The Murnaghan Collection by MEALY'S

the rrtuRmghAn collection Thursday 14 O cto b er 1999 at 10.30 a.m. and 2.00 p.m.

CHRISTIEâ&#x20AC;&#x2122;S

MEALY’S Fonsie Mealy, Joint M aua^iu^ Director G e o r g e Mealy, Joint Mm\a^i}{q_ Director

CHRISTIE’S The Board o f Christie’s Christie’s Fine Art Lim ited T h e L o rd H in d lip , Cliairniaii N o e l Annesley, D eputy Cliairi)iaii C h r i s t o p h e r Balfour; Patricia Barbizet; C h r is t o p h e r Burge; Franc;ois C urie l; S te p h e n Lash, Vice-Chairmen C 'h risto p h e r D avidge, Chicj Executive

Michael Broadbc'nt*; T h e Lord Carrington*; Charles C^ator; D e n n o t C h ich e ster; Baroness D u n n * ; M e re d ith E th e rin g to n -S n iith * ; M ichael Findlay; H u b e r t de CJivenchy*; P edro G irao ; T h e Earl o f Halifax*; Patricia H an ib re ch t; Prinz H o h e n z o lle rn * ; T h e o w - H u a n g T ow ; J o h n Luniley; C arlos M a rc h Delgacio*; Felix de M a re z O y e n s; Philip N g ; M a rc Porter; M a ria R einshagen; L eo p o ld o R od es C a sta h e * ; A n t h o n y Streatfeilci; R ichard A y d o n , Secretary * N o n - E x e c u t i v e D ir e c to r

International Management Group C h r i s t o p h e r D avidge, Chairnian Paul B arthaud; S onia C h e r r e tt; Fran^'ois C urie l; E d w a r d D o lm a n ; F ra n ck Girauci; Patricia H a n ib r e c h t; H u g u e s Joffre; Susan Korb; A n th o n y Lin; R o d e ric k R o p n e r, Secretary

Christie’s Representatives in Ireland D e s m o n d F itz -G erald , K n ig h t o f G lin Tel: (00 353) 1 6 6 8 058 5 D a n n y K inah an Tel: (01849) 4 3 3 4 8 0

the iD U R n a q h A n

collection

The Contents o f 25 Fitzwilliam Street Upper, Dublin Sold by O rd e r of T he Executors o f the late Mrs. Alice M urnaghan A U C T IO N Thursday 14 O cto b er 1999 at 10,30 a .m . and 2.00 p .m . at T h e Shelbourne H otel, St. S tep h en ’s G reen, D u b lin V IE W IN G STR IC TL Y B Y A P P O I N T M E N T O N L Y Entry by Catalogue — A d m its T w o at 25 Fitzwilliam Street Upper, D u blin Vednesday

6 O c to b e r

lO.OO a.m. - 6.00 p.m.

Thursday

7 O c to b e r

lO.OO a.m. - 6.00 p.m.

Friday

8 O c to b e r

10.00 a.m. - 6.00 p.m .

Siturday

9 O c to b e r

lO.OO a.m. - 6.00 p.m.

S-iiiday

10 O c to b e r

lO.OO a.m. - 6.00 p.m .

Monday

1 1 O c to b e r

10.00 a.m. - 6.00 p.m .

Tuesday

12 O c to b e r

10.00 a.m. - 6 .00 p.m .

Wednesday

13 O c to b e r

N O V IE W IN G

For app oin tm e nts and general enqinries please call: M ealy ’s; (00353) 56 41229 C hristie’s: (0044) 1 849 433470 PLEASE S i E PAGES 2 A N D 3 FOR IM P O R TA N T IN F O R M A T I O N RE GARD IN G THIS SALE

MEALTS C a stlecom er, C o Kilkenny, Ireland Tel: (0 0 3 5 3 ) 56 4 1 2 2 9 / 4 U 1 3 Fax: (0 0 3 5 3 ) 56 4 1 6 2 7

CH RISTIE’S 85 O l d B r o m p to n R o a d , L o n d o n S W 7 3 L D

Tel: (0 0 4 4 ) 171 581 766 1 Fax: (00 44 ) 171 321 3321 | U K I 7 / I R 2 l ) | U e p s tc r e i i in th e U K ,u th e a b o v e .iddrcss. N o . 1 128 1 60

SPECIALISTS FOR THIS SALE: Furniture:

A n d y W aters

(0044) 171 389 2765

Cieorge M ealy

(00353) 56 41 2 29

W orks o f Art:

J a m ie C o llin gridg e

(0044) 171 389 2768

Pictures:

P eter Flory

(0044) 171 321 3252

C era m ics and Glass:

GeofFrey Stafford C harles

(0044) 171 321 3223

B ook s:

Fonsie M ealy

(00353) 56 4 12 2 9

Silver:

G e o rg e M ealy

(00353) 56 4 1 2 2 9

ESTIMATES T h e estim ated selling price o f each Lot is p rin te d to the left b e n ea th th e Lot description and does n o t in clu d e th e B u y e r’s P r e m iu m . T h e sale will be c o n d u c te d in Irish pouncis (punts) b u t for the c o n v e n ie n c e o f buyers th e Irish p o u n d s estim ate has also b een converteci in to US dollars an d E uro estimates, w h ic h m ay have b een r o u n d e d . T h e rate o f e xch a n ge used is th e spot rate q u o t e d to C'hristie’s by Lloyds Bank pic at the latest reasonably practicable date p rio r to th e p r in tin g o f the catalogue an d m ay th ere fo re h ave c h an g e d b y the tim e o f the sale. Bidders sho u ld bear in m in d that estimates are p re p are d well in advance o f the sale and are n o t definitive. T h e y are subject to revision.

EXPLANATION OF CATALOGUING PRACTICE FOR PAINTINGS T e rm s referred to in paragraph 2 are as follows:A w o rk catalogued w ith the name(s) o r recognised designation o f an artist, w ith o u t any qualification, is, in o u r o p in io n , a w o rk by the artist. hi o t h e r cases, th e fo llo w in g expressions, w ith th e fo llo w in g m eanings are used: “ A ttr ib u te d to . . in o u r opinion probably a w o rk by the artist in w h ole or in part. “ Studio o f . . . ” “ W o rk s h o p o f . . . ” in o u r opinion a w o rk executed in the studio or w o rkshop o f the artist, possibly u n der his super\ision. “ C irc le o f . . . ” in o u r opinion a w o rk o f the period o f the artist and show ing his influence. “ F o llo w e r o f . . . ” in o u r opinion a w o rk executed in the artist’s style b u t not necessarily by a pupil. “ M anner o f . . . ” in o u r opinion a w o rk executed in the artist’s style bu t o f a later date. “A f t e r. . . ” in o u r opinion a copy (of any date) o f a w o rk o f the artist.

“ Signed . . . ” “ D a te d . . . ” “ Inscribed . . . ” in o u r opinion the w o rk has b een s i g n e d /d a te d / inscribed by the artist. T h e addition o f a question m ark indicates an elem ent o f doubt. “ W it h signature . . . ” “ W it h d a te . . . ” “ W it h inscription . . . ” in o u r opinion the sign ature/d ate/in scriptio n/stanip is by a hand o th er than that o f the artist. Measurements are taken where possible from the plateniark (“P ”), otherwise they record the size o f the sheet (“ S”) or the borderline of the subject (“ L”). All measurements are in inches and centimetres to the nearest quarter inch and centimetre and are approximate. The date given for Old Master, Modern and Contemporary Prints is the date (or approximate date when prefixed with ‘ca’) on which the matrix was worked and not necessarily the date when the impression was printed or published.

IMPORTANT INFORMATION FOR THIS SALE W h e n sending w ritten bids o r m a k ing enquiries, please refer to this sale as FITZ-8544

THE VIEWING: At 25 Fitzwilliam Street U p p er, D ublin. S T R I C T L Y BY A P P O I N T M E N T O N L Y . Admission by catalogue - admits tw o F or details please see Page O n e .

THE A U C T IO N : At T h e S h elb o u rn e H otel, St. S te p h e n ’s G reen, D u b lin O n T h u rsd a y 14 O c to b e r 1999 at 10.30 a.m. an d 2.00 p.m.

BUYER’S PREMIUM: For this sale, C h ris tie ’s charges to the b u y e r a p re m iu m o f 15% inclusive o f V A T on the final bid price o f each lot.

BIDDER REGISTRATION: i f you are atten d in g this sale, it is im p o rtan t that y o u b ring so m e sort o f identification w ith you. Please register and collect a bidd in g n u m b e r b efore the start o f the sale.

CURRENCY: T h e sale will be c o n d u c te d in Irish P ounds (Punts)

CLEARANCE O F PURCHASES: Fro m 25 Fitzwilliam Street U pper: T hu rsda y 14 O c to b e r — After first session until 6.00 p.m . Friday 15 O c to b e r — 9.00 a .m .-6 .0 0 p.m.

REMOVAL OF UNCOLLE CTE D LOTS A N D STORAGE CHARGES: All lots no t collected by 6,00 p.m. on Friday 15 O c t o b e r 1999 will be re m o v e d to the w areh o use o f

Mealy’s A uctioneers, C h a ts w o rth S tr e e t , C a s tle c o m e r, Co. Kilkenny T elephone: 00353 56 4 1229 o r 4 14 13 Facsimile: 00353 56 41627 Lots will be available for collection follow ing transfer to M e aly ’s o n M o n d a y 18 O c to b e r at 11.00 a.m.

Please n o te t h e r e will be no charge t o p u rc h asers w ho collect t h e i r lots within one w e ek of th e sale. O n Friday 22 O c to b e r, a transfer and adm inistration charge o f

10.00 p er lot will be payable and a storage charge ot ^ 2 per lot

per day will th e n c o m e in to effect. T h ese charges are payable by the purchaser to M e aly ’s and are subject to V A T . Lots may only be released from M e aly ’s w areh o use on p ro d u c tio n o f the blue delivery o rd e r issued by the cashier’s office at C h ristie ’s. M e a ly ’s do n o t accept any liability for dam age or loss du e to negligence or otherw ise, exceeding the price paid by the purchaser for the lot.

C O N D IT IO N S OF BUSINESS: T h e sale is subject to the conditions o f business p rin te d in this catalogue.

W R IT T E N BIDS: W ritte n bids should be sent or faxed, at least 24 h ours prio r to the sale, to C h ristie’s W ritte n Bids Office, 8 K ing Street, St. Ja m e s ’s, L o n d o n , S W l 6 Q T . T elep h o n e : 0 04 4 171 389 2865 Facsimile: 0 0 4 4 171 930 8870 Please use the W ritte n Bids Fo rm p rinte d at the back o f the catalogue.

BUYING AND SELLING AND OTHER SERVICES B U Y I N G A N D SEL LIN G AT AUCTION

C AT ALO G UE SUBSCRIPTIO NS A N D PUBLICATIONS

For those w h o have n o t b o u g h t or sold at on e

C h r i s t i e ’s c a t a l o g u e s are r e f e r e n c e w o r k s

Service pr ov id es sale results to r all C h r is ti e ’s

ot o u r auctions before, o u r br o ch u re “ H o w to

colle cted in th e i r o w n right, as well as b e in g

sales v ia t h e t e l e p h o n e . Y o u c a n o b t a i n

SALE RESULTS: T h e C h r i s t i e ’s I n t er na t i on al A u c t i o n Results

B u y a n d Sell at C h r i s t i e ’s ” e x p l a i n s ho w '

th e essential g u i d e to any au ct i o n . A n n u a l

s p o k e n results fo r spe cific lots o r faxed

simple it is to participate in o u r sales. Please

su bscriptions en su re regular receip t o f

r e s u l t s f o r a n e n t i r e sale. T o a c c e s s t h e

no te that for n e w buyers ban k references will

catalogues at a co ns id erabl e saving. W e also

system dial:

be requested an d should be supplied in go o d

p u b l i s h C h r i s t i e ’s I n t e r n a t i o n a l M a g a z i n e

tim e to be taken up before the auction. For

a n d a n u m b e r o f a ut ho r it at iv e w o r k s for the

f ur th er in f o r m a t i o n please t e l e p h o n e C l i e n t

c o l le c t o r . F o r full details please t e l e p h o n e

Services on (44 171) 3 8 9 2414.

our

P ublications

D epartm ent

(44 1 71 ) 6 2 7 2 7 0 7 Yon ii’i ll p a y normal telephone rates for yo ur local or i n t e r n a t i o n a l c a ll.

S p o k e n resu lts are

ava ilable sh o r t l y af te r lots h av e b e e n sold.

( 44 171) 3 8 9 2 8 2 0 (24 hours).

Faxeci r e s u l t s f o r e n t i r e sales ar e u s u a lly

W RITTE N BIDS

available t h e day f o l lo w in g each sale.

If y o u c a n n o t at t e n d an a u c t i o n in per son ,

IN TERNET

C h r i s t i e ’s can b id for y o u a c c o r d in g to y o u r

C h r i s t i e ’s offers an I n t e rn e t service. Clien ts

i n s t r u c t i o n s . T h e r e is n o c h a r g e f o r this

can l o ok u p t he site a n d c h e c k th r o u g h the

s e r v i c e w h i c h is k n o w n as c o m m i s s i o n

s a l es l i s t i n g s f o r all o f o u r w o r l d w i d e

b i dd ing. If y o u are successful, t he pr ice y o u

s a l e r o o m s , b r o w s e t h r o u g h ar ti cle s a b o u t

pay will b e th e final bi d pr ice plus p r e m i u m

p a r t i c u l a r sales o r r e a d a b o u t C h r i s t i e ’s

plus an y V A T due. Bids m u s t b e m a d e in

C'ireat Estates. T h e c o n t e n t s o f th e site are

I r i s h p o u n d s ( p u n t s ) a n d c o n f i r m e d in

u p d a t e d regularly and i n cl ud e t he f ol lo w in g

C h r i s t i e ’s c a n n o t a c c e p t l i ab il it y f o r a n y erro rs o r om issions, h o w s o e v e r caused. Sellers

should

aw ait

their settle m e n t

s t a t e m e n t as c o n f i r m a t i o n o f a n y s o l d pr oce ed s. C O N D IT IO N REPORTS

w r i t i n g o n t h e f or m p r i n te d at th e ba ck o f

topics: h ig h l i g h t ed sales, fu tu re sales b o t h by

C h r i s t i e ’s w i l l b e p l e a s e d t o p r o v i d e a

every catalogue. For further inform ation,

location

c o n d i t i o n r e p o r t f or a n y l o t o n r e q u e s t .

pl ea s e t e l e p h o n e W r i t t e n Bids O f f i c e o n

s u b s c r i p t i o n s , C h r i s t i e ’s CJreat E s t a t e s ,

N e v e r t h e l e s s i n t e n d i n g bu yer s are r e m i n d e d

( 44 171 ) 3 8 9 28 65 .

b u y i n g an d selling at C h r i s t ie ’s, estates and

th at ea ch lot is sold ‘as is’ and thei r at te n ti on

See also C o n d i t i o n s o f B u s i n es s 14(d) at

appraisal services, w' or ld wi d e selling offices

is d r a w n to t h e C A )n di ti ons o f Sale. T h e

and o t h e r services.

p r o p e r t y t o r sale n o t i c e s in this c a t a l o g u e

t h e b a c k o f this c a t a l o g u e .

and

category,

catalogue

C h ri s ti e ’s Ii it c n ic t : h t t p : / / w w w . c h r i s t i e s . c o m

T E L E PH O N E BIDS

M c i i l y ’s Internet: h t t p : / / w w w . m e a l y s . c o m

I f y o u c a n n o t at t e n d t h e sale, y o u can bid o n t h e t e l e p h o n e o n lots w i t h a m i n i m u m es t im a te o f

C h r i s t i e ’s otlers a ra ng e o f financial services

L o t F i n d e r is C h r i s t i e ’s u n i q u e a u c t i o n

a d v a n c e p a y m e n t s a g a i n s t e x p e c t e d sale

se arch se rvice. T h i s se rvice can search for

proceecis an d, for h i g h e r value collections,

t h a t y o u lea ve an e m e r g e n c y b i d in Irish y o u r behalf, j u s t in case w e are u n a b l e to reach y o u by t e l e p h o n e . ) As t h e n u m b e r o f t e l e p h o n e l i n e s is l i m i t e d , p l e a s e m a k e a rr a n g e m e n t s for this service th e day bef ore t he sale, especially i f y o u wi sh to bi d in a l a n g u a g e o t h e r t h a n E n g li s h . F o r f u r t h e r i n f o r m a t i o n o r as si st a n c e , p l e a s e c o n t a c t the

C lien t

Services

D epartm ent

(44 1 71) 3 8 9 241 4 . See also C on di t i on s o f Business 14(e) at the back o f this catalogue. S H I P P I N G O U T S I D E T H E UK

F I N A N C I A L S E R V I C E S F OR PRIVATE CLIENTS

C H R I S T I E ’S A U C T I O N S E A R C H SE RV IC E: L O T F I N D E R

()()(). ( W e also r e c o m m e n d

p o u n d s (p unts) w h i c h w e can e x e c u t e o n

refer to th e page o n w h i c h they are pr inted .

d e s i g n e d t o assist p r iv at e clients, i n c l u d in g

specific artists o r items a n d notif\' y o u well

loans se c u re d against w o r k s o f art dep osited

in adv an ce for t he sale by fax o r post. Lot

w i t h C h r i s t i e ’s. F o r f u r t h e r i n f o r m a t i o n ,

Fincler is ideal for busy p e o p l e w h o do n o t

please

have t i m e to l o o k t h r o u g h o u r w o r l d w i d e

(4 4 1 71 ) 3 8 9 273 4.

telep ho ne

C h arlotte

Reed

ca t a l o g u e s a n d wil l e n s u r e t h a t y o u h a v e pl en ty o f t i m e to fol low u p an y in f o rm a t i o n th e

L o tF in d er

su b scrip tio n

sends

costs

you. 10

L o tF in d er

(U K

SERVICES FOR P R O FESSIO N A L ADVISERS

clients),

C h r i s t i e ’s offers a ra ng e o f services designed

( E u r o p e a n clients) o r _ ^ 1 6 /U S S 2 5

t o assist p r o f e s s i o n a l advis ers . F o r f u r t h e r

(Rest o f W o r l d clients): w e will notify y o u

i n f o r m a t i o n , please t e l e p h o n e C o l i n S h e a f

o t 10 se p a ra te sales w h e r e y o u r pa r t i c u l a r

o n ( 44 1 71 ) 3 8 9 2 12 0.

item(s) of in terest will be f ou nd . Also, y o u r L o tF i n d e r su bs cr ip tio n n e e d n o t be li m it ed

C h r i s t i e ’s S h i p p i n g O f fi c e ca n ar ra n g e t he delivery and s h i p m e n t o f y o u r purchases to y o u r instructions. Estimates for the shipping o f any pr ope rty and advice on the mo st secure a n d e c o n o m i c m e a n s o f d i s p a t c h ca n b e obtain ed from o u r specialist staff. For further

to o n e specific area o f in terest. I f y o u are l o o k i n g f o r se ve ra l d if f e r e n t t hi ng s, th es e c o u l d all b e i n c l u d e d w i t h i n t h e s a m e s u b s c rip tio n . If y o u w o u l d like f u rth e r details, please call L o tF i n d e r in L o n d o n on (44 17 1) 3 8 9 2 96 3.

i n f o rm a t i o n , please t e l e p h o n e o u r S h ip p i n g Office (44 171) 389 2552 or 38 9 2553.

KS 16/ 2/ W

CLIENT SERVICES FOR BUYERS A N D SELLERS

W R IT T E N BIDS

C L I E N T A D V I S O R Y SE RV IC ES

A d m i n i s t r a t i o n o f w r i t t e n bids

P rofessional a d v ic e fo r t h e

for t h o s e w h o c a n n o t a tt e n d a sale A n n e t t e W il s o n

p r iv a te c o ll e c t o r F ra n c a M e r c a t i

T e l: (44 171) 3 8 9 2 8 6 5 C luady Kelly T e l: (44 171) 3 8 9 2 8 6 8

T el: (44 171) 3 8 9 2 8 0 4 Fax: (44 171) 8 3 9 8 4 7 0

Sophie H ughes-O nslow ' {Aduiiuistrator)

Fax: (44 171) 9 3 0 8 8 7 0

T el: (44 171) 3 8 9 2 6 1 6 Fax: (44 171) 3 8 9 2 0 0 4

T E L E PH O N E BIDS

A r r a n g e m e n t o f t e l e p h o n e bids a n d g e n e r a l c lie n t assistance:

P e d ro G irao

T el: (44 171) 3 8 9 2 0 1 4

(Director of Spccial Clients)

S usie J o h n s o n K atharina T u r n a u e r

S T O R A G E A N D D E L IV E R Y

S u m i k o R obe rts

F o r assistance w'ith local d e liv e iy ,

A nna H u ch b erg er

l o n g - t e r m stora ge, a n d e x p o r t licences,

V a l e n t m e Seilliere

please c o n ta c t

T e l: (44 171) 3 8 9 2 4 1 4

M e a l y â&#x20AC;&#x2122;s T el: (0 0 353) 56 4 1 2 2 9

Fax: (44 171) 9 2 5 2751 R E M O V A L FIRMS PAYMENT

O m a n W o r l d w i d e M o v i n g & S tora ge

A ssistance o n m e t h o d s

T el: (00353) 1 8 3 6 5611

a n d te r m s o f p a y m e n t

Fax: (00353) 1 8 3 6 6 2 9 0

F r a n k Haas

e -m a il: k e i t h @ o m a n . i e

T e l: (44 171) 321 3 3 0 5

C o n t a c t : K e ith W h e l a n

Fax: (44 171) 321 3321

or Clibbons R e m o v a l & Storage T el: (00353) 56 6 3 1 8 0 Fax: (00353) 56 7 0 7 0 2 C o n t a c t : M a r t in G i b b o n s

JAMES A N D ALICE M URNAGHAN James A. Murnaghan (1881-1973) was a collector,

show rooms filled with paintings and other object d â&#x20AC;&#x2122;a r t . A t r u e U p p e r F i t z w i l l i a m i t e J a m e s

some would say first and foremost, although those w ho knew him in other capacities, for instance as

Murnaghan moved across the street to N u m b e r 25 w h e n he m a r r ie d Alice D a v y ( 1 8 9 5 -1 9 9 9 ) o f

one o f those framing the Constitution of Ireland, o r as a J u stic e o f the S u p r e m e C o u r t , m i g h t

Beaumont, Terenure in 1919. This was the hom e w hich for eighty years housed the ever expanding

suggest otherwise. Although I first came to visit the house at 25 U p p e r Fitzwilliam Street in 1922 as a two year old, my formative relationship with

c o l l e c t i o n s o f p a i n t i n g s , E n g l i s h , I r is h a n d C o n tin e n ta l furniture, glass, ceramics, bronzes, marbles and silver.

my uncle did not occur until 1950 and the years following, w h e n the thrust o f all conversations between my uncle, the senior Justice, and myself, a y o u n g l a w y e r , w a s n o t t h e la w b u t his consuming passion for collecting paintings.

h'onically, James Murnaghan was born in America, the second son o f G eorge and Angela M o o n e y M urnaghan w h o had immigrated to St. Louis in the 1860s. Around 1883 they returned to O m agh, Co. Tyrone, moving shortly thereafter to Lisanelly H ouse w h e r e as a g e n t l e m a n f a r m e r G e o r g e M urnaghan was to sit as the first Catholic in the W estm inster Parliament. Jam es was educated at the National University o f Ireland and was called to the bar in 1903, and sat on the counsel for the formation o f the National Constitution in 1918. From 1910-24 he was Professor o f Jurisprudence and R om a n Law at the N atio n a l U n iv e rs ity o f Ireland before he w ent on the H igh C o u rt and then became a Justice o f the Suprem e C o u rt o f Ireland. He sat on the Board o f Govenors o f the National Gallery o f Ireland from 1925 and was m a d e C h a i r m a n in 1962. A m o n g the f am ily m e m o r a b i l i a w as a m e d a l w o n b y J a m e s

U n c le J a m e s w as a c o l l e c t o r o f c o n s id e r a b l e breadth. Although it is not known w hen he began collecting, it was certainly as a young man in the early years o f this century w hen photographs o f his b a c h e lo r flat on U p p e r F itz w illia m Street

Murnaghan whle at University w h e n he debated James Joyce. Joyce was never a close friend o f the s o m e w h a t c o n s e rv a tiv e s ta u n c h C a t h o li c , but Uncle James did visit him in Paris on at least one occasion while Joyce was living there. In later y e a rs w h e n b i o g r a p h e r s w o u l d v i s i t U p p e r Fitzwilliam Street with queries about Joyce Uncle James would demonstrate his mild disapproval of the famous author by suggesting he had nothing to a d d to th e c o n s id e r a b l e v o l u m e o f available anecdotes. C o l l e c t i n g in th e y e a rs f o l l o w i n g 1916 was serendipity. As the large Anglo-Irish homes were

Janies and A lice M urnaghan

dispersed stock in ciealers’ shops along the quays en route from the Four Courts burgeoned, giving collectors ample opportunity to expand their own collections. Uncle James had a practice o f buying paintings in lots ot three to deflect interest in any particular painting on which a dealer might wish to capitalise. T h e collections grew and grew often com ing quietly into the house in afternoons while Aunt Alice was playing golf In t h e 1960s w h e n I b e c a m e i n te r e s te c i in collecting and woulci return from the C ontinent with a O utch e tching or two m y Uncle woulci rub his hands together in glee and say ‘Ah, you have got the disease.” For economic reasons my own interests moved onto the collecting o f h'ish art w h ic h was regarded by m y uncle as simply being “ English art” and not in the same league as the art o f N o r t h Europe, Italy or Spain w h ic h really interested him. Uncle James did not hesitate to m a k e a t t r i b u t i o n s to his p a i n t i n g s , o f te n correct, though sometimes prescient. His eye was eclectic b ut p a in tin g s c o n ta i n in g scantily clad w o m e n (such as the Abraham Bolemart now in

James A. Mur na gha n

the Walters Art Gallery, Baltimore) seldom macie T h e c u r a t o r o f the collections was always the g rac io u s anci c h a r m i n g Alice M u r n a g h a n , the rem arkable hostess w h o created an atm osphere quasi pre-incandescent light, consisting o f high tea and g o o d c o n v e r s a t i o n . In h e r v a rio u s o t h e r capacities, such as sitting on the b o a rd o f St. V i n c e n t ’s H o s p i t a l o r d e l i v e r i n g “ M e a ls on Wheels” both o f w hich she carried on with well into her mid-nineties she was equally competent a n d g r a c i o u s . In 1987 she p r e s e n t e d to th e N ational Art Gallery M urillo’s T h e M e etin g o f

it on to the walls o f U p p e r Fitzwilliam Street. His scholarship was largely connoisseurship gleaneci from lionizing European museums and galleries, eventually accom panied by copious notes made by m y f a t h e r (a m a t h e m a t i c i a n at t h e J o h n H o p k in s U n iv e rs ity in Baltim ore) on s u m m e r visits to Ireland. At the time o f his death in 1973 there were about 1200 paintings in the collection in Fitzwilliam Street. Eighteen paintings w e n t to the Walters’

Jacob and Rachel. She was the family matriarch whose interest and concern extended to spouses o f

Art Gallery, Batimore, several to family members over the years and others sold in a sale at James

h e r n ie c e s a n d n e p h e w s , a n d t h e i r p r o g e n y w ithout reservation, all o f w h o m were numerous

Adams shortly thereafter. The robbery by Martin Cahill “T h e General’,’ in December 1988 excised

and devoted. To them and to her friends Aunt Alice was a national treasure, an irreplaceable national treasure, w hose legacy will extend far into the c om ing generation.

sixty m ore paintings about half o f w h ic h were recovered. Nevertheless the house has remained unchanged (minus the few painting), a tribute to the collector until this day.

Francis D. Murnaghan Jnr. 7

the muRnaqhan collection All sales su b j e c t t o t h e C o n d i t i o n s p r i n t e d in this c a t a lo g u e

MORNING SESSION A T 10.30 A.M. THE HALL

AN EARLY V IC T O R IA N O A K HALL C H A IR T h e waisted c arto u ch e shape d ba ck c e n t r e d with a pi erced r o u n d e l a b o v e a s e r p e n t i n e se at, o n c a b r i o l e legs w i t h scroll feet IR ^2()0-400

US$270-530 €260-510

A CE ORC'.E i l l M A H O C i A N Y L O N C . C A S E C L O C K T h e h o o d w i t h f o l i a t e c a r v e d c ap s t o t h e s w a n - n e c k p e d i m e n t w i t h pa in te d glass panels a b o v e a nd below', re bui lt gallery a n d r epla ce d finials to t h e top, ou tse t fluted c o l u m n s w i t h b ra ss C o r i n t h i a n c a p i t a l s , w i t h d e n t i l m o uld ings to th e h o o d be lo w , a bove a gallery o f o n i o n top arches, b l in d fret panels, t h r e e - q u a r t e r le n g t h t r u n k d o o r w i t h m o u l d e d frame a n d t r ac er y a rch t o p , f u r t h e r pan el b e lo w , flanked by r e e d e d t h r e e - q u a r t e r pilasters on blind fret plinths, th e case plin th w i t h b r i c k w o r k m o u ld in g s to th e angles a nd raised o n og ee bra cke t feet, the 14in. w h ite dial w i t h gilt floral spandrels a n d sc e ne o f C h r o n o s o n a hillock to the arch, subsidiary centre seco nds ring (dial re painted), the f o u r p i ll a r ra c k s t r i k i n g m o v e m e n t w i t h a n c h o r e s c a p e m e n t a n d s t r i k e o n b e l l ; case, dial a n d m o v e m e n t associated 92 .14in. (234cm.) high I R ^ 3 , 000-5,000

US$4,()()0-6,7{){) €3,900-6,300

AN OA K O P E N A R M CH A IR, 18TH C E N T U R Y W ith a pierced foliate-carv ed a rch e d top -rail and c o n f o r m i n g fro nt stretcher, the pier ced vertical railed back b e tw e e n t u r n e d uprights, the armrests w i t h scroll terminals, above a later b o a rd e d seat, on b a lu s te r- t u r n e d legs j o i n e d by stretchers, old repairs IR ^ 3 5 0 - 6 0 0

US$47()-80() €450-760

4 A N IRISH G E 0 R C ; E III G I L T - B R A S S H A L L L A N T E R N O f pol ygonal form , w ith arch ed frame, resting on ball feet ( o n e l a c k i n g ) , w i t h u r n finials t o t h e a r c h e s b e l o w an o p e n w o r k c o r o n a , th e d o o r f r a m e s t a m p e d H A I \ ' B L J R Y D I J B L I \ \ w i t h later gas tap co iw er sio n 29>4in. (76cm.) high IR ^ 3 , 0 0 0 - 5 , OOO

USS4,()()()-6,70() C3,9()()-6,3(K)

A N IRISH M A H C X '. A N Y B O W F R C : ) N T S E R V I N G TABLE, LATE 18TH C E N T U R Y D e c ora ted w i t h lines and sa t in w o o d crossbanding, the frieze fitt e d w i t h five d r a w e r s w i t h f o u r la t e r p a n e l l e d d o o r s b e lo w , on square tapering legs, restorations 97'/2in. ( 2 4 7 . 3 c m . ) w i d e , 35>4in. ( 9 1 c m . ) h i g h , i W i i n . (80cm.) deep IR /;3 ,() ()( )-5 ,()()()

US$4,()()()-6,7(M)

6 (top) 7 ( b o tto m )

6 A N IRISH S C U L P T E D W H I T E M ARBLE B U S T O F A G E N T L E M A N , P R O B A B L Y J O N A T H A N SWIFT C ircle

M ichael R ysbrack (1694-1770),

circa

1730-40

2 4 ’/ 4in. (62cni.) high Comparative Literature: Bristol, C ity M u s e u m a n d A rt C^allery, MicliacI Rysbmck, Sculptor ( 1 6 9 4 - 1 7 7 0 ) , 6 M a r c h — 1 M a y 1982, K. Eusta ce, ed., nos. 19,20. M ic h a e l R y sb rac k was th e s on of an Antvvei'p la nd sc a p e p a in te r a n d iiad his initial tr a in in g in Fla nders b e fo re c o m i n g to E n g la n d in 1720. H e first w o r k e d u n d e r th e a rc h ite c t G ib b s , b u t s o o n m a d e a n a m e fo r h i m s e lf as a s c u lp t o r o f p o rtr a it busts a n d re ig n e d , a lo n g w ith R ou bilia c , as th e p r e - e m i n e n t s c u lp t o r o f his day in L o n d o n . T h i s b u s t m a y b e c o m p a r e d to several o t h e r d o c u m e n t e d w o r k s b y R ysbrack, i n c lu d in g th e b u s t o f th e b o o k s e ll e r J o h n Innys (Bristol, loc. cit.) a n d th a t o f E d w a r d d e B o u v e r ie in th e co lle ctio n o f th e Earl o f R a d n o r . It has b e e n s ug geste d th a t th e sitte r h e r e m a y r e p r e s e n t th e satirist J o n a t h a n Swift, w h i c h w o u l d c o r r e s p o n d to its Irish p r o v e n a n c e . T h e re c ta n g u la r facial ty p e does, in d e e d , rela te closely to k n o w n p o rtraits o f Swift; h o w e v e r , o t h e r e le m e n ts, such as his distin ctively b u s h y e y e b r o w s , are n o t e v id e n t h e re , a n d m a k e a de fin ite id e n tific a tio n difficult.

