MEGAN ROCK / INTERIOR DESIGN PORTFOLIO
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M E G A N
J A N E
R O C K
LET ME SHOW YOU AROUND
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Megan Rock 208.403.1342 megan.j.rock@gmail.com Bachelor of Interior Design, May 2017 Utah State University, CIDA-accredited LEED Green Associate, November 2016
I HAVE SKILLS Proficiency in AutoCAD (2d and 3d), Revit, Adobe Photoshop, Adobe Illustrator, Adobe InDesign, quicksketching, hand- and computerrendering, Microsof t Office. Experience in DesignManager and Studio Designer programs
I HAVE EXPERIENCE Nanette Mattei Interior Design, intern (Summer 2015-Present) Miles Redd, LLC, intern (Summer 2016) Stillwater Design Group, intern (Summer 2015)
I AM A LEADER USGBC, student chapter president (2016-2017) USGBC, student chapter president-elect (2015-2016) USGBC, student chapter event coordinator (2013-2015) ASID, student chapter member (2013-2017) IIDA, student chapter member (2013-2017)
4 34 26 40 headshots courtesty of anna marie killian photography
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“we study the things that ter rify us most.� -ali guymon
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bats display a similar wing t r a n s l u c e n c y, a s w e l l a s a delicate, yet architectural structure.
NYMPHALIDAE A 1,000 sq. foot alpine residence that was originally inspired by the form and structure of the Greta oto (glasswing) butterfly, which belongs to the scientific family Nymphalidae.
The essence of this insect is translated through interior and exterior materials that show delicate, yet structural sophistication.
glasswings, though transparent, appear to have a gold tinge to them. that and their black detailing inspired the interior color scheme.
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south elevation
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west elevation
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axonometric, drafted in autoCAD
8 background image from national geographic magazine
glasswings, though transparent, appear to have a gold tinge to them. that and their black detailing inspired the interior color scheme.
living area, built and rendered in revit
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image fromworld of interiors magazine
p h o t o g r a p h s f r o m m y d a d ’s t r i p to spain, 1995
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bowl my parents brought back from spain, 2000
image from national geographic magazine
image fromworld of interiors magazine
image from unknown third-party
jewelry box i picked up in india, 2013. crafted by descendants of the stoneworkers who built the taj mahal. the special technique has been passed down through thousands of g enerations.
image taken at the met
ALAHMAR MEDICAL SPA A medical spa inspired by the Alhambra and other Moorish architecture and design motifs found throughout Spain and the Middle East. Alahmar was meant to feel palatial and reverent in its bones, but modern and artistic in its furnishings.
A custom wallcovering in five colorways was also designed to reference artisnal inlays that often adorn these palaces, fortresses, mausoleums, and mosques.
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wallcovering in color 1 used in lobby designed in autoCAD, adobe illustrator
modshop 12
c u r r e y & c o.
color 2
moooi
color 3
color 4
color 5
knoll 13
alahmar floor plan, autoCAD
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alahmar elev
background image from world of interiors magazin
alahmar door and finish schedule, autoCAD
ations and cabinet details, autoCAD
alahmar procedure room cabinet elevation, autoCAD
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fan given to me by a Chinese friend, 2013
THE ROOST
An urban hotel that takes inspiration from all over the world, starting with traditional Korean and Japanese tapestries, and the birds they often portray. It then gracefully moves to other parts of the globe, such as South America and Africa, where other exotic birds can be found. The Roost’s bird motif allows for a seamless transition between multiple cultures. The branding and design for The Roost both strive to celebrate birds and nature by emulating the same tone as the traditional tapestries, while facilitating an eclectic fusion that keeps the hotel funky, edgy, and modern.
pheasants are a common motif in traditional asian arts
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image from national geographic magazine
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THE ROOST THE R THE ROOST THE R THE ROOST THE R THE ROOST THE R THE ROOST THE R THE ROOST THE R 18
ROOST THE ROOST ROOST THE ROOST ROOST THE ROOST ROOST THE ROOST ROOST THE ROOST ROOST THE ROOST 19
previous page: the roost branding: key cards, business card, notepad, and door hangers. designed in adobe illustrator
inky mist
The concept for this carpet design draws from traditional Korean, Chinese, and Japanese paintings. The inspiration came from the subject matter, composition, and colors of these works. Notice the implementation of feather-like abstract designs as well as some literal interpretations of the ancient art--such as traditional Chinese window patterns and clouds. Complex layering was used to bring a modern graphic element to the design. The resulting carpet is unique, eclectic, and bold. This line was designed for the 2016 Durkan D*scover student competition using a mixture of hand and computer techniques, including watercolor, marker, ink, Adobe Photoshop, and Adobe InDesign.
