Bristol Life - Issue 297 by MediaClash

ISSUE 297 / APRIL 2021 / £3

STREET-ART SISTERHOOD SPRAY FOR BEDMINSTER

EGGSISTENTIAL CRISIS? EASTER BUYS, SORTED

ROOT, EATS AND LEAVES

ISSUE 297 / APRIL 2021 / INSIDE INFORMATION

IT’S THE COOKBOOK WE’VE ALL BEEN WAITING FOR…

SWITCH IT UP BRISTOL GETS (EVEN) SMARTER

IMAGE CONSCIOUS

BRISTOL PHOTO FEST IS GO

DIAMOND LIFE ARNOLFINI AT 60

BEYOND THE PALE

FRESH HUES AND EXPERT VIEWS: IT’S OUR SPRING INTERIORS ISSUE!

EDITOR’S LETTER

Gimme shelter

Now, more than ever, we need our homes to act as a refuge against all the madness . . .

’m very much a winter person. I’ve never been in any hurry to see the back of the colder months, much preferring January’s cool, subtle palette to the glaring blue skies of mid-July. To be honest, I’d happily skip from spring straight into autumn. That said, April in Bristol always feels special, because it was 17 years ago this month that we launched our magazine. We’re just three issues away from hitting our milestone 300th issue, would you believe; watch this space. In between preparations for hoisting the celebratory bunting and baking the anniversary cupcakes, we’ve put together a packed April issue. It’s the usual varied box of delights, a kind of pick’n’mix of the local scene – but taking the starring role, as it inevitably does at this time of year, is our big spring interiors feature. It’s one of the most frequently trotted-out truisms of the pandemic that our homes have never been more important than they are today; but how has lockdown affected our tastes? What do we want from our homes, right here, right now? Unsurpringly, the words we’re hearing again and again are ‘sanctuary’ and ‘comfort’. Oh, and everyone seems to be very keen on the colour yellow. More hues and views on page 10. Our 17 years in the biz makes us mere striplings next to Arnolfini, which marks its 60th anniversary this year. Always at the cutting edge of art and opinion, it’s one of Bristol’s most welcoming cultural spaces; we’ve very much enjoyed tracking back down the years for our feature on page 32. That’s certainly not all, folks, so make like an Easter chick and get cracking; those pages aren’t going to turn themselves.

DERI ROBINS Follow us on Twitter @BristolLifeMag Instagram @BristolLifeMag Exquisite hand-printed wallpaper by Addicted to Patterns www.mediaclash.co.uk I BRISTOL LIFE I 3

Issue 297 / April 2021 COVER Hand-painted on silk, this Chinoiserie-style Portobello paper has recently been installed by Etons of Bath in a Georgian home on Sion Hill

INTERIORS

10 SANCTUARY It’s the single most important thing to

us, right now

THE ARTS

29 ART PAGE The best of this year’s RWA Open is up

for grabs

30 WHAT’S ON Still online, but travelling hopefully 32 ART Happy 60th anniversary Arnolfini, you diamond 38 PHOTOGRAPHY The Bristol Photo Fest is go 44 BRISTOL HEROES Dogs – they’ve kept us sane

during lockdown. If you’re thinking of getting one, consider adopting from a shelter, though, yeah? 49 BOOKS Three cookbooks no home should be without

FOOD & DRINK

51 RECIPES The Bristol cookbook of the year

has landed

54 FOOD AND DRINK NEWS New openings, new

bevvies and the best food pun we’ve heard in ages

57 SPECIAL DELIVERY We reacquaint ourselves with

an organic food hero

59 CAFE SOCIETY Stan is easily Fed

SHOPPING

60 EDITOR’S CHOICE The one with all the chocolate 63 FASHION Layer lady, layer

LIFESTYLE

67 BARK LIFE Never mind the history,

just enjoy the views

BUSINESS

68 TECHNOLOGY Smart ideas from a smart city 77 BRISTOLWORKS A new ‘night-time czar’, Awards,

new homes and other news

PROPERTY

93 PROP INTRO News from all points of the

Bristol compass

94 SHOWCASE Loft-style living, and why

Knowle is on a roll

REGULARS

7 SPOTLIGHT 9 BRIZZOGRAM 106 BRISTOL LIVES Meet Eejits; she paints walls

Editor Deri Robins deri.robins@mediaclash.co.uk Senior art editor Andrew Richmond Graphic design Megan Allison Cover design Trevor Gilham Contributors Colin Moody, Stan Cullimore, Milly Vaughan, Storysmith Books Advertising manager Neil Snow neil.snow@mediaclash.co.uk New business manager Craig Wallberg craig.wallberg@ mediaclash.co.uk Account manager Jake Horwood jake.horwood@mediaclash.co.uk Production/distribution manager Sarah Kingston sarah.kingston@mediaclash. co.uk Deputy production manager/production designer Kirstie Howe kirstie.howe@mediaclash.co.uk Chief executive Jane Ingham jane.ingham@mediaclash.co.uk Chief executive Greg Ingham greg.ingham@mediaclash.co.uk Bristol Life MediaClash, Circus Mews House, Circus Mews, Bath BA1 2PW 01225 475800 www.mediaclash.co.uk @The MediaClash © All rights reserved. May not be reproduced without written permission of MediaClash. We’re a Bath-based publisher, creative agency and event organiser Magazines Our portfolio of regional magazines celebrates the best of local living: Bath, Bristol, Cardiff and Exeter. Agency From the design and build of websites to digital marketing and creating company magazines, we can help. Events We create, market, promote and operate a wide variety of events both for MediaClash and our clients Contact: info@mediaclash.co.uk

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IMAGE BY WILLEM HAMPSON

SPOTLIGHT

Film

FRIESE FRAME

Cary Grant. Aardman. Dave Prowse. Isn’t it time we gave Bristol inventor William Friese-Greene (1855 -1921) his rightful place in the cinematic hall of fame, too? That’s the big idea behind a new year-long programme celebrating the many aspects of Bristol’s film and moving image, just launched by Bristol Ideas and Bristol City of Film. Marking the centenary of the death of Friese-Greene, a pioneer of early motion pictures, Film 2021 will include screenings across the city, walking tours, photography exhibitions, talks and panel discussions . “For a long time, William Friese-Greene’s contribution to film was dismissed,” says Andrew Kelly of Bristol Ideas. “Now is the perfect time to reassess his achievements. “He’s increasingly recognised as a major figure in the development of British cinema. He was a fascinating man, who came from a working-class background into prominence in the world of science.” Among his many achievements, WFG used his fame to promote the role of women in the field of photography. Find out more about this largely unsung Bristol hero at: facebook.com/bristolfilm2021

Obituary

DIANA PORTER xxxxx

Arts

SPRAY SISTERS, GO SISTERS

This retail row on Bedminster’s North Street is already adorned with murals by Bex Glover, Zoe Power, Gemma Compton and Sophie Long. Next month, thanks to Bedminster Bid and Upfest,the row will be completed by new works by Lucas Antics and Ejits – just in time for the shops to reopen. “The ‘Six Sisters’ is a unique opportunity to promote the strength of the female urban art scene in Bristol, and inspire a future generation of female artists worldwide,” said Upfest’s Steve Hayles. “This will be the largest series of permanent street art by female artists in the UK, maybe even the world, and it just goes to show how lucky we are in Bristol to have these incredible artists, and a scene that supports them.” By the way, you can meet one of the ‘new’ girls on page 106. Follow @BedminsterBID and @upfest on all social channels

Inspirational Bristol jewellery-maker Diana Porter has died at the age of 78. Diana was born in Weston-Super-Mare and grew up in Bristol. After training as a teacher, running theatre companies and working in arts administration, Diana started making jewellery at the age of 50. “You must remember that age is just a state of mind,” she said in 2016. Prolific and creative, Diana was not only renowned for her innovative designs, but for creating work with integrity and honesty. She fought hard, in particular, to make the world fairer and better for women, especially in the jewellery industry and the arts, often being way ahead of her time. “I am concerned to express my perception of the qualities of women in the pieces I make – not as adjuncts to men, but as strong, peace-loving, creative, intuitive, magical human beings,” said Diana. Perhaps her most instantly recognisable pieces are the silver sybyl pendants, shaped as stylised women, etched with affirming words, and worn by strong, stylish women across Bristol and beyond. Following her wishes, Diana Porter Jewellery will go on, with her team continuing the work she started. For more: dianaporter.co.uk

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BATH & BRISTOL

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“From start to finish the experience has been very positive, everything that was promised from the fantastic graphics package and knowledge of showroom designer, to the completed kitchen has been delivered. The very professional and reliable fitting team made the whole experience trouble free and the quality of the kitchen is outstanding, but the fitting was always our priority and we are thrilled with the final result delivered and fitted in lockdown. Well done Kutchenhaus Bath” Amanda

Find us 5 Saracen Street, Bath BA1 5BR

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Contact Email: Showroom@bath.kutchenhaus.co.uk Tel: 01225 634 025

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Monday - Saturday: 9.30am - 5.30pm Sunday by appointment

Email: Showroom@bristol.kutchenhaus.co.uk Tel: 0117 213 0497

S T O R E S N AT I O N W I D E

SPOTLIGHT

MAGNA STRATA

To the casual eye, Bristol may appear less beautiful than, say, a heritage Georgian town. Those who love this city, however, know that it’s its very eclecticism – the ancient spires among the tower blocks, the strata of architectural history, that ‘we got knocked down, we got up again’ spirit that brings the magic…

@bristolpictures

@jonathonseagull

@jespionne_avec_mon_petit_oeil

@faysperspective

@bristolexplorer

@matthewpriceartist

@while_i_was_walking

@kruggy01

@bristolpicture

@bogdanm85

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INTERIORS

GIMME SHELTER

Twelve months of lockdown gave us plenty of time to work out what we most needed from our homes. And now, in spring 2021, according to Bristol’s interiors experts, what we want – what we really, really want – can be summed up by one word. That word is ‘sanctuary’. . .

Words by Deri Robins

nce upon a pre-pandemic time, not everyone was obsessed with their homes. Plenty of Bristol folk commuted five days a week; maybe took a few classes (or beers) after work; hit the town heavily at weekends. The home was chiefly somewhere to crash and shower; a place rarely seen during daylight hours, and then mostly though bleary, hungover, Sunday morning eyes. Like so many things, Covid changed this perception in a flash. From March 2020, even the most diehard party animals and gym bunnies were confined to barracks, joining the more introverted ranks for whom the strictures of lockdown were so indistinguishable from their default lifestyle choice anyway that it made very little difference.

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Suddenly, the home became all things to all people. Somewhere not merely to sleep, relax, cook and eat, but to work, exercise, homeschool (oh, the joy), and even socialise, albeit in a rather limited, souldestroying, Zoomy-doomy kind of way. And as we learned to adjust the way we lived, so we learned to adjust the spaces we lived in – the most obvious seismic shift being the overnight promotion of the home office to one of the most important rooms in the house. More subtly, it’s had an effect on the kind of décor we’re craving. Speaking to a range of Bristol experts, the one word we’re hearing over and over again is ‘comfort’: all that hard-edged mid-century style and cold minimalism may be insta-perfect, but there’s only so long you can lounge about on a wooden Eames chair. We’re unapologetically fancying big, plushy sofas, cosy nooks, and warm, soothing hues: a place to soothe our jangled nerves. When it feels as if the world is spiralling out of control, it’s more important than ever for our home to feel like a refuge. A sanctuary, in which we can close our doors against the madness.

“All that mid-century stuff may be instaperfect, but there’s only so long you can lounge about on a wooden Eames chair”

A calm and beautiful room set, ft. the Hidden World collection by Bristol’s Addicted to Patterns, who specialise in hand-screenprinted wallpapers and textiles

THE COSY CLUB

“People are looking for spaces that can provide calm and safety when they are relaxing, but also, as restrictions lift, they’re wanting to create more social environments for long-overdue interactions with family and friends,” says Nick Doe of interior designers Space and Line. “This can be done with soft, loose furniture that allows for adaptability, as well as with texture and colour, which allow people to really show off their personality. “One of the most common trends is a sanctuary space. People have realised that having somewhere you can reconnect with yourself, have some quiet time, chat with family, read or just get away from the everyday, is a key requirement. It can be anything from the corner of a room with some soft lighting and a favourite armchair, to a garden den.” “We have sought refuge in our homes this past year,” agrees Natalie Worsem of interiors shop Mon Pote. “The importance of our home as sanctuary will continue past lockdown. We know from our customers’ buying patterns that many people are investing more than ever in softening their interiors with throws, rugs and cushions, which help create that feeling of comfort, cosiness and feeling safe.” “The pandemic has really focused our minds on our surroundings and how important they are,” says designer David Hutton. “Functionality has got to be one of the key aspects; whether you have a small or large space, creating the correct working environment without encroaching on your home life is key, so try not to incorporate the working element within the room you relax in, even if it’s a clever way of zoning the room.” Warmer tones add personality and elegance while still creating a cosy sanctuary: Farrow & Ball

Little Greene nailing ‘cosy log cabin chic’; get the colourways at Nola Interiors

HUE GOES THERE?

“At the cutting edge, colour trends in interiors, as in fashion, have always been experimental and quite loud, challenging the senses,” says Nick Doe. “When it comes to a more daily user colour palette, we always look at watered-down suggestions of current colour trends, with statement pieces using colour, pattern or texture to bring to life the personality of the person or the space. “We feel there is going to be a real mix of home spaces required, and this will be reflected at the most key level by choice of colour. There are those who have worked from home who no doubt will be looking for fresher, lighter colours, which will bring a lightness to the home, almost providing a mental spring clean. This is being used in contrast with comforting spaces that provide a metaphorical cuddle for the mind, with stronger, warmer colours and finishes, and in these instances, stronger colours are being used to create true individuality to space.”

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INTERIORS

above: Rebel Walls’ strong pattern in neutral colourways combines personality with liveability; below: From warm saffron to pale ochre, yellow is everywhere (Farrow & Ball)

NEW NEUTRALS (and mellow yellows)

Neutrals will never go out of style. For the past few years, grey has dominated the palette, but sandy, barely-there, warm, earthy shades are now back with a vengeance. Think pale ochre; cool, not too yellowy, like something out of a Vermeer. “The Pantone colour of the year is quite a bright yellow, but what I think this tells us is that more natural colours are making their way into our interiors,” says David Hutton. “Yellow has many variants, and I believe more earthy tones like ochre are going to be big for 2021. People are turning to colours that reflect the outside, as this brings them to nature, which has been an important element to us throughout the pandemic. “We’re experiencing a real shift away from the cool, blue-toned greys that have been so popular in recent years,” agrees Ruth Mottershead of Little Greene. “A clear transition to warmer, natural neutrals is taking place, with consumers opting for earthier tones with an inherent warmth. More than ever, there is a greater need to surround ourselves with comforting, soothing colours that are easy to live with, which provide warmth and serenity.” “It’s no surprise that the Dulux colour of the year 2021 is a soft beige, and that Valspar has gone for a brown, earthy tone,” says Natalie of Mon Pote. “These are great backdrops for calm spaces, and also work with a bolder palette, too. “We think that the home as a sanctuary or refuge will continue, despite having more freedom to go out. Colour is key to this notion – either being used to create calm spaces or to express the personality of the occupants and give them a feeling of belonging, and being themselves, at home.” Justyna Medon of Addicted to Patterns, which specialises in hand-screenprinted wallpapers and textiles, loves the warm, rich end of the spectrum. “This season we will find warm hues dominating interiors; warm saffron yellow, Dutch orange and buff pink paired with coral, subtle Verona green, deep moss green and calming ocean blue with touch of violet.”

