Media Art Asia Pacific
MAAP would like to thank all our sponsors for 2013
MAAP-Media Art Asia Pacific gratefully acknowledges the assistance of the Queensland Government through Arts Queensland. MAAP is supported by the Visual Arts and Craft Strategy, an initiative of the Australian, state and territory governments. The 2013 program is also supported by the Australian Government through the Australia Korea Foundation of the Department of Foreign Affairs and Trade and the Australia Council for the Arts. MAAP would like to thank Mal Nyst for venue support.
A visitor interacts with Shilpa Gupta’s Speaking Wall, an audio work activated by motion sensor, at MAAP SPACE in 2013.
Contents Director’s Foreword...................................................................................................... 5 Background................................................................................................................. 7 Executive Summary..................................................................................................... 9 2013 PROGRAM DESCRIPTION................................................................................ 13
1. CORE BUSINESS...................................................................................... 15 Financial and Accounting System............................................................................................15 Governance.............................................................................................................................15
2. MAAP CURATORIAL PROGRAMS, EVENTS & PROJECTS.................... 17 2a. Exhibition Project: LANDSEASKY............................................................. 17 2b. Australian Arts in Asia Award.................................................................... 19 2c. MAAP SPACE........................................................................................... 21 Wang Gongxin.........................................................................................................................21 Shilpa Gupta............................................................................................................................21 Yeondoo Jung......................................................................................................................... 23 Derek Kreckler........................................................................................................................ 23 Barbara Campbell....................................................................................................................25
3. MAAP RESEARCH..................................................................................... 27 MAAP SPACE publications initiative........................................................................................27 Dinner for 2..............................................................................................................................27 Critical dialogues.....................................................................................................................27
4. SECTOR DEVELOPMENT PROGRAM....................................................... 29 4a. MAAP Media Bank.................................................................................... 29 4b. MAAP Consultancy: Queensland emerging artists & ARIs........................ 33 5. REPORT CONCLUSION............................................................................. 35 APPENDIX 1. 2013 MAAP Media Bank Loans Summary & Value............................... 37
Director’s Foreword 2013 2013 – what a year for MAAP! MAAP was awarded the highest national accolade for Visual Arts at the inaugural ‘Australian Arts in Asia Awards’ and, as an organisation, was bluntly faced with radical funding changes in November.
2013 is MAAP’s sixteenth year of operation since first incorporating in1998. It is the eighth year of MAAP Media Bank AV lending service and the second full year of exhibition programming at MAAP SPACE in Brisbane, Australia. While much of the year was absorbed in the development of MAAP’s forthcoming international touring exhibition ‘LANDSEASKY: revisiting spatiality in video’, there were many other artistic programs and activities that the organisation generated and participated in. The exhibition program at MAAP SPACE began with Wang Gongxin’s piece, ‘Basic Colour’. The 5 screen projection filled the main space and we had great feedback on the work. We were very happy to present a powerful exhibition by Shilpa Gupta partnering with Frankendael Foundation in Amsterdam to redevelop technical aspects of Gupta’s interactive work. It was a rewarding opportunity to bring Shilpa to Brisbane and have her (all too briefly) here for the exhibition set up and public talk. Following closely, Yeondoo Jung, from Seoul, introduced audiences in Brisbane to his major video works. The MAAP Media Bank enjoyed a boost through an injection of funds and borrowing has increased supporting more ARIs and emerging artists along with some surprisingly large institutions, including the Queensland Museum. MAAP hosted two formal mentorships, an internship, three artists’ residencies to develop new work, and supported artists more informally through consultation and technical support.
As Director, I was proud to represent MAAP at several national and international events, symposia and industry summits and of course enjoyed connecting and reconnecting with talented peers. A symposium in honour of Professor John Clarke was a highlight and reminder of our ongoing engagement with Asia. I’d like to thank the staff and volunteers that contributed so much to our program this year – a particularly well skilled and talented group! Sincere thanks goes to MAAP Research and Program Manager Madeleine King who, after contributing for just over five years, leaves us to pursue her own creative projects. In the following pages please reflect my thanks onto each artist, writer, sponsor, and contributing partner. Finally, I’d also like to recognise the MAAP Board who have steadily guided the organisation to see it achieve great heights this year – thank you. Sincerely,
Kim Machan Director, MAAP - Media Art Asia Pacific
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Background MAAP is a platform for contemporary art development, presentation and critique. Our reputation has been built on a strong portfolio of international multimedia festivals, exhibitions and symposiums in Australia and the Asia Pacific region, locating Australian contemporary media arts within a plural international dialogue.
MAAP is recognised for critical exhibition and research initiatives based in Australia and throughout the Asia Pacific region. MAAP operates internationally as a team of agents, researchers, artists and curators. In addition, MAAP supports a community of visual artists with Media Bank equipment loans, online resources including artist and curatorial networks. A Brisbane based not-for-profit organisation, MAAP is dedicated to linking practitioners, curators and organisations to resources, opportunities, and international audiences. MAAP Board Zane Trow - Chairperson Dave Allen – Treasurer
Jeffery Sams – member
Paul O’Kane – Secretary
Christopher Meakin - member
Kim Machan – staff representative, member MAAP Staff
Kim Machan - Director
Madeleine King – Research and Program Development Manager Jessica Row - Gallery Assistant and Media Bank Officer Eunju Kim - Korea Project Coordinator Paul Bai – China Project Manager Troy Skews - exhibition installer
Volunteers: Bridgette Liu, Matthew Allan, Catrina Udy, Sanjeev Sharma
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Visitors review the print catalogue of the Shilpa Gupta exhibition at MAAP SPACE in 2013.
Executive Summary MAAP moved into its second year of operating the MAAP SPACE program of exhibitons in Brisbane, at MAAP’s Fortitude Valley gallery space. Exhibitions by leading artists from China, Korea and Australia helped to bolster MAAP’s current programming focus in this region. The gallery program enabled MAAP to develop partnerships, support the development of new work, and raise its profile with audiences and professional networks both locally and overseas. Catalogue publications continue to be produced for MAAP SPACE exhibitions, and in addition, MAAP launched a new publishing series called ‘Dinner for 2’ that engages writers critically with the exhibitions program.
MAAP Media Bank is in its seventh year of providing audio-visual equipment to local artists and arts organisations free-of-charge to assist in the creation and display of new work. The service provided $106,609 in support to the creative community in 2013, with a grand total of $1,168,594 contributed since it began in 2006. Additional support to emerging artists was provided through MAAP’s consultancy and mentorship. Two formal mentorships were conducted in 2013. In 2013, MAAP has been developing the 2014 touring exhibition, LANDSEASKY, in partnership with a suite of museums and galleries in China, Korea and Australia. The tour commences in Seoul, with artworks to be displayed across the Artsonje Centre and six commercial gallery venues. The tour moves across to Shanghai at the OCAT Contemporary Art Terminal, and then concludes in Brisbane at the Griffith University Art Gallery. The project includes some of the leading video art practitioners in Australia, China and Korea, as well as some seminal 1970s video artworks by Dutch artist Jan Dibbets. LANDSEASKY follows on from MAAP’s highly successful touring project Light from Light (20102012). This year, the Light from Light exhibition was the subject of the federal government’s newly launched Australian Arts in Asia Award. MAAP was nominated in 5 categories, and won the visual art award.