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cloud
background image from national geographic magazine
custom carpet, the roost ballroom and pre-function area 21
THE STICKS
A glamping resort in Green River, Utah. Inspiration for The Sticks draws from the indigenous petroglyphs this region is known for, and the anatomy of trout and other fishes of the area. The skeletal structures of the fish and the primitive nature of the rock art are similar in their forms and geometries.
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image from national geographic magazine
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usona home
usona home
tine k home
The color scheme for The Sticks was inspired by the pigments that were used to create ancient wall art (e.g., red and yellow ochre; umber; manganese) but with a vibrant twist to break up the more natural materials and finishes used in the architecture, furniture, lighting, and accessories.
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site p green
cabins, built and rendered in revit
site plan, autoCAD and adobe illustrator
plan river, ut
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the sticks auxiliary buildin drafted in autoCAD, rend
ng elevations and f loor plan dered in adobe photoshop
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image from national geo
red, plaid dress from zara. a coworker at miles redd once commented on my ‘signature vivienne westwood vibe’ when i wore this dress. probably one of the greatest compliments i’ve ever received.
BLACK DRAGON TATTOO & PIERCING
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im
image from unknown third-party
image from unknown third-party
graphic magazine
my all-time favorite shoes, dr. mar tens
mage from national geographic magazine
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black dragon floor plan
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)DU /HIW 6WRUH )URQW / H I W :D L W L Q J $ U H D % R W W R P :H V W :D O O
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tall cans, similar to these ice tea cans mimic spray paint canisters.
many breweries are switching to cans the portability--many people even pre of canned beer.
SILENT CITY BREWERY A local brew-pub in Green River, Utah. The concept for Silent City comes from New York Graffiti, street art, and street style of the 1980s and ‘90s: what happens at night when the city is “silent” (symbolically, of course). Specific inspiration draws from famous modern artists of the time, namely Jean-Michel Basquiat, and Kieth Haring--both of whom did their share of street art in New York. This concept speaks through the use of rough architecture and materials--which mimic an urban, almost industrial environment--and hip, colorful, funky furniture. The branding for the brewery references bold graffiti lettering styles. The beer is packaged in tall, aluminum cans to subtly nod to spray paint canisters, and also contribute to a casual and youthful feel.
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s, almost
“i love basquiat / i watched keith haring / you see, i study ar t / the g reats weren’t g reat because at birth they could paint / the greats were great because they paint a lot. “ -macklemore
image from unknown third-party
because of efer the taste
i m a g e f r o m c o l d p l a y ’s m y l o x y l o t o a l b u m
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background image is my own photograph of billy the artist’s street art in manhattan’s east village, 2016
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these cans were designed using a combination of adobe illustrator, adobe photoshop, and handrendering techniques
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the urban decay electric palette displays the colors used in the space, while cleverly nodding to the ‘turning bugs beautiful’ theme.
image from world of interiors magazine
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BIOPHILIA
A hotel lobby inspired by biophilic principles. Biophilia, at its core, is a celebration of life. Life is vitality, vibrancy, and energy. A strong visual connection to that natural life is present in the space. Inspired by the vivid colors and vibrant patterns found on exotic insects, it plays on clever relationships between bright colors and graphic elements on these insects. Bugs are some of the tiniest, most ignored components of our natural world, and this space juxtaposes that concept by involving large-scale design features in bold hues. The entire lobby shouts, “notice me!�
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h o t e l l o b b y, h a n d - r e n d e
red with ink and marker
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portion of lobby f loor plan built in autoCAD, rendered in adobe photoshop
Beetlemania 4141996 by Megan Rock, 2015 FabLab Studio Collection Wall Surface
100% Non-Phthalate Vinyl High Traffic Megan Rock designed this textile during her brief period studying meditation with Guru Maharishi Mahesh Yogi.
001 Norwegian Wood custom wallcovering patter n designed in adobe illustrator, presentation designed in adobe indesign
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002 Strawberry Fields Forever
003 In the Sky with Diamonds 44
004 Sergeant Pepper
005 Baby You’re a Rich Man 45
Pattern/Series
Beetlemania 4141996, FabLab Studio Collection
Application
Walls
Content
100% Non-Phthalate Vinyl
Backing
Polyester/Cotton Osnaburg
Width
54”
Repeat
12” V, 18”H
Durability
High-Suitable for all applications including heavy duty.