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INTERIORS GREEN DAYS

“Green is the colour of nature,” says Ruth Moffat; “shades that we associate with the tranquillity of the outdoors, that can be layered to create a serene space reminiscent of natural surroundings. Greens are very versatile; they can be used in lots of different spaces. They combine fabulously with earthy tones and paler natural shades like creams and stone, and darker, richer colours such as browns, blacks, cherry reds and ochre, which can give a more dynamic effect.” David Hutton agrees that green continues to be popular, and mixes well with all the earthy tones. “I would pick a base colour that can be used throughout your home; it could be a strong colour or a neutral colour. You can be brave and go

for this on your walls, or a large focal point like the sofa. Then add different colours, patterns and textures, to stop the space from looking a tad dull. Again, functionality plays a part; think of how you use the rooms. So, in your everyday room you may want a lighter, more calming tone, and the room you use for evenings can be cosier, with a darker tone on the walls.” “I am loving bedrooms which feature tones of rust and pink together,” says Natalie of Mon Pote. “Greens complement the warm neutrals, and we hear that green kitchens are going to be popular for 2021 – particularly in sage.” Carine of Gardiner Haskins is also loving this combo: “Pale pink is still on trend for 2021, contrasting with strong greens: nature tones.”

So many trends ticked by Little Greene’s Achillea Aurora paper; available from Nola Interiors 14 I BRISTOL LIFE I www.mediaclash.co.uk

Escapism by wallpaper: from top: Christian Lacroix’s Paradis Barbares; Cole & Son’s Seville, both from Bracey Interiors

GO FOR BOLD

Wallpaper is having (another) serious moment. “As people are spending more time at home, they are seeking out colour and pattern to create atmosphere, either by adding vibrancy to a scheme or creating a calming, cosy and cocooning sanctuary,” says Ruth Moffat.“People are becoming more confident in their use of wallpaper, choosing bolder patterns and colour to add a textural element. Bolder designs can be used in combination with vibrant coordinating colours, or they can be pared down with complementary neutrals. “Wallpaper murals and large-scale designs are also seeing a revival, while the popularity of natural leaf prints and floral designs continues to endure, with more stylised flora and fauna patterns.” “Travel is still uncertain this year, so we want to emulate that feeling of exotic locations in our homes,” says Carine Butcher of Gardiner Haskins. “It could be through the use of exotic architectural plants, or bold wallpaper and fabrics. Banana and pineapple plants among bold architectural leaf structures are gaining popularity. We are yearning for a little holiday paradise, and want our homes to transport us back to those special places.” “I do believe people are starting to want a more harmonious feel to their interiors, but I am a great fan of mixing pattern and texture,” says David Hutton. “It doesn’t need to be a trend; for me, mixing pattern is a must, whether this is through upholstered items such as a statement armchair or with scatter cushions. My go-to is textured walls; this can transform a room and create a warmer feeling.” Texture can also be added through the judicious use of furniture, says Natalie of Mon Pote. “Designers are using herringbone wood on wardrobes and cabinets, rattan is still going strong in cupboards and seating, and if you can’t afford, or have no space for, new pieces, fluted MDF can be purchased in sheets, as can reed poles, which can also be used to create a DIY textured look when attached to table bases or plain cupboard doors.”

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THE MAX FACTOR

We’re so over minimalism, returning instead to curated, personal interiors; choosing pieces that make a statement and tell the story of our lives. “There is always a fairly strong current of maximalism in terms of patterns and fabrics within interiors, and this won’t change for some time,” says Nick Doe. “Those who like to create their own personality in a room love nothing more than to experiment with pattern and texture. Even those who prefer a more minimal environment are more switched on to the key role that texture can play in a space, even if that space is a white box. The finishes that can be applied to floor, ceiling and walls as well as fabrics and furniture, mean that a real identity can be created with texture.” “There is no rule that says your home should have only one narrative pattern” says Justyna. “Why not mix floral with geometric on one wall and let them tell a story of their own? For extra drama, add embroidered cushions, colourful candles, fill your walls with prints and shelves with collectable artefacts, glass figures, vintage albums and board games.” “The rise of maximalism, with eccentric use of clashing prints and colour, has been a great reminder to be bold with our choices, and only worry about whether we truly love how pattern or textures work together in our homes – not because they are on trend,” says Natalie Worsem. LEFT: Timorous Beasties have never shied away from clashing patterns; BELOW: Can’t grow, won’t grow? Try Rebel Walls botancial paper; INSET: The real biophilic deal: living greenery from Twig Plants

GROWING TREND

Biophilia focuses on our innate human connection to nature; it incorporates nature at its core, rather than as an afterthought. In layman’s terms, it’s all about bringing the outdoors in. “Be it full living walls with different types of moss and planting, to provide a real injection of nature, or a smaller more focused area of planting, the role that plants have in a building is massive,” says Nick Doe, “from the basics of improving air quality to an increase in mental wellness and a sense of calm.” Houseplants haven’t been so in vogue since the 1970s. “Over the past couple of years, people are realising the positive impact that plants have on our physical and mental wellbeing,” says Sarah of Twig Plants. “Biophilic design is increasing in popularity, with more people using beautiful houseplants to style their home. Not only do they look fantastic, but they create the relaxed and calming environment we’re all currently craving.” “Plants have been a huge trend for the past few years, and the lockdowns definitely saw people bringing the natural environment into their spaces more and more,” says Natalie of Mon Pote. “Plants which help to purify the air are ever-popular, particularly for decorating home working spaces. Plants are also an easy way to freshen up your living space without spending too much money. “Dried flowers are also returning to popularity, being environmentally friendly; they are basically waste products of unsold fresh flowers and don’t need to be thrown away after a week. Flowers and grasses can be collected from nature and dried at home – another way of filling the long hours of lockdown.” And if that still sounds too much like hard work, there’s always the botanical wallpaper option.

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INTERIORS

“Cottagecore is unapologetically nostalgic and romantic Anyone else want to move their home office right in here? Photo by Arno Smit

CORE VALUES

Cottagecore is unapologetically nostalgic and romantic. It’s all about injecting a warm, relaxed character into contemporary living spaces – a relative doddle if you’re awash with original features such as exposed beams, original floorboards or panelled walls. If not, you can create the look with a harmonious balance of old and new pieces. Cottagecore draws inspiration from the countryside – think lush botanicals, florals, and natural materials such as wool and linen – and can be notched up an extra level by incorporating luxe, glamorous touches such as gleaming metallics. “The interior décor trend that has me most excited this year is cottagecore,” says Zoe Hewett, aka Stylemongers of Bristol. “It’s been gaining popularity on instagram over the last few years, but lockdown has really accelerated its growth, because people are feeling the need to connect with nature more than ever. “Where that hasn’t been easy, particularly for city dwellers, bringing the countryside inside through décor has become de rigeur. That might sound a bit hippy, but aesthetically, cottagecore is far more polished. Desirable and stylish, with a rustic, natural glamour, this trend speaks of al fresco leisure time that is luxuriantly restorative. “Flora and fauna prints with fruits feature prominently, as do heritage classics such as William Morris wallpapers and Liberty fabrics. It’s about simple pleasures and DIY crafting, so it doesn’t have to cost a fortune. Those without the time or inclination to make their own can simply buy the look from local artisans such as embroiderers, weavers, macrame knotters, crocheters, knitters, quilters, screenprinters, upholsterers and vintage dealers – that shouldn’t be too difficult, in Bristol!” “Colours in rustic and cottage interiors tend to lean towards soft whites, warm neutrals, muted greens and duck egg blues; these shades are perfect for both a country cottage or modern rustic look, as not only do they sit together in a palette that’s true to the style, but the tonality of these colours allows for a look that can transition throughout the space, from room to room,” says Ruth Moffat.

VINTAGE (and why it’s the greenest trend of all)

Call it retro, grandmillennial, preloved or what have you, antique, repurposed and salvaged pieces are obviously better buys for the planet than brand-new furniture. The trick is to be restrained about their use; to reference the look, rather than slavishly reproducing it as if the room was the set for a BBC period drama. “I love a little bit of vintage thrown into an interior scheme. It can work well within a modern interior, but don’t overdo it, as this can dilute the charm,” says David Hutton. “When decorating our homes, we often choose antiques or restored furniture and pair it with modern ceramics, wall hangings and art to give it a contemporary twist and soft feel,” says Justyna. Apropos,“This season we’re also observing a huge turn towards eco paints and wallpapers, choosing carefully and paying an extra attention to local and small, family-run businesses,” she says.

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INTERIORS EASTERN RISING

Luxurious and sophisticated, Chinoiserie features flowy, handdrawn weeping willows, citrus trees, exotic birds and swirling butterflies. Take the Portobello wallpaper on our front cover – a beautiful example of the genere, hand-painted on silk by artists in Moushi, using ancient skills and craftsmanship that have been passed down the generations. “Our recent projects in Bristol have required us to blend the historic symmetry of Georgian proportions with our clients’ desire for a more contemporary style for the interiors,” says Sarah Latham, creative director of Etons of Bath. “We love the detailed scenic nature of Chinoiserie, which suits the Georgian houses that we specialise in. The beauty of this particular piece is its soft neutral tone-on-tone, which makes it perfect for use in a glamorous bedroom. It also reflects a wonderful balance between the current trend for maximalism and the more neutral palette desired in contemporary interiors. We really value these pieces as works of art from highly skilled artisans, rather than ‘wallpaper’ as such.” Totally unrelated is the newer trend of Japandi, which blurs Japanese minimalism with pared-back Scandi cool in a harmonious style, offering simplicity and function in a timeless design aesthetic. Justyna of Addicted to Patterns sums it up: “Airy interiors in which discoloured bare plaster tells the story of previous inhabitants. Minimalism served in a warm colour palette, with attention to natural materials, extraordinary lighting and handcrafted objects, ceramic vessels, fabric hangings, textured wood to add comfort and warmth.”

Rebel Walls does Chinoiserie (above) and Japandi (top right) – don’t go mixing them up, now. right: Light can create the most beautiful effect of all, as seen in this Ripples bathroom

LIGHT FANTASTIC

As any designer will tell you, light – natural daylight, a strategically placed lamp, even candlelight – can make or break an interiors scheme. The sky’s the limit when it comes to artificial light (there’s a whole separate feature to be had there, watch this space), while the clever positioning of glass and reflective surfaces can bring a small, dim space alive, and allow it to ooze opulence and style.

Finally, when all is said and done...

“The biggest trend to come out of lockdown is eclecticism,” says Natalie of Mon Pote. “Why go Scandi when you can go Japandi with a touch of maximalism? The recurring theme by our suppliers for 2021 is that anything goes. We aren’t being so purist; after the year we’ve had, we are giving ourselves a bit of a break, and embracing what we genuinely love instead of current identifiable trends.”

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GET YOUR KALSARIKANNIT ON… Are we over Nordic style yet? Of course we’re not! What we are over, though, is the lazy over-reliance on buzzwords...

First came hygge. Danish for ‘cosy’. Massively over-hyped, unpronounceable, and responsible for a spate of silly little books about the wisdom of lighting candles, eating hearty meals and wrapping up warm in cold weather. You know: all the stuff that those of us living in a northern climate do without thinking. Then we had lagom. Just when we were all hygged up and off our heads on hot chocolate, along came the sensible Swedes with their ‘just the right amount’ philosophy; not too little, not too much. May have worked for Goldilocks, Sven, but not for us. Next… Kalsarikannit. Trust the Finns to weigh in with their ‘drinking at home alone in your underwear with no intention of going out’

philosophy. Clearly lockdown can’t have come as too much of a shock in Helsinki. Friluftsliv is not, as it sounds, a kind of household pest, but the ancient Norwegian philosophy of exploring and appreciating nature as the way to a happy, healthy and fulfilled life. Actually, we’re quite down with that one. As it’s spring, and we’re feeling as mad as a March hare, we’ve invented a few more global trends. Will they catch on? Kuroikagami – when your home becomes so smart and futuristic that you wake up one morning and realise that you’re living in a dystopia created by Charlie Brooker. Kangaskauppias – being so in thrall to mid-century furnishings that your house looks less of a home than a room set from Mad Men. Julma – when you’ve taken the concrete industrial trend to its bleakest extreme,

and realise that your home now resembles an underpass. Frequently leading to… Blomastil – when, realising your mistake, you hastily rush out to buy armfuls of botanical chintz. Årgang – an over-developed attachment to the past, in which you voluntarily cook over an open fire, hand-knit your clothing and use candles as the sole source of light. See also hygge. Kipea Peukalo – in which, after handing over the house to an interior designer, it looks so immaculate and stylish that the only thing out of place is you. And finally, and perhaps most forgivably… Brycgstowtiska – when you totally overdo the Bristol motifs and every cushion, mug, tea towel, place mat and print on the wall features Brunel’s Bridge or a hot air balloon. . .

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INSIDE INFORMATION DAVID HUTTON explains his go-to rules for creating the perfect interior

nterior design has become such an important part in our lives, especially with the amount of time we have been staying in our homes. For me, having a great interior has always been an important thing; even when I was renting a studio apartment in London, and before I became an interior designer, I always made the most of the space. Now I really think people are starting to appreciate that a welcoming cosy inviting home is key to a happy and healthy life. Having set up David Hutton Interiors over 10 years ago, the most valuable lesson I have learned is not to follow trends to the letter; to create a home that feels right to you, rather than being influenced by the next big thing. You can follow trends through how you accessorise the room, as this can easily be changed as the trends evolve. But don’t forget you have to live with your interior longer than the trend may last. My go-to elements for a successful interior are texture, pattern and creating the right furniture layout. At the top of the list is always to create a cosy relaxing feel, filling the room with a mix of styles creating intrigue and stopping the space from being boring. One of my big tips is making sure that sofas and chairs are not pushed up against the wall, and not being afraid to go large, making sure you fill the space; this will trick your eye, giving 20 I BRISTOL LIFE I www.mediaclash.co.uk

the appearance of a larger room, especially if your room is on the bijou side. My other go-to is texture. I am big on textured wallpaper; it really can transform a room, especially if you opt for a deeper tone, creating a more inviting space, and then add pattern and colour through soft furnishings and accessorising. That little pop of colour from a vase or cushion can just highlight and lift a space. At David Hutton Interiors, we always start by listening to our clients, bringing our knowledge and expertise to a project to make it a success. Having worked on so many projects over the years, you get to know what works and what doesn’t, and how space can be best styled to create the perfect interior. n

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INTERIORS

INSIDE INFORMATION Your little black* book of interiors suppliers [*insert current colour trend]

Raft Furniture

Nola Interiors

Sofas and Stuff

Oasys Property Solutions

South West Upholstery

SJP Interior Design Space + Line

raftfurniture.co.uk sofasandstuﬀ.com swupholstery.co.uk

BATHROOMS & KITCHENS

HAL Group

Young & Norgate

ﬁfteentwelve.co.uk

Heads Apart

HOME INTERIORS

Fifteen Twelve

Gardiner Haskins

gardinerhaskins.co.uk Hobsons Choice

hobsonschoice.uk.com JMI Bathrooms

jmibathrooms.co.uk Kellaway Bathrooms

kellawaybathrooms.co.uk Kutchenhaus

halgroup.co.uk heads-apart.co.uk JAS Building

jasbuildingservices.co.uk Mobius

mobiusworks.co.uk TD Cole

tdcole.co.uk Urbane Eco

urbane-eco.co.uk

kutchenhaus.co.uk

CARPETS & FLOORING

Nailsea Electrical

conrancarpetsltd@gmail.com

nailseaelectricalonline.co.uk Ripples

ripplesbathrooms.com Schmidt

home-design.schmidt Sustainable Kitchens

youngandnorgate.com Fancy Plants

fancy-plants.co.uk Farrow & Ball

farrow-ball.com Gardiner Haskins

gardinerhaskins.co.uk Ikea

ikea.com Just Shutters

justshutters.co.uk

nolainteriors-bristol.co.uk/ oasysps.com

sjpinteriordesign.co.uk spanceandline.co.uk Studio Cwtch

studiocwtch-uk.com Stylemongers

stylemongersofbristol.co.uk TME Interiors

tmeinteriors.co.uk Wuffles

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LIGHTING

Bristol Lighting Company

bristollightingcompany.com

Conran Carpets

Mon Pote

Parkway Lighting

Eden Hardwood Flooring

Red Dog Glass Design

The Lighting Studio

Kustom Floors

Twig Plants

PLUMBING & HEATING

Oriental Rugs

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edenhardwoodﬂooring.co.uk kustomﬂoorsandfurniture.co.uk orientalrugsofbath.com

monpote.co.uk reddogglassdesign.com twigplants.co.uk

parkway-lighting.co.uk thelightingstudiobristol.co.uk 360 Heating and Plumbing

360-propertysolutions.co.uk

Addicted to Patterns

Bristol Boiler Company

Bracey Interiors

Embers

Arlo & Jacob

David Hutton

Kindle Stoves

Wren

Bo Concept

Fawn Interiors

Star Plumbing

BUILDING CONTRACTORS

HUSK

Goodchild Interiors

goodchildinteriors.net

WINDOWS AND DOORS

bristolcityrooﬁng.com

Loaf Furniture

Hannah Redden

bristolwindowsltd.co.uk

Unit 7, Bakers park bristol-rooﬁng.com

Mobel

K-Interiors

Build Bristol

Park Furnishers

Main Interiors

sustainablekitchens.co.uk The Kitchen Partners

thekitchenpartners.co.uk Tile and Bathroom Warehouse

thetileandbathroomwarehouse.com

wrenkitchens.com

Bristol City Roofing Bristol Roofing

thebuildbristolgroup.com

The Carpet Barn

thecarpetbarn.co.uk

FURNITURE arloandjacob.com boconcept.com madebyhusk.com/ loaf.com

thisismobel.com/ parkfurnishers.co.uk

26 I BRISTOL LIFE I www.mediaclash.co.uk

addictedtopatterns.uk braceyinteriors.co.uk

davidhuttoninteriors.co.uk fawninteriors.co

hannahredden.co.uk k-interiors.co.uk maininteriordesign.com

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Bristol Windows

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THE ARTS S N A P S H O T S O F B R I S T O L’ S C U LT U R A L L I F E