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Visitors congregate around the entry of MAAP SPACE.
Content Overview Section 1. Core Business provides an overview of human resources, financial and accounting systems and governance (including an overview of board meetings held in 2013).
Section 2. MAAP Curatorial Programs, Events & Projects details activities relating to MAAP’s 2013 artistic program. This program is comprised of: the developing international touring exhibition ‘LANDSEASKY: revisiting spatiality in video’ and ‘MAAP SPACE’ exhibitions program. The MAAP SPACE exhibitions and residency projects discussed are Wang Gongxin, Shilpa Gupta, Yeondoo Jung, Derek Krecker and Barbara Campbell. Section 3. MAAP Research provides information on MAAP’s 2013 research activities. Research outputs include the MAAP SPACE Publications Initiative, the ‘Dinner for 2’ publishing series, and participation in a number of critical forums throughout the year. Section 4. Sector Development Program umbrellas the MAAP Media Bank service, and MAAP consultancy to emerging artists and Artist-Run-Initiatives. This section provides an overview of service developments and loans value of the MAAP Media Bank (with a detailed break-down of loans data provided in Appendix 1) and MAAP’s 2013 formal and informal consultancy activities.
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13
2013 PROGRAM
1. MAAP Core Business 2. MAAP Curatorial Programs, Events & Projects
2a. Australian Arts in Asia Award 2b. MAAP SPACE
2c. Exhibition Project: LANDSEASKY: revisiting spatiality in video
3. MAAP Research
4. Sector Development Program
4a. MAAP Media Bank
4b. MAAP Consultancy: Queensland emerging artists & Artist-Run-Initiatives
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1. MAAP CORE BUSINESS Daily operations were carried out from MAAP’s office, gallery and resources centre in Fortitude Valley, led by founding Director, Kim Machan (in the role since 1998). Research and Program Development Manager Madeleine King continued her role for a fifth year part-time. Jessica Row joined the team in 2014 as part-time Media Bank officer and gallery assistant. Eunju Kim commenced an internship position in August and worked on the development of the LANDSEASKY exhibition, providing Korean translation and project support. Four volunteers took up short-term placements over 2013 as part of the Bridgeworks program, offering a range of specialist skills including marketing, book-keeping, I.T. and design. MAAP also worked with a team of contractors throughout the year, including graphic designer Paul Bai and exhibition installer Troy Skews. Financial and Accounting System
Jeanette Saez from All Figured Out Bookkeeping Ltd continued to keep the MYOB accounting system up to date, and Sandra Edmondson took over the position of MAAP’s part-time bookkeeper in November. Accounts are audited with Brian Tucker Accounting. Budgets and financial forecasting are overseen and reported to the board by MAAP Director Kim Machan and MAAP treasurer, David Allen. MAAP operates quarterly GST reporting. Governance
Over 2013, the MAAP Board was kept in close contact with program developments, staffing arrangements, budgets and other pressing issues via regular meetings and email ‘flying minutes’. In the year there were 4 meetings that met or exceeded quorum (4 members). The Board’s ongoing evaluation of MAAP operations through ‘monitor-review-report’ strategy and ‘appreciative inquiry’ applied at Board meetings, ensures improved business operations.
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LEFT: Callum Morton, artist and National Gallery of Australia Board Member, newsreader Lee-Lin Chin, former Minister for the Arts Tony Burke, and MAAP Director Kim Machan, receiving the Australian Arts in Asia Award for Visual Art. BELOW: Janet Burchill & Jennifer McCamley Light from Light. Solar-power geodesic dome presented at the National Art Museum of China as part of MAAP’s touring exhibition, Light from Light.
2. MAAP CURATORIAL PROGRAMS, EVENTS & PROJECTS 2a. Australian Arts in Asia Award In an important national acknowledgement of the exceptional work that MAAP produces in the Asia Pacific region, MAAP won the Visual Arts category of the high-profile Australian Arts in Asia Awards. The inaugural awards, presented in Sydney on Thursday August 1, “celebrate the achievements of Australian arts celebrate the important role Australian artists and arts organisations play in enhancing our relationship with Asian countries”. MAAP’s 2010-2012 major China-Australia touring exhibition ‘Light from Light’ was nominated in five categories, which was the largest total of nominations for a single project at this year’s award ceremony. MAAP was the only award winner from Queensland.
The Australian Arts in Asia Awards acknowledge the work of Australian artists and arts organisations making important cultural links in Asia. There were 69 finalists nominated across 14 categories this year, with MAAP nominated for visual art, innovation, partnerships, digital and film and small to medium organisation.
Light from Light was an international touring exhibition of contemporary art from Australia and China. This project spanned from 2010-2012, visiting five major libraries and art museums in Shanghai, Beijing, Hangzhou and Brisbane. The exhibition featured artworks themed around the idea and properties of light, as interpreted by world-renowned Australian, Chinese and international artists. A collection of light-inspired and light-generating artworks was displayed throughout library collection spaces, reading rooms and public areas of the library venues, including the National Library of China, Shanghai Library, Hangzhou Public Library and State Library of Queensland. A solar-powered geodesic dome, commissioned from respected Melbourne artists Janet Burchill and Jennifer McCamley, was installed as a temporary public artwork at each library site, and visited the popular National Art Museum of China. The Light from Light artists were (from Australia) Archie Moore, Eugene Carchesio, Grant Stevens, David Haines, Joyce Hinterding, Janet Burchill, Jennifer McCamley, (from Europe) Josef Strau, (from China) Zhang Peili, Wang Peng, Pak Sheung Chuen, Lin Tianmiao and Wang Gongxin.
2b. MAAP SPACE
MAAP SPACE, MAAP’s gallery venue and exhibition program based in Fortitude Valley, was launched in August, 2012. With additional funding from the Visual Arts and Craft Strategy, the space is MAAP’s Brisbane hub for exhibitions, artist and curatorial residencies, and public programs as well as the MAAP operations and resources centre. MAAP SPACE exhibitions are designed to extend MAAP’s domestic and international market reach. They leverage the connections established for our international touring programs, and the opportunities presented by our exchanges with curators and artists in the region. In this way, Queensland audiences gain close access to the international artists and curators that we engage with through our research, networks, and international exhibition development.
In its second year, MAAP SPACE presented three solo exhibitions by Asian artists, and three residency projects with Australian artists, each detailed below. The program has been positively received by local audiences, who appreciate the exceptional quality of work on display, and the specialized expertise that MAAP brings to the presentation of art from the Asia Pacific. 2013 Annual Report MAAP - Multimedia Art Asia Pacific Inc.
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Wang Gongxin Basic Colour (2010). 5-channel video projection installed at MAAP SPACE (above).
Wang Gongxin Tonight Maybe Have Wind (2006). Single-channel video installed at MAAP SPACE (below).
MAAP SPACE EXHIBITION 1 Wang Gongxin, 22/3/2013 - 26/4/2013 Wang Gongxin has a significant place in contemporary Chinese art history. As a senior first generation video artist in China, Wang has produced an accomplished body of work over the past twenty years and has had great influence on a younger generation of artists within China. Two related works were presented in this solo exhibition – Basic Colour, 2010 and Tonight Maybe Have Wind, 2006. Both works employ a form of landscape and explore an extraordinary aesthetic experience of time within the medium of video. Presenting Basic Colour was a significant technical achievement for MAAP, as the work was a large 5-channel video installation that relied on precise video synchronisation. Many visitors remarked how impressed they were with the polish and finesse of this video in particular.