IR ^ 6 , 0 0 0 - 1 0 , 0 0 0

US$8,( )00-1 3,()()() €7,700-13,()()()

7 A SC A G L IO L A PE DE ST AL , 19T H C E N T U R Y Sinuilating ucrdc antico marble, on square base 46in. (117cni.) high IR ^ 7 5 0 -1 ,2 0 0

U S $ 1 , 0 0 0 - 1 ,6 0 0 C 9 6 0 - 1,300

A VICTORIAN M A H OG A N Y SERPENTINE SERVING TABLE Decorated with ovolu and beaded mouldings, the frieze centred with a tablet carved with a paterae and ribbon-tied belUlower swags, on square tapermg fluted legs headed with paterae and terminating in block feet 67in. (170cm.) wide, 34%in. (88cm.) high, 25in. (63cm.) deep IR;(;2,()00-3,000

US$2,700-4,()00 €2,600-3,800

9 A GEORGE III M A H OG A N Y DOUBLE CHAIR-BACK SETTEE The pierced splats carved with stylised rock-work, with outswept arms on shaped supports, above a serpentine padded seat, on square chamfered legs IR £ 1,500-2,200

US$2,()0()-2,900 €2,000-2,800

AN IRISH M A H OG A N Y TRIPLE CHAIR-BACK SETTEE, 18TH CEN TU RY With an undulating top-rail and pierced splat back, with outswept arms, above a padded seat, on foliate-carved cabriole legs with claw and ball feet, restorations 61 in. (155cm.) wide 800-3,000

US$2,400-4,000 €2,300-3,800

t « I

‘

»' M M i

M M '

M i IU '

‘ 1 ‘ i

l \ I r J a m e s A . A li in u n ’liiiii iinth lots 1 5 a n d 16

THE STU D Y ]

A B R A SS-M O U N T ED C O PPE R COAL SCUTTLE, EARLY 2 0 T H C E N T U R Y

A B R A S S -M O U N T E D C O P P E R C O A L S C U T T L E , EARLY 2 0 T H C E N T U R Y

O f helmet form 14%in. (37.5cm.) wide

O f helmet form 14'/4in. (37cm.) wide

IR /;6 0 -l()0

US$80-13() C 77-130

IR ^ 6 0 - 1 0 0

U S $ 8 0 -130 €77-130

A LATE V IC T O R I A N B R A S S -M O U N T E D C O P P E R LOC;-BIN

A SMALL BRASS FE ND E R, EARLY 2 0 T H C E N T U R Y O f serpentine form and with pierced frieze 44/4in. (113cm.) wide; and a steel fen d er o f c u rv e d re c ta n g u la r ou tlin e, w ith pierced rail betw een beaded borders — 48/4in. (123cm.) wide (2)

O f cylindrical form, with studded bands and brass swing handle l l ' / 2 in. (28.5cm.) high, ll>4in. (30cni.) diameter I R X ;i2 0 - 1 8 0

US$160-240 €160-230

IR ^ 1 0 0 - 1 5 0

US$140-200 € 1 3 0 -1 9 0

AN IRISH V ICTORIAN M A H O G A N Y SERPENTINE DESK The leather-lined top with a gadrooned and foliate-carved edge, fitted to both sides w ith five blind fret-carved drawers, surrounding a kneehole with pierced scroll-carveci spandrels, on foliate-carved cabriole legs headed with lions masks and terminating in paw feet, losses to carving 6 6 ’/ ^in. (169cm.) w ide, 31'/4in. (80cm.) high, 40'/^in. (103cm.) deep IR £ 10,()()0-l 5,()()()

A M ID-VICTORIAN W A LN U T DESK-TOP STATIONERY CABINET The sloping front with hinged doors opening to an interior of racks, with manual removable day/date/month calendar, escutcheon lacking 12->4in. (32.5cm.) high, 13in. (33cm.) wicie, lO'/iin. (26cm.) deep IR^;250-5()0

US$340-67() €320-630

US$14,()()()-2(),(KK) C13, ( )( ) () - I 9 , ( )( K)

A M ID-VICTORIAN BRA SS-M O U N TED W A LN U T AND EBONISED INKSTAND C^f curved rectangular outline and with drawer to the base, twin cut glass bottles flanking a fixed handle, on bun feet 12'>4in. (3^2.5cm.) wide

A M ID-V IC TOR IA N W A LN U T AND BRASSM O U N T E D LETTER CASKET O f rectangular form with domed cc:>ver, mounted with foliate engraved brass straps, with divided interior 9V^in. (24cm.) wide

IRX;18()-3{)0

IR^lOO-150

US$240-4()0 C230-380

US$140-200 €130-190

A V IC T O R IA N M A H O G A N Y BERGERE A R M C H A IR

A M A H O G A N Y DESK C H A IR

With caned back, sides and seat and buttoned velvet squab cushions and padded arms, on ring -tu rned supports and conforming legs with brass caps and castors

T h e horse-shoe shaped top-rail on channelled supports with scrolled spandrels, above a serpentine paddeci seat, on cabriole legs headed with scallop shells and terminating in foliate-carved pad feet, restorations

IR £ \ ,00()-l ,500

US$ 1,400-2,()()() C l , 3 0 0 - 1,900

IR ^ 2 5 0 - 5 0 0

US$34(-670 C 32 (-6 30

AN IRISH R E G E N C Y M A H O G A N Y “ K LISM O S” C H A IR With a deep curved bar top-rail on reeded supports, with a caned seat and squab cushion, on reeded sabre legs

A V IC T O R IA N M A H O G A N Y SIDE TABLE T h e rectangular top above a plain frieze, on cham'ered square legs headed with foliate-carved spandrels, on block feet 36in. (91.5cm.) wide, 30'/2in. (77cm.) high, 18in. (46cm.) deep

Please note that the cushio n is not s h o w n in the photograph.

IR ^ ;6 0 0 -9 0 0

U S $ 8 0 0 -1,200 G77()-l,100

IR ;(;500-750

US$670- ,()()() C 64(-950

A VICTORIAN MAH OG A N Y BREAKFRONT BOOKCASE The moulded cornice above open acljustable shelves, the projecting base fitted with six drawers with four panelled doors below, on a plinth base, reduced in height 1 WA'm. (290cm.) wide, 99in. (251.5cm.) high, 19’/4in. (49cm.) cieep IR X;3,000-5,()00

US$4,()()()-6,7()() C3,9()()-6,3{)()

24 A Q U A N T IT Y OF PINE AND M AHOGANY O PEN BOOKCASINC 1)ecorated with foliate carvings, with open shelves, various sizes I R £ \ ,000-1,800

US$ 1,4(){)-2,40() C l , 300-2,300

T H E D IN IN G R O O M 25

A V IC T O R IA N O AK C O N C ; S T A N D With chamfered splayed legs and an associated brass gong 45in. (114cm.) high

A SET O F T H R E E LATE REC'.ENCY MAHOC'.ANY DININC; C H A IR S Each with a curved bar top-rail carved with S-scrolls above a pierced shaped horizontal splat centred with a roundel, on ring-turned tapering legs (3)

IR ^ 6 0 - 1 8 0

US$80-24() C 77-230

IR ^ 2 5 0 - 3 5 0

US$340-470 €320-440

29 A PAIR O F F R E N C H C',ILT-BRASS C A N D L E ST IC K S, LAST Q U A R T E R 19TH C E N T U R Y

26 A PAIR O F LATE RECIENCY M A H O G A N Y D I N I N G CH A IR S Each with a curved bar top-rail and horizontal splat above a padded seat, on sabre legs (2) IR ^ 1 8 0 - 3 0 0

O n snake-entw'ined m onopodiae supports to toupie feet, the columns flanked by link cast struts terminating in tlies \OV2 m. (37cm.) high and a brass and patinated Corinthian column table lamp, 20th c e n t u r y — 12in. (30cm.) high, excluding fitment (3)

US$24()-40() € 2 3 0 -3 8 0

IR ^12 ()-2 0()

US$160-270 € 1 6 0 -2 5 0

30 A M A H O G A N Y D I N I N G C H A IR , 19TH C E N T U R Y 27

T h e undulating top-rail with a pierced vase splat, above a padcied seat, on sc]uare tapering legs joined by stretchers; and a Victorian mahogany butlers tray, the shaped sides pierced with carrying handles 27'/2in. (70cm.) wide (2)

A M A H 0 C ;A N Y B U T L E R ’S TRAY O f D-shapeci o u tlin e, w ith a fib rebo ard th r e e - q u a r t e r gallery 43in. (109cm.) wide, 2014in. (51.5cm.) deep US$140-200 C l 30-190

IR ^ ;2 5 0 -5 0 0

U S$340-670 € 3 2 0 -6 3 0

31 AN IRISH M A H O G A N Y TRIPLE PEDESTAL D I N I N G TABLE, A T T R IB U T E D T O M A CK , WILLIAMS A N D G I B T O N , EARLY I 9 T H C E N T U R Y C o m p r i s i n g tw o e n d sections, on a sp iral-turned c o l u m n w ith c h annelled d o w n s w e p t legs te rm i n a tm g in brass caps and castors and a central section w ith a tu r n e d c o lu m n and plain downsw ept legs terminating in brass caps and castors 131 in. (332cm.) long, 28%in. (72cm.) high, 60in. (152.5cm.) deep J o h n M a c k ( d . l 8 2 9 ) o r ig in a lly f o u n d e d t h e firm o f M a c k a n d G i b t o n w i t h W i l i a m G i b t o n circa 1 803 in Sta fford Str eet, D u b lin . In 1806, th e firm w e r e a p p o in te d ‘U p h o ls te r e r s & C a b i n e t M ak e rs to H is M aje sty . H is E xc e lle nc y th e L o r d L i e u te n a n t, a n d his M a je s ty ’s B o ard o f W o r k s ’. T h e p a rtn e rs h ip o f M a c k , W illia m s a n d Ciibto n w as otTicially esta blish e d in 1812, after th e d e a t h o f R o b e r t G i b t o n , w h o was s u c c e d e d b y his son W illia m , a n d w i t h th e a d d itio n o f Z a c h a ria h W illiam s, F r o m 1815 o n w a rd s , th e fir m b e g a n to s ta m p o r label th e ir fu r n itu re a n d o n th e d e a th o f M a c k , t h e y w e r e k n o w n as W illiam s a n d G i b t o n until G i b t o n ’s d e ath in 1842. T h is ta ble has several ch aracterstics th a t are associated w ith th e D u b l i n firm o f M a c k , W illia m s a n d G i b t o n in c lu d in g th e th ic k ly r e e d e d e d g e to th e t o p a n d th e th ic k b a lu ster c o lu m n s . T h e t'lrm is r e c o g n is e d for th e s u p erb tim b e rs e m p l o y e d a n d t h e i r h ig h q ua lity o f w o r k m a n s h i p . M u c h o f th e fu r n itu re th e y p r o d u c e d was insp ired by desig ns p u b lis h e d b y T h o m a s H o p e a n d Cieorge S m ith . See D ublin Directories and Trade Laheh, T h e K n ig h t o f Cilin, F u r n i t u r e H is to ry , 1985, p p . 2 7 0 - 2 7 1 , figs. 2 5 -2 8 .

IR ^15 ,0 ()0 -2 0 ,0 ()0

US$20,()00-27,()0() €20,()()0-25,()(K)

32 A Q U A N T I T Y O F A S S O R T E D TABLE LIN EN Some new; and a c]uantity o f electro plated and other cutlery' and flatware IR X 10()-120

US$14()-160 € 1 3 0 -1 5 0 19

A SET O F E IG H T M A H O G A N Y A R M C H A IR S , FIRST HALF 19TH C E N T U R Y Each w ith channelled frame, the top-rail surmounted by a tablet inlaid w ith lambrequin, above three vertical splats, th e d o w n s w e p t arm s a b o v e a p a d d e d seat, o n squ are tapering legs inlaid with Imes, old repairs and re-railing (8)

AN E L E C T R O P L A T E D C A N T E E N O F K ING S P A T T E R N FLATW A RE A N D C U T L E R Y BY E l k i n t o n & C o .

0 0 0-7 ,0 0 0

C o m p risin g : th irty -six knives each w ith stainless steel blades, forty-two forks, thirty-five dessert spoons, tw entyfour tablespoons, eighteen fish knives, eighteen fish forks, thirty-six supper knives, fifty-four supper forks and eleven coffee spoons

US$6,700-9,300 € 6 ,4 0 0 -8 ,9 0 0

IR ^ 6 0 0 - 1 , 0 0 0

U S$800-1,300 € 7 7 0 -1 ,3 0 0

36 A PAIR O F LATE V IC T O R IA N SILVER PLATED OVA L D ISH C O V E R S A N D H A N D L E S E a c h w i t h b e a d e d b a n d s a n d e d g e , c r e s te d ; a n d a rec ta n g u lar plated en tree dish and cover, w ith shaped gadrooned edge, leaf cast handle, d om ed cover and divided interior (3)

34 A M O D E R N SILVER SALVER B y James D

ix o n

& So

n s

, S h effield ,

1937

W ith a beaded edge, 1 lozs. IR ^120-180

IR ^ 1 8 0 - 3 0 0

U S$160-240 € 1 6 0 -2 3 0

U S$240-400 € 2 3 0 -3 8 0

37 A B U R R - W A L N U T S ID E C A B I N E T , T H I R D Q U A R T E R 1 9 T H C E N T U R Y A pplied w ith r o s e w o o d carvings, the a rch e d m o u ld e d cresting s u r m o u n t e d by finials and c e n tre d w ith a c arved tr o p h y o f a globe, th e archeci glazed cloor flanked by b o w e d d oors to the sides, betw 'een a frieze fitteci w ith a secretaire dra w er, w ith a fall front enclosing a gre en baize lined w r i t in g surface an d th re e draw ers, flanked to e ith e r sicie by a f u rth er frieze dra w er, w ith th re e pa nelled d oors b e lo w c e n tre d w i t h foliate and tro p h y carvings, b e tw e e n a ca n th u s-c a rv e d fluted c o lu m n supports, o n b r e a k fro n t plinth base 86in. (218.5cm .) w ide , 102in. (259cm.) high,, KiYiin. (67cm.) deep I R ^ ; 7 , 0 0 0 -1 (),()()()

U S $ 9 ,4 0 0 - 1 3 ,0 0 0 â&#x201A;Ź8 ,9 0 0 -1 3 ,0 0 0

38 A H E A V Y ST E E L B O U N D M A H O G A N Y S T R O N C J B O X / S I L V E R C H E S T Fitted w ith various b aize-lined trays and t w o locks, w ith the brass na m e plate for J . A . Miirnaglimi 30in. (76cm.) w ide IR /;2 5 0 -3 5 0

U S$340-470 â&#x201A;Ź 320-440

T W O E L E C T R O P L A T E D A SPA R A G U S DISH ES

A N E N G L I S H P O R C E L A I N ‘R O C O C O R E V I V A L ’ P A R T T E A S E R V IC E , C I R C A 1835

E a c h w i t h a ra c k , sa u c e b o a t, m a t c h i n g t o n g s a n d t w o electro plated dish stands; and a quatity o f plated ware IR X I 0 0 - 1 8 0

Painted w ith a blue a nd gilt b and, com prising: a tea p ot and cover, a sugar b o w l an d cov er, a slop b o w l, six tea cups, fo ur coffee cups and fo ur saucers, damages

U S $ 1 40-2 40 €130-230

IR X 1 2 0 -1 8 0

U S$160-240 €160-230

A M O D E R N SIL VE R B A R R E L S H A P E D H O T W A T E R JU G

B i r m i n g h a m 19 2 4

A N E N G L I S H P O R C E L A I N C O R N U C O P I A VASE, C I R C A 1835

W it h e b onised handle, t o g e th e r w ith a small m o d e r n silver toast rack, Sheffield 1 9 3 2 (2)

W i t h w a v e d rim and sw an term inal p a in te d w i t h a panel o f sprays o f flowers w ith in gilt C-scroll borde rs rese rved o n a p ale-green g ro u n d , o n shaped square base 5%in. (14.5cm.) high; a n d a p a ir o f E n g lish p o r c e la in tu r q u o is e g r o u n d candlesticks pain ted w ith sprays o f flowers (3)

US$12 0-150

IR X ;90-110

€120-140

IR X 250-350 41

US$340-470 €320-440

A PA IR O F M O D E R N S I L V E R - M O U N T E D H A I R BRUSHES B

ir m in g h a m

1918

T w o m o d e r n s ilv e r - m o u n te d shoe horns; a m o d e r n silverm o u n t e d to rto ise sh e ll n o te pad; and a m o d e r n silver m o u n t e d glass trinke t b o x (6) IR ^70-100

46 A S P O D E P O R C E L A I N C H I N O I S E R I E ‘L O N D O N ’ S H A P E P A R T T E A S E R V IC E , C I R C A 1815

U S $ 9 4 - 130 €89-130

P r i n t e d in b lu e a n d p a i n t e d in c o lo u r s w i t h p a tt e r n s o f stylised flowers, comprising: a m ilk j u g , fo u r tea cups and t h r e e saucers, o n e s a u c e r c r a c k e d , o n e s a u c e r c h i p p e d , prin te d and painted m arks p a tte rn n u m b e r 2638 IR ^2 5 0 -3 5 0

U S $ 3 4 0 -4 7 0 €320-440

A N E N G L I S H P O R C E L A I N ‘R O C O C O R E V I V A L ’ P A R T T E A S E R V I C E , P O S S IB L Y R I D G W A Y , C I R C A 1835 Pa inte d w ith panels o f sprays o f flowers w i t h in blue and gilt C - s c r o l l b o r d e r s r e s e r v e d o n a cafe an lait g r o u n d , c o m p r i s i n g : a t e a p o t a n d c o v e r , t w o s a n d w i c h plates, a sugar b o w l an d cover, a slop b o w l, a m ilk j u g , six tea cups, ten co ffee cups an d e le v e n saucers, p a in te d i r o n - r e d fractional p a tte rn n u m b e r I R ^ 3 50-600

47 A SPA N ISH M A IO L IC A E W E R , 2 0 T H C E N T U R Y Painted in blue w ith an heraldic device o f a c r o w n e d griffin rese rved o n a g r o u n d o f stiff-leaf foliage, p a inte d in shades o f o c h r e and blue 9in. (23cm.) high

US$470-800 €450-760

IR^;100-150

U S $ 1 4 0 -200 €130-190

43 A PA IR O F C O A L P O R T B L U E - G R O U N D C U P S A N D SAUCERS, 19TH C E N T U R Y

P a in te d w i t h panels o f sprays o f flowers; a pair o f English p o r c e l a i n sa u c e t u r e e n s , c o v e r s a n d stands p a i n t e d w i t h sprays o f scattered c o rnflow ers; a black basalt teapot; an d vario us o t h e r items o f English porcelain, various dates

A N EN G L ISII P O T T E R Y P A L E -P IN K -G R O U N D P A R T D E S S E R T S E R V I C E , C I R C A 1870

I R ;(;3 5 0 - 6 0 0

IR X ;120-180

C o m prising : a tazza, f o u r high c o m p o r ts, t w o l o w com po rts a nd tw elv e plates, im pressed registration lo ze n g e (19)

US$470-800 €450-760

U S $ 1 6 0-24 0 €160-230

A JA PAN ESE IMARI L O B E I) C H A R G E R , LATE 19TH CENTURY

A C:H1NESE E X P O R T S P A R R O W BEAK JUC;, 18TH CENTURY Painted in coloured enamels with Oriental figures on a garden terrace 3>4in. (10cm.) high

Painted with panels o f stylised flowers \ l V 2 m. (45cm.) diani. IR^3()()-50()

US$4()0-67() C 390-630

IR ^120-180

US$160-240 C l 60-230

50 A F R E N C H FA IE N C E B ALUSTER W A T E R C IS T ER N , 19T H C E N T U R Y Painted in shades o f iron-red, blue, ochre and green in the Rouen style with stylised foliage and swags o f flowers ISKin. (39cm.) high IR ^;3 50-600

US$470-800 € 4 5 0 -7 6 0

53 SIX V A R IO U S C O N T I N E N T A L P O R C E L A IN FIG URES, LATE 19TH C E N T U R Y In 18th century dress IR X;250-350

(6) US$340-470 € 3 2 0 -4 4 0

AN ITALIAN M A IO L IC A ISTO RIA FO DISH, LATE 19TH C E N T U R Y P a in t e d in c o l o u rs in th e U r b i n o style w ith an O ld Testament scene withm a border o f i^rottesclii 18in. (46cm.) diam.

A C H I N E S E PO R C E L A IN BLUE A N D W H I T E PLATE, 18TH C E N T U R Y Painted w'ith stylised flowers within a garden landscape, within a border o f tlow'ers and bam boo 1 1in. (27.5cm.) diam.

IR X I 50-200

,000-1,500

U S$1,400-2,000 €1,300-1,9 00

US$200-270 € 2 0 0 -2 5 0

A LO U IS PHILIPPE B R O N Z E A N D SIENA MARBLE STRIKINC; M A N T E L C L O C K

A C O N T I N E N T A L PLASTER HEA D O F A R O M A N CiODDESS, S E C O N D HALF 19TH C E N T U R Y

T h e case modelled with figures o f Cupid and Psyche on a stepped rectangular marble plinth with acanthus cast gallery and on block feet, the silvered Roman dial with enginet u r n e d c e n t r e (rubbecl, h a n d s la cking) an d w i t h i n a g a d r o o n e d bezel, the tw in barrel m o v e m e n t w ith coun twheel strike on bell 2 9 ’/4in. (74cm.) high, 25in. (63.5cm.) wide

After the Antique 9'/^in. (24cm.) high now secured to a plaster socle — 5!^in. (14cm.) high

IR^;1,5()()-2,200

IR ^3 0 () -5 0()

US$2,()()()-2,9()0 C2,()()()-2,80()

A W H I T E B IS C U IT P O R C E L A IN G R O U P OF THREE BACCHIC A M O R IN l W ITH A GOAT, S E C O N D HALF 19 TH C E N T U R Y

In t h e m a n n e r o f C l o d i o n ; v a r i o u s d a m a g e s anci restorations 17'/2in. (44.5cm.) high With an ebonised plinth

A C H I N E S E T U R Q U O I S E - G L A Z E D VASE, EARLY 20TH C E N T U R Y O f baluster form, gilt-metal m ounted 12'/4in. (31cm.) high and a harciwood stand IR ^180-300

US$40()-670 C3 9 0 -6 3 0

IR /;3 5 0 -6 0 () US$24()-4(K) €230-380

US$470-8()0 €450-760

60 A C O P P E R FIREPLACE SUIT E, EARLY 2 0 T H CENTURY

O f tapering form, decorated with bands o f poly c hro m e enamel and with loop handles 9>4in. (25cm.) high (2)

Comprising: a ham mered fender, o f rectangular outline — 5 4 ’/2in. (139cm.) w ide; tw o b ra ss-m ounte d hel met coal scuttles a George III brass and polished steel coal shovel, late 18th century, with urn-shaped grip and cut-brass blade — 30in. (76cm.) long; and a brass poker (5)

IR ^ 1 2 0 - 1 8 0

IR ^ 2 5 0 - 3 5 0

A PAIR O F C H I N E S E B R O N Z E A N D C L O I S O N N E EN A M E L VASES, EARLY 2 0 T H C E N T U R Y

US$160-240 C l 60-230

US$340-470 €32()-44()

61 A P A IR O F F R E N C H B R O N Z E A N D O R M O L U C A N D E L A B R A BASES, M I D 1 9 T H c: e n t u r y

Each m o d elled w ith tw o half-draped bacchantes h o ld in g aloft a c o rn u c o p ia -s h a p e d torch e re, on ste p ed circular platform s w ith b e a d e d gallery- m o u n ts an d o v o lu cast b orde rs, ab o v e cylindrical iitarnio rosso plinths w ith acanthus cast galleries and concave cut c o r n e r bases 33in. (84cm.) high (2) IR X;4,5()()-6,5()()

US$6,()()0-8,7{)() C 5 , 8 0 0 - 8 ,2{)0

62 A P A IR O F B R O N Z E F I R E D O G S T h e uprights cast w ith negro masks and on foliate scroll feet, w ith fluted d o m e d tops s u r m o u n t e d by allegorical figures o f Spring and S u m m e r; adapted, the bases possibly 17th c en tu iy , the figures associated and probably early 18th c e n tu ry 2914in. (74.5cm.) high (2) IR ÂŁ 1 , 8 0 0 - 2 , 4 0 0

US$2,4(K)-3,20() â&#x201A;Ź2,30()-3,0()0

63 A L O U IS XV O R M O L U - M O U N T E D BO U LL E T O R T O IS E S H E L L S T R IK IN G BR A C K ET CLOCK T h e waisted case w ith glazed side panels, the p e d im e n t s u r m o u n t e d w ith the figure o f a y o u t h blow'ing a h u n t in g h o rn , the d o o r arch m o d e lle d w ith h u n t in g dogs and a stag, w ith relief m o u n t b e lo w o f a h u n tsm a n and his d o g tackling a w ild boar, on scroll feet m o d elled to the top w ith f u r th e r dogs, the cast o rm o lu dial w i t h a scrolling b o r d e r an d individual w h i t e e n am e l R o m a n c a rto u c h e chapters, w ith outside Arabic five m inutes, enam e l cen tre (hairline crack) signed Paillard Paris, the tw in barrel m o v e m e n t w ith verge escapem ent and silk suspension, w ith c o u n tw h e e l strike on bell, the backplate w ith repeat signature; som e losses to veneers 41 in. (104cm.) high U S $3,200-4,7()0 C3,10()-4,4{)()

IR ^ 2 , 4 0 0 - 3 , 5 0 0

A N IR ISH M A H O G A N Y C A B I N E T - O N - S T A N I ) , M ID 18TH C E N T U R Y

A N IR ISH G E O R G E III M A H O G A N Y I ) - S H A P E I ) SERV IN G TABLE

T h e cabinet w ith g a d r o o n e d m o uld ing s e nclosed by a pair o f panelled d oors with ripple m ould ings, o n a stand cai-ved w ith eagle masks, flowerh eads and foliage, th e sides centred w ith scallop shells, on c o n f o r m i n g carved cabriole legs w ith p a w feet, th e cabinet ad ap te d and previous ly w i t h a h in ged top, parts possibly associateci 5{)in. ( 1 2 7 c m . ) w i d e , 45'/2in . ( 1 1 5 c m . ) h i g h , I B 'A i n . (65cm.) deep

Inlaid w i t h lines, th e r o s e w o o d c r o s s b a n d e d t o p w i t h a s a tin w o o d semi elliptical panel, above a frieze with c h e q u e r bandings , o n sc]uare tapering legs 6 8 i n . ( 1 7 2 . 5 c m . ) w i d e , 3 1 ’/ 4in. ( 7 9 . 5 c m . ) h i g h , 2 4 i n . (61cm.) de ep

I R ;C 2,0 0 0 - 3 , 0 0 0

IR X ;3,0 0 0 -5 ,0 0 0

US$4,()0()-6,70() €3,9()()-6,3(K)

US$2,70()-4,()0() €2,60()-3,8{)()

A P A IR O F G E O R G E III M A H O G A N Y D - S H A F E D S ID E T A B L E S

A W A X P R O F I L E P O R T R A I T R E LIE F O F G E O R G E W A S H IN G T O N , 19TH C E N T U R Y

D e c o r a t e d w i t h l in e s a n d c h e q u e r - b a n d i n g s , t h e t o p c e n tr e d w ith a radiating h a lf fan medallion, the frieze w ith a c o n c h shell, o n square tap e rin g legs, pre vio usly the e n d sections o f an e x te n d i n g d in in g table 48'/2in. ( 1 2 3 c m . ) w i d e , 2 9 i n . ( 7 3 . 5 c m . ) h i g h , 2 3 ’/ 2in. (59cm.) d e ep (2)

I n s c r i b e d Get:. George lVas/iiii_(^ton a n d s ig n e d G. Rouse Sculpt, dam aged; in glazed b u r r - m a p l e frame 1 4 ’/ 2 X 1 l% in (37 x 30cm.) o v e r a ll

IR ^ 2 , 0 0 0 - 3 , 0 0 0

IR ^ 1 5 0 - 2 5 0

U S $ 2 ,7 ()0 -4 ,()()() €2,6 0 0 -3 ,8 0 0

US$200-330 €20()-320

fe.-aK

=^~sS3k;^

AN A S H W O R T H ’S I R O N S T O N E FART D IN N E R SERVICE, C IR C A 1900

FIVE G R A D U A T E D C A N T O N E S E C Y L IN D R IC A L JARS, LATE 19TH C E N T U R Y

Printed and painted in colours with stylised flowers issuing from ro ck w ork, comprising: eighteen soup plates, fortythree entree plates, thirty-tw o dinner plates and fourteen c re s c e n t-s h a p e d side plates, p rin te d M a s o n ’s ir o n sto n e marks, damages (1**7)

and four other items o f Cantonese porcelain

IRX ;750-1,000

IR ^ 1 0 0 - 1 5 0

(5) U S$140-200 € 1 3 0 -1 9 0

US$1,000-1,300 C 9 6 0 - 1,300 74 T H R E E SIMILAR BLUE A N D W H I T E C A U L D R O N W ARE B O W L S a W ed g ew o o d blue-dip-jasper vase; five items o f modern Belleck; and seven other items (16)

69 A S T A F FO R D SH IR E FIG URE O F A G A R D E N ER , C IR C A 1880 M o d elle d stan ding beside a vase o f flowers, pain ted in colours and gilt 12in. (31cm.) high; and five various William Kent StafTordshire figure and toby jugs, including: the C ob ble r and his Wife, one toby ju g with glued hat, 20th century (6)

IR^lOO-120

US$140-160 € 1 3 0 -1 5 0

US$140-200 C l 30-190

AN IMARI B O T T L E VASE, 19TH C E N T U R Y A cylindrical C'hinese crackleware vase; a baluster shaped vase with cover; an Imari dish; and six other pieces (10) IR X 120-180

US$160-240 € 1 6 0 -2 3 0

A PERSIAN STYLE CHARC' tER Painted in pale shades o f blue, green and puce with panels ot figures at leisure 15%in. (40cm.) diam.; and another similar, circa 1900 (2)

IRX;120-180

A D R E S D E N C A B IN E T C U P A N D SAUCER;

US$160-240 C l 60-230

A two handled lustre bowl; and various other items

IR^lOO-120

US$140-160 € 1 3 0 -1 5 0

71 A G E R M A N P O R C E L A IN FIG UR E CJROUP Modelled with three standing figures wearing 18th century dress 9in. (23cm.) diam.; and another CJerman porcelain group, 19th century (2) IR ^ 3 50-500

77 T H R E E V A R IO U S P O R C E L A IN B OXES; And a c]uantity o f other items

US$470-670 € 4 5 0 -6 3 0

IRX;70-110

U S $ 9 4 -150 € 8 9 -1 4 0

72 78

E IG H T V A R IO U S C A N T O N E S E P O R C E L A IN VASES, LATE 19TH C E N T U R Y Typically painted with Oriental figures in landscapes

IRX;500-750

A Q U A N T I T Y O F M O S T L Y D O M E S T IC P O T T E R Y A N D P O R C E L A IN

(H)

US$670-1,000 € 6 4 0 -9 5 0

IR;(;50-70

US$67-93 € 6 4 -8 9

A REGENCY MAH OG A N Y BUTLERS TRAY O n a later X-frame stand, the oval tray with hinged sides pierced with carrying handles 40in. (101.5cm.) wide, 29in. (73.5cm.) deep open IRX;800-1,200

US$1,100-1,600 €1,100-1,500

80 A GEORGE III M A H OGANY SIDE TABLE The oval top above a frieze drawer, on square tapering legs joined by stretchers 25in. (63.5cm.) wide, IHYiin. (72.5cm.) high, 15%in. (40cm.) deep IRX;500-700

USS670-930 €640-890

A GEORGE III MAH OG A N Y SIDE TABLE The oval top above a frieze drawer, on square tapering legs joined by stretchers 29>4in. (75.5cm.) wide, 28>4in. (73cm.) high, 17’/4in. (44cm.) deep IRX;500-700

USS670-930 €640-890

82 A PAIR OF INDIAN BRASS LIONS One with a cobra on its back 9in. (23cm.) wide IRX 120-180

(2) US$160-240 €160-230

THE STAIRCASE HALL 83

AN IRISH LATE REGENCY EBONISEl) SIDE CHAIR T h e high back and padded seat u pholstered in floral needlework with a pierced arched cresting and bobbmturned supports, on conforming legs joined by stretchers

A GERMAN CAST-IRON EQUESTRIAN G RO U P OF FREDERICK THE GREAT OF PRUSSIA, EARLY 19TH CENTURY After the model by Emanuel Bardou, on stepped plinth with stiff leaf and bead and reel gallery to the top; both standing legs detached at hooves 26>4in. (67cm.) high

IR;(;400-600

US$54()-8()0 €510-760

C o m p a r a t i v e Literature: H a m b u r g , H a m b u r g e r B a h n h o f E t h o s ui id P a t h o s d ie B e r l i n e r BiUhaiicrschnlc 1 7 8 6 - 1 9 1 4 , 1 9 9 , n o . 7.