Flammability
7KLV WH[WLOH PHHWV DOO DSSURSULDWH ÁDPPDELOLW\ UHTXLUHPHQWV IRU ZDOOV 6HH ÁDPH FHUWLÀFDWH IRU VSHFLÀF WHVWLQJ LQIRUPDWLRQ
Lightfastness
200+ hours
Maintenance
W-Clean with water-based cleanser. A Megan Rock design, 2015 FabLab under license
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l e d z e p p e l i n ’s f o u r t h s t u d i o a l b u m , a s t a p l e i n a n y a u d i o p h i l e ’s c o l l e c t i o n .
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VENICE BEACH A residence in Venice Beach, California. This project was assigned by New York interior and product designer Laura Kirar, and was presented in the form of a hypothetical Interior Design Homes magazine article, created using Adobe InDesign.
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“It’s always
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WELCOME home
s about movement... I like to tell a story.”
As I walk into the entryway, I’m greeted by a giant, 17-foot totem pole custom-created by Lionel Samuels, one of Todd’s favorite contemporary Inuit artists. The totem pole serves as a focal point for the entryway, and also sets the tone for the rest of the residence. It’s natural materials and smooth curves set the stage for the other pieces featured in the home. When designing the space, Rock wanted to capture the essence of Todd’s artwork by selecting sculptural, textural, and colorful furniture and materials. Underneath the stairs there is a vignette consisting of a small writing desk and Saarinen Executive Chair. Above the arrangement is an original black-and-white de Kooning painting. “This space is the first thing you see when you walk into the house,” says Rock. “I wanted to make it say ‘James Michael Todd’ as succinctly as possible.” And what better way to do that than by showcasing his favorite artist? Todd wanted to keep the feeling of his home casual and unassuming--a task that could cause potential difficulties given the sophisticated nature of his collections--so he and Rock decided that a desk would serve this purpose. As Todd said before, it’s all about the narrative. The desk tells the story of a low-key bachelor who’s hard at work--it also gives him a place to store his keys and mail. Casual, raw, beautiful, Todd’s entryway sets the stage for the rest of his home.
FEATURED DĂŵŵĂ >ĂŵƉĂ ƚŚĞ ^ŝƐƚĞƌƐ džƚƌĂ >ĂƌŐĞ WĞŶĚĂŶƚ >ĂŵƉ ŝŶ ƵƌŽƌĂ tŝůůĞŵ ĚĞ <ŽŽŶŝŶŐ ͞hŶƟ ƚůĞĚ ;>ĂƌŐĞ ^Ƶŵŝ ƌƵƐŚƐƚƌŽŬĞͿ͟ ϭϵϳϬ͘ >ŝŽŶĞů ^ĂŵƵĞůƐ ƵƐƚŽŵ dŽƚĞŵ WŽůĞ ŽŵŵŝƐƐŝŽŶ ĞƐŝŐŶƚĞdž tŽŽĚǁŽƌŬ ƵƉŚŽůƐƚĞƌLJ ŝŶ tĂůŶƵƚ ĂƐ ǁĂůůĐŽǀĞƌŝŶŐ͘ ŽůůĂŶǀĂƌŝ 'ĂďďĞŚƐ ^ƚƌŝƉĞƐ ŝŶ <ĂƐŚŬƵůŝ͘ tZ ĞƌŽ ^ĂĂƌŝŶĞŶ džĞĐƵƟ ǀĞ ŚĂŝƌ͕ ƵƉŚŽůƐƚĞƌĞĚ ǁŝƚŚ WŝĞƌƌĞ &ƌĞLJ DĂƌĂůŝŶŐĂ ŝŶ KŵďƌĞ EĂƚƵƌĞůůĞ͘ ZĞƐƚŽƌĂƟ ŽŶ ,ĂƌĚǁĂƌĞ tĂƌǁŝĐŬ ĂŵƉĂŝŐŶĞ ĞƐŬ ŝŶ ƌŽǁŶ KĂŬ͘