This was the first time the work has been shown in Australia and MAAP is one of the few international venues to show the work. This work was a highlight of the landmark exhibition ‘20 Years of Video Art in Shanghai’ at the Minsheng Art Museum. Local curators of Asian art, including Russel Storer from QAGOMA, came especially to see the work, and were grateful for the opportunity to see recent work by this important Chinese artist. Real Time magazine headlined the work in an electronic bulletin and wrote a print review. MAAP SPACE EXHIBITION 2 Shilpa Gupta, 26/7/2013 - 30/8/2013 Indian conceptual artist Shilpa Gupta presented four major works at MAAP SPACE in a solo presentation of video, sculpture and installation work. Launching her career in 1997, with a strong focus on media and interactive art, Gupta’s work has come to be internationally regarded for its commentary on the intertwining of the political and the personal across a vast range of contemporary issues. As part of the exhibition, Shilpa Gupta visited MAAP SPACE to install her work and present a talk. Her visit was an important networking opportunity for Australian curators and arts organisations, as well as for the artist in creating new markets in Australia.
MAAP presented a group of technically accomplished new media and video artworks, in what was one of the more challenging installations undertaken in MAAP SPACE. The interactive sound installation Speaking Wall (2009-2010), activated by motion sensor, was the most complex. MAAP partnered with art museum Huize Frankedael in Amsterdam to commission an upgrade of Speaking Wall. To achieve this, MAAP collaborated with the artist, an independent technician and the Museum on the technical development of the new edition of the work. MAAP then coordinated with the artist and gallery technicians in Amsterdam to document the installation of the work and resolve a number of idiosyncratic technical issues post-installation. Shilpa was extremely pleased with the technical support MAAP provided for this work, along with others in the exhibition. The video work One Hundred Hand Drawn Maps of India (2007-2012) required rescaling to meet the dimensions of the space. The artist reported that this was the best way that the work had ever been presented. The artist was excited about the selection of works, and they way that they were presented together in the one space. Although the works had been installed in a number of gallery environments internationally, she felt the opportunity to experiment further with their display whilst at MAAP helped to reinvigorate them.
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Shilpa Gupta at MAAP SPACE with Stars on Flags of the World (2010-2011) in background (above). Insallation view of the Shilpa Gupta exhibition at MAAP SPACE (below).
Shilpa was interviewed as part of the arts program on local radio 4ZZZ: http://www.4zzzfm.org.au/ podcasts/culture/no-brow-speak-shilpa-gupta MAAP SPACE EXHIBITION 3 Yeondoo Jung, 27/9/2013 - 8/11/2013
MAAP invited South Korean artist Yeondoo Jung to create his first solo exhibition in Australia. Two of his video artworks were shown: Documentary Nostalgia and Twilight Seoul. Documentary Nostalgia has received considerable international attention, however, Twilight Seoul is a lesserknown work. Both employ his trade-mark DIY sensibility, whereby he constructs elaborate artificial environments often from simple materials at hand. The works are extremely engaging, and at 1hr 20mins, it was a testament to the quality of the work that a number of dedicated audience members stayed to watch Documentary Nostalgia in its entirety. MAAP tried to create a comfortable, almost cinematic, environment to view this work in, projecting it at the full height of one of the gallery walls, and providing a darkened space with beanbags. Despite the artist’s strong international profile, many in Brisbane were unfamiliar with his work, and were very excited to become initiated with it. Local curators were particularly receptive of this opportunity to access some of the most exciting contemporary artwork to emerge from South Korea in recent years. The exhibition was the subject of a critical review in Eyeline magazine. MAAP SPACE RESIDENCY 1 Derek Kreckler, 24/8/2013 - 3/9/2013 Open Studio Event, 30/08/2013
Sydney based artist Derek Kreckler participated in a MAAP artist-in-residence project in Brisbane, August 2013. During his time with MAAP he was developing a series of new works for MAAP’s upcoming major touring exhibition LANDSEASKY, which will visit China, South Korea and Australia in 2014. His intensive period of experimentation during the residency, which began in early 2013, culminated in a one night only public presentation at MAAP SPACE on 30 August 2013. Derek’s assistant, Jenny Chubby, actively participated in the residency project. Jenny, an emerging artist, also shot several video pieces for her own practice while in Brisbane. MAAP SPACE RESIDENCY 2 Barbara Campbell, 11/11/2013 - 20/11/2013
Barbara Campbell is an established artist based in Melbourne who is also featured in MAAP’s upcoming LANDSEASKY exhibition. She used her residency at MAAP SPACE to test projections for a new video installation. During her residency she was assisted by media specialist and artist Gary Warner, who filmed and provided other technical support. She was thrilled with the outcomes of the residency, and reported on how important it was to receive feedback from exhibition curator Kim Machan as the work progressed. Barbara also commented on the accelerated development of her work through the intensive process of the residency. MAAP SPACE RESIDENCY 3 Paul Bai, August & November, 2013
Brisbane based artist Paul Bai undertook a MAAP residency that gave him equipment and space to develop his work for the ‘LANDSEASKY’ exhibition. He filmed, and made test projections in MAAP adjoining space in August and November 2013. Paul commented that access to a space where the work could be considered in full scale was of great benefit in the development process. 2013 Annual Report MAAP - Multimedia Art Asia Pacific Inc.
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Yeondoo Jung Documentary Nostalgia (2007). Video still (above).
Scenes from Derek Kreckler’s residency project at MAAP SPACE (below). The artist (bottom right) constructed a purpose-built video projection screen as part of the project.
2c. Exhibition Project LANDSEASKY: revisiting spatiality in video 2013 was an important year of project development, with preparations for MAAP’s 2014 touring exhibition LANDSEASKY: revisiting spatiality in video. The project sees some of the most interesting and challenging video artworks from more than 18 international contemporary artists travel to South Korea, China and Australia in a major Australia-Asia tour. The exhibition tours to Seoul, Shanghai and Brisbane across multiple prestigious museums and galleries in 2014.
Meditating on the motif of the horizon in sublime and complex ways, the exhibition features some of the world’s sharpest contemporary artists. Artists include Jan Dibbets (NL), Paul Bai (AU), Lauren Brincat (AU), Barbara Campbell (AU), Wang Gongxin (CN), Shilpa Gupta (IN), Zhu Jia (CN), Yeondoo Jung (KP), Derek Kreckler (AU), Heimo Zobernig (AT), Giovanni Ozzola (IT), Joao Vasco Paiva (PT/ HK), Wang Peng (CN), Kim Sooja (KP), Craig Walsh (AU), Sim Cheol Woong (KP), Yang Zhenzhong (CN). For this project, MAAP achieved project funding from Australia Council for the Arts and the Department of Foreign Affairs and Trade (The Australia-Korea Foundation). Additional support is being provided by a network of partners in each country including the Australian Embassy Seoul and Australian Embassy Beijing.