ART OF DARKNESS Ever since the ﬁrst Neanderthals chronicled their latest hunt on cave walls, artists have drawn on daily life for inspiration. No surprise, then, that the 168th RWA Open Exhibition has some standout, zeitgeisty images depicting scenes from what everyone and his dog likes to refer to as ‘these unprecedented times’. (Unprecedented? Try telling that to the plaguedodgers of Elizabethan England. Or the victims of the 1918 Spanish ﬂu. But we digress.) Much of the work is available to buy. Have a leisurely browse online; you’ll see such lockdowninspired pieces as Mick McNicholas’s Dee on Zoom oil; Sarah Garvey’s charming etching Home From School, which every parent should probably have on their wall

in case they start taking teachers for granted again, and Julia Odell’s masked-up Intrepid Shoppers. We were drawn to this photographic installation called The Waiting Room, by artist and activist Lidia Lidia. The piece, which won the Derek Balmer prize, is a series of photos showing a couple, one being the artist, the other her collaborator, Mr Slim Bones. The skeleton forms, along with the vibrant colours and kitsch decoration, irresistibly conjure up images of Day of the Dead. “I am still not sure what the truth is behind the Covid apocalypse,” says the artist. “But I am sure that one day, somewhere and somehow, this truth will emerge. It is just a matter of waiting...” See all the art for sale at rwa.org.uk/shop168 www.mediaclash.co.uk I BRISTOL LIFE I 29

The following details were correct at time of going to press, but don’t take them as gospel. Things change...

WHAT’S ON (& WHAT’S ONLINE) From 26 March-1 May 2021

ART

Ongoing

INTERNATIONAL PHOTOGRAPHY EXHIBITION The Royal Photographic Society’s gallery is closed at time of going to press, but you can still view the 162nd outing of the world’s longest running photography exhibition virtually, and admire the work of 43 international photographers. rps.org SUGAR PAPER THEORIES: Meanwhile, also at the RPS, the ice-cool Sugar Paper Theories oﬀers a true-life Nordic noir, as Bristol photographer Jack Latham chronicles the most controversial murder investigation in Icelandic history. More fun than The Valhalla Murders. rps.org

Until 30 April

BIG JEFF JOHNS WELCOME TO MY WORLD Proliﬁc Bristol music fan Big Jeﬀ presents his debut exhibition of artworks. In this inspirational collection, a total of 34 paintings

will be released in three phases, and aim to surprise and challenge the viewer while instigating conversations about mental health. Presented with Bristol Beacon as an online exhibition; bristolbeacon.org

Until 30 May

TALKS | ART IN THE CITY – HEATHER AGYEPONG Heather appears in recorded conversation with Keiko Higashi at Arnolﬁni, arnolﬁni.org.uk

12 April-June (tbc)

JO SPENCE: FROM FAIRY TALES TO PHOTOTHERAPY Drawn from one of the most comprehensive collections of Jo Spence’s works in the world, and focusing on the intersection between arts, health and wellbeing. At Arnolﬁni; arnolﬁni.org.uk A PICTURE OF HEALTH: WOMEN PHOTOGRAPHERS FROM THE HYMAN COLLECTION A group exhibition of contemporary women

30 I BRISTOL LIFE I www.mediaclash.co.uk

photographers, featuring autobiographical perspectives and social commentaries; at Arnolﬁni, arnolﬁni.org.uk

SHOWS AND MUSIC

Opening dates tbc – please check websites

THE GATHERING A new monthly event in which well-loved artists perform and talk to audiences at home: part-cabaret, partconversation. bristololdvic.org.uk

KATE SHOOTER That Art Gallery hope to reopen with Kate’s paintings – partly ﬁgurative and partly abstract – some time in April. thatartgallery.com 168TH OPEN EXHIBITION The RWA’s Annual Open will ﬁnally, well, open, probably on 17 May, with a wide variety of work from emerging and established artists; rwa.org.uk CHLOE DEWE MATTHEWS: THAMES LOG From the source of the Thames to its mouth, Chloe examines the ever-changing nature of our relationship to water, from ancient pagan festivities through to the rituals of modern life. At Martin Parr Foundation; martinparrfoundation.org

Ongoing

Until 31 March

THE GREAT GATSBY Originally planned as a live two-hander, it’s The Wardrobe’s big spring hitter in digital form; thewardrobetheatre.com

Until 30 April

BRISTOL OLD VIC AT HOME: BOV have extended the online run of ﬁve of their biggest past shows; here’s a reminder: A CHRISTMAS CAROL Their most popular-ever Christmas show, with charismatic John Hopkins as literature’s most notorious miser. THE GRINNING MAN Tom Morris and Carl Grose’s vastly

WHAT’S ON opposite page:

It shouldn’t happen to a vet: Pink Mist’s back Online events at Arnolfini; Gatsby at The Wardrobe; presumably Toby’s reached his second choice here

clockwise:

Inspired by 30 interviews with returned servicemen, Owen Sheers’ heartrending verse-play brings the difficulty of returning to civilian life into razor-sharp focus through the eyes of these three boys on their path to recovery. Haunting and brilliant. On demand at home; bristololdvic.org.uk

26-27 March

WELL, THAT ESCALATED QUICKLY A multiplayer interactive storytelling game, designed and facilitated by Bristol Improv Theatre, played by you. improvtheatre.co.uk entertaining musical based on a Victor Hugo tale. MESSIAH Handel’s masterpiece, performed as the composer intended: ie in a secular theatre, not a hallowed place of worship. THE NIGHT THAT AUTUMN TURNED TO WINTER A treat for tiny theatre fans (so that’s all children, then) and their families. SWALLOWS AND AMAZONS The BOV family show most requested by audiences for revival. All online at bristololdvic.org.uk THE PICTURE OF DORIAN GRAY In a filter-fixated world where online

and reality blur, influencer Dorian Gray makes a deal for his social star never to fade... Oscar Wilde’s novel gets a 21st-century update with star-du-jour Fionn Whitehead and a remarkable supporting cast including Joanna Lumley, Stephen Fry and Russell Tovey. A co-production between Bristol old Vic, Theatr Clwyd and other theatres. Watch online; bristololdvic.org.uk

Until 19 April

PINK MIST Three young Bristol men deployed to Afghanistan are returning to the women in their lives. Now they must share the physical and psychological aftershocks of their service, Arthur, Hads and Taff find their journey home is their greatest battle.

26-27 March; 2-3, 9-10 April

SHERLOCK IN HOMES 2: MURDER ON ICE The Wardrobe’s interactive Zoom murder mystery is back! Travel to the barren landscape of Antarctica to interrogate the suspects and attempt to unmask a murder with your fellow audience members. thewardrobetheatre.com

19-28 April

DESERT ISLAND THEATRE WITH TOBY JONES Toby is stuck on an imaginary island. He’s taken seven pieces of theatre with him, and he wants to explain why... The first guest in Bristol Old Vic’s new series, in conversation with long-term collaborator and friend Tom Morris, Toby recalls, and attempts to recreate, seven

moments of theatre which have had a profound effect on him and his career. bristololdvic.org.uk

OTHER

15-18, 23-25 April

LYRA No, nothing to do with His Dark Materials; it’s the Bristol Poetry Festival. lyrafest.com

17 April, 3 May

JULIAN BAGGINI – THE PHILOSOPHICAL TIMES Join St George’s resident philosopher Julian Baggini in your own home for his regular look at philosophy behind the headlines; stgeorgesbristol.co.uk

19 April

THE CRUMBS TAKEAWAY A new free online conference for the hospitality trade, paying tributes to local heroes and offering ideas and inspiration for reopening; see page 54.

1-31 May

BRISTOLWALK FEST Get out! The popular Walk Fest returns this May with Covid-secure digital excursions, a variety of walking routes and activities, stepcounting incentives and, it’s hoped, a choice of guided and themed walks for all ages, interests and fitness levels. bristolwalkfest.com n

www.mediaclash.co.uk I BRISTOL LIFE I 31

ARTS

ARNOLFINI AT 60

Tracey Emin’s artwork, the poetry of Allen Ginsberg, the music of Steve Reich; the conceptual output of Turner Prize winners; exhibitions, expositions, talks, films, debates: Arnolfini has presented them all, and much more, over six decades. This cultural gem of a gallery, performance space and mixed-media theatre venue has been at the centre of British contemporary arts since 1961. It continues to do a remarkable job of blurring brow distinction: low-, high- or middle-brow are non-existent terms here. Instead, Arnolfini reflects the cultural sway of art, showcasing whatever is new, experimental, groundbreaking, exciting, under-represented or unheralded . . . 32 I BRISTOL LIFE I www.mediaclash.co.uk

PHOTO BY @LBSMITH _ PHOTOGR APHY

“Arnolfini was one of the first moves in the regeneration of Bristol’s neglected dockland area”

ARTS

appy diamond anniversary, Arnolfini! At 60, this great artistic, Bristolian institution shows no sign of slipping into an easy retirement or applying for its bus pass. Quite the reverse; it remains as cutting edge, yet as wholly accessible and welcoming, as ever. So how, when and why did it all begin? In honour of its landmark year, we’ve compiled a timeline.

AD 1434: The Bruges artist

Jan van Eyck paints his Arnolfini Portrait, generally recognised as one of the most original and complex paintings in Western art. But the masterpiece causes little comment in Bristol at the time, and its connection with the city remains largely dormant for the next 500 years or so.

1937: Jeremy Rees is born in Somerset. As a teenager, he goes to work in a Bristol printing firm; contemporaneously he embarks on his journey to becoming a visionary arts innovator. FAST FORWARD TO 1959: Jeremy Rees’s national

service is coming to an end. Part of it has been spent on secondment to the Royal Sierra Leone military forces. The young Rees boy has

become acquainted with the art, and indeed the poverty, of the Third World. This becomes a recurring interest throughout his career.

1961: Jeremy Rees founds

the Arnolfini Centre for the Contemporary Arts in Bristol, with textile designer Annabel Lawson (later his wife), and the painter John Orsborn. They crowd into a bookshop in the Triangle in Clifton. The name Arnolfini is chosen for its odd memorability and partly because, well, it’s a magnificent, enigmatic painting.

1960s: Arnolfini becomes

a pioneering art space, gaining an international reputation for ambitious curating. Pottery, poetry, painting, photography, film, drama, dance and music; all are in the mix at the cross-disciplinary venue.

1965: US beat poet Allen Ginsberg performs. His quote, “Follow your inner moonlight; don’t hide the madness” seems an excellent fit for Bristol. 1968: With the aid of private and Arts Council funding, Arnolfini flits. The centre relocates to Queen Square, then to E Shed. Jeremy Rees become full-time director.

1972: Arnolfini is one of only three UK venues to host Steve Reich. The American composer is noted for his development of minimal music. And we don’t know about you, but we just can’t get enough of minimal music. 1974: Beyond Painting and Sculpture includes works by Victor Burgin, Gilbert & George and John Stezaker. 1975: The Artists Over Land exhibition opens. Marie Yates, Phillipa Ecobichon Hamish Fulton and Richard Long are all featured. (Tangential aside time. In the novel Us, by Bristol Uni man David Nicholls, the increasingly dysfunctional Petersen family visit internationally famous art galleries on their hols. Douglas watches with disdain as his son and wife play “that game of seeing who can stare at a painting the longest”. Relax. You’ll seldom have to indulge in this at Arnolfini. The exhibitions are so imaginatively curated you’ll be transfixed. So will the family.) Also in 1975, Arnolfini moves to its present home in Bush House, occupying two floors of a 19th-century Grade II* warehouse on the side of the Floating Harbour. It’s one of the first moves in the regeneration of Bristol’s neglected dockland area.

1977: Arnolfini stages its first annual film festival as part of Bristol’s Gay Pride inaugural event. 1979: A collaborative film screening and performance by film director Peter Greenaway and the Michael Nyman Band is staged. The band don’t do requests. 1981: A video art library

opens.

1983: Arnolfini clocks up some 200,000 visitors annually. 1985: As part of the Lesbian and Gay Creativity festival, Arnolfini screens The Times of Harvey Milk in the middle of the darkest days of AIDs paranoia. 1986: Jeremy Rees resigns as director after a quarter of a century in the post 1990: Turner Prize winner Richard Long exhibits. He is the only artist to have been shortlisted four times for the Turner Prize, in 1984, 1987 and 1988, winning in 1989 for White Water Line. 1991: New Cities, Ancient Lands is

staged. The event welds together experimental choreography and Bharatanatyam, or Indian classical dance.

Love and care between mother and daughter: Chantal Joffe’s To Esme with Love and Squalor

34 I BRISTOL LIFE I www.mediaclash.co.uk

“‘Follow your inner moonlight; don’t hide the madness’ seems an excellent fit for Bristol”

Daphne Wright’s Emotional Archaology filled the galleries with fallen stallions, mysterious naïve busts of children and Country & Westerns songs about broken hearts and murder

ARTS

Grayson/Claire: our favourite cross-dressing, urn-making, tapestry-stitching social commentator last came to Bristol in 2017. Where does the time go...

1992: Trophies of the Empire explores issues that include the Atlantic slave trade, Third World exploitation and the diaspora of black communities. 1993: Disrupted Borders brings to Bristol artists from across Europe, Asia and North America to question Eurocentric ideas and assumptions. 1995: The touring show Minky Manky brings Sarah Lucas, Tracey Emin and local boy Damien Hirst to Arnolfini. 2001: Exhibitions by Michael Snow, Vito Acconci and Eleanor Antin all receive critical acclaim. 2002: Innovative shows continue with the work of conceptual artist, writer and photographer Victor Burgin up next. Nominated for the Turner Prize in 1986, Burgin is championed by Arnolfini as a somewhat overlooked artist. 2003-2005: Major

renovations are afoot, with more space created. There’s a new

café bar designed, with painter, sculptor and performance artist Bruce MacLean. Customers can now enjoy a perfect combination of music, art, atmosphere and vegan wraps.

for the launch in a lovely blue-andwhite checked dress in the guise of alter-ego Claire. Grayson’s targets range from sex to Brexit, class to gender politics. Something for the whole family, then.

2006: Mark Titchner presents his solo show IT IS YOU, that only gets him nominated for the Turner Prize.

2019: A new, forward-thinking approach is taken, in collaboration with partners and custodians of Bush House and UWE, with the guidance of new executive director, Gary Topp. A major exhibition programme relaunches with Still I Rise: Feminism, Gender and Resistance Act 3 leading the way Bristol based artist Amak Mahmoodian presents Zanjir at Arnolfini, a retrospective that explores the history of her homeland Iran through pictures and poetry. Zanjir is followed by Angelica Mesiti’s Assembly, an immersive video installation exploring a new democracy of movement, poetry, and song.