E m a n u e l B a r d o u ( 1 7 4 4 - 1 8 1 8 ) w o r k e d o n tiiis m o d e l in 1 7 7 8 , u s i n g C h o d o w i e c k i ’s e n g r a v i n g o f 1 7 7 7 as his in sp ir a tio n an d t h e sta tu e tt e, i m m e d i a t e l y p o p u l a r , w a s r e p r o d u c e d in b r o n z e , ir o n , lead an d p o rc e la in .

A CHINESE EXPORT BLACK A ND CJILT-LACQUER WORK TABLE, MID 19TH CE N T U RY Decorated with Oriental figures, pagodas and foliage, the hingeci rectangular top opening to reveal a fitted interior, on pierced lyre end standards joinetl by a ring-turned stretcher, with paw feet, on brass castors, previously fitted with a basket, decoration worn 22/4in. (57cm.) wide, 29in. (73.5cm.) high, 15in. (38cm.) deep IR/;50()-7()()

A SPANISH M AHOGANY O PEN ARMCHAIR, 19TH CENTURY The shaped deep bar top-rail carved with roundels and decorated with crossbanding, above a close nailed embossed leather seat with shaped arm rests, on ring-turned supports and conforming legs

US$670-930 C640-890

AN IRISH LATE REGENCY MAHOCJANY SIDE CHAIR T h e high back and padded seat u pholstered in floral needlework, with a pierced arched cresting and spiralturned supports on conforming legs

IR ^5 0 0 -7 5 0

US$670-1,000 €640-950

US$54()-800 €510-760

A CHINESE H A R D W O O D AND PAINTED GLASS HALL LANTERN, LATE 19TH C EN TU RY O f hexagonal form, the panels painted with Chinese figures and flowers; one panel cracked, one lacking 29in. (74cm.) high

IR;(;i 80-250

A CHINESE EXPORT BLACK AND GILT-LACQUER CIRCULAR TRIPOD TABLE, MID 19TH CEN TU RY Decorated with Oriental figures, pagodas and foliage, the circular tilt top on a bird cage action and bulbous column with a concave sided trefoil platform, on gilt paw feet, decoration worn 36in. (91.5cm.) diameter, 32in. (81.5cm.) high IR;(;750-1,100

US$ 1,400-2,000 €1,300-1,900

IR ^ 4 0 0 -6 0 0

,000-1,500

US$240-330 €230-320

91 A MING BRONZE VASE O f baluster form, the body cast with a band o f stylized ornament, with loop handles 20in. (51cm.) high

US$1,000-1,500 €960-1,400

IR/;250-400

US$340-530 €320-510

87 A CHINESE EXPORT BLACK AND GILT-LACQUER CIRCULAR TRIPOD TABLE, M I D 19TH CEN TU RY Decorated with Oriental figures, pagodas and foliage, the circular tilt top on a bird cage action and a bulbous turned column with a concave sided trefoil platform, on gilt paw feet, decoration worn 37in. (94cm.) diameter, 29in. (74.5cm.) high

A RENAISSANCE REVIVAL STAINED W A LN U T HALL CHAIR, LATE 19TH CEN TU RY The pierced back carved with winged caryatids and centred with a shield, above a dished seat, on foliate-carved tressled supports with jovial masks

IR ^ 6 0 0 -9 0 0

IR;C25G-500

US$800-1,200 €770-1,100

US$340-670 €320-630

93 A F R E N C H S C U L P T E D W H IT E MARBLE FIG URE O F S T J O H N T H E B A P T I S T AS A Y O U T H , C I R C A 188 4 S t a n d i n g b e s i d e a tre e s t u m p s i g n e c an d d a te d Bouaudel N i z z a 18 84 43%in. (1 11 cm .) hi gh W i t h a later w o o d e n plinth — 24%in. ( 6 3 c m . ) hi gh I R ^ 3 ,( )( )0 - 5 ,{ ) () ( )

U S $ 4 ,0 ( ) { ) - 6 ,7 0 0 € 3 ,9 0 0 -6 ,3 0 0

94 A R E N A I S S A N C E REV IVAL W A L N U T A N D M A R Q U E T R Y SIDE C A B I N E T D e c o r a t e d w i t h m e a n d e r i n g tloral sprays, che rubs, trophies o f w a r a n d p a n el s d e p i c t i n g classical fi gu r es, t h e d e n t i l m o u l d e d c o r n i c e a b o v e a frieze carved w i t h j o v i a l masks and ce n tr ed wi tli a shield d e p i c t i n g a dra go n, a b o v e a pair o f pa nel d o o r s b e t w e e n p r o j e c t i n g u p ri gh ts c a r v e d w i t h classical figures, w i t h a tablet inlaid 1571, w i t h tw'o drawers b e l o w , o n fluted c o l u m n supports with c o m p o s i t e capitals and carved w i t h w i n g e d putti, th e panelled back j o i n e d b y a plinth, o n f o lia t e- ca rv ed feet 49'/^in. ( 1 2 5 . 5 c m . ) w'ide, 6 8 ’/ 2in . ( 1 7 4 c m . ) h i g h , 1 8 i n . ( 4 5 . 5 c m .) d e e p IRX;2,()()()-3,()()()

U S $2 ,700-4,000 € 2 ,600-3,800

95 A N ITALIAN B R O N Z E B U S T O F A M A N , LATE 19TH C E N T U R Y Fitted to a m ar b le plinth in scr ib ed G H N I O . L. N O S T R l F E LI X . L 1 1-y4in. ( 3 0 c m .) hi gh I R X ;i 8 0 - 3 0 0

U S $24()-400 €230-380

96 AN IT ALIAN S C U L P T E D W H IT E MARBLE B U S T O F A LADY, S E C O N D HALF 19TH C E N T U R Y In the 15th century style, inscribed along the truncation

DEC VS A VG VSTA COENOBII 24%in. (62.5cm.) high I R ^ l , 800-2,400

US$2,400-3,200 € 2 ,3 0 0 -3 ,0 0 0

I 97 A F R E N C H E B O N IS E D W O O D A N D G I L T - B R O N Z E M O U N T E D PEDESTAL, LAST Q U A R T E R 19TH CENTURY O f square section, w ith husk m ounts to the fluted sides, with moulded top, on base with acanthus cast gallery 43/4in. (103cm.) high, ISin. (38cm.) square top IR ^ ;3 50-600

US$470-800 € 4 5 0 -7 6 0

9 6 (top) 9 1 (bottom)

98 A S C U L P T E D W H IT E MARBLE B U S T O F A Y O U N G LADY, LATE 19T H/EAR LY 2 0 T H C E N T U R Y 17/4in. (44.5cm.) high on waisted socle; and on an associated cylindrical stained alabaster pedestal with cut corner base — 38'/4in. (97.2cm.) high I R / ; i , 500-2,000

US$2,000-2,700 € 2 ,0 0 0 -2 ,5 00

99 AN EARLY V I C T O R I A N S C U L P T E D W H I T E MARBLE B UST O F A G E N T L E M A N Modelled with frock coat and cravat 23>4in. (60.4cni.) high on a waisted black painted w oo d socle — 6in. (15cni.) high IR ^3,()0()-4,()()0

US$4,()()()-5,300 €3 ,9 00-5,1 00

100

AN E B O N IS E D W O O D P L IN T H , LATE 19TH c: e n t u r y With square platform and panelled sicies 33'/2in. (90.5cni.) high, 17%in. (45.5cni.) square top US$160-240 C l 60-230

99 (top) 100 (bottom)

101

AN ITALIAN S C U L P T E D W H I T E MARBLE B U S T OF A LADY, S E C O N D HALF 19T H C E N T U R Y In the 15th century style, wearing brooch modelled with a fl e u r-c i e -l y s a n d i n s c r i b e d F O R T X T V D O an d PROVEN C IA LVO M 22>4in. (57.8cm.) high IR ^ 2 , 4 0 0 - 3 , 5 0 0

US$3,200-4,700 € 3 ,1 00-4,400

102

AN E B O N IS E D W O O D P L IN T H , LATE 19T H CENTURY W ith pan elled top section abov e ta p erin g c o l u m n , on stepped square base 43'/2in. (110.5cm.) high, 13’/4in. (33.5cm.) square top IR X 250-350

1 0 1 (top) 102 (bottom)

U S$3 40-470 €320-440

103

106

A SEVRES-STYLE T U R Q U O IS E -G R O U N I) PART DESSERT SERVICE, LATE 19TH C EN TU RY Painted with circular gilt-lined panels o f watteauesque scenes, comprising: four low com ports and seventeen plates, painted blue marks (21)

A CA N TON ESE PLATE, 19TH CENTURY Painted with figures on a balcony 9-Xin. (25cm.) diam.; two celadon-ground Cantonese plates; two Imari plates, 18th century; and a famille rose plate

IR ^ 8 0 -1 5 0

,500-2,200

US$2,()()0-2,900 € 2 , 00 ()- 2 , 8()0

US$110-200 €110-190

104 107

A PAIR OF SEVRES-STYLE T U R Q U O IS E -G R O U N D CHARGERS, LATE 19TH CE N TU R Y Painted with circular gilt-lined panels o f watteauesque scenes, painted blue marks 13’/2in. (34cm.) diam. (2) IR £ 1,000-1,200

A BLUE SCALE G R O U N D PART TEA SERVICE In the 18th century style IR;(;i00-180

US$140-240 €130-230

US$1,400-1,600 €1,300-1,500 108

105

A BISCUIT PORCELAIN G R O U P MODELLED W IT H THREE FIGURES around a chessboard; and two other groups

A ROYAL ALBERT PART TEA SERVICE; and a Copeland part coffee service IR;(;i00-180

US$140-240 €130-230

IRX;i 50-200

US$200-270 €200-250

109 A C H I N E S E IMARI C H A R G E R , 18TH C E N T U R Y

A C H I N E S E E X P O R T R E C T A N G U L A R S AU C E T U R E E N , C O V E R A N D S T A N D , 18TH C E N T U R Y

Painted and gilt with stylised sprays of flowers issuing from rockwork 13>4in. (35cni.) diani. IR;£30()-4()()

Painted in coloured enamels with C^riental figures within foliate and puce diaper ground borders IR

US$4(K)-530 C39()-510

,000

US$ 1,000-1,300 € 9 6 0 -1 ,3 0 0

1 10

113

A C H I N E S E IMARI B O W L , 18TH C E N T U R Y

A (GRAINGER LEE & C O . W O R C E S T E R PART DESSERT SERVICE, C IR C A 1820

Painted and gilt with stylised sprays o f flowers \OV2 m. (26.5cm.) diam. IR ;(;250-350

Printed in blue and painted in colours with Oriental sprays o f flowers, comprising: a sauce tureen and cover with eagle finial, a pair o f cjuatrefoil serving dishes, three shell shaped serving dishes, and six plates, blue script marks (12)

US$340-470 C320-440

IR /;3 5 0 -6 0 0

US$470-800 € 4 5 0 -7 6 0

AN ITALIAN M A IO L IC A T W O - H A N D L E D VASE A N D C O V E R , C IR C A 1900 Painted in blue with buildings in lantlscapes ancl scattered sprays of foliage and insects above a painte d gadrooned lower section, painted blue Faenza style marks 19in. (48.5cm.) high

and another Parian figure

IR ^ 3 5 0 - 5 0 0

IR ^ 1 0 0 - 1 5 0

114 A PARIA N G R O U P , 19TH C E N T U R Y ;

US$470-670 C450-630

(2) US$14()-200 € 1 3 0 -1 9 0

THE DRAW ING ROOMS

A WIL LIA M IV G I L T W O O D C O N V E X M IR R O R T h e reeded-nioulded channelled frame, on ebonised slip, surmounted by an eagle cresting above a foliate apron, regilt 26in. (66cm.) diameter, 49in. (124.5cm.) high I R X ; i , 5 0 0-2 ,00 0

US$2,()00-2,700 €2,{)()()-2,5()0

116 A N IRISH M A H O G A N Y D O U B L E F O L D IN G T E A /G A M E S TABLE, M ID 18TH C E N T U R Y T h e hinged top with projecting rounded angles, enclosing green baize playmg surface with counter dishes and corner ro u n d els, on cabriole legs w ith pad feet, th e back, legs probably associated 35in. (89cm.) wide, IH'A'm. (72cm.) high, 17in. (43cm.) deep I R / ; 2 , 00 0-3,00 0

US$2,7()()-4,()()0 € 2,60 0 -3 ,8 0 0

117 A BRASS S T A N D A R D LAMP, EARLY 20T H CENTURY W ith urn reservoir on scroll supports above a Corinthian column, on stepped base with claw feet SlV im . (146cm.) high, excluding fitment IR ^ 5 ( ) 0 - 7 5 0

U S $ 6 7 0 -1,()(){) C640-950

118 A N E D W A R D IA N M A H O G A N Y P LAN T S T A N D W ith tw o circular tiers on square tapering legs, one leg repaired l l ’/ 2 in. (29cm.) ciiameter, 39in. (99cm.) high I R ^ l 8 0 -300

US$240-400 € 2 3 0 -3 8 0

119 A W H I T E F A IN T E D O P E N A RM C H A IR , EARLY 19TH C E N T U R Y D ecorated with floral motifs, the back with vertical splats above a padded seat on turned tapering legs IR ;(;3 50 -6 00

US$47()-800 € 4 5 0 -7 6 0

120 AN IRISH R E G E N C Y M A H O G A N Y W R IT IN G C A B IN E T Decorated with rope-twist mouldings and applieci with gilt metal mounts, the superstructure with a triangular pedim cntcd three-quarter gallery above three mirrored doors enclosing a shelf, with a panelled fall front below decorated with trellis patterned brass inlay and a floral carved border, opening to reveal a fitted interior of pigeon holes and short drawers, the projecting base with a pull-out frieze drawer fitted with a ratcheted leather lined slope, flanked to either side by covered compartments, on baluster-tumed legs joined by a confonning stretcher, with brass caps and castors 45in. (114.5cm.) wide, 75in. (190.5cm.) high, 23â&#x20AC;&#x2122;/4in. (59.5cm.) deep IR ^ 3 ,5 0 0 - 4 ,5 0 0

US$4,700-6,00() â&#x201A;Ź4,500-5,70()

121 AN EARLY V IC T O R IA N W A L N U T FIRESCREEN W ith a rectangular pictorial needlework depicting a harbour scene w ithin a scroll-carved frame, between spiral-turned supports, on acanthus-carved downscrolled legs joined by a stretcher 34in. (86.5cm.) wide, 45/4in. (115.5cm.) high IRX;400-600

US$540-80() C 5 10-760

122

128

A V IC T O R IA N BRASS A N D C O P P E R - M O U N T E D L O G BIN

V AR IO US ITEMS O F FIREPLACE F U R N IT U R E

O t circular outline, with lion mask ring handles and on paw feet 16in. (41 cm.) diameter, 14/4in. (37cni.) high

Including: a Victorian brass fender, o f curved rectangular outline, the pierced gallery centred by a gadrooned band, on stylised feet — 4 1 ’/4in. (105cm.) wide; a pair o f steel and brass tongs; a brass poker; and a mesh spark guard (4)

lR ^;300-500

IRX;i 00-150

US$4()0-67() G390-630

US$140-200 €130-190

129 123

A PAIR O F F R E N C H C R E A M - P A I N T E D A N D PARCEL-GILT D E C O R A T E D FAUTEUIL S, S E C O N D HALF 19TH C E N T U R Y

AN E D W A R D IA N M A H O G A N Y C A K E S T A N D W ith five hinged rounded tiers, on bracketed feet loin. (25.5cm.) wide, 35in. (89cm.) hig IR X ;250-350

Each w ith a channelle d frame, uphols tered in floral silk damas, the top-rail carved with flowerheads, the padded o u ts w e p t arms w ith d o w n s c ro lle d term inals on sh aped supports, with a serpentine seat-rail conforming to the top rail, on cabriole legs with scroll feet (2)

US$340-470 C 320-4 40

I R ^ ; 8 5 0 - 1 ,200 124 A MCX)RISH M O T H E R -O F - P E A R L A N D C H E Q U E R L IN E -IN L A ID O C T A G O N A L O C;CA SIO N A L TABLE, EARLY 20 T H C E N T U R Y

130 A V IC T O R IA N ( i l L T W O O D C IR C U L A R FOOTSTOOL With floral needlework seat I2in. (30.5cm.) wide and another similar

16in. (40.5cm.) wide, 18’/ iin. (47.5cm.) high IRX;i«0-3()0

US$240-4()0 C230-3 80

IRX;iOO-180

A V I C T O R I A N R O S E W O O D T H R E E -T IE R C O R N E R W HATNOT

AN E D W A R D IA N M A HO C JAN Y W I N D O W SEAT T he serpentine back, seat and outswept sides upholstered in patterned turquoise fabric, on square tapering legs jo ined by stretchers 52/4in. (133.5cm.) wide

U S $ 6 7 0 -1,000 C640-950

IR ^ 4 0 0 - 6 0 0

126

US$540-800 €:510-760

132

A F R E N C H O R M O L U FIG URE E M B L E M A T IC O F P L E N T Y O R A U T U M N , 18TH C E N T U R Y

A F R E N C H C ;iL T W O O D A N D C O M P O S I T I O N C O N S O L E TABLE, S E C O N D HALF 19TH C E N T U R Y

With one arm upraised, the other spilling a cornucopia 4>4in. (12.5cm.) high C^)n black marble plinth — l>4in. (4cm.) high IR ^ 1 8 0 - 3 0 0

(2 ) US$140-240 €: 130-230

131

T h e s e r p e n ti n e fr o n te d shelves b e t w e e n s p i r a l - tu r n e d uprights 22in. (56cm.) wide, 40in. (101.5cm.) high, 13in. (33cm.) deep

IR^;500-750

US$1,200-1,600 €1 ,1 00-1 ,5 00

O f broken D-shaped oudine, the carrara marble top above a foliate, guilloche, beaded and ribbon-and-reel moulded frieze centred with a cartouche, supported on putti and joined by stretchers with a classical urn, on turned feet, minor losses 78in . (198cm .) w'ide, 36'/^in. (9 2 .5 cm .) h ig h, 2 6 ’/2in. (67.5cm.) deep

US$240-400 € 2 3 0 -3 8 0

IR X 2,00()-3,000 127

US$2,700-4,000 €2,6 00-3,800

A V IC TO R IA N M A H O G A N Y W HEEL BAROM ETER T h e case with swan-neck pediment (broken), hygrometer above alcohol th e rm o m eter to the trunk, central convex m irr o r w ith in reeded ebonised slip, 7/4in. silvered main dial, th e spirit level b e l o w signed J O H N C U R R O I I'I l V A R R A ! \ T n D (glass lacking) 37in. (94cm.) high

Seated on a rocky outcrop, he lifting a snake with a cane 15in. (38cm.) high

IRX^l 8 0-3 0 0

I R ^ l , 2 00-1,800

133 A FRENCH B R O N Z E G R O U P OF A SHEPHERD W I T H A N Y M P H , M ID 19TH C E N T U R Y

US$240-400 € 2 3 0 -3 8 0

US$1,600-2,400 € 1 ,6 00-2,300

134

A FRENCH O R M O L U AND P O R CE L A IN -M O U N T E D K IN G W O O D STRIKING MANTEL CLOCK, FIRST HALF 19TH CEN T U RY The waisted case with ormolu urn mount to the top, bearded mask caryatids to the front angles trailing a leafy swag below the dial, with lion mask swag above, the front and sides mounted with Sevres style porcelain panels decorated with trophies amidst flowers ancl birds, the white enamel Roman convex dial with outside Arabic five minutes (some chips and cracks), rubbed retail signature, pierced gilt-metal hands, the twin barrel movement with anchor escapement, rack and snail planted on the backplate, with ting-tang strike on two nested bells 32%in. (83cm.) high IRX;3,000-5,000

US$4,(K)()-6,700 €3,900-6,300

135 A FRENCH BRONZE G RO U P OF BACCHIC AMORINI W ITH A GOAT, S EC O ND HALF 19TH CEN TU RY In the manner of Clodion 15%in. (38.5cm.) high IR £ \ ,200-1,800

US$ 1,600-2,400 Cl,60()-2,3()0

136

139

A PA IR O F L O U I S XV I S T Y L E O R M O L U T W I N L IG H T WALL A P PL IQ U E S, 19TH C E N T U R Y

A PA IR O F E ARL Y V I C T O R I A N P A P IE R M A C H E FACE SC R EE N S

T h e scroll br anc he s issuing troni taperi ng backplates with sw a g - h u n g flambeau urn finials; drilled 17in. (44cni.) high (2)

T h e c a rt o u c h e -s h a p e d screens pa in te d w i t h flowers, with t u r n e d g ilt w o o d handles 16in. (41 cm.) l ong (2)

I R ^ l ,200-1,800

IR ^ 2 5 0 - 3 5 0

U S $ 1 ,6 0 0 -2 ,4 0 0 € 1,600-2,300

U S $ 3 4 0 -4 7 0 €320-440

137

140

A P A IR O F F R E N C H R E L IE F C A S T B R O N Z E A PPLIQ U ES, 19TH C E N T U R Y

A L O U I S XV I O R M O L U - M O U N T E D B L A C K A N D W H IT E MARBLE ST R IK IN G P O R T IC O C L O C K

o r S u m m e r a n d A u t u m n , she w i t h traces o f late r gilt; resting o n later w o o d e n supports \ 2 V2\n. (31.5cm.) and 12>4in. (32.5cm.) hi gh respectively(2)

T h e d r u m - s h a p e d c as e s u r m o u n t e d b y t w i n c heruD s flanking a lyre, su p p o rt e d on foliate scroll m o u n t s issuing :o th e sides, r e s t in g o n a r e c t a n g u l a r p l a t f o r m w i t h a balustraded gallery by fo u r stop -flu ted c o lu m n s and with a r u n n i n g foliate sw ag m o u n t across th e front, th e stepped a n d m o u l d e d b r e a k f r o n t base w i t h b e a d e d m o u n t s and central relief panel d e p ic tin g Scientific a m orini, on toupie feet, the w h i t e e nam e l Arabic dial signed Fiton A PAR IS, p i e r c e d and incised gilt-m eta l criss-cross hands , th e twin ba rrel m o v e m e n t w i t h silk su s p e n s io n a n d c o u n t w h e e l strike on bell 28'/»in. (71.5cm.) high, 17’/4in. (44cm.) w id e

IR ; ( ; 5 0 0 - 7 5 0

U S $ 6 7 0 - 1,000 €640-950

138 A PA IR O F F R E N C H B R O N Z E F I G U R E S O F B A T H I N C ; C;iRLS, M i l ) 1 9 T H C E N T U R Y After Falconet and Allegrain 19in. (48.5cm.) and 1914in. (49cm.) hi gh IR

,8 00-2 ,400

(2)

IR ^ 3 , 0 0 0 - 5 , 0 0 0

U S $ 2 ,4 0 0 -3 , 2 0 0 €2,300-3,000

U S $ 4 , 00 0-6 ,7 00 €3,900-6,300

141

141 A N A R T S A N D C R A F T S D O N E C i A L H A N D - K N O T T E D C A R P E T , P O S S I B L Y BY

A L IiXA X D U R M O R T O S & CO T h e l i g h t g r e e n g r o u n d w i t h s h a p e d pan els , u n i t e d w i t h d o u b l e t l o w e r h e a d s in sid e a w i d e c o n t o r n i i n g p i nk a n d ta w n bo rd er , cut tor fireplace, piece folded I9tt. 6in. X 13ft. 6in. (594 x 417cni.) IRX;3,5 0 0 -5 ,5 0 0

US$4,7()()-7,30() â&#x201A;Ź4,500-7,000

142 A R E G E N C Y R O S E W O O D B R E A K F R O N T SIDE TABLE Applied with gilt-metal mounts and mlaid with brass lines, the square tapering supports headed with Egyptian masks and terminating in feet, on a breakfront plinth base, possibly reduced in w idth 6 9 ’/4in. (176cm.) wide, 3 4 ’/2in. (87.5cm.) high, 30in. (76cm.) deep IR X;5,0 0 0 -7 ,0 0 0

US$6,70()-9,300 €6,4 0 0 -8 ,9 0 0

143 A PAIR O F R E G E N C Y M A H O G A N Y SIDE C A B IN E TS Applied w ith gilt-metal mounts, each w ith an associated grey marble top above a frieze centred w ith paterae and anthem ion mounts, with a tambour shutter door enclosing two shelves, between projecting uprights headed w ith Egyptian masks and terminating in feet, on a plinth base, minor differences in size O n e : 37in. (94cm.) w ide (including marble), 33V^in. (85cm.) w ide (excluding marble), 21in. (53.5cm.) high (including marble), 19m. (48.5cm.) high (excluding marble), 36!^in. (91cm.) deep; T h e other: 38in. (96.5cm.) w ide (including marble), 3 5 ‘/2in. (90cm.) w ide (excluding marble), 21%in. (55.5cm.) high (including marble), 19’/2in. (49.5cm.) high (excluding marble), 3 6 ’/2in. (91cm.) deep (2) I R ^ I O , 0 0 0 -1 5 ,0 0 0

U S$14,000-20,000 € 1 3,000-19,000

144 A PA IR O F I T A L I A N B R O N Z E M O D E L S O F T H E F U R I E T T l C E N T A U R S , 19TH C E N T U R Y After the A n tiq u e a i u . (18.5cm.) and

I R ÂŁ \

(16.5cm.) high

(2)

,000-1,500

U S $ 1 ,400-2,()()() C l , 3 0 0 - 1 ,9 0 0

145 A N IT A L IA N E Q U E S T R I A N B R O N Z E O F T H E C O L L E O N I M O N U M E N T , S E C O N D HALF 19TH C E N T U R Y After V e r r o cc h io , o n a re ctan gular 14>4in. (37.5crn.) high IR

ÂŁ \

rottj^e ^^riotte

m arble plinth

,2 0 0-1,800

U S $ 1 ,6 0 0 -2 ,4 0 0 C l , 6 0 0 - 2 ,3 0 0

146 A N IT ALIAN B R O N Z E M O D E L O F T H E T R I T O N F O U N T A I N , S E C O N D HALF 19TH C E N T U R Y After Bernini, from th e Piazza Barberini, R o m e , m o d e lle d w ith fo u r addorse d dolphin s su p p o rtin g tw in shells w ith central figure o f a triton d r i n k in g from ac o n c h shell, on yellow m arble and black slate plinth 9/4in. (24cm.) hi gh overall IR ^ 1 8 0 - 3 0 0

US$24()-4()0 C230-380

147 A N IT A LIAN B R O N Z E B U S T O F S E N E C A , LATE 18TH O R 19TH C E N T U R Y C")]! spreading socle 7in. (18cm.) high O n grey marble cylindrical pedestal and ebonised w o o d base; and a bronze figure o f Jupiter, 19th century — 5y4in. (14.5cm.) high, on a variegated marble sphere and square base (2) IR^;25()-50()

US$340-67() €320-630

148 A N ITA LIA N E Q U E S T R I A N B R O N Z E O F M A R C U S A U R E L IU S, FIRST HALF 19TH C E N T U R Y After the Antique, on a rectangular Siena marble plinth T he b r o n z e — lSy4in. (40cm.) high, 19>4in. (50cm.) high overall IR

,80 0-2,400

U S S 2 ,4 0 0 - 3 ,2 0 0 €2,300-3,000

149 T H R E E B R O N Z E FIGURES, LATE 19TH C E N T U R Y Including: a pair ot winged figures resting on orbs. Victory' and Fortuna, both lacking a w in g — 8/4in. (21.5cm.) high; on marble plinths; another bronze Victory, damaged — 8'/^in. (21.5cm. high; and tw o marble plinths (5) IRX;i 5 0 - 2 5 0

U S S 2 0 0 -3 3 0 C 200-320

1S2

1 50

152

A N IT A LIA N B R O N Z E F IG U R E O F A SA T Y R E SS, POSSIBLY 17TH C E N T U R Y

THREE BRONZES Including: a ch eru b w it h outstretc hed arms (fomierly w i t h ca n d leh o ld ers) o n w a isted plinth w i t h relief m o un ts, 19th cen tu ry — 9V^in. (2 4 cm .) high; a grou p o f a m an with a stag, s e c o n d quarter 19th cen tu ry — SYiin. (1 4 cm .) high; and a d a n cin g faun, late 19th cen tu ry — 6 >4in. (17 cm .) high (3)

Afte r the m o d e l b y S e v e r o da R av en n a 8 ’/ 2in. (2 1 .5 cm .) h igh O n an associated plaster socle IR ^ 2 5 0 - 5 0 0

U S$34()-670 €320-630

IR ^ 2 5 0 - 3 5 0

U S$340-470 €320-440

153 A N IT A L IA N B R O N Z E FIG U R E O F JU PIT E R . 19 T H C E N T U R Y

151

After the m o d e l b y Alessandro Vittoria, h o l d i n g a i g h t n i n g b o lt a nd w i t h an eagle b esid e him; cracks to o n e f o o t and o n e ankle 1 2 ’/ 4in. ( 3 1 . 5 c m .) h ig h

A N IT ALIAN B R O N Z E F IG U R E O F M A R S, EAR LY 19 T H C E N T U R Y A lt e r G i a m b o lo g n a , lack in g sw o r d 1 5in . ( 3 8.5cm .) high O n eb o n ised w o o d plinth — 5in . ( 1 2 .5 c m .) h ig h

V i t t o r i a ’s J u p i t e r is in t h e K u ii sth i sto r i sc h e s M u s e u m , V ie n n a.