LANDSEASKY has been in development for two years. It was initially conceived as a collaboration with the Seoul Museum of Art (SeMA) in 2011, and further developed as a MAAP curatorial residency in Seoul in 2012, where the project received input from curators at SeMA. New partnerships with a number of venues on Seoul, Shanghai and Brisbane were developed over 2013. In Seoul, MAAP developed a partnership and strong collaboration with leading curator Kim Sunjun at the Artsonje Center – the Center is now a major venue for the exhibition in Seoul. Sunjun helped to broker new partnerships with five leading commercial galleries. The exhibition will be spread across these 6 venues, allowing artists to have a generous space to work with, as well as new opportunities for market development in Korea. MAAP has been working with Zhang Peili (a leading Chinese artist and long-standing MAAP collaborator) and curator Maria Graziaconstantino to develop the exhibition at OCAT Shanghai. MAAP’s Brisbane collaborator is Naomi Evans, Director of the Griffith University Art Gallery. This project is designed to build dialogue with our Asian neighbours, and promote creative exchanges with artists and curators across the region. It aims to: • • • • • • • •
create a new context for Australian artists in China and Korea make opportunities for Australian artists to travel and gain new networks in China and Korea raise the profile of contemporary Australian video and new media art refresh and revisit MAAP’s engagement and exchange with its Korean and Chinese artistic networks (initiated since 1998) strengthen MAAP’s profile in Korea and China develop new partnerships with artists, curators and cultural institutions in Korea and China create opportunities for future Korean and Chinese projects in Australia, and vice versa share contacts and exhibition opportunities with other Australian cultural organisations
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LEFT: Jan Dibbets Horizon 111 (1971). Still from video. Courtesy Stedelijk Museum.
ABOVE: Derek Kreckler Work in progress for LANDSEASKY. Video installation. LEFT: Barbara Campbell Moreton Bay sketch, work in progress for LANDSEASKY. Photo-Gary Warner.
2014 LANDSEASKY TOUR DATES Seoul 21 February - 23 March 2014
Venues: Artsonje Center, Lee Hwaik Gallery, One & J. Gallery, Opsis Art, Gallery IHN, Gallery Skape. Shanghai
20 April - 20 July 2014
Venue: OCT - OCAT Contemporary Art Terminal, Shanghai Brisbane
September - November 2014
Venue: Griffith University Art Gallery
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Brisbane, Australia , Fortitude Valley, 111 Constance Street maap.org.au | info@maap.org.au +61 7 31088559 www.Tuesday to Friday 10am – 5pm Gallery opening hours:
MAAP SPACE
Shilpa Gupta 26 July – 30 Agust
2013
Space in a solo r works at MAAP presents four majo ching her career in 1997, with a artist Shilpa Gupta n work. Laun llatio rnationally Indian conceptual insta inte and be e to o, sculptur k has come ss a presentation of vide and interactive art1, Gupta’s wor the personal acro ia of the political and strong focus on med on the intertwining tary men com its regarded for es. issu y orar emp ible, is vast range of cont tion, visible or invis are de�ined cts on and how informa drawn to how obje re these d in human percepti Gupta is intereste rnalized in everyday life. Constantly explores zones whe ta inte Gup and d, ted ti�ie smit iden security. tran le, experiences are s of censorship and matter through and how places, peop out, be it borderlines, labels or idea parsing her subject ed sensationalism by the viewer with intimacy, de�initions are play ds avoi ta Gup ical, ges Though overtly polit experience. Indeed, her work enga ctic. ate ct but never dida personal and priv tional intensity; dire ographs, dialogue and emo rials including phot mate of e a wide rang orary technologies work encompasses cts, websites and audio. Contemp command l The artist’s recent obje wilfu a al s ptur rate scul demonst media, tice, and her work sound installation Speaking Wall video, interactive ive role in Gupta’s prac play an important message. For example, her interact oritative nature of the medium. and auth ia the to med s spliced with a or, play over both ated by motion sens er (move back/move forward) are to the (2009-2010), activ view and with respect instructions to the geopolitical sense, nce and the The artist’s direct eilla in surv both nce, ers: e of dista on bord poetic monologue de�ined by the installation. The sens and then displaced by the d e delineation of spac by the electronic display is embrace tone. al osed tion imp ersa acy conv and bureaucr use of instructional s artist’s contrasting Hand Drawn Map and One Hundred n, Untitled (2012) ium. Both are very of space and med ks in the exhibitio the to ched The two video wor are similarly sensitive in their use crou case of Untitled, 12), Hand Drawn of India (2007-20 er in close (or in the point. One Hundred drawing the view for the best vantage the Indian map, draws us into intimate in scale, plane of the video) ings of ground to meet the collection of draw a cloth n, ated bitio anim exhi sely the k in the World Maps of India, a spar ers. The �inal wor d Stars on Flags of of manmade bord the complexities hine-sewn stars title munities and nationhood. In roidered with mac ies, imagined com iance to wall-hanging emb to ideas of geograph the artist �louts any perceived alleg ks spea 2), 201 (2011work matter, the �lag. for this particular ons of her subject her choice of form material conventi the s heed ad inste digital media and lly signi�icant erous internationa o; New exhibited in num i Art Museum, Toky de Shilpa Gupta has orary, Berlin; Mor York; Over the past deca the Daimler Contemp mon R Guggenheim Museum, New in as such on. ns exhibitio bert, Paris; Solo Tate Online, Lond for Lam k wor Yvon ; d York ione her work has a uced commiss Museum, New that prod or , has nant and s; reso l Pari Centre Pompidou, that Gupta’s practice is internationa There is no question h its viewers”2. touc “singular ability to
, Brisbane, Australia , Fortitude Valley 111 Constance Street aap.org.au | info@maap.org.au 10am – 5pm +61 7 31088559 www.m Tuesday to Friday Gallery opening hours:
MAAP SPACE
Wang Gongxin l 2013
22 March – 26 Apri
continues a bition in Brisbane MAAP’s next exhi ts. Wang Gongxin leading media artis y Chinese art focused series of orar emp cont e in o artist in has a signi�icant plac vide n ratio �irst gene history. As a senior uced an accomplished body of prod China, Wang has has had great twenty years and past the over work artists within ger generation of ed into video in�luence on a youn a painter, Wang mov living in New China. Trained as time nded exte an after to live in Beig and photography rnin retu 80’s and York during the late across media, Wang explores king sculptural jing in 1994. Wor o incorporated into vide nel chan le and multi sing llation, performative llations. A objects and insta e insta imag ing mov e rigorous channel immersiv t’s practice is his tion to the hallmark of the artis ery with great atten deliberation of imag and presentation. technical execution s are presented – two related work Have Wind, In this exhibition and Tonight Maybe scape and Basic Colour, 2010 land of form a loy emp rience of time 2006. Both works expe hetic aest nary explore an extraordi video. Natural phenomena like of within the medium snow or dust are appropriated g fallin and , rain , wind works. Time, as a change within the is expressed and catalysts driving the video medium, oaches. In crucial attribute of nct appr disti quite two experienced with Wind, we see a manipulation of Tonight Maybe Have that stimulates thoughts about ng , and our time through editi time, electronic time linear time, natural image moves one hundred times The sped perceptions of it. seconds and is then ten for al norm nd. slower than s faster for one seco up two hundred time installation �ive channel video �ive projections Basic Colour, is a inuous wall. The projected onto a cont y; within each vignette, a tightly icall vert tated orien ded and set are the body is apprehen undulating framed section of The �lat empty space. against a neutral y a landscape that impl body the of curves and creases by the gradual sprinkling of er yellow and is abstracted furth of black, blue, red, coloured pigments mulation of coloured pigment on white. The slow accuof performance-based painting kind a is e imag ugh the each d and propelled thro that is both suspende the looping of the video. and treatment of time
