCR
SECTION BB
OMMF INKC TPPF
RETAIL
TPPF
ACFH TR
CALG
EE
VA
• ULT
D R A IN
AGE GRATE
CACE
PAVING RETAIL
PHLP
BBBS
JUCR
ACFH
TO SEAFORD TRAIN STATION
CURB
SHOPPING CENTR
SHOPPING CENTRE
LBCB TPPF OMMF
ATMOSPHERE
MASTERPLAN
BBBS
COLOUR SPECTRUM• CURRENT SITE
TR
D A ULT • RAI NAG E G EE V RA T E
CACE
MFLO
SEAT
CALG
N
N
N
MASTERPL
Project Title Meaning: A speculation of a proposed urban condition of impermanence and change in relation to housing and built fabric. Project Objectives: To provide a homeless shelter solution. This project also aims to provide temporary consistent housing options for people who wish to embrace a lifestyle that is unattached. To provide a level of comfort and service, which is democratic. The underlying urban problems of Grote street outlined in the 5000+ brief have also been addressed in relation to this speculation. Task: “This project proposal should demonstrate an understanding of the role of critique in generating new approaches and new outcomes in response to sitespecific urban development issues. In other words, you must demonstrate what is wrong with the existing situation. Your design proposition must argue for a specific, clearly envisaged and material instance of urban change, development, revitalisation or intervention. New form is generated by proposing form/s alternative to the existing ones; forms which may be borrowed and must be adapted for Adelaide from projects elsewhere. The value of an urban design project (the argued aims of the project) is demonstrated through intervention or change that has effects at several scales. The brief describes three main scales: Macro, Meso and Micro.�
Urban Design Studio 2012: • Vagrancy + Grote St
Vagrancy + Grote St
With the current South Australian Parliament media courtyard falling into disrepair and designed to an old obsolete BCA standard, this project was a redesign of this space, with the brief to increase max usable space, add a water feature and update the BCA standard of the space. With its confined awkward shape, some aspects of compliance posed tricky, but were manoeuvred to make a functioning courtyard. The courtyard formal takes cues form Mies Van Der Rohe’s Barcelona pavilion and South Australian material vernacular.
The South Australian Parliament House Media Courtyard
The South Australian Parliament House Media Courtyard
Villa Savoye in 3 hours
Constellations of Transparency
Architextural Mechanism • 2013 Masters of Architecture: Final Project
Crystal Studios Harts Mill • Port Adelaide
Minimalism Concepts
Alvar Aalto meets Enric Miralles
Physical Models
PHYSICAL MODELS
Graphic Design: Event Posters
GRAPHIC ADElAIDE UNIVERSITY
“ANTIHEROES” FINAL
Y E AR
6TH•12MONTH
EXHI BI TI ON
ARCHITECTURE/ LANDSCAPE ARCHITECTURE/ URBAN DESIGN
IN THE CENTRAL HUB 6pm-11pm
2013
Abdul Wahid,Muhammad Safwan Amin,Ariff Fahdlan Anuar,Muhammad Ammar Bin Hamzah,Muhammad Hafizudin Bin Mitchell,Elisabeth Joy Ng,Sher Lynn Syeda Janud,Mariam Tran,Trang Zhou,Zijian Zuhairi,Shazween Amalina Binti Addison,Mark Nathan Chen,Chuxi French-Kennedy,Reuben Anthony Huang,Jiawen Knowles,John Robert Milburn,Adam Paul Murchland,Sonya Ruth Raptis,Alexander Thomas Siebert,Timothy James Warnecke,Marcus Drennan Bartetzko,Jessica Kaye Basheer,Samuel George Bohdan,Edwin Matthew Caporaso,Lara Josephine Edwards,Matthew Graham Fong,Janine Po-Nin Hunt,Adam Mahon,Sarah Rose Zilm,Jesse Jai Jiang,Yang Kwok,Wing Chung Ramsey,Benjamin Andrew Shroff,Meherzad Behzad Voo,Min Tshung Wasilewski,Jared Kane Wei,Zhe Wu,Chen Zhang,Qiao Zhang,Xueyu Bei,Kanlin Carter,Simon John De Favari,Michael John Fang,Yuan He,Mu Li,Jacob Tong,Zhen Wang,Yang Wei,Hantao
Graphic Design: Event Posters
Graphic Design
DESIGN
Site Analysis of Emotion Spectrum Grote Street • Adelaide
Site Analysis of Homeless People City Survival Grote Street • Adelaide
Impressions of a Grote Street • Adelaide
Kakadu Site Emotion Mapping
Graphic Design
Coorong Site Emotion Mapping
Wilderness and Adelaide Parklands