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STYLISH swagger FEATURED tZ &ŝŶ :ƵŚů WĞůŝĐĂŶ ŚĂŝƌ ƵƉŚŽůƐƚĞƌĞĚ ǁŝƚŚ dŚĞ ZŽŵŽ 'ƌŽƵƉ &ŽƌĞŶnjŽ ŝŶ DŽƌĞůůŽ͘ :ĂĐŬƐŽŶ WŽůůŽĐŬ ͞WŽƌƚƌĂŝƚ ĂŶĚ Ă ƌĞĂŵ͕͟ ϭϵϱϯ͘ ĂŬĞƌ &ƵƌŶŝƚƵƌĞ >ĂƵƌĂ <ŝƌĂƌ EŽŐĂů ĐĞŶƚ dĂďůĞ͘ ZĞƐƚŽƌĂƟ ŽŶ ,ĂƌĚǁĂƌĞ ϮϬd, ĞŶƚƵƌLJ dŽƌƉĞĚŽ dĂƐŬ dĂďůĞ >ĂŵƉ ŝŶ sŝŶƚĂŐĞ ƌĂƐƐ͘ Θ /ƚĂůŝĂ ďĂƚ :ŽƵƌ ůŽǁŶ 'ůĂƐƐ dĂďůĞ >ĂŵƉ͘ >ƵĐŝĨĞƌŽ͛Ɛ ĞƌŽϱϭ ĞŝůŝŶŐ >ŝŐŚƚ͘ KƌůĞLJ ^ŚĂďĂŚĂŶŐ >ĞŽƉĂƌĚ ZƵŐ͘ ĂůƟ ůĞ ^ĂĚĚůĞďƌŽŽŬ 'ůĂnjĞĚ WŽƌĐĞůĂŝŶ &ĂƵdžͲtŽŽĚ dŝůĞ ŝŶ tĂůŶƵƚ ƌĞĞŬ͘ ƌĂƉĞƐ ŝŶ ĞĚĂƌ hŶŝǀĞƌƐŽ͘ WŝůůŽǁƐ ĐŽǀĞƌĞĚ ǁŝƚŚ ĞĚĂƌ ,ŽƉ͕ ƌĐŽŵ ƌŽŶĐŽ ŝŶ ĂůƟ Đ͕ ĂŶĚ ZŽďĞƌƚ ůůĞŶ <ĞƌůĂ ŝŶ ^ƚĞƌůŝŶŐ͘
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Reflecting the cool California lifestyle, this sitting area is perfect for any stylish bachelor to kick back and relax in. The Pelican Chairs, designed by Finn Juhl, are semi-moveable to accomodate the many guests he invites into his home for movie screenings. They also offer a sculptural element to the rich, natural textures of the ceramic, wood-mimicking floors and custom millwork storage pieces. “I consider myself to be both a Californian and a Canadian,” confessed the director, “so it was important to me to have both aspects represented.” This was achieved by mixing light woods with deep woods. The Laura Kirar Nogal accent tables combine sculptural, simplistic forms, as seen in Native Canadian art, with a casual walnut that reminds me of the sandy shoreline of Venice Beach itself. I mention this thought to Todd, who replies with a grin, “yes! I thought that exact thing when we selected them!” Among his vast collections of fine art, Todd boasts a large vinyl repetoir. When he’s not on set, or attending Sun Dance, he can be found DJ-ing his own parties. “The house was built in 2014 contemporary style, and, unfortunately, with very little storage,” he explains, and then adds sheepishly, “I’ve accumulated many things, so we needed to accommodate
that with custom storage solutions.” Rock solved this problem by designing custom pieces, such as the tufted leather bench in front of the window, and the large “DJ Credenza” (as she calls it) to house his music library and equipment. The speakers live in the side cabinets, and his turntables can fit on the top when in use, or tucked away behind a door in the bottom. A built-in shelf above the unit offers a resting place for his macbook. An open cubby in the center of the piece contains his favorite, and most frequently-used, albums. For records that don’t quite make the cut, there’s plenty of room under the window bench, which can seat up to four people when he’s entertaining. “So I just have to ask, being an audiophile myself,” I tell him, “what, in your opinion, is the greatest album of all time?” He cringes, “that’s such a hard question! Because you have those albums that are brilliantly constructed and have a strong concept, and you have those ones that just sound good, you know?” I do know, but I’m not letting him go without an answer. Sensing my persistence, he continues, “but I’d have to say the all-around best would probably have to be ‘Revolver.’ You just can’t go wrong with the Beatles.”