,
and digital image ation, and then video to interactive Install . Installation, moved le soap, string, bricks her practice with ay life, for examp sculpture, started ials found in everyd 1 Gupta trained in ates low-tech mater Enough, 2011-2012 also typically integr Mark to work Able her Be er, howev Gupta: Will We Ever Borders’ in Shilpa ling ‘Troub 2 Renee Baert,
, One Hundred Hand
Image: Shilpa Gupta
Drawn Maps of India,
video still, 2007
–2012
ive of the Australian,
an initiat and Craft Strategy, ic ted by the Visual Arts a Pacif sland. MAAP is suppor dia Art Asi through Arts Queen – theMe APledges sland Government MAacknow assistance of the Queen MAAP governments. state and territory
Media Art Asia Pacific
21-5
ISBN 978-1-921858-
n, Basic Colour, video
Image: Wang Gongxi
still, 2010
ive of the Australian,
an initiat and Craft Strategy, c ted by the Visual Arts a Pacifi land. MAAP is suppor dia Art Asi through Arts Queens – theMe APledges land Government MAacknow assistance of the Queens MAAP governments. state and territory
Media Art Asia Pacific
17-8
ISBN 978-1-921858-
3. MAAP RESEARCH MAAP SPACE Publications Initiative The MAAP SPACE Publications Initiative encompasses the print and online material produced for the MAAP SPACE gallery program. For each exhibition project at MAAP SPACE over 2013, MAAP produced a small catalogue publication on a collectable A2 poster format. Materials are produced in a low-cost print format, and are distributed electronically as downloads from the MAAP web site. This material contributes to the short- and long-term legacy of the MAAP SPACE program, and is useful for promoting the program to our national and overseas networks. Publishing series: ‘Dinner for 2’
MAAP’s new publishing series ‘Dinner for 2’ invites guest writers, curators and academics to attend MAAP SPACE exhibitions and develop a piece of critical writing in response. Two writers are provided a modest dinner in the gallery space amongst the exhibited artwork. The dinner setting promotes conversation between the writers and a fresh perspective on the exhibition.
MAAP launched this novel initiative in August 2013. Curators and experts on contemporary moving image works from Asia, Naomi Evans (Director, Griffith University Art Gallery) and Katherine Weir (Curator, QAGOMA), were the first participants and they dined at the Shilpa Gupta exhibition. The artist phoned in from India with specific instructions for the table setting, requesting that a small square of pepper be presented at the table. This instruction suggested the presence of the artist and gave pause for further reflection on the exhibition. Subsequently, Weir and Evans wrote a critical review of the exhibition and reported that the dinner expanded their experience of the artist’s work. Similarly, Reuben Keehan and guest were invited to dine and review at Yeondoo Jung’s exhibition in November. This series will be published online and MAAP will look to publish in the future as a collection of art criticism. Critical dialogues
MAAP participated in three symposiums in 2013. In August, Kim Machan was invited as speaker on panel discussion at the National Portrait Gallery in Canberra, Urban Imaginaries in Asia, a joint venture between the National Portrait Gallery and Humanities Research Centre at ANU with Dr. Caroline Turner. While in Canberra, Caroline Turner and Michelle Antoinette, from ANU, also recorded an interview with Kim for a forthcoming book on cultural networks in the Asia Pacific region. In October, Kim was invited to participate in the West Bund 2013 Contemporary Art & Architecture Biennale. She was part of a roundtable discussion on ‘Public Performance Space and the Urbanisation Process’. This high-profile symposium was an excellent opportunity to establish new cultural networks in China. In November, Kim presented a talk at the Tilting the World: Histories of Modern and Contemporary Asian Art, A Symposium in Honour of Professor John Clark organized by the Power Institute, University of Sydney, and the Art Gallery of New South Wales. The discussion was themed around ‘Asia-Australia artistic engagement in practice’ and was chaired by Francis Maravillas, University of Technology, Sydney. Also in 2013, MAAP contributed to a print publication for ‘Put up a Signal’, an Australia-Asia exchange project by Asialink and Bus Projects. Madeleine King contributed an essay on the history of MAAP’s video art exchange in the Asia Pacific region. 2013 Annual Report MAAP - Multimedia Art Asia Pacific Inc.
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MAAP Media Bank supported Brisbane-based Artist-Run-Initiative Inhouse ARI with audio-visual equipment for their exhibition One and Other.
4. SECTOR DEVELOPMENT PROGRAM 4a. MAAP Media Bank The MAAP Media Bank offers a free, member-based loan program of audio-visual equipment to the local and national artistic community for exhibitions and project development. The service was started in 2006 with equipment repurposed from MAAP’s exhibition program to address the considerable and often prohibitive costs associated with producing and exhibiting media art.
Since 2006, MAAP has generated over $1,000,000 of value through free loans of audio-visual equipment to artists and has attracted funding and equipment donations since then to add to and maintain the Media Bank stock. MAAP Media Bank is the only free loan service of its kind in Australia, offering audio-visual equipment and consultation to the artistic community. MAAP Media Bank supports projects of high artistic merit that align with MAAP’s own curatorial endeavours, with priority given to artist-run-initiatives and non-profit creative projects. 2013 Media Bank Loans
In 2013 MAAP Media Bank supported a total of 51 exhibitions nationally to a total value of $106,069. Of this, 44 exhibitions totalling $82,304 were based in Brisbane. 2013 has been a very busy year for MAAP’s Media Bank. After relocating from Southbank in 2012, MAAP Media Bank spent a full calendar year operating out of the larger and more suitable loan processing space at 111 Constance Street, Fortitude Valley. In March Jessica Row was employed as the permanent part-time Media Bank Officer, while in October MAAP was successful in applying to the Gambling Community Benefit Fund. Grant money received will go towards the maintenance of old and purchasing of new Media Bank equipment. The above factors helped to facilitate the following in 2013: • •
•
•
Generating one of the largest volumes of annual loans since the program commenced in 2006.
Generating the largest number of national and touring loans with MAAP Media Bank equipment since the program commenced, facilitating exhibitions in Sydney, Melbourne, Gold Coast, Townsville & Newcastle.
Facilitating the largest amount of arts festivals & creative conferences with MAAP Media Bank equipment since the program commenced, such as Bleach* Festival, Colourise Festival, EXIST-ENCE 5, Kultour Gathering, Brisbane Emerging Art Festival, Light on the Fringe, Lost Movements V & Containerval Festival. Influx of new members to the MAAP Media Bank Program who were met throughout the year at Induction evenings and MAAP Space exhibition openings.
2013 Annual Report MAAP - Multimedia Art Asia Pacific Inc.
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MAAP Media Bank equipment helped Brisbane media artist Keith Armstrong to stage his sophisticated interactive installation Finitude at Artisan.
Feedback gathered at the completion of each loan process indicates that MAAP Media Bank continues to deliver a much-needed service to the artistic community whose projects may not have been as large-scale or be able to be executed at all without the use free audio-visual equipment through the Media Bank loan program.
The full details of loans and their values for 2013 is outlined in APPENDIX 1: MAAP Media Bank Loans Summary & Value.