IR ^ 1 , 8 0 0 - 2 , 4 0 0

IR ^ 5 0 0 - 7 5 0

U S $2,40()-3,200 €2,30()-3,00()

U S $ 6 ^ 0 - 1,00 0 €64()-950

156

154 A PAIR OF ITALIAN M A R M O VERDE A N T I C O MODELS OF ROMAN BATHS, FIRST HALF 19TH CEN TU RY Modelled with handles and with lion masks, on paw feet, mounted on rectangular yellow marble plinths; one with a hole SV^in. (21.5cm.) wide (2) IR £ 1 ,000-1,500

A FLORENTINE STYLE BRO NZE FIGURE OF A WARRIOR, 19TH CE N T U RY 11 'Am. (28.5cm.) high on an associated brass-inlaid rosewood plinth — 3/4in. (9cm.) high A similar statu ette , a t tr ib u te d to B e n v e n u t o Cellini, is in the Victoria and Albert m useum . A 16th century example, with the warrior holding a head in his raised hand, was offered Christie’s L ondon, 7 D ece m b e r 1993, lot 98.

US$1,400-2,()0() €1,300-1,900

IR ^ 2 5 0 -3 5 0

US$340-470 €320-440

155 VARIOUS ITEMS Including: a Paduan style bronze candleholder, modelled with two demons holding baskets in front o f them (one lacking), a column between them topped by a figure of the devil, 19th ce n tu ry — 15in. (38cm.) high; a b ro n z e ornamental ewer, with w’inged caryatid handle, elaborately cast flattened ovoid body on winged female bust supports, late 19th century — 18m. (46cm.) high; a bronze lid modelled with a group ot naked women; and a pewter jug (5)

AN ITALIAN BRO NZE FIGURE OF A BACCHIC Y O U T H , 19TH C EN TU RY Pouring wine into a jug 1 l->4in. (30cm.) high on an associated plinth cast with grotesque figures — 3'/2in. (8.5cm.) high

IR ^30 0 -5 0 0

IR;C400-600

157

US$400-670 G390-630

US$540-800 €510-760

15S A PA IR O F G E O R G E III O P E N A R M C H A I R S , IN T H E M A N N E R O F J O H N L IN N E L L O n e gilded, o n e pain ted, each w ith a ch ann e lle d frame uph olstered in pa tte rn ed floral fabric, the oval p a d d e d b a c k s u r m o u n t e d b y a p a te r a e w i t h h u sk stems, t h e p a d d e d a rm s w i t h scrolled terminals, o n ch ann e lle d shaped supports, w ith a b o w e d seat rail c o n f o r m i n g to the top-rail, o n paterae h e ad e d stop -flute d t u r n e d tapering legs, re - d e c o r a te d (2) T h e re ct il in ea r arm d e s i g n o f t h e s e ciiairs r e s e m b l e s t h e k n o w n w o r k o f J o h n Li nn ell . T h e c h a n n e l l e d a rm a p p r o a c h e s t h e t o p o f t h e l e g at rig ht a n g le s as o n a s ui t e s u p p l i e d in c. 1 7 7 5 - 8 to Invera ray C'astle, illustrated in H . H a y w a r d an d P. K i r k h a m a n d J o l iu L in n ell, L o n d o n , 1 9 8 0 , v o l II, p i. 9 0 . A n id e n t ic a l le g appears o n a chai r fr am e illustrated in H . O s c i n s k y , Hi[{>lisli I'liniitiirc o f the E ig h teen th C e n tu ry , v o l. I ll, p . 2 0 8 , fig. 2 4 3 . A set o t t e n c o m p a r a b l e a rm ch ai rs w e r e s o ld to r / ^ 4 I , 8 0 0 ( i n c l u d i n g p r e m i u m ) , C h r i s t i e ’s K i n g Str ee t, 5 t h D e c e m b e r 1 9 9 1 , lo t 2 4 5 .

IRX;3,()00-5,()()0

USS4,()()0-6,7{)() C3,9()()-6,30()

159 T W O BRONZES In c lu d i n g : an Italian V e n u s w i t h d o l p h i n , p r o b a b l y 16th c e n t u r y — 414in. ( 1 1 c m .) h ig h , o n variegated m arble plinth; an d a b ro n z e finial m o d e lle d as a y o u th , w ith h o llo w e d o u t back, possibly 18th c e n tu r y — S'Ain. (14cm.) high, o n variegated m arble plinth (2) IRX;3 5 0 - 6 0 0

US$47()-8()0 €450-760

160 A F R E N C H IN L A ID W A L N U T S E R P E N T I N E T A B L E A M B U L A N T E , M I D I 9 T H C E N T U R Y Applied w ith gilt-m etal m o u n ts and d e cora te d w ith k i n g w o o d crossbanding, the to p c en tred w ith a cu b e p a rq u e tr y p anel b o r d e r e d by foliate m a rq u e try , the shaped frieze fitted w ith a drawer, on cabriole legs ter m in a tin g in gilt sabots 28>4in. (73cm.) w ide, 28>4in. (73cm.) high, 171^in. (44.5cm .) deep IR

,5 0 0 -2 ,5 0 0

US$2,000-3,3()() G2,()0()-3,2(K)

161 A R E S T A U R A T IO N B R O N Z E A N D O R M O L U S T R IK IN G M A N T E L C L O C K T h e case surm ounted by a classical female figure leaning against a plinth, on stepped roii_^c ^^riotte marble base anci stiff leaf cast gallery, with m o u n t to the front cast with the inscription LH M O M E N T OLJ J E P A R L E E S I ’ DEJA L O I N D E M O I, on block feet, the orm olu dial with leaf cast bezel to the Roman chapter ring, engine-turned and flowerhead cast centre with signature plaque M A L L E T H .R D E M .G R L E D U C D ’O R L E A N S , steel m oon hands, the front glass slotting into the sides o f the case, the twin barrel m ovem ent with silk suspension and countwheel strike on bell 23'/tin. (59cm.) wide, 25'/4in. (64cm.) high IR

,8 0 0 -2 ,5 0 0

USS2,4()0-3,300 €2,3()0-3,200

162 A G E R M A N K I N G W O O D A N D T U L I P W O O D B O M B E OPFLAPTAFEL, LATE 1 8 T H /E A R L Y 19TH C E N T U R Y D ecorated with p u rplew ood crossbanding and lines, the hinged top fitted to the underside w ith tw o hinged shelves and enclosing hinged flaps supported to the side by lopers, with tw o frieze drawers, tw o cupboard doors and a shaped apron below, on outswept legs, the reverse with the remains o f a paper label inscribed in ink Aii...Dc...Gcbraeders (?) 40in. (101.5cm.) wide, 31V^in. (80cm.) high, 21in. (53.5cm.) deep IR ^ 2 , 0 0 0 - 3 , 0 0 0

US$2,700-4,000 €2,600-3,800

163 A PAIR O F LATE V IC T O R IA N C U T A N D M O U L D E D GLASS T W I N - L I G H T WALL A PP L IQ U E S T h e scroll branches issuing to the sides and strung with faceted pendants, with central faceted spires w ith bell tops and fleurde-lys finials, issviing from backplates with moulded glass crestings; adapted (2) IR X ;250-400

US$340-530 € 3 2 0 -5 1 0

164 A N IT A L IA N S C U L P T E D A N D P A R C E L - G I L T A L A B A S T E R B U S T O F M A R I E A N T O I N E T T E , S E C O N D H A L F 19TH C E N T U R Y After Felix L ec o m te , h e r hair c au g h t in a c h ig n o n tied w ith flowers, h e r robes sculpted w ith fleurs-de-lys, w e a rin g a bro o c h w ith profile portrait o f Louis X V I, o n w aisted socle 29'/2in. (75cm.) hig h overall L econite’s 1783 bust o f M a rie-A ntoinette is in the Miisee National du C hateau de Versailles.

I R / ; 3 , ( ) 0 ( ) - 5 ,0 0 0

U S $4,0()0-6,700 €3 ,9 0 0 -6 ,3 0 0

165 A F R E N C H S C U L P T E D W H IT E M A RBLE B U S T O F A LADY, 19TH C E N T U R Y After August Pajou and b e a rin g signature to the side o f the drapery a. Pajon 1773 23'/2in. (60cm.) high 5 0 0 - 5 ,5 0 0

US$4,7{)0-7,300 €4 ,5 0 0 -7 ,0 0 0

166 A PA IR O F G R E Y A N D W H I T E M A R B L E P E D E S T A L S , S E C O N D H A L F 1 9 T H C E N T U R Y W ith stop-fluted cylindrical colum ns rising from bardiglio sockets w ith square bases and supporting square platfonns (one lacking) 4()'/4in. (I0 2 c m .) and 36'/4in. (93cm.) high (2) IR X ;2,000-3,000

US$2,7()()-4,()()0 C 2 , 600 -3 ,8 0 0

167

A F R E N C H E130N1SED, O R M O L U - M O U N T E D A N D FO L IA T E C U T -B R A S S INLAID L O N G C A S E R E G U L r i H U R , 19TH C E N T U R Y T h e w a iste d case s u r m o u n t e d by an o r m o l u fi gure o f C hronos, inlaid in cut brass with foliate scrolls ancl festive figures, w ith female mask to the tru nk and glass lenticle within a foliate cast frame, the spreading plinth supported on paw feet to the front, with a further female mask m o unt to the base b e t w e e n , th e cast b ro n z e dial applied w ith individual w h ite enam el R om an cartouche chapters and outside Arabic five minutes (some cracks anci chips), the plain enam el centre signed M A R T I X O T A P A RI S , the m o v e m e n t w i t h p i n w h e e l e s c a p e m e n t an d p e n d u l u m swinging behind the dial plate, rack strike on bell m ounted on a plate above the movem ent 921/2in. (235cm.) high IR ;£3,5()0-6,0 00

US$4,700-8,000 €4 ,5 00-7 ,6 00

168 SIX ENC;RAVED r u m m e r s , c i r c a 1900 T h e g en ero u s conical bowls engraved with co n tin u o u s hunting scenes 6in. (15cm.) high; and a water j u g and tw'o generous rummers (9) IR ^ 5 0 0 - 7 5 0

US$670-1,000 C640-950

169 A C O M P O S I T E SET O F E I G H l EEN SIMILAR R U M M E R S , M ID 19TH C E N T U R Y T h e waisted bucket bowls on knopped stems and circular feet (18) IR X ;5 00-750

US$670-1,0()0 €6 40-950

170

173

T H R E E S I M I L A R O P A Q U E - T W I S T W I N E GLASSE S, C I R C A 1770

A PA IR O F C U T P O U R I N G CILASSES, C I R C A 1825 T h e t a p e r e d cy lin drical b o w l s c u t w i t h a fine d i a m o n d b a n d abo v e a fluted l o w e r section, o n k n o p p e d stems and circular feet 6in. (15cm.) high; a n d a n o t h e r p o u r i n g glass w i t h fluted l o w e r se c tio n a n d m o u l d e d base — 4%in. (10.5cm.) high (3)

T iie r o u n d fu n n e l b o w ls on d o u b le - s e r ie s stems w ith c o rk sc re w core o n conical feet 6'/)in. (16cni.) high (3) IR ^120-18()

US$160-240 C l 60-230

IR ;(;3 5 0 -6 0 0

US$470-800 €450-760

171 A C O N T I N E N T A L O P A Q U E - T W I S T W I N E GLAS S, LATE 18TH C E N T U R Y 174

T h e bell b o w l ab o v e do u ble-series ste m w ith t w o knops, on conical to ot 6/4in. (16.5cm.) high; a nd t w o o t h e r C o n t in e n t a l opac]ue-tw ist w i n e glasses (3) IR ^ 1 0 0 - 1 50

A H A R L E Q U IN SET O F E IG H T C O L O U R -T W IS T C H A M P A G N E FLUTES, 20T H C E N T U R Y possibly W hitefriars 7>4in. (20cm.) high

US$140-200 €130-190

IR ;(;250-350

(8) US$340-470 C 3 20-440

A N O P A Q U E - T W I S T R A T A F I A GLAS S, C I R C A 1770 175

T h e slender b o w l w ith h a m m e r e d - t l u te l o w e r section, o n d ou b le-s eries ste m w ith gauze core w i t h in spiral threads, o n conical too t 7VKin. (18cm.) high

T E N G O B L E T S , C I R C A 1900 W i t h tluted and wa isted bowls 5'/4in. (14cm.)

U S $ 1 , 4 0 0 - 2 ,0 0 0 €1,300-1,900

IR ^120-180

( 10) US$160-240 €160-230

176

182

A P A IR O F C U T C E L E R Y VASES, 1 9 T H C E N T U R Y

T H IR T E E N V A R IO U S FIN G E R BOW LS, M O S T L Y 19TH C E N T U R Y ( 13)

T h e flared bow ls w ith serrated rims above an obHque flute b a nd , horizo ntal b a n d a nd central fluted section, th e l o w e r part c u t w ith fine d ia m o n d s an d vertical flutes b e n e a t h a ho rizon ta l band, o n k n o p p e d stem a nd conical feet, star cut to the underside 7/4in. (19cm.) high (2) IR /;6 0 0 -8 5 0

IR /;i0 0 -1 5 0

U S $ 8 0 0 - 1,100 € 7 7 0 -1 ,1 0 0

U S $ 1 40-200 €130-190

183 A P A IR O F C U T P R E S E R V E P O T S A N D C O V E R S , 19TH C E N T U R Y W ith w h ite - m e t a l finials, the cylmdrical jars cut w it h a broad band o f vertical ribs 6'/4in. (16cm.) high (2)

177 A Q U A N T I T Y O F M O S T L Y D R I N K I N G GLASSES IR ^250-350

US$340-470 €320-440

IR X ;i 8 0 - 3 0 0

U S$240-400 €230-380

178 A S E T O F T W E L V E C U T S H E R R Y GLASSES, L A T E 19TH C E N T U R Y

184 A N O V A L F L A T - C U T D I S H , C I R C A 1790

T h e bo w ls w ith a fine d i a m o n d ba nd , on k n o p p e d stems an d conical feet ( 12) IR ^ 1 8 0 - 3 0 0

T h e scalloped rim above a d ia m o n d band, the underside cut w ith radiating petals 8 ’/ 4in. (2 0 cm.) w id e

US$240-400 €230-380

IR X 250-350

U S$340-470 € 320-440

179 A N E N G R A V E D S H O R T ALE (iLASS, C I R C A 1800 T h e f u n n e l b o w l w i t h a b a n d o f fr u i ti n g h o p s a b o v e a spirally fluted lo w e r section, ru d im e n ta r y stem and conical foot 5in. (13cm.) high; a t o d d y lifter, early 19th c entury; and a sugar c ru she r (3)

W it h serrated rims ab ove a d i a m o n d band, th e t u r n - o v e r handles w ith fan-cu t terminals (2)

IR ^ 2 5 0 - 3 5 0

IR X ;250-500

185 A PA IR O F C U T P K ; G I N S , C I R C A 1820

US$340-470 €320-440

U S$340-670 €320-630

180 186

A W H IT E -M E T A L M O U N T E D CLARET JU G A N D H I N G E D C O V E R , C I R C A 1880

A PA IR O F C U T C R E A M J U G S , C I R C A 1840

W i t h b r a n c h h a n d le , th e g l o b u la r b o d y m o u l d e d w i t h a re ed e d b a n d lo w e r section 8-y4in. (2 2 cm.) high

T h e fluted necks ab ove d i a m o n d b a n d l o w e r sections 4V^in. (10.5cm.) high; and a n o th e r similar j u g

IR /;2 5 0 -3 5 0

I R ; ( ;2 5 0 - 5 0 0

US$340-470 €320-440

(3)

U S$340-670 €320-630

181 187

A C U T C L U B -SH A PE D D E C A N T E R A N D A S S O C IA T E D S T O P P E R , EARLY 19TH C E N T U R Y

A C U T W A T E R JU G , 19TH C E N T U R Y

C u t w i t h vertical panels o f stars and ovolos b e n e a t h a scale c ut sh o u ld e r and fluted neck the d e ca n ter — 8/4in. (2 2 cm.) high (2)

T h e ne ck w ith horizontal fiutes, ab o v e a d ia m o n d band 514in. (13.5cm.) high; a n d a n o th e r cu t w'ater j u g — (iV im . (17cm.) high

IR ^ 2 5 0 - 3 5 0

IR ^ 1 2 0 - 1 8 0

US$340-470 €320-440

(2)

U S $ 1 6 0 -240 €160-230

188

191

A C U T OVAL PEDESTAL BOWL, LATE 19TH C E N T U R Y

A PAIR OF CLUB-SHAPED DECANTERS A N D SPIRE STOPPERS, MID 19TH C E N T U R Y

Cut with a vertical flute band above broad diamond lower section, on stepped stem and square foot 13'/tin. (34cm.) wide

The fluted necks with single neck ring, the fluted shoulders with swag band above a lancet band lower section 14'/4in. (36cm.) (2)

IR;(;250-35()

IRX;250-350

US$34()-470 € 3 2 0 -4 4 0

US$340-470 € 3 2 0 -4 4 0

189 A C U T U R N -S H A P ED BOWL, LATE 19TH C E N T U R Y

192 A C U T C LUB-SHAPED D EC AN T ER A N D SPIRE STOPPER, MOSTLY 19TH C E N T U R Y 13%in. (35cm.) high; and seven other various decanters, ciamages throughout, various dates (8)

With turn-over rim, the body cut with diamond bands, on stepped stem and square foot 9'/4in. (24.5cm.) high IR;£3 50-600

US$470-800 € 4 5 0 -7 6 0

IR,C120-180

190

US$160-240 € 1 6 0 -2 3 0

A PAIR OF C U T URNS, 19TH C EN T U R Y The funnel bowls with a broad diamond banci on stepped feet and square bases, star-cut to the undersicle SVim. (14cm.) high; and a rummer, the tunnel bow'l cut with vertical tlutes, on a lemon squeezer base, early 19th century — 5in. (13cm.) high (3)

The barrel shaped bowls cut with a fine diamond band, on knopped stems and circular feet; and five other various goblets (8)

IR ^ 3 5 0 - 6 0 0

IR ^ ;i2 0 -1 8 0

193 THREE RUMMERS, 19TH C E N T U R Y

US$470-80() € 4 5 0 -7 6 0

U S$160-240 € 1 6 0 -2 3 0

194

200

A M ISC E L L A N E O U S Q U A N T I T Y O F D R I N K IN G c; l a s s e s

A TALL P A L E -R E A C H -T IN T H O R I Z O N T A L L Y RIBBED VASE, 2 0 T H C E N T U R Y 14in. (36cm.) high; a shallow amythest bowl applieci with prunts; a pale yellow bowl applieci with three scroll feet; and a bowl with broad rim (4)

IR ^ 2 5 0 -3 5 0

US$340-47() € 3 2 0 -4 4 0

IR ^ 2 5 0 - 3 5 0

US$340-470 G320-44()

195 A Q U A N T I T Y O F D O M E S T IC GLASS

201

including various cirinking glasses IR ^250-350

A C U T B O N B O N N I E R E , 19TH C E N T U R Y US$340-470 € 3 2 0 -4 4 0

With fluted turnover rim and square base 4V^in. (11.5cm.) high; three various flat-cut H-shaped salts with moulded feet, one salt broken; and various other items o f cut glass IR;(;25()-350

US$340-470 €320-440

196 E K ’. H T V A R IO U S D E C A N T E R S A N D SEVEN A SS O R TE D S T O PFE R S, V A R IO U S DATES, FIRST HALF 19TH C E N T U R Y (15) IRX;25()-35()

202 A W A T E R F O R D C'.RYSTAL FLARED VASE, 20 T H C E N T U R Y C u t with vertical zig-zag bands, acid stamp mark lOin. (25.5cm.) high; a pair o f flared brilliant-cut vases —- 8in. (25cm.) high; and four other items o f glass (7)

US$34()-470 € 3 2 0 -4 4 0

lR ^lO O -150

US$14()-200 € 1 3 0 -1 9 0

197 A Q U A N T I T Y O F C U T SHERRY A N D L IQ U E U R ('.LASSES and two circular trays IR ;C 250-350

203 F O U R V E N E T IA N FALE-BLUE O F A L E S C E N T FIN G E R B O W L S A N D SIX STAN DS, 2 0T H C E N T U R Y

US$340-470 € 3 2 0 -4 4 0

W ith gilt and w hite enamel swag bands, six similar spirit glasses; and various other items IR /; 2 5 0 - 3 5 0

US$340-470 € 3 2 0 -4 4 0

198 A B R l L L l A N T -C U T S IL V E R -M O U N T E D FR U IT B O W L , HALLMARKS FO R B IR M IN G H A M , C IR C A 1900

204 AN IRISH C U T C A N O E -S H A F E D B OW L , C IR C A 1800

9in. (23cm.) diam.; three cut glass bowls; and a cracked-ice tapered cylindrical ju g with ice insert (5) IR ^ 3 0 0 - 4 0 0

With serrated rim and diamond band, on bobbin stem and reeded moulcied foot, (large section o f foot missing) 10'/4in. (26cm.) high; and another cut oval bowl, cracked, late 19th century (2)

US$400-530 € 3 9 0 -3 1 0

IR ^ 1 2 ( ) - 1 8 0

US$160-240 € 1 6 0 -2 3 0

205 199

A G E N E R O U S B O W L , 19TH C E N T U R Y

A Q U A N T I T Y O F D O M E S T IC GLASS including various jugs and vases

O n domed folded foot lO’/ iin. (26cm.) diam.

IR ^ 2 5 0 - 3 5 0

US$340-470 € 3 2 0 -4 4 0

IR ;(;i2 0 -1 8 0

U S$160-240 €1 6 0 -2 3 0

206

209

A C U T PEDESTAL B O W L , 19TH C E N T U R Y

T W E L V E W IN E FLUTES, LATE 19TH C E N T U R Y

T h e scalloped rim above a broad diamond band, short stem and star-cut conical foot (7'/2in.) 19cni. high; and another similar (2)

With basal collars, short stems and circular feet 6 ’/4in. (16cm.) high; and seven other wine glasses with slender concial bowls on knopped stems and circular feet — 3>4in. (14.5cm.) high (19)

IR X 500-750

IRX ;250-350

U S $ 6 7 0 -1,000 € 6 4 0 -9 5 0

210

207 A C U T A N D M O U L D E D PEDESTAL B O W L , C IR C A 1900 W i t h flu te b a n d a b o v e a b ro a d d ia m o n d s e c tio n , on knopped stem and circular foot 8>4in. (22cm.) high IR X 2 5 0 - 3 5 0

US$340-470 € 3 2 0 -4 4 0

A C L U B -S H A P E D D E C A N T E R A N D ST O P P E R , 19T H A N D 2 0 T H C E N T U R IE S T h e three neck rings cut with diamonds, the ovoid body with broad diamond band lO'/^in. (27cm.) high; and a quantity o f domestic glass including: decanters, flasks and drinking glasses IR ;(;250-350

US$340-470 € 3 2 0 -4 4 0

208 A C:UT PEDESTAL B O W L , LATE 19TH C E N T U R Y

211

T h e serrated rim above a geometric pattern band o f fine diam onds and flutes, on short waisteti stem and star-cut foot 8 ’/ iin. (21cm.) diam.

A LARGE Q U A N T I T Y O F A SS O R T E D PART C H I N A , TEA A N D C O F F E E SERVICES; a set o f tw'elve kidney shaped dishes; and a cjuantity ot other domestic pottery and porcelain

IR X 250-350

IR X;50-70

US$340-470 C320-440

USS67-93 €64-89

212

214

A F R E N C H W A L N U T B O N H E U R D U JO U R , LATE 19TH C E N T U R Y

A FR E N C H B ISC U IT PO R C EL A IN JA RD IN IERE, S E C O N D HALF 19TH C E N T U R Y

A p p l i e d w i t h gilt m eta l m o u n t s a n d Sevres style p a i n t e d p o r c e la in plaques, the s u p e r s t r u c tu r e w i t h an a rc h e d cresting a n d three q u a rte r gallery a b o v e a m i r r o r e d back flanked to e ith er side by a do or, w i t h three drawers b e lo w , t h e base f i t t e d w i t h a fr i e z e d r a w e r , o n c a b r i o l e legs te rm inating in gilt sabots 4 4 i n . ( 1 1 2 c m . ) w i d e , 5 7 ! ^ i n . ( 1 4 6 c m . ) h i g h , 1 9 ’/ 2in. (49.5cm.) deep

O f ta p e rin g cylindrical form , th e b o d y m o d e l l e d in l o w r e li e f w i t h ba nds ot c a v o r t i n g a m o r i n i , a r u n n i n g scroll b a n d a b o v e p a in t e d w i t h a blue g r o u n d , w i t h gilt r a m s ’ he ad m o u n ts 12>4in. (32.5cm.) high

IR X ; 2 ,4 () 0 - 3 ,5 0 0

IR ^ 3 0 0 - 5 0 0

US$400-670 €390-630

U S $ 3 , 2 0 0 - 4 ,7 0 0 €3,100-4,400

213 A PA IR O F F R E N C H P A I N T E D B I S C U I T PO R C EL A IN A N D G IL T -M E TA L M O U N T E D FIG URAL C A N D E LA B R A , T H IR D Q U A R T E R 19TH C E N T U R Y

215 A F R E N C H G I L T - B R A S S A N D GLASS E LE C T R O L IE R , EARLY 20 T H C E N T U R Y

M o d e l l e d as a rustic y o u t h a n d a girl, t h e foliate scroll bra nch es issuing fr o m tree stu m ps b e h i n d t h e m , the dish pans h u n g w i t h faceted glass lustres; chips to o n e h a n d 15’/2in. (39.5cm.) high (2)

O f i n v e r t e d t r u m p e t f o r m , s t r u n g w i t h f a c e t e d glass pe nd an ts 40in. (102cm.) high

IR ^ 3 5 0 - 6 0 0

IR ^ 6 0 0 - 1 , 0 0 0

U S$470-800 €450-760

U S $ 8 0 0 - 1,300 €770-1,300

216

218

AN IRISH G E O R G E III M A H O G A N Y C A R D TABLE

A B R O N Z E FIG URE O F A P R O P H E T , S E C O N D HALF 19TH C E N T U R Y

T h e hinged top with projecting rounded angles opening to reveal a green baize lined playing surface w ith co u n te r dishes and corner roundels, above a shaped frieze centred w ith a scallop shell, on conforming carving cabriole legs with paw feet 34'/2in. (87.5cni.) wide, 28in. (71cm.) high, 16/4in. (42cm.) deep IR X ;3 ,0 0 0 -5 ,()()()

O n naturalistic base 11m. (28cm.) high IRX ;250-500

US$340-67() € 3 2 0 -6 3 0

US$4,(K)0-6,700 €3,9()()-6,300 219

217

A N ITALIAN B R O N Z E FIG U R E O F SAINT A N T O N Y T H E G REAT, 19TH C E N T U R Y

A FAIR O F IRISH BRASS A N D M A H O G A N Y M A H O G A N Y M E C H A N I C A L BELLOWS, 19TH CENTURY

H is robes cast w ith a 7’, holding a cane with a bell and reading the Bible, the naturalistic base modelled w ith a serpent 9'/4in. (23.5cm.) high

O f typical form 22/4in. (57.5cm.) wide IR X 6 0 0 - 1 ,()()()

IR ^ 2 0 0 - 3 0 0

US$80()-1,300 € 7 7 0 -1 ,30 0

US$270-400 € 2 6 0 -3 8 0

220

222

A V IC T O R IA N W A L N U T K ID N E Y -S H A P E D W R IT IN G TABLE

A F R E N C H O R ITALIAN FIGURAL B R O N Z E F O U R L IG H T C A N D E L A B R U M , M ID I9 T H C E N T U R Y

Applied with gilt-metal mounts, the crossbanded top above a frieze drawer, on cabriole legs w'ith gilt sabots, bearing a metallic label J.J Byrne. Upholsterer 6. Henry Street, Dublin and branded J.J Byrne. 6. Henry St. Dublin 42in. (1 0 6 .5 c m .) w id e , 2 9in . (7 3 .5 cm .) hig h, 21 Kin. (54cm.) deep

Modelled as a w m g ed bacchic youth wearing a lion’s pelt and with his foot on a wild boar, with a tree stump beside him, on shell and scroll cast base 25in. (63.5cm.) high

I R X ;i,50 0-2,500

IR £ \ ,200-1,800

US$1,600-2,400 € 1 ,6 0 0 -2 ,3 0 0

US$2,()0()-3,300 €2 ,00 0 -3 ,2 0 0

221

223

A LATE V IC T O R I A N C U T A N D M O U L D E D GLASS T H R E E -L IG H T C A N D E L A B R U M

V A R IO U S ITEM S O F FIREPLACE F U R N IT U R E Including: a copper and brass coal bin, o f tapering form w ith urn fmial and sw ing handle, late 19th cen tu ry — 14’/2in. (37cm.) high; a pierced brass fender, o f cu rved outline and on ball feet, late 19th/early 20th century — 49'/^in. (126cm.) wide; a brass mesh folding spark guard; a brass shovel; a pair o f tongs and a poker (7)

The petal-shaped nozzles rising from lobed dish-pans hung with faceted pendants, w ith further pendants suspended from a m o u l d e d in tersectio n b elow ; losses to co lu m n , possibly adapted 25^4in. (65.5cm.) high IRX;1H0-250

U S$240-330 G230-320

IRX;i 20-250

USS160-330 € 1 6 0 -3 2 0

RHH

224 A P A IR O F L O U I S X V I S T Y L E O R M O L U A N D W H I T E M A R B L E FICIURAL F O U R - L I G H T C A N D E L A B R A , T H IR D Q U A R T E R 19TH C E N T U R Y After the m o d e l b y C l o d i o n , m o d e l l e d w i t h an infant bacch an te an d satyr respec tiv ely , o n bases b earing the signature Clodion, h o l d i n g bra nch es cast w i t h grapes, o n fluted cylindrical pedestals w i t h floral sw a g m o u n t s ancl bases w i t h b ea d ed galleries and recessed panels w i t h scroll m o u n t s , o n t o u p i e feet 20!4in. ( 5 1 .3 c m . ) h igh (2) 4 0 0 -3 ,6 0 0

US$3 ,2 ()( )- 4,80 () €3,I()()-4,6()0

225 A PAIR O F F R E N C H S C U L P T E D W H I T E M A R B L E B U S T S O F B A C C H U S A N D A N Y M P H , L A T E I 9 T H C E N T U R Y 11 .4 in . ( 3 0 c m .) and l l V 2 in. ( 2 9 c m .) h ig h re sp ect ively o n variegated marb le socles — 4in. ( lO c m .) h igh

(2)

IR £ 1 , 0 0 0 - 1 , 5 0 0

U S$ 1,400-2,000 € 1 ,3 0 0 -1 ,9 0 0

226 A LO UIS XVI O R M O L U -M O U N T E D W H IT E M ARBLE STR IK IN G M A N T E L C L O C K T h e naturaHstically sculpte d case su rm ou n te ci b y figures o f infant b a cch u s and a goat eating b u n c h e s o f grapes, o n b o w - s i d e d break front base inset w i t h rel i e f panels d e p i c t in g ca vortin g am orin i, w i t h b ea d ed gallery m o u n t , o n flattened b u n feet w i t h reedeci bands, t h e w h i t e e n a m e l Arab ic dial si gn ed Consin A P A R I S , p ierced and in ci se d g i lt- m eta l hands; the later (19th c en tu ry ) t w i n barrel m o v e m e n t w i t h strike o n bell 21'/2in. ( 5 5 c m .) high , 1 9 ‘/4in. ( 4 9 c m .) w i d e IR ;C 3,5 0 0 - 5 ,5 0 0

U S$4,700-7,30() € 4 ,5 0 0 -7 ,0 0 0

227 A N E B O N IS E D A N D PA R C E L -G IL T O V E R M A N T E L , LATE 19T H C E N T U R Y T h e arched top w i t h shell and l e a f cresting, flanked w i t h t w o urn finials, o v e r a m irror plate anci t w o fluted pilasters, w it h l o w e r scroll angles 7ft. l o i n . X 6tt. 3i n . ( 2 3 8 x 19 1cm .) IR ^ 1 , 2 0 0 - 1 , 8 0 0

U S $ 1 ,6 0 0 -2 ,4 0 0 € 1 ,6 0 0 -2 ,3 0 0

228

230

A F R E N C H W A L N U T A N D B EE C H ETAGERE, EARLY 20T H C E N T U R Y

A N A P O L E O N III B R O N Z E RELIEF O F N A P O L E O N ASTRIDE M A R E N G O

Applied with gilt-metal mounts, the onyx marble top with a pierced gallery, on fluted supports jo ined by an undertier with outswept legs 20in. (51cm.) wide, 31 Vain. (80cm.) high, 12in. (30.5cm.) deep

T h e h o rs e re a r in g o n a n a tu ralistic g r o u n d in s crib e d BO N AP ARTE H AN N IB A L K ARO LU S M AGNUS, m ou nted on a iiiarino verde antico panel and within a berried lauel cast frame w ith eagle and th un de rb olt cresting, on easel support 13’/4in. (34.5cm.) high

IR;(;3 50-600

U S$470-800 € 4 5 0 -7 6 0

IR ^ 3 0 0 - 5 0 0

US$400-670 € 3 9 0 -6 3 0

231

A JA PAN ESE L A C Q U E R TRAY, LATE 19TH CENTURY O f circular outline 20in. (51cm.) diameter

A PAIR O F C H IN E S E F A M I L L E R O S E BALU STER VASES, 19TH C E N T U R Y Moulcied and co lou red in relief w ith an exotic bird on rockw ork and amidst trees, adapted as table lamps; damages and restorations 15>4in. (40cm.) high, excluding fitment (2)

I R ;( ;i0 0 -1 5 0

IR ;(;850-l ,200

229

U S$140-200 € 1 3 0 -1 9 0

U S$1 ,200-1,600 € 1 ,1 0 0-1,50 0

23 2

A PAIR O F F R E N C H W A L N U T A N D B EE C H O C C A S I O N A L TABLES, EARLY 2 0T H CENTURY Applied w ith gilt-metal m ounts, each w ith octagonal onyx top with pierced gallery, on fluted supports jo in ed by a concave sided undertier centred with a finial, on outswept legs 12in. (30.5cni.) wide, 32'/4in. (82.5cni.) high (2) IR ;C85()-1,200

US$ 1,200-1,600 € 1 ,1 0 0 -1 ,5 00

233 A BRASS A N D GLASS FIR E SCR E E N , EARLY 2 0 T H C E N T U R Y With lead-framed bevelled glass panels below an o p enw ork gallery with urn finials, on splayed feet IR;(;3 5 0 -600

US$470-800 € 4 5 0 -7 6 0

234 A S U IT E O F C REA M , BLUE A N D G IL T P A IN T E D SEAT F U R N IT U R E , S E C O N D HALF 19TH C E N T U R Y Comprising: twelve side chairs and tw o canapes, Each with a turned top-rail centred w ith afoliate decorated tablet above afoliate-carved pierced lyre splat, the padded seat upholstered in floral and striped patterned fabric, with a foliate-decorated bow'ed seat-rail, on ring-turned outswept legs the canapes — 53/4in. (136cm.) wide (14) IR ^ 5 , 0 0 0 - 7 , 0 0 0

US$6,700-9,300 € 6 ,4 0 0-8 ,90 0

235

A PAIR O F G E O R G E III G I L T W O O D O P E N A R M C H A IR S Each with a channelled frame, upholstered in floral patterned peach fabric, the oval padded back and b o w e d seat w ith paterae carved rails, the p a d d e d fo liate -ca rv ed d o w n s w e p t arm rests terminating in scrolls, on roundel-headed fluted tapering legs, re-gilt (2) A com parable pair o f armchairs w ere sold tor S eptem ber 1989, lot 213.