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At the heart of this 2014 house lies the dining room. Rock placed it here because of Todd’s love of entertaining--she wanted the social dining area to be a central point in the house. She also wanted to create a unique division between the different seating arrangements in the house. “I wanted to take advantage of the open space plan by eliminating a traditional living room,” explains Rock. “If the main objective is to entertain, then you want a home that, as [the renowned designer] Sister Parish put it, can comfortably seat 5 or 50 people.” The best way Rock and Todd found to do this was to make the seating areas small, flexible, and distributed throughout the house, keeping the kitchen and dining area in the center. The sculptural Obssedia Dining Table from Koket, which can seat up to ten guests, along with the Phillipe Stark Masters’ Stools help bring metallic lustor to the natural woods and stones being represented in the built-in shelf over the fireplace, and the Inuit sculptures housed there. They also reference one of Todd’s favorite artists, Donald Judd, who often used copper and silver in his pieces. The Arne Jacobsen Drop Chairs, upholstered in an orange faux-leather from DesignTex add a modern-minimalist feel, also remeniscent of Donald Judd. The
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entire table vignette is hosted on top of a sumptuous Jan Kath rug that looks like it could be the work of de Kooning himself--the colors are bright and seem to both stand out and blend into each other. Above the table, we find a Horizontal Prop Light from Moooi. This adds a nice juxtaposition to the beautifully sculptural shapes found in the furniture of the space; its seems almost industrial, yet it warms the space up nicely. “I was drawn to this light because it makes me feel like I’m in some kind of hip studio or gallery,” Todd admits. I take this opportunity to draw Todd’s attention back to his display above the fireplace, and ask him to tell me about the pieces there. “The painting is a Picasso, and the sculptures are all works from Canadian artists.” Todd’s Montreal herritage has given him a deep love and admiration for Canadian indiginous art, so he always makes sure to support his fellow countrymen. “I love when guests come over and they have a wealth of things to converse about,” says Todd. “Perhaps what I love most about my home is that it’s an experience; it’s like I have multiple movie-sets set up around my house, each with its own way of interracting with people. I love seeing that chemistry and interraction between my environment and my friends.”
“ Perhaps what I love most about my
FEATURED KƐƵŝƚŽŬ /ƉĞĞůĞĞ ĐĂƌǀĞĚ ƐŽĂƉƐƚŽŶĞ ƐĐƵůƉƚƵƌĞ ŽĨ Ă ƐŚĂŵĂŶ͘ Ɵ ĚůŽŝĞ ůĚĂ DĂƐŬĞĚ /ŶƵŬƐƵŬ͘ ^ŽƚŚĞďLJ͛Ɛ ,ĂŝĚĂ ǁŽŽĚ ďĞĂƌ ƐƚĂƚƵĞ͘ WĂďůŽ WŝĐĂƐƐŽ ͞WŽƌƚƌĂŝƚ ĞŶ ĞƵdž WĂƌƟ ĞƐ EŽŝƌĞ Ğƚ ůĂŶĐŚĞ͕͟ ϭϵϮϰ͘ tŝůůĞŵ ĚĞ <ŽŽŶŝŶŐ ͞hŶƟ ƚůĞĚ yyy/͕͟ ϭϵϵϳ͘ <ŽŬĞƚ KďƐƐĞĚŝĂ ŝŶŝŶŐ dĂďůĞ͘ tZ ƌŶĞ :ĂĐŽďƐĞŶ ƌŽƉ ŚĂŝƌ͕ ƵƉŚŽůƐƚĞƌĞĚ ǁŝƚŚ ĞƐŝŐŶdĞdž /ƐŽƚŽƉĞ ŝŶ ^ƉŝĐĞ͘ :ĂŶ <ĂƚŚ ƚǁŽƌŬ ƌƵŐ ŝŶ ŵƵůƟ ͲƉŝŶŬͲLJĞůůŽǁ͘ tZ WŚŝůŝƉƉĞ ^ƚĂƌĐŬ DĂƐƚĞƌƐ ĂƌƐƚŽŽů ŝŶ >ŝŵŝƚĞĚͲĞĚŝƟ ŽŶ 'ŽůĚ͘ WŝƚƐĞŽůĂŬ WĞƚĞƌ /ŐĂůƵŝƚ ŵĂƐŬ͘ WŝƚƐĞŽůĂŬ WĞƚĞƌ ĐƵƐƚŽŵ ƌĞƉůŝĐĂ ŽĨ ĂŶƟ ƋƵĞ /ŶƵŝƚ ŵĂƐŬ͘ DŽŽŽŝ ĞƌƚũĂŶ WŽƚ WƌŽƉ >ŝŐŚƚ͘ ǀŽůƵƟ ŽŶ ŐƌĂŶŝƚĞ ƐůĂď ;ŬŝƚĐŚĞŶ ĐŽƵŶƚĞƌƚŽƉƐͿ͘
DINNER party
y home is that it’s an experience...”
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PHOTOGRAPHY PROVIDED BY LAURA CHAPMAN