2007: Port City, a largescale international exhibition, addresses issues of migration, trade and contemporary slavery. Accompanied by a programme of live art, music, literature, film, events and workshops, it’s recognised as a seminal production. 2016: Daphne Wright, based in Bristol for some 20 years, presents a number of her key works in the show Emotional Archaeology. An impressed Bristol Life runs a cover feature. 2017: The Most Popular Art Exhibition Ever!, a major show by Grayson Perry, takes over the gallery space; Grayson turns up

36 I BRISTOL LIFE I www.mediaclash.co.uk

2020: At the end of Lockdown 1.0 in July, Arnolfini reopens with major exhibitions: The Path from Hassan Hajjaj and To Esme with Love and Squalor by Chantal Joffe. Because of the pandemic,

Arnolfini makes more of its programme, workshops and family events accessible online.

2021: Arnolfini celebrates its 60th anniversary with a programme revisiting the archive, featuring artists including Keith Piper, Sutapa Biswas, Ian Breakwell and Bobby Baker, as well as long-term partners In Between Time, with an eclectic programme to celebrate their own 20th anniversary. An extensive exhibition of Sir Frank Bowling’s work (3 July-26 September) will feature new and recent work. Frank continues his exploration and experimentation with the painted surface. An exhibition of Bristol-born photographer Stephen Gill will open in the autumn. Unexhibited work will be drawn together with some of Gill’s extraordinary previous output, including work from Hackney Flowers, Buried, Talking to Ants, Night Procession, Pigeons, Coexistence and Coming up for Air. n Arnolfini plans to reopen on 17 May For more see arnolfini.org.uk

“The festival has come at a time when a sense of place is more significant to us than ever before”

Ghanaian Photographer, a fusion of pan-African futurism and 1970s style by ©James Barnor, at Bristol Museums and Art Gallery

IMAGE CONSCIOUS

opposite page from top: MOSH, The Face ©Elaine Constantine, at MPF

Woman in front of the poster, selling the jacket and other things, Bethnal Green Road ©Markéta Luskacová, at MPF

With the opening of the Martin Parr Foundation and the Royal Photographic Society, Bristol has rapidly become a hub for world-class, international photography. It was only a matter of time before it acquired its own festival, then . . . 38 I BRISTOL LIFE I www.mediaclash.co.uk

PHOTOGRAPHY

ot content with being a global centre for street art, Bristol is now acquiring a soaring reputation as a photography hub. It was only a matter of time before the city launched its own photo festival, and now that time has come; despite pandemic hiccups too obvious to mention, the first Bristol Photo Festival has finally announced its first, year-long programme, involving many of the city’s major arts institutions, and showcasing a global range of talent. Festival director Tracy Marshall and press manager Eleanor MacNair put us in the picture.

How did the idea for the festival come about?

The festival emerged from a number of sources in the city. A previous photobook festival had been immensely successful for a number of years, and it was noted how many people who attended had asked for more. Following the setting up of the Martin Parr Foundation and the Royal Photographic Society, it became apparent that the city was becoming a hub for international photography, and that this should be utilised. A number of key people within the photography sector approached the curators and directors of the main cultural institutions, and together they devised what has subsequently developed into the festival. Where and when can we see the first exhibitions?

We hope that the first exhibitions will be able to open in May at venues including Bristol Museum & Art Gallery, Royal Photographic Society and Martin Parr Foundation. There will then be a rolling programme of exhibitions and events right through to winter. Is there a theme for the 2021 festival?

The theme is A Sense of Place. It encompasses ideas about space, belonging or geography, and can cover both physical forms, emotions and senses. This first edition has come at a time when a sense of place is more significant to us as individuals and a society than ever before. Can you explain this theme a bit more?

To photograph a place is to describe a location that has been shaped, nurtured and even contested. It can define the frontier between nature and culture and hint at the complexities of ownership and access. It can be attended by competing narratives and polarised histories, whether they lean left or right. It can shape our understanding of the world and the qualities that come to define us; and it can be about belonging, about appreciation, and knowing a place so well that it is like no other. How has the pandemic affected your plans?

When we established the festival in mid-2019 and began to put together this programme, we could never have imagined that we would be launching it during such a period in global history. The Sense of Place theme has taken on an even greater resonance and relevance after 12 months of life restricted within a global pandemic. Working and evolving with the circumstances and the unknown, the team, the artists and partners continued to progress this programme, daunted at times but never broken. So it is with even greater pride that the festival team and partners announce the inaugural programme of this first edition of Bristol Photo Festival. For more bristolphotofestival.org

www.mediaclash.co.uk I BRISTOL LIFE I 39

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SIGN UP New to Consol? Perhaps one of the most exciting features is that you can now complete the whole sign up process through the app. No need to visit the studio or queue at the sign up station! Simply enter your details as prompted, create a quick selfie video so we can check it’s you and upload a photo of your ID to become a Consol member with access to tan right away. This is by far the quickest and easiest way to become a member.

EASY STUDIO LOGIN Login to your studio kiosk quickly and easily with our intelligent new QR code technology. Simply aim the QR code located in the app at the kiosk

camera, to access your account and select your session and products while in the studio. This new touch-free login method allows you an easy option for logging in with no need to type in your mobile number or touch your finger to the reader.

“THE ULTIMATE POCKET SIZED COMPANION FOR YOUR CONVENIENCE” OFFERS Access our very best app exclusive offers and purchase them directly from your smartphone. All credits/minutes purchased will be added to your account and ready to use right away. Our app offers will be the very best available so be sure to check regularly and take advantage of the hottest deals. Simplify the checkout process by securely storing your details for future use and instantly check your current Consol credits/minutes balance at any time.

PROMOTIONS We’ll keep our app regularly updated so you can learn about the latest news and promotions offered by Consol in our studios. New products, sunbeds, vending items or important news will be delivered to you via the app for your convenience.

STUDIO LOCATIONS Find your nearest Consol studio simply by allowing the app to access your current location. It’ll find the studio closest to you and its opening times, busiest hours and sunbeds available in the studio to give you all the info you need for visiting new or local studios. Don’t forget, you can login to any studio using the in-app QR code and access your account to use the facilities.

YOUR INFO Easily update your contact information, payment details and marketing preferences straight from the app with direct links to our helpline and contact centres for your convenience. We’ll keep our app regularly updated so you have the latest info, advice, help and the hottest offers at your fingertips. Let us know what you think at info@consol.eu n

Available to download from your app store today! Scan the QR code to download. Visit www.consol.eu for more information. www.mediaclash.co.uk I BRISTOL LIFE I 43

BRISTOL HEROES

THE GREAT PAWS This Heroes isn’t just about dogs. But yeah; it mostly is. Words and pictures by Colin Moody 44 I BRISTOL LIFE I www.mediaclash.co.uk

“While we look to the future and hope, this dog stands waiting”

’m devoting this feature to Bristol’s non-human Heroes – most of all to the dogs. Wo/Man’s Best Friend. There’s a reason for that accolade, after all. During World War I, dogs scampered through the trenches, carrying vital messages. In World War II they were used for finding bombs. Today, at airports, they find the drugs in the flight cases; as guide dogs they allow freedom of movement to those who can’t see. And during the pandemic – well, what an amazing role dogs played. A crucial one. The role of company. So, I’ve opened up Heroes to these wonderful four-legged helpers, who have been there for us, from morning walks to shopping trips to... well, OK, maybe just that. But they’ve been there.

1 3

Get up Walk the dog Do other stuff Get out Walk the dog Repeat For so long Maybe it’s all gone a bit zig-zag. Relationships gone a bit zig-zag Time gone a bit zig-zag. But we go on anyhow.

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BRISTOL HEROES 4

Take this fine loyal dog on the Stapleton road. While the owner goes to get tinned goodies for both of them, there it stands. Waiting. While we look to the future and hope, this dog stands. While we worry or ponder, the dog stands. With so few other humans to mix with, our pets have become so much more than before. Lots of changes coming again soon. And the great pause may be about to grind its gears back into some kind of motion. But we will never forget the great pause. The great stand... still.

The dogs of East Street. I’ve been playing games with these images. Who would these fine furry animals be if they were a stand-in for humans? Well then. Dog on the left used to have a Vespa, and was a proper Mod. But since he lost his favourite jacket in the last move, he’s kind of lost his edge. But his mate on the right there, she’s only getting more confident and coming into her own since the divorce. And when they go for walks together they both find time to feel like they did when they were younger, and the music was better, and the beer sweeter. It’s just a game. Try it. Works with dogs, cats and all sorts of other mammals.

Non-dog heroes. The focus isn’t the two Russians with the fancy camera gear, it’s the flowers. What are they? Crocuses? Daffs, snowdrops? Already up and at the sun. And then here, on this spring day, up comes this whole collection. They couldn’t get enough photographs of this site. Has ever a spring been so wanted, so yearned for? Just a few petals, of the brightest colour, of such thin substance that the smallest breeze makes them flutter and waft about. And yet it means so, so much this time round. Heck, I saw my first butterfly of the season shortly after, and I couldn’t take my eyes off it until it was completely gone. Has your gaze ever lingered on a tree as the sun goes down? Maybe even watched a supermarket shopping bag dancing round in a circle by the bins? Or stared and stared at the showiest fireworks of all – the spring flowers?

46 I BRISTOL LIFE I www.mediaclash.co.uk

“Look to the nonhumans. They are the heroes of positivity and hope” 5

Not sure this dog at the Star and Garter understands what all the fuss has been about. Gets to see us every day. Chasing the stick seems to be a very important part of its daily mental dedications. Throw, retrieve, repeat. Here we are at the pre-throw stage of said stick. I don’t normally look at the faces of animals. I’m a person man normally. But of late, I’ve been noticing that sometimes the only truly excited faces are on faces such as this. Not been much in the way of happy anticipation on the faces of the people recently. So look to the non-humans. They are the heroes of positivity and hope. Even if it’s only about tossing away a twig.

Did you see the angels, wafting through the city streets? Angels, they say, would appear to sailors out of the mist on long voyages. They are eternal. High or low, they have quite a presence. So to see Corvus Angelicus wandering the streets of St Paul’s was quite a wonderful sight. Heavenly voices emerging from hidden speakers. One young girl waves her arms around, all excited, until her brother tells her, “Shut up, man!” But the spell is not broken. Police race past in their blue and white chariot, but the angels keep tottering around, waving, and one by one the people pull back curtains to have a looksee. What’s this coming over the green? Imagine that. Day after day after grey day, the same thing, and then one cool evening... angels.

OK; same game as picture 3.“Oi you; take the bloody camera out of our faces right now!” That’s Fred on the left; he has a temper. Not been the same since finishing all the box sets he’s been ploughing through the many lockdowns. On the right, that’s Gill. She goes along with Fred, because it might be a bit mad with him and his loose energy, but it does so make her feel alive. There is nowhere they will not go together, to push on through and get through this. They both need each other more than either of them would admit.

“What?!!”

Colin is available as a ‘mini-mobile PR/marketing/social media unit’, to shoot striking street-style photographs at live events: parties, launches, promos and performances, for impactful immediate social media. Fees start at £100 for a two-hour package. email: mrcolinmoody@gmail.com Twitter: @moodycolin; Instagram @moodycolin319

www.mediaclash.co.uk I BRISTOL LIFE I 47

EMILY & DAN ROSS STORYSMITH BOOKS

Comfort and joy

t’s been quite the few weeks for us at the bookshop. Normally that would mean a particularly enjoyable raft of new hardbacks to get our teeth into, or perhaps a bumper coffee delivery, but on this occasion it was something slightly more world-changing the arrival of our first baby. So with the shop in the very capable hands of our brilliant booksellers, we’ve been taking some time at home to settle the new guy in. An unexpected pleasure of this new situation is that we’ve spent more time taking turns in the kitchen to make some real comfort food, chiefly because with the joy and excitement and strangeness that a new baby brings, there’s even more value than usual to be found in a delicious home-cooked meal. Fortunately, we’re rarely at a loss when it

“With a baby in the house we can’t always hit the circadian ideal of a consistent evening dinnertime . . .”

Not only did our favourite booksellers effortlessly file this immaculate column mere days after welcoming their first baby, they are cooking proper meals. We are unworthy... comes to cookbooks and food writing, and it just so happens that some truly ingenious and special new titles have arrived just at the right time. One: Pot, Pan, Planet – Anna Jones This is right up our street: accessible recipes, minimal fussy ingredients, but surprisingly impressive results. Anna Jones has long been a shop favourite thanks to her leisurely and seasonally aware style of cooking, but her new collection is focused on sustainability and simplicity. Cleverly, alongside the more involved recipes, she’s also stuﬀed the book with quick solutions designed to remove that unexpected glut of leftover kale/beans/random herbs from the fridge in delicious weeknight suppers. So next time you accidentally duplicate a bag of spinach you’d forgotten about, you’ll have the perfect excuse to use it all up. Root – Rob Howell If, like us, you’ve entered the shipping container and sampled the food at Wapping Wharf institution Root many times, you’ll know that Rob Howell’s culinary prowess is a thing to behold. You may even be slightly intimidated at the thought of recreating some of them in your own kitchen, but there really is something for everyone here. Dazzlingly inventive and perfectly reﬁned, nothing is out of place in these recipes, and even if the list of ingredients

can render this more of a weekend cookbook, each and every one has its purpose. Until we’re allowed back to the restaurant itself, we’ll be spending our evenings trying to recreate the experience at our own kitchen table. In The Kitchen – Various Authors If you only have time for dipping into something quickly, this delectable collection of essays is an unfettered joy thanks to its decidedly ‘small plate’ format. Writers from all manner of culinary backgrounds, from chefs to enthusiasts to bemused novices, share the particular joys and resonances of their favourite (or least favourite) foods, and the life experiences that have accompanied them. We particularly enjoyed Joel Golby’s hilarious piece on the bleakness of the hotel buﬀet, but there are vignettes for everyone in here. An epicurean’s dream book, equally enjoyable as a meal in itself or in bitesize chunks. In the quieter moments of these eventful weeks with our new arrival, we’ve enjoyed the normality that cooking brings, the rhythm of it, the activity of it, the organising your whole day oﬀ around it. With a baby in the house we can’t always hit the circadian ideal of a consistent evening dinnertime, but as we adapt to having an extra little person it’s rituals like this that keep the days regular. All we need now is a recipe for getting through the sleepless nights… Storysmith, 49 North Street; storysmithbooks.com

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PRESENTS

ITY CO

HOSPITAL

IL 2021

: 19 APR NFERENCE

For sponsorship enquiries: neil.snow@mediaclash.co.uk

@CrumbsMag

@crumbsmag

RECIPES

ROOT MANOEUVRES

The Bristol cookbook of the year has landed . . .

e clearly remember the day Root opened in Cargo. It was early August, 2017. There was no fanfare, no soft opening, no press junket (huh!). Instead, what had previously been Chicken Shed quietly relaunched, with a new name, a new chef in Rob Howell, and a new concept: a restaurant that shone the spotlight on plant-based dishes, with fish and meat plates as a side attraction. As you’d expect from a branch of Josh Eggleton’s Eat Drink empire, the ingredients and attention to detail were impeccable.

Root became a Bristol favourite, and won a Michelin Bib Gourmand. But as Josh points out in his foreword to new cookbook Root, published this month by Bloomsbury, “The restaurant belongs to Rob and Meg [Rob’s wife, and Root’s front of house]. They are its soul and beating heart. The recipes in this book are a reflection of Rob’s life work... [the book] will cement itself into one of the classics.” Just like Root itself, Root the cookbook is special. There isn’t a dull recipe in it; many will have you going “Oh, I wouldn’t have thought of adding that...” Turn the page to get a flavour of what we mean. . .