1,000 (excluding prem ium ), S o th e b y ’s N e w Yo rk , 23rd

IR X ;3,000-5,000

US$4,()()()-6,70() €3,9()()-6,30()

236 A F R E N C H G IL T-SPEL T E R M O U N T E D O R N A M E N T A L EW ER, LATE 19TH C E N T U R Y 18%in. (48cm.) high and a Tunbridgeware therm om eter — 6/4in. (16.5cm.) high IR ^ 1 0 0 - 1 5 0

(2) US$14()-200 € 1 3 0 -1 9 0

ly i A PA IR O F G E O R G E III G I L T W O O l ) O P E N A R M C H A I R S , IN T H E M A N N E R O F J O H N L IN N E L L Each w ith a channelled frame, carved w ith bellflowers and oval paterae m edallions, u p h o lstere d in floral p a tte rn e d pink fabric, the oval pa d d ed back s u rm o u n t e d by a rib b o n tied cresting w ith pa d d ed arms carved w ith foliate terminals, on d o w n s w e p t supports, the b o w e d seat-rail on collared square tapering legs, re-gilt (2) IR ^ 5 , 0 0 0 - 7 , 0 0 0

US$6,7()0-9,3()() â&#x201A;Ź6,4()0-8,9()()

238 A L A R G E M A C H I N E M A D E P E R S IA N S T Y L E C A R P E T W ith d o u b le centre m edallion on an ivory g ro u n d , inside a m ultiplicity o f smaller m edallions and shaped floral b o rd e r 19ft. 6in. X 13ft. 4in. (594 x 412cm.) IR ; C 5 0 0 -1 ,0 0 0

U S $ 6 7 0 - ! ,300 â&#x201A;Ź 6 4 0 -1 ,3 0 0

A LARGE A N D IM PR ESSIV E F R E N C H B R O N Z E A N D O R M O L U M O U N T E D W H IT E M ARBLE C L O C K CASE, LATE 18TH O R EARLY 19TH C E N T U R Y T h e s t ep p ed case m o u n t e d w i t h figures e m b l e m a t i c o f C h r o n o s p r o t e c t in g th e Earth, th e base m o u n t e d w it h scholarly attributes and w i t h a fem a le bust, w i t h central fluted pedestal m o u n t e d w i t h trailing leaves and floral sw ags, w i t h berried laurel gallery and o n an o r m o l u base sign ed M A N I H R I : A P A R I S , su p p ortin g an o r m o l u and b lu e painte d armillary sphere d ecorated w i t h gilt stars and w i t h r e v o l v i n g R o m a n h o u r and Arabic five m i n u t e circlets, the base w i t h recessed panels to front and sides w i t h o r m o l u m o u n t s o f cherubs am idst foliate scrolls, eagle heads and fruiting baskets, o n lea f cast t o u p i e feet; lackiiiiJ nuwenient 3 S ’/ 4in. (9 7 c m .) h igh , 2 4 ’/ 2in. ( 6 2 c m .) w i d e , 12%in. ( 3 2 c m .) d eep Com parative Literature: A clock o f related design by D u m o n t and Le Paute is illustrated in Tardy Lci' Plus Belles Pctuiulcs Ihaucaiscs, Faris 1994, p. 100. Tardy suggests that the allegory is Earth asking C h ro n o s for protection from the monsters let loose by Heaven, a them e that was to be reproduced in the Empire period. A n o th er example is illustrated p .270 (op.cit). An iconographical clock o f this model, w ith bronze figures in the m an ner o f Andre Ravrio (maitre 1777) and m o v em en t by Charles-Guillaum e M aniere (1816) is in the Palais du Luxem bourg, Paris, while another is in the Royal C o llectio n (see C edric Jagger Royal Clocks, L o n d o n 1983, f'ig.208 and E. N ie h u s e r Die frauzosische Bnvizeiihr, M u n ich 1997, n o .617). Clocks o f related design were sold Sotheby Parke Bernet &: C o . house sale, M e n tm o re, 18 May 1977, lot 45 and Christie’s London, 12 April 1984, lot 49. Maniere, Charles-Cuillaum e, son o f Antoine-G uillaum e. Paris: Rue de Prouvaires, 1781, with his father; Rue des Merciers, 1789; Rue Christine, 1806; Rue Bertin-Poiree, 1810-12. IR ; ( ; 5 , 0 0 0 - 7 , 0 0 0

U S $ 6 ,700-9,300 € 6 ,4 0 0 -8 ,9 0 0

240 A L O U I S X V K I N G W O O D B O M B E C O M M O D E , B Y J E A N - F R A N C O I S LARIE A p p l i e d w i t h g i l t - m e t a l m o u n t s , t h e s e r p e n t i n e b r e c h e v i o l e t t e m a rb le to p a b o v e th r ee frieze drawers, w i t h t w o l o n g drawers b e l o w a b o v e a shaped apron ce ntred w i t h a fem ale mask m o u n t , the angles applied w i t h lions masks and foliage, o n splayed legs w'ith gilt sabots, st a m p ed /. F. Lcipic. J M E 51V2in. ( 1 3 1 c m .) w i d e , 34>4in. ( 8 8 c m .) h ig h , 2 5/4 in . ( 6 5 c m .) d eep Jean-Francois Lapie, maitre 1763 IR ^ 1 0 , 0 0 0 - 1 5 , 0 0 0

U S $14,000-20,{)00 C l 3 , 0 0 0 - 19,()00

241

A N O R T H ITA LIAN W A L N U T , O L I V E W O O D A N D M A R Q U E T R Y C O M M O D E , LATE 17TH C E N T U R Y Decorated with ivory Hnes and rosew ood crossbanding, inlaid figaral panels and foliage, the inverted breakfront w ith a hinged top centred w iti an inlaid panel o f dancing figures and a musician within a pastoral landscape with an architectural ruin, above a fall front, enclosing a fitted interior o f short drawers flanked by covered secret compartm ents, with three lorg drawers below between canted angles w ith pilasters headed with giltwood herms and d e c o rated w ith m o t h e r- o f-p e a rl bellflow ers and foliate mounts, on an ebonised plinth base, previously with bun feet 65in. (165cm.) wide, 39in. (99cm.) high, 30'/2in . (77cm.) deep T his secretaire com niA d e is interesting w ith its unusual fall-front top drawer. It relates to a type o ften de scribed as L ombard or V e netia n. A similar c o m m o d ; described possibly as from Padova is illustrated m C. Alberici II Mobile Veiieto, MJano, 1980, p p .l 19 -1 2 1 . T h e top is c onfo rm in gly inlaid w ith a scalloped cartouche depic ting a battle w ith riders. A pair o f similar c o m m o d e s , w ith o u t the inlaid pilasters, g ilt w o o d h e m s or foliate mounts, sold Christieâ&#x20AC;&#x2122;s K in g Street, 2 5th March 1999, lot 160.

IR ^18,000-24,()()()

US$24,(0()-32,()0() â&#x201A;Ź23,(0()-30,()()0

242 A PAIR O F F R E N C H B R O N Z E A N D O R M O L U F O U R - L I G H T FIG URA L C ANDELABRA, M ID 19TH C E N T U R Y M o d e lle d w ith male and female bacchanalian figures respectively, h o ld in g aloft leafy scroll branches, on o penw ork cast bases modelled w ith a dog chasing a fox 3 2 ’/4in. (83cm.) high (2) IR X ;4,500-6 ,50 0

US$6,0 )0-8,700 € 5 ,8 )0 -8 ,2 0 0

EN D OF M ORNING SESSION

242

A FT E R N O O N SESSION AT 2.00 P.M. THE BEDROOMS 243 A FIVE F O L D C L O S E - S T U D D E D , F A I N T E D A N D E M B O S S E D L E A T H E R S C R E E N Each panel d e co ra te d w ith m e a n d e r i n g foliage, tlow erheads and parrots, the leather 18th c e n tu ry each l e a f — 27in. (68.5cni.) w id e , 92in. (233.5cm .) high IR

,800-3,()()()

US$2,4()()-4,()0() € 2 ,300-3,800

244 A C'.EORC'.E III M A H O G A N Y D R E S S I N G T A B L E T h e rectangular top w ith a t h ree -t]u a rter gallery above an a rch e d k n e e h o le flanked to e ither side by a drawer, on square tapering legs 4 5 ’/2in. (1 l.T.ncm.) w ide , 37'/2in. (95cm.) high, l l ' A i n . (54.5cm .) deep IR/;4()()_6()0

US$54()-800 €510-760

245

250

A G E O R G E III M A H O G A N Y D -S H A P E D TEA TABLE

A L E A T H E R STEA M ER T R U N K

T h e hinged top above a frieze decorated w ith lines and crossbanding, on square tapering legs 39% in. (lOOcm.) w id e , 2 9 ‘/ 2in. (7 5 c m .) h ig h , 19%in. (49cm.) deep

W ith retail stamp for /. O W E N S M A K E R 16 D U K E ST. D U BLIN 3 2 ’/2in. (83cm.) wide T w o briefcases and a hatbox (4)

IR;C 350-600

IR ^ 1 2 0 - 2 5 0

US$470-800 € 4 5 0 -7 6 0

US$160-330 € 1 6 0 -3 2 0

251 A M A H O G A N Y D -S H A P E D SIDE TABLE, LATE 18TH C E N T U R Y

246 AN E D W A R D IA N M A H O G A N Y S U T H E R L A N D TABLE

Decorated with lines, on square tapering legs, restorations, previously the end section o f a dining table 49%in. (126.5cm .) w ide, 27/4in. (70cm .) hig h, 19->4in. (50cm.) deep

D ecorated with lines, the rectangular cirop-leaf top with canted corners crossbanded in satinwood, on pierced end standarcis j o i n e d by a s h a p e d f l a t t e n e d s t r e t c h e r , on outswept legs 32in. (81cm.) wide, 27in. (68.5cm.) high, 26/4in. (67cm.) deep

IR ^ 6 0 0 - 1 , 0 0 0

US$340-670 € 3 2 0 -6 3 0

IR /; 2 5 0 - 5 0 0

U S$800-1,300 €7 7 0 -1 ,3 0 0

252 A T H R E E FO L D G IL T GESSO D RE SSIN G TABLE M IR R O R In the Adam style, with ribbon cresting; and tw o folding bridge tables (3)

247

IR X ;i0 0 -2 0 0

A MAHOC'.ANY WlNCi A R M C H A IR , 18TH C E N T U R Y A N D LATER

US$140-270 €: 130-250

U pholstered in floral pattern ed fabric, on foliate-carved cabriole legs with claw and ball feet, restorations IR ^;3 50-600

253

US$470-800 € 4 5 0 -7 6 0

A M A H O G A N Y S T O O L , LATE 19TH C E N T U R Y O f C'leorge I style, the velvet upholstered rectangular seat, on foliate-carved cabriole legs with claw and ball feet 24in. (61cm.) wide IR ^ 3 5 0 - 6 0 0

248

US$470-800 €4 5 0 -7 6 0

A LOUIS PHILIPPE M A H O G A N Y C O M M O D E T h e grey m a rble to p ab o v e a cu sh io n m o u l d e d frieze drawer with three long drawers below, on a plinth base with block feet, the marble broken 48'/4in. (1 2 3 cm .) w id e , 36'/2in. (9 2 .5 c m .) h ig h , 2 3in. (58.5cm.) deep

IR;(;500-750

254 A V I C T O R IA N M A H O G A N Y W O R K TABLE T h e rectangular top above a frieze drawer on shaped end standards, with dow nswept splayed legs jo in e d by a ringturned stretcher 22in. (56cm.) wide, 28in. (71cm.) high, 15in. (38cm.) deep

US$670-1,000 € 6 4 0 -9 5 0

IR;(;300-40()

US$400-530 € 3 9 0 -5 10

249 255

A M A H O G A N Y FIR ESCR EEN, EARLY 19TH CENTURY

A M A H O G A N Y C H EV AL M IR R O R , 19TH CENTURY

W ith a rising ban ner applied with floral silk damask, on outswept legs jo in e d by a ring -turned stretcher, stamped 145 23'/^in. (60cm.) wide, 45in. (115cm.) high IR^Cl 20-251

D ecorated with b o x w o o d lines, with a rectangular olate, urn finials and outswept legs 20in. (51cm.) wide, 62in. (157.5cm.) high

US$160-330 € 1 6 0 -3 2 0

IRX;300-5()0

US$40(i-670 €39(1-630

256

259

A LATE GEORCJE III M A H O C IAN Y B O W F R O N T CHEST D ecorated with box w oo d lines and fitted with three short drawers and three graduated long drawers, on bracket feet 45'/4in. (115.5cni.) w ide, 37>4in. (96cni.) hig h, 24/4in. (62cni.) deep

A LATE G E O R G E 111 M A HOCJANY B O W F R O N T CHEST Decorated with chequer lines and fitted with two short and three long graduated drawers, above a shaped apron inlaid with a fan medallion, on outswept bracket legs 46in. (117cm.) wicie, 42>4in. (108.5cm.) high, 22in. (56cm.) deep

IR ^500-7()0

US$670-93() € 6 4 0 -8 9 0

IR;(;600-9()()

257

260

A LATE V IC T O R IA N M A H O G A N Y EASY A R M C H A IR

A M A H O G A N Y W I N G A R M C H A IR U ph olstered in floral patterned fabric, on foliate-carved cabriole legs with claw and ball feet

O n ring-turned legs with ceramic castors IR;4;;i 20-250

US$80()-1,200 €7 7 0 -1 ,1 0 0

USSl 60-330 € 1 6 0 -3 2 0

IR ;(;250-350

258

US$340-470 € 3 2 0 -4 4 0

261

A V IC T O R IA N M A H O C ’. A N Y F O U R -F O L D SCREEN

AN EARLY V IC T O R IA N W A L N U T P IA N O S T O O L

Inset with floral fabric panels 96in. (244cm.) w'ide, 72in. (183cm.) high

T h e adjustable circular seat covered in green velvet, on acanthus-carved bulbous column with splayed scroll legs

IR X ;250-350

US$340-470 € 3 2 0 -4 4 0

IR ^ 2 5 0 - 3 5 0

US$340-470 € 3 2 0 -4 4 0

267

262 AN EARLY V IC T O R IA N M A H O G A N Y W A R D R O B E

A N E D W A R D IA N N E S T O F T H R E E TABLES

Fitted w i t h a c en tral m i r r o r e d d o o r a n d fla n k e d b y t w o panelled doors, on a b ra ck e te d p linth base 82in. (208cm.) w ide , 81/4in. (2 07cm .) high, 24in. (61cm.) deep

D e c o ra te d w ith lines and r o s e w o o d crossbanding, each w ith a square top, o n square tapering legs j o i n e d b y stretchers th e largest — 19’/ ^in. (49.5cm.) w ide, 27%in. (69cm.) high, 12in. (30.5cm.) deep

IR £ 3 0 0 - 5 0 0

IR X ;250-500

US$400-670 €390-630

US$340-670 €320-630

263

268

A ('.E O R G E III M A H O G A N Y D R E S S I N G T A B L E

AN ED W A R D IA N M A H O G A N Y C A B IN E T T O P

T h e r e c ta n g u la r t o p w i t h t h r e e - q u a r t e r gallery a b o v e an arched k n e eh o le flanked to e ith e r side by a short draw er, on square tapering legs w ith brass caps a nd castors 44in. ( 1 I 2 c m .) w ide , 36in. (91 .5 c m .) high , 20in. (51cm.) deep

In l a i d w i t h c h e q u e r lines, t h e d e n t i l - m o u l d e d c o r n i c e abov e a pair o f doors c entred w ith classical urns, o p e n in g to reveal a fitted in terior o f drawers and a central d o o r inlaid w i t h an oval paterae, enclosing further drawers 35in. (90cm.) w ide, 30'/4in. (77cm.) high, 13%in. (33.5cm .) deep

IRX;30()-5()0

US$4()0-670 €390-630

I R £ 3 50-600

US$470-800 €450-760

264 269

A W I L L I A M IV M A H 0 C ; A N Y S ID E T A B L E , P R O B A B L Y IRISH

AN ED W A R D IA N M A H O G A N Y EN V ELO PE CARD TABLE

T h e rectangular top ab o v e a d e e p d r a w e r d u m m y fron ted as tw o drawers, on b o b b i n - t u r n e d legs 28in. (71cm.) wide, 28>4in. (73cm .) high, 18-y4in. (47.5cm.) deep IR X;5()()-7()0

D e c o r a t e d w ith b o x w o o d lines a n d s a t i n w o o d c ro ssb a n d in g , the q u a rte re d h in g e d and re v o lv in g to p o p e n in g to reveal a green lined playing surfiice and c o u n te r dishes, above a frieze drawer, on scjuare tapering legs w ith ceramic castors 2 0 ’/ 4in. (51.5cm.) wide, 3 1 '/tin. (79.5cm.) high

US$670-930 €640-890

IR £ 5 0 0 - 7 0 0

U S$670-930 €640-890

265 A GEORC'.E III M A H O G A N Y C A B I N E T T O P , O N A N A SSO C IA TED S T A N D

270

T h e t o p w i t h a d e n t i l - m o u l d e d c o r n i c e a b o v e a p a ir o f panelled d oors enclosin g adjustable shelves, the stand w ith t w o d r a w e r s a n d a s h a p e d a p r o n , o n c a b r i o l e legs w i t h trefoil pad feet 41'/4in. ( 1 0 5 c m . ) w i d e , 64'/2in. ( I 6 4 c m . ) h i g h , M Y i i n . (32cm.) deep IR X ;7 5 0 - l ,1 0 0

A M A H O G A N Y PE M B R O K E TABLE, 19TH CENTURY D e c o ra te d w ith b o x w o o d lines, the oval tw in flap top w ith c h e q u e r b a n d in g above a frieze d raw er, o n square tapering legs 46/4in. (118cm.) w ide, 28%in. (73cm.) high, 35in. (89cm.) deep

US$ 1, 0 0 0 - 1,500 € 9 6 0 -1 ,4 0 0

IR £ 4 0 0 - 6 0 0

U S S 5 4 0 -8 0 0 €510-760

266 AN E D W A R D IA N M A H O G A N Y C IR C U LA R O C C A S IO N A L TABLE

271 AN ED W A R D IA N M A H O G A N Y C IR C U LA R C E N T R E TABLE

D e c o ra te d w ith lines, th e to p w ith crossbanding, on square t a p e r i n g legs j o i n e d b y c o n c a v e sid e d u n d e r t i e r , w i t h a p r i n t e d p a p e r d e p o s i t o r y l a b e l R .S t r a h a i i & C o. L td . R cdioiujIs and IVarchotisiiii^, S t Stcin'iis Grccii, Place, Dublin Q 5 6 0 8 18in. (45.5cm .) d iam eter, 28in. (71cm.) high

D e c o ra t e d w ith lines and sa tin w o o d crossbanding, th e top later inset w ith a central ro u n d e l, o n square legs j o i n e d by cross stretchers c en tred w ith an u n d e rtie r 24in. (61cm.) d iam eter, 28%in. (71.5cm.) high

IR £ 1 8 0 - 3 0 0

IR £ 2 5 0 - 3 5 0

U S$240-400 €230-380

US$340-470 €320-440

272 A WILLIAM IV M AHOGANY BREAKFRONT WARDROBE, PROBABLY IRISH The m oulded cornice above four panelleci doors, on a plinth base, locked 102in. (259cm.) wide, 82in. (208.5cm.) high, 24in. (61cm.) deep

274 A LATE VICTORIAN M A H O G A N Y W H A T N O T With three concave sided tiers, the top tier inlaid with chequer lines and fan spandrels, with railed supports on outswept legs 15in. (38cm.) wide, 34/4in. (87.5cm.) high, l2'/4in. (32cm.) deep

IR £ \ ,200-1,800

IR ^ 1 8 0 -3 0 0

US$1,600-2,400 €1,600-2,300

US$240-400 €230-380

273 A K IN G W O O D AND T U LIP W O O D SUPERSTRUCTURE FROM A B O N H EU R DU JOUR, 19TH CEN TU RY Applied w ith gilt-m etal m ounts and decorated w ith crossbanding, the door centred with a Sevres style painted porcelain plaque, between canted angles flanked by open shelves 35/4in. (90cm.) w'ide, 19%in. (50cm.) high, ll/4in. (29cm.) deep

275 A M A H OG A N Y TOILET MIRROR Decorated with lines and crossbanding, the rectangular plate above a bowfronted base fitted w'ith a drawer, on bracket feet 19in. (48cm.) wide and a mahogany toilet mirror, early 19th century, the rectangular plate between reeded uprights surmounted by urn fmials, on outswept legs — 14in. (35.5cm.) wide (2)

IR;(;350-600

IR ^ 1 5 0 -2 0 0

US$470-800 €450-760

USS200-270 €200-250

216

276 A M A H O G A N Y B O O K C A SE , 19TH C E N T U R Y Decorated with lines, the moulded cornice with a simulated fluted fi-ieze above a pair o f astragal glazed doors, the projecting base crossbanded in rosewood, fitted w ith a pair o f astragal glazed doors, on bracket feet 48in. (122cm.) wide, 90in. (228.5cm.) high, (54.5cm.) deep I R X 2 , 4 00 -3 ,5 0 0

U S$3,200-4,700 C 3 , 100-4,400

277 A V IC T O R IA N M A H O G A N Y W R IT IN G TABLE D ecorated w ith ebonised lines and mouldings, the rectangular leather-lined top with a shelved superstructure above tw o frieze drawers, on fluted turned tapering legs jo in e d by conform ing stretchers on brass caps and castors 44in. (111.5cm.) wide, 37>4in. (96cm.) high, 25in. (63cm.) deep IR X ;500-750

US$670-1,000 â&#x201A;Ź 6 4 0 -9 5 0

278 A G E O R G E III M A H O G A N Y SIDE TABLE Decorated with lines and satinwood crossbanding, the rectangular top with a chequer line inlaid border, on square tapering legs 54/4in. (138.5cm.) wide, 33!4in. (84.5cm.) high, 22in. (56cm.) deep IR

,0 0 0 -1 ,5 0 0

US$ 1,400-2,000 â&#x201A;Ź1,3 0 0 -1 ,9 0 0

279 AN EARLY V IC T O R IA N M A H O G A N Y B O O K C A S E T h e dentil-moulded cornice above a pair o f astragal glazed doors enclosing adjustable shelves, the projecting base fitted with tw o panel doors betw een channelled uprights, on ogee bracket feet 68in. (172.5cm.) wide, 98/4in. (250cm.) high, 22'Ain. (57cm.) deep IR X ;3,500-6,()()()

US$4,700-8,000 €4,500 -7 ,6 0 0

280 A M I D -V IC T O R IA N M A H O G A N Y W R IT IN G TABLE T he rectangular lined top above two frieze drawers, on ring-turned tapering legs with brass caps and ceramic castors 72'/4in. (184cm.) wide, 2 9 % n . (75.5cm.) high, 4 0 ’/2in. (103cm.) deep PROVEN ANCE:

Originally the desk used by M r James D avy, the fou nder o f Davy' Stockbrokers

l R / ; i , 2 0 0 -1 ,5 0 0

US$1,600-2,000 € 1 ,600-1,900

281 A C'.EORGE III M A H O G A N Y SIDE TABLE T he rectangular top above a frieze drawer, on square tapering legs joined by stretchers 22in. (56cm.) w'ide, 28-%in. (73cm.) high, 15/4in. (39.5cm.) deep IR ;(;350-600

US$470-800 € 4 5 0 -7 6 0

TH E K ITC H EN S 282 A N IRISH S T A I N E D P I N E K I T C H E N D R E S S E R , 1 9 T H C E N T U R Y T h e m o u ld e d c ornic e above o p e n plate racks, the p ro jec tin g base fitted w ith six panelled doors 92in. (233.5cm .) w ide, lO l'/iin. (257cm.) high, 26in. (66cm.) deep Please note: T his item is to be r em o v ed at the purchasers risk and expense.

U S $ 1 ,6 0 0 -3 ,2 0 0 Cl,6(M)-3,0()0

IR ^ 1 , 2 0 0 - 2 , 4 0 0

283 A N IR ISH P I N E K I T C H E N T A B L E , 1 9 T H C E N T U R Y T h e frieze fitted w ith tw o tlrawers, on square legs j o i n e d by stretchers 95in. (241cm.) w ide, 31 in. (78.5cm .) high, 38'/2in. (98cm.) deep Please note: This items is to be removed at the purchasers risk arid expense IR ^ 7 5 0 - 1 , 2 0 0

U S $ 1 ,0 0 0 -1 ,6 0 0 C 9 6 0 - 1,500

284 A P I N E D IA L C L O C K , E A R L Y 2 0 T H C E N T U R Y T h e m o u ld e d circular case w ith doors to o n e side and underside o f the b a c k b o x , ebonised reetied fram e to the front door, the w h ite painted dial w'ith unusual cross-over 24 h o u r ring, the rings crossing o v e r at 6, steel spade hands, slow /fast h a nd at 12, the single w ire fusee m o v e m e n t w ith a n c h o r esc ape m e nt 19in. (49cm.) ciiameter IR X ;120-180

US$160-240 C l 6 0 -2 3 0

BOOKS 285

290

B i o g r a p h y : T h r e e shelv es o f m o s t ly E ng lish m ale an d female biog raphy , a pprox. 3S vols.

“ T h e C e n t u i y D ictionary a nd C'yclopedia w ith n e w Atlas o f th e W o r l d , ” 12 vols. Ig. 4to L. 1914, illus. cold, maps etc., a ttra ctiv e hf. c r im s o n m o r . gilt; also “ T h e C e n t u r y D i c tio n a r y ,” 6 vols. Ig. 4to N . Y o rk & L. 1889, illus. cloth dam. ( 1 ^)

IR ^ 9 0 - 1 5 0

US$12()-2()0 C l 20-190

IRX;70-120

U S $ 9 4 - 160 C 89-150

286 F r e n c h L i t e r a t u r e : “ M e m o ir e s de M a d a m e la D uchesse a ’Abrantes,” o u so u v e n ir historique sur N a p o le o n . 18 vols. 8 v o Paris 1831; Delcasso (M.) trans. “ O e u v r e s C o m p le te s de C i c e r o n , ” 3 6 vols. 8 vo Paris 1835; Ik 60 o t h e r vols. so m e leather b o im d , 4 shelves. As a lot, w . a . f I R X ;i 5 0 - 2 0 0

291 F r e n c h L i t e r a t u r e : L eo et B o t ta - “ H i s t o i r e d ’lta l ia ,” trans. by M . D o c h e z , 3 vols. sm. folio Paris 1856, attractive h f calf, t o o le d gilt spines m o r. labels; “ C 'o m m e n ta ir e s de N a p o l e o n P r e m ie r,” 6 vols. 4to Paris 1867, cold, maps, h f m o r. m o r. labels. ^9 ^

( 110)

U S $ 2 0 0 -2 7 0 C:200-250

IR X ;iO O -1 5 0

US$1 40-20() C l 30-190

287 F r e n c h L i t e r a t u r e : “ ( x i r r e s p o n d e n c e de F e n e l o n , ” 1 1 vols. 8 vo Paris 1827; H u g o (Victor) “ O e u v r e s ” I 1 vols. 8 vo Paris 1856; lu n g (Th.) “ Lucien Bonaparte et Ses M e m o ire s 1 7 7 5 - 1 8 4 0 , ” 3 vols. 8 vo Paris 882, hi. m o r.; 27 o t h e r vols. sini. all leather b o u n d , 2 shelves as a lot, w . a . f ^1^2 ) I R ^ l 80-250

292 K n i g h t ( C h a rle s) “ T h e Pictorial E dition o f the W o r k s o f S h ak esp eare,” 1 I vols. roy 8 vo L. n.d. attractive illus., all edges gilt, full p urple m or., gilt spines. Fine set. IR ^120-180

US$240-330 C:230-320

293

288

A r t : - V o n R e b e r (P r o f. F.) & B a y e r s a d o r f e r ( D r . A . ) “ Classical S c u l p tu r e Ciallery,” folio L. 1898, illus. cloth ; Earp (F.R.) “ A Descriptive C a ta lo g u e o f the Pictures in the F i t z w i l l i a m M u s e u m . ” f o l i o C a m b r i d g e 1 9 0 2 , illu s . b u c k ra m ; Ruggeri (Ugo) “ C arlo Ceresa, ciipinti e disegni,” 4 to B e r g a m o 1979; G r a h a m e ( G e o r g e ) “ C l a u d e L o rra in P ainter & E tc h e r ,” sm. folio Berlin 1921; & 26 others on Art. As a coll., w . a . f

Art: M ollo y (Fitzgerald), “ Sir Jo s h u a an d his C ir c le ” 2 vols. L. 1906; Berenst:>n (B.) “ T h e Study, an d Criticism o f Italian A r t , ” 2 vols. L. 1903; L in dsay (L ord ) “ S k e t c h e s o f th e History’ o f C h ristia n A r t , ” 2 vols. L. 1857; C l e m e n t (C.) “ M ichelan gelo, L io na rdo da Vinci R aphael,” L. n.d.; &: 12

others, a s h e lf

IR ^ 1 0 0 - 1 5 0

U S$160-240 €160-230

^2 2 ) US$140-200 C 130-190

IR X ;i20-180

U S $ 1 6 0 -2 4 0 €160-230

289 B a r i n g - G o u l d (S .) “ T h e Life o f N a p o l e o n B o n a p a r t e ,” folio L. 1897, profusely illuatrated, b u c k ra m , gilt; Willaims (H. Noel) “ Maclame R eca m ie r a nd h e r friends,” 4to L. &; N . York, 1901, also “ M a d a m e de P o m p a d o u r , ” 4to L. &: N . York, 1902, illust.,buckram , gilt

Irish Art: C o lle c tio n o f a p p ro x .22 varied catalogues, and w o rk s o n Yeats, O r p e n , O s b o r n e , J.A. O ’C o n n o r , Maclise etc., also N a tio n a l Gallery Catalogues. As a lot., w . a . f

IR /;1 0 0 -1 5 0

IR ;(;i 50-2 0 0

294

US$140-200 C l 30-190

U S$200-270 €200-250

295

300

B i n d i n g s - K n ig h t (Charles) “ T h e W o r k s o f Shakespeare,” Imperial Edition, 2 vols. tolio L. n.d., fine engd. plates, all edges gilt; full profusely t o o le d g re en nior. bin d in g s gilt; also H a y c o c k (Thos) “ T h e H o l y B ible ” 2 vols. in one, 4to L. n.d. engd. pits, full tooleci crim son m or.g ilt.