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The 2013 Macquarie Digital Portraiture award winner Nik Lee with Kim Machan. MAAP has been mentoring Nik while he develops his portfolio for tertiary study.
4b. MAAP Consultancy: Queensland emerging artists & Artist-RunIntiatives JUMP mentorship In 2013, MAAP participated in a fomal mentorship with Brisbane Artist Run Initiative, Vegas Spray.
The Australia Council’s JUMP Mentoring aims to make a positive impact on the early stages of a creative practitioner’s career, helping them gain networks, be inspired and exchange ideas while working on an applied mentorship with a mentor who helps them jump to the next level.
Vegas Spray worked with MAAP Director Kim Machan to develop a Sister City Artist Resdiency Program. The SCAR Program is a new residency platform which supports professional development and cultural exchange between artists and arts workers from Brisbane and Chongqing. Within the sister-city context, The SCAR Program comprised a six-week residency period (three weeks in Chongqing and three weeks in Brisbane) for artists based in Brisbane and Chongqing. MAAP provided advice and guidance on developing cultural exchange projects, and assisted with venue development in Brisbane. MAAP was also able to expertly advise on protocols for working in China. As a result of this successful mentorship project, Travis Dewan from Vegas Spray returned to China to further develop opportunities in the region. Macquarie Digital Portraiture Award mentorship Kim Machan was one of the judges of the Macquarie Digital Portraiture Award in 2013. As part of the prize, MAAP is providing winner, Nick Lee, with a mentorship while he undertakes a residency at the Edge (State Library of Queensland) in 2013-2014. Kim has been engaged in a series of meetings with Nick, critiquing his photographic and video portfolio to assist and prepare him in his application for a scholarship at a New York art school. MAAP will be available to support the artist throughout the 2013 holiday period, and into 2014.
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Visitors to the Wang Gongxin exhibition at MAAP SPACE.
5. REPORT CONCLUSION
MAAP has: - assisted the development of new work
- engaged emerging curators and artists in its programs
- established local audiences for national and international content - brought new international audiences to Australian content MAAP generated:
- hands-on approaches to presentation outcomes (collaboration with artists and curators to present work in the best manner possible through access to equipment and exhibition design) - promotion of media art in Queensland and internationally, which has engaged new audiences and fed critical discourse - a contribution to media art culture nationally/internationally feeding artistic vibrancy and support of media art growth in Queensland
2013 Annual Report MAAP - Multimedia Art Asia Pacific Inc.
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Some of the projects supported by MAAP Media Bank equipment in 2013, including Addition 6 at Addition ARI, Vegas Spray at Lockup Cultural Centre Newcastle, Anita Holtsclaw at the Block, Threefold at Boxcopy, and the Light on the Fringe festival in Townsville.
APPENDIX 1: MAAP Media Bank Loans Summary and Value MAAP Media Bank Loans Summary: 2006-2013 Total Value of MAAP Media Bank Loans
$1,168,594
Total Number of Exhibitions Supported
282
Yearly Loans Breakdown 2006 Total Value of Loans Total Exhibitions Supported
$8,000 2
2007 Total Value of Loans Total Exhibitions Supported
$43,320 13
2008 Total Value of Loans Total Exhibitions Supported
$75,209 34
2009 Total Value of Loans Total Exhibitions Supported
$404,674 57
2010 Total Value of Loans Total Exhibitions Supported
$122,865 40
2011 Total Value of Loans Total Exhibitions Supported
$243,335 39
2012 Total Value of Loans Total Exhibitions Supported
$163,222 43
2013 Total Value of Loans Total Exhibitions Supported
$106,609 51
The following pages detail the MAAP Media Bank loans made in 2013.
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Chris Bennie’s Track and Field Meditation at the Hold Artspace was supported by MAAP Media Bank.
2013 MAAP Media Bank Loans
1/4
Artist Name
Exhibition
City
Venue
Date
Equipment
Dur.
Value
Ben Butcher, Andi Halfpapp, Jake Sun, Jess Quin,
4ZZZ Happy
Brisbane
The Zoo and
02/07/2013
2 x 2500 lumen NEC data
7 days
$1,630
Dominic Reidy, Angelica Roach Wilson, Yannick
Fest!
Winn Lane,
- 09/07/2013
projectors 2 x dvd players, 2
Consultation
1 hour
$70
47 days
$4,145
Blattner, Matt Wyth Done, Kiah Reading, Jared
Fortitude
x projector stands, associated
Worthington, Synching Boat, Grace Perkins, Anna
Valley
cables, consultation
Carluccio, Katie Martin, Green Nose, Mysteries, Footy, Barbituates, Happy Times, Raw Prawn, Forces, Samedi Sound System, Multiple Man Art From The Margins
Recovery
Brisbane
Road
Bleeding
09/05/2013
Heart Gallery,
- 16/05/2013
Brisbane City Keith Armstrong
Finitude
Melb
Screenspace
16/09/2013
1 x 2500 lumen NEC data
Melbourne
- 01/11/2013
projector, 6 x behringer studio speakers, associated cables, consultation
Yannick Blattner
It's all gone Shane Warne: 708 wickets in one hour
Brisbane
Inhouse ARI, New Farm
03/04/2013 - 09/04/2013
1 x Projector support ceiling mount, associated cables, consultation
7 days
$110
pirrin francis
nightfall recollections
Brisbane
Inhouse ARI, New Farm
30/06/201312/06/2013
3 x 51cm CRT Monitors, associated cables, consultation
14 days
$430
Jake Sun, Tara Heffernan
Jake Sun One and Other
Brisbane
Inhouse ARI, New Farm
05/03/2013 - 11/03/2013
6 x NEC data projectors, 3 x behringer studio speakers, 3 x projector support ceiling mounts, associated cables, consultation
7 days
$1,300
anastasia booth
Soon to be Titled
Brisbane
Metro Arts, Brisbane City
16/04/2013 - 14/05/2013
1 x DVD player, 1 x 1500 lumen data projector, 1 x set of Edirol speakers, associated cables, consultation
29 days
$1,195
Chris Bennie
I, Object
Brisbane
The Hold Artspace, West End
02/10/2013 - 30/10/2013
4 x speaker stands, 4 x projector support ceiling mounts, 1 x wall mount, 2 x Phillips Media Players, 3 x Sharp Data Projectors, 2 x behringer Studio Speakers, 1 x Biema Stereo Amplifier, associated cables, consultation
29 days
$4,805
Megan Cope
Untitled (Toponymic Interventions Pt2)
Gold Coast
Metricon Statium, Gold Coast
05/02/2013 - 08/02/2013
1 x 2500 Lumen Data Projector, associated cables, consultation
4 days
$570
Sean Barrett, Elisa Jane Carmichael, Simon Degroot, Andy Harwood, Genine Marie Larin, Dan McCabe, Judy Ann Moule, Leena Riethmuller, Camille Serisier, Karl Shoobridge Tyza Stewart, Jake Sun
Vegas Spray - Roadtrip
New-
The LockUp Cultural Centre, Newcastle
25/06/2013 - 30/07/2013
2 x digital video cameras, 3 x dvd players, 3 x CRT monitors, associated cables, consultation
36 days
$1,290
Timothy Kendall Edser
Tension 17
Brisbane
Metro Arts, Brisbane City
25/02/2013 - 19/03/2013
4 x sony bravia 32" TVs, 4 x wall mounts, associated cables, consultation
20 days
$6,190
Lawrence English, Keith Armstrong
Nightrage
Sydney
Powerhouse Museum, Sydney
17/05/2013 30/08/2013
5 x behringer studio speakers, associated cables, consultation
106 days
$4,620
Eugene Carchesio, Lawrence English, Liz Harris, Paul Clipson et al
Imaginary Landscapes
Brisbane
Hutton lane, Brisbane
05/04/2013 - 09/04/2013
2 x Sharp Short Throw Data Projectors, associated cables, consultation
5 days
$1,320
Pirrin Francis, Hayley Brandon, Melissa Ryke
Boxcopy Summer Residency
Brisbane
Boxcopy ARI, Brisbane
11/02/2013 11/03/2013
3 x Behringer Studio Speakers, 3 x Neuman Headphones, 1 x DVD player, associated cables, consultation
30 days
$1,520
Nat Koyama, Lucas Davidson
Addition 6
Brisbane
Addition ARI,
23/10/2013
4 x dvd players, 1 x projector, 6
10 days
$1,430
West End
- 1/11/2013
x Hicon CRT TVs, associated
The Block,
03/05/2013
2 x NEC 2000 Lumen Data
13 days
$730
Queensland
- 15/05/2013
Projectors, associated
castle
cables, consultation Anita Holtsclaw
Palaces
Brisbane
University of
cables, consultation
Technology
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MAAP Media Bank supported David Chatfield’s exhibition at the Hold Artspace.