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ROASTED CARROTS WITH SPICED PUMPKIN SEEDS, PEACHES & CRÈME FRAÎCHE Serves 4

Carrots simply roasted with honey or agave syrup and some herbs is pretty much carrot heaven. The peaches are a lovely addition, but you could also use apricots, pears or, if you wanted something a little more exotic, kimchi. Ingredients for the spiced pumpkin seeds 100g pumpkin seeds 1 pinch of paprika 1 pinch of allspice 1 pinch of ground coriander Ingredients for the pickled carrot 1 carrot, peeled and sliced thinly with a mandolin pickle liquid (see right) Ingredients for the roasted carrots 2 bunches of carrots (about 16 carrots), green tops discarded 6 thyme sprigs 6 rosemary sprigs 2 bay leaves 3 garlic cloves, crushed 3 tablespoons runny honey or agave syrup 3 tablespoons rapeseed oil

52 I BRISTOL LIFE I www.mediaclash.co.uk

juice of 1 orange 2 peaches, destoned and sliced, to serve 100g crème fraîche, to serve fennel fronds, torn, to garnish salt and freshly ground black pepper Method 1. Cook the pumpkin seeds. Preheat the oven to 180°C/160°C fan/Gas Mark 4. Scatter the pumpkin seeds over a baking tray and scatter over the spices. Give it all a shake to combine. Place the tray in the oven and roast the seeds for 10–15 minutes, until they are lightly coloured and nicely toasted. Leave to cool, then transfer to a food processor and blitz to a crumb. Set aside. 2. Make the pickled carrot. Place the thinly sliced carrot in a bowl and pour over pickle liquid to cover. Set aside. 3. Increase the oven to 200°C/180°C fan/Gas Mark 6. 4. Make the roasted carrots. We don’t peel our carrots, as we feel the softer skin of the variety we use adds to the texture of the dish, but you can peel yours if you prefer. Place the carrots in a baking tray and scatter over the herbs and garlic, and drizzle over the honey or agave and the rapeseed oil. Season well and

toss everything together in the tray. Place the tray in the oven and roast the carrots for 15–20 minutes, then add the orange juice to the tray and roast for a further two minutes, or until the carrots are tender but retain a good bite (the exact cooking time will depend on the size of your carrots). 5. Chop the roasted carrots into random sizes and divide them equally among four plates. Scatter over the pumpkin-seed crumb, then drizzle over any roasting juices. Add the peach slices and the pickled carrot. Finish with a nice spoonful of crème fraîche and garnish with the fennel fronds. PICKLE LIQUID Just like vegetable stock, we keep pickle liquid in the restaurant kitchen at all times ready to go. This is our base pickle recipe. You can tailor the pickle as you wish, adding extra flavourings such as citrus peels, spices or aromatics. Make a large amount to keep in the fridge for use as the occasion demands. Makes about 1 litre 600ml white wine vinegar 400ml caster sugar 300ml white wine Place the ingredients in a saucepan with 300ml of water. Whisk them together and place them over a medium heat. Bring to the boil, then immediately remove from the heat. Leave the liquid to cool, transfer it to an airtight container and keep refrigerated until you’re ready to use.

RECIPES RICE PUDDING WITH APPLE COMPOTE & MILK JAM Serves 4

Muller Rice was a regular treat growing up and I love it to this day – ‘madeleine’ memory flavours are always the best. This is Root’s take on Muller Rice which we serve cold on top of an apple compote. The puddings can be made in advance and will keep very well in the fridge for a good few days along with the milk jam. Ingredients for the apple compote 20g caster sugar 3 large cooking apples, peeled, cored and thinly sliced 2 Granny Smith apples, peeled, cored and cut into 3mm dice Ingredients for the milk jam 65g caster sugar 280ml whole milk ½ teaspoon bicarbonate of soda

Method 1. First, make the apple compote. Tip the sugar into a medium saucepan and add the sliced cooking apples. Place the pan over a medium heat and allow the apples to break down for about five minutes, until soft. Transfer the apple mixture to a food processor and blitz until smooth. Return the purée to the pan and add the diced Granny Smiths. Place the pan

over a low heat and cook the sauce for about two to three minutes, until the apples have softened. Remove from the heat and set aside. 2. Make the milk jam. Place all the ingredients into a small saucepan over a medium heat. Bring to the boil, then turn down the heat to a low simmer. Cook, whisking occasionally, for approximately 15–20 minutes until you have a dark brown caramel. Leave to cool. (Any leftovers will store in the fridge for up to five days.) 3. Rinse the pudding rice in a bowl and repeat until the water runs clear. Tip the rice into a large saucepan and add the remaining pudding ingredients. Place over a low heat and cook, stirring well, for 15 minutes, or until the rice is softened but still has a little bite. 4. Spoon the apple compote equally into the bottom of each bowl. Top with equal amounts of the rice pudding and spoonfuls of milk jam, adding as much as you wish. Serve warm or cold.

Ingredients for the rice pudding 100g pudding rice 650ml whole milk 50ml double cream 65g caster sugar 1 teaspoon vanilla seeds (scraped from ½ vanilla pod) 1 bay leaf 1 star anise zest of 1 unwaxed lemon

Root is published by Bloomsbury at £26 RRP. Get a signed copy from Storysmiths (page 49)

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FOOD & DRINK S N A P S H O T S O F B R I S T O L’ S F O O D S C E N E

TASTY BITES Some in-tents stats from Breaking Bread, a new online hospitality conference, and a company with the most puntastic name we’ve heard in ages. Tuck in!

BREAKING BREAD, CRUNCHING NUMBERS

PHOTO BY @JONCR AIG_ PHOTOS

Breaking Bread, the tepee hospitality ‘village’ consisting of The Pony & Trap, Pasta Loco, The Love Inn and The Pipe and Slippers, ran between July and October 2020, providing much-needed activity for the region’s hospitality industry and supply chains. As they prepare to reopen this spring, the organisers have released their analysis of the project’s positive impact– with targets for improvements in all areas.

THE BIG CRUMBS TAKEAWAY

We’re very aware of how tough it’s been for Bristol hospitality this past year. We’re also (proudly) aware of how so many of you in this sector have stepped up to help those in an even worse position. What may have begun as a temporary response to an emergency has now turned into an ongoing commitment. We think you rock. We’ve been wondering how we can help, and here’s what we’ve come up with: a new, free, online hospitality conference in April – and we’d love you to be part of it. “The Crumbs Takeaway will run on Monday 19 April during the morning,” says event organiser Nell Robins. “It’ll be a chance for cafés, restaurants and bars in Bristol, Bath, Cardiff and Exeter to come together to share advice and stories, ahead of the return in the coming weeks.” As well as providing practical advice and inspiration for hospitality companies as they re-emerge to full trading, the Takeaway will also include a special Bristol Life section highlighting the good that local food and drinks companies have done during the pandemic. Sponsorships are available: contact nell.robins@mediaclash.co.uk Register to join for free at bit.ly/2OtEtCN @CrumbsMag

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Here are some of the stats: - the estimated figure the project saved the government furlough schemes and universal credit process - the number of people the project employed - the amount paid to local suppliers and contractors within the project supply chain tonnes of CO2 balanced through numerous offsetting initiatives. “The whole premise of Breaking Bread was to provide a circular economic boost for the region,” says Josh Eggleton. “These kinds of numbers show the potential here. At a time when the UK had nearly 10 million people on furlough, it was crucial financially as well as emotionally to do everything we could do, to bring that number down.” As part of its return, Breaking Bread will also be introducing The Team Canteen for 2021, providing food education and training opportunities as well as an events space for the Bristol culture scene to make use of. Read the full report at breakingbreadbristol.co.uk/impactreport

Pizza Bianchis: coming soon...

SPECIAL BRANCH Somehow, our great local restaurants have, by and large, not merely weathered the storm, but managed to open new branches. Pizza Bianchis, first launched during lockdown as an al fresco pop up in Lakota Gardens, is now about to open a permanent premises on the site formerly occupied by Rocotillos. That’s all we know at the moment, but as this is a venture from the Pasta Loco group we know it’s going to be thumb-and-index-finger-touching-emoticon great. Bianchis on York Street has been used during lockdown as a deli. Meanwhile, as reported in previous issues, The Little Shop in Westbury, an offshoot of Little French, is supplying lucky Henleazians with quality café and deli fare. In a similar vein, Jan Ostle of Wilsons has opened a new premises a few doors down from the restaurant in the former Redland Bakery, both as an extra prep space and a shop. The sausage rolls, we hear, are already the stuff of legend . . .

BREW GOES THERE? Did you know that the ﬁrst brewsters were female? Well, you do now. Keeping up the tradition is the new, female-led Bristol brewery Newtown Park Brewing Co, in which husband-and-wife team Michael and Lara Light-McKelvaney are joined by Italian head brewer Virginia Casadio at the site in the old LHG brewery. After completing the purchase last November, the team has already launched six beers – and the ﬁrst brews are selling out fast… newtownparkbrewing.co

SO FAR, SOYA GOOD Previously only available to top chefs, traditionally made tempeh is now available to order online, from a Bristolbased independent producer that rejoices in the excellently puntastic name of Tempeh Meades. Tempeh, made from soya beans, is a versatile ingredient that takes on flavour very well. It has a firm texture, a nutty taste and is highly valued for its protein and fibre content. Check out the recipes on the website for inspiration. tempehmeades.com

Jan doing his “I can cook and do FOH” thing in pre-pandemic Wilsons

AMUSES BOUCHES . . . A byword for organic excellence, the award-winning Better Food, which currently has shops in St Werburgh’s, Whiteladies Road and Wapping Wharf, is aiming to raise £800k to open two new Bristol stores through Triodos Bank’s crowdfunding platform. betterfood.co.uk The Sundial Kitchen has moved from North Street to Amba House in Totterdown, serving takeaway cake, coﬀee, breakfast and lunches. “Our ethos remains the same,” says Chloe Hunt. “Using sustainable sources

and reducing waste, while creating delicious food, in a community atmosphere.” thesundialkitchen.co.uk Famous for their gin, the Bristol Distilling Co have launched a crowdfunder with a dual ambition: to raise investment to improve their Malaga Vale taproom/bar, and to develop their latest line: a bourbon named Black’s Double Barrel Whiskey. You can become a shareholder for as little as a tenner. bristoldistilling.com/fundraising

(Not gin)

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RIVERFORD

Holding out for a food hero? By Deri Robins

iverford has always been at the vanguard of the ethical food pack. Not only were they pioneers in the movement – Guy Watson converted the family business to organic in the mid1980s – but they were among the first to come up with the truly excellent notion of delivering a selection of top-quality seasonal ingredients, fresh from the farm, some with recipe boxes – this was many moons before the pandemic hit, when restaurants had to hurriedly pivot to this model in order to survive. Field to fork, root to shoot, heavily but not exclusively veggie: the Riverford influence has been huge. We’ve always enjoyed their recipe boxes immensely, marvelling at the freshness of the ingredients and enjoying the convenience of those dinky little bottles of wine and oil, and pots of herbs, spices, nuts etc – everything you need to create the dishes without an elaborate grocery order. As eat-anythings, we placed an order for one veggie and one meat dish. The recipes are printed on illustrated cards, making them ideal to keep and build Recipe boxes each serve 2, and start at £12.45 for up into a little library. Unlike the finish-atthe vegan recipe box. home meal boxes currently sold by some Bristol restaurants, it’s not a question of We had the vegetarian reheating a few dishes; you do have to cook (£13.25) and meat the meals from scratch, but the prep is (£15.45) recipe boxes. invariably quick and enjoyably simple. Recipes change weekly, A teriyaki pork with sesame vegetable and there’s a discount rice was bursting with flavour and five-afor multiple purchases. day goodness; niche ingredients such as tamari and teriyaki sauce elevated the dish above the everyday. Our favourite of the two, however, was a magnificently zesty leek, lemon and mascarpone gnocchi. In the wrong hands, gnocchi can be a bland, floury little beast; it helps immeasurably if you fry it in very hot oil immediately after boiling, to add a bit of crispness, and team it with a sauce with a bit of an edge. In our recipe, the mascarpone leek mixture brought creamy indulgence to the dish, while a citrussy home-made pesto of lemon, parsley, hazelnuts and Italian hard cheese made the whole thing sing on the plate. Minimum work; restaurant-quality dishes. Bingo. ■ For more riverford.co.uk/organic-recipe-boxes

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CAFÉ SOCIETY STAN CULLIMORE

Fed of heaven

It’s a new day, it’s a new dawn, it’s a new café on Cotham Hill

y now, you may have picked up on the fact that I am a keen admirer of coffee, cakes and cafés, and all who sail in them. In truth, I thank our lucky stars for the whole café support crew on an almost daily basis. As far as I can see, their sole purpose in life is to brighten up our days, softening the sour and bittering pill of existence with every well earned sip or nibble. Which is a wonderful gift to give the world in anyone’s column. There again, maybe that’s just me. When it comes to cafés, I try

“You know the kind of cakes, I’m sure; they put weight on your bones just by looking at them”

to find them, visit them and fall a little bit in love with them whenever and wherever possible. This week, however, something happened that even my caffeinehardened heart found to be a trifle shocking. Especially since the crime, dear reader, was all mine. Every bit. Long story short, with no thought of dignity or calories, in a city blessed with enough awesome coffee shops to keep one occupied for every single day of the year, I found myself returning to the same café two days in a row. Like some kind of demented homing squirrel with a microchipped face nappy. Though, in my defence, it was totally worth it. Let me explain. Recently, round about elevenses, after purchasing a rather fine selection of fruit and vegetable goodness, I found myself strolling up Cotham Hill, that urbane and whimsical offshoot of Whiteladies Road opposite Clifton Down. For reasons I can’t quite put my finger on, there is an exceedingly large and soft spot for this genteel backwater in my heart. It seems to have a friendly feel and easy charm that just cries out for feet to lead themselves that way. Strolling along, I noticed a small crowd waiting patiently on the pavement around a sign

reading ‘Fed’. Hmm. There has been a coffee shop on this spot for years, but something about the sign and frontage made me think it had experienced some kind of a reboot. A new and exciting paint job, for a start. Can’t remember what the old café was called, but I’m sure this is a new one. Either way, casting my professional eye over the window, I noticed an understated, but obviously outstanding, range of cakes on offer. You know the sort of thing, I’m sure. They put weight on your bones just by looking at them. Naturally, I went right in and ordered a piece, of the blackberry and lemon polenta cake, as it happens. After being given a slice large enough to sink a badger, I also noticed a savoury selection of filled brioche buns. Knowing my limits, realising it would be foolish to attempt both sweet and savoury in one sitting, I had to go straight back the very next day, when I enjoyed a salmon and dill cream cheese fantasy. So, if you’re looking for lovely food, lovely staff and joy unconstrained, get yourself along and get Fed. n Former Housemartins guitarist Stan is now a journalist and travel writer stancullimore.com

www.mediaclash.co.uk I BRISTOL LIFE I 59

THORNBACK AND PEEL OVEN GLOVES, £25 Rabbit has his eyes on the cabbage prize in an English kitchen garden. Mr McGregor wouldn’t like it one little bit, but we do From Bristol Artisan thebristolartisan.com BOOJA BOOJA EASTER EGGS, £10.95-£25.95 We promise that Booja Booja’s award-wining organic truﬄes will convert you to the vegan chocolate cause – and the handpainted packaging is so very, very beautiful From Harvey Nichols harveynichols.com

EASTER CHIC Whaddya mean you’ve never heard of the Easter Turkey?