L a w : - D e G e x , M a c n a g h te n & G o r d o n , “ E n g lish C h a n c e r y R e p o r t s , ” 8 v o ls. L. 1 8 5 3 - 1 8 6 4 ; M y l n e & Keene, “ English C h a n c e r y R e p o r ts ,” 3 vols. L. 1834 -37; Beavan - “ English C h a n c e r y R e p o rts ,” 9 vols. roy 8 v o L. 1840 -1 84 8; & 44 others sim., all u n ifo rm gre en cloth; also “ E n cy clo p ed ia o f F o rm and P re c e d e n ts ,” V ols.l -1 7 , (lacking Vol. 12) t o g e t h e r 16 vols., cloth, as a lot, vv.a.f A Shelf (1 5 )

IR /;i0 0 -1 5 0

U S $ 1 4 0 -2 0 0 €130-190

IR ^ 1 8 0 - 2 4 0

US$240-320 €230-300

296 L a w - P e r i o d i c a l - “ L aw J o u r n a l , ” C o m m o n Law , Equality, Statutes, Reports, & Indexes? 70 vols. sm. 4to L. c. 1 8 3 7 - 1 8 6 5 , m i x e d e d i t i o n s , c l o t h , m o r . lab e ls, as a periociical, w . a . f (70) IR ^ 1 5 0 - 2 0 0

301 L a w : - V iner (Chas.) “ A G eneral A b rid g e m e n t o f L aw and E q u it y , ” Vols. 1 - 23, 23 vols. roy 8vo L. 1791 - 1795, S E C O N D E D N ; Bacon (M.) “ A New' A b ridge m a nt o f the L aw ,” 8vols. ro y 8vo L. 1832; C lark e & Finnelly, “ R eports o f cases heard an d d e cid e d in the H o u s e o f Lords,” 12 vols. L. 1835 - 47; &; 15 o t h e r H o u s e o f Lords Cases, all u n ifo rm green cloth, as a lot, a shelf, w . a . f

U S$200-270 €200-250

IR X ;i 8 0 - 2 4 0 297 L a w - Bayley (J.) “ English Law R e ports,” 2 vols. roy 8vo L. 1790; C r o k e (Sir Cieorge) “ Law R e p o rts ,” revised by Sir H. C'lrimson, & p u b l i s h e d b y T h o s . L e a ch , r o y 8 v o D. 1791, F I F T H E D N . , C ru ise (W m .) “ A Digest o f th e Laws o f E n g la n d ,” 7 vols. roy 8vo L. 1835; &: 22 others sim., all u n ifo rm red cloth. As a coll., w . a . f IR ^ 1 8 0 - 2 5 0

U S $ 2 4 0 -3 2 0 €:2 3 0 -3 0 0

302 Irish L a w ; - “ Saorstat Eireann, Acts,” N o . 1, 1923 » N o . 30, 1951, t o g e t h e r 26 vols. ro y 8 v o all un ifo rm hf. calf, m or. labels. M r. Justice M u r n a g h a n ’s copy, stamped. As a coll. (26)

U S$240-330 €230-320

I R X 3 0 ()-4 0 ()

U S S 4 0 0 -5 3 0 €390-510

298

303

Law: - “ M e w s Digest o f English Case L a w ,” 24 vols. roy 8vo L. 1925 - 28, S E C O N D E D N . , cloth, gilt; & 22 others on English Law', as a coll., w . a . f

Irish L a w : - V a n ston (G .T .B .) “ T h e Law' Relating to Local G o v e r n m e n t , ” 2 vols. roy 8vo D. 1899; H usband (W.Ci.) “ A Practical T r e a t is e o n t h e L aw re la tin g to the G r a n d Ju ry....in Irelan d,” D. 1896; D i x o n & Gillilind, “ T h e Law relating to Sheriffs in Ire la nd ,” D. 1888; Breakley (W .A .) “ A H a n d b o o k . .. o f th e C o m m o n a n d S tatute L aw o f Ireland,” D. 1895; R o b b (J.H.) “ T h e L aw and Practice o f B a n k r u p tc y ,” D. 1907; & 15 others sim., all cloth, as a coll., w .a.f (20 )

IR X ;120-180

U S$160-240 €160-230

299

IR ^ 1 2 0 - 1 8 0

US$160-240 €160-230

L a w : - C o k e (Sir Ed.) “ English Law R e p o rts ,” 7 vols. roy 8v o L. 1777; T a u n t o n ( W .F .) “ English L aw R e p o r ts , ” 8 vols. ro y 8vo L. 1814 - 1823; B ing ham (P.) “ New' Cases o f the C o u r t o f C o m m o n Pleas,” 6 vols. ro y 8vo L. 1835 1841: East (E.H.) “ R eports and Cases,” 16 vols. roy 8vo L. 1805 - 1818; M e e so n (R.) & W elsby (W .N . ) “ R eports o f Cases,” Vol.II - X V I + Index, t o g e th e r 16 vols., roy 8vo L. 1838 - 1849; & 28 others sim. All u n ifo r m green cloth, as a coll., w . a . f A shelf ^^2)

L a w : - H alsbury (Earl of) “ T h e Laws o f England,” b e in g a C o m p le t e S ta te m e n t o f the W h o l e Law o f England. Vols. 1 - 3 1 , includ. Inciex, &: S u p p l e m e n t Vol. for 1928, to g e th e r 32 vols. roy 8 vo L. 1907 - 1 9 2 8 , all clo th p2)

I R ^ ;2 5 G -3 5 G

IR ^ 1 8 0 - 2 4 0

304

U S $ 3 4 0 -4 7 0 €320-440

U S $ 2 4 0 -3 2 0 €230-300

305

310

L a v :- Adolphus & Ellis - “ Queens Bench Reports,” Vols. 1-17, together 17 vols. roy 8vo L. 1846 - 1855; Manning, (iramger &: Scott, “ CA^ninion Bench Reports,” 8 vols. roy 8vo L. 1846 - 1851; Ellis & Blackburn, “ Reports o f Cases,” 8 vcls. roy 8vo L. 1853 - 1859; & others sim., all uniform green cloth, as a lot, vv.a.f

A r t:- P h a id o n E d itio n s, “ V e la z q u e z ,” “ V e r m e e r ,” “ R e m b r a n d t,” Knuttel (Cierard) “ Adriaen B r o u w e r , ” all folio, & others sim. on Art. As a coll., w .a .f ^26)

IRX'l 50 -200

IR X ;i0 0 -1 6 0

U S$140-210 € 1 3 0 -2 0 0

US$200-270 € 2 0 0 -2 5 0 311 B o x :- Paperbacks, Art reference, numerous volumes, also some modern paperbacks. As a lot, w .a.f

306

IR ^ 6 0 -1 0 0

Irish B o o k s : - Foster (Vere)ed. “T h e T w o Duchesses,” L. 1898; A n s o n (L a d y C l o d a g h ) “ A n o t h e r B o o k , ” PRIVATELY P R IN T E D , 1937; & 16 others, varied Irish interest IR X I 00-1 50

312

US$140-200 C l 30-190

B o x : - English Literature, biography etc., many m o dern items inc lu din g “ T h e S pe ctato r,” 8vols. L. 1898, ed.by C.A.A tken, illus cloth gilt spine. As a lot, approx. 75 vols., w'.a.f IR;(;i0()-15()

307 L a w : - Vesey (F.) “ R eports o f C'ases - H igh C'ourt o f C.hancery,” Vol. 1 -20, 20 vols. roy 8vo L. 1827; Flare (T.) “ English C hancery Reports,” 1 1 vols. roy 8vo L. 1843 1858; Westby, Flurlstone Cordon, “ Exchequer Reports,” 9 vols. L. 1849-1854; &; 40 others sim., all uniform green cloth, as a lot, .a.f (80) IR X 2 0 0 -4 0 0

U S $ 8 0 -130 C 77-130

U S$140-200 € 1 3 0 -1 9 0

313 B o x :- Various volumes o f Classical interest, some poetry, &■ some religious. As a lot, w .a.f

US$270-530 C260-510

IRX;40-60

US$54-80 €51-76

308

314

L aw :- “ Law reports,” approx.82 vols. roy 8vo L. c.1890 1908, all leather bound, dam., also “ Statues Revised,” 18 vols.; & 20 others on law, as a lot, w .a .f (122)

B o x :- Books on Cookery, Domestic Economy, Household Managem ent, & Gardening. As a lot, w .a.f

IRX;120-180

IR ;(;60-80

US$160-240 € 1 6 0 -2 3 0

US$80-110 €77-100

315 B o x : - Collection on Dante, Roman History & Literature, mostly Italian travel, approx. 80 vols. As a lot, w .a.f

309 Y riarte (C .) “Venice, its History - Art - Industries and M o d e r n Life.” Ig. folio L. 1880., pits, etc., attractive em bossed clo th , gilt; “ Stafford Ciallery,” folio L. 1825, engd. pits., dam.; “ Court Beauties o f the Reign o f Charles II,” folio L. n. d., illus. after Sir P. Lely, cloth, dam. IR /;i(i0 -1 6 0

IR ^90-150

US$140-210 € 1 3 0 -2 0 0

316-319 N o Lots

U S$120-200 € 1 2 0 -1 9 0

4^4

PICTURES

320

322

D U T C H A N D FLEMISH PICTURES 320 M

anner of

322 R o g ie r

van der

eyden

A t t r ib u t e d

ie t e r

oecke van

A e l s t (1502-

T h e H o ly Family

oil o n panel, shaped 2H'A X 17in. (72.3 x 43.2cni.) IR X;2,5 0 0 - 5 ,0 0 0

1550)

T h e D e sc ent from th e Cross

U S $3,4()0 -6 ,700 € 3 ,2 0 0 -6 ,3 0 0

321

oil o n panel, shaped top, u n fra m e d 40-74 X 27-y4in. (103.5 x 70.5cm .) IR X;2,5 0 0 - 6 ,0 0 0

U S$3,4{)0-8,000 € 3 ,2 0 0 -7 ,6 0 0

323

F l e m ish S c h o o l , 16t h C e n t u r y

T h e M a d o n n a an d C h ild w ith Saint Francis re ce iv in g the stigm ata- a frag m en t (?)

T h e C o r o n a tio n o f th e V irgin w ith the H o ly T rin ity

oil o n panel, u n fra m e d 8 X 18%in. (20.3 x 4 7.6cm .) IR ^ 6 0 0 - 1 , 0 0 0

ir c l e o f

A dam

oort

(1562-1641)

oil o n panel 19'/4 X 29>/4in. (48.8 x 71.8 cm .) IR X I , 2 0 0 - 1 ,8 0 0

U S$ 8()0 -1 ,30 0 € 7 7 0 - 1 ,3 0 0

van

U S $ 1,6 0 0 -2 ,4 0 0 € 1 ,6 0 0 -2 ,3 0 0

324

324 C

ir c l e o f

arten van

leve

(1 5 2 7 -1 5 8 1 )

Christ on the W ay to Calvary w ith Saint Veronica oil on panel 27 X 3 5 â&#x20AC;&#x2122;/4in. (68.7 x 89.6cm.) IR /;2 ,5 0 0 -5 ,0 0 ()

US$3,400-6,700 C 3 ,200-6,300

325

325 C i r c l e o f P i e t e r C l a e s s i n s II

(d.l623)

Ecce H o m o oil on copper 11 X 9in. (27.9 x 22.8cm.) EXHIBITED: Leeds, N atio nal E xhib itio n o f W orks o f Art, 1868

IR X;i ,2 0 0 -1 ,8 0 0

U S$1,600-2,400 â&#x201A;¬ 1 ,600-2,300

326

326 Jan van Staveren

(1625-1668)

T h e Presentation in the Tem ple signed ‘lO A N DES S T A V E R E N ’ (upper centre) oil on panel, unfranied 2514 X 22'/tin. (64 x 56.5cm.) IR ^ 8 ,5 0 0 - 1 2 ,0 0 0

U SS 12,()()0-l 6,()()0 €

11,()()()-15 , {)()()

327

327 A t t r ib u t e d

ic o la u s

K n u p f e r (1603-1660)

A Roman em peror seated - a fragment oil on panel 14/4 X 11 in. (36.8 x 27.9cm.) I R X ;i2 ,0 0 0 -18 ,0 0 0

US$16,()()()-24,(H)0 C16,(K)()-23,()0()

328 St u d io

A b r a h a m J a n s s e n s (1 5 7 5 -1 6 3 2 )

A personification o f A utum n oil on panel 25% X 19'/iin. (64.1 x 49.5cm.) T he support stamped with the coat o f arms o f the city o f Antwerp and the panel makers mark LS o f Lambreecht Steen. IR^2,40()-5,()()()

US$3,200-6,700 â&#x201A;Ź 3 ,1 0 0 -6 ,3 0 0

330

329 C ir c l e o f A l e x a n d e r K e i r i n c x

330 (1600-1652)

A t t r ib u t e d t o J a n M a r t se n d e J o n g e

Sportsmen in a w ooded landscape

Soldiers ambushing a coach on a track

oil on panel 26*/2 X 33in. (66.3 x 83.8cm.)

oil on panel 19 X 25in. (48.2 x 63.5cm.)

IR ^ 7 ,0 0 0 - 1 2 ,0 0 0

U S$ 9 ,4 0 0 -16,000 â&#x201A;Ź 8 ,9 0 0 - 1 5,()()0

IR ^ 2 ,5 0 0 - 3 ,5 0 0

(c. 1609-1647)

US$3,4()()-4,700 â&#x201A;Ź3,2()()-4,4()0

Follow er

Sa lo m a n

van

R uysdael

An extensive w ood ed landscape with a traveller, a view o f Haarlem (?) beyond oil on canvas 24 X 33in. (73 x 57.3cm.) IR ^ 1 ,8 0 0 - 3 ,0 0 0

U S$2,400-4,000 € 2,3 0 0 -3 ,8 0 0

331

332 C ir c l e

J ohannes D

ir c k sz .

udenrogge

(1622-1653) Travellers halting on a track by a canal, a mansion and windmill beyond oil on panel 14‘/4 X 19’/4m. (36.8 x 48.8cm.) IR / ; 2 , 50 0-5 ,0 00

US$3,400-6,7()0 €3 ,2 0 0 -6 ,3 0 0

332

C ir c l e

F r e d e r ic

oucheron

(1633-1686)

A rocky w ooded landscape with figures resting on a track oil pn panel 18'/4 X 25%in. (47 x 65.4cm.) IR X ;5,000-7,000

U S$6,700-9,300 €6,4()0-8,900

333 99

334

334 A t t r ib u t e d

ie t e r

eulenaer

(1602-1654)

A w ooded landscape w ith travellers and sportsmen on a track, a tow n beyond oil on panel 17'/^ X 24%in. (43.7 x 62.8cm.) IR X ;i 5,00 0 -2 2 ,0 0 0

US$20,000-29,000 â&#x201A;Ź 20 ,0 00 -2 8 ,0 0 0

100

F o llo w er of G o v er t D ir k sz. C a m p h u y z e n

A m ilk m aid w ith cattle in a landscape oil o n panel 20/2 X 28in. (52.2 x 71 .3cm .) IR ; £ 7 5 0 - l ,0 0 0

U S S l ,0 0 0 -1 ,3 0 0 €9 6 0 -1 ,3 0 0

335

f 336 C ir c le of D ir c k V e r h a e r t, 1 7 th C e n tu r y

A w o o d e d r i v e r la n d s c a p e w i t h travellers b e f o r e a w aterfall oil o n p a n e l 18’/2 X 2 4 / 2in. (47 x 6 2.2cm .)

I R ^ l , 8 0 0 - 2 ,4 0 0

U S $ 2 ,4 0 0 -3 ,2 0 0 € 2 ,3 0 0 -3 ,0 0 0

336

337 F ollow er of Ja n Jo sefsz. v a n G o yen

A w o o d e d landscape with figures and a cart o n a track oil o n panel 8'/2 X ll'/a in . (21 x 29 .2cm .)

IR ;C75()-1,0 0 0

U S S l ,0 0 0 -1 ,3 0 0 € 9 6 0 -1 ,3 0 0

337

101

338

338 C ir c l e o f D ir c k S t o o p

(1618-1681)

H orsem en in a landscape oil on panel 1 6 ’/ 8 X 20%m. (41.2 x 51.5cm.) US$4,700-6,700 € 4 ,5 0 0 -6 ,3 0 0

IR X ;3,5 00-5,000

102

339

339 A t t r i b u t e d t o J a n W y c k (1640-1702)

T h e stag h unt oil on canvas 22 X 27in. (55.9 x 68.6cm.) IR X ;6,0 0 0 -1 0 ,0 0 0

US$8,()()()-13,00() â&#x201A;¬ 7 ,7 0 0 - 1 3,()0()

103

340

340 A t t r ib u t e d t o P ie t e r W o u w e r m a n

(1623-1682)

A hawking party asking directions from a peasant w om an oil on panel 16 X 21 in. (40.7 x 53.3cm.) IR ^ 1 0 ,0 0 0 - 1 5 ,0 0 0

US$] 4,000-20,000 â&#x201A;Ź 1 3 ,0 0 0 -1 9,()0()

104

341 Follow er

Barent G

ael

A hunting party oil on panel 10 X 13'/4in. (25.4 x 33.7cni.) U S$1,200-1,600 € 1 ,1 0 0 -1 ,5 0 0

IR;(;850-1,2()0

342 A t t r ib u t e d

B arend G

ael

341

(1635-1681)

Travellers halting outside an inn w ith initials ‘VC'i’ (lower left) oil on canvas 1 7 ’/ 2 X 24in. (44.5 x 60.9cni.) US$1,600-2,400 G l , 600-2,300

2 00-1,800

343 M

anner of

A ert

van der

eer

A river landscape with nets drying on a bank oil on canvas 29/4 X 23'/2in. (75 x 59cm.) PRC^VENANCE: C'lOrry, Dublin

342

J.J.

US$1,000-1,500 €9 6 0 -1 ,4 0 0

IR X 7 5 0 -1 ,1 0 0

344 F ollow er

P ie t e r J a n s z .

van

sch

A w ooded river landscape with anglers on a bank oil on panel 23'/2 X 3 6 ’/2in. (59.7 x 68.6cm.) I R ^ 2 , 500-3,500

US$3,400-4,700 € 3 ,2 0 0 -4 ,4 0 0 343

105

348

347 345

348

M anner of Jan W ynants

M a n n e r o f D a v i d T e n i e r s II

A w ooded landscape with travellers on a track oil on canvas 45’/2 X 66/<4in. (1 17.4 x 170.8cm.)

A moated castle oil on panel 2 5 ’/ 4 x 37in. (64.2 x 94cm.)

IR X;i ,2 0 0 -2 ,4 0 0

I R ^ ; i ,200-2,400

US$1,600-3,200 Cl,6()0-3,000

349

346 Follow er of Sy b r a n d v a n B eest

F o llo w er o f A elbert C u y p

Figures in a park, possibly Delft oil on panel 18 X 25in. (45.7 x 63.5cni.)

A farrier

IR £ S 5 0 - \ ,200

US$1,600-3,200 C l , 600-3,000

oil on canvas 1614 X 20in. (41.3 x 50.8cm.) IR ^ 6 0 0 - 1 ,0 0 0

US$1,200-1,600 € 1 ,1 0 0 -1 ,5 0 0

US$8()0-1,300 € 7 70-1,300

347

350

F o l l o w e r o f J o h a n n e s H u ib e r t P r in s

A t t r ib u t e d t o H e n d r ic k v a n A n t h o n is s e n

A moated castle

(c.1606-d. after 1655)

oil on panel 18 X 24in. (45.7 x 63.5cm.)

A frigate and other shipping off a coastline

IR ^ 1 ,2 0 0 - 2 , 4 0 0

signed and dated ‘H V A n th / 1639’ (on a spar, lower right) oil on panel 1 5 > 4 x 28in. (40 x 71.2cm.)

US$ 1,600-3,200 Gl,60()-3,000

IR X ;3,500-6,000

106

US$4,70()-8,()00 G4,50()-7,600

351

352

351 C ir c l e o f G e r r it P o m p e

(1655-1705)

D u tch

S c h o o l , 19 t h

C enury

A D utch squadron setting sail from a quay

A river landscape with an angler on a bridge

oil on canvas, unframed 33-% X 481/4in. (85.7 x 122.5cm.)

oil on canvas 22 X 28m. (55.8 x 71.2cm.)

I R X 2 , 500-3,500

US$3,4()0-4,700 € 3 ,20 0 -4 ,4 0 0

IR X ;500-750

107

US$670-1,()00 € 6 4 0 -9 5 0

353 A t t r ib u t e d

J a n C o s s i e r s (1600-1671)

T h e card players oil on canvas 4414 X 59in. (112.8 x 149.9cni.) IR ^ 6 , 0 0 0 - 8 , 5 0 0

US$8,000-11,000 â&#x201A;¬7,700-11,000

108

354

354 Follow er

a v id

en ier s

Figures in a tavern interior oil on panel W A x 17’/4in. (29.7 x 43.8cm.) US$4,7()()-6,700 €4,50()-6,300

IR ^3,5 00 -5,00 0

109

355 M

anner of

Frans H

als

A servant, th re e - q u a rte r-le n g th , h o ld in g a staff oil on canvas 48% X 36in. (122.5 x 91.4cm .) IR ^ 3 , 5 0 0 - 5 , 0 0 0

U S $ 4 ,7 0 0 - 6 ,7 0 0 € 4 ,5 0 0 -6 ,3 0 0

356 C

ir c l e o f

F e r d i n a n d B o l (1616-1680)

An a stro n o m e r oil o n canvas 43 X 3 5 ’/ 8in. (109.3 x 85.2cm .) IR

,2 00 -2,4 00

U S $ 1 ,6 0 0 -3 ,2 0 0 € 1 ,6 0 0 -3 ,0 0 0

357 M

anner of

u e n t in

assys

Vanitas i n s c r i b e d ‘F O R M O S A M S P E C V L O T E G E R N E S R E S F IC E F O R M A M A T E R A G O P O S IT A M Q U E N O T A E / ESSE N I H I L / Q . M A T S Y S . F E C I T ’ oil o n panel, u n fra m e d 14% x 17%in. (37.5 x 45.5cm .) I R ^ ; i , 8 0 0 - 2 ,4 0 0

U S $ 2 ,4 0 0 - 3 ,2 0 0 € 2 ,3 0 0 -3 ,0 0 0

358 C ir c l e

E vert C

o l l ie r

(d.circa 1702)

A vanitas still life w i t h a globe, c ro w n , sw ord, j e w e l casket, an o p e n b o o k a n d a m in ia tu re o f K in g Charles I oil o n canvas 16/4 x 22in. (41.8 x 55.8cm .) I R ; ( ; i , 2 0 0 - 1 ,8 0 0

110

U S $ 1 ,6 0 0 -2 ,4 0 0 € 1 ,6 0 0 -2 ,3 0 0

359

359 F ollo w er of P a ulus M oreelse

Portrait o f a lady, three-quarter-length, in a black dress with a gold stomacher and a rutT holding a pair o f gloves and a chain inscribed with a m onogram, inscription and the date ‘Aets.s26/ 1615’ (upper right) and inscribed with the coat o f arms (upper left) oil on panel 41/4 X 30/4in. (104.4 x 77.5cm.) IR ^ 3 ,5 0 0 - 6 ,0 0 0

US$4,7()()-8,000 € 4 ,5 0 0 -7 ,6 0 0

112

360

360 C i r c l e o f N i c o l a e s E l i a s , c a l l e d P i c k e r n o y (1590-1656)

Portrait o f a lady, th r e e - q u a r te r - le n g th , in a black dress w ith an e m b r o id e r e d sto m a c h e r and a ruff, h o ld in g a b o o k and a glove at a table indistinctly inscribed â&#x20AC;&#x2DC;A e t .2 7 â&#x20AC;&#x2122; (low er right), and inscribed w ith coat o f arms (upp er right) oil o n panel 41->4 X 3()->4in. (106 x 78.1cni.) IR ^ 7 , 0 0 0 - 1 0 , 0 0 0

U S $ 9 ,4 0 0 - 1 3 ,()()() C8,900-13,(MH)

113

361

361 C i r c l e o f W y b r a n d - S i m o n s z . d e G e e s t (1592-1659)

Portrait o f a g e n tle m a n , t h r e e -q u a rte r-le n g th , in black c o stu m e w ith a r u f f h o ld in g a glove; an d Portrait o f a lady, t h r e e - q u a r te r - le n g th , in a black dress h o ld in g a prayer b o o k b o th ciateci â&#x20AC;&#x2DC;A n n o 1643â&#x20AC;&#x2122; (up p er left) oil o n canvas 41-y4 X 30-y4m . (106.2 x 80.7cm .) a pair (2) I R X ; 3 ,5 0 0 - 5 ,0 0 0

U S $ 4 ,7 0 0 - 6 ,7 0 0 C 4 , 5 0 0 - 6 ,3 0 0

114

362 (1627-1697) A group portrait o f a family

C ir c l e o f J a n d e B r a y

oil on canvas 45'/4 X 63'/4in. (114.9 x 161.9cm.) IR X;i 8 ,0 0 0-24,0 00

US$24,000-32,000 â&#x201A;¬23,00()-30,()00

115

% 364

363 C ir c l e o f J a c o b A d r i a n s z . B a c k e r

(1608-16)1)

Portrait o f an old wom an counting money at a talie oil on canvas 40 X 30y4in. (101.7 x 78.1cm.) IR ^ 2 ,5 0 0 - 3 ,5 0 0

US$3,4)0-4,700 G3,:00-4,400

364 M a n n e r o f S ir A n t h o n y v a n D y c k

l^ortrait o f a gentleman, three-c]uarter-length, in back costume, holding a book oil on canvas 48 x 36in. (121.8 x 9 1 .5cm.) IR

,80 0-2,40 0

US$2,4)0-3,2()0 €2,:0()-3,()00

365 F o l l o w e r o f C o r n e l is K e t e l

Portrait o f a gentleman, half-length, in a black coa’ and ruff inscribed with a coat o f arms (upper left) oil on panel 28-y4 x 22’/2in. (73 x 57.3cm.) IR X;3,5 00-6,000

116

US$4,:00-8,000 G4,f00-7,600

366

366 A t t r i b u t e d t o J a c o b W i l l e m s z . D e l f f (1619-1690)

Portrait o f a military c o m m a n d e r , half-length, in a r m o u r w ith a red sash and a lace collar oil o n paiiel 27 X 22V4m. (68.7 x 57.8cm .) IR X ; 5 , 0 0 0 -7 , 5 0 0

US$6,7()0-1 (),(){)() C6,4()()-9,50()

117

367

367 J a n A l b e r t s z . R o o t i u s (1 6 2 4 -1 6 6 6 )

Portrait o f a bearded man, aged 78, half-length, in a black coat and hat, and a ruft' signed (?), inscribed and dated ‘Aetatis suae 78- 1652/ JARootius fc’ (JAR in monogram) (upper right) oil on panel 27 X 21in. (68.6 x 53.3cm.) IR ;( ;i 2 ,00 0 -1 8 ,0 0 0

US$16,000-24,000 € 1 6 ,0 00 -23 ,00 0

118

368

368 A t t r ib u t e d

ie t e r

ason

(1612-1689)

Portrait o f a ge ntle m a n, t h re e -q u a rte r -le n g th , in a red p l u m e d hat, h o ld in g a glove inscribed and dated ‘A e .3 2 / A N 1667’ (u p p e r left) oil on canvas 40'/4 X 30V^in. (102.2 x 76.5cm .) I R ^ 5 , ( ) ( ) 0 - 7 ,5 0 0

US$6,7()()-1(),000 €6,4(H)-9,5()0

119

369

370 369 A

fter

R em brandt H

arm ensz. van

R ij n

Portrait o t'a Rabbi, b u st-len g th , in a black cap and ruff oil o n panel 21 X 16'/4in. (53.3 x 41.3cni.)

IR ^ 6 0 0 -1 ,()()()

US$8()0-1,30() €770-1,300

370 Follow er

o r n e lis d e

Portrait o f an elderly w o m a n , h ead and shoulciers, in a black dress, w ith a r u f f and a w h ite headdress oil o n canvas 16% X 13'/4in. (42.6 x 33.7cm.)

IR ^ 6 0 0 - 8 5 0

U S $ 8 0 0 - 1,100 €770-1,100

371 A

fter

R em brandt H

a rm en sz. van

R ij n

Portrait o f C o rnelis Claesz. Anslo, b ust-len gth, in black costum e , a black hat and a ruff oil o n panel 1 9 > 4 x 18’ / »in. (50.3 x 46.4cm.) D e r iv e s troiii th e d o u b le portrait ot th e M e i n m o n i t e preacher C'omelis C'laesz. Anslo and his W ife Aeltje Ciemtsdr. Schouten in the Staadiciie M iiseen Fmessicher Kulturbesitz, C'lenialderg-alerie, Berlin.

IR ^ 1 , 0 0 0 - 1 , 5 0 0

371

US$1,4()()-2,()00 €1,300-1,900

120

372

372 F ollow er

F e r d in a n d B o l

Portrait o f a gentleman, bust-length, in black costume ancl a lawn collar, in a feigned oval oil on panel 25 X 19>4in. (63.5 x 50.2cm.) IR ^ 1,200-1,800

US$1,6()()-2,40() ei,6{)()-2,3()()

373 F ollow er

A braham

van den

em pel

Portrait o f a lady, three-quarter-length, in a black dress w ith a lace collar and bonnet, holding a kerchief oil on canvas 33 X 25y4ni. (83.3 x 48.8cm.) IR X ;500-750

U S$670-1,()()() â&#x201A;Ź 6 4 0 -9 5 0

374 F ollow er

K arel D

u ja r d in

(1622-1678)

Portrait o f a gentleman, half-length, in a black coat and a lace collar oil on canvas 25/4 .X 211/2in. (64.8 x 54.6cm.) IR

,200-2,400

US$ 1,6()()-3,200 Cl,6()()-3,000

375 Follow er of Jakob va n O ost

Portrait o f a m an , half-length, in black c o stu m e w ith a law n collar, h o ld in g a b o o k oil on canvas 29 X 23'/^in. (73.7 x 5 9.7cm .) IR ;(;6()()-l,()()()

US$8()()-1,300 € 7 7 0 - 1 ,3 0 0

376 F o ll o w er o f G o l t z iu s G e l d o r p

Portrait o f a lady, half-length, in black c o stu m e and a ru ff oil o n panel 25 X 19V4in. (63.5 x 49.5cm .) IR

,2 0 0 - 2 , 4 0 0

U S$ 1,600-3,200 € 1 ,6 0 0 -3 ,0 0 0

377 A f t e r S ir A n t h o n y v a n D y c k

Portrait o f th e artist, b u st-le n g th oil o n canvas 20 X 16'/4in. (50.8 x 41.7 cm .) D e riv e s from th e s e lf portrait in th e c o lle c t io n o f T h e Earl o f Jersey.