2013 MAAP Media Bank Loans
2/4
Artist Name
Exhibition
City
Venue
Date
Equipment
Dur.
Value
Annette Shuh Wah, Terese Crea,
Kultour
Brisbane
Queensland
06/09/2013
3 x Digital Video Cameras
7 days
$2,290
Tony Yap, Li Cunxin et al.
Gathering
Multicultural
- 12/09/2013
and associated equipment,
2013
Centre,
Consultation
1 hour
$70 $4,180
associated cables, consultation
Kangaroo Point Chris Howlett
New Dawn
Brisbane
Boxcopy ARI,
04/-8/2013 -
Brisbane
31/09/2013
Beastman, Shelli Bankier, Salvador Cantellano,
Bleach*
Gold
Queen
14/02/2013 -
2 x Apple Mini Mac
20
Nicholas Chalmers, Jae Copp, Narani Henson,
Festival
Coast
Elizabeth Park
05/03/2013
Computers, 6 x NEC Data
days
Mari Hirata, Claudio Kirac, Nick Lawrence Tristan
& Kirra Hill,
Projectors, 2 x Dvd Players,
Shultz, Trent Mitchell, Ted Grambeau, Peter
Coolangatta
associated cables, associated
Joli Wilson, Mick Richards, Michael Aird
cables, consultation
Judith Wright, Carl Warner, Shayle
Platform 2013
Brisbane
Flesser, Jumaadi, Maio Xiochun
Jan Maton
08/08/2013
1 x NEC 2500 lumen Data
27
Gallery at
- 03/09/2013
Projector, 1 x DVD player,
days
Metro Arts Alex Murray-Leslie, Melissa Logan
Chicks on
Brisbane
Speed
$890
associated cables, consultation
Institute of
29/08/2013
Modern Art,
- 25/09/2013
Consultation
1 hour
$70
$1,240
Fortitude Valley Robert Millett, Genvieve Trace, Mike Willmett
Aurelian
Brisbane
Metro Arts,
11/03/2013 -
2 x Sanyo Multimedia Projector,
20
Brisbane City
30/03/2013
2 x Projector Ceiling Mounts,
days
Queensland
20/06/2013
1 x Digital Video Camera,
20
College of Art,
- 02/07/2013
1 x Tripod, 3 x NEC Data
days
associated cables, consultation Henrik Hedinge, Peter Baren, Labanna Babalon,
EXIST-ENCE
John G Boeme, Nathanial Pyewacket, Julie
5
Brisbane
Vulcan, Sari Kivinen, Bonnie Hart, James
Southbank
$12,095
Projectors, 8 x lighting/
Cunningham, Anna Carluccio, Alrey Batol,
speaker stands, 4 x Arri
Holly Childs, Jade Boyde, Eric Rossi
Fresnel Spotlights, 2 x Graphic Equalizers, 2 x Dvd Players, 4 x Beringher Truth Studio Speakers, associated cables, consultation
Leif Gifford, Barbara Rosenthal
EXIST curates
Brisbane
Audiopollen
189 Boundary
04/10/2013 -
1 x NEC 2000 lumen Data
Street,
08/10/2013
Projector, associated
West End Alrey Batol, Stasis Duo
Cold Metal
Brisbane
5 days
$695
5 days
$1,095
12 days
$3,520
31 days
$270
8 days
$795
7 days
$540
cables, consultation
Metro Arts,
03/05/2013
1 x Apple Mac Mini Computer,
Brisbane City
- 07/05/2013
1 x NEC 2000 lumen Data Projector, associated cables, consultation
Alrey Batol, Courtney Coombs, Christopher
Brisbane
Handran, Rachael Haynes, Luke Jaaniste, Sarah Oxenham, Thomas Payne, Sancintya
Brisbane
Judith Wright
26/07/2013 -
3 x Sanus Wall Mounts, 3 x 24"
Emerging
Centre of
06/08/2013
LCD Monitors, 3 x DVD players,
Art Festival
Contemporary
Simpson, Tyza Stewart, Athena Thebus
associated cables, consultation
Art, Fortitude Valley
Liam O'brien Christine Peacock
Glaze Colourise
Brisbane Brisbane
Boxcopy ARI,
16/10/2013
1 x Edirol Studio Speakers,
Brisbane
- 15/11/2013
associated cables, consultation
Murri Mura,
05/07/2013
1x 42" Sony Bravia TV,
Festival 2013:
36 Cordelia
- 12/07/2013
associated cables, consultation
eARTh
Street, South Pestorius
23/01/2013
1 x Dvd Player, 1 x Sony Bravia
Sweeney
- 30/1/2013
40" LCD Monitor, associated
Brisbane David Pestorius, Sarah Morris
Sarah Morris
Brisbane
House
cables, consultation
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2013 MAAP Media Bank Loans
3/4
Artist Name
Exhibition
City
Venue
Date
Equipment
Dur.
Value
Addis Fejiz, AJ Gogas, Amber Kilkenny, Brian
Down the
Brisbane
Project
02/08/2013
1 x Sanus Wall Mount, 1 x
29
$2,465
Sanstrom, Carol McGregor, Chris Kelly, Dale
Rabbit Hole
Gallery,
- 30/08/2013
40" Sony Bravia LCD Monitor,
days
Harding, Dan Elborne, Ellie Coleman, Eric rossi,
Queensland
Glen Bowman, Glen Skien, Grace Dewar, Jason
College of Art,
Castro, Julie-Anne Milinski, Katherine Appleby,
Southbank
associated cables, consultation
Kay Lawrence, Linda Clark, Lynden Stone, Michelle Roberts, Olivia Bradley, Tarn McLean Eric Rossi, Daniel Herberg, Marcel Daniels
Role of the
Brisbane
Artist in the
Metro Arts,
05/07/2013 -
1 x NEC 2500 lumen Data
Brisbane City
08/07/2013
Projector, associated
Globalised
4 days
$570
19 days
$3,940
71 days
$5,020
7 days
$235
4 days
$150
15 days
$3,550
$5,480
cables, consultation
World, panel discussion at Metro Arts Ainslie Langdon, Alan Junior, Clayton Tonkin, Danielle
Light on the
Berry, Ebony Wilson, George Hirst, Gerald Soworka,
Fringe
Jesse Midgley, Melinda Gould, Michelle Hall, Penelope
Townsville
Sheridan, Roshan Karunanayaka, Sarah Welsch,
Umbrella
23/08/2013
2 x Apple Mini Mac Computers,
Studio, 482
- 10/09/2013
6 x NEC Data Projectors,
Flinders Lane,
associated cables, consultation
Townsville
Shane Gallagher & Tony Lamont Robert Chrisp Mitch Goodwin, Raul Posse, Dylan Howels,
Synthesis
Arik Anidjar, Farley Roth et al.