HANNAH TURNER EGG CUP, £21.99 Turkey here has a far pleasanter duty to perform at Easter than at Christmas. Peacock, ﬂamingo, owl, cat and bird egg cups also in the range From hannahturner.co.uk

60 I BRISTOL LIFE I www.mediaclash.co.uk

WOODEN STACKING TOY, £14 The sweetest little gift for children; made from wood in the Czech Republic by craftspeople in the same toy factory since the 1940s. From Midgley Green, midgleygreen.com

COCOBA HONEYCOMB EGG, £11.95; HOT CHOCOLATE SPOON, £3.95 The egg is made from milk and white Belgian chocolate; ideal for those who just can’t make up their minds. The spoons are swirled into milk for the ultimate hot chocolate treat From Harvey Nichols, harveynichols.com

PIRATE RABBIT, £27 Has there ever been a more Bristolian bunny than this cuddly little chap by Chunky Chilli? From Fig 1, ﬁg1.co.uk

ED’S CHOICE ED ALESSI BUNNY AND CARROT KITCHEN ROLL HOLDER, RRP £40 What’s up, Doc? One of those charming Alessi gadgets that you probably don’t need, but want anyway, that’s what From Bristol Guild, bristolguildgallery.co.uk

CHOCOCO GOLD EASTER EGG, £12.50 A Chococo egg is always a highlight of our Easter. This year’s range includes a ‘gold’ caramelised white chocolate egg, studded inside with milk chocolate gems. Admirably plastic-free packaging, too From Papadeli, papadeli.co.uk

HOUSE OF DISASTER BABY RABBIT LIGHT, £35 Surely no disaster could possibly befall any house containing this adorable night light From Mon Pote, monpote.co.uk EASTER LOLLIES, £2.50 Large milk chocolate lolly in a range of Easter transfer designs From Zara’s Chocolate zaraschocolates.com

ADOPT A PENGUIN, £50 As well as supporting conservation, your adoption pack includes one ticket to the Zoo, a cuddly toy, an adoption certiﬁcate, your name displayed at the exhibit and a fact-ﬁle From Bristol Zoo; bristolzoo.org.uk

CHOCOLARDER WILD GORSE EGG, £22 Yep, wild gorse; the small yellow flowers are plucked from the prickly hedgerows that line the Cornish coastal path, imbuing the milk chocolate with a kind of fudgy, tasted coconut flavour. Different and so, so special From Papadeli papadeli.co.uk

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Padana jumper, £190 Onesto scarf, £95 Grace & Mabel

WINDOW SHOPPING MILLY VAUGHAN

Burberry cape, Harvey Nichols, £940

Paul Smith socks, Grace & Mabel, £19

Free People blouse, Harvey Nichols, £110

Layer lady, layer Stay warm and cosy while looking cool; it’s easy when you know how...

pring’s arrival is always a lush affair, but this year will feel especially glorious; like being offered a hot towel after a long-haul flight from the bleak island of Covidland. However, it can also be one of the most confusing seasons in the sartorial calendar to navigate, as the weather mimics a perimenopausal hot flush: freezing mornings suddenly spiking by 15 degrees at midday. Which means we are either sweating in our winter woollies

Bellerose jacket, Maze, £189

by lunchtime, or so eager to ditch them at the first sight of a daffodil that we risks frostbite during the morning commute. Neither particularly desirable options. Layering tackles this fashion/ weather dilemma, so we can straddle both style and fluctuating temperatures. This fashion term alone can get people hot and bothered, but it’s not rocket science; people have been layering clothes in colder climates for decades, as multiple layers create better thermal insulation than a couple of bulkier ones. Throw ‘fashion’ into this

“The concept of layering often gets people hot and bothered, but it’s not rocket science”

Olivia Rubin cardigan, Harvey Nichols, £250

equation, and you can dress aesthetically and ﬂexibly as winter plays cat and mouse with spring; in theory it’s downright practical, which let’s be honest, not all fashion is. So here are my sweat-free tips for dressing for two seasons in one day. The basic principle ‘Layer up’ in the morning so you can gradually peel oﬀ layers as the temperatures rise, then reverse the process as they dip again late afternoon. Prints If you have a penchant for prints, to avoid looking like you’ve raided the Coronation Street wardrobe department, stick to one bold print as a base layer, eg a skirt, then build up with plain layers and/or solid colours. Bottom half This is an ideal time to wear your shorter trousers/jeans/culottes. You

Cropped jeans, Fox + Feather, £70

can combine them with pop socks in the morning, then if needs be strip them oﬀ at midday, if you feel brave enough to get your sundeprived ankles out. The maxi dress Layering a maxi dress is a simple on-trend look that you can’t get too wrong. In the morning layer with a knit, jacket, scarf and sunglasses, and then remove layers as required. Colour After a winter of colourhibernation, now is the time to start resurrecting brighter hues alongside the winter classics of navy, blacks, browns and greys. Outerwear It’s tempting to ditch coats altogether, but to avoid hypothermia when the weather turns on its head, switch to lighter jackets and go big on large scarves and ﬁngerless gloves. ■ @millyvaughan on instagram camillapettman@mac.com

www.mediaclash.co.uk I BRISTOL LIFE I 63

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WHAT IS MBST? Next-generation devices arrive in Bristol enhancing the management of long-term injury, osteoarthritis and elite sports injuries.

ames Scrimshaw, clinical director of Cura Clinical Consultancy has recently introduced the latest generation of MBST technology into his Westbury-on- Trym clinic.

First of all, what is MBST? MBST stands for Molecular Biophysical Stimulation. It’s a technology widely used in Europe and simply put, it’s a therapeutic adaptation of MRI used to treat osteoarthritis and soft tissue damage. Unlike an MRI, MBST doesn’t create an image but it does use the same energy to stimulate a significant repair response in damaged tissue and joints. There are over 200 clinics in Germany, almost exclusively run by orthopaedic surgeons, and the technology is now being used by a growing number of clinics here in the UK. How did you discover MBST? I heard about the technology about three years ago, although it has been around for nearly 15 years now. I had started to develop arthritic pain and mobility issues in my knees, finding simple things in life painful. On the recommendation of colleagues, I tried MBST and was extremely impressed in the results – enough so to invest in the technology at my clinic here in Bristol. Two and a half years later, we’ve introduced the very latest machines which offer even better levels of repair and relief.

James Scrimshaw and Jonathan Webb with the new MBST machine at Cura’s clinic in Westbury on Trym

“ I’VE BEEN HUGELY IMPRESSED BY THE SIGNIFICANT IMPROVEMENT IN SYMPTOMS BY THE PATIENTS I HAVE REFERRED TO CURA CLINICAL. THIS IS A GROUP OF PATIENTS WHO UP UNTIL NOW WOULD HAVE FEW OTHER EFFECTIVE OPTIONS. I RECOMMEND CURA CLINICAL HIGHLY”

What about patients with severe arthritic conditions? For those patients who are experiencing severe symptoms and require an operation, the good news is that MBST can provide the antiinflammatory effects to help the wait for surgery more comfortable. We regularly work alongside Bristol-based consultant knee surgeon, Jonathan Webb, to give treatment and support to a significant number of his patients.

JONATHAN WEBB MB CHB FRCS (ORTH) CONSULTANT KNEE SURGEON.

How is the treatment given? We undertake an initial assessment of your condition and where appropriate suggest the suitable course of MBST treatment. This normally involves an hour a day for seven or nine days and is undertaken in private rooms, so very Covidsafe. MBST is regularly used alongside other management protocols to address all areas of your injury. Most importantly, it’s a non-invasive treatment, so it’s both pain-free and risk-free. n

Tell us about the patients you treat Patients we treat range in age from 21 (more trauma/sports injuries) to 84 years. The majority so far have involved significant osteoarthritic change in necks/backs, hips, knee or ankle joints. Most often, these patients are not yet ready for surgery but are suffering with mild to moderate stage of joint damage and some considerable pain. For this group, the results from MBST treatment really are extremely impressive. Based on the preliminary validation of the results from the 300 patients we’ve treated here in Bristol, 80-90% have seen significant improvement of symptoms from these long-term conditions. MBST isn’t just used for patients with arthritis. We’ve recently had the pleasure of working with some of Bristol’s elite sports teams such as Bristol Bears, helping to facilitate the recovery of some of their squad.

For an informal discussion with James about MBST treatment, please call on 0117 959 6531. Cura Clinical Consultancy, 1 Henbury Road, Westbury-on-Trym. www.curaclinical.com www.mediaclash.co.uk I BRISTOL LIFE I 65

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BARK LIFE STAN CULLIMORE Greville Smyth Park. Never mind the back story, just enjoy the views . . .

little knowledge is a dangerous thing. Sigh. I don’t normally do research before visiting a park with the dogs. As long as pooches are allowed oﬀ the lead, that’s enough for me, though knowing there’s a nice little café nearby helps too. However, after deciding to visit Greville Smyth Park

recently, I foolishly looked online to find out more of its history. In particular, about one Sir John Henry Greville Smyth, 1st Baronet, 1836-1901. The bloke that gifted the park to the people of Bristol. Not sure my new found knowledge helped much, though it did give me something to think about as we wandered round. It’s fair to say this particular park has an air of faded grandeur. It’s as if we aren’t seeing it at it’s best. Which, according to the history books, is entirely accurate. Although, in fairness, while we were there, the sun was shining, everyone was smiling fit to burst, and friendly dog owners made the morning a completely marvellous adventure. First off, we wandered round the hilly section close to North Street. The trees were snoozing, but around their roots, cavalry lines of snowdrops and swarms of crocus were leading the headlong charge towards spring. Very nice. After taking a gentle stroll round the bowling green and tennis courts, the dogs and I found

“Everyone was smiling ﬁt to burst, and friendly dog owners made the morning a completely marvellous adventure”

ourselves admiring a slab-sided warehouse beyond the busy A370. A red brick monument to the past, now used for self-storage, built in the days when tobacco and sugar were king. After that, I had a sit down on a lovely bench with farreaching views of the park spread out below, while the dogs went off to sniff out unpleasant things for elevenses. It must be admitted that the first thing you notice, when your eyes sweep the park, is the brutal concrete flyover carrying traffic over the river on its way south. That wasn’t there when the park was first opened. In fact, virtually none of the modern roadworks were. The place was much bigger, much easier on the eye and much more of a jewel in the crown of local recreational spaces. There was even a swimming pool. No wonder it was originally called The Peoples Park. That wasn’t the bit that bothered me, though. That would be the stuff I found out about Sir John Greville. He inherited Ashton Court from his Aunt, added, ‘Smyth’ to his name, as instructed by the will, coming into a fortune worth approx £1.5 million a year, in today’s money. Which is all very well and good. Except for one thing. As the history books put it, ever so tactfully, over the centuries the Smyth money came from

the wholesale exploitation and oppression of other people. They had tobacco and sugar plantations in Jamaica, along with coal mines in Bristol. Wherever they went, they majored in misery and suffering. For others. Apparently, Elizabeth I thought they were such a bad lot that she refused to stay at their place when she visited town. Staying true to the family stereotype, the first thing Sir John did after coming into his fortune, was to set off to travel the world. His goal? To hunt, kill and stuff every single life form he could find. Small or large, didn’t matter. If it moved, he killed it. He had Redwood Lodge built to house the collection when it got mahoosive. After his death, it was donated to Bristol Museum. Where it still creeps me out, if I’m totally honest. Luckily, the unpleasant history lesson was soon left far behind, as we headed up North Street towards Mark’s Café. A mighty fine spot, where they bake beautiful bread, make cracking coffee and, most importantly of all, make superb snacks. We had a couple of egg and sausage baps, after which I vowed to only ever do café research in future. Much easier on the soul. ■ For more: stancullimore.com

www.mediaclash.co.uk I BRISTOL LIFE I 67

“The simple reason tech is being adopted so widely is that it makes our lives easier”

LettUs Grow: “Indoor farming bridges that gap between high-intensity and low-impact farming”

68 I BRISTOL LIFE I www.mediaclash.co.uk

TECHNOLOGY

FINGERCLICKING GOOD The 20th century in Bristol began with faint radio signals, telegrams and party-line telephones. By the 1960s, some lucky people were hiring television sets, an idea which today sounds as niche as hiring a toaster or a kettle. But the world was slowly waking up to information technology…

y the time the 21st century dawned, digital wizardry was developing apace. Television channels proliferated, mobile phones and texting were on the march, and a fledgling internet was slowly making its presence felt. In the next two decades the worldwide web became an indispensable part of just about every aspect of our lives, from social media to online doctors’ appointments, and from ordering a meal to bagging an eBay bargain. A huge increase in the adoption of technology in the home and workplace has steadily taken place, and the Covid pandemic has only accelerated the trend. This leapfrogging development in digital technology will undoubtedly continue, with every-inventive, ever-smart Bristol leading the pack – but in what way? Bristol Life spoke to some of the leading technology businesses in Bristol about the current state of play in the world of virtual reality, digital devilry and information technology.

LettUs Grow

What they do: LettUs Grow design aeroponic irrigation and control

technology for indoor and vertical farms.

The LettUs Grow digital overview:

“The simple reason tech is being adopted so widely is that it makes our lives easier,” says India Langley, communications lead. “It’s something

www.mediaclash.co.uk I BRISTOL LIFE I 69

Ultraleap’s touchless tech can minimise the amount of surfaces the public touches

we think about a lot at LettUs Grow, where technology is really useful. “One of the really crucial impacts of indoor farming is land-use. Take organic and regenerative farming. While it is much kinder on the land and is hugely better for the ecosystems surrounding the farm, the farms are typically less productive. Indoor farming bridges that gap between high intensity and low impact farming. You don’t need to be using any pesticides, there is no fertiliser run-off, it uses a fraction of the footprint and minimal water. Technology helps this enormously.”

Ultraleap

What they do: Ultraleap is a pioneer in virtual touch modules. This

means that touch is absent between humans and machines, which has obvious benefits in times of a pandemic. Ultraleap’s technology means there are no touchscreens, no control sticks, no wearables: all controlling is done by natural interaction through hand-tracking and motion control.

Digital overview:

“Ultraleap’s technologies enable the creation of entirely new user interfaces and experiences, and make it possible to directly interact with virtual objects and applications,” says Anders Hakfelt, VP of product and marketing “Because you don’t need to touch a keyboard, mouse or wear gloves to interact, they are naturally hygienic. “Right now, we’re turning touchscreens into touchless interfaces – think of ordering train tickets at the station, but without touching the actual screen. In the future, our technology will be used in AR glasses enabling you to interact in a natural way with both real and virtual content anytime, anywhere.”

Ghyston

What they do: A software company developing highly functional

websites, mobile apps, and complex digital systems that gather and organise business data through an integrated software system

70 I BRISTOL LIFE I www.mediaclash.co.uk

“We’re turning touchscreens into touchless interfaces – think of ordering train tickets at the station, but without touching the screen” Digital overview:

“The software we build is very varied, but ultimately aims to make complex processes simple and efficient,” says CEO Emily Hill. “Creating accessible technology that helps businesses to streamline is essential in the remote working arena, but also important for any resilient organisation.”

Candide

What they do: Candide is an online gardening support business and

supplier.

Digital overview: “The core impact we provide is to facilitate gardens

and growers to run their business successfully online,” says CEO Andrew Philbrick. “Ours is a sector that has been late to adopt digital growth strategies, but Covid has provided a necessary impetus for it to move its revenue management and customer engagement online, which our platform facilitates.”

One Big Circle

What they do: One Big Circle specialise in intelligent video data and

integration. Drawing together the ‘nuts and bolts’ of any digital project, they’ll ensure smooth running between the various aspects of the technology you’re using.

TECHNOLOGY Digital overview:

Co-founder Emily Kent offers an example of their system in practice. “Our intelligent video system, AIVR (Automated Intelligent Video Review) allows rail managers and operators to see what their trains see as they travel along the route. Situated at the front of the trains, AIVR transmits critical video data to the cloud to be instantly accessible for viewing and monitoring, applying AI to surface assets or incidents. “This means we can offer real data on what is happening on any part of the rail network to anyone, anywhere, quickly spotting anomalies or issues that may affect the running of the railway. With this information, the issue can be resolved very quickly before it has a chance to escalate.”

Exacta

What they do: Exacta is a hardware company

dedicated to making interaction between software and hardware as smooth as is possible. Digital overview: “Exacta Technologies offers hardware ranging from bespoke servers, sector specific workstations and industry leading high frequency trading servers, all of which sit in a wide variety of industries,” says CEO Nick Rogers. “We know our systems deliver high performance, high speed, and reliability whether that is at the desk in the form of a workstation or at a data centre in the form of a server. Our clients chose us as the systems we offer are industry-leading, our innovative systems utilise the newest components on the market and deliver astonishing results to our clients.”

CookiesHQ

What they do: CookiesHQ are an expert Ruby

on Rails development agency, who build web and mobile apps. And Ruby on Rails, in case you’re a little hazy about it, is open source software that is used in a web application framework.