IR ^ 5 0 0 - 7 5 0 377

122

U S $ 6 7 0 - ! , ()()() €640-950

378 380

378 C ir c l e

ic o l a e s

aes

(1634-1693)

F l e m i s h S c h o o l (?), 1 6 t h C e n t u r y

Portrait of a girl, three-quarter-length, in a white dress and feathered headdress, standing by a fountain oil on canvas 35% X 27in. (89.5 x 68.6cni.) IR ^ 2 ,5 0 0 - 3 , 5 0 0

Thom as M ore and Bishop Jo hn Fisher oil on panel, unframed 17% X 22%in. (43.8 x 56.5cm.) IR

379 D

utch

,00 0-1,50 0

US$3,4()0-4,700 € 3 ,2 0 0 -4 ,4 0 0

U S$1,400-2,()()() €1 ,3 0 0 -1 ,9 0 0

381 Sch o o l,

c ir c a

1820

F ollow er

Ja n C o r n e l isz . V erm eyen

An old w om an, half-length, in a shawl and a lace headdress oil on canvas 23% x 19%in. (59.7 x 48.8cm.)

Portrait o f a Priest, small-half-length - a fragment oil on panel 17% x 12y4in. (43.8 x 36.2cm.)

IR ^ 7 0 0 - 1 ,0 0 0

IR ^ 1 ,8 0 0 - 2 ,4 0 0

U S$940-1,300 € 8 9 0 -1 ,3 0 0

123

US$2,400-3,200 €2,30()-3,000

382

ITALIA N PIC TUR ES 382 G io v a n n i d i s e r G io v a n n i G u id i, l o

S c h e g g i a (1406-1486)

T he trium ph o f T im e and Justice - a cassone front oil on panel the reverse with a drawing of a laurel wreath in white chalk \ l V i X 42in. (44.5 x 106.8cm.) T h e artist w as th e y o u n g e r b r o t h e r o t M assccio. F r o m D e c e m b e r 1420 a n d th r o u g h th e t o llo w in g year, he is r e c o r d e d in F lo r e n c e in th e w o r k s h o p o t Bicci di L o r e n z o , a n d in 1430 e n r o le d in th e C o m p a g n i a di S.Luca, w h e r e h e appears as Sclw^i’ici o r Splinter, a T u s c a n n i c k n a m e fo r characters o f slight bu ild. B e t w e e n 1436 a n d 1440, S c h e g gia c o la b o ra te d o n th e Intarsia designs to r th e c u p b o a r d s o n th e s o u th wall o f th e Sagrestia della Messe in F lo r e n c e C a th e d r a l; in d e e d th e te s t im o n y o t B ru m e lle s c h i’s b io g ra p h e r, A n t o n i o M a n n e ti, suggests tha t Sch egg ia was o n close te rm s w i t h th e arc h ite ct. F o r th e b irth o f L o r e n z o di M e d ic i o n 1st January ' 1449, Sch egg ia was c o m m is s io n e d to p a in t a desco da parto d e p ic tin g The rrinniph of f-tviie. W e are grate ful to M r. E v e re tt Fahy fo r c o n t i n u i n g th e a ttr ib u t io n o n th e basis o t a p h o to g r a p h .

IR /; 2 5 ,0 0 0 - 3 5 ,0 0 0

US$34,000-47,()()() €132,000-44,000

124

383

383 I N N O C E N Z O DI P lE T R O F R A N C U C CI, CALLED IN N O C E N Z O DA I m MOLA (1494-1550)

The C i r c u m c is io n - a predella panel oil on panel, shaped c o m e rs 4V4 X 12â&#x20AC;&#x2122;/ 4in. (12 X 31.2cm .) W e are grateful to Mr. Everett Fahy for contir niin g the attribution on the basis o f a photograph.

IR^^l 2 ,0 0 0 -1 8 ,0 0 0

US$16,()()()-24,000 C16,(){)()-23,()()()

125

384

384 F o l l o w e r o f F ra A n g e l ic o

T h e Adoration o f the Magi oil on panel 10 X 18in. (25.4 x 45.7cm.) D e r iv e s fr om the " A d o r a t i o n of th e , \ h { ^ i ' in th e C h u r c h o f San Marco, Florence.

IR X ;3,5 0 0-5,000

US$4,700-6,700 e4,5()0-6,300

126

385

385 E m il ia n S c h o o l , c ir c a 1420

T h e Madonna and Child enthroned with Donors oil on panel 38/4 X 19'/2in. (97.3 x 49.5cm.) W e are gra teful to M r . E v e r e t t Fa h y w h o s u g g e st s a p o ss ib l e a t t r i b u t io n to t h e M a s t e r ot R o n c a i e t t e .

IR ^3,5()()-6,()00

US$4,700-8,()()() C4,500-7,600

127

386 386 L u c a S p i n e l l i , c a l l e d S p i n e l l o A r e t r i n o (1 3 8 7 -1 4 5 3 )

T h e Madonna and Child enthroned with tw o Angels oil on gold panel ground, with engaged frame 41% X 2 3 ’/ 4in. (104.8 x 59cni.) PROVENANCE:

M adam e Berall de Siret and M adam e E.R d ’Anvers, Galerie Cieorges (iiroux, Brussels, 15 D ecem ber, 1930. W e are grateful to Mr. Everett Faliy for confirm ing the attribution on tlie basis o f a photograpli. Mr. Fahy points o ut that the present lot is a damaged w o rk by Spinello w h o used the same cartoon for his fragmentary Madonna and Child enthroned in the M useo Nazionale cli San M arco, Pisa.

IR ^ 6 , 0 0 0 - 1 2 , 0 0 0

US$8,{)()()-16,(M)() € 7 , 7 0 0 - 1 5,(M)0

128

387

387 C ir c l e o f S a n d r o F il i p e p p i , c a l l e d S a n d r o B o t t i c e l l i (1 4 4 4 /5 -1 5 1 0 )

T h e M a d o n n a and Ch i l d w it h t h e Intant Saint J o h n the Baptist oil o n panel , circular 2 8 i n . ( 7 1 . 1 c m . ) diani. A fte r th e p r o t o t y p e in th e N a tio n a l CJallery o f S c o tla n d W e are grateful to M r. E v e r e tt Fa hy fo r c o n f i r m i n g th e a ttr ib u t io n o n th e basis o f a p h o t o g r a p h . M r. Fahy dates th e pre s e n t w o r k to c. 1 4 9 0 -1 5 0 5 .

I R ^ 2 5 , 000-30,000

US$34,()()()-40,(MM) C32,(MM)-38,(MM)

129

388 388 N

e a p o l it a n

S c h o o l , 15t h C e n t u r y

Saint Francis; and Saint Onophrius oil on gold ground panel 19% X IVim. (50.5 x 19cm.) a pair (2) W e are grateful to Mr. Everett Fahy w h o suggests that the present w orks are by a N eapolitan artist in the cirlce o f C o la n to n io .

IR;C25,000-35,000

US$34,()()()-47,()0() C32,()()0-44,()()()

130

389 389 T

aster of

M a r r a d i (active 2nd half o f the 15th Century)

T he Stigmatization o f Saint Francis oil on panel with an 18th century Italian inventory n u m b er 2 3 3 / 1 3 on the reverse 24 X 16in. (60.9 x 40.7cm.) W e are grateful to Mr. Everett Fahy for con fir m in g the attribution on the basis o f a photograph.

IR ;(;25 ,0 0 0 -3 5 ,0 0 0

US$34,000-47,000 â&#x201A;Ź 3 2,000-44,000

131

390

390 C e n t r a l I t a l ia n s c h o o l , c .1 5 2 0

Saint Sebastian; an d Saint R och oil o n panel 17'/4 X 9y4in. (43.8 x 24.7cm .) a pair (2) I R ^ 8 , 5 0 0 - 1 2 ,0 0 0

US$12,(M)0-16,()00 C l 1,()()0-15,()()()

132

391 391 It a l i a n S c h o o l , 1 4 t h C e n t u r y

S a in t S eba stia n t e m p e r a o n p a n e l , a r c h e d t o p , i n teg r al f r a m e I 8 '/2 X 16in. (47 x 4 0 . 7 c m . ) PROVENANCE:

Purchased by James Murnaghan from Spink, 1926, tor /^225. IRX^6,()()( )-8,5()0

U S $ 8,()( )0 -I !,()()() C 7 , 700-11,()()()

133

A r c a n g e l o d i J a c o p o S e l l a i o (active late 15th Century)

T h e B lood o f the Redeemer; and Adoring Angels - panels from a ciborium oil on panel 9% X 15â&#x20AC;&#x2122;/2in. (24.8 x 39.4cm .) three in a c o m m o n frame PROVENANCE:

T h e Rev. Artiiur F. Sutton, Brant Bro u g h to n, Lincolnshire; Christieâ&#x20AC;&#x2122;s, 12 February, 1926, lot 32. W e are grateful to Mr. Everett Fahy for confiniing the attribution on the basis o f a photograph. Mr. Fahy points o u t that the son o f Jacopo del Sellaio, Arcangelo, has been identified as the painter o f a g roup o f pictures formerly attributed to the Master o f the Miller T o n d o .

IR ^ 5 , 0 0 0 - 7 , 0 0 0

U S $ 6 ,7 0 0 -9 ,3 0 0

393 393 T h e M a s t e r o f M a r r a d i (active 2nd half o f the 15th Centun-)

T h e Vi rgin o f the Im m a cu la te C o n c e p t i o n oil o n panel, ar ched top 36'/2 X 21 in. (9 2.3 x 5 3 . 3 c m . ) I.ITKR A T U K E :

E. Faliy, Sonii’ l-'ollou’crs oj Doiiiciiiiv Ghirhiiniaio, 1976, p. 183. W e are grateful to M r. E v e r e tt Fah y for c o n f i r m i n g th e a ttrib u t io n o n th e basis o f a p h o t o g r a p h . M r . Fah y pt)ints o u t th at B e r e n s o n p la c ed his p h o t o g r a p h o t th e pre s e n t w o r k u n d e r th e sch o o l o t Cx')simo Roselli.

l R / ; 6 ,() () ( )- 8 ,5 ( )( )

US $8 ,()()()-l 1,()()() C 7 , 7 0 0 - 1 ],()()() 135

394 394 P i e t r o d e F r a n c e s c o D e g l i O r i o l i (145 8 -1 4 9 6 )

S a i i u j o h n the Baptist and thr ee Saints- a frag me nt from an A s su m p t io n o f the Virgin tem per a o n panel, irregular 16 X 14/2in. (4 0.7 x 3 6 . 8 c m . ) T h e ociit’rc formerly attributed to Ciiacomo Facchiarotto (1474-1540) has recently been identified as the w ork o f Pietro Orioli as a result o f analysis o f the stylistic and docum en tar\’ material pertaining to these tw o artists. L.B. Kanter, in the catalogue o f the exhibition Paiiitiii^^ in Rcthiisscncc Siam (1420-1500), M etropolitan M useum o f Art, N e w York, 20 D ecem ber 1988 - 19 March 1989, p.335, considers these works formerly attributed to Facchiarotto and n o w reassignetl to Orioli ‘am ong the most original and influential pictures produced in Siena in the last tw o decades o f the fifteenth century’. T h e majority o f documentary' evidence on Orioli relates to his presence in the lay com pany o f San Ciirolamo sotto I’Ospedale from 1481 until his death , perhaps from the plague at the age o f 36 in 1496 (Coor, 1965, op. at.) Orioli rose to the position o f Prior within this company, whose regulations dictated that its m em bers’ art w'as to be dedicated to the glorification ot Ciod and the Virgin. Orioli was praised by the contem po rary chronicler Sigismondo Tizio in his Historiatum Setiesiimi for his moral virtue and religious spirit as well as for his excellent c]ualities as a painter (IV. f 428: see G. Milanesi, Documcnti per la storia dell’arte Sciiese, 1854, II, p .391). T izio’s account o f the elaborate funeral procession and cerem ony held in O rio li’s h o n o u r in 1496 clearly demonstates the high regard in w hich this artist was held by his peers. Orioli probably trained with M atteo di Giovanni, how ever, his interest in architectural structure also reveals a dependance on the style ot Francesco di Giorgio and ultimately, with the works n o w restored to him for the series executed for the Piccolomini, the influence o f Luca Signorelli, and the U m brian artists around Perugino. (leitm d e C o o r has identified the present w ork as being a fragment part ot a larger Asi:uiiiptiou altarpiece, and positions the picture to the right ot the M adonna. C o o r began to piece together various fragments cut from the original altai'piece linking them together to the same altar through similarities in subject, fonn, colour and technique. T he pieces n o w recognised as fonning part o f the Assumption altarpiece are set against a light blue background sky and have translucent halos o f gold dots and employ a rich and varied colour scheme in the gannents. There are various other fragments in addition to the present work scattered in private and public collections, tor example the Anthony Post collection, London, the El Passo Museum o f Art, Texas, and the Baltimore M useum o f Ait. A related Assmnption of the Virj^iii, was sold by C'hristie’s, N ew York, 12th Januar\' 1996, lot 102, from the John Pope-Hennesey collection. IR ^ 2 5 , ( ) ( ) ( ) - 3 5 , 0 0 0

U S $ 3 4 , ( ) ( ) 0 - 4 7 ,()()() C 3 2 ,( H )0 - 4 4 , ()()()

136

395

396

F o llo w er of G io v a n n i A n t o n io S o d o m a

A f ter F r a A n g e l ic o

T h e Mystic Marriage o f Saint Catherine oil on panel lyA X isy4in. (60.5 X 47.7cni.)

Angels from the Linaiuoli Altar

IR /;6,0()()-8,500

oil on panel 27 X 26in. (68.6 .x 66cni.) After the pictures in th e M u seo di San M arco, Florence.

US$8,()()()-l 1,()()() â&#x201A;Ź7,700-11,()()()

I R ^ 7 5 0 - 1 ,000

137

USSl ,000-1,300 C:960-1,300

397 397

398

PIST OIESE S c h o o l , c i r c a

1530

M a n n e r o f A m b r o g io L o r e n z e t t i

Tlie Madonna and Child with the hitant Saint John the Baptist oil on panel, unt'ranied 23/2 X 17in. (59.7 x 43.2cni.) IR

,2()0-2,4()0

The Madonna and Child oil on a gold ground panel, arched top, in an integral frame 12'/4 X IVim. (31.2 x 19cm.) IRX5()()-750

US$1,600-3,200 C l , 600-3,000

138

US$670-1,000 C640-950

399

400 399

400

F o l l o w e r o f B o n i f a z i o d e i P i t a t i , il V e r o n e s e

V e n e t i a n S c h o o l , c i r c a 1 55 0

T h e H o ly Fam ily w ith Saint C a th e rin e ot Alexandria

T h e M a d o n n a and C h ild w’ith the Infant Saint J o h n the Baptist, Saint Jam es and Saint Agnes

oil o n panel 22'/4 X 3 2 ’/ 4in. (56.6 x 81 .Icni.) IR X ; 5 , 0 0 0 - 7 , 0 0 0

oil on panel w ith an e x p o rt label o f the Real Accadcniia della bclla Arti in lleiiezia o n the reverse 2 6 ’/2 X 32in. (67.2 x 81.3cni.)

U S $ 6 ,7 0 0 -9 ,3 0 0 €6 ,4 0 0 -8 ,9 0 0

IR ^ ;5 ,0 0 0 -7 ,0 0 0

139

U S$6,7()0-9,300 C 6 , 4 0 0 -8 ,9 0 0

401

401 B a r t o l o m e o R a m e n g h i , il B a g n a c a v a l l o

(1484-1542)

T h e Holy Family oil on panel, unfranied 2478 X 2 0 â&#x20AC;&#x2122;/2in. (60.8 x 52cm.) IR X ;6,000-8,500

USS8,000-1 1,000 C 7 ,700-11,000

140

402

402 C i r c l e o f J a c o p o C a r u c c i , il P o n t o r m o (1494-1557)

T h e M a d o n n a and C'hild oil o n panel 32'/2 X 24in. (S5.2 x 62.2cni.), i n c lu d in g a nd add ition o f l% in . into the l o w e r edge IR

5,0()()-22,00()

US$20,(M)0-29,()()() C 2 0 , 0 0 0 -2 8 ,0 0 0

141

403

403 C

ir c l e o f

o m e n ic o

o b u s t i , il

in t o r e t t o

(1560-1635)

T he M adonna and Child w ith the Infant Saint John the Baptist, Saint Elizabeth and Saint C atherine o f Alexandria oil on canvas 38 X 46%in. (96.6 x 1 18.8cni.) IR X ;5,000-7,000

US$6,7()()-9,3(K) â&#x201A;Ź 6 ,4 0 0 -8 ,9 0 0

142

404 404 M ic h e le di R id o lf o T o sin i

(1503-1577)

T h e Madonna and Child widi the hifant Saint Jo h n the Baptist oil on panel 32/4 X 26in. (82.5 x 66cni.) W e are grateful to Mr. Everett Fahy for co nfirm ing the attribution on the basis ot a photograph.

IRX;50,0()0-70,()00

US$67,()0()-93,()()() G64,000-89,()00

143

405 I t a l o - C r e t a n S c h o o l , 16t h

C en tu ry (? )

The Madonna and Child oil on gold ground panel \7V2 X 13in. (44.5 x 33cm.) I R ^ 2 , 500-5,000

US$3,400-6,700 €3,200-6,300

406 V e n e t o - B y a n t in e S c h o o l

The Lamentation oil on panel 13 X lOin. (33 x 25.4cm.) and two icons I R ^ 2 , 500-5,000

405

407 407 I t a l o - C r e t a n S c h o o l , c i r c a 1550

The Marriage at Cana: and The Last Supper oil on panel SY2 X 13y4in. (14 X 35cm.) a pair (2) IR X I ,500-2,200

US$2,000-2,90() €2,000-2,800

144

(3 )

USS3,4()0-6,700 €3,200-6,300

408

409

408 F ollow er o f T om aso di Stefa n o , called Lu n etti

T h e Madonna and Child oil on panel 13'/2 X lOyHin. (34.3 x 106.8cm.) IR ^ 1 ,2 0 0 - 2 ,4 0 0

US$1,60()-3,20() C l , 600-3,()()()

409 F o l l o w e r o f N ic o l o P is a n o

T h e Madonna and Child with the Infant Saint Jo h n the Bapist oil on canvas 19>4 X 15'/2in. (50.3 x 39.4cm.) IR

,2 00-1,800

US$1,600-2,400 Cl,600-2,3()0

410 T u s c a n S c h o o l , c i r c a 1600

T he Madonna and Child oil on panel 18'/4 X 15y4in. (46.3 x 40cm.) IR ^ 1 ,2 0 0 - 1 , 8 0 0

U S$1,600-2,400 C l , 600-2,300 410

145

411

411 F erra rese S c h o o l, e a r ly 1 6 th C e n tu r y

T he Madonna and Child with Saint Anne oil on panel 19 X 15in. (48.2 x 38.1 cm.) US$12,()()()-16,()()() C l 1,()()()-15,()()()

IR ^ 8 ,5 0 0 - 1 2 ,0 0 0

146

412

412 F l o r e n t in e S c h o o l , 16 t h C e n t u r y

T h e Santissima Annunziata Annunciation inscribed ‘M A D O N N E S A N T A M ARIA DELLE G R A T I E ’ (Lower centre) oil on panel 18/4 X 24%in. (47 x 63cm.) PROVENANCE:

Sir Edward Wingfield Kenner, C'ork Abbey, Co. W icklow : sale 19 May 1920 (according to a label on the reverse) w ithJ.J. Gorry, l^ublin, 1920 T h e composition is based on the fresco by an unidentified 14th century' Florentine artist in the C h u rc h o f SS. Annunziate, Florence.

IR ^3,50()-6,()()()

U S S 4 ,7 0 0 - 8 , GOO €4 ,5 0 0-7,600

147

413

413 S i e n e s e S c h o o l , late 1 6 t h C e n t u r y

T he M adonna and Child with Saint Jo h n the Baptist oil on canvas, unframed 36/4 X 28/4in. (92.7 x 72.4cm.) IR ;(;2,500-5,0 00

US$3,400-6,700 â&#x201A;Ź3,2 00-6,3 00

148

414

414 F o l l o w e r o f T iz ia n o V e c e l l io , c a l l e d T it ia n

Portrait ot a lady, bust-length, in a w hite dress with a red cloak, holding a martyrs palm oil on canvas 24V4 X 24-y4in. (62.8 x 62.8cm .) LIT E R A T U R E :

B. B erenso ii, Italian P ic tu res o f th e R enais sance, V e n e ti a n S chools, L o n d o n , 1957, p . 54. R .P a llu c c h in i a nd F.Rossi, Giotâ&#x20AC;&#x2122;auiii Cariaiii, 1983, n o . V, 30 T h e p re s e n t p ic tu re is r e g a rd e d b y Palluch ini a n d Rossi as th e w o r k o f a fo ll o w e r o f Palnia V e c c h io possibly w o r k i n g after 1530 a n d i n tlu e n c e d also by T itia n . T h e y te n tiv e ly suggest th a t th e s u b jec t is Saint C a t h e r i n e o f Alexantiria .

IR ^25,()()()-35,()0()

US$34,()()0-47,()()() â&#x201A;Ź 3 2 , ()()0-44,()()()

149

415

415 N o r t h I t a l i a n S c h o o l , e a r l y 17th C e n t u r y

Saint Sebastian tended by Saint Irene oil on canvas 36Y4 X 30/2in. (92.7 x 77.5cm.) I R / ; 6 , 0 0 0 -1 0,00 0

US$8,000-13,000 â&#x201A;Ź 7,70 0-13,0 00

150

416

416 A f t e r J a c o p o N e g r e t t i , P a l m a il V e c c h i o

T h e M a d o n n a and CMiild w ith Saint C a th e rin e o f Alexandria and Saint J o h n the Baptist oil on canvas 261/2 X 33in. (67.3 x S3.8cm.) IR /;2 ,S ()()-3 ,5 ()0

US$3,4()()-4,700 C 3 , 2 0 0 -4 ,4 0 0 417

417 Follow er of C arlo M aratta

T h e M adonna oil on canvas 17% X 13'/4in. (45.5 x 34.2cm .) In an early 17th C e n tu r y Italian carved and gilded casetta frame IR X ; 2 , 5 0 0 - 3 ,5 0 0

U S $ 3 ,4 0 0 -4 ,7 0 0 C 3 ,2 0 0 - 4 ,4 0 0

418 F o l l o w e r o f M a ssim o S t a n z io n e

A m o th e r and child oil on canvas 1 9 '/2 x 13â&#x20AC;&#x2122;/ 4m. (49.5 x 33.7cm .) I R ^ l , 0 0 0 - 1 ,5 0 0

U S $ 1 ,4 0 0 -2 ,0 0 0 â&#x201A;Ź 1 ,3 0 0 -1 ,9 0 0

419 F o ll o w er o f A n t iv e d u t o d el la G r a m m a t ic a

A lady h o ld in g a candle oil on canvas 26% x 23-y4in. (68 x 60.3cni.) I R / ; 2 , 5 0 0 - 3 ,5 0 0

U S $ 3 ,4 0 0 -4 ,7 0 0 C 3 , 2 0 0 -4 ,4 0 0 418

151

420

422

420

422

V e n e t ia n S c h o o l , 16t h C e n t u r y

Portrait o f a g e n tle m a n , half-length, seated in a black coat

C ir c l e o f J a c o p o R o b u s t i , (1 5 1 8 -1 5 9 4 )

oil on canvas laid d o w n o n panel 37^8 X 29%in. (94.2 x 75.Scm .)

Portrait o f a g e n tle m a n , half-length, in black c ostum e , h o ld in g a hat

,2 0 0 - 2 , 4 0 0

in t o r e t t o

w ith inscription ‘D.Sisti C'..’ (u pp e r left) oil o n canvas 33'/2 X 29in. (85.2 x 73.7cni.)

US$ 1,6()()-3,2(K) C l , 600-3,()()()

IR ;(;2,5 0 0 - 5 ,0 0 0

U S $3 ,40()-6,700 € 3 ,2 0 0 -6 ,3 0 0

421

423

A f t e r P ie t r o L o m a z z o

A m an playing a flute

Portrait o f the P o e t and Scholar Cjiovanni B ocaccio (13131375)

oil o n canvas, u n fra m e d 1 8 ' / 4 x 14in. (46.4 x 3 5.6 cm .

IRX;350-500

uscan

Sc h o o l , 16t h C e n t u r y

oil o n panel, u n fra m e d 13 X 9'/sin. (33 x 23 .2cm .)

US$47()-670 €450-630

IR ;£500-750

152

U S $ 6 7 0 - 1,000 €640-950

424

425

C ir c l e o f T i z i a n o V e c e l l io , c a l l e d T it ia n

N o r t h I ta lia n S c h o o l, c ir c a

(c. 1488-1576) Portrait ot a senato r an d his three children

Portrait o f a m an , sm all-half-length, in profile to the left, in black, co stu m e

oil on canvas, a frag m ent 33'/4 X 28'/4in. (84.5 x 71.8cm .)

oil o n panel, a fragm en t 14 X 16in. (35.6 x 40.7cm .)

IR;(;6,()()()-1 (),()()()

USS8,()()()-13,()0() C7,7()()-13,()()0

IR ^ 2 , 5 0 0 - 5 , 0 0 0

1500

US$3,4()0-6,70() G3,2()()-6,300

427 426 F o ll o w er of C r ist o f a n o A llori

426

Portrait o f a g e n tle m a n , half-length, in a black costum e, h o ld in g a b o o k and a quill oil on canvas 3 5 ’/2 X 26>4in. (90.3 x 6Scni.) IR X ;6 ()0 -1 ,()()()

US$8()()-1,3()0 C 7 7 0 - 1,300

427 F o l l o w e r o f J a c o p o R o h u s t i , il T i n t o r e t t o

Portrait o f a g e n tle m a n , half-length, in a b r o w n coat oil on canvas 31 X 2 4 ’/ 2in. (78.8 x 6 2.2 cm .) I R / ; 2 , 5 0 0 - 3 ,5 0 0

U S$3,4 ()0 -4,7 0 0 € 3 ,2 0 () - 4 ,4 0 0

428 M a n n e r o f R o s a l b a C a r r ier a

A w o m a n , bu st-Ien g th, in a blu e dress pastel 21 X 15'/^in. (53.3 x 3 9 .4cm .) IR /;3 5 0 -5 0 0

U S $470-670 G 450-630

429 A t t r i b u t e d t o J o a c h i m W t e w a e l (1566-1638)

A peasant m an h o ld in g a j u g and a piece o f b read and cheese - an allegory o f T aste oil o n canvas 24 X 19in. (60.9 x 4 8 .8cm .) IR /;2 ,4 0 0 -3 ,5 0 0

429

154

U S $ 3 ,2 0 0 -4 ,7 0 0 G 3 , 100-4 ,4 0 0

430 V e n e t ia n S c h o o l

The Rialto Bridge, Venice, looking South oil on canvas 24 X 28*/2in. (85.2 x 62.2cni.) IR £ 1,200-2,400

■ m l.

US$1,600-3,200 €1,600-3,000

431 A t t r ib u t e d

arlo

rubacs

(active 1840-70)

The Piazza San Marco, Venice oil on canvas 11 '/4 X 14%in. (28.6 x 37.5cm.) IR ^ 6 ,0 0 0 - 1 0,000

430

US$8,000-13,000 (:7,7()0-13,000

432 C ir c l e T iv o l i

h il ip

P e t e r R o o s , R osa

(1657-1706) An extensive woodeci landscape with a drover watering cattle at a pool oil on canvas 23>4 X 49%in. (60.3 x 126.6cin.) IR ^ 3 ,50 0 -6 ,0 00

US$4,70()-8,000 €4,500-7,600

431

433 E m a C a p i s i n o , 19 t h C e n t u r y

Portrait of a young girl, head and shoulders, in a grey dress and a white bonnet signed and dated ‘Ema Capisino/ 1875’ (centre left edge) oil on canvas 1 8 ' / 2 X 1 3 y 2 i n . (47 x 34.3cm.)

m£l

,000-1,500

US$1,400-2,000 €1,300-1,900 432

155

434

SPANISH, FRENCH A N D GERMAN PICTURES 434 C ir c l e o f J u a n F e r n a n d e z N a v a r e t t e , E l M u d o

(1526-1579)

T h e Baptism o f Christ oil on panel (split into three sections), unframed 20-74 X 14’/ 4m. (52.8 x 36.2cm.) IR ;(;850-l ,000

U S$1,200-1,300 € 1 ,1 0 0 -1 ,3 0 0

156

435

436

S p a n i s h (?) S c h o o l , 1 6 t h C e n t u r y

S p a n ish S c h o o l , 17t h C e n t u r y

A Pope, possibly Gregory the Great

T he Holy Trinity

oil on panel, unframed 21 X 12in. (53.3 x 30.5cm.)

oil on canvas 12'/4 X 9m. (31.2 x 22.8cm.)

I R X ;i, 2 0 0 - 2 , 4 0 0

U S$1,600-3,200 € 1 ,6 0 0 -3 ,0 0 0

IR X ;350-600

157

US$470-800 € 4 5 0 -7 6 0

437 43 7 A ttr ib u te d t o

T r o p h i m e B i g o t (active 1 6 20-1634)

A naan with an album o f drawings by candlelight, at a table oil on canvas 42V4 X 35/4in. (108.7 x 90.2cm.) L IT E R A T U R E :

B. N icholson LJh Canwa^istc Aixois Lc Maine a la Cliandcllc, Art de France, 1964, pi. 10. //>/(/., Carava<i^iam in Europe, O xford, 1979, 1, p.62, no 854, illustrated Vol II as T ro p h im e Bigot, possibly a self-portrait.

IR ^ 6 , 0 0 0 - 1 0 , 0 0 0

U S $ 8 ,( ) 0 0 - 13,000 â&#x201A;Ź 7 , 7 0 0 - 1 3 , OOO 158

439

438 438 F o l l o w e r o f P h il ip p e d e C h a m p a ig n e

P ortrait o f C'laude de Mesnies, C o i n p t d ’Avaux, haltlength, in black c o stu m e w ith a lawn collar in scrib ed ‘C L A U D E DE; M ESM ES: D ’A V A U X : P : R ; G A L ’ (b o tto m edge) oil o n canvas, in a p a in te d oval 2 7 ’/4 X 24in. (69.7 x 6().9cni.) IR X S 5 ()-1 ,2 0 ()

COM:

US$1,2()()-1,6()0 C l , 100 -1,5 00

439 F o l l o w e r o f Se b a s t ia n B o u r d o n

Portra it o f a lawyer(?), half-length, in black c o stu m e w ith a w h ite collar and cuffs oil on canvas 31 X 26/4in. (78.8 x 67.3cm .) IR / ; 6 0 ( ) - l ,0 0 0

US$8()0-1,300 €7 7 0 -1 ,3 0 0

440 C i r c l e o f M a r t i n v a n M y t e n s (1648- 1736)

P ortrait o f a lady, half-length w e a rin g a w h i t e ciress and a pin k w ra p h o ld in g a flow er oil on canvas, oval 32/2 x 28in. (83.3 x 71.2cm .) IR ^;3 ,5 ()0-5 ,00()

US$4,700-6,700 e4,500-6,300 440

159

44] F ollow er

ie r r e - A n t o in e

B a u d o u in

Elegant young ladies with a fortune teller in a wooded landscape oil on canvas, laid down on panel 10-74 X 8ni. (27.3 x 20.3cm.) I R £ 1 ,200-2,400

US$1,6()0-3.20() €1,6()()-3.0()0

442 M

anner of

J ean-H

enri

P erroneau

Portrait of a girl, head and shoulciers, with a blue bow pastel 17 X 13’/2in. (43.2 x 34.3cni.) IR X;3,500-5,000

US$4,7{)0-6,70() €4,5()()-6,3()0

441

445 443 443

445

F ollow er

J ean-A

n t o in e

i r c l e o f J o a c h i m F r a n z B e i c h (1665-1748) Sportsmen with dogs on a track, a waterfall and hilltop ruin beyond oil on panel 1 5 ’/ 2 X 20in. (39.3 x 50.8cm.)

atteau

Elegant company in a river landscape oil on canvas 37 X 47%m. (94 x 120.9cm.) IRX;2,500-3,500

444

US$3,4()()-4,70() €3,2()()-4,400

IRX;2,500-3,500

No Lot

160

US$3,4()()-4,700 G3,2()()-4,400

447

446

447

Fren ch Sc h o o l, 18th C entury

C ir c l e o f H e n r y - A n t o i n i d e F a v a n n e

Portrait o f a young lady, head and shoulders

An allegory o f Music and Painting oil on canvas, oval 43 X 37in. (109.3 x 94cm.)

pastel, oval 1 5 ' / 2 X 12in. (39.4 x 30.5cm.) IR;(;350-5()()

I R ^ 6 , 0 0 0 -8 ,5 0 0

US$470-67() â&#x201A;Ź 4 5 0 -6 3 0

161

(1668-1752)

US$8,000-11,000 â&#x201A;Ź 7 ,700-11,000

448 448 C

ir c l e o f

449 G eorge G

ow er

(c . 1540-1596)

S p a n i s h S c h o o l , c i r c a 1620

Portrait o f a nobleman, said to be the C o u n t de G ondom ar, bust-length, in a cape and a ruff, in a feigned oval w ith identifying inscription ‘C .D E G O N D O M A R ’ (lower centre) oil on canvas 30 X 23'/2in. (76.2 x 59.7cm.)