Townsville
Umbrella
17/12/2013
3 x NEC Data Projectors,
Studio, 482
- 25/2/2014
associated cables, consultation
Coniston
03/04/2013
1 x NEC 2500 Data Projector,
Lane,
- 09/04/2013
associated cables, consultation
Flinders Lane, Townsville
Beau Deeley
Lost
Brisbane
Movements V
Fortitude Valley Llewellyn Millhouse, Danny Wild, Jared Worthington,
131 Alfred
01/11/2013 -
2 x Dvd players, associated
Athena Thebus, Maxxim, Christopher Cipollone,
Illegal
Brisbane
Street,
04/11/2013
cables, consultation
Kiah Reading, Josh Watson & Eric Rossi.
Fortitude The Hold ARI,
02/12/2013
3 x Sony Bravia 32" LCD
West End
- 17/02/2013
Monitors, 3 x Sanus Wall
Valley Tom Brooks, Christopher Handran, Charlie Hillhouse,
A River
Luke Kidd, Carly Scoufos, Tachika Yokota
Without Banks
Brisbane
Mounts, 3 x Dvd Players, associated cables, consultation Rachael Archibald, Anna Carluccio, Courtney
You & I:
Coombs, David Creed & David Spooner,
Thoughts on
Pirrin Francis, Caitlin Franzmann, Callum
Intimacy
Brisbane
The Hold ARI,
07/08/2013 -
1 x Edirol Studio Speakers, 4
29
West End
04/09/2013
x Dvd Players, 2 x Sony Bravia
days
32" LCD monitors, 2 x Wall
Galletly, Tor Maclean, Leena Riethmuller
Mounts, 2 x Neuman Stereo Headphones, associated cables, consultation
Chris Bennie, Bridie Gillman, Eric Rossi,
Crossing
Kylie Spear, David Creed & David Spooner, Sancintya Simpson, Athena Thebus.
Brisbane
The Hold
06/11/2013
1 x NEC 2000 Data Projector,
Borders: video
ARI at
- 12/11/2013
1 x DVD player, 2 x Behringer
art, place
Containerval
Truth Studio Monitors,
and identity
Festival,
associated cables, consultation
7 days
$350
$820
Hamilton Northshore Alrey Batol
Waterbirds
Brisbane
Inhouse ARI,
18/04/2013 -
1 x Apple Mac Mini Computer,
35
New Farm
22/04/2013
associated cables, consultation
days
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2013 MAAP Media Bank Loans
4/4
Artist Name
Exhibition
City
Venue
Date
Equipment
Dur.
Value
Jake Sun, Yannick Blattner, Alrey Batol,
Out of House:
Brisbane
Metro Arts,
17/07/2013 -
6 x CRT TVs, 2 x Sony Bravia
21 days
$4,510
Pirrin Francis and Benjamin Crowley
Inhouse ARI
Brisbane City
06/08/2013
32" LCD Monitors, 2 x DVD
14 days
$1,210
$895
at Metro Arts
players, 1 x Home Theatre Sound System, associated cables, consultation
Kaye Stuart, Deb Nicholls, Wendy Brown, Scott Avery,
Unseen
Brisbane
Cherie Scalia, Susanne Schroder, Karen Rooth
Wooloongabba
25/05/2013
1 x Sony Bravia 40" LCD
Art Gallery,
- 11/06/2013
Monitor, 2 x Sony Headphones,
Wooloongabba Helga Groves Lawrence English, Keith Armstrong
Geomorphic Nightfall
Brisbane Brisbane
associated cables, consultation
Milani Gallery,
08/11/2013
1 x NEC 2500 Lumen Projector,
34
South Brisbane
- 11/12/2013
associated cables, consultation
days
QLD Museum
04/12/2013 -
1 x Sharpe Short Throw
63
04/02/2014
Data Projector, associated
days
$1,555
cables, consultation Jade Boyde
VHxorciSm
Brisbane
Project Gallery,
25/06/2013
5 x CRT TV's, 1 x 20"
Queensland
- 2/07/2013
LCD Monitor, associated
College of Art,
8 days
$1,095
15 days
$1,300
$763
cables, consultation
Southbank David Chatfield, Felix Merry, Emma
For Want of a
Leslie & Sarah Oxenham
Better Word
Brisbane
The Hold ARI,
22/10/2013
3 x NEC Data Projectors, 1 x
West End
- 05/11/2013
Media Player, 2 x Projector Ceiling mounts, associated cables, consultation
Braxton Neate & Sofia Dique, Erin Van
Jugglers Art
Occi, Sloe Motion, Graffiti Technica
Yeondoo Jung
Containerval
30/10/2013
1 x NEC 1500 lumen Data
30
Space at
Festival,
- 30/11/2013
Projector, associated
days
Containerval
Hamilton
Festival
Northshore
Yeondoo Jung
Brisbane
Brisbane
cables, consultation
MAAP Space,
20/9/2013 -
1 x Data Projector, 1 x Sony
Fortitude
8/11/2013
Bravia 40" LCD Monitor, 2 x
Valley
51 days
$6,075
7 days
$480
10 days
$1,316
$3,860
Neumann Stereo Headphones, 1 x Apple Mini Mac Computer
Derek Kreckler
Derek
Brisbane
MAAP Space,
23/08/2013
2 x Data Projectors, 2
Kreckler:
Fortitude
- 30/08/2013
x Media Players
Open Studio
Valley
Event Barbara Campbell
Barbara
MAAP Space,
11/11/2013 -
2 x data Projectors, 1 x
Campbell
Brisbane
Fortitude
20/11/2013
Apple Mac Laptop
Artist
Valley
MAAP Space,
22/7/2013 -
2 x Data Projectors, 2 x Apple
40
Fortitude
30/8/2013
Mini Mac Computers, 1 x
days
Residency/ Work Development Shilpa Gupta
Shilpa Gupta
Brisbane
Valley Wang Gongxin
Wang Gongxin
Brisbane
Sony Stereo Headphones
MAAP Space,
18/3/2013 -
1 x Data Projector, 1 x
40
Fortitude
26/4/2013
Apple Mac Laptop
days
$1,865
Valley
TOTAL 2013 LOANS
No. Exhibitions: 51
2013 Annual Report MAAP - Multimedia Art Asia Pacific Inc.
$106,609
45
2013 Annual Report MAAP - Multimedia Art Asia Pacific Inc.
46