BRISTOL AS A TECH HUB Bristol has a growing reputation as a tech hub, with the city’s digital sector often being compared to Silicon Valley in California – although, of course, Bristol has a nicer climate. Bristol’s prominent position as a leading player in digital technology seems assured, with the city ranking third in the UK for venture capital investment in this sector. India Langley at Lettus Grow believes that Bristol has infrastructure to help its expansion in the digital sector: “There is a thriving ecosystem of tech companies and start-ups. I’d say that something the city is pretty good at is building community spirit, and the tech scene is no exception. Places like SetSquared are great examples of this. We joined in the early years of LettUs Grow to access their networks and training opportunities. Paul Forster, the Community Manager there, does an incredible job of forging impactful relationships as well as facilitating events and training. Nathalie Alpi at CookiesHQ, told us: “Bristol is a great place for startups, especially with the creation of incubators, programmes and events in the past few years. I think a big positive is that it feels more supportive and less competitive than London. “As a startup founder, if you reach out to anyone, they’re usually happy to have a phone call and give you tips

on starting or growing your business. We interview Bristol entrepreneurs for our Tough Cookies podcast, and the sense of community among startups is something that arises time and time again. Everyone is willing to learn from and help one another, and it echoes the wider community spirit of the city.” Nick Rogers, CEO at Exacta, echoes this. “Bristol has been great for us. Our previous home was in rural Ubley; since moving to Emersons Green we have expanded both our team and our range of systems. Our new state-of-the-art production facility is our new home. We have worked with Bristol-based website developers, and enjoyed working with local companies. “Bristol is a fantastic place for a tech start up, and being established here, especially as part of the Engine Shed and SETsquared eco-system, has given us a great platform to launch our business and find the local talent to help it grow,” says Emily Kent from One Big Circle. “There are thousands of jobs now committed to the industry, demonstrating how the city continues to be a leader of the pack when it comes to digital innovation. But it’s equally important to empower and encourage the next generation of technologists to fulfil future roles and create future opportunities, ensuring a diverse range of companies, communities, thoughts and experiences that will ensure that Bristol continues to be the vibrant, diverse and exciting city that it is.”

Digital overview:

“Our ‘product’ is the development of tech itself, so the impact can vary from project to project,” says MD Nathalie Alpi. “But with every piece of work we do, we aim to make the web a better place. The most interesting thing is definitely the variety of innovation and the way people utilise technology to solve problems that we never dreamed we’d have 18 months ago. “After the initial shock of the pandemic, we are now noticing an increase in innovation in all sectors: entertainment, food and drink, education, healthcare. People have ideas, they see new opportunities and are keen to start new ventures – good news for the economy, and it keeps us on our toes!” n

You have been reading lettusgrow.com ultraleap.com ghyston.com candidegardening.com onebigcircle.co.uk h exactatech.com cookieshq.co.uk One Big Circle specialises in intelligent video data and integration www.mediaclash.co.uk I BRISTOL LIFE I 71

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I DIDN’T CHOOSE THE TECH LIFE. THE TECH LIFE CHOSE ME... Alice Kennedy shares a day in her life working for a software firm in Bristol

o one was excited about lockdown. It was all very strange and scary, but I figured I’d make the most of it. With the time saved every day travelling to the central Bristol office, I was going to workout, do yoga, get healthy... and that intention lasted for about seven of the ten hours’ sleep I got on night one. I’ve got a little better. I now drag myself out of bed to do some sort of workout in the living room before I begin the working day.

BUT WHAT DO YOU ACTUALLY DO?

When people ask what I do, I find it difficult to really sell how cool and exciting my job actually is. I say “I support people setting up inventory management software” but that doesn’t do justice to the interesting people I get to meet, or the things I learn, from robotics revelations to home brewing tips, and the creative thinking I get to do all day. I know no-one writes in their childhood dream journal that they want to be a customer success consultant, but ‘professional taster at Ben & Jerry’s’ was becoming increasingly unlikely (Ben won’t even take my calls any more), and I think what I do is really cool. I get to be part of some projects that make life better for people. Like helping a customer who makes stylish products for those living with disabilities. Or that company doing affordable food deliveries to communities in South Africa. Or a cosmetics firm that’s committed to sustainability. The businesses I work with vary massively, yet they all have some key things in common: they have a problem that Unleashed software can solve, and they’re passionate about what they make and sell.

WHOLESOME VODKA, CRUCIAL COFFEE As I prep for my call with a distiller who plants a tree every time you buy a bottle of their vodka (it’s so rare that you hear ‘vodka’ and think ‘wholesome’) my partner brings me a coffee, which

he has done every morning we’ve been working from home, because he is wonderful. Coffee down, I’m ready for some creative problem-solving. I have three more calls throughout the day, each with a unique puzzle to solve – and each delightfully wowed by the simple solution I can offer. Then towards the end of the second call, Talion, my cat, starts making a noise like a dying T-Rex: he’s learned that if he does that while I am talking to my screen I’ll make it rain Dreamies until he stops. As I scatter treats while demonstrating the latest feature update – one that makes purchasing stock faster and easier – I come over all wistful about how few pesky cats there are in our Beacon Tower offices, and how nice it will be to share a coffee with the team in the kitchen, or wander down to Dungun for some Korean fried cauliflower… Deep sigh. Hopefully that normal life’s coming soon. But now, for me, the lockdown tech-life calls again. ■

For roles in marketing, sales and customer engagement take a look at unleashedsoftware. com/careers. If your perfect role isn’t listed but you think you’d make a great ﬁt, email joinourjourney@unleashedsoftware.com and mention Bristol Life! www.mediaclash.co.uk I BRISTOL LIFE I 75

It’s the city’s business

BRISTOLWORKS Night moves

Carly Heath has been appointed as Bristol’s new night-time economy advisor, to lead the city’s entertainment and hospitality sector’s recovery from the effects of the pandemic

aking up the role at the start of April, Carly will champion Bristol’s clubs, pubs, restaurants and events venues and those who work in them, many of whom are struggling to rebuild after enforced closures due to lockdown. As Bristol’s night-time ‘czar’, Carly will work closely with the mayor’s office and city partners, and take over the chairing of the Bristol @ Night group, the independent advisory panel first set up to tackle the challenges facing the sector, to make sure that the way Bristol functions at night is considered in decision-making. The focus is on spearheading the recovery of the night-time economy in Bristol, offering support to organisations and allowing the wider local economy to rebuild. With more than 20 years of experience, Carly has a track record of delivering successful projects

in the cultural sector, including a previous role as the founder of Don’t Panic Bristol, a marketing agency that worked with city venues to promote their events, and as co-founder and trustee of community festival Brisfest. As well as working at the now renamed Bristol Beacon for a number of years, she has also worked on thousands of music events at all levels throughout the city, and was part of the research team at University of West of England studying the effects of the pandemic on cultural industries. Among her early tasks will be the development of a roadmap to support Bristol’s world-famous cultural venues, bars, restaurants and clubs, increasing collaboration and identifying ways in which to capitalise on the cultural, social and economic benefits that the night-time industries can offer the city.

Carly, who has worked in the industry her whole career, says she’s looking forward to advocating Bristol’s rich after-dark culture. “This position is a unique opportunity to amplify the voice of our night-time economy and connect with businesses, city officials, developers, and the wider public. “Promoting a vibrant nightlife is important for tourism, but also for the social fabric of the city as a space to congregate and share ideas. “Independent restaurants, venues, bars and clubs are the beating heart of Bristol’s culture. I’m passionate about the businesses that operate from 6pm-6am, and I look forward to helping guide Bristol’s night-time economy as we move on from the challenges of lockdown.” For more bristol.gov.uk

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RUCK ’N’ ROLL OVER THE GAIN LINE WITH BRISTOL BEARS

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IT’S DORIAN GRAY, BUT NOT AS YOU KNOW HIM…

HOW BRISTOL RESTAURANTS ARE THINKING INSIDE THE BOX

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WILDE AT HEART

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SLAPSTICK GOES DIGITAL

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ART AND SOUL: THE COLLABORATIVE WORLD OF GEMMA COMPTON AND COPYRIGHT

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Without your support, we wouldn’t be able to keep publishing our local, independent magazine which we’ve been doing for over 16 years We’re on our way out of lockdown. Good times are on the horizon. If any business owner or marketeer would like to have a discussion about what we can do for their business – from a magazine and/or event perspective – please get in touch

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FRESH! EXCITING! IT’S OUR BIG SPRING ARTS PREVIEW!

BRISTOLWORKS below: The Science Block at Redland Court

Q&A

Simply Redland Redland Court is Juniper Homes's latest project, but as director Jon Morgan explains, he's always on the lookout for the next big opportunity...

on Morgan is a multi-tasker. “I’m primarily responsible for the financial side of the various projects Juniper Homes is developing, but I also run the sales and marketing, and am constantly on the lookout for new development opportunities," he says.

What was Juniper’s first project? The Friendship Inn in Nailsea, back in 2014. At the time there were three of us – me, Terry Wittingham and Richard Curtis. We worked very well together, and Juniper Homes grew from there. Very sadly, we lost Richard to motor neurone disease last year.

When was Juniper Homes founded, and what’s the company ethos? The first development was 2014, so this is our 7th year. We build highquality residential homes at affordable prices, mainly in and around Bristol. The range is from abandoned historic buildings to brownfield sites. Our ethos is driven by a desire to create homes that improve the lives of the people who will live there, and to contribute to the local social and economic environment.

How has it grown over the years, and how many people does it currently employ? In 2020/21 Juniper Homes has built over 100 new homes achieving offplan sales of around £39 million, with further £45m of developments either being built or in the pipeline. To manage growth, we invested in new and talented people. A sixperson professional team is focused on managing our Redland Court project. There are also six people working behind the scenes at head

office, and around 150 full-time skilled tradespeople operating across the various sites we are currently working on. What have been your standout developments to date? I’d like to think all our developments are outstanding in their own way – they certainly mean a lot to our buyers. But if I had to pick just one, it’s Redland Court. To take a Grade-II* building, which in its lifetime has already been a country gentlemen’s residence and Redland High Girls’ School, and create new homes to meet the exacting standards of today’s market, is a huge honour and great responsibility. What was the vision for the development? The vision was to honour the historic

buildings by bringing them back to life, creating homes that provide a luxurious standard of urban living while respecting the listed status of the buildings. What has the response been like? Over a quarter of units have been reserved, mainly pre-Christmas, but we stopped marketing as it became clear that many buyers just didn’t feel comfortable viewing what was essentially a building site. The third lockdown really did stop people in their tracks. Now both Savills and Ocean are reporting increased demand. Better weather and the success of the vaccine have made buyers feel more confident. We have two new show apartments launching in April, so we are looking forward to showing buyers a much more completed scheme with the wide variety of homes we have on offer. How is the Bristol property market as a whole? It’s been a good year, challenging but good. The Bristol property market is resilient, our city has so much going for it. Even with lockdown we have had plenty of interest from local as well as London buyers. It’s not been easy, but site teams have worked together to keep the spread of Covid to a minimum; we’ve lost time on a couple of sites but are catching up now – we’re still here. For more juniperhomes.co.uk

BRISTOLWORKS “LOOK SHARP! NOMS CLOSE 22 APRIL!”

One month to get those nominations in . . .

Fancy winning a Bristol Life Award? It’s time to enter… ominations are in full flow for the 2021 Bristol Life Awards, and the deadline for companies to enter has been revealed as 22 April. Businesses are encouraged to get cracking on a strong case to ensure they’re ready in plenty of time. “There’s not long left to submit your nomination for the Bristol Life Awards,” said Claudia Butler, events and brand manager at MediaClash. “Becoming a finalist is highly beneficial for your business profile, and provides great recognition for teams and individuals who go the extra mile for your company. “The Awards celebrate all aspects of Bristol – from all areas of business, to culture, arts and charity. Everyone plays their part in shaping this city, from the smallest of indies to the largest of corporates. And uniquely, they all come together in the Awards. “We understand how difficult times have been: we’ve all been in the same storm, if not the same boat. So our judges will be looking for the smart and positive ways that you’ve responded to the pandemic.” If you’re an ambitious company, or proud to be a SPONSORSHIPS For remaining options, please contact harriette.dixon @mediaclash.co.uk or neil.snow@mediaclash.co.uk NOMINATIONS Free to enter at bristollifeawards.co.uk

great Bristol business, or possibly want to signal support for other Bristol businesses after this year of all years, please get in touch for details of sponsorship options. In previous years, tickets to the uberglam Awards have been snapped up weeks in advance, with 650 attendees and dozens on the waiting list. Winners receive coverage in Bristol Life, a handcrafted trophy and window stickers to proudly display – plus the long-lasting remembrance of an award-winning moment. Nominees are also encouraged to check the Top Tips page on the Awards site, which cover everything from what to include within a nomination to how best to showcase achievements to our freshly selected panel of judges. If you are interested in becoming a sponsor, please contact Harriette Dixon at harriette. dixon@mediaclash.co.uk Nominations close on 22 April and finalists will be announced on 28 April. For more: bristollifeawards.co.uk @BristolLifeAwds

TICKETS First batch now on sale. Limited number of Silver Sponsorships including a table. Please note: we sell out every year with many on the waiting list.

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Sponsors gain close association with the most prestigious event in Bristol

AWARDS The uberglam Bristol Life Awards will be held on 16 September 2021. Nothing beats being there… SOCIAL MEDIA Follow us on Facebook, Instagram, LinkedIn and Twitter for all updates.

That Award-winning feeling can’t be beaten…

Winners gain all the benefits that their great achievement deserves – including collecting that uberglamorous Award trophy

TESTIMONIAL

“I know a phenomenal amount of work goes into making these events happen. The organisation of the event is superb, and it has been great to see the wonderful businesses and charities that have benefited as a result of winning an Award. It’s been lovely to be playing a small part in that.” Jonathan O’Shea The Alternative Board

BRISTOL PROPERTY AWARDS

OFFICIAL AWARDS REVIEW

BRISTOL PROPERTY AWARDS 2020 BRISTOL… KEEP ON BUILDING The second Bristol Property Awards were wholly virtual and highly successful. Here’s our review of a singular event engaged in by many hundreds…

t was the anticipation that first hit you. Around midday on a Friday, hundreds of Bristol’s finest and hugely proactive property people descended into the innovative Virtual Symposium to network and engage, discuss and discourse – all aided by the wondrous new-found use of Zoom rooms and socially distanced tech. Who’d have thought back during the first event that the tribe would return in these circumstances? But they did. And in great numbers. When so many contribute, so many benefit. And when so many come together in one place to celebrate excellence, then good things can happen. Awards were won, of course. Wonderful ones. Aaannnddd… intros happened, acquaintances made, new contacts built, deals discussed, partnerships sounded out. In short, business as usual happened. It was thrilling to see the array of participants, from the coolest of the city’s indies to the largest of the sector’s corporates; from local to regional to national and even,

as beﬁtting the west of England’s capital city, international. The sector was celebrated, venerated. This was the chance to say that Bristol property matters: commercially, practically, aesthetically. On the following pages you’ll see our winners of course, carefully chosen after protracted debate by our independent judges drawn from all aspects of the property scene. You’ll see our sponsors, without whom none of this would have been possible, led from the front by Smith & Williamson: thank you. Also thanks to Mayor Marvin Rees, who provided such a sterling start to the Symposium with his introductory remarks about the resilience against adversity of property companies in Bristol; and our host, BBC presenter and journalist Laura Rawlings, skilfully engaging sponsors and winners alike. You’ll see all our ﬁnalists, too. Worthy contenders all. So next time..? It’ll be a Friday again, on 12 November, this time back in real life at Ashton Gate. Join us for the splendid hubbub of business, and singular veneration of this incredible sector…

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BRISTOL PROPERTY AWARDS

THE FINALISTS ARCHITECT Sponsored by Original Style AHR Alec French Architects AWW Chapman Taylor Smith Maloney Architects Wylde Interior Architecture CIVIC DEVELOPMENT Sponsored by YTL Developments Bristol Nightingale by BDP Romney House, Lockleaze by Goram Homes Hope Rise by YMCA Bristol, Bristol Housing Festival, Zedpods and Bristol City Council The Wave, Hydrock COMMERCIAL AGENT Sponsored by Spaces Alder King Burston Cook COMMERCIAL DEVELOPMENT Sponsored by Blaise Commercial Finance 3 Glass Wharf by Salmon Harvester Properties Bristol North Baths by Berkeley Place Loungers HQ by Mobius Works Square Works Temple Point by Wylde Interior Architecture COMMERCIAL INTERIOR DESIGNER Sponsored by Optima Systems Interaction