Portrait o f a gentleman, half-length, in a black cape and a ruff, holding a scroll and dagger oil on panel 28'/2 X 21in. (72.4 x 53.3cm.) IR X ;5,000-7,000

U S$6,700-9,300 €6 ,4 0 0 -8 ,9 0 0

T h e C o u n t de C jondem ar was th e Spanish A m b as s ad o r to the C o u r t o f K in g James I.

162

,800 -2,40 0

U S$2,400-3,200 € 2,3 0 0 -3 ,0 0 0

450

BRITSH A N D IRISH PICTURES 450 Follow er

A n t h o n is M

Portrait o f a g e n tlem an , half-length, in a slashed d o u b le t and a ru ff inscribed ‘A E T A T I S SVAE 28 1 5 .7 8 / M . SI (linked) S’ oil on panel, unfranied 19 X 14%in. (48.3 x 3 6.2cm .) I R ;( ;5 ,0 0 0 - 7 ,0 0 0

US$6,70()-9,3()0 C6,4()()-8,900

163

451 C i r c l e o f S ir P e t e r L e l y

(1618-1680)

Portrait o f a young lady, half-length, in a black dress and a pearl choker oil on canvas 30 X 25in. (76.2 x 63.5cm.) IR ,(;2,40()-5,000

US$3,20()-6,7()() â&#x201A;Ź3,1()0-6,3(K)

164

452

453

452 Irish S c h o o l , c i r c a

1750

Portrait o f a gentleman, half-length, in a blue coat and a white stock, in a feigned oval oil on canvas 30 X 25in. (76.2 x 63.5cm.) IRX;i,H0()-2,4()()

US$2,400-3,200 €2,300-3,00{)

453 Irish S c h o o l , c i r c a

1770

Portrait o f a gentleman, half-length, in a burgundy coat and waistcoat, holding a telescope oil on canvas 29'/2 X 24in. (74.8 x 60.9cm.) IR £ \ ,80()-2,40()

US$2,400-3,200 €2,30()-3,000

454 C ir cle o f A n t h o n y L ee

(tl.c. 1724-1767)

Portrait o f a gentlemati, small three-cjuarter-length, in a brown coat and waistcoat at atable with an inkw'ell and a piece o f coral, a balastrade beyond, the book inscnbed Hervey oil on copper 1 3 '/2 X l()'/2 in. (34.3 x 26.7cm.) I R / ; 2 , 500-3,500

US$3,4()0-4,700 C3,2()0-4,400 454 165

456

455

455 E n g lish S c h o o l, c irc a

456

1740

St e ph e n Sla u g h ter

Portrait o f a gentleman, half-length, m a blue coat and a green waistcoat with gold embroidery, in a feigned oval oil on canvas 30 X 25in. (76.2 x 63.5cm.)

IR X;6,000-l (),()()0

(d. 1785)

Portrait o f a gentleman, half-length, in a brow n coat and em broidered waistcoat, a tricorn under his arm, in a feigned oval oil on canvas 30 X 25in. (76.2 x 63.5cm.)

US$8,()()0-13,000 C7,7()0-13,000

IR;(;6,000-10,000

166

US$8,000-13,000 â&#x201A;Ź7,7 0 0 -1 3 ,0 0 0

457

458

457 I r ish S c h o o l ,

c ir c a

1780

Portrait o f a gentleman, half-length, seated in a grey coat oil on canvas 29 X 24ni. (73.7 x 60.9cni.) 1R;(;850-1,200

US$1,200-1,600 C l , 100-1,500

458 Follow er

il ly

K ettle

Portrait o f a gentleman, half-length, in a b row n coat oil on canvas, unframeci 30 X 25in. (76.2 x 63.5cm.) IR X ;600-1,000

US$800-1,300 â&#x201A;Ź 7 7 0 -1 ,3 0 0

459 I r ish S c h o o l ,

c ir c a

1780

Portrait o f an officer, half-length, in a blue coat with golci facings and a white stock oil on canvas 30 X 25in. (76.2 x 63.5cm.) IR ^ 8 0 0 - 1 , 2 0 0

US$1,100-1,600 â&#x201A;Ź1 ,1 0 0 -1 ,5 0 0 459

167

460

460 C ir c l e o f G e o r g e R o m n e y

(1734-1802)

Portrait o f a gentleman, half-length, traditionally identified as Robert Henley, Earl o f N orthington, in a red coat and a white stock oil on canvas 30 X 25 in. (76.2 x 63.5 cm.) IR ^ 5 ,0 0 0 - 7 ,0 0 0

US$6,700-9,300 â&#x201A;Ź6,4 0 0 -8 ,9 0 0

168

461

461 G i l b e r t S t u a r t (1755-1828)

Portrait o f a gentleman, half-length, in a blue coat with a white cravat and w^aistcoat oil on canvas 29'A X 24 in. (74 x 60.9 cm.) IRX;5,00 0-7,000

US$6,700-9,300 â&#x201A;Ź6,4 0 0 -8 ,9 0 0

169

46 3

4 62

462

463

E n g l i s h S c h o o l , c i r c a 1810

F o l l o w e r o f S ir T h o m a s L a w r e n c e P . R . A

Portrait o f a lady, h a lf-len gth, in a w h i t e dress w i t h pink b o w s , a d o g at her side

Portrait o f a lady, h alf-len g th, in a w h i t e dress oil o n canvas laid d o w n o n board 2 3 X 18'/2in. ( 5 8 .4 x 4 7cn i.)

oil o n canvas 2 3 ’/2 X 1 8 ' / 4 in. (59.7 x 4 6 . 2 cm .) IR X;i , 0 0 0 - 1 , 5 0 0

I R ^ l , 8 0 0 -2 ,4 0 0 U S $ 1 ,4 0 0 -2 ,0 0 0 € 1 ,3 0 0 -1 ,9 0 0

170

U S $ 2 ,4 0 0 -3 ,2 0 0 € 2 ,3 0 0 -3 ,0 0 0

464 F o l l o w e r o f P h il ip M e r c ie r

A lady playing a h u rd y -g u r d y 011 on panel, shaped 12 X 8in. (30.5 x 20.3cni.) US$34()-670 C 320-630

IR X 25()-500

465 Follow er of Jam es B arry

Portrait o f a lady, form erly identified as E m m a Hart, b ustlength, in a w h i t e dress oil on canvas 30 X 25in. (76.2 x 63.5cm .) IRX;U2{)()-1,8(H)

U S $ 1 ,6 0 0 -2 ,4 0 0 C l , 6 0 0 -2 ,3 0 0

465

466 M a n n e r of G a in sb o r o u g h D u p o n t

Portrait o f a lady, sm all-half-length, in a blue dress w ith a w hite collar pastel 20 X 16in. (50.8 x 40.7cm .) U S$470-670 C450-630

IR X ;350-5()0

467 C i r c l e o f G e o r g e C h i n n e r y (1774-1852)

Portrait o f a lady, small full-length, in a w h ite dress and a blue shawl, h o ld in g a basket standing in a garden oil on canvas, u n fra nie d anti unstre tc he d 40 X 25in. (106.7 x 63.5cm .) I R / ; 2 , 5 0 0 -3 ,5 0 0

U S $ 3 ,4 0 0 -4 ,7 0 0 C 3 , 2 0 0 - 4 ,4 0 0 467

171

468 W a l t e r F r e d e r i c k O s b o r n e R H A (1859-1903)

Portrait o f E.M. de la Poer T rench signed and dated ’W alter O s b o r n e / 1903’ (upper left) and inscribed and dated ‘E.M .de la Poer T r e n c h / 1903’ (on the reverse) oil on canvas 30 X 25in. (76.2 x 63.5cm.) I R ^ l 0 ,0 0 0-15 ,0 00

US$ 14,(M)()-2(M)()0 CI3,(K)0-19,()()()

172

471

469

470

471

Follow er of T h o m as B arker of

C i r c l e o f R o b e r t H i l l s ( 1 7 69 -18 4 4)

( 1 8 56 -19 0 6)

B ath

E v e n in g n ear D alkev

A w o o d e d la n d s c a p e w'ith a tr a v e l l e r a n d a d o g o n a tr a c k

A w o o d e d la n d s c a p e w'ith d e e r , a m o t h e r a n d c h i l d o n a tr a c k b e y o n d

R ic h a r d T h o m a s M o y n a n

R.H.A.

si g n e d ‘M o y n a n ’ ( l o w e r left), si g n e d a n d i n s c r i b e d ‘E v e n i n g n e a r / D a l k e y / M o y n a n ’ (o n t h e reverse) oil o n p a n e l \{)Va X I3>4in. ( 2 5 .4 x 3 4 .9 c n i . ) I R X ; 3 , ( ) 0 ( ) - 4 , (){)()

011 o n c anv as 12 X 16in. ( 3 0 .5 x 4 0 .7 c n i . ) IR X 500-750

U SS 670-1,000 €:64 0 -9 5 0

U S $ 4 ,( )( )0 - 5 ,3 0 0 C:3,900-5,100

173

oil o n canv as 3 3 ‘^ X 54V^in. (84.1 x 1 3 8 .5 c m .) I R / ; 3 , 0 0 0 -4 ,0 0 0

USS4,()()()-5,3(K) € 3 ,9 0 0 -5 ,1 0 0

J o h n H e n r y C a m p b ell

(1757-1828)

An panoramic view o f D ublin w ith peasants and animals in the foreground before Aldborough House, in the distance the towers and steeples o f Dublin and the Sugar Loaf beyond signed and dated ‘J H C am pbell/ 1818’ (lower left) oil on canvas 28% X 3 8 ’/4m. (71.8 x 97.2cm.) IR X ;25,000-35 ,000

US$34,()(K)-47,()(K) €32,()()0-44,()()()

E N D OF SALE

PICTURE IN D E X

van Aelst 322 Allori 426 Angelico 396 van A nthonissen 350 van Asc'h 344

Hals 355 Hills 471

Renibrancit 371 di Ridolfo T osini 404 van Rijn 369 R o n in e y 460 Roos 432 R ootius 367 van Ruysdael 331

JJanssens 328 d e j o n g e 330

B Backer 363 il Bagnacavallo 401 Barker 470 B a n y 463 Baudoiiin 441 van Beest 346 Beich 445 Bigot 437 Bol 356, 372 Botticelli 387 B o u rd o n 439 de Bray 362

c: ('a n ip b e ll 472 C'aniphuyzen 335 ('apisino, E 433 ("arriera 428 de C h a n ip a ig n e 438 ('h in n er^ ' 467 C'laessins 325 van CHeve 324 C'ollier 358 (xissiers 353 Caiyp 349

l)eltr3 6 6 Dujardin 374 1) u p o n t 466 van D yck 364, 377

F de Favanne 447 Fra Angelico 384 Francucci 383

K Keirincx 329 Ketel 365 Kettle 458 K nupfe r 327

L L aw rence 463 Lely 4 5 1 Lom azzo 421 Lorenzetti 398 Lunetti 408

M Maes 378 Maratta 417 M arradi 389, 393 Massys 357 M e rc ie r 464 M e u le n a e r 334 M o r 450 M oreelse 359 de M o u c h e r o n 333 M o y n a n 469 van M ytens 440

N N ason 368 N ava re tte 434 van d e r N e e r 343 van N o o r t 323

o van O o s t 375 O rioli 394 O s b o r n e 468 O u d e n r o g g e 332

G C'.ael 3 4 1 -3 4 2 de Cleest 361 Cieldorp 376 Ciower 448 van Cioyen 337 della G ra m m a tic a 419 (iru b ac s 431

P P e rro n e a u 442 F ic k ern o y 360 Pisano 409 P o n ip e 351 P o n t o r m o 402 Prins 347

s Scheggia 382 Sellaio 392 Slaughter 456 Sod o n ia 395 Spinello A retino 386 Stanzione 418 van Staveren 326 S toop 338 Stuart 461

T van den T en ip e l 373 T enie rs 1! 354 il T in t o r e tt o 403, 422, 427 T itian 414, 424

V V e c ch io 416 V e rhae rt 336 V e rn iey e n 381 V e ronese 399 de Vos 370

w W a tte a u 443 W o u w e r m a n 340 Wtevvael 429 W y c k 339 W y n a n ts 345

NOTES

WRITTEN BIDS FORM This form should be sent or faxed to be received by C h ris tie ’s W ritte n Bids Office in advance o f the sale. Bank References should be supplied in g o o d tim e to be taken up before the sale.

W ritten Bids O ffice 8 King Street, St. Ja m e s’s, L o n d o n S W 1 Y 6 Q T

T e le p h o n e : (44 171) 389 2863

Fax: (44 171) 930 8870

Sale T itle

D a te

C ode nam e

Sale N o .

T h e Murnaghan C ollection

Thursday 14 O cto b er 1999

FIT Z

8544

1 requ est C h r is tie ’s, w i t h o u t legal obligations o t any k in d o n its part, to b id o n th e fo llo w in g Lots u p to th e price given b elo w . I u n d erstan d that if m y b id is successful th e “ p u rchase p r ic e ” payable will b e th e su m o f th e “ final b i d ” an d a “ p r e m i u m ” ( to g eth er w ith any V A T chargeable on the final b id an d the “ p r e m i u m ” See C o n d itio n s 15(a) and 15(b)) o f 15 p er cen t inclusive ot V A T ot th e “ final bid price” ot each Lot . All bids shall be treated as offers m ad e o n th e C o n d itio n s o f Business p rin te d in the catalogue. I also u nderstand that C h ristie’s provides the ser\’ice o f executin g bids on b ehalf o f clients for the co n v en ien c e o f clients and that C hristie’s will n o t b e held responsible for filling to execute bids. If identical w ritten bids are received for th e same Lot, the w ritten bid received first by C h ristie’s will take precedence.

Please print clearly in capital letters, and ensure that bids are in Irish P o u n d s (Punts) Lot n o .

D e s c r ip t io n

P rice bid Irish P o u n d s (Punts)

( i ll u u m c r i c a l order )

( c .x cl i id ii i i’ p r c i i t i i i i i i )

Please p r i n t cle arly i n block capita ls

N a m e : ...........................................................................................................................

Bank N am e: .

Address: .........................................................................................................................

B a n k Address:

.................................................................... Post C o d e :

Post C o d e : ..................................

T el. (H o m e ): ..............................................................................................................

A c c o u n t N o : ...................................................................................................

( O f f i c e ) : .................................................. F a x : ...........................................................

D ate:

S i g n a t u r e : ...................................................................................................................... C U e n t N u m b e r (if apphcable):

............................................ /

/ 19.

j f y o u are registered w ith in th e E u ro p e a n C o m m u n i t y tor: V A T / I V A / f V A / B T W / M W S T / M O M S Please q u o te n u m b e r below :

FOR INFORM ATION O N COLLECTION OF PURCHASES A N D NO TICE REGARDING STORAGE CHARGES PLEASE REFER T O PAGE 3

MEALY^

C H R IST IE ’S

CONDITIONS OF BUSINESS The conditions set out below are the terms on which we contract, as auctioneers, with sellers and, as agent acting on behalf of sellers, with buyers. Buyers and sellers should read the conditions carefully, together with the explanation of cataloguing practice set out at the beginning of the catalogue. Buyers’ attention is drawn in particular to clause 16 which limits our liability. For ease of reference, the conditions are divided into sections: Section A gives a background to some of the terms that are used in the Conditions generally; Section C to buyers; and Section D to both sellers and buyers.

A. B A C K G R O U N D T O TERMS USED IN THESE C O N D IT IO N S I . in th e conditions set o u t below , some terms are used regularly that need explanation. Tiiey are as follows;

— “ th e B uyer” means th e person with the highest bid accepted by th e auctioneer; — “ th e Lot" means any item deposited with us tor sale at auction and. in particular, th e item or Ite m s described against any lot n u m b e r in any catalogue;

— "F orgery” means a Lot constituting an imitation onginally conceived and executed as a wliole with a fraudulent intention to deceive as to authorship, origin, age, period, culture or source w here the correct description as to such matters is n o t reflected by the description in the catalogue and which at the date o f tlie auction had a value materially less than it w ould have had it it had been in accordance with the description in the catalogue. Accordingly, no Lot shall be capable o f being a Forgery by reason o f any damage a n d / o r restoration w ork o f any kind (including repainting); — “T h e (^iristie’s ti m e shall should be

Insured V alu e” means th e a m o u n t that in its absolute discretion from tim e to consider to be the value for w h ich a Lot covered by insurance.

BUYERS

12.

C h ris tie ’s as agent As auctioneers, w e act as agent tor the seller. Unless oth erwise agreed, sales o f goods at o u r auctions result in contracts m ade b etw e en the Seller, th ro u g h o u r agency, w ith th e Buyer.

13.

B efo re th e Sale (a)

Examination of goods

Prospective buyers are strongly aclvised to exam in e personally any goods in w h ich they are interested, before the auction takes place. C o n d itio n reports are usually available o n request. W e provid e no guarantee to th e B uyer o th e r than in relation to Forgeries, as explained in clause 1 o f these C on d itio ns o f Business.

(g) Video images At som e auctions there will be a video screen. Mistakes may o ccu r in its o p e ra to n , and w e ca nn o t be liable to th e B uyer reuirding either th e c o rresp o nd en c e of the image to he Lot being sold or th e quality ot th e im age is a rep ro du ctio n o f the original.

Buyers are responsible for satisfying themselves c o nc ern ing th e cond itio n of th e goods and the matters referred to in the catalogue description. 14.

(h) The auctioneer’s discretion

A t th e Sale

T h e au ctio neer has th e right at lis absolute discretion to refuse any bid. to acvance the bid ding in such m a n n e r as he may decide, to w ith d raw o r divide any Lot, to c o m b in e any iwo o r m ore Lots and. in the case ot error o r dispire. to pu t an item up for b idding again.

(a) Refusal of admission O u r sales take place on o u r o w n premises or premises over w hich w e have co ntrol for the sale, and w e have the right, exercisable at o u r com plete discretion, to refuse admission to th e premises or attendance at an auction.

(i) Successful bid Subject to th e a u c tio n e er’s discro ion, th e striking of his h a m m e r marks th e accepta ice o f the highest bid and th e conclusion o f a c o n tn c t for sale b etw e en tile Seller and th e Buye\

(b) Registration before bidding EveiT prospective buyer siiould com plete and sign a registration form and provid e identification before m aking a bid at auction. Prospective buyers should be aw are that w e usually require buyei-s to u n derg o a credit check. (c) Bidding as Principal W h e n m akin g a bid, prospective buyers will be accepting personal liabilirs', unless it has been agreed in writing, at the time ot registration, that a bidder is acting as agent o n behalf ot a third partv acceptable to us. Buyers’ details cannot be changed o n ce th e invoice is printed at th e end of th e sale. (d) C'ommission Bids

(f) Currency Converter At som e auctions, a cu rren cy co iverter will be opera ted, based on th e o n e iiionti forw ard rates o f ex change q u o te d to us by Bank of Ireland at o p e n in g on the date o f th e auctiin. 15idding will how 'ever take place in Irish Pouid s (Punts). T h e currency co n verter is n o t ahvays 'eliable, and errors may o ccu r b ey on d o u r control eth er in the accuracy of the Lot n u m b e r displiyed on the converte r, o r the foreign currenc,' equivalent ot Irish Pounds (Punts) bids. W e shill n o t be liable to the 15uyer tor any loss suffered as.i result of the Buyer following the currency coiverte r. rather than the Irish Pounds (Punts) biiding.

— “ the H a m m e r Price” means the a m o u n t o f the highest bid accepte d by the au ctio n eer in relation to a Lot;

— “ th e Reserve” means the a m o u n t below w hich w e agree with th e Seller that the Lot cannot be sold;

(e) Telephone Bids If prospective buyers for a Lot e.'pected by us to realise at least IR_£2.()()() m a k e ara ng em en ts with us n o t less than tw o clear days bttbre th e sale, w e shall use reasonable efforts to coita ct th e bidders to enable th e m to participate in biciling by telephone, b u t in no circumstances will w e le liable to either th e Seller o r any pro spective B u ’er as a result o f failure to do so. W e m ay vary tlv a m o u n t referred to above at o u r sole discretion.

M any items are ot an age o r nature w hich precludes their being in perfect condition and some descriptions in the catalogue t)r given by way o f co ndition report make reference to dam age a n d / o r restoration. W e provide this inform ation tor gu idance only and the absence o f such a reference does n ot imply that an item is free from detects or restt)ration noi does a reference to p.irticular defects imply the absence o f any others.

— “ ('hristie's" means C^liristie’s and M ealy’s jointly

— " th e B uyer’ s p r e m iu m ” means tlie charge payable by the Buyer as a percentage o f the H a m m e r I'rice, at the rates set o u t in Section clause I.T(a);

(b) Catalogue descriptions O u r cataloguing practice is explained in die pages precedin g the catalogue entries. Statements by us in the catalogue or condition report, o r m ade orally or in w riting elsewhere, regarding the authorship, origin, date, age, size, m e d iu m , weight, attribution, genuineness, provenance, condition o r estimated selling price ot any Lot are merely statements o f opin ion, and are n o t to be relied on as statements ot definitive fact. C'atalogue illustrations are for guidance only, and should n o t be relied on either to determ ine th e to ne o r colour ot any item o r to reveal imperfections. Estimates o f th e selling price should n ot be relied o n as a statement that this price is either the price at w hich the Lot will sell o r its value tor any o th e r puipose.

It a prospective buyer gives us instructions to bid on his b ehalf by using the fonii printed after the catalogue entries, w e shall use reasonable efforts to do so. provided these instructions are received not later than 24 hours before the sale. If w e receive commission bids on a particular Lot tor idenrical am ounts, and at auction these bids are the highest bids for the Lot, it will be sold to the person whose bid w.as received first. C om m is sion bids are u ndertaken subject to othe r c o m m itm en ts at the time o f the sale, and the co n du ct o f the sale may be such that w e are unable to bid as requested. Since this is undertaken as a free service to prospective buyers on the temis stated, w e cannot accept liability for failure to m ake a commission bid. Prospective buyers should therefore always attend personally if they wisii to be certain ot bidding.

I 5.

A f t e r th e Sale (a) Buyer’s Premium In addition to th e H a m m e r Prict. th e Buyer m ust pay us th e B u y er’s p rem iu m at a ate o f 15% (inclusive of VAT). (b) Value Added Tax Value Added Tax is always payable o n the prem ium. It may .ilso b e pay.ible on the H a n m e r Price, if the Lot has been marked wirii a sign to that effect in the catalogue. It may be refiinded on p o o f o f export fi'oni die European U nio n. For intimiation regarding V A T refiinds. please ask it cashiei's. (c) Payment T h e B uyer must provid e us w ith his o r h e r nam e and p erm an en t address and, if so -equested. details o f th e bank from w hich paym ent will be m ade prio r to th e sale and th en pay the full a m o u n t d u e (com prising the H a m m e r Price, ilie B u y er’s p r e m iu m and any applicable valiu* add e d ta.x) w ith in tw o days after th e date o f th e sale. T h e B uyer will n ot acquire title t> th e Lot until all am o un ts d u e to us have been paid to us, even in circumstances w h ere w e have reltased th e Lot to the Buyer. All paym ents by mail, bank tra n str, etc. m ust be m a d e in Irish po unds (punts). Payments m a d e in person at o u r cashiers’ office may also be m ade in certain foreign currencies, in w h c h case the cashier will advise the a m o u n t pa/able at the ti m e o f p ay m en t.

CSK 2 /6 / 9 8

CONDITIONS OF BUSINESS The following m e th o d s o f p a y m e n t are available:

Cash, C'heque, Eurocheque, Irish Pound bank draft. Direct bank transfer in Irish Pounds. All payments should either enclose the tear-off strip at the bottom o f the invoice or should quote the invoice num ber and the purchaser’s name (and Christie’s client account number, if any). Ch equ es a n d drafts should b e m a d e p a y a b le to:

Christie’s South Kensington Ltd. Bank transfers should b e m a d e to:

bank o f Ireland, 39, St. Stephen’s Green, Dublin 2, Ireland Sort Code: 90-00-84 for the account o f Christie’s South Kensington Ltd. A/C: N o. 58779678 Bank transfers clear as soon as our bank receives funds. Please allow 4 /5 days for bank transfers from overseas banks to arrive with the Bank o f Ireland. Purchases can only be released w hen payments have cleared. All Irish pound cheques drawn on Irish banks will generally clear on the fifth w orking day after receipt. Eurocheques for sums under IR/^200, supported by a valid Eurocheque card, can be cleared immediately. Eurocheques for sums over IR/^200 and all other overseas cheques will generally take 2-4 weeks to clear. Sterling bank drafts drawn on LIK banks can generally be cleared immediately but bank drafts drawn on non-U K banks will take some time to clear. Please contact the Cashiers on (0044) 171 321 3132 for further infomiation. (d) Collection o f Purchases

Unless we specifically agree to the contrary, we shall retain items sold until all amounts due to us, or to any other subsidiary o f Christies International pic, have been paid in fuU. Items retained will be covered by our insurance from the date o f sale for a period o f two days or, if by then the goods have been collected, to the time o f collection. After two days or from the time o f collection, whichever is the earlier, the Lot will be entirely at the Buyer’s risk. (e) Packing and handling

W e shall use all reasonable efforts to take care w hen handling a purchased Lot but remind the Buyer that after seven days or from the time o f collection the Lot is entirely at the B uyer’s risk. (f) Recom m ended packers and shippers

Although we can suggest carriers if specifically requested, we cannot accept liability in this respect. (g) Remedies fo r non-paym ent o r failure to collect purchases

If the Buyer fails to make payment w ithin tw o days, we shall be entitled to exercise one or more o f the following rights or remedies: — to charge interest at a rate not exceeding 2% per m onth on the full am ount due to the extent it remains unpaid for more than seven days after the date o f the auction; — to set off against any amounts which we or any other subsidiary o f Christies Intemational pic may owe the Buyer in any other transaction the outstanding amount remaining unpaid by the Buyer; — to exercise a lien on any o f the Buyer’s property which may be in our possession for any purpose and, following 14 days’ notice to the Buyer o f the amount outstanding and remaining unpaid, arrange the sale o f such property and apply the proceeds in

discharge o f the am ount outstanding to us. — where several amounts are owed by the Buyer to us or any other subsidiary o f Christies International pic in respect o f different transactions, to apply any am ount paid to discharge any amount ow ed in respect o f any particular transaction, w hether or not the Buyer so directs; — to reject at any future auction any bids made by the Buyer or on his behalf or obtain a deposit from the Buyer before accepting any bids. If the Buyer fails to make payment within fourteen days, we shall in addition be entitled: — to issue proceedings on behalf o f the Seller against the Buyer to recover the fuU amount due, together with the costs o f such proceedings on a full indemnity basis and with interest, charged at 4% per annum above Bank o f Ireland Base Rate; — to cancel the sale o f the Lot or any other item sold to the Buyer at the same or any other auction; — to arrange a resale o f the Lot, publicly or privately, and, if this results in a low er price being obtained, claim the balance from the Buyer together with any costs incurred in connection with the Buyer’s failure to make payment. (h)

Failure to collect

W here purchases are not collected within seven days after the sale, w hether or not payment has been made, we shall arrange storage at the Buyer’s expense, and only release the items purchased after payment has been made in full o f storage, removal, insurance and any other costs incurred, together with payment o f all other amounts due to us.

16. Extent of O ur Liability We have an obligation to refund the Buyer in the circumstances set out in clause 17. However, neither the Seller nor we, nor any o f our employees or agents, are responsible for the correctness o f any statement as to the authorship, origin, date, age, attribution, genuineness or provenance o f any Lot nor for any other errors o f description or for any faults or defects in any Lot. Neither the Seller, ourselves, our employees or agents, give any guarantee in respect o f any Lot. Any warranty o f any kind whatsoever is excluded by this clause.

17. Refund in the case of Forgery A sale will be cancelled, and the am ount paid refunded to the Buyer if a Lot sold by us proves to have been a Forgery. W e shall not how ever be obliged to refund any amounts if either (a) the catalogue description at the auction date corresponded to the generally accepted opinion o f scholars or experts at that time, or fairly indicated that there was a conflict o f opinions; or (b) it can be demonstrated that the Lot is a Forgery only by means o f either a scientific process not generally accepted for use until after publication o f the catalogue or a process which at the date o f the auction was unreasonably expensive or impracticable or likely to have caused damage to the Lot. Furthermore, the Buyer should note that this refund can be obtained only if the following conditions are met:

iii. as soon as possible following return o f the Lot, the Buyer must produce evidence satisfactory to us that the Lot is a Forgery and that he is able to transfer good tide to us, free from any third party claims. Please note that for musical instruments bows, the Buyer must notify us in writing, within fourteen days o f the auction date, that in his view the Lot concerned is a Forgery or a composite pieces (i.e spliced). A sale will be cancelled, and the amount paid refunded to the Buyer, if such a Lot sold by us proves to have been a Forgery o r a composite piece. W e shall not, however, be obliged to refund any amounts if (a) the Lot contains items other than musical instrument bows; or (b) it can only be established on removal of the lapping that the bow is a Forgery or a composite piece. In no circumstances shall we be required to pay the Buyer any more than the am ount paid by him for the Lot concerned and the Buyer shall have no claim for interest. The benefit o f this guarantee is not capable o f being transferred, and is solely for the benefit o f the person to w hom the original invoice was made out by us in respect o f the Lot w hen sold and who, since the sale, has remained the ow ner o f the Lot w ithout disposing o f any interest in it to any third party. W e shall be entitled to rely on any scientific or other process to establish that the Lot is not a Forgery, w hether or not such process was used or in use at the date of the auction. This condition does not apply to coins, medals or jewellery.

D. C O N D IT IO N S APPLICABLE T O BOTH BUYERS A N D SELLERS 18. Copyright T he copyright in all images, illustrations and written material relating to a Lot is and shall remain at all times our property and shall not be used by the Buyer nor anyone else w ithout our prior written consent.

19. Notices Any notice given under these Conditions is to be in writing and, if given by post, will be taken to have been received by the addressee on the second w orking day after posting or, if the addressee is overseas, on the fifth w orking day after posting.

20. Severability If any part o f these Conditions o f Business is found by any court to be invalid, illegal or unenforceable, that part may be discounted and the rest o f the conditions shall continue to be valid and enforceable to the fullest extent permitted by law.

2 1. Law and Jurisdiction These Conditions o f Business are subject to Irish law, w hich shall apply to their construction as well as to their effect. For our benefit, the Seller and the Buyer submit to the exclusive jurisdiction o f the Irish courts.

i. the Buyer must notify us in writing, w ithin five years o f the auction date, that in his view the Lot concerned is a forgery; ii. the Buyer must then return the item to us w ithin fourteen days, in the same condition as at the auction date; and

02854403

'H i '

MEALYS Castlecomer, C o j Kilkenny, Ireland Tclf 00353 56 41229/41413 Fax: 00353 56 41627

85 Old Brompton Road, London SW7 3LD Tel: (0171) 581 7611 Fax: (0171) 321 3321