SJP Interior Design Wylde Interior Architecture CONSULTANCY Sponsored by Redland Court reimagined by Juniper Homes 3SIXTY Real Estate Cook Brown Building Control Curtins Consulting Hydrock J4 Projects Mode Consult Morgan Structural Paul Basham Associates Pride IMS Services Design Solution (SDS) Turley CONTRACTOR Sponsored by Marsh Commercial 299 Lighting Halsall Construction Integral UK ISG UK JAS Building Services Willmott Dixon

Firmstone Developments Juniper Homes The PG Group Urban Creation Whitecroft Developments

Ashfords Barcan+Kirby Bevan Brittan Gregg Latchams Solicitors TLT

EMPLOYER Sponsored by Royds Withy King Curtins Consulting Hydrock Morgan Structural Service Design Solution (SDS) Thorn Baker Construction Willmott Dixon

RESIDENTIAL AGENT Sponsored by Cotswold Homes Bunk HYBR Key Living NEXA Bristol

FINANCIAL Sponsored by MDA Consulting Advantage Financial Solutions Fox Davidson Mortgage Style Paragon Development Finance Shawbrook Bank South West Business Finance

DEAL Sponsored by Vickery Holman Brunel House by Key Living Paragon Development Finance Romney House, Lockleaze by Goram Homes St. Modwen’s Ocado Deal with Alder King & Knight Frank

GREEN INITIATIVE Sponsored by Willmott Dixon Bear Wood at Wild Place Project Myrtle Farm, Thatchers HQ by Wylde Interior Architecture Nola Interiors Romney House, Lockleaze by Goram Homes TLT

DEVELOPER Sponsored by Planning Portal

LEGAL Sponsored by RateSetter AMD Solicitors

THE BRISTOL PROPERTY AWARDS JUDGES DAVID WESTGATE Chief executive, Andrews Group CLLR NICOLA BEACH Spatial planning and city design, Bristol City Council

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RESIDENTIAL DEVELOPMENT Sponsored by Shawbrook Bank Ashton Rise Housing Development, Willmott Dixon Bitton Mill, Linden Homes The Boot Factory, Christian Grant Properties Castle Park View by Homes England/BCC, LinkCity and Chapman Taylor Copper Building, Ferguson Mann Architects Factory No.1, City & Country Hansom Hall, PG Group Landhaven Homes Launchpad, Alec French Architects Pembroke Road, Alliance Homes Group Redland Court, Juniper Homes Romney House, Lockleaze, Goram Homes RESIDENTIAL INTERIOR DESIGNER Sponsored by Origin Workspace

Etons of Bath Hannah Redden Interiors K Interiors SJP Interior Design Stylemongers of Bristol TME Interiors RISING STAR Sponsored by Halsall Construction Advantage Financial Solutions Atkins, Louise Hetherington Bunk, Tom Woolard/ Harry Stirling HYBR K Interiors Pride IMS QODA Consulting Vistry Group, Lucy Gazzard SUPPLIERS AND SERVICES 299 Lighting Bunk Keystone Bathrooms Kutchenhaus Kitchens Nola Interiors Service Design Solution (SDS) Thorn Baker Construction TRANSFORMATION Sponsored by AWW AHR Alliance Homes Group BDP Berkeley Place Christian Grant Properties Ferguson Mann Architects Interaction ISG/ University of Bristol, School of Humanities The PG Group

ALAN PEARCE Chartered town planner, Pearce Planning

BERNARD CONROY Project director, Hoare Lea

ELENA MARCO Head of department of architecture and the built environment, UWE Bristol

FRANK ARKOTHARKOR Senior commercial manager, EDF Energy

GABRIELLE BLACKMAN Interior designer and TV presenter

PIPPA GOLDFINGER Head of design, Architecture Centre

ROS TROTMAN Partner, Thrings and Women in Property SW committee member

STUART HATTON Managing director, Umberslade

Reach the best in the west Affluent, active and influential and just a call away

Bristol Life team 01225 475800

PROPERTY

P R O P E R T Y N E W S F R O M A L L P O I N T S O F T H E B R I S T O L C O M PA S S

EASTERN BLOCK Firmstone’s proposals to kickstart the regeneration of East Street at St Catherine's Place have been approved by Bristol City Council. The plans will deliver 180 new homes and refurbished retail units along with increased public open space, including a pocket park, a children’s play area and a new landscaped walking and cycling route through from Dalby Road to Mill Lane. A new open-air pedestrian route, Mill Lane Greenway, will provide a direct link between Bedminster Green and East Street. Designed to celebrate the area’s industrial heritage, it will include planting, cobblestones and historic millstones recovered during archaeological investigations on site. Designed by Bristol architects Stride Treglown, the mixed-use scheme will offer a full range of one-, two-, and three-bedroom homes in three new buildings on the site, including a 14-floor building on the corner of Dalby Avenue. An ‘East Street First’ approach has been taken to regenerating the retail spaces, with existing shops on the East Street side of the development being replaced with modern shops, and the historic façade being refurbished or rebuilt. This will breathe new life into the area and mark the start of the area’s retail revival, particularly given the increased footfall to and from the new development. “We believe our proposals will create a step-change for the area, creating a real focal point for the local community, as well as generating jobs and supporting local businesses and providing 180 new homes for the city,” said director Francis Firmstone. For more firmstonedevelopments.com ABOVE: Plans for East Street; LEFT: The regeneration of Glencoyne Square includes affordable housing and improved public spaces

DUE SOUTH

Plans to redevelop the centre of Southmead have received backing from Bristol City Coucil, and are set to receive £7m in funding. Working with the clients, council and local community, Nash Partnership’s design for the regeneration of Glencoyne Square will bring around 300 new homes to the area, along with a new health centre and public library space, and improved public areas. For more southmead.org

TAKE TWO Bristol was the UK’s hottest property spot during

the final quarter of 2020. As a knock-on effect of this recent surge in popularity, gentrification is making itself felt north, south, east and west – as this pair of beautiful homes goes to show . . . By Ursula Cole

PROPERTY

BS2 LOFTS, ST PAULS

“The ﬂat has brought us so much joy, and we’re sure you’ll love it too” HOUSE NUMBERS Bedrooms

Reception rooms One huge open-plan space Wet room

Outside Secure parking and bike storage Price

£310k

Contact Boardwalk, 0117 9898 222 boardwalkpropertyco.com

leek, urban living is the guiding vision of this loft-style apartment in St Paul’s. We’re told that it occupies 1140 square feet, and if that’s a bit meaningless to you, know that this translates into a vast L-shaped open-plan living space, a double bedroom, and the kind of wet room that would not disgrace a five-star boutique hotel. The kitchen, too, is a delight; beautifully fitted, with a central island, it flows naturally through to the dining area and into the living room, making it a cinch for socialising. Windows line either side of the apartment, making the rooms as bright as they are spacious. The area can be configured to suit your lifestyle; for example, the current owners are using furniture to cordon off a section to be used as an additional bedroom. You only have to look at similar properties in the block to see that it really wouldn’t be hard to add even more. What’s the area like? One of the most characterful corners of the city, St Paul’s – whether it should or shouldn’t have an apostophe largely depends on who you’re speaking to – is close to the arty and fiercely independent Stokes Croft area, with its huge diversity of indie shops, cafés and restaurants – Jamaica Street Stores and Bianchis, for example, are just minutes away – as well as several offices and workspaces. Major annual events and festivals take place in this area, including St Paul’s Carnival and the Wilder Street

Summer Party, giving the area its vibrant reputation, and offering an ideal opportunity to immerse yourself in the community. There are also numerous green spaces for exercising and socialising nearby, from Portland Square to Castle Park. The area has undergone a lot of development in recent years, with great investment into high-quality residential and commercial conversions and constructions. What the owners say: “We’ve loved living in BS2 Lofts; we’ve really enjoyed the central location, and being well positioned for all the cool spots in the city. The space and light of the flat make it perfect for entertaining, doing yoga or just dancing around. The flat has brought us so much joy, and we’re sure you’ll love it too.’’

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PROPERTY

MARSTON ROAD, KNOWLE

ittle wonder that Knowle is currently so high on property-buyers’ wishlists; houses here are still competitively priced, and while the area still retains a strong family feel, it’s in easy reach of Harbourside and the city centre. This house is quietly positioned on Marston Road, with open views at the back. Typical of the terraced homes found in the area, the Victorian double-bay fronted house has a pretty façade of brown stone and cream quoins, with mullioned windows and decorative column details. Inside, the many striking original features have been carefully and stylishly enhanced by the current owners. There’s a wide choice of living space, with two reception rooms along with a 27ft kitchen/dining room with windows on two sides, including Crittal-style French windows that open to a landscaped back garden bordered by an old stone wall. Upstairs are three double bedrooms, the main having a deep bay window at the front; the back room could equally be pressed into service as a home office. What’s the area like? One of the real benefits of this popular pocket of Knowle is the amount and variety of parks and green spaces within a short distance. Arnos Vale Cemetery, Redcatch Park and Community Garden, Perrett Park and Arnos Vale Cemetery are all

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“One of the real benefits of this pocket of Knowle is the variety of green spaces on the doorstep” within 10 minutes walk from the house, while Victoria Park and Callington Road Nature Reserve are nearby, providing wonderful open spaces for the summer or for walking the dog all year round. The area also has a lot of amenities on the doorstep, with the Wells Road recently becoming home to more and more popular bars, cafés and restaurants. The Knowle Pub is just a short walk away and is the perfect spot for a Sunday lunch or a beer in the garden. n

HOUSE NUMBERS Bedrooms 3 Reception rooms

Bathrooms 1 Outside Back garden Price

£490 k

Contact Boardwalk, 0117 9898 222 boardwalkpropertyco.com

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SPONSORED CONTENT

Redland Court West Villa rooftop. Left: Redland Court West Villa kitchen

SIMPLY REDLAND

With up to £15,000 Stamp Duty savings available, now is the perfect time to buy and move to REDLAND COURT.

he extension of Stamp Duty tax relief, saving up to £15,000, has come at the perfect time for buyers at Redland Court. Apartments in the Science Building will be ready to move into at the end of April so with the extended June deadline buyers can make a significant saving. With a choice of one-, two- and threebedroom apartments and duplex apartments, the space to work from home is yours. The extensive grounds and the private outdoor spaces mean you can also enjoy the feelgood factor of the great outdoors. Each building on the scheme has a specification designed to match its character and period. The Science Building is a more contemporary specification; skirtings and architraves are matched to wall colours for a visually dramatic seamless effect. Open-plan living spaces, a feature in so many of these stunning apartments, provide space to socialise

INFORMATION • 1-bed apartments from £345,000 • 2-bed apartments from £525,000 • 3- and 4-bed apartments and houses from £895,000-£1.5m.

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and space for areas of peaceful contemplation. As you move up through the building, the views from these lustworthy apartments just add to their appeal; let in the spring sunshine with the gliding bi-fold or French doors and large windows, many opening on to private outdoor terraces or courtyards.

Woodstock Lodge kitchen/living area

NEW TO VIEW – TWO DETACHED INDIVIDUAL HOMES. Woodstock Lodge is a contemporary single storey home with three bedrooms, including a master suite with dressing area and en-suite. The must-see light-flooded living space has a stylish kitchen with an island, as well as plenty of space for formal dining and relaxing with bi-folds opening to a private terrace. There are also two dedicated parking spaces. West Villa reflects the Georgian splendour of the Manor House. This house has the most breathtaking roof top terrace with far-reaching views across the City. When you can tear yourself away from this haven, you’ll find a stunning hand-built kitchen set in a large kitchen/ breakfast room, two further living rooms and two bedrooms, each with an en-suite bathroom. In addition to the roof terrace, West Villa is virtually surrounded by outdoor space, from terraces to a kitchen garden. The house comes with two parking spaces. Set in three acres of private residents’ gardens, Redland Court is Bristol’s most

prestigious landmark development. One thing is for sure, with so much thought, attention to detail and exceptional specifications these homes will not be on the market for long. n *Prices correct at time of going to press. SDTR savings on all completions by end June 2021. Max saving £15,000.

For further information please call Savills on 0117 910 0360 or Ocean on 0117 946 9838

Independent, personal and experienced property advisors.

We are delighted to have worked with BAWA, Ashfords LLP, and the Landlords, Rolls Royce, to secure the future of BAWA and grass roots sports at Southmead Road for the next 25 years.

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BRISTOL LIVES

“The Six Sisters project is about celebrating the awesome female talent we have in Bristol, and inspiring others to get creative”

EMILY J TAYLOR Take six. Gemma. Sophie. Bex. Zoe. Alex – and now Emily, aka Ejits. The connection? They’re all female Bristol street artists, and by mid-April you’ll be able to see their work all in a row along one very colourful stretch of North Street

n International Women’s Day, Upfest announced that two female artists would be creating a new pair of murals on North Street, completing a row of six pieces – all by female artists. One of the final two is Emily J Taylor, aka Ejits, who brings her distinctive, colourful animationinfluenced style to the mix. An illustrator and muralist, Emily paints both traditionally and digitally; she sells her work through commissions and other products, which you can check out at her etsy shop. I didn’t have a lot of focus or confidence in most subjects at school, but I did get absorbed

with painting and sculpting, in art class and at home. Eventually, I just decided to follow what I was most interested in.

I was extremely lucky to have had encouraging parents.

They were happy for me to follow whichever path I wanted. My dad is a musician and my mum is a talented writer. Both of them have a love of stories and appreciate art, so although we didn’t have much money, they made sure we experienced the arts as often as possible, with trips to the theatre and galleries. I now make a partial living from my art, but I’d love to

earn a full-time living so that I can do more of it. Ten years ago, I sidestepped into graphic design and website development to supplement my income, and that’s still what I do now. I loved cartoons when I was a kid, and still do. I taught myself

how to draw by copying Looney Tunes characters like Bugs

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Bunny. I studied for a degree in animation, but I realised it wasn’t right for me. It did expose me to all sorts of cartoon styles and character design, though. I took all the bits I loved, mashed them all up in my own way, and Ejits came out. I describe my style as being heavily influenced by American animation, Japanese character design and street art. It’s character-led, fun, bright, curious and playful, and its main aim is to make you smile. I have taken part in Upfest a few times, including last year’s

virtual Upfest, where I created a piece to go on a virtual Oowee Diner. When I saw that there might be an opportunity to paint one of these six buildings, I asked to be considered. The Six Sisters is one of the biggest projects of its kind in Europe. It’s a whole row of six

building facades painted solely by local female artists. The row on North Street began in 2016 when Upfest commissioned Gemma Compton to paint the building above their shop. The others followed, with Bex Glover, Zoe Power and Sophie Long painting three more in the following years. Now Lucas Antics and I will be painting the two remaining buildings, to be finished in time for the shops to reopen on 12 April. The project is about celebrating the awesome female talent we have in Bristol, and inspiring others to get creative. I haven’t experienced any gender discrimination in street art. I’m not saying that

it doesn’t happen, but I do think the art scene is generally quite encouraging. It has been very male-dominated though, and

that’s why representation is so important. I recently painted an interior mural in Tincan Coffee Co.

I also completed a big piece in a school in Weston-super-Mare before Christmas. That was a lovely job to do, because the kids were so excited by it. Creative culture is one of the things Bristol is best known for, but there aren’t many large

art- and illustration-based events like fairs and conventions. I feel that Bristol should have its own version of the London Illustration Fair. There’s such a wealth of talent here, it would be great to have another large annual event that celebrates not only street art but also illustration.

I’ve lived in Bristol for 10 years

and I’m always finding new favourite places. Our local pub is The Shakespeare, just off Redland Road – it’s got amazing food and the staff are always lovely. I’ve started making my own clothes – there are some products

in my online shop that I’ve made out of fabric printed with my designs.

My worst habit is getting paint on my clothes. I’m a

messy painter and I don’t have many clothes left that don’t have a splodge or two of brightly coloured acrylic paint on them.

Immediately after answering these questions I’ll make myself

my third cup of tea of the day and do some more work on my design for the Six Sisters project.

More at ejits.art; follow Emily on Instagram @ejits